VIRGINIA TECH INTERIOR DESIGN
THE EDIT
PROGRAM NEWSLETTER
SPRING - ‘21
APPETITE FOR DESIGN
ON THE COVER ‘Dinner Party’
Kelsey Muir (‘19)
Visit https://archdesign.caus.vt.edu/itds/ for more information.
C o n n e c t i n g t h e p a s t , p re s e n t , a n d f u t u re o f Vi rg i n i a Te c h I n t e r i o r D e s i g n .
VIRGINIA TECH INTERIOR DESIGN
ISSUE - 05
Gatherings have long served as opportunities to come together
SPRING - ‘21
with friends, family or colleagues. colleagues Whether for a celebration, a meeting, or engaging in new connections, these interactions nourish us personally and professionally. professionally With the onset of the pandemic, these interactions, which were as often as daily occurrences, came to a halt instantly. It was only then when most of us realized the impact that these gatherings (or rather, the absence of) would have on our relationships, well-being, and sense of community.
Issue 05, Appetite for Design, Design asks you to consider what has kept you motivated or driven during challenging times such as these. It calls for a celebration of our accomplishments, accomplishments whether that means graduating from school, pivoting to a new career path, or perhaps trying your hand at something entirely new. Issue 05 aims to encourage you to consider new ways of sustaining your personal and professional well-being, and to continue looking forward to a time on the horizon when we can safely gather again. again
PROGRAM NEWSLETTER
APPETITE FOR DESIGN
12
A Message from the Program Chair
Meet the Virginia Tech Advisory Board
II. STUDENTS
16
28
114
A Toast to the Graduates: Virginia Tech Class of 2021
Senior Showcase
Awards and Recognition
III. ALUMNI
130
138
Nourish: Professionals and alumni share their expertise in continued education
Serve: Professionals and alumni share their experiences leading in the design industry
IV. CR E DITS
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147
Acknowledgments and Contributors
How to Get Involved
I. INTRO
11
SPRING - ‘21
PROGRAM NEWSLETTER
VIRGINIA TECH INTERIOR DESIGN
I. - INTRO 11
12
A Message from the Program Chair
Meet the Virginia Tech Advisory Board
10
ISSUE - 05
PROGRAM CHAIR’S MESSAGE
Happy Spring! We are finally seeing some signs of spring and change for the future here in Blacksburg. Fall 2021 classes are set to be all in person and as back to normal as we are able to accomplish while meeting all public health and university guidelines. The faculty and students have worked harder this past year than I can ever remember. The student work has been excellent despite the many challenges each person faced. Our students continue to win national competitions and the employment horizon is looking much better for our graduating seniors this year. I am happy to say we have three new faculty members: Alp Tural, PhD and Eiman Elgewely, PhD have taught with us this past year. Eiman is from Egypt and has been unable to join us in person but plans to arrive in July. We welcome Yaoyi Zhou who is finishing up his doctoral work at Cornell. Brad Whitney is still leading the charge in second year and through his marker course and Elif Tural, PhD has been the lead in the third-year studio sequence. We are pleased with the many opportunities this new and diverse faculty team can provide for the future of the program! I appreciate all the support of the Alumni and Advisory Board this past year as they have helped us adapt and prevail. We look forward to seeing many of you in the coming months. Lisa Tucker, PhD Professor and Program Chair ltucker@vt.edu
SPRING - ‘21
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MEET THE VIRGINIA TECH A D V I S O RY B O A R D
FIO NA GRANDOWSK I Board Chair
CA R O L I N E A L E X A N D E R Sponsorship Chair
L IS A BROC KM A N Membership Chair
A M Y G ROOM E Alumni Network Chair
Collins Cooper Carusi, Atlanta, GA
CCA LLC, Lexington, VA
Bialek, Washington, D.C.
Interior Architects, San Francisco, CA
Virginia Tech Architecture ‘91
Virginia Tech Interior Design ‘90
Miami University, Marketing ‘89 Marymount University Interior Design ‘97
Virginia Tech Interior Design ‘17
FGrandowski@collinscoopercarusi.com
caroline.alexander403@gmail.com
lbrockman@bialek.com
a.groome@interiorarchitects.com
C HRI STY GARRI TY Sponsorship Committee
FA R R A H G O A L Alumni Network Committee
IR WIN G U EC O Sponsorship Committee
J E S S IC A KIL BY Membership Committee
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OTJ, Washington, D.C.
Gensler, Washington, D.C.
National Gallery of Art
AECOM
Virginia Tech Interior Design
Virginia Tech Interior Design
Drexel Interior Design ‘86 The Catholic University of America, Arch ‘99
Virginia Tech Interior Design ‘02
christyg514918@icloud.com
farrah_goal@gensler.com
igueco@gmail.com
jessica.kilby@aecom.com
ISSUE - 05
L IS A T U C KER Professor and Program Chair, Virginia Tech Interior Design
L IL A D E LA ROS A Student Liaison Alumni Network Committee
ltucker@vt.edu
Virginia Tech Interior Design ‘21 lilad7@vt.edu
SCOTT M O O N E Y Sponsorship Committee
MA R I E M OU T S OS Membership Committee
Muse Architects, Bethesda, MD
FOX Architects, Washington, D.C.
Virginia Tech Interior Design ‘95
KE L S E Y M U IR Alumni Network Committee
KR IS T EN P F I S T ER Alumni Network Committee
Lillian Wu Studio, New York, NY
Steelcase, Denver, CO
Virginia Tech Interior Design ‘19
Virginia Tech Interior Design ‘07
smooney@musearchitects.com
mmoutsos@fox-architects.com
kelseymuir@vt.edu
kpfister@steelcase.com
HEATHER R O B I N SO N Sponsorship Committee
VI E N N A R OM ES BU RG Sponsorship Committee
KE L LY S IM C OX Alumni Network Committee
M A RC Y T REP K E Alumni Network Committee State Department, Overseas Buildings Operations
Within Interior Design, Norfolk, VA
Washington and Lee University
Interface
Virginia Tech Interior Design ‘98
Virginia Tech Interior Design ‘97
Virginia Tech Interior Design ‘04
HRobinson@withindesigns.com
vromesburg@wlu.edu
kelly.simcox@interface.com
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Virginia Tech Interior Design ‘95 mtrepke@outlook.com
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SPRING - ‘21
PROGRAM NEWSLETTER
VIRGINIA TECH INTERIOR DESIGN
II. - STUDENT NEWS 16
28
114
A Toast to the Graduates: Virginia Tech Class of 2021
Senior Showcase
Awards and Recognition
A T O A S T T O T H E G R A D U AT E S Virginia Tech Interior Design Class of 2021
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ISSUE - 05
SPRING - ‘21
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“ W H AT F E E D S Y O U R A P P E T I T E F O R D E S I G N ?
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H O W W O U L D Y O U D E S C R I B E Y O U R TA S T E ? ”
ISSUE - 05
ELLIS ON CARM I CHAE L Chapel Hill, NC
MA D EL I N E C L A R K Potomac, MD
“Surrounding myself with nature inspires me to create
“What best motivates me is walking around studio and
and design holistic spaces that reflect the environment
seeing what my peers are working on. It’s inspiring
and culture of the site, and the desire to create an
and encourages my appetite for design to be in a
efficient yet beautiful solution to a problem [with] my
collaborative environment where we can learn and grow
design is what drives me.”
from each other.”
LILA DE LA ROS A Clifton, VA
G R A C E EVA N S Morristown, NJ
“As the world is constantly in flux, I look for inspiring and
“I’m constantly scrolling on Instagram and inspired by
inclusive interiors to keep me grounded and focused on
so many different types of projects in various styles and
what’s ahead. I’m eager to enter this exciting field as
settings. It gets me excited to graduate and start working
I hope to provide the same kind of relief for someone
in the field and bringing my designs to life.”
else through design.”
SPRING - ‘21
19
BRENNAN EVE RS E N Basking Ridge, NJ
B EC C A F R I ED MA N Green Brook, NJ
“The idea of one day creating a client’s dream space
“Listening to IDEAS presenters talk about their work
and making them happy. The client is what drives this
always inspires me by reminding me of all the unique
profession and if it was not for them I wouldn’t be able
opportunities available and the people that are affected
to do what I love, design.”
by design choices every day.”
M ONIQUE GA GNON Fairfax, VA
L A U R EN “R EN ” G U MB ERT Hampton, VA
“Seeing recent projects showcased on Instagram from
“I have eclectic taste. It sways with my mood, with the
design firms has been a constant source of inspiration
people around me, with the day. Some days I wish
while having school online.”
to live in an old manor, surrounded by antiques and items from around the world, and others I wish to live in a small, organized apartment free of clutter. I find the world interesting, it’s past, history, technology, and different cultures. All of these things become entangled in my design taste.”
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ISSUE - 05
KRIST Y HANS HAW Vinton, WV
I MA N I H A RT Ashburn, VA
“My design appetite is fed through seeing and partaking
“Knowing that I can design for marginalized communities.”
in collaboration. It pushes me to create better designs, and I see how someone else might tackle the design.”
ANGELI CA HOE LZ LI Syosset, NY
O L I V I A J O H N SO N Glen Allen, VA
“I’m motivated and inspired by my peers’ extraordinary
“My overall style is generally modern but I love adding
work.
vintage pieces as an additional layer of character to a
Seeing their successes and what our program
has the ability to teach influences me to work to my
space.”
best capabilities.”
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KATIE KARLINCHAK Springfield, VA
J U L I A KI N G Morristown, NJ
“Sophomore year, a professional told me, “do not be
“Traveling to both familiar and unfamiliar cities and
afraid to be bold and creative while you are in school.”
observing how design both responds to and forms the
Since then, I have pushed myself out of my comfort zone
surrounding environment.”
of color and creativity [...] my personal style has evolved to be contemporary with some modern elements.”
LELAND LAWS ON Richmond, VA
G R AYSO N L EV I T C H Richmond, VA
“I am drawn to designs with modern and clean lines,
“I am inspired by the unique experiences and architecture
light open spaces, and rich colors.”
that I have encountered while traveling. It has allowed me to become familiar with the many different opportunities, styles, and ideas that exist in our industry that I can apply to my designs.”
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ISSUE - 05
JIANZ HE LI U Beijing, China
MAT T “L I V S” L I V I N G STO N McLean, VA
“TV programs play an increasingly important role in child
“The very wonder of there being a formidable response
growth, and this has been confirmed in my experience. Rather
to that question is what feeds that appetite. Beyond
than cartoons, a program named King of Comprehensive
anything,
Housing Renovation fueled my strong interest in interior design [...] Such a visual feast shocked me deeply and
the
motives
sparking
my
curiosity
per
circumstance is what I am most curious about.”
pushed me to want to be a designer.”
GWEN M ART I N Bristol, VA
MA C KEN ZI E O ESTER R EI C H Roanoke, VA
“I love uplifting groups of people in design that usually
“I love being able to create a detailed narrative through
don’t get thought of, such as people with disabilities or
the process of design. Being able to creatively tell
minorities. I want to be a designer that appreciates and
a story and influence the way that people perceive
designs for all, and for a user to walk in a space and
everyday spaces is incredibly rewarding.”
feel like they’ve been seen and thought of.”
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23
HANNA OLSSON Richmond, VA
H A I L EY PAT T ER SO N Charlottesville, VA
“I find myself inspired by something new everyday
“I enjoy being in creative environments. I feel like I am
as design is all around us. From fashion, art, graphic
inspired by a variety of different visuals.”
design, cinematography and the most important to me, travel.”
JOSIE PRICE Richmond, VA
HANNAH RICHARDS Roanoke, VA
“My appetite for design is driven by the physical and
“Living life with those close to me, who constantly
emotional impact my work can have on both people
inspire me to create designs that can positively influence
and the planet. We have a unique opportunity within
our everyday life.”
architecture
and
design
to
influence
relationships
between people, their built environments, and the natural world. This type of work has allowed me to think globally and consider design equity in new and fascinating ways.”
