International Discovery

This catalogue and its contents ©

Waddington McLean & Company Ltd.

Goulven Le Morvan glm@waddingtons.ca

 Mary McMaster mm@waddingtons.ca

PIERRE LEGRAIN, FRENCH ROSALIE, WORLD WAR I MAGAZINE COVER DESIGN,

& 

Mark Gleberzon mjg@waddingtons.ca

THÉO VAN RYSSELBERGHE PORTRAIT OF SURGEON SAMUEL JEAN POZZI

  

DANIEL KOPP

UNTITLED GREEN LANDSCAPE DETAIL  

WŁADYSŁAW CHMIELIŃSKI

SLEIGH DRIVER

This auction is subject to the Conditions of Sale printed in the back of this catalogue.

Photography & design by Waddington’s All Rights Reserved.

AARON BOHRODAMERICAN

GALLOPING HORSE oil on board; signed 12 x 16 in — 30.5 x 40.6 cm

PROVENANCE

Evere Oehlschlager Gallery, Chicago, IL; Private Collection, Ontario

PETER MAX B AMERICAN PROFILE OF A WOMAN black ink drawing on kra paper; dated “99” and inscribed “Lou, Love Max” sight 17.5 x 16.5 in — 44.5 x 41.9 cm

PROVENANCE

Private Collection, Toronto, ON, acquired directly from the artist

JULIO AUGUSTO ZACHRISSON - PANAMANIAN

LA MASACRE etching on paper; signed and numbered 5/50 to margin; titled and inscribed “Zachrisson” in pencil verso plate 12.4 x 19.1 in — 31.4 x 48.5 cm

PROVENANCE

Private Collection, Toronto, ON, acquired from the artist’s agent in Panama in the late 1950s

OSSIP ZADKINERUSSIAN/FRENCH

THE SECRET WORLD OF ZADKINE hardcover limited first edition, uncut; editioned 66/100; includes original red silk portfolio with gold le ering on spine and front cover, housed in the original red cloth slipcase, published by Arted, Editions d’Art in 1966

15.25 x 11.5 in — 38.7 x 29.2 cm

PROVENANCE

Private Collection, Ontario

PIERRE LEGRAIN - FRENCH

ROSALIE WORLD WAR I MAGAZINE

COVER DESIGN gouache, ink and collage on paper mounted to card; signed lower right and dated “16” sheet 18 x 12 in — 45.7 x 30.5 cm

PROVENANCE

Private Collection, Toronto, ON

HANS ERNI - SWISS

THE FOUR SEASONS

FIRE WATER EARTH AIR

ERNI - four colour lithographs on BFK Rives watermarked paper; each signed and numbered 44/150 in pencil to margin images 20.5 x 17.1 in — 52.1 x 43.2 cm; sheets 25.6 x 19.6 in — 65 x 49.8 cm

PROVENANCE

Private Collection, Toronto, ON

Sigurd Wingenorwegian

RAS etching on paper; signed, dated “49” and inscribed “tirée pour artiste” in pencil to margin sheet 17.3 x 25.6 in — 44 x 65 cm; plate 11.7 x 20.7 in — 29.7 x 52.5 cm

PROVENANCE

Private Collection, Ontario

Finnish School Th Century

PORTRAIT OF A GIRL WEARING A HAT oil on board; a ributed to Ole Kandelin on nameplate, indistinctly titled “Viropalle Oleta” and dated “43”

26.75 x 19.75 in — 67.9 x 50.2 cm

PROVENANCE

Private Collection, Ontario

Georges Rouaultfrench

LE CHRIST ET MAMMON CHRIST ET LES EXÉGÈTES FROM “PASSION ” CHAPON-ROUAULT aquatint in colours on wove paper; signed with monogram and dated in the plate lower right; from an edition of 245, published by Ambroise Vollard, Paris plate 12.1 x 8.5 in — 30.7 x 21.6 cm; sheet 17.2 x 13.25 in — 43.7 x 33.7 cm

PROVENANCE

Gallery Moos Ltd., Toronto, ON as “Christ Among the Romans”; Private Collection, Ontario

