M a y 3 1 s t , J u n e 1 s t , & 2 n d H o v a n d e r H o m e s t e a d P a r k , F e r n d a l e , W a s h i n g t o n
C e l e b r a t i n g o v e r 5 0 y e a r s
C e u d m ĂŹ l e f Ă i l t e A h u n d r e d t h o u s a n d w e l c o m e s !
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E n j o y t h i s c o m p l e m e n t a r y e v e n t p r o g r a m c o u r t e s y o f t h e F e r n d a l e R e c o r d
Welcome to the 2013 Bellingham Highland Games! I would like to thank everyone for attending this years Highland Games. I hope that you will enjoy the many activities and events that are available this weekend as well as selection of food offered by our food venders. I would also like to say a special thank you to the many volunteers, and all of the Bellingham Highland Games Association members. Without all of you, this would not be possible.Your hard work is very much appreciated. The Bellingham Highland Games is very grateful for all of the support we receive from the City of Ferndale, the Whatcom County Parks and Recreation Department, the Hovander Park Staff, and the Whatcom County Executive, the Honorable Jack Louws. And to all of our competitors, I want to wish you the best of luck. Have a wonderful weekend at this year’s game, and I look forward to meeting many of you.
Michael Juillerat, President The Bellingham Highland Games Association
The Bellingham Highland Games Jeremy Brown Volunteer of the Year Award
Jeremy Brown was a great friend and supporter of the Bellingham Highland Games. Jeremy began volunteering with the piping & drumming committee at the age of 14. He enjoyed working at the games and attending our meetings. Jeremy eventually recruited his family to join him working on the field committee. Tragically, Jeremy passed away at the age of 19, but his enthusiasm, energy and dedication to the Bellingham Highland Games have been memorialized with our Jeremy Brown Volunteer of the Year Award, presented at our annual Robert Burn’s Dinner. 2009 - Brian Aronson 2010 - Sylvia Hutchins 2011 - Stacy Winchester 2012 - Norm Smith
Annual Bellingham/Whatcom Highland Games 2013
Program Contents CELTIC BANDS CLANS & SOCIETIES PERPETUAL TROPHIES JUDGES & OFFICIALS JUNIOR ATHLETICS 2013 CHIEFTAIN CLAN MACLAREN HISTORY BURNS DINNER PIPE BANDS MAP OF HOVANDER PARK SCHEDULE OF EVENTS INTRO TO HIGHLAND DANCING HEAVY ATHLETICS COMPETITION MEMBERSHIP OPPORTUNITIES 2013 OFFICERS & VOLUNTEERS
2 4 4 4 4 7 8 9 12 15 16 18 23 26 32
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Celtic Bands Schedule
CELTIC MUSIC STAGE SATURDAY 10:00 AM
SUNDAY
Lief Sorbye – Lead Vocals, Double-Necked Mandolin and Mando-Guitar Adolfo Lazo – Drums Michael Mullen – Fiddle and Vocals James Crocker – Guitar Damien Gonzalez – Bass and Vocals
Since forming in 1988, Tempest has delivered a globallyrenowned hybrid of high-energy folk rock fusing Irish reels, Scottish ballads, Norwegian influences and other world music elements. The last 22 years have seen the San Francisco Bay Area based act release twelve critically acclaimed CDs and play more than 2,000 gigs. It’s also enjoyed an evolving line-up that’s enabled its musicianship and creativity to rise with each new member-something highlighted by the group’s current roster. Hailing from Oslo, Norway, founding member and lead singer/electric mandolinist Lief Sorbye is recognized as a driving force in the modern folk-rock movement. Fiddler Michael Mullen, a favorite with the fans, is the original fiddler for the group. Bassist Damien Gonzalez, a native Californian, is also an accomplished drummer and didgeridoo player who may occasionally breathe fire. Native of Devon, England, and a former member of the UK’s folk-rock band Equation, guitarist James Crocker combines a deep-rooted British folk sensibility with a life-long rock experience. Cuban-born drummer Adolfo Lazo, an original Tempest member, colors the band’s sound with inventive percussion. Signed to Warner-distributed Magna Carta Records, Tempest’s releases are acclaimed worldwide. The group’s latest studio CD Another Dawn finds the band in peak form as it showcases inventive original and traditional material. Tempest is regularly featured at prestigious festivals including The Philadelphia Folk Festival, Denmark’s Skagen Festival, Britain’s Cropredy Festival and The Winnipeg Folk Festival. The band is also a mainstay at countless American Celtic festivals. 2155 Park Blvd., suite 1, Oakland, CA 94606-1464 Tel (510)452-5084 | sorbye@saber.net | tempestmusic.com 2
11:00 AM 12:00 PM 1:00 PM 2:00 PM 3:00 PM 4:00 PM
Maggie’s Fury Tempest Maggie’s Fury Tempest Maggie’s Fury Tempest Maggie’s Fury
10:00 AM 11:00 AM 12:00 PM 1:00 PM 2:00 PM 3:00 PM 4:00 PM
Tempest Maggie’s Fury Tempest Maggie’s Fury Tempest Maggie’s Fury Tempest
Zero to Gaelic
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Celtic Bands Schedule loney (Junk Yard Jane and Sister Monk Harem). Where their first CD explored their general love for travel, their second effort took listeners to the source of the band’s spiritual homeland, Ireland. “Across the Irish Sea” explored the bands’ Celtic roots with upbeat Irish pub songs and traditional Irish melodies. “Maggie’s Fury’s ‘Pour Another Round’ lays it on as thick as Guinness Stout.” (Bellingham Herald, Take Five) The sound of Maggie’s Fury continues to reach wider audiences and their diehard fan base remains consistent. The band has recently added Bellingham fiddle sensation Howie Meltzer to the lineup. Howie’s fiddle passion and traditional know-how will strengthen the Celtic Heart of Maggie’s Fury.