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ISSUE - 05
CARLY RI T T E R Midlothian, VA
L I ZZY SH AW Leesburg, VA
“Seeing other designers’ work really inspires me to
“Seeing the design process by peers and accomplished
push myself and my designs. I thrive off a collaborative
designers - how they go from an idea to a holistic and
and open studio environment because seeing people
strong final design.”
actively working and the designs they create helps spark my creativity.”
ALES S ANDRA S HORT E N Cary, NC
J A SMI N E SN YD ER Pacifica, CA
“Inspiration is my driving force when designing and
“Creativity has always been a big passion of mine.
creating. My ultimate objective in life is to design and
Design allows me to be creative and make a difference
create spaces that inspire those who use them. I am
in the world I live in.”
constantly inspired by the people around me, by nature, by fashion and art. I am my most talented, creative and passionate self when I am inspired by something or someone and I can only hope to design spaces that give life and light to other people’s passions. ”
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JULIA SORENS ON Winchester, VA
R EB EC C A SO RT O -R O B L ES Oakton, VA
“I aspire to create designs that elevate the human
“Reading design magazines and seeing the interior
experience. Every design I create has a meaningful
photographs inspires me. I enjoy reading the process
narrative that is mindful of people and place, unfolding
designers went through and seeing their finished work
in the built environment.”
captured.”
M ARTHA STE VE NS Annandale, VA
C ATH ER I N E ST O N E Vienna, VA
“I am constantly inspired by other designers. Whether it’s
“My appetite is fed by the underlying ideas and reasoning
walking through Cowgill, or scrolling through Instagram,
that lurk behind elements of the designed world, and
seeing other people creating always keeps me moving
the everyday interactions with design that make me
forward.”
ask: what were they thinking? My vision has broadened to see the design in each built environment, and to appreciate how influential and inspiring my experience and understanding as a user can be in my own designs. I am fueled by the pursuit of understanding the “why.”
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ISSUE - 05
LIZZY T Z OUM AS Arlington, VA
J U L I A N N A WEI H Poquoson, VA
“I think the reason I love design is being able to solve
“I am really drawn to historic design for its elegance. I
the problem in a way that is beautiful and makes the
love how each time period is so unique from the other
“client” happy.”
but they all tie together to create the styles we have today.”
SPRING - ‘21
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SENIOR SHOWCASE Virginia Tech Interior Design Class of 2021 The 4th-Year studio provides a final opportunity
one of the following thesis prompts, we’d like to
for students to explore a project type of their
recognize and celebrate the hard work of this
research, research
year’s senior class by highlighting each of their
consisting of project/site selection, preliminary
individual projects. We’ve also given the option
site and building analysis, programming, and
to feature other projects completed during their
more. Spring semester combines research with
time at Virginia Tech.
choice.
Fall
semester
focuses
on
design,, addressing all of the design phases to design bring a unique concept to life. Concluding this year-long study and execution of
Executed during the first full hybrid school year, the following spreads are a testament to the graduates’ resiliency and dedication.
Congratulations and best of luck to the Class of 2021!
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ISSUE - 05
OLD SWEET SPRINGS - ADAPTIVE REUSE Program varies by designer
DISASTER RELIEF HOUSING International site varies by designer
I N T E R N AT I O N A L A I R P O RT Site and program varies by designer
H E A LT H C A R E FA C I L I T Y International site varies by designer
E D U C AT I O N A L FA C I L I T Y Program varies by designer
B O U T I Q U E H O T E L / H O S P I TA L I T Y International site varies by designer
ADDITIONAL PROJECTS Selected by designer
SPRING - ‘21
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30
ISSUE - 05
OLD SWEET SPRINGS - ADAPTIVE REUSE Program varies by designer
DISASTER RELIEF HOUSING International site varies by designer
I N T E R N AT I O N A L A I R P O RT Site and program varies by designer
H E A LT H C A R E FA C I L I T Y International site varies by designer
E D U C AT I O N A L FA C I L I T Y Program varies by designer
B O U T I Q U E H O T E L / H O S P I TA L I T Y International site varies by designer
ADDITIONAL PROJECTS Selected by designer
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ISSUE - 05
G R A C E E VA N S
SPRING - ‘21
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BRENNAN EVERSEN
Old Sweet Springs Wedding Venue
Concept Statement
Cocktail Hour Area
Marriage is a unique and special time in every relationship. It marks the commitment that a couple has made to one another and the bond they have. Marriage is a culturally recognized union of two individuals and typically this union is celebrated through having a wedding. A tradition that is used in some ceremonies is to have the newlyweds tie a knot to symbolize their pledge to each other. The true lover’s knot is one particular knot that a couple will tie to signify their eternal bond. This knot binds two separate pieces of rope together, when under pressure the true lover’s knot becomes strengthened.
Honeymoon Suite
Old Sweet Springs embodies the ideals of love and commitment by tying each space together to make a seamless bond between the old and the new additions to the building.
Front Elevation of Old Sweet Springs
Thesis Statement This project is an adaptive reuse of Old Sweet Springs, using historical guidelines while focusing on the use of sustainable and eco-friendly materials throughout the entirety of the building. The use of these materials will help create a healthier environment and encourage the utilization of the venue by more people. 34
ISSUE - 05
10
14
11
15 16
12
17 17
13
PROFESSIONAL KITCHEN (NIC)
18
19
21
20
1
Level 2 1/32" = 1'-0"Two Level
NTS
10 Storage 11 Employee Break Room 12 Administration 13 Conference Room 14 Laundry Room 15 Utility Closet
16 Coat Check 17 Public Bathroom 18 Main Lobby 19 Cocktail Hour Area 20 Outdoor Porch 21 Reception Area 2
Ceremony Space
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20
option 2 1/32" = 1'-0"
Reception Area Option B NTS
Reception Area
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L A U R E N “ R E N ” G U M B E RT
Old Sweet Springs
Hospitality and Historic Preservation The Original building was built in 1833 with a kitchen and fourth portico added on in the 1970s. The design is inspired by scrapbooking, with layering and negative space being the main ideas. These aspects were shown using rugs, flooring changes, and decorative ceilings. The orginal section of the building, the three left porticos, are designed with inspiration from the 1830s while the additions are are designed designed with with inspiration inspiration from from the the 1970s. 1970s. additions
This is the floorplan for the first floor. This level has the reception, bar, restaurant, lounge, and library spaces. The guest rooms and staff area are on the second floor. 36
ISSUE - 05
This rendering shows the bar. This room is in the fourth portico built in 1970, due to this it was inspired by that time period.
This rendering shows the main lounge on the first floor. This area is located in the middle, or second portico, in the original building, due to this it is inspired by the 1830s. SPRING - ‘21
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ISSUE - 05
K R I S T Y H A N S H AW
SPRING - ‘21
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JULIA KING
THE ADAPTIVE REUSE OF
OLD SWEET SPRINGS M o n r o e C o u n t y , We s t V i r g i n i a The a d a pt ive reu se of O l d S w eet S prings aim s to pro v ide a resto rative experienc e f or its guests. The d e s i g n c oncept is inspi red by t he his t or y of the ho t spring o n the site, an d the un derly ing n atural p ro ce s s t hat has l ong encou raged t hi s hu ma n-to-ear th c o nn ec tion . The hot sprin g loc ated on the s i t e w a s credi t ed w i t h medicinal proper t i es th at drew and c aptivated peo ple f or c enturies. When ra i n o r g rou ndw at er i s heat ed u p by magma deep beneath the Ear th’s sur f ac e, it esc apes bac k to t he s u r f a ce t hrou gh cracks and fis su res i n t he roc k undergro und as it bec o m es m o re v isc o us th an t he co l d w at er flow ing dow n. The w at er i s a t a c o nstant c on trast with its surroun din gs, c ausing its co n t i n u ou s cycl e. When t he w at er reaches t he un dergroun d warm er ro c k, it is c oo l in c om pariso n
Chase Images
t o i t s s u rrou ndings. The rock heat s i t u p, a nd then it rises to the sur f ac e, where it is warm in co m p a r i son t o i t s su rrou ndings. I t t hen cools an d sinks bac k down as a result o f being replac ed by wa r m e r w at er ris ing. There is a const ant s hi f t bet ween po les, y et the n atural balan c e is m ain tain ed. The d e s ign draw s from t he movement of w ater bet ween t wo o pposin g “poles”. These po les ac t as d e s t i n a t i ons, each havi ng t heir di f ferent iat i ng pro per ties th at allow f o r the c on tinuation o f the c y c le. O n e d e st inat ion, t he spa, i s more rest orat i ve an d intim ate in n ature, while the other destin atio n, the ho t e l , i s more soci al and air y. An i nt er vening c on nec tio n spac e, c on tain ing c om m un al am enities, i s re p resent at ive of t he s ol id yet permeable under-gro und roc k an d is lo c ated in bet ween the t w o d e st i nat i ons. The desi gn seeks t o create a sen se o f h arm o ny bet ween the t wo c on trastin g d e s t i n a t i ons. A sense of mys t iqu e w il l be brough t abo ut v ia m aterials an d textures in spired by the l i v e l y q uali t y of hot s prings.
Hotel Lobby
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Cafe Dining
ISSUE - 05
Sp a
Guest Room Entry
Ho t e l
Guest Bathroom
Guest Bedroom
Pa r t i D i a g r a m
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42
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G W E N M A RT I N
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OLD SWEET SPRINGS - ADAPTIVE REUSE Program varies by designer
DISASTER RELIEF HOUSING International site varies by designer
I N T E R N AT I O N A L A I R P O RT Site and program varies by designer
H E A LT H C A R E FA C I L I T Y International site varies by designer
E D U C AT I O N A L FA C I L I T Y Program varies by designer
B O U T I Q U E H O T E L / H O S P I TA L I T Y International site varies by designer
ADDITIONAL PROJECTS Selected by designer
SPRING - ‘21
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BECCA FRIEDMAN
The Butterfly House
Diagrams:
Disaster Relief Housing for California Wild Fires Lake Berryessa, California
Problem Statement: Many families throughout California have lost their homes to wildfires and need a quick, cheap, and affordable housing solution. It is important to help people affected by fires by giving them a safe and comfortable living space in order for them to obtain a sense of normalcy without stress of looking for a new home and buying all new items to restart their lives. Providing people with easy access housing helps them cope with psychological effects from the trauma of natural disasters. Large group housing facilities are easy but leave people without a sense of security or enough comfortable space, and tents are not long term like many victims need. Most of the population of the Lake Berryessa area are middle-aged home-owners who will need a space that is comfortable as they age.
Thesis Statement:
Perspectives:
Disaster relief housing for people affected by California wildfires that include sustainable materials and building practices, and aging in place prioritizes victims’ health by allowing them to deal with psychological effects that follow the trauma of natural disasters, and giving them a sense of security and belonging without the stress of searching for long-term housing.
Concept Statement: Many people associate butterflies as representations of resurrection, change, renewal and hope. The California state insect is the Dogface Butterfly is the inspiration for concept. The butterfly displays an iridescent bluish-black color with peach to pinkish markings, while the hind wings are orange and sulfur-yellow in color. Butterflies travel through the air by indirect flight. They flap their wings in a slanted figure-8 pattern, forming organic flowing and curving shapes. They are able to jostle the air around them with the quick flaps of their wings. This rapid movement makes a butterfly appear to make sharp, angular turns. The relief house will highlight the rigidness of a butterfly’s movement vs. the organic shape of its flight pattern.
