V Y TRUONG INTERIOR ARCHITECTURE & DESIGN PORTFOLIO | 2019
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Hello! My name is Vy Truong and I am a future-Interior Designer. As a graduate of the Interior Architecture program at the University of Houston, I was exposed to a range of talented peers and challenging opportunities. This prepared me creatively for the design profession at Ziegler Cooper Architects. As an Interior Designer at Ziegler Cooper, I mainly focused my time in landlord / corporate work which required organization, client/associate coordination, speedy productions, and creative problem-solving. I was given the opportunity to fully engage in projects from start to finish through schematic design/programming, design development, construction documentation, registration, construction administration, and project punch-walks. With licensing in my future, I hope to fully engage in the world of Interior Design and continue to grow creatively and professionally. Thank you for taking the time to explore the following collection of works and experiences. Best Regards,
Vy Truong
Vy Truong
832.275.4875 Vy.Truong2@gmail.com Houston, TX 77007
INTERIOR aRCHITECt b.s.
2015 TDECU @ UH Design Build
CUM LAUDE
Spring Studio 3100 INAR Studio
Skills PROFESSIONAL
Creative Design/Big Picture Concept Design/Modeling Schematic Design/Programming
CREATIVE
Construction Administration Client interactions In-field Verify/Surveys
TECHNICAL
Drafting Construction Documents Hyper-realistic Renders PERSONAL
SOFTWARES Revit
Passionate Hard Working Quick Witted Fast Learner Creative Forward-Thinking Eager
English
Experiences
AutoCad
Photoshop
Illustrator
InDesign
Designed 3 acres of land into shared community gardens and school programs. 2016
CONTEST Student Contest Winners
Groundsbreaking in February 2017; Project underconstruction
University of Houston January-November Designed and built a Stadium Commemoratve marker representing student life
2017
Newforma IN-HOME DESIGNER
AND ALSO
Vray Renders
Grasshopper
Full-time Employment College Station, TX Retail + Interior Design
Enscape Renders
Vietnamese
Contracted Work Groesbeck, TX Inproduction
Designed interior renovation and modular furniture for TDECU University branch.
Project completed November 2016
Rhino Sketchup
GARDEN DESIGN
Acquired understanding of interior materiality and furniturnishings.
Hobbies 2018
ART
SINGING
PIANO
TENNIS
PHOTO GRAPY
HIKING
Design Professional Landlord Interior projects
References ZIAD QURESHI ZIAD.QURESHI@GMAIL.COM INTERIOR ARCH. UNDERGRAD PROF. ARCHITECTURE GRADUATE PROF.
ZIEGLER COOPER
MEGAN FUNNI M.FUNNI@INTERIORARCHITECTS.COM PROJECT MANAGER AT ZIEGLER COOPER. DESIGN MANAGER AT IA HOUSTON.
MATT KOONS MKOONS@HAVERTYS.COM BRANCH MANAGER AT HAVERTYS FURNITURE - COLLEGE STATION
Fast paced landlord/commercial projects Start to finish involvement of projects Worked on 30 projects and counting.
2019
Personal interactions with customers and clients; great practice for people’s skills. Quick design opportunities on a very personal level.
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PROFESSIONAL WORKS Galleria Tower 2 Lobby, Lower Lobby, Garage Entrance Renovations Interior and Signage Design 2018 - Current| Ziegler Cooper
Millennium Tower II Lobby, Elevator Lobby, Tenant Lounge Renovations Interior Design 2019 - Current | Ziegler Cooper
CC
CC
CityCentre 2 Lobby and Restroom Renovations Interior Design 2019 - Current | Ziegler Cooper
INDIVIDUAL WORK Whose House? Coogs House! Competition Winners Statue / Marker Design 4th Year | 2017
ACADEMIC WORKS Harmonious Convergence Adaptive Reuse Interior and Landscape Design 2nd Year | 2014
In the In-Between TDECU Branch Reimagined Industrial and Interior Design 3rd Year | 2016
The Scope Adaptive Reuse - Historical Preservation Interior Design and Architecture 4th Year | 2017
PHOTOGRAPHY
Professional Works
2018 - present
Galleria Tower 2
Capital Improvements
Garage Entrance view
ABOUT GALLERIA TOWER 2: • CLASS A CORPORATE / BUSINESS TOWER • 320,359 SQFT • 21 FLOORS • CONSTRUCTED IN 1969 • HAS 2 LOBBY SPACE; ONE AT STREET LEVEL, ONE AT GARAGE LEVEL
SOFTWARES USED:
> AUTOCAD > SKETCHUP > INDESIGN > ENSCAPE RENDERING SOFTWARE > PHOTOSHOP
REQUIREMENTS: • INTERIOR SPACE IS OUTDATED. WANTS A MODERN / CLEAN CORPORATE LOOK TO ENCOURAGE TENANT
EXPOSURE. • MANY UNWANTED MALL VISITORS WILL ENTER OFFICE TOWER UNKNOWINGLY. WANTS UPDATED SIGNAGE AND VISIBLE DISTINCTIONS. • WANTS VISIBLE CONNECTION TO EXISTING GALLERIA TOWER I AND THE GALLERIA MALL BUT WITH A DISTINCT INDIVIDUALITY. •LOWER LOBBY TO MIMIC MAIN LOBBY
UPGRADING ENTRANCES & LOBBY:
• Main Entrance: Enhance exterior entry facade. • Secondary Entrance: Repainting and enhancing signage. • Lobby: Enhance and refresh with new finishes, lighting and furniture. • Signage: Address wayfinding / signage in efforts to help flow of Galleria traffic and building occupants. • Sky Bridge: Enhance and refresh signage and new paint with graphic mural at entrance bridge.