Lester F Johnsonamerican

STREET SCENE WITH BUILDING STREET SCENE WITH GIRLS & BUILDING THREE GIRLS FROM “STREET SCENE” PORTFOLIO three colour screenprints on heavy wove paper; each signed, titled and numbered 67/175, 43/175 and 46/175 respectively in pencil to margins sheet 34 x 26 in — 78.1 x 58.4 cm; sheet 35 x 26 in — 88.9 x 66 cm

PROVENANCE

Private Collection, Ontario

ANTON ROOSKENS - DUTCH

UNTITLED colour lithograph on wove paper; signed, dated “67” and numbered 101/250; Court Gallery Graphics blindstamp lower le margin sheet 16 x 18.25 in — 40.6 x 46.4 cm

PROVENANCE

Private Collection, Ontario —

Reymond Romero B

VENEZUELAN

PICTOGRAMA mixed media with coloured thread on plywood; signed, titled and dated in black ink to backboard verso

19.5 x 23.25 in — 49.5 x 59.1 cm

PROVENANCE

Private Collection, Montreal, QC —

DANIEL KOPP B

AMERICAN

UNTITLED GREEN LANDSCAPE gouache on paper; signed verso sheet 14.1 x 20.1 in — 35.8 x 51 cm

PROVENANCE

Private Collection, Toronto, ON

DANIEL KOPP B

AMERICAN

UNTITLED PINK LANDSCAPE gouache on paper; signed verso sheet 14.1 x 20.1 in — 35.8 x 51.1 cm

PROVENANCE

Private Collection, Toronto, ON

CLAUDE BREEZE B CANADIAN THE MAN WHO TALKS TO THE WIND woodcut in black ink on Japon paper; signed, titled, dated “85/6” and numbered “4/8 Part 1” in pencil to margin block 8 x 5.4 in — 20.2 x 13.8 cm; sheet 14.3 x 10.2 in — 36.2 x 26 cm

PROVENANCE

Private Collection, Ontario —

EMIL ORLÍK - CZECH

DÄMMERUNG II PLATE FROM “AUS JAPAN” GLÖCKNER etching with roule e and aquatint on so German laid paper with BSB watermark; signed in pencil to margin plate 6.4 x 4.6 in — 16.3 x 11.8 cm; sheet 10.4 x 8.1 in — 26.5 x 20.6 cm

PROVENANCE

Private Collection, Quebec —

Paul C Sar Helleufrench

LADY GAZING AT THE VIEWER CIRCA drypoint in black and colours on wove paper; signed sight 22.25 x 13.9 in — 56.5 x 35.3 cm

PROVENANCE

Private Collection, Ontario

Paul C Sar Helleufrench

PORTRAIT OF A LADY CIRCA drypoint in black and colours on wove paper; signed sight 21.8 x 13.75 in — 55.4 x 34.9 cm

PROVENANCE

Marianne Friedland Gallery, Toronto, ON; Private Collection, Ontario

PAUL CÉSAR HELLEU - FRENCH ÉLÉGANTE, CIRCA 1895 drypoint in black and colours on wove paper; signed sight 22.75 x 14 in — 57.8 x 35.6 cm

PROVENANCE

Marianne Friedland Gallery, Toronto, ON; Private Collection, Ontario

PAUL CÉSAR HELLEU - FRENCH

LADY LOOKING TO HER RIGHT CIRCA drypoint in black and colours on wove paper; signed sight 22.25 x 13.9 in — 56.5 x 35.3 cm

PROVENANCE

Private Collection, Ontario

RIO ALBANO - ITALIAN

PRACA PARIS

PARIS SQUARE IN RIO DE JANEIRO watercolour on paper; signed “Albano” at “Rio” lower right and titled lower le

11.75 x 17.75 in — 29.8 x 45.1 cm

PROVENANCE

Private Collection, Quebec

Y Gianni

TH/ TH CENTURY ITALIAN

BAY OF NAPLES

NEAPOLITAN STREET SCENE two watercolours on board; the first signed lower right, the second signed lower le each/sight 13.75 x 9.75 in — 34.9 x 24.8 cm

