AUCTION ENDS JULY 11 AT 2PM ET
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front cover Lot 141
SUNDAY B. MORNING AFTER ANDY WARHOL DIAMOND DUST MARILYN
front inside cover Lot 9
TIFFANY ERWIN CANT SEA GAZER, 2008
back inside cover Lot 56
BRIAN KELLEY BLUE GRASS
back cover Lot 146
RONALD YORK WILSON CAIRO (FROM THE “CITIES” PORTFOLIO)
This catalogue and its contents © 2024 Waddington McLean & Company Ltd.
This auction is subject to the Conditions of Sale on our website. www.waddingtons.ca
Photography & design by Waddington’s All rights reserved.
JOHN ABSOLON (1815-1895), BRITISH PEACE
oil on canvas; signed with monogram
28.5 x 21.5 in — 72.4 x 54.6 cm
PROVENANCE:
Private Collection, Toronto, ON
Purchased from the T. Eaton Company Limited, Canada, June 1, 1951, together with a copy of the original receipt
$1,000 — 1,500
2
VENETIAN SCHOOL (19TH/20TH CENTURY)
UNTITLED (BOATS AND FISHER FOLK) oil on board
9.25 x 12 in — 23.5 x 30.5 cm
PROVENANCE:
Private Collection, Toronto, ON
$100 — 150
3
DAVID BERNETT (20TH CENTURY), CANADIAN
JOURNEY INTO [THE] NORTHERN LIGHTS relief carving, stone; signed lower right; titled to partial artist’s label verso
15.1 x 15.1 x .6 in — 38.4 x 38.4 x 1.5 cm
PROVENANCE:
Private Collection, Toronto, ON
$100 — 150
4
MONICA BIAGOLI (20TH CENTURY), CANADIAN
FIVE WORKS FROM THE “MOTHERBOARD” SERIES, 1998 five lithographs in colours on paper;
1. initialed, titled, and numbered “2/3 VE”
2. initialed, titled and numbered “1/2 VE”
3. initialed, titled and numbered “2/3 VE”
4. initialed, titled and numbered “1/2 VE”
5. initialed, titled and numbered “1/2 VE” each sheet 41.5 x 14.5 in — 105.4 x 36.8 cm
PROVENANCE:
Corporate Collection, Markham, ON $100 — 150
CLAUDE BREEZE (B. 1938), CANADIAN
THE MAN WHO TALKS TO THE WIND #4, 1985-1986
woodcut in black ink on Japon paper; signed, titled, dated “85/6”, and numbered “4/8 Part 1” to margin
image 8 x 5.4 in — 20.2 x 13.8 cm; sheet 14.3 x 10.2 in — 36.2 x 26 cm
PROVENANCE:
Private Collection, Ontario
$125 — 175
6
HENRI CARTIER-BRESSON (1908-2004), FRENCH
CÓRDOBA, SPAIN, 1933
reproduction print; signed in ink to margin; printed ca. 1980
image 14.4 x 9.8 in — 36.5 x 24.8 cm; sheet 17.9 x 13.9 in — 45.5 x 35.3 cm
PROVENANCE:
Private Collection, Europe
$300 — 400
7
HARRY BRODSKY (1908-1997), AMERICAN STILL LIFE WITH SCISSORS; BOTTLE NO. 2 lithographs on paper, with full margins; each signed, titled, and numbered 14/20 and 5/20, respectively
image 10.8 x 13.7 in — 27.5 x 34.7 cm; image 9.2 x 13.2 in — 23.4 x 33.5 cm
PROVENANCE:
Private Collection, Toronto, ON
$300 — 500
8
NATHANIEL BUCK (ACTIVE 1724-1759) AND SAMUEL BUCK (1696-1779), BRITISH THE EAST VIEW OF HIGHAM-FERRERS-COLLEGE IN THE COUNTY OF NORTHAMPTON, 1729 engraving with letters on laid paper, with watermark plate 7.9 x 14.6 in — 20 x 37.2 cm; sheet 10.5 x 16.9 in — 26.7 x 42.9 cm
PROVENANCE:
Gift of Mr. and Mrs. Ralph Presgrave to the Art Gallery of Ontario, Toronto, ON, in 1979 Deaccessioned to benefit art purchases at the AGO
$70 — 120
TIFFANY ERWIN CANT (B. 1954), AMERICAN SEA GAZER, 2008
lithograph in colours on paper; signed and numbered 40/400 to margin; certificate of authenticity adhered verso image 20 x 20 in — 50.8 x 50.8 cm
PROVENANCE:
Private Collection, Toronto, ON
$100 — 200
10
ATTRIBUTED TO CONSALVO CARELLI (1818-1900), ITALIAN NAPOLI
oil on canvas
23.9 x 36.1 in — 60.7 x 91.7 cm
PROVENANCE:
Private Collection, Toronto, ON
$200 — 300
11
ANGELA CARUGATI (1881-1977), ITALIAN
UNTITLED (ROMAN RUINS) oil on canvas; signed lower right 10 x 8 in — 25.4 x 20.3 cm
PROVENANCE:
Private Collection, Toronto, ON $400 — 600
12
MOIRA CLARK (B. 1950), CANADIAN THE GARDEN FACES WEST, 1984 etching in colours on paper; signed, titled, dated “84”, and numbered 3/10 to margin sheet 29.9 x 40.5 in — 75.9 x 102.9 cm
PROVENANCE:
Corporate Collection, Toronto, ON $200 — 300
JAMES HUGHES CLAYTON
(ACTIVE 1891-1929), BRITISH EVENING GLOW, CEMAES, ANGLESEY
watercolour on paper; signed lower left; titled verso
sight 14.75 x 22 in — 40.5 x 59.5 cm
PROVENANCE:
Private Collection, Toronto, ON
$150 — 200
14
AFTER JOHN CONSTABLE (1776-1837), BRITISH
ON RIVER STOUR, SUFFOLK
oil on canvas; signed “John Constable” lower left; titled to nameplate; titled and inscribed to stretcher verso
20.25 x 28.25 in — 51.4 x 71.8 cm
PROVENANCE:
Private Collection, Toronto, ON
$200 — 400
15
AFTER JEAN-BAPTISTE-CAMILLE COROT (1796-1875)
UNTITLED (SUNLIT FORESTED PATH) oil on canvas; inscribed “Copy of a Corot - Jack Weldon Humphrey, 1924” to lower stretcher bar 15.25 x 22.25 in — 38.7 x 56.5 cm
PROVENANCE:
Gift of Mr. Morgan Ferris, Saint John’s, NL in 1990Beaverbrook Art Gallery, Fredericton, NBDeaccessioned to benefit art purchases at the Beaverbrook Art Gallery
$150 — 250
16
ARCHIBALD F. CUTHBERTSON (1924-2000), AUSTRALIAN
EXCITED IMAGE
mixed media on paper; signed lower right; titled to gallery label verso sight 25 x 17.4 in — 63.5 x 45.1 cm
PROVENANCE:
From the Vincent Price Collection, Sears, Roebuck and Co.Private Collection, Toronto, ON $75 — 100
17
KENNETH (KEN) EDISON DANBY (1940-2007), CANADIAN THE ARMSTRONG MILLER, 1970; BELOW THE DAM, 1982 screenprints in colours on paper ; The Armstrong Miller, 1970signed, dated, and numbered 35/50 to marginBelow the Dam, 1982signed, dated, and numbered 75/100 to margin image 11.6 x 17.9 in — 29.5 x 45.5 cm; image 18 x 24 in — 45.7 x 61 cm
PROVENANCE:
Private Collection, Toronto, ON
$300 — 400
18
DAVID DAWSON (20TH CENTURY), CANADIAN
UNTITLED (SAPLING BY A STREAM) gouache on canvas; signed lower right 16 x 20 x .75 in — 40.6 x 50.8 x 1.9 cm
PROVENANCE: Private Collection, Ontario
$200 — 300
CORNELIA (CLARISSA) DIBBLE (B. 1937), BRITISH WOMAN IN A FANTASTIC LANDSCAPE mixed media on board; signed lower right; titled to partial label verso
38.3 x 18 in — 97.3 x 45.7 cm
PROVENANCE:
Private Collection, Toronto, ON
$100 — 150
20
EDWARD GILBERT HESTER (CA. 1843-1903), BRITISH
MORNING: GOING TO COVER; EVENING: RETURNING TO THE KENNELS, 1877 engravings in colours on paper; both signed to the plate; after the original paintings by Edward Algernoon Stuart Douglas (ca. 1850-1920); published by Arthur Ackermann, 191 Regent Street, London
19.75 x 15,.75 in — 50.2 x 40 cm; 19.9 x 16 in — 50.5 x 40.6 cm
PROVENANCE:
Private Collection, Montreal, QC
$80 — 120
ASHER BROWN DURAND (1796-1886) AFTER HENRY INMAN (1801-1846), AMERICAN
JOHN MARSHALL LLD, 1833
engraving with letters; with facsimile signature “J. Marshall” plate 9.5 x 6.1 in — 24.1 x 15.6 cm; sheet 10.1 x 6.5 in — 25.7 x 16.4 cm
PROVENANCE:
Gifted to the Art Gallery of Ontario by Mr. and Mrs. Ralph Presgrave in 1978
Deaccessioned to benefit art purchases at the AGO
$70 — 120
22
IN THE MANNER OF REMBRANDT VAN RIJN (1606-1669)
STUDY OF AN OLD WOMAN CALLED ‘THE ARTIST’S MOTHER’ oil on canvas adhered to stretcher 16 x 14.1 in — 40.6 x 35.8 cm
PROVENANCE: Private Collection, Toronto, ON
$150 — 200
23
AFTER HUBERT BELLIS (1831-1902)
STILL LIFE WITH CAT AND HUNTING TROPHIES
oil on canvas
36.25 x 47.25 in — 92.1 x 120 cm
PROVENANCE:
Private Collection, Toronto, ON $300 — 400
24
DUTCH SCHOOL (18TH/19TH CENTURY)
UNTITLED (WATERING HOLE) oil on board; indistinctly signed and dated verso 9.25 x 12.1 in — 23.5 x 30.7 cm
PROVENANCE:
Private Collection, Toronto, ON $150 — 200
25
GÉRARD EDELINCK (1640-1707); JACQUES LUBIN (CA. 1659-1703); PIERRE LOUIS VAN SCHUPPEN (1627-1702); CHARLES LOUIS SIMONNEAU (1645-1728), BELGIAN/FRENCH
PORTRAITS DES HOMMES ILLUSTRES DU DIX-SEPTIÈME SIÈCLE, CA. 1805 engravings on paper; disassembled manuscript with one folio page and 20 loose engravings each approx. 16.25 x 10.25 in — 41.3 x 26 cm
PROVENANCE:
Private Collection, Quebec
Private Collection, Toronto, ON
$150 — 200
26
TATJANA ANDREJEWNA FAIDISCH (B. 1955), RUSSIAN
WIE DIE KARTEN FALLEN (HOW THE CARDS FALL), 1988 oil on canvas; initialed in Cyrillic lower right; signed, titled, and dated in Cyrillic verso 60.6 x 31.5 in — 154 x 80 cm
PROVENANCE:
Private Collection, New York, NY
$200 — 300
27
JORGE FLORES (1934-2008), MEXICAN UNTITLED (FIGURAL ABSTRACT)
acrylic on paper; signed lower right sight 21.5 x 29.5 in — 54.6 x 74.9 cm
PROVENANCE:
Private Collection Toronto, ON $200 — 300
28
KEIZAN FUJII (B. 1918); SHINZAN KAMIJYO (1907-1997); GABOKU OGAWA (1911-2000), JAPANESE
THREE PAINTED SCROLLS
each India ink on paper, scroll mounted; Keizan Fujii Poème du Printemps Espéré signed and stamped lower left Shinzan Kamijyo La Lune au-Dessus du Fleuvesigned and double stamped middle left, stamped upper right Gaboku Ogawa Jour par Jour on est Bonheursigned and stamped middle left, stamped upper right
77.6 x 18.1 in — 197.1 x 46 cm;
77.6 x 20.1 in — 197.1 x 51.1 cm;
78.3 x 19.7 in — 198.9 x 50 cm
PROVENANCE:
L’Artothèque, Montreal, QC $300 — 500
TOMIKO FURUSAWA (B. 1922), JAPANESE ÉCRITURE DU SEIKIDOHONKOKINSHU
ink on paper on bi-fold screen; stamped lower left
25.6 x 67.3 in — 65 x 171 cm
PROVENANCE:
L’Artothèque, Montreal, QC
$50 — 75
30
CLARENCE GAGNON (1881-1942), CANADIAN
WINTER MORNING BAIE ST. PAUL lithograph in colours on paper; signed and titled in plate; numbered 587/1000 to margin image 17 x 21 in — 43.2 x 53.3 cm
PROVENANCE:
Private Collection, Toronto, ON $70 — 150
31
FRANK GALSWORTHY (1863-1959); CHARLES S. MILLARD (1837-1917), BRITISH
SAILING ON A CALM LAKE, 1913; CASTLE ON A SCOTTISH LOCH watercolours on paper; Sailing on a Calm Lake, 1913signed and dated lower left Castle on a Scottish Lochsigned under the mat lower left 9.8 x 14.3 in — 24.9 x 36.3 cm; 9.3 x 14.3 in — 23.6 x 36.3 cm
PROVENANCE:
Private Collection, Toronto, ON $100 — 150
32
WALTER GAUDNEK (1931-2022), CZECH/AMERICAN UNTITLED oil on canvas; signed upper left 14 x 14.25 in — 35.6 x 36.2 cm
PROVENANCE:
Private Collection, Toronto, ON $150 — 250
GEMINI G.E.L. (20TH CENTURY), AMERICAN
TECHNICS AND CREATIVITY: GEMINI G.E.L, 1971
publication produced in conjunction with The Museum of Modern Art, New York, NY containing 364 illustrations, a multiple of Jasper Johns’ Target (1970), as well as a collage of watercolour pads and brush; packaged in a white clam shell box; from an unnumbered edition of 2500
10.7 x 8.9 x 1.3 in — 27.2 x 22.7 x 3.2 cm
PROVENANCE:
Private Collection, Toronto, ON
$150 — 300
34
GENERAL IDEA (1968-1994), CANADIAN STUDY FOR URSA MAJOR AND TAURUS: PAVILION FRAGMENTS FROM THE STARRY VAULT, 1983
lithograph in colours and metallic foils on paper; from an unnumbered edition of 1000 sight 27.75 x 35 in — 70.5 x 88.9 cm
PROVENANCE:
Private Collection, Toronto, ON
$300 — 400
35
AFTER THÉODORE GÉRARD (1829-1895), BELGIAN BOY IN SHADES OF GREY AT SCHOOL ENTRANCE, THE INCIDENT oil on canvas; signed lower right
25.5 x 17.75 in — 64.8 x 45.1 cm
PROVENANCE:
Private Collection, Toronto, ON $300 — 400
36
ATTRIBUTED TO SYBIL GOLDSMITH (1917-2005), AMERICAN STILL LIFE
charcoal on paper; signed lower right sight 18.3 x 24 in — 46.5 x 61 cm
PROVENANCE:
Private Collection, Toronto, ON $300 — 400
JOHN FREDERIC GREENWOOD (1885-1954), BRITISH
UNTITLED (VILLAGE STREET)
wood engraving on paper; signed and numbered 7/50 to margin
image 5.1 x 7 in — 15.2 x 19.1 cm
PROVENANCE:
Private Collection, Toronto, ON
$50 — 75
38
GEORGES GRELLET (1869-1959), FRENCH
PETIT CHAT, 1925
lithograph in colours on paper; signed and titled to margin; dated in plate image 15.25 x 11.5 in — 38.7 x 29.2 cm
PROVENANCE:
Private Collection, Toronto, ON
$50 — 75
39
ANTHONY GROSS (1905-1984), BRITISH ROUNDED HILLS, MAMELONS; IMAGINARY LANDSCAPES, ROUNDED HILLS, MAMELONS, CA. 1960 etchings in black on wove paper, with full margins;
1. signed in plate, signed, titled, and numbered 21/50 to margin