MAGGIE’S FURY Maggie’s Fury combines the rousing melodies of the Irish fiddle and whistle with spirited vocal harmonies likened to Eastern Canadian Maritime traditions. Add a touch of modern folk rock and you have the perfect recipe for Celtic mayhem pack to the kilt with harmony, passion and spirit. “These Celtic rockers have a more authentic sound than most of the Celtic groups trooping through town.” (Wayne Ellis, Every Other Weekly) Based in Bellingham, Washington, Maggie’s Fury came to life five years ago from the musical passions of brothers Terry and James Walters, and life long family friend Roxanne Read. Known then as the Furies, the trio began performing their own mix of modern folk pop, drawing a small following from their monthly gigs at the Skagit River Brewery in Mount Vernon. “Early on I can remember us trying to decide which angle the band should take,” said guitarist James Walters. “Then one sunny afternoon the three of us were at a northwest highland games festival. I can recall us thinking, wouldn’t it be great to have a band performing that was vocally charged and got the crowd excited to be here. We need to be that band. From that moment on we began writing songs that combined traditional Celtic elements with modern vocal rock energy. Since then, we have never looked back.” “Maggie’s Fury is great. Their style is unique, they’re becoming very popular, and they certainly can pack the house.” (Eric Lint, General Manager of the Skagit River Brewery) The band’s first CD featured nine original tunes inspired by the bands wanderlust for foreign travel, and one traditional East coast maritime selection. The band also began to expand their sound to larger venues and added Bellingham drummer, Tom Caldwell. Caldwell’s upbeat, energized drumming style added the extra punch that the band needed to break into the Northwest club scene. Ready to meet the local music scene head on, the band adopted the name Maggie’s Fury, a name more suited toward their fierce developing sound. The name “Maggie” comes from the Walters brothers dearly departed mother. “Mom always had a love for a gathering,” said Terry Walters. “Her fiery spirit and love for people have a tremendous influence on the way James, Roxanne and I write songs. It is very fitting that we name the band after her.” The band’s second CD titled “Across the Irish Sea”, was produced and recorded by Whidbey Island sound guru, David Ma-
Annual Bellingham/Whatcom Highland Games 2013
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2013 Clans & Societies CLANS
Clan Campbell
Clan MacLaren
Clan Chisholm
Clan MacLean
Clan Crawford
Clan Maclellan
Clan Donald
Clan MacLeod
Clan Gregor
Clan Menzies
Clan Gunn
Clan Muir
Clan Johnson/Johnstone
Clan Ross
Clan Lamont
Clan Sinclair
Clan MacKenzie
Clan Sutherland
The MacLachlan Society SOCIETIES
Lodge Alba Scottish American Military Society MacGregor Scots Guard
Judges & Officials Dancing
HIGHLAND DANCE CHAIR Kristy Smith & Miychal Smith JUDGES Elaine Skelding and Gail Bacon SCRUITNEERS Joan Drabyk, Bob Collins and Donna Cooper S.O.B.H.D ADJUDICATORS Myra Miller, E. Kilbride Scotland Elizabeth Johnston, Richmond, B.C. DANCE PIPERS Tyler MacDonald, WA and Rob Barrick, OR
Heavy Events
Pipes, Drums & Bands
ATHLETIC DIRECTOR Bret Lathrop COMMITTEE CHAIR Jay O’Neill HEAD JUDGE Chad Wilker JUDGES Ken Shaw, Ken Beck, Jeff McNeal
CHAIR P/M Peter Rolstad CHIEF STEWARD Lynn Bullis SCRUITNEER Moira Mack Stewards LEAD VOLUNTEER William Ueland VOLUNTEERS Alicia Forrester, Brian Spencer, Eric Chambers, Kim Chambers, Oban Chambers, Chandra Chambers
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Perpetual Trophies CHIEFTAIN OF THE GAMES Isla J. Patterson Memorial Trophy CEILIDH Talent Show Trophy HIGHLAND DANCING Bellingham Highland Games Trophy - Best American Premier Dancer Bellingham Highland Games Trophy - Best Canadian Premier Dancer Bellingham Highland Games Trophy - Best Washington State Dancer (any class) Bellingham Highland Games Plaque - Best Bellingham Dancer (any class) Frederick Stuart Ferguson Sr. Memorial Trophy - Best Premier Dancer 15 & Under Best Intermediate Dancer • Best Novice Dancer WISe Networks, Inc. Trophy - Best Beginner Dancer -Best Washington State Dancer
Junior Athletics Junior Athletics grades 6-8 compete in some of the same events as the Adult Athletic program. The competition includes Weight for distance, Shot put, Hammer and the Caber Toss. Winners are scored for distance and accuracy to win medals. Junior Athletics Games begin at 9:30 a.m. and continue throughout the morning until the Opening Ceremonies at noon.
All youth MUST BE REGISTERED by a parent or guardian to compete.
Kids Games The Kid’s Games are an excellent opportunity for children ages 5 through 5 th grade. Kids compete in some traditional Scottish Athletics as well as Gunny Sack races, Water Balloon toss and Tug-O-War against the leaders. The “now famous” Candy Scramble for all children ends the Kids Games for the day and pre-schooler’s are welcome to come and participate in this activity when ac companied by their parents.
*NOTE: All children must be registered (even pre-schooler’s) by a parent or guardian before the games begin. Annual Bellingham/Whatcom Highland Games 2013
Kirkin’ O’ the Tartan The Kirkin’ O’ the Tartan is the blessing of the tartans. Historically clansfolk would gather together during a church service wearing their finest tartan colors and receive a blessing for the coming year. However, the Proscription Act of 1746 made it illegal for Scots to wear or display tartan. Legend has it that during this time Highlanders would secretly hold onto a piece of tartan during a blessing to symbolically continue with the tradition. In 1941 Reverend Peter Marshall revived the more open celebration in North America. At the time Rev. Marshall was the chaplain of the US Senate. He hoped the service would instill pride with Scottish Americans in their ancestral land. Rev. Marshall’s reinstated tradition grew. Kirkin’ O’ the Tartan services are now held all over North America. The Bellingham Highland Games Association is pleased to offer a Kirkin’ O’ the Tartan service. The traditional service is held on Sunday morning at 9:00 AM. All are welcome.
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Annual Bellingham/Whatcom Highland Games 2013
Highland Games 2013 Chieftain- Marion Heath The Bellingham Scottish Highland Games 2013 Chieftain of the Games Marion Heath Marion Heath has long been the Bellingham Scottish Highland Games unsung hero. Marion began her involvement with the games as a volunteer in 1968, at the Civic Field helping Kathy Peters run the Highland Dancing. Marion with her late husband Wally joined the Bellingham Scottish Country Dancers in 1988. In 1992, following the retirement of Mollie Faulkner, Marion took over as the BSHGA Country Dance Chair; a role she continues to this day. Marion has served on our Board of Directors and continues to be very active not only running the Country Dancing, but also assisting with our Annual Burns Dinner and numerous other projects. In addition to her work with the Scottish Highland Games, Marion is the proud mother of a piper and is extremely involved with the Bellingham Theatre Guild. The Bellingham Scottish Highland Games is proud to recognize Marion for her outstanding contributions to our organization and to furthering Scottish Culture.
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Clan MacLaren honors ancestry, tradition through the ages
The origins of Clan MacLaren are a mystery, but there is some evidence that they were originally from the misty Isles and of Argyle. As long as remembered they resided in the highlands at Balquidder around the shores of Loch Voil. They are recorded as fervent supporters of the royal families of James Stewart and participated in all of the battles related to the Jacobites, who constantly were at odds with the English throne for their independence. They were farmers and herders with the occasional reeving of cattle. The MacLarens were almost wiped out during a raid by the MacGregors in Balquidder, killing most of the villagers. The MacGregors then took the lands in the aftermath. The famous Rob Roy is buried with his family at Balquidder Kirk. After the battle of Culloden, like many clans, they were affected by the English laws and were decimated by “The Clearances”. Many immigrated to other parts of the new worlds. In the mid- 20th century, Donald MacLaren applied and was granted through proof of lineage, his title of Chief of Clan MacLaren, by the Lord Lyon, protector of heraldry and lineage. Since this time Donald’s son has taken over the chieftainship under the same title, Donald MacLaren of MacLaren & Ackleskine.