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ISSUE - 05
Butterfly Roof:
Rainwater Harvesting:
The butterfly roof, also known as an inverted
This roof type has the ability to collect rainwater, which can
gable roof, was popularized in California during
be helpful during drought and other natural disasters like
the 1950s. The design resembles the wingspan of
fires. The water can also be used for watering plants, flushing
a butterfly at rest. This roof shape creates higher
toilets, and irrigation. Rain barrels are containers placed
interior ceilings, allowing more light to enter
outside the building and connected to roof downspouts to
the space through contemporary style windows.
collect runoff for later use in non-potable applications. Rain
Butterfly roofs are also aerodynamic and can be
barrels don’t need to be very large, they are inexpensive,
helpful in areas with severe winds.
and can be installed by anyone.
Floor Plan:
1.
1. Ramp / Porch
12.
7.
2.
3.
2. Entrance 3. Bench 4. Living Room
6. 5.
5. Kitchen
4.
6. Movable Island 7. Seating/Eating Area 8. Bathroom 01
N
12.
8.
10.
9.
11.
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9. Bedroom 01 10. Bathroom 02 11. Bedroom 02
12.
12. Storage Closet
47
MONIQUE GAGNON
RESTORE DISASTER RELIEF HOUSING RELIEF HOUSING FOR DISPLACED PERSONS OF BANGLADESH
PROBLEM STATEMENT
1
5
6
8
7
The project will explore temporary housing units around 500 square feet created to promote a sustainable lifestyle that helps minimize the emotional distress of displaced persons
4
of multi-generational households in Bangladesh affected by monsoon season flooding. When floods occur not only are victims fighting for survival but they are faced with trauma and emotional distress from the loss of their property due to rapid changes in their environment. To do this the units will be net-zero
3
energy buildings and address essential living needs to relieve the added stress that is placed on a household following a natural disaster.
THESIS STATEMENT
2
Using sustainable materials and elements in refuge housing can improve the physical and mental state of victims affected by natural disaster.
CONCEPT STATEMENT The Restore disaster relief housing units are inspired by the Bengal delta and Bangladesh vernacular architecture. Using qualities from the countries land and structures will create a shelter rebuilds the lives of the victims who occupy it.
1.
Concept Imagery
2.
Site made mudcrete used for even ground foundation
3.
Knoll Sahara textile in the color Palm
4.
Knoll Dottie upholstery in the color Clearwater
5.
EnviroTextiles Natural Canvas
6.
Locally sourced Gamari wood used for modular furniture
7.
Reclaimed lightweight durable CI Sheets used for unit roofing
8.
Locally sourced split bamboo panels used
RIVER DELTA BREAKDOWN PARTI ABSTRACTION
Delta
branches off the river’s opening and have paths determined by the deposition of sediment carried down stream.
Secondary Distributary Pathway
48
Main R
the ocean. Distributary channels become
iver
Deltas form where the mouth of a river meets
Distributary Channel
Construction of traditional Mudcrete Plinth
Parti Diagram
Restored Communities Formed
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KITCHEN PERSPECTIVE
2 4
1
6
3
5
7
Laundry + Bathroom Unit
7
* Numbers 5 + 6 on floor plan
LEGEND FLOOR PLAN 540 SF
SPRING - ‘21
1.
Covered Porch
5.
Bathroom Unit
2.
Living Room Unit
6.
Laundry Unit
3.
Kitchen Unit
7.
Bedroom Unit
4.
Collapsible Dining Table
49
JOSIE PRICE
G R O W. Disaster Relief Housing
Ponce, Puerto Rico
Reconnecting people with their built and natural environments
Cradle-to-Cradle Earthquake Resistance LBC Net Zero Energy
Problem & Thesis
Constant earthquakes along the southwestern coast of Puerto Rico have caused housing and infrastructure to fail fo much of the population. This has created a large group of displaced peoples, and has made obtaining water and electricity hard for the general population. A self sustaining approach to disaster relief housing, such as the implementation of the Living Building Challenge, rather than one that utilizes water and power from an outside source, will create housing better equipped to withstand any future incidents and meet the needs of its users.
Design Concept
Although nature can cause disaster, it is the ultimate healer. The victims of the Puerto Rico earthquakes need a safe and stable home, but also need to rebuild their community and self esteem. The natural world provides all of our basic needs and is capable of powering our homes and our minds. It is imperative that those healing from trauma reconnect with their environment to restore their joy and heal their communities.
The inspiration for this disaster relief housing is the Ceiba Tree, the national tree of Puerto Rico. To the island’s indigenous people and early settlers, the Ceiba represents hope, well-being, and good mental health. This is especially significant as this large species of tree was one of the few to re-bloom after the many earthquakes and hurricanes Puerto Rico has endured. It is representative of resilience despite facing hardship. This tree is exceptionally large and stable, and creates a safe haven for anything that needs protection from the elements. The form of the tree breaks down into a wide root system and strong central trunk with expanding branches that open up to the world. The design of the housing mimics the Ceiba Tree’s hierarchy between roots, trunk, and branch, and also connect users to the outdoors.
operable panels - branches breaks free from the form to let in natural light, views, community connection. mechanical core - trunk houses all vital mechanical systems of the unit main frame - roots grounding the home and creating a safe, stable environment inspiration: ceiba tree 50
parti diagram
ISSUE - 05
or
main unit kitchen view
e
e
d
site view 1
west elevation
SPRING - ‘21
east elevation
south elevation
north elevation
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M A RT H A S T E V E N S
Wildfire Disaster Relief Housing Auburn, California The design concept for the disaster housing is informed by Auburn’s location on the First Transcontinental Railroad. The railroad was a feat of human ingenuity that connected both sides of the continent and allowed travelers and cargo to travel distances that, at the time of its construction, seemed impossible to overcome. Like the trains, the buildings and furniture will be made of pre-fabricated modular parts that snap together to allow for quick construction and flexibility. The master plan for the development will also focus on creating connections, but between residents. Individual units will have shared outdoor areas that link the modules into a network of connected spaces which residents can use to grow their social support network and convene with nature.
52
Individual units made
Units connected by
Shared outdoor areas
up of modular parts
shared outdoor areas
create neighborhood nodes
+ Flat-Packable
ISSUE - 05
+ Restorative
SPRING - ‘21
+ Safe
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54
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OLD SWEET SPRINGS - ADAPTIVE REUSE Program varies by designer
DISASTER RELIEF HOUSING International site varies by designer
I N T E R N AT I O N A L A I R P O RT Site and program varies by designer
H E A LT H C A R E FA C I L I T Y International site varies by designer
E D U C AT I O N A L FA C I L I T Y Program varies by designer
B O U T I Q U E H O T E L / H O S P I TA L I T Y International site varies by designer
ADDITIONAL PROJECTS Selected by designer
SPRING - ‘21
55
K AT I E K A R L I N C H A K
Prague
INTERNATIONAL AIRPORT
Inspiration
The ancient city of Prague was founded around the Vltava River which helped to facilitate transportation and allow for the exchange of goods. The Vltava River is known as the longest river in the Czech Republic commonly referred to as “the national river.” Current day, the Vltava River serves as a landmark dividing the two halves of the city being connected by one of Prague’s most known landmarks, the Charles Bridge. With its unique geometry, the Vltava River will serve as the inspiration for the Prague Havel Airport emphasizing an organic, fluid movement throughout the space. Two halves containing the domestic and international terminals will be connected through a central area representing the Charles Bridge. Organic materials and forms will help to establish the fluid movement to guide users through the space in a rapid fashion. Colors and textures from the natural landscape and topography will be incorporated to give users a sense of Prague’s architecture and rich history.
parti diagram
out of security + to baggage claim
56
three dimensional parti
baggage claim
ISSUE - 05
entry + check in
Program I.
ENTRY
II.
CHECK IN
III.
SECURITY
IV.
GATES + CONCESSIONS
V.
NOT IN CONTRACT IV.
III. II. II.
I.
V.
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58
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OLD SWEET SPRINGS - ADAPTIVE REUSE Program varies by designer
DISASTER RELIEF HOUSING International site varies by designer
I N T E R N AT I O N A L A I R P O RT Site and program varies by designer
H E A LT H C A R E FA C I L I T Y International site varies by designer
E D U C AT I O N A L FA C I L I T Y Program varies by designer
B O U T I Q U E H O T E L / H O S P I TA L I T Y International site varies by designer
ADDITIONAL PROJECTS Selected by designer
SPRING - ‘21
59
ELLISON CARMICHAEL
RUMAH CARE CENTER Acute + Primary Care Clinic Singapore Project Statement:
The life expectancy in Singapore is rising drastically, and the amount and quality of
treatment in hospital stays needs to increase for the overwhelming silver wave. Introducing
care solutions focused on lessening the years spent in pain/illness for the senior population through comfortable facilities, efficient programming, individualized evidence-based
medicine, and connection to nature will create a safe space, mentally and physically, for
both patients and healthcare workers. Implementing WELL throughout the space will create a holisitic environment focused on healing and wellbeing for all occupants.
Concept Statement: Singapore is known globally for its economic prosperity, role in global trade, and rapid
urbanization. The traditional Singapore culture is evolving into this modern and business-
centric city. The traditional Singaporean culture is rooted in kampongs, hawkers centers, and
seaside culture. This long-established culture is diminishing due to the extreme urban sprawl in all aspects of mainland Singapore, except for the sole remaining kampong (traditional
Singaporean village). Kampong Lorong Buangkok is the last glimpse of ancient culture and a
time capsule for Singapore’s cultural roots. This physical location and monumental emotional
value of the kampong as a “home” for the community of Singapore emphasize the importance. Designing for the elderly, it is imperative to emote the feeling of home and comfort. Tucked between high rises on all sides of the kampong, it resembles a vegetative oasis.
Kampong Lorong Buangkok
parti diagram 60
central atrium ISSUE - 05
First Floor Plan
Second Floor Plan
Third Floor Plan SPRING - ‘21
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L E L A N D L AW S O N
A healthcare facility to treat people who are blind or visually impaired
THESIS STATEMENT
CONCEPT STATEMENT
Light, color, texture, and material differentiation creates clarity, independence, and personal empowerment for people with vision impairments, allowing them to live independent and productive lives.
The design is inspired by Prague’s famous Charles Bridge- the main connection point between the Old Town Square and the Lesser Town with layers of streets leading to the Prague Castle. As people cross the bridge, they experience visual openness and relief from the busyness of the buildings in the city while seeing the layering and contrast of materials ahead in Old Town Prague. The design captures this prominent moment of openness and linear connection between the 2 wings of the building to orient and direct visitors with vertical circulation representing the 2 towers at each end. Line, rhythm, and selective use of vibrant color define paths and zones for visual clarity and to promote the beauty and culture of Prague from within the clinic.
4 5
1 3
Prague Diagram
2
8
OLD TOWN SQUARE
6 7 PRAGUE CASTLE
Relationship to Building
First Floor Plan 1
Entry + Reception
5
Optical Shop
2 Registration
6 General Optometry
3 Atrium
7
4 Café
8 Courtyard
Large Meeting Room
Parti Diagram
62
ISSUE - 05
Central Atrium
Materials reflect the experience of walking along the stone bridge and perceiving water on either side of you with the stone watch towers ahead. Upholstery and wallcoverings draw from the layering, texture, and vibrant colors of Prague’s buidings seen from Charles Bridge.
SPRING - ‘21
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JIANZHE LIU 64
ISSUE - 05
SPRING - ‘21
65
JIANZHE LIU 66
ISSUE - 05
SPRING - ‘21
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JIANZHE LIU 68
ISSUE - 05
SPRING - ‘21
69
HANNAH RICHARDS
RESTORATION PEDIATRIC CENTER Berlin, Germany
PARTI INSPIRATION
PROBLEM STATEMENT For my thesis project, I designed a healthcare space in Berlin, Germany. Berlin has struggled with providing good healthcare for those in at-risk categories such as a lower socioeconomic status, high poverty rates, and an average life expectancy that is five plus years lower than the average. The amount of children living in poverty in Berlin is roughly 23%. Taking these statistics into consideration, my client for this healthcare space is a nonprofit organization that wants to bridge the gap between those of higher and lower incomes, in the healthcare system currently provided in Germany. To achieve this goal, I designed a pediatric center for children from low socioeconomic status population. According to my research, medical care for this population is hard to access in Germany. The scope for this project is three levels with a total of 54,000 square feet. Incorporated in the design of this pediatric center is a focus on wellness, by providing proper privacy and fulfilling the lighting needs for the users of the center. By providing options to adjust lighting to personal preference and allowing more or less privacy adjustments, the users of the facility feel more at ease and in control in what can often be a stressful and fearinducing environment.