INSPIRATION:
LIGHTING LAYOUT: A
B
C
MAIN FLOOR
D
ALL FLOORPLANS: NTS
LOWER FLOOR
MAIN LOBBY FURNITURE PLAN :
SOFA
LOUNGE CHAIRS
SIDE TABLE BAR STOOLS
AREA RUG
OCCASIONAL TABLE
CREDENZA
COLLABORATIVE WORK STATION
SIGNAGE DESIGN OPTIONS: OPTION 1
OPTION 2
OPTION 3
OPTION 4
OVERALL FINISHES:
WOOD VENEER; TO MATCH GALLERIA TOWER 1
BACK PAINTED GLASS; TO MATCH GALLERIA TOWER 1
BLACK METAL ACCENTS AT SIGNAGE
Lobby View 1
Lobby View 2
lower lobby view 1
Lower lobby view 2
GARAGE ENTRANCE DESIGN:
METAL PANEL COVERS
BACK PAINTED GLASS & LOGO
NEW BOLLARDS
SKY BRIDGE ENTRANCE DESIGN:
BACK PAINTED GLASS
WALL GRAPHIC
Millennium Towers ||
Capital Improvements
Lobby view 1
Lobby View 2
Renovations include: > Lobby Renovations: finish change, lighting change, furniture selection, signage upgrade, security desk upgrade, Architectural improvements. > Elevator Lobby Renovations: Finish change, lighting change, signage upgrade, Elevator cab upgrade. > Tenant Lounge Design: New Tenant Lounge space with finishes, lighting, furniture, and architectural improvements. > Management Office Renovations: Finish change, lighting change, furniture upgrade
softwares used: > AUTOCAD > SKETCHUP > INDESIGN > ENSCAPE RENDERING SOFTWARE > PHOTOSHOP
finish plan: MAIL / VENDING TENANT LOUNGE CORRIDOR
ELEVATOR LOBBY
ELEVATOR LOBBY
MANAGEMENT OFFICE
LOBBY
FACADE
PLAN: NTS
EX. TILE
STONE
LVT
FLOOR FINISHES
CARPET
LVT
STONE
BRONZE METAL
WALLCOVER
TILE
WALL FINISHES
WALL PAPER
BACKPAINTED GLASS
WOOD VENEER
elevator cabs:
security desk: 2’- 6”
6’- 2”
3’- 0”
7’- 7”
STONE
BRUSHED METAL CEILING
BACK PAINTED GLASS
2” 4’- 0”
2’- 6”
WOOD VENEER
FRONT BRONZE METAL
3’- 2”
5’- 6”
2’- 6”
BACK
SECURITY DESK REQUIREMENTS: 13” x 17” x 3.5” key box, (1) 34” monitor for cameras, (1) 26” monitor for building and garage access control, storage for 7 binders, Intercom, Remore fire panel annunicator, Toggle button for mag lock release, (2) tower computers, (1) emergency phone for elevators, (1) desktop phone for general use. MARBLE ACCENT STONE
CARPET
WOVEN METAL STEEL
tenant lounge: PAINT
BACK SPLASH
SOLID SURFACE
XOREL DIVIDER
WALLPAPER
Tenant lounge view
CC
CC
City Centre 2
Capital Improvements
Lobby view 1
Lobby View 2
objectives: > REJUVENATING LOBBY SPACE TO ENCOURAGE NEW TENANT EXPOSURE. > CREATE EXPOSURE TO BUSINESS CENTER ENCASED WITHIN MULTIPLE BUSINESS CENTERS. > COMPETE WITH SHOPPING CENTER SETTING WITHOUT COMPROMISING BUSINESS AESTHETICS.