The Clan crest depicts a Lion with crown, associating the clan to close loyalty to the Scottish throne. Laurel branches circumvent the boar and the belt has the slogan “Creag an Turic”, meaning “ The Boars Rock”, the gathering place on top of the hill named after the slogan, for the call to arms. This location and a farm at Loch Voil is currently the property of the Chief and in addition, the Clan For all your Propane needs has recently acquired ownership of the Auld Kirk ruins where the FERNDALE MacLarens and MacGregors have 5494 Barrett Rd. • 354-4471 worshiped for centuries. MT. VERNON
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The Bellingham Highland Games Association would like to thank our Burns Dinner sponsors for their generous donations. Please patronize these sponsors throughout the year and let them know you appreciate their helping to present this Burns Dinner & Evening of Scottish Entertainment Axton Automotive • Barb's Pies • Bayside Salon-Blaine • Bellingham Athletic Club • Bellingham Fitness Boundary Bay Brewery • Brother • Carlos de La Vega • Chada Thai Restaurant • Chihuahua Resturant Chocolate Necessities • Clan Inebriated • Dimitri's Resturant • Don & Sylvia Hutchins • John Monroe Downtown Emporium • Eternal Vision Tattoo • Ferndale Record • Film is Truth • GLM Winery Glen & Noma Winchester • International Athletic • Jensen Floral • Jered & Stacy Winchester Kelly's O'Deli Catering • Les Schwab Tire-Ferndale • Little Caesar's-Ferndale • Louis Auto Glass Mallard Ice Cream • Mandy's Jamaica Me Tan • Marion Heath • Masquerade Wine • Mayberry Sporting Goods McDonald's-Ferndale • Merchbot • Michael's Books • Mt Baker Lanes • Mt Baker Theatre Northwest Podiatric Lab • NW Honda • Peter Rolstad • Pizza Factory-Blaine • Quist Violins Samuel's Furniture • Shrimp Shack • SJI Embroidery • Smugglers Inn • Sudden Valley Golf Super 8 Motel-Ferndale • Superfeet Tempest • The Black Drop • Tropical Rays • John & Joan Bolton Valley Plumbing & Electric • Vartanyan WECU • WFC Country Store-Ferndale Thank you for attending our evening of Scottish & Celtic Entertainment. We hope that you have enjoyed yourself. For information and reservations for the January 2014 Bellingham Highland Games Burns Dinner please call 647-8500 or visit our website at www.bhga.org
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Tue - Fri 12 pm - 7 pm | Sat 10 am - 6 pm Most Sundays 11 am - 4 pm 9
Scottish Country Dancers
If you find yourself drawn to the rousing rhythms of driving Scottish reels, sprightly jigs, or reveling in the stately melodies of elegant strathspeys, then you need to check out Scottish Country Dancing. It’s a fusion of the best in Scottish culture and tradition: history, music, dancing, etiquette, and exuberant celebration of sociability and community. Our local club offers weekly classes September to June, on Wednesday evenings in Fairhaven library, where you will learn basic footwork and intricate formations. Monthly dances are held and an annual workshop hones skills and technique in deportment, musical phrasing, and footwork. Dancers from Seattle, Skagit, San Juan to Vancouver enjoy Gala Balls complete with men in their finest highland garb, ladies in formal gowns, and high spirited live music. Why not involve the whole family? Mrs. Rosemary Read offers classes to students at WWU and to children. At the Highland Games children and students perform on Saturday morning and the Bellingham club will follow in the afternoon. Live music is by “Up in the Air.” Be sure to join in audience participation or ask for more information. Mary Anderson 933-1799, Marion Heath 671-3806, Rosemary Read 734-1295. www. BellinghamSCD.org
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SCHEDULE OF EVENTS SATURDAY 10:00 Scottish Country Dancing WWU Students, Family Dancers
-Competitions Resume1:00 Bellingham Scottish
Country Dancers
Annual Bellingham/Whatcom Highland Games 2013
Chuckanut Bay Rugby Club
I would just like to say thank you to The Highland Games people for the invite again this year and the chance to show and promote the sport we love to a group of people that might not have an opportunity to see rugby. Chuckanut Bay Rugby Club was Founded in 1973 and currently has youth team starting with the U11’s,U14’s U16’s, U19’s boys and girl along with a adult men’s and newly formed adult women’s team. New players are always welcome. Thanks Again and see you at The Games. Chuckanut Bay RFC President, Joel Weisser
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Bellingham Highland Games 2013 Pipe Bands
Bellingham Highland Games Wineries & Breweries
Grade I Dowco Triumph Street Pipe Band Simon Fraser University Pipe Band
Boundary Bay Brewery 1107 Railroad Avenue, Bellingham, WA | 360-647-5593
Grade II Portland Metro Pipe Band Robert Malcolm Memorial Pipe Band II Grade III Greighlan Crossing Pipe Band Columbia Regional Pipe Band
Vartanyan Estate Winery 1628 Huntley Rd, Bellingham, WA, 98226 360-756-6770
Grade IV Robert Malcolm Memorial Pipe Band IV The Keith Highlanders White Spot Pipe Band Portland Police Pipe Band Northwest Junior Pipe Band Portland Metro Youth Pipe Band
Glacial Lake Missoula Wine Company 1625 Boblett Street, Blaine WA 360-332-2097
Grade V Robert Malcolm Memorial Pipe Band V Fraser Valley Youth Pipe Band
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Honey Moon Mead 1053 North State Street, Bellingham WA 360-734-0728
Masquerade Wine Company 2001 Iowa Street, Suite F, Bellingham, WA 98229 (360) 220-7072 Willow Tree Vineyards 5551 Finsrud Road, Everson, WA | 360-592-4505
Annual Bellingham/Whatcom Highland Games 2013
Ferndale Record Bellingham Herald Sanitary Service Bellingham Cold Storage Boundary Bay Brewery & Bistro Cascade Radio Group Hertz Equipment Rentals Walton Beverage/Pepsi Distributor FHS Marching Band Master Rentals Honey Bucket Bellingham Herald Carlson Steel Ferndale Subway Ferndale Little Ceasar’s Pizza WISe Network Ferndale Quizno’s Mt. Baker Motor Sports Recycling & Disposal (RDS) Whatcom Farmer’s Co-op/Cenex Birch Equipment
Costco
B’ham. Fire Dept. Pipes & Drums
Comcast
Vacationland R.V. & Trailer Sales
The Echo
Mt. Baker Highlanders Marching Band
Mattress Ranch
Major Sponsor - Whatcom County
Scottish Outfitters Meat Pies
Please patronize these sponsors throughout the year and let them know you appreciate their helping to bring a “Wee bit O’Scotland” to Whatcom County each year. Paramedics & Emergency Services Courtesy of the Ferndale Fire Department. Many sincere thanks to all of our members and volunteers who have made this year’s Highland Games possible!! If you would like to know more about the Bellingham Highland Games or would like to become a member or sponsor, please contact us at: Bellingham Highland Games Association P.O. Box 1477 Bellingham, WA 98227 Phone/Fax (360) 647-8500 • www.bhga.org • Email: info@bhga.org This program printed courtesy of the Ferndale Record
Annual Bellingham/Whatcom Highland Games 2013
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Traditional Storytelling Accompanied With Custom Harp Music Members of the Bellingham Storytellers Guild will be performing stories for all audiences at this year’s Highland Games in Ferndale. We will be continuing the tradition of performing with the Harpers in the Harp tent. Traditionally Storytelling and harp have blended together to create entertaining and enjoyable performances for all. Although many of the stories will be of Irish and Scottish origins we will also be presenting stories form around the world and some of the tellers will be performing original material. The Members of the Bellingham community have been enjoying stories performed by guild members every third Friday at the Fairhaven library for ten years. Stop by the Harp and Story tent to laugh, cry, and be regaled by this group of very talented people and the beautiful music of the harps. For more information contact Doug Banner at: bhamstoryguild@comcast.net See our website at: www.bellinghamstorytellersguild.org
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Annual Bellingham/Whatcom Highland Games 2013
Welcome to the 2013 Bellingham Highland Games T h a n k y o u f o r c e l e b r a t i n g w i t h u s a t b e a u t i f u l H o v a n d e r H o m e s t e a d P a r k Vietam Memorial Wall
Celtic Music Stage
Jr. Athletics & Kids Games Spinners & Weavers
Heavy Events Athletics
Clans
The Great Field
Vendors Harp Circle Story Tellers
Wine &Beer Garden Dancing
Food Food Food Court Celtic Fiddles
First Aid
Celtic Music Stage
Piping and Drum
Camping
*RESTROOMS
A special thanks to our Corporate Sponsors for helping us to bring you the Bellingham Highland Games 2012!
Annual Bellingham/Whatcom Highland Games 2013
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Schedule of Events *All performances and times are subject to change depending on weather and travel ability*
FRIDAY SCHEDULE OF EVENTS
Free admission!