2. signed in plate, signed, titled, numbered 1/2, and inscribed “1st State”; adhered to backing plate 14.8 x 19.5 in — 37.5 x 49.5 cm; plate 14.7 x 19.25 in — 37.3 x 48.9 cm
PROVENANCE:
Private Collection, Toronto, ON
$250 — 450
40
CATHERINE BEVERLY HAGAN (B. 1950), CANADIAN
UNTITLED (TWO WOODLAND SCENES) watercolours on paper; signed “C B Hagan” lower left; signed “C B Hagan” lower right 22 x 27 in — 55.9 x 68.6 cm; 21.25 x 26 in — 54 x 66 cm
PROVENANCE:
Corporate Collection, Toronto, ON
$300 — 400
CATHERINE BEVERLY HAGAN (B. 1950), CANADIAN
UNTITLED (TWO WOODLAND STREAM SCENES)
watercolours on paper; each signed “C B Hagan” lower left
22.25 x 26.75 in — 56.5 x 67.9 cm; 22 x 27 in — 55.9 x 68.6 cm
PROVENANCE:
Corporate Collection, Toronto, ON
$300 — 400
42
SHUNTEI HAMANAKA (B. 1916); KINWO MINEO (B. 1942); KEMPO SONOYAMA (B. 1929), JAPANESE
THREE PAINTED SCROLLS
one ink and colour on paper, scroll mounted; two India ink on paper, scroll mounted;
1. Shuntei HamanakaPoème de 36 Syllablesstamped lower left
2. Kinwo MineoPoème de 17 Syllablesstamped lower left
3. Kempo SonoyamaPoème Sélectionné Dans Manyosigned and stamped upper right
45.7 x 15 in — 116.1 x 38.1 cm; 72 x 15.7 in — 182.9 x 39.9 cm; 15.2 x 154.7 in — 38.6 x 392.9 cm
PROVENANCE:
L’Artothèque, Montreal, QC
$100 — 200
43
DON HAMILTON (B. 1949); UNIDENTIFIED ARTIST (20TH CENTURY), CANADIAN
A MOUNTAIN NEAR BANFF, 1993; UNTITLED (SNOW-CAPPED MOUNTAINS) pastel on paper; screenprint on paper; A Mountain Near Banff, 1993signed and dated lower right; titled to label verso Untitled (Snow-Capped Mountains)indistinctly signed and inscribed “pres. proof IV” lower left
14.5 x 21.5 in — 36.8 x 54.6 cm; 16.2 x 25.5 in — 41.1 x 64.8 cm
PROVENANCE:
Private Collection, Toronto, ON
$75 — 100
44
KEISEN HARADA (B. 1940); SOKIN HORIE (B. 1925), JAPANESE TWO PAINTED SCROLLS
both India ink on paper, scroll mounted; Keisen Harada Aimer à Vivre Tranquille stamped lower left Sokin Horie Poéme du Printemps signed and stamped lower left overall 75.2 x 31.9 in — 191 x 81 cm; overall 48 x 26.4 in — 121.9 x 67.1 cm
PROVENANCE:
L’Artothèque, Montreal, QC
$300 — 500
LAWREN PHILLIPS HARRIS, OSA, RCA (1910-1994), CANADIAN
TWO FIGURE DRAWINGS, 1938
graphite on paper ; Figure With Pole initialed and dated “’38” lower right; titled to label verso
Prone Figure initialed and dated lower left; titled to label verso
sight 11.8 x 5.3 in — 30 x 13.5 cm; sight 4.3 x 10.6 in — 10.9 x 26.9 cm
PROVENANCE:
Private Collection, Toronto, ON
$300 — 400
46
SYDNEY E. HART (1867-1921), BRITISH HAY FIELD, 1910
watercolour on paper; signed and dated lower left sight 9.8 x 21.5 in — 25 x 54.6 cm
PROVENANCE:
Collection of the City of Brantford, OntarioPrivate Collection, Ontario
$250 — 350
47
RIVA HELFORD (1910-2002), AMERICAN
THREE ABSTRACTS
screenprints on paper;
1. Untitled (#1), ca. 1960signed lower right; dedication verso
sight 5.6 in x 8.8 in — 14.2 cm x 22.4 cm
2. Untitled (#2), 1962signed and dated sight 7.75 x 10 in - 19.7 x 25.4 cm
3. Untitled (#3)signed lower left
sight 9.25 x 4.9 in — 23.5 x 12.4 cm
PROVENANCE:
Private Collection, Toronto, ON
$150 — 200
48
JANIS HENDRICKSON (20TH CENTURY), AMERICAN ROY LICHTENSTEIN, 1988; KISS V, 1964, CA. 1980
book; screenprint in colours on wove paper; 1. book: signed “R. Lichtenstein” in pencil to title page; first edition, 1988, published by Benedikt Taschen Verlag GmbH & Co.
2. screenprint: signed “Roy Lichtenstein” in marker to margin; published by Poster Originals, Ltd., New York, NY
book 12.1 x 9.4 in — 30.7 x 23.9 cm;
screenprint 34.6 x 35 in — 87.9 x 88.9 cm
PROVENANCE:
Private Collection, Ontario
$600 — 800
HUBERT VON HERKOMER (1849-1914), GERMAN/BRITISH GRANDFATHER’S PET
engraving on paper; printed and published by the Fine Art Society, London, 1880
33.5 x 23 in — 85.1 x 58.4 cm
PROVENANCE:
Private Collection, Ontario
$200 — 300
50
G. HOWARD HILDER (1866-1935), AMERICAN CARIBBEAN PINES NEAR CUTLER, FLORIDA, 1925
oil on board; signed and dated lower right; titled and inscribed with storyline verso 16 x 12 in — 40.6 x 30.5 cm
PROVENANCE:
Private Collection, Ontario
$300 — 400
51
WILLIAM HOGARTH (1697-1764), BRITISH
THE MARCH TO FINCHLY SUBSCRIPTION
RECEIPT, 1749
engraving on wove paper
sight 8 x 10.75 in — 20.3 x 27.3 cm
PROVENANCE:
Private Collection, Toronto
$100 — 150
52
KYUSEN ICHIKAWA (B. 1934); SHINGAI TANAKA (1942-2007); KOYO ENDO (B. 1939), JAPANESE TONNERRE, LOINTAIN; CHEMIN; HOMME ET FEMME
each ink on paper, scroll mounted overall 58.3 x 33.9 in — 148.1 x 86.1 cm; overall 65 x 35.4 in — 165.1 x 89.9 cm; overall 68.9 x 35.4 in — 175 x 89.9 cm
PROVENANCE:
L’Artothèque, Montreal, QC
$300 — 400
53
HARRY MAYER ZEILIG (1908-2002), CANADIAN
FOUR PORTRAITS OF HOLLYWOOD STARS
gouache on card;
1. titled “Cary Grant”
20.5 x 15.25 in - 52.1 x 38.7 cm
2. titled “Humphrey Bogart”
24.25 x 15 in - 61.8 x 38.1 cm
3. titled “James Stewart”
27.75 x 22 in - 70.5 x 55.9 cm
4. titled “Olivia de Havilland”
26.25 x 20 in - 66.7 x 50.8 cm
PROVENANCE:
Private Collection, Ontario
$100 — 150
54
MAFU JIANG (20TH CENTURY), CHINESE
UNTITLED, 2000
mixed media on canvas; signed and dated lower right 48 x 48 in — 121.9 x 121.9 cm
PROVENANCE:
Private Collection, Ontario
$300 — 400
55
RENINA KATZ (B. 1925), BRAZILIAN UNTITLED, 1974
lithograph in colours on paper; signed, dated, and numbered 15/17 to margin; inscribed “Latin American Collection / Katz, R. / Untitled” verso
sight 31 x 22.5 in — 78.7 x 57.2 cm
PROVENANCE:
Private Collection, OntarioSt. Joe Minerals Corporation, New York, NY $200 — 300
56
BRIAN KELLEY (B. 1946), AMERICAN/CANADIAN BLUE GRASS
screenprint in colours on paper; signed, titled, and numbered 105/165 to margin image 22 x 30 in — 55.9 x 76.2 cm
PROVENANCE:
Corporate Collection, Toronto, ON $200 — 300
57
BRIAN KELLEY (B. 1946), AMERICAN/CANADIAN
COLOUR FIELD I