Renovations include: > Lobby Renovations: finish change, lighting change, furniture selection > Restroom Change: Finish change, fixture changes, lighting changes.
softwares used: > REVIT > INDESIGN > ENSCAPE RENDERING SOFTWARE > PHOTOSHOP
ACCENT TONES & TEXTURES
NEUTRAL UNDERTONES
palettes: DECORATIVE FIXTURES AT ELEVATOR LOBBY
CONTRASTING FLOORINGS
finish plan & inspirations: FLUSH MOUNTED LIGHTING FIXTURES THROUGHOUT FRONT-OF-HOUSE DECORATIVE FIXTURES AT ELEVATOR LOBBY
SEATING ARRANGEMENTS
LACQUERED OR BACK PAINTED ACCENT WALLS
LINEAR RECESSED LIGHTING AT BACK-OF-HOUSE
DECORATIVE GROUT PATTERNS
Individual Works
2017 | uh
Whose House? Coogs House!
coogs house
STADIUM STUDENT COMMEMORATIVE MARKER Project Type: Purpose: Architect:
Design Competition Stadium Commemorative Marker AAVA Design Team; Abran Arvizu, Afreen Ali, Alex Bishop, Vy Truong
The Stadium Student Commemorative Marker was a University of Houston-hosted design contest open to all students requesting for a design of a lasting marker to sit outisde of the school’s newly built football stadium. The contest dedicated a specific lot outside of the stadium entrance north and had requirements of 3 feet heigh and 45 feet wide. The intentions of the marker is to represent the student body as best as it can, allowing for an open community space for leisure or a hallmark for graduation photos. The winning design was a cooperative effort amongst members of the AAVA Design Team, Abran Arvizu, Afreen Ali, Alex Bishop, and Vy Truong, which accurately and proudly represents the university. The final design became a bench that immobilized the school’s well-known chant, “Whose House?! Coogs House!”, through the school colors and simplified icon of a football. Back-lit acrylic panels lined the skies with the question “WHOSE HOUSE” while concrete letters spell out “COOGS HOUSE,” welcoming passing students. Since the unveiling of the marker, the marker has not only received an incredible amount of positive feedback, but personal interactions with students have been a regular occurance.
CONCRETE CONCRETE WAS CHOSEN FOR THE LETTERING DUE TO ITS THEORETICAL AND PHYSICAL STRENGTHS. BECAUSE OF THE LETTER SIZING, COST WAS ALSO A BIG FACTOR IN CONCRETE BEING THE FINAL MATERIAL CHOICE FOR THE “COOGS HOUSE” LETTERING.
RED STEEL COUGAR RED WAS CHOSEN FOR THE EXTERIOR STEEL FRAME THAT IS TO BORDER AND PROTECT THE HEAVY COOGS HOUSE LETTERING. COUGAR RED NOT ONLY REPRESENT THE UNIVERSITY OF HOUSTON BUT ALSO EVERY STUDENT BODY WHICH INHABITS THE SCHOOL WHICH MAKES PERFECT SENSE FOR THE COUGAR SCARLET RED TO BECOME THE PROTECTIVE FRAMEWORK OF “COOGS HOUSE.”
LED + ACRYLIC LED LIGHTS WERE USED AS BACK-LIGHTING FOR WHITE ACRYLIC MATERIAL THAT SPELLS OUT “WHOSE HOUSE” ATOP THE RED STEEL FRAME, MEANT TO LINE THE SKYS WITH THE OPENING TO THE FAMOUS CHANT.
DAY RENDER
CONSTRUCTION DOCUMENTS
PLAN 0’
1’
2’
5’
10’
HOLLOW STEEL BENCH WITH LED OR FLUOURESCENT STRIP LIGHTING STEEL PLATE INSET 6” CONCRETE LETTERS WITH SMOOTH FINISH FOUNDATION CONCRETE
LONG SECTION 0’
1’
2’
5’
10’
NIGHT RENDER
Post Construction
COMPLETED DESIGN
THE DESIGN TEAM
Academic Works 2014-2017 | Uh
Harmonious Convergence: Spanish Revival Atmospheric Rememberance continuation
Project Type: Purpose: Architect: Instructor:
Interior Architecture Adaptive reuse and revival of Spanish bathroom building Personal Project INAR 2500; Year 2 Ziad Qureshi
The Spanish Revival building that withstood 85 years of turmoil, simply to be transformed into a necessary yet unkept bathroom and hidden behind disorganized, overgrown trees. The buildings beauty and unique qualities are much unseen and underappreaciated. It acts as the appropriate threshold between the historical grounds of the San Jacinto battlefield and the much more modern and industrialized Battleship Texas. The trees exist to shield the view of the large battleship from the battlegrown site however it also distracts from the facade of the important building, which fails to welcome much guests into or beyond its exterior. The facade is beautiful and unique as is therefore the efforts for preservation was much needed and intended in the design process.