PARTI
THESIS STATEMENT This healthcare facility is aimed to fulfill a basic human need of medical care to the low income communities in Berlin, while also taking into consideration how their overall wellness is impacted by the healthcare environment.
AXON
SECTION OF RECEPTION AREA
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SECTION ISSUE - 05
PERSPECTIVE OF WAITING AREA
CONCEPT For this pediatric center in Germany, the concept is restoration. With it being an healthcare facility there is a need for health and wellness and the incorporation of this into the fundamental design. Often the patients that enter this pediatric center are lacking in some sort of health or wellness aspect in their life so there is a need for restoration of the health and wellness areas in their life. The space is designed to incorporate a natural movement through the space to help provide a restorative process and experience for the patients and their family and friends. Because this pediatric center intent is to meet the needs of physical or mental health and wellness, the design draws the patients into the space and the areas of the center where their health can begin to be restored, by having a hub or central point in the reception area that greets them when they first enter the space.
HALLWAY OUTSIDE EXAM ROOMS
SPRING - ‘21
PATIENT EXAM ROOM
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JASMINE SNYDER
Problem Statement This project consists of a 50,000 square foot hospital that specializes in treatment for burn victims located in Melbourne, Australia. The average amount of time spent in a hospital for burn treatment is 4-9 days. Long hospital stays can affect a patient’s mood with the most common mental health issues being delirium, dementia, and depression. These common issues may stay with patients even after they leave the hospital. This hospital will provide an environment that can help prevent or diminish the mental issues that can afflict a patient.
Thesis Statement
STORAGE CLOSET
CUSTODIAL CLOSET
OPEN TO BELOW
2'
Parti Diagram The parti shows the path of travel through the space and how the paths force a spiraling motion through the space 72
- 6"
2'
- 6"
A. Physical Therapy Room B. Conference Space A C. Pharmacy D. Testing Lab E. Employee Break Room A F. Conference Space B G. Exam Rooms H. Employee Break Room
JANITOR CLOSET
Hospitals are a place where patients and staff alike are under a lot of stress, physically and mentally. Hospitals are solely designed for function right now, and current design does not consider human behaviors and how the environment they are surrounded by can affect their emotions.
A. Collaboration Space B. Check In Area C. Cafe D. Courtyard E. Offices
STORAGE CLOSET
A. Respite Area B. Nurses’ Station A C. Inpatient Rooms D. Waiting Room E. Nurses’ Station B ISSUE - 05
Solace Through Softness
SPRING - ‘21
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74
ISSUE - 05
OLD SWEET SPRINGS - ADAPTIVE REUSE Program varies by designer
DISASTER RELIEF HOUSING International site varies by designer
I N T E R N AT I O N A L A I R P O RT Site and program varies by designer
H E A LT H C A R E FA C I L I T Y International site varies by designer
E D U C AT I O N A L FA C I L I T Y Program varies by designer
B O U T I Q U E H O T E L / H O S P I TA L I T Y International site varies by designer
ADDITIONAL PROJECTS Selected by designer
SPRING - ‘21
75
LILA DE LA ROSA
PORT SMOUTH SUCCESS ACADEMY STEM school for students grades 9-12.
SITE 1601 Effingham Street Portsmouth, VA 23704
THESIS STATEMENT Well designed schools in Portsmouth that give children of all backgrounds a safe place to learn and a quality, well-rounded education will improve not only their mental and physical health and well-being, but lead them to find stable employment or achieve a post-secondary education and help break the cycle of poverty that one-third of them live in currently.
CONCEPT / INSPIRATION The inspiration for this thesis is the Norfolk Navy Yard, the oldest, most multifaceted, and largest industrial facility that belongs to the U.S. Navy, located in Portsmouth, Virginia. One process at the shipyard that has carried on through many years of new technology and innovation is dry-docking, where the country’s watercraft can be brought to dry land to be cleaned, inspected, or repaired. The Portsmouth Success Academy will take in kids in need, and similarly to the process of dry-docking, students will “dock” at the academy for 4 years, becoming the best versions of themselves through individual attention, allowing them to change in many ways to later fulfill their niche later post-graduation.
OPEN CLASSROOM / LEARNING SPACES
CAFETERIA
76
ISSUE - 05
ABOVE: FOCUSED PLAN OF FLEXIBLE CLASSROOMS - NTS [TOTAL PLAN: 160,000 SF] RIGHT: AXONS OF CLASSROOM CONFIGURATIONS - NTS
CLASSROOMS + COURTYARD CORRIDOR
SPRING - ‘21
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78
ISSUE - 05
H A I L E Y PAT T E R S O N
SPRING - ‘21
79
80
ISSUE - 05
OLD SWEET SPRINGS - ADAPTIVE REUSE Program varies by designer
DISASTER RELIEF HOUSING International site varies by designer
I N T E R N AT I O N A L A I R P O RT Site and program varies by designer
H E A LT H C A R E FA C I L I T Y International site varies by designer
E D U C AT I O N A L FA C I L I T Y Program varies by designer
B O U T I Q U E H O T E L / H O S P I TA L I T Y International site varies by designer
ADDITIONAL PROJECTS Selected by designer
SPRING - ‘21
81
MADELINE CLARK
THE GATEWAY Prague, Czech Republic
Taking inspiration from the Charles Bridge, it provides a definite pathway between the two parts of the city by acting as a point of passage. It provides a key connection route that has allowed the city to expand and grow as a whole. Acting on the scenic views that can be t taken, the bridge acts as a moment of relief from the bustling city streets. Users now come to take a moment of pause, and reflection, taking the city in as a whole.
Guestroom
The hotel will act as a point of passage on users' journey when visiting the city, as it defines the major circulation path within the hotel. Upon entering, users will feel that same moment of relief when walking onto the bridge as an atrium moment breaks open the space. mo Parti
Bar
82
ISSUE - 05
Skybridge
Rooftop
SPRING - ‘21
83
ANGELICA HOELZLI
This boutique hotel is located in Rio de Janeiro, Brazil, along the coastline of Copacabana. The goal is to connect the guests to the city, while respecting the areas endangered land features. The building will do so by incorporating LEED and WELL Building requirements while representing a coastal land form. The inspiration for the design comes from the Guananbara Bay. Its coast is created through erosion to form a jagged slope where land and water meet. Within the building, the design will emphasize this jagged layering through different elements. An atrium goes through the building up towards the skylight and gets smaller on each floor. Where the various openings meet, a slanted wall smooths out the jagged transitions - symbolizing the slope. This atrium is a rectangular shape with a corner chipped off further represent that slope. This coast is also represented in the materials applied. The rough, textured materials coincide with the smooth, fluid materials just as the rigid land meets the flowing waters. The mosaics found in every space brings Brazilian culture and history in as well.
guestroom
84
guestroom
ISSUE - 05
lobby bar
penthouse restaurant
rooftop bar
SPRING - ‘21
85
G R AY S O N L E V I T C H
1
HOTEL 54
Project Statement
This thesis will focus on the design of a built environment made up of a 36,000 square foot, four story Boutique hotel located in the Republic of Singapore, a maritime Southeast Asian country. Limitations include the square footage being addressed and the form of the existing building. The developer is placing the hotel in the capital city of the Republic of Singapore, Singapore. This city is known for its diverse population, lively culture, and immense tourism. It attracted 18.5 million tourists in 2018, more than three times Singapore’s total population. A main contribution to its tourism is it is a major hub for business,conferences, and events, making it one of the most visited cities in the world. The Singapore hospitality industry wants to make an effort to enforce sustainable design through improved material research with an additional improved approach to wayfinding and lighting to provide luxurious comfort to visitors.
Thesis Statement A built environment that aims to enhance sustainable design and environmental responsibility has the potential to positively affect users and and improve their wellbeing as well as to improve the surrounding city in efforts to provide a progressive future.
CONCEPT STATEMENT.
5
6
4
2
Level 1
10
1
NTS
1 Reception
6
2 Restaurant
7
3 Kitchen
8
4 Lounge
9
5 Public Restroom
10
INSPIRATION.
The inspiration behind this hotel is the Singapore Flyer, located near the project’s site in Marina Bay, Singapore. This 541 foot tall Ferris wheel provides locals and tourists with a 360 degree view of Singapore’s skyline. It serves as Asia’s largest observation wheel that occupies a prominent place in Singapore’s city center. When looking at the movement and positioning of a Ferris wheel, it rotates about a central axis allowing the visual experience of the user to constantly be moving in a continuous motion. The wheel serves as vertical circulation within the city core of Singapore as well as a landmark for the city. This design takes a similar approach and role as a Ferris wheel and the Singapore Flyer by incorporating a monumental staircase that acts as the core and central axis for the hotel. Similar to how the Singapore Flyer is a landmark for the city, the staircase is a landmark for the hotel. The staircase provides circulation on all four floors and connects the hotel vertically. Each floor branches off the central staircase informing this circulation, providing guests with a visual experience. A similar experience of observation is employed through the use of an open to below wrapped around the central axis along with an observation lounge placed on each floor that mimics the passenger cars that rotate upright, allowing visitors and locals to observe from each floor similar to how they might observe the city on the Singapore Flyer as the cars rise in height. 86
3
ISSUE - 05
PARTI + DIAGRAM
7
8
9 8
7
10
1
6
9
4
3
3
Level 2 & 3
5
5
4
NTS
Level 4
NTS
1 Guestroom 1
6 Spa
7 Game Room
2 Guestroom 2
7 Sauna
3 Suite
8 Laundry
3 Suite
8 Dipping Pool
4 Guestroom 3
9 Fitness Room
4 Guestroom 3
9 Observation Lounge
5 Lounge
10 Observation Lounge
5 Lounge
1 Guestroom 1
6 Communal Pantry
Laundry
2 Guestroom 2
Staff Offices Business Center
0 Observation Lounge
6
9
1 2
2
Bar
7
8
M.
SPRING - ‘21
87
MACKENZIE OESTERREICH
Urban Escape
Bay East Bay Central Bay South
Singapore is often referred to as the Garden City, as the island nation remains a world leader in both green design and sustainability. The design is inspired by the urban nature park, Gardens by the Bay, which seeks to raise the quality of life for visitors and locals by incorporating greenery, sustainability, and serves as a place of restful exploration. Gardens by the Bay is a point of attraction that is composed of three distinct waterfront gardens each with their own character and purpose, attracting visitors from around the world to experience an oasis within the city. Bay South is the largest with monumental focal points and symmetrical structures. Bay East is the second largest, with tranquil sanctuaries, immense green space, and clear sightlines to the city. Bay Central serves as a link between the two gardens, through a lengthy waterfront promenade. The design celebrates how the three gardens come together as a whole to establish a moment that unifies the park. The design will unify the public and private spaces with elements alluding to the garden’s most unique aspects such as a monumental spiral staircase located in a central atrium, biophilic green wall, and a linking circulation promenade. Materiality and finishes reflect the natural wood tones, vegetation, vibrant flora and fruits, and locally sourced raw materials. The hotel will incorporate sustainable practices and amenities that promote guest wellbeing in order to curate a unique and memorable experience, essentially creating an oasis within the city.
Bay East
Bay Central
Monumental focal point and emphasis on verticality Primary circulation - links two sides Channel - social and common areas Tranquil serene sanctuaries and clear sightlines
Atrium
Bay South
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ISSUE - 05
Feature Bar
Program 01. 02. 03. 04.