6:00 Sign-up & Check-in
Saturday Events Continued GREAT FIELD ACTIVITIES 12:00 Mt. Baker Kilted Mountaineers High School Band Opening Ceremonies Announcer – Rick Cains
for Scottish Idol Talent Show
7:00
Scottish Idol Talent Show Ceilidh (following Talent Show) Kirkin O’ the Firkin Flaming Saltaire (at dusk when available)
Parade of Clans
Presentation of Colors
MacGregor’s Scots Guard
Anthems – words in program
SATURDAY SCHEDULE OF EVENTS 7:00 Breakfast - Ferndale Volunteer Firefighters - at west end of field and in the Food Court
8:30 Piping & Drumming Competition – in Orchard 8:30 Heavy Events Athletics sign in - at East end of field 9:00 Heavy Events Athletics Competitions begin 9:30 Dance Competition Beginner, Novice, Intermediate
& Primary -west end of field
Kids Games- Sign up begins Celtic Fiddles – in Barn
10:00 Celtic Music Stage by Hovander House - Maggie’s Fury & Tempest Bellingham Scottish Country Dancer’s Whatcom Storytellers & Harp Circle - south of Barn
“Blue Ewe” Ale & Beer Garden *
All performances and times are subject to change depending on weather and travel ability ** All competitors check in at area administration or start times and line-up
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Led by National Tartan Day St. Andrews Cross Flag
Flower of Scotland O Canada Star Spangled Banner
Invocation – Rev. Roland Middleton Flowers of the Forest
MASSING OF THE PIPES & DRUMS President’s Welcome – Michael Juillerat Introduction of Dignitaries Present Chieftain of the Games Massed Bands – Salute the Chieftain Retire Massed Bands 1:00
Heavy Events Athletics Competition resumes Harps & Whatcom Story Tellers South of Barn Bellingham Scottish Country Dancers Celtic Music Stage by Hovander House
1:30
Pipe Band Competition -on Great Field Highland Dance Competition
- Maggie’s Fury & Tempest
Premier – west end of field
Kids Games – center field south
2:00 Celtic Fiddles – in barn 5:30 CLOSING CEREMONIES (At completion of Band Competition) MASSING OF THE PIPES & DRUMS on Great Field Saturday Evening Ceilidh on Great Field after Closing Ceremonies Ale, Beer & Wine Garden open, Live Music Maggie’s Fury
Annual Bellingham/Whatcom Highland Games 2013
Schedule of Events *All performances and times are subject to change depending on weather and travel ability*
SUNDAY SCHEDULE OF EVENTS 7:00 Breakfast - Ferndale Volunteer Firefighters -at west end of field and in Food Court
8:30 Heavy Events Athletics sign in - at East end of field
Sunday Events Continued MASSING OF THE PIPES & DRUMS President’s Message – Michael Juillerat Retire Massed Bands VIETNAM MEMORIAL SERVICE
1:00
Southeast end of field at Park Memorial
9:00 KIRKIN O’ THE TARTAN Worship service at Celtic Music Stage by Hovander House
9:00 Heavy Events Athletics Competitions begin 10:00 Dance Competition
Beginner, Novice, Intermediate & Primary -west end of field
Kids Games - Sign up begins Celtic Music Stage – by Hovander House
Celtic Fiddles – in Barn Whatcom Storytellers & Harp Circle
“Blue Ewe” Ale & Beer Garden 3rd Annual Wine Garden & Tasting
1:00 Heavy Events Athletics Competitions begin 1:30
Highland Dance Competition -
Celtic Music Stage – on field
Kids Games Harps & Whatcom Story Tellers So. of Barn Celtic Music Stage – by Hovander House Tempest & Brother
Tempest & Maggie’s Fury
- south of Barn
Premier’s - west end of field
Maggie’s Fury & Eagle’s Whistle
GREAT FIELD ACTIVITIES (not listed in performing order) 1:30 Highland Pipes and Drums performances with:
Simon Fraser University Pipe Band Malcolm memorial Pipe Bands
2:00 Celtic Fiddles – in Barn GREAT FIELD ACTIVITIES 12:00 Ferndale Golden Eagles High School Band
CLOSING CEREMONIES with the
State Champions on Great Field
Opening Ceremonies Announcer – Rick Cains
Parade of Clans -
Led by National Tartan Day St. Andrews Cross Flag
Presentation of Colors and Parade of Flags – led by
MASSING OF THE PIPES & DRUMS
on Great Field
RUGBY GAMES ON GREAT FIELD to end day of fun 2013 Bellingham Highland Games closes at the end of competitions & Rugby Game
MacGregor’s Scot’s Guard & Auxiliary Scottish Military Society & Auxiliary
Our Mission
Anthems – words in program
Flower of Scotland O Canada Star Spangled Banner
All performances and times are subject to change depending on weather and travel ability ** All competitors check in at area administration or start times and line-up
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Annual Bellingham/Whatcom Highland Games 2013
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© Kirsty Duncan PhD FSAScot Printed by permission from ElectronicScotland.com.
Highland Dancing, which requires the endurance and strength of an athlete and the artistry of a dancer, is the traditional solo dancing of Scotland, and should not be confused with Scottish country dancing—the social dance of the country. The latter shares elements with ballroom and formation dance (i.e. dance, in which an important element is the pattern of movement across the dance floor, such as in square dancing). Unfortunately, the origins of Highland Dancing are shrouded in antiquity, legend--and even the mists of the mountains. Little academic research has been undertaken into this beautiful and important art form—in part, because very little was recorded, as Highland culture was largely an oral culture, with song and traditions passed down by word of mouth, and part because dance masters passed their steps down to young protégées. Consequently, steps and dances took on the regional character of the diverse and magnificent regions. As a result, numerous stories abound regarding the source of the dances, and many are in conflict with each other. I will therefore give both the ‘history’, which is commonly accepted among teachers and judges, as well as some of the legends and stories with which I grew up—in order that more information is not lost. Many of the legends are beautiful and inspiring to young dancers, and should be recorded for the future. It is therefore my hope that dancers and teachers will contribute to the history in order that we develop a more complete database of the rich past. In previous centuries, Scottish regiments used Highland Dancing as exercise to keep the troops in shape, and ready for battle. The dances are indeed excellent exercise; for example, in a typical six-step Highland Fling, a dancer will jump vertically 192 times, while performing complicated and intricate footwork, and using the muscles from head to toe. Highland dancing is therefore akin to sprinting, with dancers using fast-twitch muscle, which is also required by soldiers. Today, Highland Dancing is one of the premiere events at Highland Games throughout the world; for example, in Canada, Japan, Scotland, South Africa, and the United States of America. Until the early 1900’s, only men entered Highland Dancing competitions. However, the tradition changed during the World Wars, as women wanted to preserve their rich culture and history, while the men were defending their homeland. Competitive female dancers now outnumber male dancers by about one hundred to one, although the dancing community is always eager to welcome more men, for their strength is very much celebrated. This year at the 2006 World of Highland Dancing Conference in Las Vegas, a special luncheon was held to honour the ‘Men of Highland Dancing’. In order to be a successful competitive dancer, students require many hours of practice and training over a period of numerous years, as Highland dancing has much in common with ballet in terms of its technique. Students also require mastery of the four basic Highland dances, namely, the Continued on pg. 19
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Annual Bellingham/Whatcom Highland Games 2013
Continued from pg. 17
Highland Fling, the Sword Dance, Seann Truibhas (pronounced ‘shawn trewes’), and the reel—all of which are performed in the traditional kilt.