Public vs. Private Program
Circulation vs. Density
DENSITY
heavy
Light
Main circulation Secondary Circulation Private entrance
Public--------Semi Public-----Private (due to Cost)-
AS-BUILT CONDITIONS
Spanish Revival As-Built Elevation 0’
5’
Spanish Revival As-Built Elevation
10’
0’
5’
10’
NEW CONDITIONS Spanish Revival Short Section 0’
1’
5’
Spanish Revival Short Section
Spanish Revival Short Section 10’
0’ 0’
1’
5’
1’
5’
10’
10’
Spanish Revival Long Section 0’ 1’
Symmetry: Preexist vs. New
New: Off-centered external/ symmetrical internal
10’
MATERIAL PALETTE FLOOR MATERIALS: Dark concrete interiors, marbled flooring breezeway, concrete exterior
Prexisting: Symmetrical
5’
WALL MATERIALS: steel mesh exterior, preexisting stucco, wood walls for recreationals
AS-BUILT CONDITIONS
as-built floorplan 0’
5’
10’
DESIGN CONCEPT AND LAYOUT The As-Built condition of the Spanish Revival building was not pleasant or preserved. Due to its lowly yet extremely demanded program as a measly and uncleaned bathroom, many may have missed the beautiful qualities of this building. The bar-bell shaped building is completely symmetrical on either side of its mass while the main opening/atrium that connects the masses act as a conceptual threshold seperating the two battlesites and helps recreate the atmostphere neccessary to enhance site awareness. Utilizing its positive characteristics, the building is redesigned with the emphasis on the actual threshold and also tries to create the symmetrical division between the two battlesites. The building also has two additions to the side masses that allows space for additional fundraising and revenue generator while also breaking up the symmetry of the building externally and still retaining the balance internally. The programs of memorial leading to ticketed recreations also stands as the symbol of new meets old to adaquetly reiterate the importance and atmostphere of history to the youths of today.
NEW CONDITIONS 1
2
3
7.
6. 3. 4.
5.
1.
2. 8.
1
9.
SPANISH REVIVAL BUILDING FLOORPLAN 0’ 1’
5’
10’
2
PROGRAM LIST:
1. Breezeway connection/ lobby space 2. Old history wall display 3. New history wall display 4. Display/gallery space 5. Catering back entrance 6. Catering/dining space 7. Catering Main entrance/ Lobby space 8. Old history display/gallery space 9. Old history information wall 10. Theatre/ screening space
10.
3
In The In-Between
INHABITING THE INTERSTITIAL
Project Type: Purpose:
Interior Architecture; Design Build Adaptive renovation of TDECU branch within the University of Houston Campus Joint project of UH COAD Interior Architecture department 1
Architect:
Although existing within the campus student center since the reconstruction in 2014, the TDECU University branch is almost invisible for student on campus due to it’s terribly hidden location and closed off exterior. In the In-between is a design built project between the Interior Architecture department within the College of Architecture and Design and the TDECU Credit Union to reimagine the space as a more open, inviting, and comfortable for student bankers on campus. The design build consists of a multifunction work space installation and interior proposal in hopes of modernizing the space. The goal of the design was to rethink the way banking is done through design and incourage a much more personal member-teller experience. The installation is a modular design consisting of lounging, work surfaces, storage, and seating. The interior proposal consists of a deconstructed interior, halo lights, privacy curtains, and a backlit media wall. 1
Jasmin Carranza, Silvia Celeste, Han Dang, Quan Dang, Nick Janho, Jeannice Macklin, Jamie Newcomb, Ciera Perkins, Logan Scott, Vy Truong
10 ft
LIGHTING Halo lighting was designed for the space to articulate the nodes of activity. They are also intended to provide a local spot for visual and acoustic privacy through supporting suspended sheer curtains that may be drawn to user preference.
12 ft
DISSOLVE Dissolve is a concept which evolved from the desire to shed TDECU of the rigid, formal environment of traditional banking. The concept is expressed predominately in the execution of the spatial proposal. All surfaces of the bank have been operated on with the intention of exposure. By physically opening up the bank branch, the design hopes to create a perception of transparency and honesty amongst the tellers and bank staff. The desired atmosphere is one that is bright and fluid, allowing easy interactions between staff and students. 2 ft
CEILING By stripping the space of the existing commercial ceiling tiles, we expose the internal systems within the ceiling as well as atmospherically lightening the space.
10 ft
FACADE By removing the walls, visibility of the space is heightened. The lack of barrier between the bank and the university center blurs the line between what is bank and what is student territory.
12 ft
13 ft
13 ft
33 ft
13 ft
37.5 ft 1.5 ft
32 ft
EXPLODED ISOMETRIC
FLOORING Curent hectic tile flooring in the space is removed, exposing the existing concrete, visually simplifying the space. Edge conditions are remidied where old meets new.