PROVENANCE

Private Collection, Ontario

Reginald

GRANGE BRUNDRIT - BRITISH

THE VALE AT MASHAM oil on canvas; signed lower le and titled to nameplate; inscribed with partial title “... Masham” to top selvage verso 18 x 24 in — 45.7 x 61 cm

PROVENANCE

Private Collection, Ontario —

UNIDENTIFIED TH CENTURY RUINE EHRENFELS ZUR ERINNERUNG AN STEIERMARK MINE LIFLENRK IN MURZSHAL watercolour on thick paper; signed indistinctly (Leynard?) and dated lower right; titled in pencil to backing verso sheet 6.6 x 10.25 in — 16.8 x 26 cm

PROVENANCE

Private Collection, Quebec —

Willem Oppenoorthdutch

COWS IN FARMYARD watercolour; signed lower right 12 x 18 in — 30.5 x 45.7 cm

PROVENANCE

Private Collection, Quebec

Benjamin Williams Leaderbritish

THE CHURCH AND HILLS

BETTWS-Y-COED SIC oil on board; signed and dated lower le ; signed and titled verso 12.25 x 17 in — 31.1 x 43.2 cm

PROVENANCE

Private Collection, Ontario —

JWAN PETOWITSCH ORLOFF - RUSSIAN

KOSSACKS AUX RUSSLAND oil on panel; signed lower right; titled and inscribed “No. 4821/Art. No. 5/ Fr. No. 96” in pen and ink to label verso

6.25 x 12.5 in — 15.9 x 31.8 cm

PROVENANCE

Frederick Thom Gallery, Toronto, ON gallery label verso; Private Collection, Ontario

W Adys Aw Chmieli Skipolish

SLEIGH DRIVER oil on canvas; signed 20.1 x 24.2 in — 51.1 x 61.5 cm

PROVENANCE

Private Collection, Ontario

THÉO VAN RYSSELBERGHEBELGIAN

PORTRAIT OF SURGEON SAMUEL JEAN POZZI gouache on paper; signed “Theo” lower right

2.6 x 2.4 in — 6.5 x 6 cm

PROVENANCE

Private Collection, Toronto, ON

BERNARD SAFRANAMERICAN RECLINING NUDE oil on hardboard; signed lower right; signed, titled and dated “June 1983” verso 18 x 40 in — 45.7 x 101.6 cm

PROVENANCE

Private Collection, Vancouver, BC

JAMES ABBOTT MCNEILL WHISTLER - AMERICAN

CHELSEA CIRCA GLASGOW photogravure with le ers in black ink on heavy textured paper; signed with monogram, titled and inscribed “An original Etching by J. MacNeill Whistler” in the plate; published by The Art Journal, J.S. Virtue & Co., Limited, London image 5 x 7.8 in — 12.8 x 19.7 cm; sheet 7.25 x 9.75 in — 18.4 x 24.8 cm

PROVENANCE

Zwicker’s Gallery, Halifax, NS label verso; Private Collection, Nova Scotia

CIRCLE OF FRANCESCO GUARDI - ITALIAN

FIGURES IN MOTION sepia ink on laid paper sheet 7.7 x 5.7 in — 19.5 x 14.5 cm

PROVENANCE

Private Collection, Ontario

HANS ERNI - SWISS

PAUL VALERY RÉFLEXIONS SIMPLE SUR LE CORPS A BOOK IN FOLIO C book with twenty-five colour lithographs on Japon Nacre with tissue guards; each full sheet loose as issued, folded interior folio cover decorated with an embossed spider web design with gilt orb; contained in a vinyl-covered cardboard box, the interior lined with black velvet overall 17.75 x 13.25 x 2.5 in — 45.1 x 33.7 x 6.4 cm

PROVENANCE

Private Collection, Prince Edward Island; By descent from the Estate of Dr. JeanMarc Klein; By descent from the Estate of Paul Bernard Klein

LITERATURE

Cramer, 41

After Albrecht D Rergerman

ERASMUS OF ROTTERDAM

HOLLAND engraving on wove laid paper plate 9.5 x 7.5 in — 24.2 x 19.1 cm; sheet 10.2 x 8 in — 25.9 x 20.3 cm

