Volume 11 Magazine February 2011 by Becky Elliott

FEBRUARY 2011 Table of Contents

Has rock music simply become background music?

Volume 11 Magazine sits down with Cherry Tree Records recording artist Natalia !"##$%&'%&(#)%%*+$",-%.#*-% and her thoughts on today’s music industry.

What Happened to Interview with My Classic Rock? Natalia Kills

Canadian Artist to Watch in 2011: Teen Daze BC based, home record ing wizard, Jamison Dick is someone to look out for in 2011.

The Return of Vinyl Are vinyl records beginning to make a comeback?

The Beatles on iTunes: The Wait Is Over! The much anticipated arrival of the Beatles on "/+01$%"$%.0(##2%+3'0%+$4

Six Quickies with Jesse ... And Your Favourite Bands Your favourite column is back and this month we are answering your burning questions from Mat Kearney, Augus tana and A Fine Frenzy.

Album Reviews Check out the latest reviews on the hottest albums from artists Fefe Dobson, Rihanna, Have Heart and Duffy.

“Do Not Watch This Movie” Get the latest scoop on the controversial new Shattered Video production “Do Not Watch This Movie”.

The Team:

Marketing

Journalism

EditorinChief

Ryan Stark Morgan Ritcey

Becky Elliott

Design

Elisa Kritiotis Scott Kendall Mike Simpsom Natasha Zajakovski Jesse Letford Brian Willett Kyle Leclair Tashana Billey Sarah Abbott Alicia Harper Victoria Church Savannah Fullick Katrina Araujo

User Reviews We’ve tried and tested some of the latest tech gear to see what works best so you don’t have to.

Assistant Editors Keena Elkington Dirk Mcmillian Kayla Tinson

Portia Shipman Amy Warbick Allanah Thomas Daniel Frederick Shawna Hunt

COVER: Natalia Kills photographed by Universal Music Group. Inside spread: photographed by Guillaume Doubet. Table of contents:photographed by Guillaume Doubet. Special thanks to Alexandra Baker and Laura Fremont.

What Happened To My Classic Rock? By: Brian Willett Maybe this is an age thing, but back when I was younger and hanging out at the mall, the music pumped out in the halls of consumerism was easily the most boring version '5%1#16(&'7%*+$",%'+&%&81719%:&%;($%$(51%(0<%0'&%<"$&7(,&"0=9%>&%0'%3'"0&%<"<%2'+%.0<%2'+7 self wanting to stop, sit down, and enjoy the music. Recently though, the music found echoing in some malls has changed to the point that it could be confused with a classic rock radio station. At one shopping centre I visited, I heard the likes of KISS, The Roll ing Stones, Lynyrd Skynyrd, Ted Nugent, Jimi Hendrix and The Kinks, all within the span of an hour. This made me sad; it seemed the underlying message in my mind was that many of the rock icons I grew up with are now, no better than the easy listening styles of Whitney Houston, Air Supply and Celine Dion—rock music has now become background music. What was once considered rebellious and dangerous is now safe and inoffensive. It will be interesting to see if in the next 50 years that means artists like Marilyn Manson, Metallica, and Snoop Dogg will be coming to a mall near you as the next wave of easy listening. I weep for the future.

Reel Music Festival 2011 Reel Music Festival is an annual studentrun conference, $'0=;7"&17$?% ,'*31&"&"'0-% &7(<1$8';-% *+$",% ,#"0",-% (0<% .#*% and music festival. Every year this event is organized by the Music Business Management students at Durham College. Each component of this event has a purpose; whether it’s to educate or entertain, there’s a little something for everyone. March 31 – April 3, 2011 marks the 11th annual Reel Music @1$&"6(#%A%)113%(0%121%'+&%5'7%*'71%<1&("#$4 Visit us at: www.reelmusicfestival.ca www.twitter.com/reelmusicfest

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!"#$%"&!'&()*+*"(%, Music Clinics Save the date... Featuring:

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Canadian Artist To Watch in 2011 - Teen Daze By: Scott Kendall Jamison Dick falls nothing short of a musical genius. The humble Ab‑ botsford, BC‑based, home record‑ ing wizard, has given the Canadi‑ an music industry every reason to make him the artist to watch this year. Over the last 3 years, he has recorded music himself, under no !"##$%&'($%&)""$*+,")"(%$'!+'#"#-$."$ #%')%"*$/,$0'1+(2$3"*)//0$#4(%&5 pop as The Tremulance. Some‑ times, he will still make bedroom acoustic folk‑pop under the name Two Bicycles, but the project he is focusing on currently is Teen Daze. ."$#"!65)"!"'#"*$%7/$8""($9':"$'!‑ 3;0#$ '(*$ '($ <=$ +($ >?@?A$ B;C+(2$ them on his Bandcamp and Tumblr accounts for free download. This helped get the name Teen Daze onto the blogosphere and onto the hallowed pages of Pitchfork.

Of course, it also helped that Teen Daze’s music could comfortably be described as “chill wave”, which is always a hipster favourite. Teen 9':"$ +#$ 3"C")$ %&'($ 4/;)$ 'D")'2"$ Washed Out wannabe; however, seemingly not concerned with #/;(*+(2$ !/5EA$ '(*$ +(F/)B/)'%‑ ing elements from his synth‑pop B'#%A$ #/$ &+#$ 0;#+F$ 7/(G%$ #F')"$ /,$ the average Owl City fan. Jamison also recently launched an online label to release all of his and his friends’ music called Cultus Vibes. ."$ #'4#H$ IJ;!%;#$ K+3"#$ +#$ 2/+(2$ %/$ be so much fun for me to do. I’ve '!)"'*4$ &'*$ '$ 3!'#%$ 2"C+(2$ %/$ "L‑ pose some of my closest friends to the music world, and the plan is to include more and more peo‑ ple, and hopefully turn everyone on to some really great music.”

."$ &'#$ 'FF/0B!+#&"*$ 0/)"$ 34$ %&"$ age of 25 than many musicians ac‑ F/0B!+#&$ 34$ M?-$ ."$ +#$ 1+F1+(2$ /,$ 2011 by bringing his sweet sounds %/$ N;#%+(A$ 8"L'#G$ +(6'0/;#A$ O/;%&$ by Southwest music conference. ."$#'4#$&+#$/%&")$B!'(#$6/)$>?@@$')"$ releasing his proper debut album; “It’s a new direction for me; less em‑ phasis on the ‘dancey’ side of elec‑ tronic music, more emphasis on the dreamy, atmospheric sounds. I’ve 3""($ )"'!!4$ +(P;"(F"*$ 34$ '$ 3//1$ series called The Science Fiction 8)+!/24$ 7)+C"($ 34$ J-O-$ Q"7+#A$ '(*$ the record is a bit of a musical com‑ panion to the books. I’m also hop‑ ing on playing some shows in cities I’ve never been to, and hopefully spending a lot of time at the beach with my girlfriend come summer.”

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THE RETURN OF VINYL By Natasha Zajakovski

ately, I have noticed an increase in vinyl for sale in music stores and at concert merch tables and the idea of playing records in my bedroom is becoming more and more inviting. We have all been told about the amazing sound quality and the “experience” that comes with listening to records, but I’m not sure that we truly understand the difference vinyl makes. I recently had the chance of listening to a vinyl and comparing it to a CD. My uncle has an antique record player and a massive collection of classic rock records in his basement. Over Christmas break, I threw on a Pink Floyd record out of boredom and was shocked at the depth and detail in the sound.

Of course, I had to compare the same album on my CD player at home just to hear the difference in sound. Again, I was shocked at how perfect and clean my CD sounded; the vinyl had random imperfections and a “hissing” sound. The CD seemed to lack the character and personality that the vinyl did and the little imperfections and “hissing” added something to the music. It’s like my generation is being short changed on music. Digital music, although easily accessible, fast, and easily converted to other formats and put on any kind of device, is flat and lifeless in comparison to vinyl sound quality. Aside from the clear sound benefits, vinyl sales have increased in recent years and this is helping the music industry in terms of lost album sales due to illegal downloading. Fans are buying physical records, making up for some of the lost CD sales. Hopefully, sales will continue to rise and vinyl records will make a comeback as an important format in the lives of music lovers.