D
C
B
A
01
Freshii Existing Hallway
Legacy Lounge
13.3’ 13.3’
A
Primary Office 12’
Main Gathering Space
02 13.3’
Consultation Space Break Room 33.7’
12’
13.3’
Consultation Space 10’
9.6’
Vault Room
03 15.5’ 11.5’
21’
32.5’
PLAN 0’
1’
5’
1’=1/4” 10’
MEDIA WALL AND ADVERTISING
Drawing from our themes of technology and advertising, we chose to use the back wall in the main gathering space as an opportunity for a media wall. Using the programs, grasshopper and Rhinocerous, we designed a back-lit, perforated metal sheets which attach to the wall to form a graphic that spells out the slogan of TDECU “Be You. Belong.”
BE YOU. BELONG.
3.9”
BE YOU. BELONG. $ $ $ $ $ $ $ $ $ $ $ $ $ $
11’
7’6”’
/ / / $ $ $ $ $ / $ $ X $ $ XX $ $ $ XX $ + + $ + + + $ + + + + $ + + + $ + + + $ $ + + + $ $ $ + + X $ + X X $ X X
/ / / / / / /
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/ / /
X X v X v v v X X / / / / / X
$ $ $ $ / / / / / / / $ $ $ $ $ $ + + ++ $ $ $ + + X + +X X $ $ + + X + v / + X X v $ + + X v +X X v v
$
$ $ $ $ $ $ $ $ $ $ $ $
/ /
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v +X X v + +X v + +X v + +X / + + X v v / / / + + X X v / / / / +X X +
++X + +X ++ X ++ ++
$ $ $ $ $ $ $ $ $ $ $ $ $ $ $ $ $ $ $ $ + +
+ + X
/ + + X v / + + X v / / + + X v / / / / + + X v
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$ $ $ $ $
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X X
++ + + + + + + v
/
32’ 9”
11’ 2”
3’
3.6”
21’ 7”
X X X X v X v X v X
tal
/ / / $ $ $ $ $ $ / / $ / / X X / X X X X
/
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+ $ + $ + $ + $ X + X + /
/
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5’6”
Pe 5’6”
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$ $ $ $ $ $ $ $ $
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D LE
l
ne
Pa
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ne
Pa
MULTIPLICITY OF PROGRAM
When we dissolved the two main facades of the branch, we dissolved the traditional break room in a sense as well. Three glass enclosed office spaces act as the new primary office, break room, and consultation space. As the current break room is only used for a quarter of the work day by two to three employees, we saw an opportunity to create a new break room and private consultation flex space that can be utilized for more hours of the day.
MU LTIPLICITY OF PROGRAM: ENCLOSED OFFICE SPACES: Break and Consultation Room
HO UR
SU TI L
N G SQ U A R E F NDI O
OT
CO
840
2
100
160
-Staff break room
-Opening account
-Private call room
-Taking out loans
-Secondary conference space
6
6
57 320
480
25
S E AT S
-Financial planning
E
24 16 8
-Manager’s private office
D
PO
E IZ
R
ES
AG
R
D u a l U sa ge C o n s u lta t io n B re a k R o om
Primary Office 160 sqft
Consultation 160 sqft
Break Room/Consultation 133 sqft
EVOLUTION OF COUNTER, TABLE + LOUNGE DESIGN
Counter- Development 1
Counter- Development 2 Raising the height up to 42�
Counter - Development 3 Adjusting the dimensions
Counter - Development 4 Sliding the surface and creating a 4� toe-kick
Counter - Development 5 Creating a stop edge
Counter - Development 6 Beveling to create smooth edges
Table - Development 1 2 pull-out chairs with 2 static tables
Table - Development 2 One whole pull-out table piece
Table - Development 3 2 pull-out tables with storage underneath each seat
Table - Development 4 2 pull-out tables with 2 static seats
Table - Development 5 Cut in 4� toe-kick and bevel the edges
Table - Development 6 Create handles for each table piece
Lounge - Development 1 Lounge - Development 2 Raise up the height to accomodate the requirement
Lounge - Development 3 Adjust the height and create 2 pull-out benches
Lounge - Development 4 1 pull-out bench and 2 small sitting benches
INTERIOR RENDER 1
Lounge - Development 5 Update the connection between pull-out pieces and static ones
Lounge - Development 6 Adjust the connection and create handles
C O M F O R T
E F F I C I E N T
F L E X I B L E
COUNTER
C
E
F
C
E
TABLE
F
C
E
F
C
E
F
C
E
F
C
E
F
C
E
F
LOUNGE Counter Pattern 1
Ipad Holder
Moveable Tables
Moveable Benches
Counter Pattern 2 Counter 1’s Pattern
Moveable Tables
Flip the Benches
Counter Pattern 3 Counter 2’s Pattern
Moveable Tables
Belonging Holder
Table Pattern Counter 3’s Pattern
Table’s Pattern
Lounge’s Pattern
Lounge Pattern
C
E
F
C
E
F
THE INSTALLATION MODULAR
MULTI-FUNCTION
Benches
ENGAGING
Radius 0.75”
54” Radius 3”
Section 2 Section 1 12”
The intended objective of the design build was to create an interactive piece/installation that was easy to replicate while being able to perform multiple functions at once. The pieces were intended to be universal with the idea of being distributed throughout all TDECU branches. The end result comprises of a modular, movable furniture piece which can expand the functions of the object as well at the spatial abilities of the pieces. Each “station” alone provides a new level of efficiency, comfort, and functionality, but once put together can not only heighten efficiency and functionality levels but also promote social interactions. Depending on the configuration of the user, the modular installation can become an inviting community space or a private work zone.