etching in colours on paper; signed, titled, and numbered 12/60 to margin image 9.7 x 17.75 in — 24.6 x 45.1 cm
PROVENANCE:
Corporate Collection, Toronto, ON $150 — 250
58
BRIAN KELLEY (B. 1946), AMERICAN/CANADIAN
COLOUR FIELD II
etching in colours on paper; signed, titled, and numbered 10/60 to margin 9.7 x 17.7 in — 24.6 x 45 cm
PROVENANCE:
Corporate Collection, Toronto, ON $150 — 250
59
BRIAN KELLEY (B. 1946), AMERICAN/CANADIAN COLOUR FIELD III
etching in colours on paper; signed, titled, and numbered 14/60 to margin 9.7 x 17.75 in — 24.6 x 45.1 cm
PROVENANCE: Corporate Collection, Toronto, ON $150 — 250
60
BRIAN KELLEY (B. 1946), AMERICAN/CANADIAN COLOUR FIELD IV
etching in colours on paper; signed, titled, and numbered 10/60 to margin 9.7 x 17.75 in — 24.6 x 45.1 cm
PROVENANCE:
Corporate Collection, Toronto, ON $150 — 250
61
WILLIAM JOSEPH KING (1857-1943), BRITISH
UNTITLED (MOTHER AND CHILD), 1884 oil on canvas; signed and dated lower left 30 x 20 in — 76.2 x 50.8 cm
PROVENANCE:
Private Collection, Toronto, ON
$200 — 300
62
MICHEL LASNE (1590-1667); JEAN MORIN (1590-1650), FRENCH
PORTRAIT DE HENRI DE BOURBON, PRINCE DE CONDÉ, 1645; RÉNE DE LONGUEIL, MARQUIS DE MAISONS, CA. 1642-1650
engraving with letters laid on antique watermarked paper; etching and engraving with stippling on laid paper image 13 x 9.25 in — 33 x 23.5 cm; image 12.8 x 10.4 in — 33.5 x 26.6 cm
PROVENANCE:
The Lasne: Bequest of Frank Darling to the Art Gallery of Ontario in 1923, Toronto, ON
The Morin: Ex. Collection of Mr. and Mrs. Ralph Presgrave
Gifted to the Art Gallery of Ontario in 1979, Toronto, ON
Deaccessioned to benefit art purchases at the AGO
$140 — 200
63
ATTRIBUTED TO ALBERT MARIE LEBOURG (1849-1928), FRENCH LE PORT DE ROTTERDAM, 1882
oil on canvas board; signed and dated “/82” lower right; signed “Albert Marie Lebourg” and titled verso 11.75 x 16 in — 29.8 x 40.6 cm
PROVENANCE: Estate Collection, Toronto, ON
$200 — 300
64
LOUIS LEGRAND (1863-1951), FRENCH LA PEDICULTURE, 1905
drypoint etching on laid paper, with full margins and watermark; signed and numbered 4/30 to margin; published by Gustave Pellet 17.3 x 12.2 in — 44 x 31 cm
PROVENANCE: Private Collection, Toronto, ON
$100 — 150
JOHN LINDLEY (1799-1865), BRITISH
NINE ASSORTED BOTANICAL PRINTS, 19TH CENTURY
engravings in colours on paper; some signed in plate
largest 11.75 x 8.75 in — 29.8 x 22.2 cm
PROVENANCE:
Private Collection, Montreal, QC
$400 — 600
THOMAS GOFF LUPTON (1791-1873), BRITISH; GIOVANNI VENDRAMINI (1769-1839) AFTER SIR WILLIAM BEECHEY (1753-1839), ITALIAN
KING WILLIAM THE FOURTH; ADMIRAL SIR THOMAS DUCKWORTH, K.B. mezzotint with letters on paper; stipple engraving with letters on paper; King William the Fourth engraved by Thomas Goff Lupton, published by William Sams, Royal Library, 1 St. James Street, London
Admiral Sir Thomas Duckworth, K.B. from an original painting by Sir William Beechey, drawn by W. Evans, engraved by J. Vendramini
sheet 15.7 x 12.6 in — 40 x 32.1 cm;
image 15.6 x 12.5 in — 28 x 23.5 cm; sheet 16.1 x 12.9 in — 41 x 32.8 cm; image 12 x 10 in — 30.5 x 25.3 cm
PROVENANCE:
Both gifted to the Art Gallery of Ontario, Toronto, ON by Mr. and Mrs. Ralph Presgrave in 1979 Deaccessioned to benefit art purchases at the AGO
$120 — 180
67
SALVATORE MARESCA (19TH/20TH CENTURY), ITALIAN MAN SMOKING A PIPE; MAN LIGHTING A PIPE oil on canvas; both attributed to “S. Maresca” to nameplates
15.5 x 10.1 in — 39.4 x 26.7 cm; 15.35 x 10.25 in — 39 x 26 cm
PROVENANCE:
Private Collection, Montreal, QC
$100 — 150
68
PETER AND TRAUDL MARKGRAF (20TH CENTURY), CANADIAN WINTER SKY
screenprint in colours on paper; signed, titled, and numbered 93/148 to margin image 16.5 x 14.6 in — 41.9 x 37.1 cm
PROVENANCE:
Private Collection, Ontario
$100 — 150
BARBARA MCGIVERN (1945-2019), CANADIAN
14 IN 1 #1
acrylic and gold leaf on paper; signed, titled, and stamped verso
10.25 x 7 in — 26 x 17.8 cm
PROVENANCE:
Estate of Barbara McGivern Private Collection, Toronto, ON
$100 — 125
70
BARBARA MCGIVERN (1945-2019), CANADIAN
14 IN 1 #5
acrylic and gold leaf on paper; signed, titled, and stamped verso
7 x 10.25 in — 17.8 x 26 cm
PROVENANCE:
Estate of Barbara McGivern
Private Collection, Toronto, ON
$100 — 125
71
BARBARA MCGIVERN (1945-2019), CANADIAN
14 IN 1 #6
acrylic and gold leaf on paper; signed, titled, and stamped verso
7 x 10.25 in — 17.8 x 26 cm
PROVENANCE:
Estate of Barbara McGivern
Private Collection, Toronto, ON
$100 — 125
72
JOHANNES JACABUS (JAN) MESKER (1843-1890), DUTCH
UNTITLED (SAILORS COMING TO PORT) gouache on paper; signed lower right sight 20.6 x 15.3 in — 52.3 x 38.9 cm
PROVENANCE:
Private Collection, Toronto, ON
$100 — 200
73
HENRY MOORE (1898-1986), BRITISH
THE DRAWINGS OF HENRY MOORE, 1977
offset lithograph on paper; signed lower right; collection label verso; exhibition poster for Art Gallery of Ontario, 5 November31 December 1977
sight 27.5 x 19 in — 69.9 x 48.3 cm
PROVENANCE:
Beaverbrook Art Gallery, Fredericton, NBDeaccessioned to benefit art purchases at the Beaverbrook Art Gallery
$200 — 300
74
HENRY MOORE (1898-1986), BRITISH
THE ART OF HENRY MOORE, 1986
offset lithograph on paper; signed upper right; collection label verso; exhibition poster for Hong Kong Museum of Fine Arts, Hong Kong, 2 February - 12 March, 1986
sight 30 x 19.4 in — 76.2 x 49.3 cm
PROVENANCE:
Beaverbrook Art Gallery, Fredericton, NB Deaccessioned to benefit art purchases at the Beaverbrook Art Gallery
$200 — 300
75
HENRY MOORE (1898-1986), BRITISH
3 TEMAS EN LA OBRA DE HENRY MOORE, 1982-1983
offset lithograph on paper; signed lower left; collection label verso; exhibition poster for Museo de Monterrey [Mexico], 5 November 1982 - 24 January, 1983
sight 31 x 18 in — 78.7 x 45.7 cm
PROVENANCE:
Beaverbrook Art Gallery, Fredericton, NB
Deaccessioned to benefit art purchases at the Beaverbrook Art Gallery
$200 — 300
76