The Beatles on iTunes: The Wait Is Over! By: Sarah Abbott

The much anticipated arrival of the Beatles’ in the realm of iTunes is finally upon us as the group’s entire catalogue of hits has been added to the popular digital music store. Prior to and during the launch of iTunes nearly ten years ago, questions were raised as to when the popular band’s music would be featured for download. As iTunes grew, and their influence on the music industry became crucial, talk of a deal was always on the horizon, but it never happened until now. In November of 2010, Apple launched a marketing campaign, claiming that they had a very special surprise to reveal-- and leaving their loyal followers squirming in their seats.

According to Nielsen SoundScan, the band sold 3.3 million records in 2009 due to the release of their remastered catalog on CD. Because of this major success, stakeholders were eager to find a way for the recordings to be released digitally. It is still unknown what the arrangements of this new deal are, but one thing is certain: Apple paid a pretty penny for the catalog itself, and the rights to distribute this music digitally until an un-announced date. This band is truly one of the most influential in history, and with this movement, their legacy will continue to grow for years to come.

On November 16, 2010, the news was revealed. Every song that was recorded was to be digitally released and open for sale to the public. This serves as a milestone in music history, with potential to open a window (and new generation) to Beatle-mania once again. There are many reasons why Apple wasn’t able to release the band’s music: namely legal matters and financial demands. In the summer of 2010, when Roger Faxon took over as the head of EMI’s recorded music division, he made the Beatles/iTunes controversy his top priority. Most of this conflict was between Apple and EMI (Electrical and Music Industries Ltd.). Although EMI holds the right to exploit the recordings of the band’s music, the battle ended when they discovered they didn’t have as much control over the digital market, as they would like to think they have. In September 2010, Faxon met with Apple Corps CEO, Jeff Jones, and the issue was resolved “in a matter of hours.”

NATALIA KILLS

By Dirk McMillan Photo by Guillaume Doubet

atalia Kills, a young 24-year-old singer/songwriter/actress/director from England, has been busy climbing the charts worldwide. Her enthusiasm and talent, has brought her to the forefront of the dark pop genre. Her new album ‘Perfectionist’, which has taken a year to make, has critics anticipating its release early this spring. However, she didn’t call her album ‘Perfectionist’ for any other reason than being a hard critic of her own work… in fact, she says that she is “her own worst critic” in reference to her productions, and it seems to be working for her. We sat down with Natalia Kills to discuss music, film, and her thoughts on the music industry.