PROVENANCE

Ex. Collection of Mr. and Mrs. Ralph Presgrave; Gi ed to the Art Gallery of Ontario, Toronto, in 1978; Deaccessioned to benefit art purchases at the AGO

Nathaniel Buck Activeand Samuel Buckbritish

THE EAST VIEW OF HIGHAM-FERRERSCOLLEGE IN THE COUNTY OF NORTHAMPTON engraving with le ers on laid paper, with watermark plate 7.9 x 14.6 in — 20 x 37.2 cm; sheet 10.5 x 16.9 in — 26.7 x 42.9 cm

PROVENANCE

Gi of Mr. and Mrs. Ralph Presgrave to the Art Gallery of Ontario, Toronto in 1979; Deaccessioned to benefit art purchases at the AGO

MICHEL LASNEJEAN MORIN - FRENCH

PORTRAIT DE HENRI DE BOURBON PRINCE DE CONDÉ RÉNE DE LONGUEIL MARQUIS DE MAISONS CIRCA engraving with le ers laid down to antique watermarked paper; etching and engraving with stippling on laid paper image 13 x 9.25 in — 33 x 23.5 cm; image 12.8 x 10.4 in — 33.5 x 26.6 cm

PROVENANCE

The Lasne: Bequest of Frank Darling to the Art Gallery of Ontario, Toronto in 1923; The Morin: Ex. Collection of Mr. and Mrs. Ralph Presgrave; Gi ed to the Art Gallery of Ontario, Toronto in 1979;

Both deaccessioned to benefit art purchases at the AGO

Thomas Luptongiovanni Vendramini

AFTER SIR WILLIAM BEECHEY - BRITISH ITALIAN

-

KING WILLIAM THE FOURTH ADMIRAL SIR THOMAS DUCKWORTH K B mezzotint with le ers on paper; stipple engraving with le ers on paper sheet 15.7 x 12.6 in — 40 x 32.1 cm; image 15.6 x 12.5 in — 28 x 23.5 cm; sheet 16.1 x 12.9 in — 41 x 32.8 cm; image 12 x 10 in — 30.5 x 25.3 cm

PROVENANCE

Both gi ed to the Art Gallery of Ontario, Toronto by Mr. and Mrs. Ralph Presgrave in 1979;

Deaccessioned to benefit art purchases at the AGO

ASHER BROWN DURANDAFTER HENRY INMANAMERICAN

JOHN MARSHALL LLD engraving with le ers; signed with facsimile signature “J. Marshall” plate 9.5 x 6.1 in — 24.1 x 15.6 cm; sheet 10.1 x 6.5 in — 25.7 x 16.4 cm

PROVENANCE

Gi ed to the Art Gallery of Ontario, Toronto by Mr. and Mrs. Ralph Presgrave in 1978;

Deaccessioned to benefit art purchases at the AGO

SAMUEL WILLIAM REYNOLDS THE ELDER - AFTER JOSHUA REYNOLDS - BRITISH

GIRL’S HEAD LORD CARLISLE mezzotints with le ers on thick laid paper; the first dated and numbered “No. 11” in the plate, the second dated “Aug. 1821” in the plate; published by The Engraver, Bayswater, London sheet 8.9 x 6.3 in — 28 x 17.8 cm; image 11 x 7 in — 9.5 x 7.9 cm; sheet 11.4 x 7.2 in — 29 x 18.5 cm; image 3.7 x 3.1 in — 10.6 x 8.7 cm

PROVENANCE

Ex. Coll. Mr. and Mrs. Ralph Presgrave; Gi ed to the Art Gallery of Ontario, Toronto in 1979;

Deaccessioned to benefit art purchases at the AGO

SAMUEL WILLIAM REYNOLDS THE ELDER - AFTER JOSHUA REYNOLDS - BRITISH

LORD SOUTHAMPTON JOSEPH

DEANE BOURKE D D ARCHBISHOP OF TUAM RD EARL OF MAYO mezzotints with le ers on thick laid paper; the first published in 1820, the second numbered “Proof” in the plate and published in 1838 sheet 8.9 x 6.4 in — 32.2 x 23.8 cm; image 14 x 9.3 in — 13.7 x 10.8 cm; sheet 12.8 x 9.4 in — 35.8 x 23.7 cm; image 5.1 x 4 in — 13 x 10.2 cm