HIGHLAND DANCES The Highland Fling The most commonly recounted history of the ‘Fling’ is that it is a dance of celebration, performed after victory in battle. Clansmen performed the dance on a small round targe, a circular shield of wood with the front covered in tough hide, and the back in deer or sheepskin. The targe weighed approximately five pounds, and was strong enough to withstand the thrust of a bayonet. The front of the shield was decorated with brass studs and plates, and often had a long spike in the centre. Agility, nimble footwork, and strength allowed the dancer to avoid the sharp spike, which often projected five to six inches upwards. Another explanation of the origin of the dance is as follows: the Fling may extend back to the first centuries AD, and may in fact have been an ancient fertility dance. The supporting evidence is the raised hands, representing a ‘stag’, an ancient sign of virility. Other experts, however, suggest that a deer leaping across the moors may have motivated the creation of the dance, as the arms held like antlers, the body turning around, the feet dancing from side to side, are all reminiscent of a stag at play. A similar interpretation suggests the dance celebrates a successful stag hunt. Traditionally, the dance would have been performed in hard shoes or brogues, and would not have allowed for the tight around-the-leg movement so characteristic of the dance today. In fact, the working foot was likely ‘flung’ around the other leg. Today, the dance is performed to stirring pipe music such as Monymusk, Orange and Blue, or any other suitable strathspey, a tune in 4/4 time. The strathspey is said to be unique to Scotland, and is thought to derive from the Gaelic waulking songs—tunes to which Highland women beat urinesoaked tartan cloth to make it airtight against the wind.
The Sword Dance Perhaps the most renowned Highland Dance is the Sword Dance, which has its roots in Scotland’s embattled past. Some suggest that Malcolm Canmore, King of Scotland, who ruled the country between 1054 and 1096, created the dance. In 1054 Malcolm Canmore began the military campaign that Macbeth made famous. Malcolm, supported by the Earl of Northumbria, was able to force territorial concessions from Macbeth at the bloody battle of Dunsinane on 24 July, 1054.
Initially the uprising was a staggering success; the Jacobite army rapidly broke out of the Highlands, captured Edinburgh, and advanced as far south as Derby in England. Unfortunately, the army lacked the necessary French support, and so retreated back to their stronghold in the Highlands, where it was finally defeated at Culloden Moor near Inverness in 1746. Afterwards, the government decided to end once and for all the Jacobite military threat. Jacobites were rounded up, imprisoned or executed. Estates were snatched, the clan system dismantled, and their kilt and plaids, pipes, and weaponry outlawed. Some therefore suggest that the dance was created when the above Act of Proscription was repealed in 1783, and Highlanders were once again allowed to wear their kilts. The first part of the dance—the balletic, graceful slow time (as Bonnie Prince Charlie came from France) with brushing movements--are thought by some to mimic a clansman shedding his ‘hated’ trewes; and the quick-time is thought to reflect the Highlander’s returning to his tradition of Highland dress and custom (as the quick steps are similar in style to that of the Highland Fling). Another interpretation suggests that the dance is, in fact, the Highlander ‘showing-off’ his new tartan trewes to the English King. The dance is performed to the pipe tune, ‘Whistle o’er the Lave o’t’ for both the slow and quick time.
Reel of Tulloch There are several types of ‘group’ dances performed by Highland Dancers. They include: 1. Hullachan 2. Strathspey and Half Tulloch 3. Strathspey and Highland Reel 4. Strathspey and Highland Reel and Half Tulloch. A Strathspey is performed by four dancers, initially beginning in a line, and dancing a ‘figure of eight’— although the formation actually uses three loops-to a suitable strathspey tune, such as The Marquis of Huntly’s Highland Fling. A quicker Highland Reel (using the same formation) or Tulloch (with dancers taking turns doing steps and turning with linked arms) follows the Strathspey. Common pipe tunes for the Highland Reel are Kate Dalrymple, Mrs. Macleod of Raasay, the Fairy Dance, the High Road to Linton, or any other suitable reel tune.
Others suggest that warriors danced the Sword Dance the night before battle. If the dancer touched the sword, the dancer would be wounded the next day, but if a dancer kicked the sword, he would be killed.
The Reel of Tulloch or Hullachan (performed to the tune of the same name) refers to a dance performed outside a cottage. This Reel is thought to have originated in the Churchyard, where on a cold winter’s Sunday a Minister was late for his service-- parishioners tried to keep warm by clapping their hands and stamping their feet.
The dance is performed today to the pipe tune Ghillie Calum with two or more slow steps followed by one or two quick steps. If a dancer touches a sword (but not displaces it in competition), the dancer loses five marks. However, if the dancer displaces the sword, s/he is disqualified.
This finishes the section on the traditional Highland Dances. The next section introduces the Irish Jig and the Sailor’s Hornpipe, which borrow from Irish and English traditions. Both dances are performed at Highland Games.
After the success, Malcolm is believed to have placed his own sword on top of that of his enemy in the form of a cross and danced triumphant over them.
Seann Truibhas Seann Truibhas, pronounced ‘Shawn Trewes’, is Gaelic for ‘Old Trousers’. It is largely believed that the dance developed after the 1745 Jacobite Rising, when Charles Edward Stuart (more affectionately known as Bonnie Prince Charlie) came to Scotland (from France) to win back the crown.
Annual Bellingham/Whatcom Highland Games 2013
Continued on pg. 20
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IRISH JIG AND SAILOR’S HORNPIPE
Dancers perform in navy blue or white sailor’s uniform with hat to hornpipe pipe tunes, such as Crossing the Minch, Jackie Tar, or My Love She’s But a Lassie Yet.
Irish Jig
National Dances
The Irish Jig is a parody of Irish dancing—borrowing many similar foot and leg movements, and even using hard shoes--and ‘temper’.
The National Dances include Blue Bonnets, Flora MacDonald’s Fancy, Hielan’ Laddie, Scotch Measure, Scottish Lilt, The Earl of Errol, The Village Maid, and Wilt Thou go to the Barracks Johnnie?
Continued from pg. 19
Arm movements reflect the history behind the dance—namely, an angry fishwife ‘mopping up the floor with her husband’ (or perhaps a wife angry because her husband has been in the pub ‘til the wee hours of the morning). The dancer chases her husband, flounces her skirt, and shakes her fists. Female dancers wear green/red dresses/skirts, complete with apron, and hard shoes for ‘stomping out the rhythm’. Some believe the male version of the dance mimics the ‘happy-go-lucky’ Irishman facing his wife’s tirade. Male dancers wear green/red tails, breeches, hat, and twirl a shillelagh. The dance is typically performed to Paddy’s Leather Breeches, The Irish Washerwoman, or the Rakes of Kildare.
Sailors’ Hornpipe Hornpipe dancing was fairly widespread throughout the British Isles during the 18th and 19th centuries. The Hornpipe likely developed as a means of exercise for sailors (much like the Highland Dances for soldiers) who were aboard ships for long periods of time, and as a means to relieve boredom and discontent. It is in fact believed that the Royal Navy Captain James Cook (1728-1779) thought dancing was most useful to keep his men in good health during a voyage. Today’s Scottish Hornpipe borrows from the English Hornpipe, and is a very energetic dance, which recreates the many chores of a sailor on board his ship including, hauling, hoisting, looking out to sea, waving the farewell flag etc..
These dances varies considerably in character. Only two of the above dances are performed in a kilt, namely ‘Barracks’ and ‘Laddie’. The remainder of the dances were created by dancing masters in the 19th century to be danced by women, as females were not originally allowed to dance the strong Highland Dances, or even wear the kilt. The National Dances are more balletic, ‘lady-like’, and softer—although they require tremendous skill to execute correctly, as the rhythms and technique are often more complicated than in the conventional Highland Dances. The costume is called ‘Aboyne’, and includes a full tartan skirt, a white blouse, a velvet vest laced up the front, and a plaid (pronounced ‘played’); women may also wear a white dress with a plaid. National Dances were generally not performed in competition until the 1960s in North America. Today, females and males dance both Highland and National Dances. Males have the option of wearing tartan ‘trewes’ or a kilt for the National Dances.