Who are your influences? I am really inspired by film sound tracks and the way that they are used in film to create drama and suspense. I have always been inspired by film; I have always watched old movies to see how music is used to create an emotion and I use this to create my music. I listened to a lot of pop music growing up; growing up in England I obviously, listened to a lot of English artists from an early age; artists like: Depeche Mode, Kate Bush, Prince and The Eurythmics. I also listened to a lot of Rock music; the first CD I bought was Alanis Morissette and then Eminem. So I think I have always listened to more of a darker kind of pop music. Where do you draw your inspiration from for your songs? I always write my own songs based on my personal experience and my own opinions. I write about all the things that I have experienced in my life, like the situations I have been through including love, my career, growing up and my personal desires. I just write from my own perspective, I guess. What is your favorite film of all time? Well, I watch a lot of films, about 5 or 10 different movies a week. I like movies like: Natural Born Killers, Pulp Fiction, A Clockwork Orange, and Inglorious Bastards; I can’t say I have a favourite but I have noticed that I love films with death, murder and extreme violence. Most people like the hero, but I like to watch the killer. I don’t know what that’s about, but those are the films I like. What was it like collaborating with Akon and Will.i.am? It’s been great, they are both really creative. Akon is super nice and Will.I.Am is crazy; it’s like talking to an alien, his imagination is insane and he is extremely intelligent. What are your thoughts surrounding the music industry today? I think it’s great, especially with the introduction of the Internet. I can use the Internet to make an immediate impact on people and receive an immediate response. I think it is fantastic, you can read a thousand opinions at once and those opinions are the ones that will determine how much success you can have. It’s great how you can present yourself in a way that is most effective by really listening to people. Before the Internet, you would have to release something, and wait to see if the critics liked it or hated it. Do you have any advice for someone trying to pursue a job in the music industry? Yes, I wouldn’t say don’t pursue the job, I would say do it because you love it and if you happen to make the right connections and you happen to work really, really hard, then it will turn into a job. However, if you just think ‘I want to be famous’ and you want to make your work out of that, then it’s really the wrong way to go about it. I would just say if you make music because you love music and try to get it in the right hands, and if you work really hard, everything will be okay. However, if you literally just want a career out of music without knowing why or being passionate about it, then I think that it’s the wrong thing. How do you like being signed to Cherrytree Records? It’s the best. You know if you write your own songs and if it’s your thing, they really support you. It’s definitely not a label that can manufacture talent; you have to be an artist to be on the label because they can make your vision come true, but they cant implement one for you. It’s the best label and I am very pleased to be there. They support me with everything I want to do and give me great direction at the same time. A lot of great artists have started there; everyone from Lady Gaga, La Roux, The Far East Movement, Feist, Ellie Goulding and Robyn, you know just amazing artists. Where do you see yourself in five to ten years from now? I see myself in the same position really. I will make music. I will make films, and I will probably still be watching 10 movies a week. Natalia has been busy touring across the United States and Canada promoting the release of her new album ‘Perfectionist’. She has had the privilege of accompanying Robyn on her 2010/2011 national tour. Keep your eyes and ears open for Natalia Kills as she takes the pop music scene to the next level. You can check out Natalia Kills on her website, www.nataliakills.com and be sure to follow her on Twitter (@NataliaKills).

6 Quickies with Jesse Jesse Letford

And Your Favourite Bands

When one of your favourite musi

cians of all time tells you that the six question interview you have conducted with them over MySpace is the only interview they have done all year, it makes you feel pretty awesome. That’s what Mat Kearney said to me after an swering for this month—right before he asked me to make sure I check his spelling for him, of course.

my Uncle Mike)” What are your top 5 desert island songs? “ ‘Where Will I Be’ Emmylou Harris, ‘That’s Where It’s At’ Sam Cooke, ‘Most of the Time’ Bob Dylan, ‘One’ U2, and ‘Can I Kick It?’ Tribe Called Quest”

Believe it or not, most artists actually Augustana put a lot of thought into their interpre (answered by keyboardist John Vincent) tation of these questions, as you can tell by reading John Vincent from Au gustana’s answers, where he doesn’t hesitate to tell me that I’ve asked him a “morbid question. So, after some proofreading (you’re welcome, Mat) and a little more digging, here are this months’ quickies.

What lyric from one of your songs means the most to you? “I think the lyrics of ‘Dust’ mean a lot to us as a band. I think they display a tension that’s present in a lot of people, but rarely admitted to.” What song do you want played at your funeral? “Gosh this is a morbid question. I <1.0"&1#2% ;(0&% (% 8(332% $'0=9% B(2C1% something from the Beatles like ‘Here Comes the Sun’ or ‘Getting Better’. Just something to make people smile.” What’s the best piece of life advice anyone ever gave you? “Well there’s one thing that my dad has been saying since I was a kid, and I don’t think I’ve ever seen him say it with dry eyes: ‘Do the right thing’.”

A Fine Frenzy Mat Kearney What is your favourite concert What is your favourite concert you’ve ever been to? “The Boss last month in Nashville... or you’ve ever been to? “My favorite concert I’ve ever been to Tribe Called Quest in high school” would have to be Tom Petty when I was What was your favourite place a freshman in college. All my friends and I got there early and sat on the you’ve played at so far? lawn with a bunch of blankets. It bor “Madison Square Garden” derline changed my life.” What lyric from one of your songs What was your favourite place means the most to you? “Hallelujah ripped through my veins, I you’ve played at so far? heard the hammer drop, my blood in “We were lucky enough to play a show in Rome, Italy, last spring, and I know the rain.” we would all agree that it’s one of the What song do you want played at most amazing cities in the world. We got to go to the Coliseum and the Vati your funeral? can and we got to eat amazing food. “‘I Walk the Line’ by Johnny Cash” It’s tough to beat. Playing New York What’s the best piece of life advice City is never a bummer either. Haha.” anyone ever gave you? “‘If your vibe outweighs your content you are destined to be a novelty’ (by