HENRY MOORE (1898-1986), BRITISH HENRY MOORE, 1987
offset lithograph on paper; collection label verso; exhibition poster for National Gallery of Modern Art, New Delhi, 1 October - 15 November, 1987
sight 29.25 x 19.5 in — 74.3 x 49.5 cm
PROVENANCE:
Beaverbrook Art Gallery, Fredericton, NB
Deaccessioned to benefit art purchases at the Beaverbrook Art Gallery
$150 — 200
HENRY MOORE (1898-1986), BRITISH HENRY MOORE: AT THE SERPENTINE, 80TH BIRTHDAY EXHIBITION OF RECENT CARVINGS AND BRONZES [AND] AT THE TATE: THE HENRY MOORE GIFT, 1978
offset lithograph on paper; signed lower right; collection label verso
sight 16.25 x 11.4 in — 41.3 x 28.6 cm
PROVENANCE:
Beaverbrook Art Gallery, Fredericton, NB
Deaccessioned to benefit art purchases at the Beaverbrook Art Gallery
$200 — 300
78
HENRY MOORE (1898-1986), BRITISH HENRY MOORE: SHELTER AND COAL MINING DRAWINGS, 1984
offset lithograph on paper; signed lower right; collection label verso; exhibition poster for Zeichnungen Aus Den Jahren, 1939-42 sight 31.8 x 22.5 in — 80.8 x 57.2 cm
PROVENANCE:
Beaverbrook Art Gallery, Fredericton, NB
Deaccessioned to benefit art purchases at the Beaverbrook Art Gallery
$300 — 400
HENRY MOORE (1898-1986), BRITISH HENRY MOORE: GRAPHICS IN THE MAKING, 1975
offset lithograph on paper; signed lower right; collection label verso; exhibition poster for Tate Gallery, May 21 - July 6, 1975
sight 29 x 18.9 in — 73.7 x 48 cm
PROVENANCE:
Beaverbrook Art Gallery, Fredericton, NB
Deaccessioned to benefit art purchases at the Beaverbrook Art Gallery
$200 — 300
80
HENRY MOORE (1898-1986), BRITISH RECLINING FIGURE IN A LANDSCAPE
offset lithograph on paper; signed lower right; collection label verso
sight 16.5 x 24.75 in — 41.9 x 62.9 cm
PROVENANCE:
Beaverbrook Art Gallery, Fredericton, NB
Deaccessioned to benefit art purchases at the Beaverbrook Art Gallery
$100 — 150
HENRY MOORE (1898-1986), BRITISH UNTITLED (SEATED WOMAN)
offset lithograph on paper; signed lower right; collection label verso
sight 28.75 x 19.25 in — 73 x 48.9 cm
PROVENANCE:
Beaverbrook Art Gallery, Fredericton, NB
Deaccessioned to benefit art purchases at the Beaverbrook Art Gallery
$200 — 300
82
HENRY MOORE (1898-1986), BRITISH TWO HUNDRED YEARS OF AMERICAN GROWTH / HENRY MOORE: AN AMERICAN PORTRAIT, 1776-1976
offset lithograph on paper; signed lower right; collection label verso sight 28 x 20.3 in — 71.1 x 51.6 cm
PROVENANCE:
Beaverbrook Art Gallery, Fredericton, NB
Deaccessioned to benefit art purchases at the Beaverbrook Art Gallery
$200 — 300
83
TAIKO MOCHIZUKI (B. 1952), JAPANESE ÉCLATEMENT
ink on paper; stamped lower left sheet 26.8 x 44.7 in — 68 x 113.5 cm
PROVENANCE:
L’Artothèque, Montreal, QC
$75 — 150
84
AFTER GEORGE MORLAND (1763-1804), BRITISH
UNTITLED (YOUTH IN THE STABLE), 1797 oil on canvas; signed lower left; signed and dated verso 14 x 18 in — 35.6 x 45.7 cm
PROVENANCE:
Private Collection, Toronto, ON $75 — 150
WILLIAM MOULIS (1919-1989), AMERICAN KASBAH
collage and gouache on paper; signed lower right; titled to gallery label verso sheet 29 x 19.75 in — 73.7 x 50.2 cm
PROVENANCE:
Fairweather Hardin Gallery, Chicago, IL
Private Collection, Toronto, ON
$100 — 150
86
NAOYOSHI MURAYAMA (B. 1936), JAPANESE
SEIGIN (UN COUP DE SABRE), 1990 oil on canvas; signed, titled, and dated lower right 35.8 x 46.1 in — 92 x 117 cm
PROVENANCE:
L’Artothèque, Montreal, QC
$400 — 600
87
MARY NEWCOMB (1922-2008), BRITISH
WAVY WATER - THE DUDE’S FOOT SHOWING IN THE SECOND WASH LINE watercolour on paper; initialed lower right; signed and titled verso sight 7.9 x 9.3 in — 20.1 x 23.6 cm
PROVENANCE:
Private Collection, Toronto, ON
$50 — 100
88
SOKO NOZAWA (B. 1931), JAPANESE ROSÉE
ink on paper; stamped lower right sight 28.3 x 40 in — 72 x 101.5 cm
PROVENANCE:
L’Artothèque, Montreal, QC
$75 — 150
LIZ PARKINSON (20TH CENTURY), CANADIAN
METAMORPHIC / ATLANTIC SHORE; CHESTNUT TRAIL / AERCULUA HIPPOASTANUM
etching in colours on paper; drypoint and lithograph in colours on paper; Metamorphic / Atlantic Shoresigned, titled, and numbered 5/10 lower leftChestnut Trail / Aerculua Hippoastanumsigned, titled, and numbered 5/10 lower right
14.1 x 22.25 in — 35.8 x 56.5 cm; 14 x 22 in — 35.6 x 55.9 cm
PROVENANCE:
Corporate Collection, Toronto, ON
$200 — 250
90
SOPHIE PAQUET (B. 1963), CANADIAN UNTITLED (FLORAL STUDY)
acrylic on paper; signed lower right image 13.5 x 18.1 in — 34.3 x 46 cm
PROVENANCE:
Private Collection, Toronto, ON
$120 — 150
91
LUC PEIRE (1916-1944), BELGIAN OMBRE ET VIE, 1961 woodcut on matte poster paper; signed and numbered 39/200
7.5 x 15.75 in — 19.1 x 40 cm
PROVENANCE:
Private Collection, Toronto, ON $200 — 300
92
AFTER PABLO PICASSO (1881-1973), SPANISH FEMME A LA MANDOLINE (MADEMOISELLE LEONIE ASSIE), 1979-1982
lithograph in colours on Arches Paper; pencilsigned “Collection Marina Picasso”, numbered 222/500 to margin; embossed printer’s chop lower left
image 21 x 17 in — 53.3 x 43.2 cm
PROVENANCE:
Private Collection, Ontario
$400 — 600
AFTER PABLO PICASSO (1881-1973), SPANISH
PORTRAITS IMAGINAIRES, 1969 screenprint in colours on paper; signed and dated “27.2.69” to plate sight 21.5 x 16 in — 54.6 x 40.6 cm
PROVENANCE:
Private Collection, Quebec
$300 — 500
94
ALVAR SUÑOL MUNOZ-RAMOS
(B. 1935), SPANISH
DESNUDO SOBRE UN DIVAN lithograph in colours on paper; signed and numbered 61/140 to margin; titled to label verso image 20.4 x 15.5 in — 50.8 x 39.4 cm
PROVENANCE:
Private Collection, Toronto, ON
$75 — 100
95
AFTER PIERRE-AUGUSTE RENOIR (1841-1919), FRENCH FEMME NUE COUCHÉ, TOURNÉE A DROITE, 1906 drypoint etching on cream laid paper; from an unknown edition size
image 5.5 x 7.5 in — 14 x 19 cm; image 25.5 x 33 in — 64.8 x 83.8 cm
PROVENANCE: Private Collection, Florida $200 — 400
96
AFTER PIERRE-AUGUSTE RENOIR (1841-1919), FRENCH LE PORTRAIT DE STÉPHANE MALLARMÉ etching on paper; signed and titled to plate upper right sheet 12.9 x 10 in — 32.8 x 25.4 cm