Reception Bar Lounge
03.
02.
08.
07. 09.
06. 10.
12.
Restaurant 05. Lounge + Atrium 06. Staff 07. Baggage Storage 08. General Storage 09. Public Restrooms 10. Business/Travel Printing 11. Kitchen 12. Feature Wall
05. 11.
04. 01.
LEVEL I NTS
SPRING - ‘21
89
HANNA OLSSON
CONCEPT STATEMENT
BOUTIQUE HOTEL PELOURHINO, BRAZIL
Termed the“city within a city”,The town of Pelourhino is renowned for its historic urban planning that is still used today. Centres, or plazas, are necessary for the formation of a sustainable and vibrant city. Hotel Luz is inspired by the underlying concept of the Praca of Pelourhino as it was historically, and still today, made for people to gather and come together in one central space. With a strong significance placed on the connection of these narrow cobble stone streets opening up to one central gathering space, the hotel takes the form of the city. With the additional emphasis of attention to the use of natural light, intricate detail, and the appreciation of the historic landscape, the hotel aims to pay homage to the architecture and urban planning of the surrounding community.
18.
07.
16.
17.
07.
09. 18. 11. 12.
10.
06.
15.
08.
PARTI DIAGRAM 05.
14. 03. 13.
01.
04.
02.
1
LEVEL Level 11: NTS
01 02 03 04 05 06
1/16" = 1'-0" Entrance
Reception Seating Reception Water-Refill Station Mens Public Restroom Women’s Public Restroom
07 08 09 10 11 12
Adminstrative Office Luggage Storage Elevators Central Staircase Atrium Dining Area Bar Area and Seating
13 14 15 16 17 18
Resaurant Seating Lounge Seating Janitorial Room Kitchen Water Supply Storage Fire Stairs
PARTI DIAGRAM SHOWN IN USE
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ISSUE - 05
n
ATRIUM BAR + ‘TERRACE’ PATHWAYS
GUEST SUITE
SPRING - ‘21
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C A R LY R I T T E R
Hotel Santuario is a 30,000 square foot building consisting of 4 floors and a rooftop, located in Rio de Janeiro, Brazil. Since Rio has issues associated with water, waste, and air pollution, LEED standards are taken into consideration in the design of the hotel as well as WELL standards and biophilic design to focus on the health and well-being of the occupants in the space. Concept Statement I was inspired by the serene nature of the Rio de Janeiro Botanical Gardens. My concept is based on the idea of a sanctuary or a retreat away from the bustling city of Rio de Janeiro. A sanctuary is a place that offers tranquility and security. The botanical gardens are considered a sanctuary in that it is a place of refuge and safety from the city as well as a biosphere reserve. The gardens have a peaceful and tranquil feel that give visitors a sense of relaxation and refuge.
Restaurant view looking onto atrium garden 92
ISSUE - 05
Parti Diagram The botanical gardens are a biosphere reserve which is also known as a sanctuary. A biosphere reserve “promotes solutions reconciling the conservation of biodiversity with its sustainable use.” There are three areas that make up a biosphere reserve: core area, buffer area, manipulation/ transition area. The core area is protected from human use and is the center garden atrium. The buffer area is limited human activity that is the main path of circulation throughout the space. The manipulation area is the outer circle where more human activity takes place such as the restaurant, lounges, and guestrooms.
Parti Diagram
Parti over floor plan
7
5
3D Parti Diagram
NIC
First Floor Plan
8 6
4 4
3
9 1 10
1. Reception 2. Lobby Lounge 3. Conference Room 4. Private Offices 5. Luggage Storage 6. Atrium Garden 7. Restrooms 8. Kitchen 9. Bar 10. Restaurant
2
SPRING - ‘21
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L I Z Z Y S H AW
CONCEPT STATEMENT
Solo-travel is the top trend in travel in the past 5 years, especially with the COVID - 19 global pandemic. The biggest concern associated with solo travel is mental health, specifically loneliness. Incorperating the 14 patterns of biophilic design in an interior context with the use of light, material, texture, and color will promote individual health and well-being among guests.
The design is inspired by Singapore’s F made up of a system of tunnels under used as a headquarters in World War 2 experience at the tunnel’s entrance they environment with little light peaking throug the tunnel’s end, they are submerged into where natural light and lush greenery plun convergence zone. As travelers make they become submerged into the open The boutique hotel will take from thi three central areas: the “man-made” amenities such as the bar, coworking guests who first enter the space, the “co include the design of a large atrium- lik elements and biophilia, and the “nature spaces for guests to relax and unwind af
First Floor Plan
Relationship to building
Boutique hotel designed to promote individual health and well-being among guests
THESIS STATEMENT
1
Entrance/Reception
5
Atrium
2
Lobby Seating
6
Restaurant
3
Staff Office
7
Kitchen
4
Restrooms
8
Banquet Space
ATRIUM
8 4
3
5 7
1 6 2 First Floor Plan
Restaurant
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ISSUE - 05
Parti
Fort Canning Park, a park rneath the green, originally 2. As park visitors start their are surrounded by the built gh. As they make their way to the large stairwell vestibule nge into the space. This is the their way up the stairs, space of the upper park. is experience by creating area that includes hotel spaces, and restaurant for onvergence” area that will ke space with green design e” area which will include ter a long day of travelling. Atrium
MAN-MADE These spaces include more man-made, luxurious materials that create a more formal atmosphere for guests as they enter the hotel
MAN-MADE CONVERGENCE ATRIUM
NATURE These spaces include a wide variety of natural materials that tie the space back to the surrounding area and allow guests to feel at peace and closer to nature
NATURE
MAN-MADE
NATURE
Rooftop
SPRING - ‘21
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A L E S S A N D R A S H O RT E N
TH E O F F SH ORE HOTEL
A B O U T I Q U E H OT EL I N TO R Q UAY, MEL B O U R NE, AU S T R A L I A WAVE C REST
The way in which a wave forms is crucial to the way in which they are surfed. Studying and understanding the anatomy of an ocean wave helps surfers to prepare for the waves they will want to ride into shore. The formation of a wave, and its chang-
WAV E TROUGH
ing shape as it reaches shore is the inspiration for the space. The most basic parts of a wave are the wave crest and the wave trough. The wave crest is the highest point of the wave while the wave trough is the lowest point. As waves move toward shore, the wave crest occupies positive space while the wave trough represents negative space, a space of transition. The guests will experience the space in “waves” as they enter the hotel. These waves will have different dimensions that will provide separation and division to the different zones of a hotel experience. The wave troughs will be the main paths of travel in the space, while simultaneously creating separation. The wave crests will be the zones in which the main activity happens.
PART I DIAGR AM IN TO SPAC E T RANSLAT ION
RECEPTION VIEW
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ISSUE - 05
04
10
09
08 03 07 02
06
01
01
LOUNGE
02
BAR
03
S URF S HOP
04
STORAGE
05
LOBBY
06
WATE R + LAND FE ATURE
07
RE CE PTION DE S K
08
LUGGAGE STORAGE
09
ADMINISTRATION OFFICE
10
ME E TING ROOM
05
LEV EL 0 1 F LOOR PLA N: N TS
BATHROOM VIEW
LOBBY VIEW
SPRING - ‘21
GUESTROOM VIEW
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JULIA SORENSON
DISTRICT I. boutique hotel prague,czech republic
The Wallenstein Palace and Gardens is a Baroque-styled garden located in Mala Strana, Prague. It originally served as a residence for the Imperial Generalissimo Albrecht Von Wallenstein, and currently houses the Senate of the Czech Republic. It is a bold and elegant grounds with a strict geometric design created in parallel with the Wallenstein Palace. The massive Sala Pavilion serves as a focal point of the grounds, drawing people into a grand communal area that has hosted a series of events such as concerts and theatre plays. The surrounding geometric gardens offer areas for gathering or respite, as the forms of the hedges and walls delineate the areas and take on different degrees of openness vs. enclosure and privacy. The strict geometric order and axis impose a sense of order and balance that is characteristic of Baroque-styled gardens. A formal pathway directs visitors to the massive Sala Pavilion, with secondary pathways that guide one throughout the gardens for a leisurely stroll and beautiful views. The Gardens are a place of individuality and collectivity; providing a strong communal emphasis while also offering an environment of individual serenity and reflection to guests. Tapping into the power of the mind and its correlation to environmental consciousness, the District I Hotel aims to equip guests with amenities that promote mental wellbeing, awareness and reflection in conjunction with a community consciousness to create a holistically sustainable design.
Parti Diagram - Grand Courtyard
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ISSUE - 05
Courtyard Bar
Entry Door
SPRING - ‘21
Courtyard Atrium
Reception
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R E B E C C A S O RT O - R O B L E S
Crecer
A Boutique Hotel in Belem, Brazil
Located in the Amazon, this hotel is inspired by the reforestation process of the Amazon. The concept is creating a gateway into the Amazon forest where guest can experience restoration and growth through a relaxing stay at this boutique hotel. This boutique hotel is filled with moments of contrast and change that will reflect the journey of a damaged forest to new growth.
Cafe on Level 1 healthy forest navigating through the forest
forest under restoration
parti
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nail bar
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level 1 | nts back of the cafe
ADA family suite
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level 2,3, + 4 floor plans
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family suite kitchenette
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C AT H E R I N E S T O N E
BOUTIQUE HOTEL
CITY CENTRE
MELBOURNE, AUS
BAR + LOUNGE
The Gem is a boutique hotel in Melbourne, Australia that caters to business travelers through combining elements of hospitality and workplace design. The use of Diorite as inspiration for this project aims at returning to the roots of the city of Melbourne. The design honors elements of the land that were historically mined and utilized by the original inhabitants of the area, the Wurundjeri people, prior to colonization. The concepts of collision and state change were inspired by the formation process of Diorite, an intrusive igneous rock. This formation is characterized by the combination of molten,flowing basalt and granite which then undergo a state change and form the final state of Diorite, a highly structured crystalline form. The concepts of collision and state change are applied in 3D through a central atrium referencing the break in the earth created by a Diorite mine. The spatial planning parallels the increasing order and structure of the Diorite formation process through the increasing level of privacy and enclosure moving upward in the building . The material selections derive from the natural color variations of Diorite and create a dramatic darkness reflective of the depths within the earth from which the inspiration comes.
2D PARTI DIAGRAM
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3D PARTI STRUCTURE
FITNESS STUDIO
ATRIUM SEATING AREA
RESTAURANT
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COWORKING LOUNGE RENDERING
ENTERTAINMENT+STORAGE
LUXURY RESTROOM
SINGLE ROOM RENDERING
RELAX + RESTORE
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LIZZY TZOUMAS
The goal for my thesis design was to create a boutique that emphasized wellness in the guest in a postpandemic world, sustainable and environmentally friendly design, and incorporating biomimicry into the spaces. For my Melbourne located boutique hotel, I studied the forms created by the ocean along the coast of Australia. Cliffs along the entire coast of Victoria, Australia are eroded by wave action that concentrates energy in these areas. The soft tide marks on the beach are created by the energetic horizontal movement of the ocean and the rigid cliff side forms are made by contact of the ocean’s energy with the static solid elements of the cliffs and sea stacks. These forms contrast each other and can be translated into the design of the space.
CLIFFSIDE
Diagram of the coast shape
Abstracted form used in the floor plan
I used the Twelve Apostles, located in the Port Campbell National Park, as an inspiration and example of natural landscapes in Victoria, Australia that should be preserved to incorporate biomimicry and sustainability through my design. The floor plan incorporates the diagonal movement of the ocean as the main path of travel into the space towards the buffer zone, which represents the beach. The remainder of the space is open for fluid movement of water and using the columns throughout the open space to symbolize the sea stacks. The elevator is where the cliff or private zone meets the ocean to symbolize the movement going upwards as it hits the cliff.