(answered by Alison Sudol)

What is your favourite concert you’ve ever been to? “Coldplay” What was your favourite place you’ve played at so far? “Too many to count” What lyric from one of your songs means the most to you? “We are one part of a family” What song do you want played at your funeral? “Not ‘Amazing Grace’, something more cheerful.” What’s the best piece of life advice anyone ever gave you? DE(&%2'+7%61=1&(C#1$4F Don’t miss next month’s issue, as I talk to some great Canadian artists; who knows, maybe I’ll throw in an extra quickie or two.

Album Reviews Fefe Dobson Joy Reviewed by: Tashana Billey After experiencing some growing pains, Fefe Dobson returns with a radiofriendly pop pol ished record. JOY is the sophomore studio release by the Scarborough native. The album represents the drama Dobson endured during her hiatus from the music scene. She show cased her spunk and charm on “Watch Me Move”, “I Want You”, and “Joy”. She’s hard as nails in her pop/rock lead single “Ghost”. But her softness is poured out on “Set Me Free” and “Can’t Breathe”. JOY!"#!$%&'"(%)*!+!(%#(",-'*!(-!.%/%0#!12"3+(%!4+(()%5!67%!/-897(!(7%!:+2!4-(7!1%2#-'+))*! and professionally, but came out joyful in the end.

Rihanna Loud Reviewed by : Tashana Billey ;"7+''+!2%("2%#!7%2!;+(%$!;!1%2#-'+!+'$!9-%#!4+<=!(-!$+'<%7+))!2--(#5!>-8$!"#!(7%!&/(7! studio release by the Barbadian pop star. The album incorporates more cluborientated, radiofriendly tracks. Songs like “Only Girl (Girl in the World)” and “S&M” are combina tions of area rock and dance;whereas “What’s My Name” and “Cheers (Drink to That)” sounds like the reggae and electroR&B. The album also features duets with Drake, ?,"'%,!+'$!@"<="!A"'+B5!>-8$!"#!$%&'"(%)*!,-2%!1)+*/8)C!%'%29%("<C!+'$!/2%#75!D(0#!'"<%!(-! see Rihanna hasn’t lost her sassy touch.

Have Heart 10.17.09 Reviewed by: Kate Teeter On October 12, 2009, a combination of well over 2000 friends and fans alike from all -3%2!@-2(7!E,%2"<+!F--$%$!"'(-!G)84!>"$-!"'!;%3%2%C!AE!(-!#%%!H-#(-'0#!-:'!I+3%!I%+2(! #+*!(7%"2!9--$4*%#5!I+3%!I%+2(!,+$%!(7%"2!+''-8'<%,%'(!(72-897!A*61+<%!-'!A+*!JK! that after the world tour, they were ending this sevenyear running staple hardcore band /-2%3%25!L7%"2!&'+)!2%)%+#%!JM5JN5MO!PQPRGP!"#!+!)"3%!+<<-8'(!-/!(7%"2!)+#(!#7-:5!D(!"#!(7%! %1"(-,%!-/!'-(!B8#(!I+3%!I%+2(C!48(!-/!7+2$<-2%5!D(0#!&))%$!:"(7!,"<!1+##%#C!#(+9%!$"3%#C! and guest vocals from Chucky Edge, and Sweet Pete and ends with a bittersweet crowd <7+'("'9!-/!SI+3%!I%+2(T5!D(0#!2+:C!4-(7!"'!/--(+9%!+'$!"'!%,-("-'5!L7%!1-#"("3%!%'%29*! of the venue can be felt throughout, even though ever face in the crowd knew the night :-8)$!%'$!"'!+!&'+)!9--$4*%5!JM5JN5MO5!#7-8)$!4%!"'!%3%2*!7+2$<-2%!="$0#!<-))%<("-'5