PROVENANCE: Private Collection, Toronto, ON $40 — 50
SAMUEL WILLIAM REYNOLDS THE ELDER (1773-1835) AFTER JOSHUA REYNOLDS (1723-1792), BRITISH
GIRL’S HEAD, 1821; LORD CARLISLE, 1821
mezzotints with letters on thick laid paper; the first dated and numbered “No. 11” in the plate; the second dated “Aug. 1821” in the plate; published by The Engraver, Bayswater, London
sheet 8.9 x 6.3 in — 28 x 17.8 cm;
image 11 x 7 in — 9.5 x 7.9 cm; sheet 11.4 x 7.2 in — 29 x 18.5 cm;
image 3.7 x 3.1 in — 10.6 x 8.7 cm
PROVENANCE:
Ex. Coll. Mr. and Mrs. Ralph Presgrave
Gifted to the Art Gallery of Ontario, Toronto in 1979
Deaccessioned to benefit art purchases at the AGO
$100 — 150
98
SAMUEL WILLIAM REYNOLDS THE ELDER (1773-1835) AFTER JOSHUA REYNOLDS (1723-1792), BRITISH
LORD SOUTHAMPTON, 1820; JOSEPH DEANE BOURKE, D.D., ARCHBISHOP OF TUAM (3RD EARL OF MAYO), 1838
mezzotints with letters on thick laid paper; the first published in 1820; the second numbered “Proof” in the plate and published in 1838
sheet 8.9 x 6.4 in — 32.2 x 23.8 cm;
image 14 x 9.3 in — 13.7 x 10.8 cm;
sheet 12.8 x 9.4 in — 35.8 x 23.7 cm;
image 5.1 x 4 in — 13 x 10.2 cm
PROVENANCE:
Ex. Coll. Mr. and Mrs. Ralph Presgrave
Gifted to the Art Gallery of Ontario, Toronto in 1979
Deaccessioned to benefit art purchases at the AGO
$100 — 150
99
AFTER REMBRANDT VAN RIJN (1606-1669), DUTCH THE DEATH OF THE VIRIGIN, 1639 [BARTSCH, 99; HOLLSTEIN, 161] etching on trimmed paper; signed and dated to plate lower left sheet 14.7 x 12.8 in — 37.4 x 32.5 cm
PROVENANCE:
Private Collection, Toronto, ON
$100 — 200
100
RONNIE ROBERTS (B. 1954), CANADIAN J BOB’S COUNTRY MARKET, 2000
UltraChrome K3 colour photograph; signed and dated to mat; titled and dated to label verso sight 10 x 17.75 in — 25.4 x 45.1 cm
PROVENANCE:
Private Collection, Toronto, ON
$150 — 200
101
RONNIE ROBERTS (B. 1954), CANADIAN MONTMARTRE, PARIS
black and white archival photograph; signed and dated to mat; titled and dated to label verso sight 12.7 x 17.9 in — 32.3 x 45.5 cm
PROVENANCE:
Private Collection, Toronto, ON
$150 — 200
102
RONNIE ROBERTS (B. 1954), CANADIAN MONTMARTRE PARIS CAFÉ, 1986
hand-printed colour photograph; titled and dated to gallery label verso sight 19.5 x 23.5 in — 50.8 x 61 cm
PROVENANCE:
David Jean Gallery, Toronto, ON Private Collection, Ontario
$100 — 150
103
RONNIE ROBERTS (B. 1954), CANADIAN ONCE A DREAM, 2021
UltraChrome K3 photograph; signed and dated to mat; titled and dated to label verso sight 13 x 17 in — 33 x 43.2 cm
PROVENANCE:
Private Collection, Ontario
$150 — 200
104
RONNIE ROBERTS (B. 1954), CANADIAN TALKING TREES, 2017
UltraChrome K3 photograph; signed and dated to mat; titled and dated to label verso sight 11.5 x 17.9 in — 29.2 x 45.5 cm
PROVENANCE:
Private Collection, Ontario
$150 — 200
105
R. ROMAGNOLI (20TH CENTURY), ITALIAN
FALL LAKE VIEW
oil on canvas; signed lower left 20 x 27.5 in — 50.8 x 69.9 cm
PROVENANCE:
Private Collection, Westmount, QC
$100 — 200
106
PITALOOSIE SAILA (B. 1942) TRANSFORMATION, 1986
stonecut and stencil on paper; signed, titled, dated, and numbered 28/50
21.75 x 26.75 in — 54 x 67.9 cm
PROVENANCE:
Private Collection, Toronto, ON
$200 — 300
107
GAKUSUI SHINOMIYA (B. 1927), JAPANESE
SECRET
ink on paper; stamped lower left sight 33.9 x 38.6 in — 86 x 98 cm
PROVENANCE: L’Artothèque, Montreal, QC
$75 — 150
108
MANNER OF CHARLES SHAYER (1826-1914), BRITISH UNTITLED (FARMER RESTING WITH HORSE) oil on canvas
30.5 x 25 in — 77.5 x 63.5 cm
PROVENANCE: Private Collection, Toronto, ON $400 — 600
109
NICOLA SIMBARI (1927-2012), ITALIAN
UNTITLED (RAINY DAY)
screenprint in colours on paper; signed and numbered “artist proof XLI/L” to margin sight 20 x 26.5 in — 76.2 x 91.4 cm
PROVENANCE:
Private Collection, Toronto, ON $200 — 300
110
NICOLA SIMBARI (1927-2012), ITALIAN
UNTITLED (STREET SCENE)
screenprint in colours on paper; signed and numbered “artist proof XLI/L” to margin image 19.9 x 26.7 in — 76.2 x 91.4 cm
PROVENANCE:
Private Collection, Toronto, ON $200 — 300
111
SIR HERBERT EDWIN PELHAM HUGHES-STANTON (1870-1937), BRITISH
UNTITLED - PERSON SITTING ON A ROCK BY A COUNTRY PATH, 1922
oil on canvas; signed “Hughes-Stanton” and dated lower left; inscribed “No. 1517” in black crayon to frame verso; date stamps verso 18 x 24 in — 45.7 x 61 cm
PROVENANCE:
Private Collection, Montreal, QC
$400 — 600
112
L. STEPANO (B. 1948), AMERICAN UNTITLED (WOMAN WALKING ALONG WOODED PATH)
oil on canvas; signed lower right 18.1 x 24 in — 46 x 61 cm
PROVENANCE:
Private Collection, Toronto, ON
$150 — 200
113
JYONAN TANEYA (B. 1919), JAPANESE POÈME DE 31 SYLLABLES “NOSTALGIE”
ink on paper; stamped lower left sheet 40.2 x 10.2 in — 102 x 26 cm
PROVENANCE:
L’Artothèque, Montreal, QC
$50 — 75
114
KATSUJIRO TERASHI (1927-2015), JAPANESE
TOITURE EN TUILES, 1988 screenprint in colours on paper; signed, titled, dated “’88”, numbered 11/50, and stamped lower margin
image 28.7 x 23.4 in — 73 x 59.5 cm
PROVENANCE:
L’Artothèque, Montreal, QC
$75 — 150
115
GEORGE CAMPBELL (CAM) TINNING (1910-1996), CANADIAN UNTITLED (FLOWERS), 1962 oil on board; signed and dated lower right
14.5 x 10.5 in — 36.8 x 26.7 cm
PROVENANCE:
Private Collection, Toronto, ON $75 — 100
116
FOLLOWER OF TITIAN (CA. 1485-1576), ITALIAN
THE GODDESS FLORA IN A LANDSCAPE oil on canvas
56 x 38 in — 142.2 x 96.5 cm
PROVENANCE:
Private Collection, Toronto, ON $400 — 600
117
HAJIME TOGUCHI (B. 1925), JAPANESE PAPILLONS
screenprint in colours on paper; signed to mat sight 17.7 x 21.7 in — 45 x 55 cm
PROVENANCE:
L’Artothèque, Montreal, QC
$50 — 75
118
NATALIA OLEGOWNA TOLSTAJA (B. 1954), RUSSIAN
DER BAUM (TREE), 1990
oil on canvas; signed, titled, and dated verso 35.4 x 29.5 in — 90 x 75 cm
PROVENANCE:
Private Collection, New York, NY
$400 — 600
119