Blue Bonnets Blue Bonnets is a balletic dance, which is thought to depict a graceful lady trying to attract the attention of the passing ‘Bluebonnets’--the name given to soldiers who wore a broad blue woolen cap with a plume, and who were often the first to face the English. The dance is performed to the tune of the same name. Words were set Continued on pg. 21
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Annual Bellingham/Whatcom Highland Games 2013
Continued from pg. 20
Wilt Thou Go to the Barracks Johnnie?
to the tune by Scotland’s Sir Walter Scott (1771-1832), Scottish historic novelist, poet, and writer.
The ‘Barracks’ is thought to have been a recruiting dance for the army. A recruiting officer would use a dancer to attract people to his recruiting station or use the dancer for entertainment while in a village. The dance is performed to such pipe tunes as Braes o’ Mar or The Barren Rocks of Aden.
Flora Macdonald’s Fancy The ‘Flora’ is a pretty dance choreographed in honour of famed Flora MacDonald. After the massacre at Culloden in 1746, Bonnie Prince Charlie had a high price on his head, and Flora helped him escape to Skye by disguising him as her maid, Betty Burke. The crossing was short but dangerous, as the small boat weathered both bullets from the shore, and storms. Both survived, and the Prince escaped to France, never to return. Flora was later arrested when her part in the escape became known. However, her courage, ingenuity, and popular appeal meant that she was well treated, and was later released from the Tower. When I was a child, I was told the legend that Flora loved Bonnie Prince Charlie, and that she performed the dance high on a hill, as he sailed for France. Flora Macdonald’s Fancy is often danced to The Atholl Highlanders, The Cock of the North, The Piobaireachd (pronounced Pibroch) of Donald Dhu, or any suitable 6/8 March.
Hielan’ Laddie Soldiers are thought to have created the dance during the First World War. The dance is performed to the famous tune of the same name. In 1881, Highland Regiments throughout the British Army adopted ‘Highland Laddie’ as their Regimental March (‘theme song of the Regiment’) ‘in compliance with official decree’. Highland Laddie is the most common of the Regimental Marches—being used by such Regiments as The Black Watch (Royal Highland Regiment) of Canada and the 48th Highlanders of Canada. Canadian Forces Adminstrative Order 32-3 mentioned that the tune was used during the Second World War in order to raise the morale of men after battle, and played at the victory parade in Amsterdam, Holland.
Scotch Measure Scotch Measure can either be danced as a solo dance or as a partner dance, in which case it is called the ‘Twa Some’. The male dancer would wear his kilt, and the female dancer the Aboyne or white dress; the dance is thought to show the Scottish dating ritual.
Scottish Lilt The ‘Lilt’ or ‘Scottish Jig’ is another pretty dance; it is unusual in that the counting is in sixes rather than eights, which is the norm. The dance is commonly performed to Drops O Brandy or the Battle of the Somme, a spirited tune, which belies the tragedy of the battle it commemorates. The forces of most Commonwealth countries were present at this battle.
Other Dances Other dances do exist, such as the Broadsword, Cakewalk, and Tribute to James L. McKenzie, although they are not generally danced in competitions—unless there is a special event. The Broadsword, performed by four dancers over four highland broadswords placed to make a cross, was commonly taught to those in Scottish Regiments of the army. The dance is performed to strathspey tunes, and then speeds up for reel tunes for the last one or two steps of the dance. The Cakewalk, unlike the other dances, actually originates in the southern United States of America, from which famed dancer, judge and examiner, James. L. McKenzie (1905-1992), MBE, took back to Scotland, as he was so taken by the dance. The Cakewalk imitates a couple promenading in a dignified manner, highstepping and kicking, and mimicking ‘high society’. The dance has its roots in plantations and, sadly, slavery. Plantation owners would bake a special cake, invite the neighbors over, and have a dance contest among the slaves. By the 1890’s, the Cakewalk was a much-celebrated dance; in 1892 the first Cakewalk contest was held in New York. Today, the dance is a favourite special event at competitions, with the dancers developing themes for their costumes such as the Wild West. Miss Elspeth Strathern, another well-known Highland dance teacher and examiner, choreographed the dance, Tribute to J.L. McKenzie, for Mr. McKenzie’s contributions to Highland Dancing. Some of his impressive wins include the Braemar Highland Games Championship, which he won ten times, and the Cowal Highland Gathering trophy, which he won in three successive years. His favourite dance was the Highland Fling. When he won the Coronation Medal at the Braemar Gathering he was thrilled to perform the Highland Fling for newly crowned Queen Elizabeth ll. In recognition of his dedication to the art of Highland dancing, Mr. McKenzie was later granted the distinction of Member of the British Empire (MBE), an honour bestowed upon him at Buckingham Palace by the Queen. Finally, other dances, which are not performed in competition, include Hebridean Laddie, Over the Water to Charlie, and Tulloch Gorum. For additional information regarding Highland Dancing, the following represents a good starting place: Scottish Official Board of Highland Dancing
The Earl of Errol
The British Association of Teachers of Dancing
The ‘Earl of Errol’ may be based on an 18th-century Irish-style hard shoe dance (although today it is performed in soft shoes), which was choreographed for the Earl of Errol.
The Scottish Dance Teachers’ Alliance
The Village Maid Of all the dances, this dance is most heavily influenced by ballet. The dance is unusual in that there is very little hopping, which is so characteristic of Highland Dancing, and the dancer steps flat onto the foot-most of the other dances require that the dancer be on the ball of the supporting foot.
Annual Bellingham/Whatcom Highland Games 2013
United Kingdom Alliance Ltd Federation of United States Teachers and Adjudicators Official Board of Highland Dancing (South Africa) ScotDance Canada ScotDance New Zealand Toe and Heel.com Kirsty Duncan is an adjunct professor at the University of Toronto. In 2008, since writing this article, she was elected to the Canadian Parliament, where she still serves the Etobicoke North riding in the province of Ontario.
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Annual Bellingham/Whatcom Highland Games 2013
The BHGA this year hosts its first Pro/Elite Heavy Events competition and only the 2nd Pro event held in Washington State. A USA vs. Canada battle royal!
Highland Games heavy event professionals and elite competitors travel around the country to special venues for competition of both pride and prize. The field for this Bellingham 1st Team USA vs. Canada and individual competition is happening because of the generosity of the athletes, the support of our sponsors Mattress Ranch and Scottish Outfitters and the coordination of Jay “Big Daddy” O’Neill. Photos By: Ryan Turner of SevenOne Studio
Can-Am Spring Championship This year a new Challenge Caber has been made specifically for The BHAM. It is traditional to name a caber and in honor of a Pacific Northwest icon in the sport and to his many years of representing our region with distinction the new Bellingham Challenge Caber is named “The Eric Wechter”
The Bellingham Highland Games marks one of the first competitions of the throwing season each year for the Scottish heavy events athletes! Often there is a special place in their hearts for “The BHAM” as it’s known to throwers, as many competed in Bellingham for the first time in taking up the sport. Don’t let the size, strength and grunting of Highland Games athletes fool you.Yes they love to throw heavy things on the weekends but they’re commitment to the Celtic festivals, to each other and to the fans who watch is filled with as much passion as they show on the field. Each year marks better and better competition and honoring those who have touched the games. Last year the athletes honored the passing of a Bellingham local thrower Jesse Winchester with a 14 caber salute.