PROVENANCE

Ex. Coll. Mr. and Mrs. Ralph Presgrave; Gi ed to the Art Gallery of Ontario, Toronto in 1979;

Deaccessioned to benefit art purchases at the AGO

Jos Oliva Rodrigo B Spanish

YOUNG COUNTRY GIRL AT THE DOOR CIRCA oil on panel; signed “José Oliva” and dated indistinctly “75” lower right

10.75 x 6.25 in — 27.3 x 15.9 cm

PROVENANCE

Private Collection, Nova Scotia

Alessandro Saniitalian

THE KNITTING LESSON oil on canvas; signed upper right

13.25 x 16.5 in — 33.7 x 41.9 cm

PROVENANCE

Bu erfields, California, May 15, 2002, lot 3088 as “The Sewing Lesson”; From whom purchased by the present Private Collection, Ontario

HENRY EDWARD SPERNON TOZER - BRITISH

PEASANT WOMAN FETCHING WATER PEASANT WOMAN BY THE HEARTH WITH CATS watercolours, one mounted to card and the other to plywood; the first signed and dated to the horizontal cross beam upper le , the second signed and dated lower right each 9.75 x 13 in — 24.8 x 33 cm

PROVENANCE

Private Collection, Ontario

FLORA MACDONALD REIDBRITISH

MOTHER AND CHILD oil on canvas; signed and dated lower le 18 x 24 in — 46 x 61 cm

PROVENANCE

Private Collection, Ontario

HENRICUS ENGELBERTUS REIJNTJENS - DUTCH

A QUIET GAME oil on panel; signed and dated lower right 8.25 x 7 in — 21 x 17.8 cm

PROVENANCE

Garfield Galleries, Toronto, ON; Private Collection, Toronto, ON

P HUYGENS TH/ TH CENTURY DUTCH

SEATED CHILD WITH CARROTS STANDING CHILD WITH SPOON oils on panel; each signed each 12.25 x 5 in — 31.1 x 12.7 cm

PROVENANCE Private Collection, Ontario

Eugenio Benvenutiitalian

PREPARING THE WOOL watercolour laid down on card; signed sheet 9.9 x 15.9 in — 25.2 x 40.4 cm

PROVENANCE

Private Collection, Ontario —

LUIGI G BALDERO

TH/ TH CENTURY SPANISH PLAYING CHESS oil on canvas; signed lower right 24 x 29 in — 61 x 73.7 cm

PROVENANCE

Private Collection, Winnipeg, MB —

CORNELIUS BOUTERGERMAN

MOTHER READING TO HER CHILDREN oil on canvas; signed 20 x 24 in — 50.8 x 61 cm

PROVENANCE

Private Collection, Toronto, ON

CIRCLE OF MAURICE QUENTIN DE LA TOUR - FRENCH

GENTLEMAN AT HIS WRITING DESK oil on textured paper board

11.75 x 9.75 in — 29.8 x 24.8 cm

PROVENANCE

Estate Collection, Ontario

All lots will be offered and sold subject to the Conditions of Sale which appear in this catalogue as well as any Glossary and posted or oral announcements. By bidding at auction, bidders are bound by those Conditions and Glossary, as amended by any announcements or posted notices, which together form the contract of sale between the successful bidder (buyer), Waddington’s™ (auctioneer) and the consignor (seller) of the lot. Description or photographs of lots are not warranties and each lot is sold “as is” in accordance with the Conditions of Sale.

All of the items are to be considered, unless otherwise noted in the catalogue description or condition report, in good condition. The definition of “good” when used in reference to condition, describes an object as having had no major damage or repair but as with the nature of the material, may show minor surface wear, discolouration etc., which indicates the acceptable wear that the piece may acquire with age. If you are particular about minor flaws, you should have our staff answer any questions before bidding. Sizes are approximate. Frames on artwork are not included as part of purchase or condition. It is the sole responsibility of the bidder to inquire as to the condition of a lot before bidding. Condition reports are available upon request by phone, fax, email or in person. You are advised to make any requests well in advance of the sale.

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