JULIAN TREVELYAN (1910-1988), BRITISH
THE PLOUGH, 1976 [TURNER, 322] etching in colours on Barcham Green paper; signed, titled, and numbered 92/150 to margin; printed by Studio Prints and published by Christie’s Contemporary Art in an edition of 150; accompanied by a signed Certificate of Authenticity from the Director of Christie’s Contemporary Art image 12.6 x 17.6 in — 32 x 45 cm
PROVENANCE:
Private Collection, Toronto, ON Private Collection, Kingston, ON Private Collection, Bath, UK
$300 — 400
121
UNIDENTIFIED ARTISTS (19TH CENTURY)
FOUR BOTANCIAL AND FRUIT PRINTS two etchings in colours on paper; two lithographs in colours on paper;
Untitled (Floral Bouquet #1)”Paul Lenard Lithographer; Print Colorer, 206 Fleet Street, London” in letters to lower margin
Untitled (Floral Bouquet #2)”
Paul Lenard Lithographer; Print Colorer, 206 Fleet Street, London” in letters to lower margin
Doyenné d’ete Pear
Framboise Brinckle’s Orange largest 11 x 7 in — 27.9 x 17.8 cm
PROVENANCE:
Private Collection, Toronto, ON
$120 — 180
122
UNIDENTIFIED ARTISTS (19TH CENTURY)
PSILLACULE CAÏCA - BARRABAND; UNTITLED (BASKET OF FLOWERS AND BIRDS); UNTITLED (A POSY OF FLOWERS); UNTITLED (FLOWERS AND INSECTS) etchings in colours on paper largest/sight 14.2 x 11 in — 36.1 x 27.9 cm
PROVENANCE:
Private Collection, Toronto, ON
$120 — 180
123
UNIDENTIFIED ARTIST (20TH CENTURY)
UNTITLED (EXOTIC BEAUTY) oil on board 28 x 22 in — 71.1 x 55.9 cm
PROVENANCE:
Private Collection, Toronto, ON
$150 — 300
124
UNIDENTIFIED ARTIST (20TH CENTURY)
UNTITLED (HANDS OF BUDDHA) gouache on paper; initialed “JB” lower right sight 11.75 x 26.75 in — 29.8 x 67.9 cm
PROVENANCE: Private Collection, Toronto, ON $150 — 180
125
UNIDENTIFIED ARTIST (20TH CENTURY)
JAMES DEAN
hand-coloured photograph sheet 10.25 x 8 in — 26 x 20.3 cm
PROVENANCE: Private Collection, Toronto, ON $50 — 75
UNIDENTIFIED ARTIST (19TH CENTURY), BRITISH PORTRAIT OF A DANCER, CA. 1830 oil on canvas
35.75 x 27 in — 90.8 x 68.6 cm
PROVENANCE:
C.H. Major English Furniture, London, UKPrivate Collection, Montreal, QC, purchased from the above on August 24, 2001
$200 — 300
127
UNIDENTIFIED ARTIST (19TH/20TH CENTURY)
UNTITLED (PORTRAIT OF A YOUNG WOMAN) oil on canvas
16.25 x 14.25 in — 41.3 x 36.2 cm
PROVENANCE: Private Collection, Toronto, ON
$100 — 150
128
WALTER BACHINSKI (B. 1939), CANADIAN
UNTITLED (SEATED WOMAN WITH NUDES), 1979 graphite and charcoal on Arches paper; indistinctly signed and dated “79” lower right sight 20.9 x 28 in — 53.1 x 71.1 cm
PROVENANCE:
Private Collection, Toronto, ON $150 — 250
129
UNIDENTIFIED ARTIST (20TH/21ST CENTURY)
UNTITLED (STREET PROCESSION) oil on canvas; indistinctly signed lower right 24.1 x 36 in — 61.2 x 91.4 cm
PROVENANCE:
Private Collection, Toronto, ON $50 — 75
130
GUTTORN OTTO (1919-2012), CANADIAN WINTER LANDSCAPE
oil on Masonite; signed and dated 1967
48 x 96.5 in — 121.9 x 245.1 cm
PROVENANCE:
Private Collection, Toronto, ON
$500 — 800
131
UNIDENTIFIED ARTIST (20TH CENTURY), LATVIAN UNTITLED (TOWN SCENES) watercolours on paper;
1. Untitled (Winter Street Scene) indistinctly signed lower left
2. Untitled (Two People Talking in a Back Lane)
17.5 x 14.4 in — 44.5 x 36.6 cm; 20.75 x 20.5 in — 52.7 x 52.1 cm
PROVENANCE:
Private Collection, Toronto, ON
$200 — 300
132
UNIDENTIFIED ARTIST (20TH CENTURY), AMERICAN YELLOW LANDSCAPE
oil on canvas; indistinctly signed lower left sight 35.3 x 47.6 in — 89.7 x 120.9 cm
PROVENANCE:
Private Collection, Toronto, ON
$150 — 250
133
PAUL VALERY (1871-1945), FRENCH VALÉRY/ERNI: RÉFLEXIONS SIMPLE SUR LE CORPS, 1967
limited edition book, in folio, with twentyfive lithographs in colours on Japon Nacre paper; lithographs in sheets and wrapped in corresponding folders, in clam shell folio; limited to 326 copies; printed by Mourlot overall 17.75 x 13.4 x 2.75 in — 44.5 x 34.3 x 7 cm
PROVENANCE:
Private Collection, Prince Edward Island
$200 — 400
VARIOUS ARTISTS
(MID-17TH CENTURY), BRITISH SET OF FOUR BIBLICAL SCENES
engravings in black on laid paper; each signed and titled in plate; titles include “Abraham, lay not thine hand on the Child,” “Ishmael driven out,” “Saul designes the death of David,” and “A triumph for David”
largest 13.5 x 8.25 in — 34.3 x 21 cm
PROVENANCE:
Private Collection, Montreal, QC
$100 — 150
135
JEWGENIJ SERGEJEWITSCH
WACHTANGOW (B. 1942), RUSSIAN ABSTRACT (SPIDERWEB), 1989 oil on canvas; initialed in Cyrillic and dated “89” lower right; signed, titled, and dated in Cyrillic verso
35.5 x 27.6 in — 90 x 70 cm
PROVENANCE:
Private Collection, New York, NY
$400 — 600
136
JEWGENIJ SERGEJEWITSCH
WACHTANGOW (B. 1942), RUSSIAN BLACK AND RED ABSTRACT, 1990 oil on canvas; initialed in Cyrillic and dated “90” lower right; signed, titled, dated, and inscribed in Cyrillic verso
23.75 x 29.5 in — 60.3 x 74.9 cm
PROVENANCE:
Private Collection, New York, NY
$250 — 350
137
JEWGENIJ SERGEJEWITSCH
WACHTANGOW (B. 1942), RUSSIAN DIE BLUME (THE FLOWER), 1988 oil on canvas; initialed in Cyrillic and dated “88” lower right; signed, titled, and dated in Cyrillic verso
37.4 x 33.4 in — 95 x 84.8 cm
PROVENANCE:
Private Collection, New York, NY
$400 — 600
138
JEWGENIJ SERGEJEWITSCH
WACHTANGOW (B. 1942), RUSSIAN EXPLOSION, 1989
oil on canvas; initialed and dated “October 1989” in Cyrillic to top margin; signed, titled, and dated in Cyrillic verso
45.3 x 37.4 in — 115 x 95 cm
PROVENANCE:
Private Collection, New York, NY
$300 — 400
139
CHIKKOU WAKATSUKI (B. 1918), JAPANESE
POÈME DE 31 SYLLABLES: ON EST TOUJOURS
ink on paper on decorative mount; stamped lower left 14.6 x 18.9 in — 37 x 48 cm
PROVENANCE: L’Artothèque, Montreal, QC
$75 — 150
140
ANDY WARHOL (1928-1987) WITH BOB COLACELLO (20TH CENTURY), AMERICAN
ANDY WARHOL’S EXPOSURES, 1979 hardcover, first edition book; signed in marker to title page; published by Andy Warhol Books / Grosset & Dunlap, Inc., 1979