Counter
120° 60°
Section 3 2”
4”
30°
4” 1” 2”
PLAN 0’ 1/2’ 1’
3’
Tables
TECHNICAL DRAWINGS 12”
28”
38.25”
26”
43”
14”
36”
4”
54”
LOUNGE ELEVATION
90° 3”
1”=1’
4”
60° ”
24
28”
25”
1”=1’
38.25”
BENCH PLAN
14”
71.76°
13.5”
4”
40”
120°
WORK ELEVATION
1”=1’
23”
108.24°
60°
”
.75
43
32”
1”=1’ 4”
COUNTER ELEVATION
1”=1’
38.25”
28”
30.33”
TABLE PLAN
POTENTIAL CONFIGURATIONS
32”
38.25”
30.3” 14”
1
4”
SECTION 1
1
Underlight
1”=1’
BASE ARRANGMENTS 14”
102°
0’ 1’
5’
10’
38.25” 32” 14”
1
4”
SECTION 2
1
Underlight
1
Underlight
1”=1’ 6.25”
10.62°
3”
102° 38.25” 29” 14”
1
4”
SECTION 3
1”=1’
USAGE DEMONSTRATION ARRANGMENT 0’ 1’
5’
10’
INTERIOR RENDER 2
The Scope! At Teufelsberg SENIOR “THESIS” PROJECT Senior Project 2017 Adaptive reuse and Revitalization Personal Project; Vy Truong
STRATA
OBSERVATION CENTRAL BERLIN
ELEVATED SITE
T
ART INSTALLATIONS NATURE INTERACTIONS HISTORICAL INTERACTION
N
LAYERED MATERIALITY
TU NA RE
Teufelsberg and Field Station Berlin together make up the unique timeline of Berlin, Germany dating back to World War II. Teufelberg, a man made mountain of rubble, reaching a height of 394 feet, sturdily covers the mysteriously unfinished Nazi military college designed by Hitler’s main Architect, Albert Speer. Atop the unique mountain sits the abandoned Field Station Berlin, an expansive NSA listening tower site once owned and run by the British and American militia during the Cold War. Since its abandonment of primary purpose in 1992, Teufelsberg has cycled through a number of ownership and functional programming, some in effort to continue the function and legacy of the standing buildings and others for ill intent to generate personal revenue. As a result of the historical protection over the buildings making up Field Station Berlin, the site has fallen victim to deterioration over time. Being surrounded by the ever-expanding Gruneswald forest and it’s overpopulation of Wild Boars makes maintaining and preserving the Teufelsberg site quite difficult. Interestingly enough, Teufelsberg has grown to be one of the most desired tourist spots to visit when in Berlin. Its difficult entry and elevated navigation tempted many adventurous tourists and street artists to find themselves trespassing on site and snapping a panoramic view of Berlin or line the walls with graffiti art. Teufelsberg’s unique and extensive history should not be allowed to slowly die out with each new layer of interaction it receives, but deserves a revitalization, one that fits the current functions of the space while still honoring its unparalleled past.