Eric (44) and his wife Regina, from Canby, Oregon, have been huge supporters of the Bellingham games. Eric has been competing since 1994 in 250+ games across the world. He’s won a staggering 110 games including athlete of the day and caber champion in 2004 and 2005. He is a 7 time class A caber champion at Seattle’s “Enumclaw” games. 7 time Keith Wright Memorial Challenge Caber winner at the Portland Games. Eric represents Clan Muir as their Cheiftan named champion from 2005 to present. Regina is also a dedicated thrower, having competed in Bellingham in 2009 only 3 weeks after their daughter Piper’s birth. Their 2 daughters plan to be Scottish dancers.
Team USA Greg Bell – age 37 from Issaquah, WA.
Cory Brizendine – age 39 from Coronado, CA John Odden – age 33 from Kelso, WA. Ryan Stewart – age 34 from Draper, UT. Eric Wechter – age 44 from Canby, OR
Team Canada Lance Barusch – age 43 from Kelowna, BC Adam Drummond – age 33 from Vancouver Island, BC Josh Goldthorp – age 25 from Langley, BC Joel Thiessen – age 37 from High River, AB Rob Young – age 29 from Calgary, AB
Annual Bellingham/Whatcom Highland Games 2013
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Description of
Events
THROWING THE WEIGHTS The competition consists of two separate events. Both are derived from ancient tests of military skills. The wait for distance contest uses a weight consisting of a ball and chain at 18” long. There are four standard weight divisions: 14 and 28 pound for women, 28 and 56 pound for men, 28 and 42 pound for the Masters men (over 40 years old), 14 and 21 pounds for Masters women. Each weight must be thrown with one hand. With the combination of balance, rhythm and power, and this is often considered a graceful athletic event. The second event, the weight over the bar, uses a 56 pounds for men, 21/28 pounds for women, or 42 pound for Masters men. The weight attached directly to a handle. Each athlete is allowed three attempts to clear a marked height before the bar is raised. The victor is the sole thrower who can clear the highest bar. PUTTING THE STONE This popular contest is derived from an ancient clan ritual. Each chieftain’s stone of strength was situated at the entrance of his castle. Before entry was granted, every visiting clansman was obligated to test his strength by throwing it for distance. This was perhaps to ensure that certain guests would be capable of the castle’s defense. If besieged, the successful stone putter it would be posted on the battlements, hurling large boulders down upon the attackers. The stone throw at many games follow the Braemar style. In Braemar competition, a stone, weighing 20 to 27 pounds is thrown from a stationary position. A second open stone, weighing 16 to 20 pounds, is thrown with an approach similar to the Olympic shot put. HAMMER THROWING The history of this event is much debated. Some suggest that, like throwing the weight, the hammer is analogous to the ancient mace. Others have claimed it derives from a simple contest between village Smithies. Whether of military or agrarian origins, it has grown into an internationally recognized Olympic event. Not to be confused with its all metal counterpart used in the Olympics, the Scottish hammer has a shaft made of cane or PVC, an overall length of 50 inches and comes in multiple weights: men’s light weight being 16 pounds, heavy weight being 22 pounds. 12 and 16 pounds for the women. Both are thrown standing style wound several times around the head and released straight behind the thrower.
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THE CABER TOSS Historically, a felled tree trunk or caber was used to bridge deep, swiftly running rivers. Less inclined to wash out when laid at a right angle to the river, accuracy of placement was both a highly developed skill and a dire necessity if a man’s work was across the water. Today’s athletic competition is still judged on the accuracy rather than the distance of the throw. At 70 to over 100 pounds and often 17 to 20 feet long, the caber is held by the narrower end, while its thicker, more unwieldy end points skyward. Once lifted or “picked” by the athlete, the caber must be run forward and then heaved up end over end. If the perfect 12 o’clock toss is made the tree trunk will have landed dead straight ahead with its narrow end pointing away from the athlete. SHEAF Although farmers and clansmen of Scotland have pitched many a bundle of straw thatch in their work over the centuries, the Sheaf competition is a unique American addition to the beloved Scottish Heavy Events. Sheaf is a height event and has two important parts. The “Sheaf” a burlap bag, densely stuffed with twin and rope and a modified pitchfork 2 tines or 3 tines (although 3 tines are considered superior). Competitors have 3 attempts to clear each height before the bar continues upward. Women throw a 10 pound bag. Men throw either 16 or 20 pounds.
Annual Bellingham/Whatcom Highland Games 2013
Annual Bellingham/Whatcom Highland Games 2013
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The Celtic Harp
“Clarsach” is the Gaelic word for harp, and in Scots Gaelic, you don’t “play” the harp, you “sing” the harp! A skilled harper was one who could cause the listeners to laugh, to cry, or to sleep. The harp is a symbol of the Celtic people, and over the centuries has decorated banners, coats of arms, coins, corporate letterhead and jewelry. Today the harp is most famously seen on the Irish flag, on Guiness beer, and on the Irish Euro coin. Celtic harps come in all sizes, from small lap harps through full sized harps that stand on the floor. Celtic harps are sometimes known as folk harps or lever harps. (Celtic harps are constructed differently from the pedal harps seen in orchestras. Pedal harps have mechanisms to change keys connected to floor pedals.) A person who plays a Celtic harp is known as a “harper”, and a person who plays a pedal harp is a “harpist.” For hundreds of years, harps were strung with gut, or wire. Today, gut strings are rare. Most harps are strung with combinations of nylon and nylon wrapped metal. Some harps are strung with wire only, and these “wire harps” have a distinctive sound which rings for a long time.
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Look for the Celtic harp signs at the Highland Games. We are sharing our tent with the Storytellers’ Guild, and there will be continuous entertainment throughout the weekend, with harp music and storytelling each hour. We’ll have times posted at the tent for “try your hands on a harp”. Performances will be given on nylon stung harp and the ethereal wire-strung harp.
MEMBERSHIP OPPORTUNITIES
Bellingham Highland Games Association
Would you like to be a part of the Highland Games events throughout the year? Be a part of planning events like the Burns Dinner, The Scottish Highland Games, National Tartan Day and many more fun events... If so, become a member or volunteer by filling out the form below and mail to the address provided or turn in at Information on field today.
Name____________________________ Address__________________________ State____________Zip___________ Phone ( ) _____-_________ Email____________________________ P.O. Box 1477, Bellingham, WA Phone/Fax 360-647-8500 www.bhga.org • info@bhga.org Annual Bellingham/Whatcom Highland Games 2013
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Annual Bellingham/Whatcom Highland Games 2013
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at Highland Games and at many other events throughout the year Bob Parrish 253-566-8215 • Chuck Cook 253-472-7252 chairman@tartanday-wa.org • www.tartanday-wa.org P.O. Box 8503, Tacoma WA 98419
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Annual Bellingham/Whatcom Highland Games 2013
Anthems Flower Of Scotland
The Star Spangled Banner
In 1814, Francis Scott Key wrote the poem, Defense of Fort McHenry. The poem was later put to the tune of (John Stafford Smith’s song) The Anacreontic Song, modified somewhat, and retitled The Star Spangled Banner. Congress proclaimed The Star Spangled Banner the U.S. National Anthem in 1931.
Flower of Scotland (Scottish Gaelic: Flùr na h-Alba, Scots: Flouer o Scotland) is a Scottish song, used frequently at special occasions and sporting events. Although there is no official national anthem of Scotland, Flower of Scotland is one of a number of songs which unofficially fulfil this role, along with the older Scots Wha Hae, Scotland the Brave and Highland Cathedral.[1][2] It was written by Roy Williamson of the folk group The Corries, and presented in 1967,[3] and refers to the victory of the Scots, led by Robert the Bruce, over England’s Edward II at the Battle of Bannockburn in 1314.