Duffy Endlessy Reviewed by: Brian Willett Through the equally fast (and incredibly public) rise and fall Amy Winehouse, another UK retro soul pop singer was waiting in the wings to steal the spotlight. Duffy had a minor hit with ‘Mercy’, but unfortunately, her efforts were unable to match the likes of Winehouse. Duffy has now returned with her second album, while Amy remains unseen (and unheard). E)(7-897!(7%!#%<-'$!+)48,!+),-#(!,"'%#!/2-,!(7%!#+,%!A-(-:'RP8#(*!612"'9&%)$!1)+<%!+#! 7%2!&2#(!+)48,!$"$C!P8//*!(2"%#!(--!7+2$!(-!,-$%2'"U%!7%2!#-8'$C!)%+3"'9!#-,%!-/!7%2!2%(2-! charm behind. With this charm missing from the record, Endlessly has very little in standout tracks. There is no soulful ballad like ‘Rockferry’ or upbeat Northern Soul stomper like ‘Mercy’ to engage the listener for an automatic repeat. It is not a bad record by any means, but over all, Duffy appears to be a little unsure of the direction she wants to go, leaving one imagining the potential that could have been.

“DO NOT WATCH THIS MOVIE” By: Sarah Abbott G9%H7%I'+?##%J"1999%"$%&81%01;%,"01*(&",%.#*%;7"&&10%(0<%<"71,&1<%C2%+3%(0<% ,'*"0=%.#*%<"71,&'7-%>#1K%L+=89%>#'0=%;"&8%(%571$8%01;%,($&%,'0$"$&"0=%'5% >0<71(%M+NN1&&"%(0<%O(1%P"0<17*(0-%&81%,'0&7'617$"(#%8'77'7Q,'*1<2%.#*% trends on the line of outrageousness and offensiveness. According to Alex Hugh, the storyline is about a killer who kills people but no one cares. Glori .1<% 6"'#10,14% O1(##2R% S'*1% *(2% .0<% &8"$% $+CT1,&% U+"&1% &'+,82V% 8';1617-% >#1K%L+=8%"0$"$&$%&8(&%;810%31'3#1%$11%"&V%&812?##%=1&%"&G9%8'315+##24 /81%37'<+,&"'0-%DJH%WH/%X>/YL%/L:S%BHZ:EF%"$%'01%'5%*(02%.#*$%<161# oped by Shattered Video, which is currently run by Alex Hugh. “The compa ny has an amazing production crew who helps keep me motivated continu ously through the long hours of production,” says Alex Hugh. Furthermore, along with the premier of the movie is a soundtrack which attendees at the premier will get for free consisting of up and coming artists like Stefanie Campbell and Kelly McMurtry. Also, be on the look out for a music video at the end of March 2011 to be released on YouTube called, “Nightmares Tak ing Over” by Kelly McMurtry, featuring Alex Hugh. “DO NOT WATCH THIS MOVIE” will premiere at Durham College in early April 2011; the screening room is to be announced. For more information become a fan of “DO NOT WATCH THIS MOVIE” on Facebook.

User Reviews By Ryan Stark Ableton Live 8

Session view makes beat making organized and easy to use, not to mention that Ableton 8 comes packed with a few new features and instrument options fit enough to inspire any beat makers. Recording to Ableton is easy and is the premier software in the beat making and recording world.

Marshall JVM 210h head

Simply put, this is a beautifully constructed amp head with three foot-switchable channels. Each channel is comprised of three different modes which makes this the Swiss army knife of Marshall amps. The sound is 100% Marshall and versatile enough to cover an array of musical genres from country to death metal.

MXR Carbon Copy Analog Delay

Reminiscent of the vintage 1970 delay pedals with a very wet analog delay sound, this pedal lives up to the standards of the MXR line of pedals with a bullet proof casing, sparkling metallic green finish, and a beautifully circuited analog delay sound.

Monster Beats Solo by Dr.Dre Headphones

These headphones isolate most unwanted noises while providing you with a rich listening experience without missing any hidden nuances.

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