MA
Project Type: Purpose: Architect:
SPACE
GEOMETRIC CONNECTION INSTALLATION CONNECTION
AS BUILT ELEVATION CONDITION
EXISTING SITE CONDITIONS:
VISUAL ACCESS
SITE ACCESS + PROGRAMMINGS (past + present)
SECONDARY/ SUPPORTING STRUCTURES
MAIN FUNCTION BUILDINGS
EXISTING BUILDING CONDITIONS:
INTERIOR MATERIAL
INTERIOR MATERIAL
PROGRAMS:
PROGRAMS:
S BUILT ELEVATION CONDITION
EXTERIOR MATERIAL
EXTERIOR MATERIAL
PROGRAMS:
INTERIOR MATERIAL
EXTERIOR MATERIAL
THE DESIGN PROPOSALS
See/Be Seen: NATURE, MAN, SPACE EXPLORING THE AVENUES OF OBSERVATIONS
SPACE MAN
E
SPAC
MAN NATURE
The charm of Teufelsberg lies in its perpetual build of historical uniqueness, the collection of ever-changing art “installations”, and its elevated observational qualities. The proposed design intends to utilize all three compelling characteristics in order to heighten its social and global awareness which can bring about preservation efforts. In an effort to preserve the historical anecdote of Teufelsberg in a modern society, the program hopes to include an interactive and educational memorial exhibition. The memorial exhibit also aims to connect to the underground remains of Albert Speer’s mysterious military college and open up the unknown space for changeable installations from artists around the world. The inclusion of city observation and also astronomical observation will hope to positively utilize the extreme height of the site but also play on the quality of “see/be seen” tradition that Teufelsberg is known for. The introduction of a nature center and camping ground will allow for a safer interaction with the vast forest that surrounds the site, while a temporary hostel space can ease the concerns for night hiking down Teufelsberg and allows even more time to be spend on site. A cafe and shop space assists in comfort for guest and financial stability for the commercial site.
NATURE
SITE PLAN PROPOSAL
NATURE
RED WOOD
MAN
RED STEEL
SPACE
RED STEEL
PERF.
LIGHTS
SITE ELEVATION PROPOSAL
ENVIRONMENTAL AMNESTY CENTER NATURE BUILDING
PROGRAM ISOMETRIC: PRIVATE ENTRANCE SPACE RESEARCH LABS INSTALLATION SPACE
INTERACTIVE NATURE
FIRST FLOOR PLAN RESTROOMS ELEVATORS
0’ 5’ 1’ 10’
20’
50’
STAIRS LOBBY SEMI PUBLIC PUBLIC
MATERIAL PALETTE:
PERFORATED WOOD WALLS
WALL/VERTICAL PLANT WALLS
WHITE POLISHED CONCRETE FLOORS
SECOND FLOOR PLAN 0’ 5’ 1’ 10’
20’
50’
CEILING HT 17’-0” A.F.F.
CEILING HT 17’-0” A.F.F.
CEILING HT 17’-0” A.F.F.
S
S
S
RECESSED (INSIDE WALL) (COMPACT FLUORESCENT)
CEILING HT 17’-6” A.F.F. S
S
16” WARM PENDENT (COMPACT FLUORESCENT) S
16” PICTURE LIGHT (COMPACT FLUORESCENT)
S
CEILING HT 17’-0” A.F.F.
CEILING HT 17’-0” A.F.F.
RECESSED (COMPACT FLUORESCENT)
CEILING HT 17’-6” A.F.F. S
SWITCH
S
S
S
2
2-WAY SWITCH
CEILING HT 17’-0” A.F.F. S
FIRST FLOOR R.C.P. 0’ 5’ 1’ 10’
20’
50’
LONGITUDINAL SECTION
The Environmental Amnesty Center or Nature building is dedicated to the observation of nature and how man interacts with nature. The interior has a natural material palette such as wood and limestone. The focal point of the building is the overcasting tree that grows from within, meant as a symbol of currated and controlled interactions with nature. Perforated wood walls allow for easy plant growth as well as rotational installation manipulations. The interior static installation is meant to mimic the feeling of the gruneswald forest which surrounds the sight, filtering bother natural and artificial light from above for a sheltered, overcast atmosphere.
NATURE BUILDING RENDER INTERIOR
HISTORICAL COLLECTION OF MORTAL BEINGS MAN BUILDING
PROGRAM ISOMETRIC:
ENTRANCE TO TEUFELSBERG HISTORICAL TUNNEL AND ALBERT SPEER BUILDING
OPEN CEILING SPACE
MUSEUM / GALLERY SPACE
INSTALLATION
RESTROOMS
ENTRANCE TO TEUFELSBERG HISTORICAL TUNNEL GALLERY/MUSEUM
ELEVATORS STAIRS LOBBY SEMI PUBLIC PUBLIC
FIRST FLOOR PLAN 0’ 5’ 1’ 10’
20’
50’
SKY BRIDGE TO ROOFTOP GARDEN
INSTALLATION SPACE
MATERIAL PALETTE:
STORAGE SECOND FLOOR PLAN EXISTING CONCRETE-GRAFFITI WALL
STEEL WALL PANELS
WHITE POLISHED CONCRETE FLOORS
0’ 5’ 1’ 10’
20’
50’
S S 2
S S
2
16” WARM PENDENT (COMPACT FLUORESCENT)
2
16” PICTURE LIGHT (COMPACT FLUORESCENT) S
2
CEILING HT 40’-0” A.F.F.
RECESSED (COMPACT FLUORESCENT) SMOKED/CARBON DIOXIDE DETECTOR
S
SWITCH
S S
2
2-WAY SWITCH
CEILING HT 18’-0” A.F.F.