The bar, built-in seating, raised platform, and lighting feature showcase the same curves that were featured in the abstracted tide marks. The statement wall in the lobby and waiting area, symbolize the cliffside and sea stacks.
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PROGRAM 6 5
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8
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7 12
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2
4
3 1
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1. Reception 2. Waiting Area 3. Lounge 4. Restaurant and Bar 5. Kitchen 6. Walk-In Freezer 7. Kitchen Storage 8. Manager’s Office 9. Baggage Claim and Additional Storage 10. Men’s Restroom 11. Women’s Restroom 12. Elevator Dual-Access 13. Mechanical Closet 14. Fire Stairs 15. ADA Entrance + Ramp
Level One Floor Plan
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JULIANNA WEIH 10 6
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OLD SWEET SPRINGS - ADAPTIVE REUSE Program varies by designer
DISASTER RELIEF HOUSING International site varies by designer
I N T E R N AT I O N A L A I R P O RT Site and program varies by designer
H E A LT H C A R E FA C I L I T Y International site varies by designer
E D U C AT I O N A L FA C I L I T Y Program varies by designer
B O U T I Q U E H O T E L / H O S P I TA L I T Y International site varies by designer
ADDITIONAL PROJECTS Selected by designer
SPRING - ‘21
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I M A N I H A RT
Revealing Records The Fusion of R&B Music REVEALING RECORDS
Inspiration derives from the R&B genre of music, also known as Rhythm and Blues. Typically known as an “urban” genre with influences from soul, jazz, funk, and hip hop. Each song in the genre has a personal story that resonates with the listeners; the passion and soul of each lyric and note speaks to the audience. Artists, such as H.E.R., reach back to when R&B first came to be. The artist strips the song to emphasize the vocals and the instruments. Just as the combination of the instrumentals and the lyrics influences the listener, the fusion of all the spaces in the sky-box will help the user experience the flow an R&B song. This concept can also be seen through the combination of warm and cool tones in the materials, as well as in the furniture selection that highlights the curved elements within the space. The warmth of the dark wood, leather and red-purple paint combines with the cool marble, concrete flooring and the white ceiling to create a compelling overall feel to the space.
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Instrumentals
Parti The concept can be seen through the parti diagram with a large and small circle merging together to create this overall flowing current that moves you through the space.
Vocals
Flow of the song
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OLIVIA JOHNSON
Next Hub Tech Company Office 1545 Peachtree, Suite 280 Atlanta, GA 30309 NEXT Hub, a software development company, is located in Atlanta, Georgia. Known for its cosmopolitan and fast-paced lifestyle, Atlanta invites many visitors with its diverse cultural attractions. One of the many top sights include the Georgia Aquarium, the largest aquarium in the western part of the world. The tech company is inspired by the formation of a pearl, where in that process a grain of sand (or new and unknown substance) enters the oyster. In response, the oyster builds up layers of calcium carbonate around the unknown element which forms something of value and beauty, the pearl. The pearl formation is reflected in the philosophy and culture of NEXT hub where different ideas and perspectives are embraced to bring together treasured contributions to the company’s success.
IN BETWEEN SPACE
The design of NEXT Hub intends to draw inspiration of the concentric layering form and structure of an oyster as well as embody the value and beauty given to the space. The textures and materials selected for the space highlights tone and shadow that is reflected in the appearance of a pearl. The color selection is inspired by the natural pearl colors of white, beige and cream with extended hues of pink, orange and blue.
INSPIRATION SPACE
TOP LEFT Open Office Elevation BOTTOM LEFT Private Enclave 112
RECEPTION
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VIDEO CONFERENCE
OPEN OFFICE
MAIN LOBBY
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AWA R D S & R E C O G N I T I O N
Two seniors recognized in the Metropolis Future 100 List: the top 100 graduating interior design and architecture students in North America and Canada as selected by Metropolis Magazine ALESSANDRA SHORTEN
Project: Pheonix Public Library
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JULIA SORENSON
Project: NEXT Office
SPRING - ‘21
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AWA R D S & R E C O G N I T I O N
H E R O PA R K : L I V I N G U N I T E D IDEC STUDENT DESIGN COMPETITION Third-year Interior Design team receives Honorable Mention in national design competition
Juniors Heather Lodge, Leigh Ann Stapleton &
Hero Park: Living United is a socially sustainable,
Abby Harvey received Honorable Mention in
adaptive-reuse
the 2021 Student Design Competition for their
community in Roanoke, Virginia. The center pulls
project, Hero Park, a veterans living community in Roanoke, VA. According to IDEC, the competition is described
proposal
for
a
veteran
living
inspiration from Roanoke’s Elmwood Park and Art Walk, which connects people with one another, Walk nature, and creative expression. The design for Hero Park: Living United brings the elements of
as “a wonderful opportunity to create an
Elmwood Park indoors, creating an urban street
awareness of human, economic, environmental,
interior that focuses on community as a means of
and
ethical
concerns
for
future
interior
designers.” The trio was nationally recognized among 86 entrants from 31 universities, with faculty sponsors Elif Tural and Eiman Elgewelyi.
support for Veterans, keeping the health, safety, and welfare at top of mind. The Patrick Henry site was chosen due to its walkable proximity to the local Veterans’ Services Building,
the
Carilion
Clinic,
and
Elmwood
Park, providing natural views from the interior. Spatially, the central focus is the circular path that encourages resident connections, provides an indoor track for exercise and wellbeing, and transitions into an outdoor art walk and farmers’ market that brings the social sustainability focus to life. The central communal areas are surrounded life by two story facades mimic a traditional row house feel, with a ground level stoop for residents who crave interaction, and a second floor balcony for those who would like more privacy. Color inspiration was drawn from a Roanoke sunset, incorporating soft hues of blue and red to create a calming atmosphere that represents the different branches colors and is kissed with pops of orange. The facades of the residential units are designed in various colors so residents feel a sense of uniqueness and individuality about their homes.
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UNITED
Photos courtesy of project team
SPRING - ‘21
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AWA R D S & R E C O G N I T I O N
B R E A K WAT E R IDEC STUDENT DESIGN COMPETITION Third-year Interior Design team recognized as Regional Winner in national design competition
Juniors Jackson Aldridge, Sarah Bannon &
spaces within the building. Just as an anchor
Erin Mulligan were named Regional Winners in
keeps ships secure, the furniture, materials, and
the 2021 Student Design Competition for their
colors are lighter on top and heavier on the
project, Breakwater, a veterans living community in Norfolk, VA. According to IDEC, the competition is described as “a wonderful opportunity to create an awareness of human, economic, environmental, and
ethical
concerns
for
future
interior
01 - What were some challenges or surprises you encountered during this project? “This was the first group project we completed once
classes
went
online.
Initially,
it
was
challenging to navigate working as a team without
designers.” The trio was nationally recognized
meeting in the studio as [we normally would].
among 86 entrants from 31 universities, with
Overall, we were able to overcome this challenge
faculty sponsors Elif Tural and Eiman Elgewelyi. Breakwater is a living community for veterans located in downtown Waterside Norfolk, VA, VA with
and learned to adapt and work together through Zoom.” 02 - Where did research take you?
a focus on socialization, rehabilitation, wellbeing,
“Research helped us learn that wide pathways
and re-integration. Norfolk has a large percentage
provide strong sight-lines and alleviate stress
of veterans as it has the largest naval base in the
caused by wayfinding. Additionally, the more
world. With Waterside as the coastal core of the
spaces
metropolitan area, it offers a variety of events,
walkways, encourage exercise and can improve
historic walking and biking trails, maritime and
mental health.
military cultural attractions, and ever-changing scenes of active harbors. A harbor provides safe anchorage and protection
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bottom to ‘ground’ the users within the space. space
you
dedicate
for
movement
such
as
03 - Explain any key takeaways or lessons learned.
for those who pass through it. it The residential
“Iteration! Every studio project requires numerous
units that wrap around the building act as a
iterations; however, I don’t think I’ve ever had a
breakwater, creating a calm environment within
project that required so many iterations in terms of
a harbor, and serving as a transition for veterans
space planning. This project further emphasized
who are looking for a break from the stress of
to me how design is never truly finished, as
civilian life. The balcony surrounding these units
every project has aspects that can be improved
reinforces the barrier which protects the shared
upon.”
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Photos courtesy of project team
SPRING - ‘21
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AWA R D S & R E C O G N I T I O N
P R I S M AT I C R E C O R D S BEINENSTOCK INTERIOR DESIGN COMPETITION Two seniors recognized as Finalists in annual BFL Design Competition
Two seniors were awarded Finalists in the annual Bernice Bienenstock Furniture Library Interior Design Competition. The competition received 26 entries from 7 colleges. The advising faculty member was Lisa Tucker. The prompt was to design a luxury stadium skybox for the CEO of a successful record label inspired by a specific genre of music or musical artist. Julia King (‘21) details the inspiration behind her design for the entertainment skybox, Prismatic Records. Taking inspiration from the vision and sound of Billie Eilish, Eilish the skybox embodies an atmosphere that is moody moody, exciting exciting, and luxurious luxurious. Billie is
known
for
her
captivating, captivating
ominous, ominous
and
transformative sound, as well as for her bold and dreamy visuals seen in her music videos. Her synesthesia influences her music; In a video on her Youtube channel, Billie exclaims that “...everything that [she] make[s], [she is] already thinking of what color it is, and what texture it is, and what day of the week it is, and what number it is, and what shape...” Prismatic Records incorporates the aspect of synesthesia into their brand through the creation of a highly immersive experience that appeals to the multiple senses of users.
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the skybox features a strong sense of depth, depth
Three defining aspects of Billie’s music are her
paired with fluctuating levels of transparency to
quiet-but-strong vocals combined with low-end
produce a layering effect. Providing a shift, or a
minimalist tunes and a heavy bass. Translating
distortion of space, space is critical to represent Billie’s
these three fundamentals into a physical space,
ominous yet transformative musical approach.
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Photos courtesy of Julia King (‘21)
SPRING - ‘21
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AWA R D S & R E C O G N I T I O N
VINDICTIVE PLUTO RECORDS SKYBOX BEINENSTOCK INTERIOR DESIGN COMPETITION Two seniors recognized as Finalists in annual BFL Design Competition
Two seniors were awarded Finalists in the annual
in a visual way, and inspired my design concept
Bernice Bienenstock Furniture Library Interior
and material selections.
Design Competition. The competition received
The design follows the same simple choreography
26 entries from 7 colleges. The advising faculty member was Lisa Tucker. The prompt was to design a luxury stadium skybox for the CEO of a successful record label inspired by a specific genre of music or musical artist. Martha Stevens (‘21) recalls the design of Vindictive Pluto Records. Vindictive Pluto Records Skybox is designed for
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as a garage-rock song, using different design elements to fill visual space and create tension and release. release Controlled lines of sight at transition points act as the verse, which create an exciting moment of revelation for the main entertaining spaces, which act as the chorus. The feature stair, surrounded by guitar strings that extend through to the second floor, acts as the bridge connecting the two main entertaining spaces.
a fictional garage-rock record label, Vindictive
All of the materials were inspired by garage-
Pluto, to host parties and events for their clients.
rock instruments and fashion, fashion the celestial brand
During my early research, I played “Seven Nation
identity of Vindictive Pluto, and the distortion and
Army” by the White Stripes through a Spectrogram,
reverb effects that are present in this style of
a tool that creates a digital visualization of sound
music. Together, the visually stimulating materials
based on the audible range of human hearing.
and choreographed use of the space create a
This gave me a basis for understanding the
user experience that is memorable and exciting, exciting
choreography and design of a garage-rock song
just like the music Vindictive Pluto produces.
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Photos courtesy of Martha Stevens (‘21)
SPRING - ‘21
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AWA R D S & R E C O G N I T I O N
THE NEXT HYBRID WORKPLACE STEELCASE NEXT COMPETITON Josie Price (‘21) named Finalist in annual Steelcase-sponsored competition
Senior Josie Price was named a Finalist in this year ’s Steelcase NEXT Student Design Competition.