11.5 x 9.6 x 1 in — 29.2 x 24.4 x 2.5 cm
PROVENANCE:
Private Collection, Ontario
$400 — 600
141
SUNDAY B. MORNING AFTER ANDY WARHOL (1928-1987), BELGIAN DIAMOND DUST MARILYN screenprint in colours on museum board; stamped “Published by Sunday B. Morning” / “fill in your own signature” and numbered 302/2500 verso; published by Sunday B. Morning, Belgium sheet 38 x 38 in — 96.5 x 96.5 cm
PROVENANCE:
Private Collection, California, USA
$800 — 1,000
142
SUNDAY B. MORNING AFTER ANDY WARHOL (1928-1987), BELGIAN
I LOVE YOUR KISS FOREVER FOREVER screenprint in colours on museum board; stamped “Published by Sunday B. Morning” / “fill in your own signature” and numbered 219/2500 verso; published by Sunday B. Morning, Belgium
sight 16.25 x 22.25 in — 41.3 x 57.2 cm
PROVENANCE:
Private Collection, California, USA
$600 — 800
143
JOSEF WENGLEIN (1845-1919), GERMAN; HENRY FARRER (1843-1903), AMERICAN TWO BARBIZON LANDSCAPE VIEWS; VILLAGE HOUSES WITH CARRIAGE, 1886 two engravings on paper; one etching on heavy paper; Two Barbizon Landscape Views signed “J. Wenglein” in the plate Village Houses with Carriage signed and dated in the plate
sight 13.1 x 17.5 in — 33.3 x 44.5 cm; sight 15.7 x 29.25 in — 39.9 x 74.3 cm
PROVENANCE:
Private Collection, Ontario
$250 — 350
144
ROBERT J. WICKENDEN (1861-1931), CANADIAN AUTUMN, LAURENTIAN HILLS, NEAR STE. ADÈLE
oil on panel; signed and dated “05” lower left; signed, titled, and dated verso
9 x 14.5 in — 22.9 x 36.8 cm
PROVENANCE:
Private Collection, Toronto, ON
$200 — 300
145
RONALD YORK WILSON OCA, RCA (1907-1984), CANADIAN BLUE OPUS; BLUE OPUS (TRIAL COPY), 1978 screenprints in colours on paper; 1. Blue Opus; signed, titled, and numbered “HC 20/25” with Chinese seal lower margin
2. Blue Opus (trial copy); signed “Lela M. Wilson ONT” (the artist’s wife) and dated “Aug. 6/2005”; inscribed “Trial Copy - Blue Opus 1978 By York Wilson R.C.A.” verso
20.9 x 24.1 in — 53.1 x 61.2 cm; 20.9 x 24 in — 53.1 x 61 cm
PROVENANCE:
Beaverbrook Art Gallery, Fredericton, NB
Deaccessioned to benefit art purchases at the Beaverbrook Art Gallery
$150 — 200
146
RONALD YORK WILSON OCA, RCA (1907-1994), CANADIAN CAIRO (FROM THE “CITIES” PORTFOLIO)
screenprint in colours on paper; signed and numbered 46/60 to margin 22.6 x 28 in — 57.4 x 71.1 cm
PROVENANCE:
Beaverbrook Art Gallery, Fredericton, NB
Deaccessioned to benefit art purchases at the Beaverbrook Art Gallery
$200 — 300
147
RONALD YORK WILSON OSA, RCA (1907-1884), CANADIAN
FIVE LIFE DRAWINGS, 1972-1976 charcoal and graphite on paper;
1. Janice; dated “72-73”
2. Janice Robinette de Cortes; inscribed “Mexico 8.3.’73”
3. Janice De Cortes; dated “15.11.76”
4. Janice De Cortes; dated “23.11.76”
5. Janice De Cortes; dated “23.11.76” sheets 19.75 x 25.75 in — 50.2 x 65.4 cm
PROVENANCE:
Beaverbrook Art Gallery, Fredericton, NB
Deaccessioned to benefit art purchases at the Beaverbrook Art Gallery
$200 — 300
148
RONALD YORK WILSON OCA, RCA (1907-1984), CANADIAN JAIPUR (FROM THE “CITIES” PORTFOLIO)
screenprint in colours on paper; signed and numbered 48/60 to margin
22.75 x 28 in — 57.8 x 71.1 cm
PROVENANCE:
Beaverbrook Art Gallery, Fredericton, NB
Deaccessioned to benefit art purchases at the Beaverbrook Art Gallery
$200 — 300
149
RONALD YORK WILSON OCA, RCA (1907-1984), CANADIAN MARRAKECH (FROM THE “CITIES” PORTFOLIO)
screenprint in colours on paper; signed and numbered 40/60 to margin
22.5 x 28 in — 57.2 x 71.1 cm
PROVENANCE:
Beaverbrook Art Gallery, Fredericton, NB
Deaccessioned to benefit art purchases at the Beaverbrook Art Gallery
$200 — 300
150
RONALD YORK WILSON, OSA, RCA (1907-1984), CANADIAN NGAIO, 1977
screenprint in colours on paper; signed, dated “’77”, and numbered 19/20 lower margin sheet 18.5 x 10.75 in — 47 x 27.3 cm
PROVENANCE:
Beaverbrook Art Gallery, Fredericton, NB
Deaccessioned to benefit art purchases at the Beaverbrook Art Gallery
$150 — 200
151
RONALD YORK WILSON OCA, RCA (1907-1984), CANADIAN
NEW YORK (FROM THE “CITIES” PORTFOLIO)
screenprint in colours on paper; signed, titled, and numbered 46/50 to margin 18.75 x 25.5 in — 47.6 x 64.8 cm
PROVENANCE:
Beaverbrook Art Gallery, Fredericton, NB
Deaccessioned to benefit art purchases at the Beaverbrook Art Gallery
$200 — 300
152
RONALD YORK WILSON, OSA, RCA (1907-1984), CANADIAN YORK WILSON: PINTURAS - DIBUJOS, 1969/70
screenprint in colours on paper; exhibition poster for Palacio de Bellas Artes, Mexico, 1969/70
27.5 x 19.25 in — 69.9 x 48.9 cm
PROVENANCE:
Beaverbrook Art Gallery, Fredericton, NB
Deaccessioned to benefit art purchases at the Beaverbrook Art Gallery
$150 — 250
153
RONALD YORK WILSON OCA, RCA (1907-1984), CANADIAN SRINAGAR (FROM THE “CITIES” PORTFOLIO)
screenprint in colours on paper; signed, titled, and numbered 56/60 to margin sheet 22.75 x 28 in — 57.8 x 71.1 cm
PROVENANCE:
Beaverbrook Art Gallery, Fredericton, NB
Deaccessioned to benefit art purchases at the Beaverbrook Art Gallery
$200 — 300
154
OSSIP ZADKINE (1880-1967), RUSSIAN/FRENCH
LE MONDE SECRET DE / THE SECRET WORLD OF ZADKINE, 1966
hardcover, limited first edition book, uncut; signed and numbered 66/100; together with original red silk portfolio with gold lettering in red cloth slipcase; published by Arted, Editions d’Art in 1966
15.15 x 11.7 x 1.4 in — 38.5 x 29.7 x 3.6 cm
PROVENANCE:
Private Collection, Ontario
$200 — 300
155
HARRY
MAYER ZEILIG (1908-2002), CANADIAN
FIVE PORTRAITS OF HOLLYWOOD STARS gouache on card, mounted onto hardboard;
1. titled “Danny Kaye” verso
35.9 x 24.1 in - 91.2 x 61.2 cm
2. titled “Cary Grant” verso
34.1 x 24 in - 86.6 x 61 cm
3. titled “Bette Davis” verso
35.9 x 24.1 in - 91.2 x 61.2 cm
4. titled “Humphrey Bogart”
33.9 x 23.75 in - 86.1 x 60.3 cm
5. titled “Charles Boyer”
36.1 x 24 in - 91.7 x 61 cm
PROVENANCE: Private Collection, Ontario
$100 — 150