FIRST FLOOR RCP 0’ 5’ 1’ 10’
20’
50’
LONGITUDINAL SECTION 0’ 5’ 1’ 10’
20’
50’
The Human Collectives Museum or Man building is dedicated to the observation of man and how the generations have grown and developed overtime. It is an observation upon ourselves has human beings and how we have impacted change within society and upon earth. The building shares its program with the Teufelsberg historical tunnel, therefore one side is simply dedicated to the grand entrance of the tunnel. The museum of man’s marvels is cladded with industrialized materials such as polished steel walls, concrete, and reflective plastic structures. The atmosphere is brightly lit with artificial lighting from above as a lack of natural light almost intensifies the reflectivity in the material palette, creating an “overly clean� environment to experience and reflect upon. The clean and reflective steel cladded walls of the museum slowly disintegrate as it moves towards the Teufelsberg entrance, leaving behind the history-rich, graffiti-filled, concrete walls of the existing building. The interior static installation is designed to be tall and thin plastic structures that provide shelving and pinning support, while acting as a semi-transparent enclosure for works on display.
MAN BUILDING RENDER INTERIOR
NATIONAL AMATEUR ASTRONOMY CENTER SPACE BUILDING
PROGRAM ISOMETRIC: RESTROOMS
OBSERVATORY
ELEVATORS STAIRS LOBBY SEMI PUBLIC PUBLIC
LOUNGE SPACE
RESEARCH LAB
FIRST FLOOR PLAN 0’ 5’ 1’ 10’
20’
50’
RESEARCH LAB AMATURE OBSERVATORY(4) RESEARCH OFFICE
(4)
RESEARCH OFFICE
(4)
AMATURE OBSERVATORY
CONVENTION CENTER
SECOND FLOOR PLAN 0’ 5’ 1’ 10’
20’
50’
ASTRONOMER GALLERY OPEN INSTALLATION
ASTRONOMY LEARNING CENTER
THIRD FLOOR PLAN 0’ 5’ 1’ 10’
20’
50’
LONGITUDINAL SECTION 0’ 5’ 1’ 10’
20’
50’
The Astronomy Center or Space building is dedicated to the observation of the cosmos and things beyond our knowledge. The building utilizes its height to allow amazing views of Berlin during the day and stunning glymps of the stars at night. The environment of the space is set up to feel a bit out of the ordinary, creating a feeling of the “unknown.� The interior walls are left bare to expose graffiti over concrete while artificial lights stem from behind fabric walls to guide the way without revealing too much of what is coming. The interior static installation piece is set upon the ceiling, catching the lights from the main glass elevator. The use of fabric is meant to filter and blur light, allowing for the light itself to also become a material choice. The juxtaposition of light and dark within the interior space hopes to capture the dance of light and dark that is emited from space.
SPACE BUILDING RENDER INTERIOR
DEBRIS HISTORY: A JOURNEY TO THE PAST
SEATING AREA WITH INFO WALL
EXPLORING THE RICH HISTORY OF TEUFELSBERG AND ITS BUILDINGS.
Nazi Military Training College Built Below
Teufelsberg Formation NSA Field Station from Rubbles Berlin built a top
Currently: Renewed Recreational Abandoned Collection of Programing and Failures Graffiti Art and Artifacts
INFORMATION WALL
INFORMATION WALL INTERACTIVE AREA VISUAL AND REST AREA
Historical Summary Renewed Purpose
PAST HISTORY AND LEGACY
SPATIAL QUALITY OF THE INBETWEEN ; PRESENT STATE
FUTURE RENEWED FUNCTIONS
INTERACTIVE AREA INFORMATION WALL
INFORMATION WALL +
STAIR SYSTEM DISPLAY AND LANDING DESIGN
TIMELINE
DEDICATION PLAQUE INFORMATION WALL
TIMELINE INFO ALTITUDE INFO INFO BOARD DRAWING ON GLASSS
INFORMATION WALL + TIMELINE
The historical tunnel of Teufelsberg is a 394’ deep stair system that allows visitors to relive the histories of Teufelsberg. From the start of the Albert Speer building to the current decrepit state, everything worth knowing about this historically rich site can be found within the tunnel. There are a total of 6 main landings for the 6 main events which has occured while the other small landings carry interesting facts and less historical moments in history. The ride through the main glass elevator allows for views of the surrounding rubble buried deep within the mountain while observing the juxtoposition of modern materiality and technology. The end of the tunnel leads to the Albert Speer building itself, now a rotating installation space, carries art, history, and light for even more exploration opportunities.
SPEER BUILDING RENDER INTERIOR
Photography
Forever Growing
Thank you for viewing! DIGITAL PORTFOLIO:
https://issuu.com/vytruong2/docs/new_portfolio_2019