The
competition
“challenges
future designers to create the NEXT office of the future.” Josie details the inspiration for the NEXT
woods, this concept introduces several aspects of wellness. The winding path linking the two floors mimics this canopy walk is a way to refocus and destress during the work day. Natural views are brought
Hybrid Office. Advising faculty: Lisa Tucker.
into the space through the plentiful windows, and
NEXT Hybrid Office pulls inspiration from one
finishes within the space. Along the canopy walk
of Atlanta’s Botanical Garden’s main attractions,
there are two terraces that provide a moment
a
canopy walk through Storza Woods. Woods
are enhanced by biophilic inspired furniture and
This
of pause to take in this view. This is reflected
immersive
in the space with the patio, a place of relaxing
experience of wandering within the forest, forest where
socialization, and the overlook above the stairway,
a viewer can find themselves encompassed by
as two moments to stop and view during your
layers of foliage as they transcend from the
walk. The space features layered ceiling elements
understory to the canopy. In addition to creating
and changing heights, alluding to overlapping
a compelling contrast between the man-made
trees and branches within a forest.
suspended
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serpentine bridge and the calming views of the
pathway
provides
an
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Photos courtesy of Josie Price (‘21)
SPRING - ‘21
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AWA R D S & R E C O G N I T I O N
W I L L I A M E . W I N E AWA R D F O R T E A C H I N G E X C E L L E N C E Dr. Lisa Tucker receives University-wide recognition
The William E. Wine Award is presented annually to
three
recognize
Virginia “a
Tech
history
of
faculty
members
university
to
teaching
excellence.” Following a college-level selection process of candidates nominated by students, faculty, and alumni, each college may put forth one nominee. From this group, three faculty members are selected annually. Each Wine Award winner receives $2,000 and automatic induction into the Academy of Teaching Excellence. This award is one of the highest given at Virginia Tech and only three can be awarded each year. Congratulations to Dr. Lisa Tucker on this welldeserved recognition, and for representing CAUS on the Virginia Tech stage!
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SPRING - ‘21
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SPRING - ‘21
PROGRAM NEWSLETTER
VIRGINIA TECH INTERIOR DESIGN
III. - ALUMNI 130
138
Nourish: Professionals and alumni share their expertise in continued education
Serve: Professionals and alumni share their experiences leading in the design industry
NOURISH Professionals and alumni share their expertise in continued education
Bri Dazio, NCIDQ, WELL AP, LEED AP, EDAC
the “why” behind the questions, not just the
and Caroline Alexander, CID, IIDA, LEED AP
answers themselves.
share experiences and key takeaways regarding
I took all three tests this past October, scheduling
the Council for Interior Design Qualification (CIDQ) administered exam.
them a week apart. When I sat down for the PRAC, my last test, the unforeseen happened, my computer crashed and they had to void my
BD: “NCIDQ. That
five-letter
appellation
that
we’ve all heard, some have earned, and others fear. According to CIDQ, the 2020 comparative overall exam pass rates were: IDFX- 69%; IDPX64%; and PRAC- 73%. For Virginia Tech alumni, those pass rates were even higher, some of the highest out of CIDA accredited schools: IDFX73%; IDPX- 88%; and PRAC-70%.
behind me, it was my new friends from Qpractice that I turned to. Lisa League, the founder of Qpractice, reached out to me suggesting I start answering questions, instead of asking them, in the Study Group. Her rationale was that if I could answer someone else’s question, I knew the material myself. I took this new advice to heart, jumping at the
“I am honored to be part of these statistics and join my place as an NCIDQ Certified
opportunity to work with others. Two weeks after my computer crashed, I sat down at that same Prometric center and completed the PRAC. A
Interior Designer. However, taking the
few months later, I received good news on two
NCIDQ exams is no small task; my success
fronts. I had not only passed the exams, but I was
was largely thanks to the study materials
also offered the opportunity to join the team as a
and schedule through Qpractice Qpractice.” .” Qpractice is an online course that assists studying for the three NCIDQ exams. The course features: - lesson summaries
- videos
- suggested readings
- worksheets
- practice questions
- live workshops &
- ‘The Study Group’
practice test help
Qpractice coach. coach Now, I spend my time offering help to the next crop of designers. Qpractice was there for me every step of the way during my study process, and I’m grateful to give back to that community. community
Qpractice offers a 12-week course with daily
To learn more about signing up for Qpractice and applying for the exams, please reach out to Bri
effectively
at bdazio@kssarchitects.com or visit Everything
prepare for the exams, breaking study time into
You Need to Know About the NCIDQ Exam to sign
manageable chunks so that test takers understand
up for the newsletter to learn more!
lessons
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session [...] While my friends and family rallied
to
guide
studying
and
ISSUE - 05
Bri Dazio, NCIDQ, WELL AP, LEED AP, EDAC
NCIDQ
N AT I O N A L C O U N C I L F O R I N T E R I O R D E S I G N Q U A L I F I C AT I O N Amount per serving
2021
COST A P P L I C AT I O N F E E
$225.00
EXAM FEES (3 EXAMS)
$1,100.00
S T U D Y M AT E R I A L S
$751.00
(4-month Qpractice subscription, book cost included)
TIMELINE E X A M R E G I S T R AT I O N S C H E D U L I N G P E R I O D Spring: January 3 - March 31, Fall: July 1 - September 30
TIME COMMITMENT
4 MONTHS
E F F O RT PAY O F F + P O T E N T I A L B E N E F I T S L E A D E R S H I P O P P O RT U N I T I E S , J O B P R O M O T I O N S , S A L A RY I N C R E A S E
Caroline Alexander, CID, IIDA, LEED AP
M O B I L I T Y,
WHY? - S E T S Y O U A PA RT W I T H E M P L O Y E R S , C L I E N T S - D E M O N S T R AT E S C O M P E T E N C Y - N C I D Q I S O F T E N R E Q U I R E D F O R S TAT E L I C E N S E TO PRACTICE OR CALL YOURSELF AN “INTERIOR DESIGNER”
Photos and content provided by Bri Dazio and Caroline Alexander
SPRING - ‘21
131
NOURISH Professionals and alumni share their expertise in continued education
Amy Groome (‘17), designer at IA Interior Architects
in
San
Francisco,
shares
her
going to work to become a WELL AP some day… it only took four years of procrastinating and a
experience studying for the WELL AP exam,
pandemic to finally make me crack the study
and passion for human health in the built
books!
environment.
The WELL Building Standard was launched by
For me, human health and wellness has always been at the core of why I design. The unique ability to touch the lives of people, at such an intimate level, was the reason I chose to pursue Interior Design rather than the more macro studies of Architecture and Urban Planning.
Delos in 2013 in order to take a similar approach to the number of green building certifications circulating
the
industry,
and to hone in on
human health. health WELL takes a holistic approach to health - considering the physical, social, and psychological impacts the built environment can have on our wellbeing. wellbeing The standard is backed
During my senior year in college, Lisa Tucker
by years of scientific research, and draws upon
introduced
Building
the knowledge of doctors, material scientists,
Standard in an Advanced Research in Biophilia
and scholars to equip designers with the tools to
course. I knew right then and there that I was
design healthier spaces.
my
class
to
the
WELL
H AV E M O R E Q U E S T I O N S ? GET IN TOUCH! AMY GROOME, WELL AP
Designer, IA Interior Architects San Francisco
a.groome@interiorarchitects.com
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WELL AP
W E L L B U I L D I N G S TA N D A R D ( W E L L ) ACCREDITED PROFESSIONAL
2021
Amount per serving
COST E X A M R E G I S R AT I O N
$299.00
S T U D Y M AT E R I A L S
$50.00
(*WELL exams and materials are currently 50%!)
TIMELINE TIME COMMITMENT
2 MONTHS
(approx. 8 hr/week)
E F F O RT PAY O F F + B E N E F I T S P R O J E C T O P P O RT U N I T I E S , GAIN KNOWLEDGE!
RESUME
BOOSTER,
WHY? - M A K E A N I M PA C T - C O N N E C T W I T H E X P E RT S & G L O B A L C O M M U N I T Y - A D VA N C E Y O U R C A R E E R A N D D I F F E R E N T I AT E Y O U R S E L F A S A L E A D E R I N H U M A N H E A LT H & WELLNESS
Photos and content provided by Amy Groome
SPRING - ‘21
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NOURISH Professionals and alumni share their expertise in continued education
A PMP professional shares their experience with studying for the exam and applying the credential to their career. For more information, visit www.pmi.org. Every design effort, big or small, is a project.
project management knowledge, experience, and
Having Project Management Professional (PMP)
skills to bring projects to successful completion.
certification gives designers an edge in managing
PMI’s certification is distinguished by their global
and directing any size project through knowledge
development and application, which makes them
of best practices, elevated organization skills, and
transferable across industries and geographic
staying updated with new project approaches and
borders. borders
methodologies. Some individuals are introduced to PMP training as
a
requirement
projects.
to win
federal
government
After the four-day training course,
I followed through with studying for the exam and yes, it was time consuming, but I enjoy improving my professional abilities.
I wish I
had studied project management earlier in my career.
Experience teaches you to improve how
The exam is a 180-question, multiple choice exam. Candidates are assessed by examining exam their competence using: 1. A Review of Education and Experience – A combination of education and/or experience in project management is required. 2 . Testing Competence – Candidate is required
you manage projects, but certification can do the
to
same thing in a lesser span of time. time
experience
O V E RV I E W (via pmi.org)
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E X A M (via pmi.org)
apply
project to
management
potential
concepts
on-the-job
and
situations
through a series of scenario-based questions. 3 . Ongoing Development – Maintenance of a PMI
Globally recognized and demanded, the PMP
certification requires the accumulation of ongoing
certification demonstrates to employers, clients
professional development and education of, in
and colleagues that a project manager possesses
some cases, re-certification.
ISSUE - 05
PMP
PROJECT MANAGEMENT PROFESSIONAL Amount per serving
2021
COST E X A M R E G I S T R AT I O N MEMBER
$405.00
NON-MEMBER
$555.00
S T U D Y M AT E R I A L S
- PMP Certification | Project Management Institute (pmi.org) - A Guide to the Project Management Body of Knowledge (PMBOK Guide) - Head First PMP: A Learner’s Companion to Passing the Project Management Professional Exam
TIME COMMITMENT “PMP says on average, successful PMP candidates will spend 35 hours or more preparing and studying. I spent around 185 hours including the 35-hour course) to prepare.”
E F F O RT WHY PMP? -
A D D S VA L U E : P M P R A N K E D A S T O P P R O J E C T MANAGEMENT C E RT I F I C AT I O N IN N O RT H AMERICA
-
B E N E F I T S : M E D I A N S A L A RY F O R P R O J E C T P R O F E S S I O N A L S I N N O RT H A M E R I C A I S 2 5 % HIGHER THAN THOSE WITHOUT IT
- D E M O N S T R AT E S S K I L L S T O D R I V E B U S I N E S S R E S U LT S A N D I N C R E A S E Y O U R O R G . ’ S I M PA C T
Photos and content provided by contributor and www.pmi.org
SPRING - ‘21
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NOURISH Professionals and alumni share their expertise in continued education
Jessica Kilby and Victoria Wante recount their experiences with studying for the LEED Green Associate & LEED AP exams. For more information, visit www.usgbc.org/credentials. VW: I took the two exams (LEED GA + LEED AP
the individual design stages. I would dedicate
ID+C) separately because I am not a great test
more time to studying for the AP exam and really
taker and wanted to really focus on the individual
focus on the different job titles and who does
content for each. LEED GA was very easy and
what.
relatable to what we learned at Virginia Tech, and from my first job out of school. It really was just
JK:
a basic understanding of how to design with the
Professional to ensure appropriate materials were
environment in mind.
being specified for the correct use and outcome
I purchased the LEED Green Associate Exam Preparation Guide and found it very helpful. In addition to using the study book, I also found many chapter outlines and notecards that other users had created on quizlet.com (I used this site for both exams & would highly recommend!). I will say, LEED AP ID+C was tough! The questions
I
chose
to
become
a
LEED
Accredited
to the building occupants. occupants As an Interior Designer we have a responsibility to the owners and occupants of the space to ensure not only the safety and wellbeing of the building occupants, but designing and being good stewards for the building environment. LEED is the premier third party rating system that sets the standards for sustainable buildings. buildings
were extremely specific to job roles on site and
MORE QUESTIONS? GET IN TOUCH!