Gaelic
English
Cover of sheet music for “The Star-Spangled Banner” [words by Francis Scott Key], transcribed for piano by Ch. Voss, Philadelphia: G. Andre & Co., 1862
Oh, say, can you see, by the dawn’s early light, What so proudly we hail’d at the twilight’s last gleaming? Whose broad stripes and bright stars, thro’ the perilous fight, O’er the ramparts we watch’d, were so gallantly streaming? And the rockets’ red glare, the bombs bursting in air, Gave proof thro’ the night that our flag was still there. O say, does that star-spangled banner yet wave O’er the land of the free and the home of the brave?
1. O Flower of Scotland, When will we see your like again That fought and died for Your wee bit hill and glen. And stood against him, Proud Edward’s army, And sent him homeward To think again. 3. Those days are past now And in the past they must remain But we can still rise now And be the nation again! That stood against him Proud Edward’s army And sent him homeward To think again.
1. O Fhlùir na h-Alba, cuin a chì sinn an seòrsa laoich a sheas gu bàs ‘son am bileag feòir is fraoich, a sheas an aghaidh feachd uailleil Iomhair ‘s a ruaig e dhachaidh air chaochladh smaoin? 3. Tha ‘n eachdraidh dùinte ach air dìochuimhne chan fheum i bhith, is faodaidh sinn èirigh gu bhith nar Rìoghachd a-rìs a sheas an aghaidh feachd uailleil Iomhair ‘s a ruaig e dhachaidh air chaochladh smaoin.
O CANADA
“O Canada” is the national anthem of Canada. The song was originally commissioned by Lieutenant Governor of Quebec Théodore Robitaille for the 1880 Saint-Jean-Baptiste Day ceremony; Calixa Lavallée wrote the music as a setting of a French Canadian patriotic poem composed by poet and judge Sir Adolphe-Basile Routhier. The lyrics were originally in French and translated into English in 1906.
English
Bruce addressing his troops before the Battle of Bannockburn 1314 Blàr Allt a’ Bhonnaich Scottish Victory
O Canada! Our home and native land True patriot love in all thy sons command. With glowing hearts we see thee rise The true north, strong and free From far and wide, O Canada We stand on guard for thee. God keep our land glorious and free O Canada! We stand on guard for thee O Canada! We stand on guard for thee. Annual Bellingham/Whatcom Highland Games 2013
French
O Canada! Terre de nos aieux Ton front est ceint de fleurons glorieux! Car ton bras sait porter l’épée Il sait porter la croix! Ton histoire est une épopée Des plus brilliants exploix. Et ta valeur, de foi trempée Protégera nos foyers et nos droits Protégera nos foyers et nos droits. 29
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2013 Officers & Volunteers Officers & Board: President: Michael Juillerat Vice President: Don Hutchins Secretary: Peter Rolstad Treasurer: Noma Winchester Board Chairman: Jered Winchester
Games Director: Glen Winchester
Announcer: Rick Cains Information: Don Hutchins, Sylvia Hutchins, Amanda Jones, Robert Hargrove, Paul Verdier, Stephanie Reese and Kathy Stephens
Advertising & P.R.: Rachael Dawkins
Blu’ Ewe Ale & Wine Garden: Jered & Stacy Winchester, Evan & Patty Svedin, Ed Hambley, Casey Diggs, Anthony Stone, Jeff Zwiers, Jennifer Bonn-Zwiers, Karlene Winchester, Ed Bennett, Janet Lightner,Volunteers from Boundary Bay and Friends of the Games. Boundary Bay Ales, Honeymoon Mead, Glacial Lake Missoula Winery, Masquerade Winery,Vartanyan Estates, Mount Baker Winery, Willow Tree Winery.
Celtic Fiddles: James Quist, Instructor Quist Students volunteer performers
Celtic Music Stage: Glen Winchester
Clans: Don & Sylvia Hutchins
Vendors: Glen Winchester, Maggie MacKenzie Volunteers
Food Vendors: Glen Winchester: Chair, Maggie MacKenzie: Chair Chris Lombardi, Josie Lombardi, Tanya Carter, Kathy Selnes Ray Selnes, Suzi Thompson, Tillina Cooper, Zach Cooper, Deanna Doeden, Jon Doeden, Alana Marshall, Patrick Marshall, Angela Burk, Russ Burk Field: Cameron LaVergne, Diana Howard, Coty Winchester, Mike, Glen Winchester and many hard working volunteers before, during and after the games
Scottish Idol: Stacy Winchester, Evan Svedin, Quinn Irving Rev. Ro, Chris Goldstein, Michael Juillerat,Jered Winchester, P/M Peter Rolstad
Saltaire: Don Hutchins, Roland Middleton, P/M Peter Rolstad
Friday Night Ceilidh/Kirkin O’ the Firkin: Stacy Winchester, Maggie MacKenzie, Rev. Ro, Friar Chris, Rev. Michael Quinn Irving, Karlene Winchester, Evan Svedin, Patty Svedin, Jered Winchester, Ed Hambley, Crazy Kyle Blevins our sound guy
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Games Harp Circle: Kathy Hardy
Highland Dance: Kristy Smith – Highland Dance Chair Miychal Smith – Highland Dance Chair Judges: Elaine Skelding and Gail Bacon Pipers: Tyler MacDonald, WA and Rob Barrick, OR Scruittners: Joan Drabyk, Bob Collins, Donna Cooper Volunteer: Jorge Ruelas-Sanchez
Hospitality: Quinn Irving, Melissa Irving, Sue Atkinson and volunteers
Athletics Athletic Director - Bret Lathrop, Committee Chair - Jay O’Neill, Committee - Stephanie Lathrop, Angie O’Neill, Mike Adams, Dom Horgan, Jeff McNeal, Chad Wilker, Volunteers - Cole Lathrop, Ray Mabey, Sue Gregg, Kaelyne Mowell, Christy Dempewolf, Brandon Drye, Bobby Drye
Jr. Athletics: Justin Ghramm, Mack Ghramm and Volunteers
Kids Games: Dynel Winchester, Savannah Winchester, Kelsea Bartel, Gus Schweier, Tyler Svenson, Justin Thomas, Samantha Browning, Justin Ghramm, Angie Schweier, Brianna Schweier,Tiffany Bye, TJ Mallahan and the many, many volunteers needed to present this wonderful kids program.
Kirkin O’ the Tartan: Rev. Roland Middleton, Games Chaplain - Chris Goldstein, Chaplin - Michael Juillerat - Chaplin - Darlene Juillerat, Debbie McMeel,
Piping, Drumming & Bands: P/M Peter Rolstad – Chair Lynn Bullis – BCPA Chief Steward Moira Mack – BCPA Chief Scruitneer William Ueland – Lead Volunteer Volunteers: Brian Spencer, Alecia Forrester, Eric Chambers Kim Chambers, Oban Chambers, Chandra Chambers, Rob Gephart
Program: Rachael Dawkins, Noma Winchester, Glen Winchester, Jered Winchester, Leah Hathaway and the Ferndale Record
Scottish Country Dancer: Marion Heath, Mary Anderson, Bellingham Scottish Country Dancers
Computer & Web site: WISe Networks, Jered Winchester, Bret Lathrop, Brian Spencer
THANK YOU TO ALL OUR VOLUNTEERS! You are too numerous to list all of you here. The Bellingham Scottish Highland Games could not present this event for all our spectators and competitors without our dedicated volunteers. Please take a moment to thank them as they help you throughout this weekend.
Annual Bellingham/Whatcom Highland Games 2013
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