J E S S I C A K I L B Y, C I D , L E E D A P I D + C
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Senior Interior Designer , AECOM Roanoke, VA jessica.kilby@aecom.com
V I C T O R I A WA N T E , N C I D Q , L E E D A P I D + C
Interior Designer, IA Interior Architects v.wante@interiorarchitects.com
ISSUE - 05
LEED
LEADERSHIP IN ENERGY AND E N V I R O N M E N TA L D E S I G N
2021
Amount per serving
T Y P E S O F C E RT I F I C AT I O N LEED GA
LEED Accredited Professional Specialties
“The LEED GA exam measures general knowledge of green building practices and how to support others working on LEED projects (ideal for those new to green building). A LEED AP credential distinguishes those with advanced knowledge in green building, plus expertise in a particular LEED rating system.”
C O S T
LEED GA / LEED AP
R E G I S T R AT I O N PROFESSIONALS STUDENTS
$100.00 / -
S T U D Y M AT E R I A L S TIME COMMITMENT
$250.00
$155.00 / $105.00 30-40HR / 60-100HR
(approximate total hours spent)
E F F O RT PAY O F F S + B E N E F I T S - G L O B A L N E T W O R K O F S U S TA I N A B I L I T Y P R O F E S S I O N A L S - P R O J E C T O P P O RT U N I T I E S
Photos and content provided by Jessica Kilby, Victoria Wante and usgbc.org
SPRING - ‘21
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S E RV E Professionals and alumni share their experiences leading and learning in the design industry
Vienna Romesburg shares her experience serving
Professional membership after passing the NCIDQ
on the VA Chapter Board for ASID and offers her
exam.
perspective on how joining ASID has enriched
$525.00/year, though many
her professional career. ASID - What it is and why you should be a member!
Professional
membership
is
currently
firms or employers
may be willing to cover these membership fees. The benefits of membership have provided me with a network of other designers who, if needed,
I have been a member of ASID since I was a
could help guide me in finding available ID
student
member
positions across the US. ASID also holds monthly
has allowed me to build friendships with my
events that support educational goals, networking
colleagues that have lasted my entire career. I’ve
and even charity events. events I’ve also enjoyed the
held various positions within the Virginia State
camaraderie of getting to know and meet fellow
Chapter of ASID and am currently on the State
designers: people that do what I do and just get
Chapter Board as the Finance Director, serving a
it. All of it – the good, the bad and the ugly!
at
Virginia
Tech.
Being
a
two year term. ASID has provided leadership opportunities as well as training for those positions. Not only are there state leadership opportunities, but there are national leadership opportunities as well. The American Society of Interiors Designers (ASID) is comprised of Interior Designers- and even some architects- that meet various qualifications, depending on the level of membership. The levels of membership are Professional Member, Allied Member,
Associate
Member,
Student
Member
and Architect member. member In order to become a Student Member, you must attend a university or college which has an accredited Interior Design program.
The cost for student membership is
$85.00. Post-graduation, you can apply for an Allied membership for year 1 at $85. Years 2-5 slowly increase in price.
The expectation is that
by the time you have practiced for 5-6 years you would either apply for Associate Membership or
13 8
H AV E M O R E Q U E S T I O N S ? GET IN TOUCH! VIENNA ROMESBURG, NCIDQ, CID, ASID, LEED AP
Capital Projects, University Facilities Washington & Lee University vromesburg@wlu.edu
ISSUE - 05
ASID
AMERICAN SOCIETY OF INTERIOR DESIGNERS Amount per serving
2021
COST - ANNUAL MEMBERSHIP STUDENT
$85.00
ALLIED
$85.00*
*Full price $525.00. Student Members eligible to upgrade from Student to Allied at discounted price following graduation Allied Members are offered discounted Advance Annual Dues that increase annually, but still remain below full rate
A S S O C I AT E
$525.00
PROFESSIONAL
$525.00
TIME COMMITMENT (*in leadership position)
3-4 HRS/ MONTH
BENEFITS - I N D U S T RY E V E N T S - S C H O L A R S H I P O P P O RT U N I T I E S F O R S T U D E N T S - N E T W O R K E X PA N S I O N - C O N T I N U E D E D U C AT I O N - V O L U N T E E R + C H A R I T Y I N V O LV E M E N T
Photos and content provided by Vienna Romesburg
SPRING - ‘21
13 9
S E RV E Professionals and alumni share their experiences leading in the design industry
Fiona Grandowski, Principal at Collins Cooper Carusi Architects in Atlanta, GA has held over 26 positions with IIDA throughout her career. She shares her experience as an IIDA member, and as a leader in the industry. The
International
Interior
Design
Association
my
insight,
sharing
ideas
and
for
gaining
(IIDA) is founded in enhancing the value of
understanding
our profession and of elevating recognition of
approach interior design; expanding our view on
interior designers’ impact on the health, wellbeing
solving the challenges faced by our clients; clients and
and experience of people. people My background is in
participating in the trajectory of our profession in
architecture, but less that 5 years into my career
the future.
I found my passion to be deeply embedded in the process of creating interior space. For me, Interior Design is more intrinsically connected to the daily lives of the users of space than what I do as an architect.
of
how
other
professionals
Finally, as I’ve matured as an interior designer, I
recognize
the
incredible
experience
of
mentorship and of bringing young designers into the organization to grow their own perspective and careers. careers IIDA has offered me opportunities
IIDA presented me with the
to engage and connect from the local level and
opportunity to join and engage in a community
now the national level, and with each opportunity
of
offers a new way to expand my horizons and my
That
being
said,
like-minded
professionals professionals.
IIDA
provides
educational forums and venues for expanding
network.
For more information about IIDA membership, fees, involvement and events, or general information, visit: www.iida.org or www.iida.org/membership.
H AV E M O R E Q U E S T I O N S ? GET IN TOUCH! FIONA GRANDOWSKI, AIA, IIDA, LEED AP
Principal, Collins Cooper Carusi Architects VP, IIDA International Board
fgrandowski@collinscoopercarusi.com
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ISSUE - 05
IIDA
I N T E R N AT I O N A L I N T E R I O R D E S I G N A S S O C I AT I O N
2021
Amount per serving
COST - ANNUAL MEMBERSHIP STUDENT
$60.00
A S S O C I AT E
$307.00- $535.00*
(*price based on number of years active)
PROFESSIONAL
$535.00
*Industry, Educator & International Memberships also available
O N E - T I M E A P P L I C AT I O N F E E TIME COMMITMENT (*in leadership position)
$75.00
2HR/WEEK
BENEFITS - L E A D E R S H I P O P P O RT U N I T I E S - INCREASED VISIBILITY - SPEAKING ENGAGEMENTS - O P P O RT U N I T I E S T O J U D G E C O M P E T I T I O N S , D E S I G N REVIEWS & CHARETTES - V O L U N T E E R + C H A R I T Y I N V O LV E M E N T - S C H O L A R S H I P O P P O RT U N I T I E S F O R S T U D E N T S
Photos and content provided by Fiona Grandowski
SPRING - ‘21
141
S E RV E Professionals and alumni share their experiences leading in the design industry
Melissa Marriott, NCIDQ, AUID, President of
retired in 2017, I transitioned to the role of
AUID, introduces us to AUID, and shares her
Interim President until I was officially elected as
extensive experience as both a member and
President in 2018; I am currently beginning my
President of the organization.
third (and final) term. Being active with AUID has allowed me not only the
AUID is a professional network of Interior Design
network of like-minded professionals to bounce
Professionals working at institutions of Higher
ideas off of or get answers to questions, but has
Education. AUID provides a network and resource
also allowed me to form strong relationships with
for the sharing of information, discussion of
leaders in the commercial furniture and finishes
issues, resolution of problems related to interior
markets. Those relationships have lead to my markets
design work at Universities, Universities and the management
participation in panel discussions at national sales
of interior design work at institutions of higher
meetings, prototype reviews for potential new
education.
products, and participating in national contract
Personally, I have been a member since I began
reviews/RFP teams.
working at University of Illinois in 2005. I joined
In order to obtain membership, professionals
the Board in 2014 as a Director at Large serving
must be working in the Interior Design field
as the Conference Coordinator. In 2016, I was
and be directly employed by a higher education
nominated and accepted the role of 1st Vice
institution. To incorporate opportunities for Interior institution
President. After the acting President of AUID
Design students, AUID offers annual scholarships.
H AV E M O R E Q U E S T I O N S ? GET IN TOUCH! M E L I S S A M A R R I O T T, N C I D Q , A U I D
President of AUID mmarriot@illinois.edu
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ISSUE - 05
AUID
A S S O C I AT I O N O F U N I V E R S I T Y INTERIOR DESIGNERS
2021
Amount per serving
AUID MISSION INSPIRE: Promote the engagement of its members through sharing INSPIRE of information and resources; discussion of issues and solutions to design challenges; and a network for management of interior design at higher education institutions. INFORM: Increase and foster the education of its members and INFORM future interior designers. INVEST: Support the empowerment of Interior Design professionals; INVEST especially the public health, safety, and welfare at the institutions our members represent.
COST ANNUAL MEMBERSHIP
$50.00 2HR/WEEK
TIME COMMITMENT (*in leadership position)
PAY O F F + B E N E F I T S E X PA N D I N G
NETWORK,
SPEAK
PA N E L S ,
ON
O P P O RT U N I T I E S
S U P P O RT I N G
TO
N AT I O N -
W I D E E F F O RT S Photos and content provided by Melissa Marriott
SPRING - ‘21
14 3
SPRING - ‘21
PROGRAM NEWSLETTER
VIRGINIA TECH INTERIOR DESIGN
I V. - C R E D I T S 146
147
Acknowledgments and Contributors
How to Get Involved
SPECIAL THANKS Contributors and Authors
JULIA SORE NS ON Student Liaison Newsletter Content
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LI LA DE LA RO SA Student Liaison Newsletter Content
KEL SEY MU I R Newsletter Layout Graphics
A MY G R O O ME Alumni Liaison Newsletter Content
LI S A TUCKER Newsletter content and program updates
J A C KS ON A L D RID G E Student content
L EIG H A N N S TA P L E T ON Student content
CAROLI NE AL E X A N D E R Newsletter and Alumni content
SA R A H BA N N ON Student content
MARTHA STEVENS Student content
FI ONA GRAND O W SK I Alumni content
A B BY H A R V E Y Student content
MELI S SA MAR R I O TT Alumni content
J U LIA KIN G Student content
BRI DAZ I O Alumni content
HE AT H ER L OD G E Student content
VI ENNA ROM E SB U R G Alumni content
E R I N M U L L IG A N Student content
J ES SI CA KI LB Y Alumni content
J O S IE P RIC E Student content
VI CTORI A WAN TE Alumni content
A L E S S A N D RA S H OR T EN Student content
ISSUE - 05
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reach
out
to
the
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Networking
Committee to connect with alumni in your city or to have your story featured in our Fall 2021 issue.
KEL SEY MU I R kelseymuir@vt.edu
SPRING - ‘21
14 7
THANK YOU Visit https://archdesign.caus.vt.edu/itds/ for more information.
PROGRAM NEWSLETTER
SPRING - ‘21
VIRGINIA TECH INTERIOR DESIGN