International Discovery | October 15 - 20, 2022

bid and view all lots online at www.waddingtons.ca on view

Sunday, October 16 from 12pm to 4pm

Monday, October 17 from 10am to 7pm

Tuesday, October 18 from 10am to 5pm

preview held at 275 King Street East, 2nd Floor Toronto, ON M5A 1K2

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This catalogue and its contents © 2022 Waddington McLean & Company Ltd.

This auction is subject to the Conditions of Sale printed in the back of this catalogue.

front cover Lot 25

STEPHEN LEWIN THE GUITAR PLAYER, 1894

front inside cover Lot 9

FLORIS ARNTZENIUS WOMEN AND CHILDREN BY THE SEASIDE

back inside cover Lot 21 ATTRIBUTED TO EDWARD HUGHES QUEEN ALEXANDRA, (PRINCESS OF DENMARK) CA. 1896

back cover Lot 24

JACOB HENRICUS MARIS

SHADY BACKYARD WITH FARM HOUSE AND THATCHED HUT

Photography & design by Waddington’s All Rights reserved.

HERMANUS KOEKKOEK JR. (1836-1909), DUTCH

THE DUTCH COAST

Oil on canvas; signed with pseudonym “J van Couver” lower right, titled to a partial gallery label to the frame verso. Framed. 8 ins x 12 ins; 20.3 cms x 30.5 cms; Framed 13.4 ins x 17.2 ins; 34 cms x 43.7 cms

PROVENANCE:

Carroll Gallery, Hanover Square, London W., UK partial label to the backing paper on the frame verso;

Private Collection, Ontario

$300 — 500

19TH CENTURY ANGLO DUTCH SCHOOL

FIGURES ON A COUNTRY ROAD WITH WINDMILL

Oil on panel. Unsigned. Framed. 5 ins x 6.75 ins; 12.7 cms x 17.1 cms; Framed 11 ins x 12.5 ins; 27.9 cms x 31.8 cms

PROVENANCE:

Gifted “To Mr. C.W. Irwin” indistinctly inscribed on “Xmas 1905” to an old pen and ink label verso;

Haynes Art Gallery, Toronto gallery label verso on 3/12/46 (1946);

Private Collection, Toronto, ON

$300 — 500

ATTRIBUTED TO MARIE LUISE KIRSCHNER (1852-1931), AUSTRIAN

COMING FROM THE VILLAGE MARKET

Oil on canvas; signed with adjoined signature “MKirschner” lower left. Framed.

10.75 ins x 8.5 ins; 27.3 cms x 21.6 cms; Framed 19.5 ins x 17.3 ins; 49.5 cms x 43.9 cms

PROVENANCE:

Private Collection, British Columbia

$400 — 600

4

JAMES HERBERT SNELL (1861-1935), BRITISH

FARMERS WORKING IN THE FARMYARD AT SUNSET

Oil on canvas; signed lower right, signed verso. Framed

15 ins x 19.75 ins; 38.1 cms x 50.2 cms; 23.5 ins x 28.5 ins; 59.7 cms x 72.4 cms

PROVENANCE:

Cooling Galleries (Ontario) Limited, Toronto, ON gallery label verso;

Private Collection Toronto, ON

$400 — 600

19TH CENTURY ITALIAN SCHOOL, EUROPEAN

GONDOLAS ON THE VENETIAN CANAL

Oil on indistinctly stamped canvas; remains of a signature lower right. Framed. 20 ins x 30 ins; 50.8 cms x 76.2 cms; Framed 27.8 ins x 37.8 ins; 70.6 cms x 96 cms

PROVENANCE: Private Collection, Toronto, ON $500 — 700

6

LUCIEN MAINSSIEUX (1885-1958), FRENCH

FALL LANDSCAPE, 1927

Oil on canvas; signed “Mainssieux” lower left, dated 1927 lower right. Framed. 18.1 ins x 14.9 ins; 15.9 cms x 21.6 cms; Framed 24 ins x 20.75 ins; 61 cms x 52.7 cms

PROVENANCE:

Private Collection, Ontario $150 — 250

7

HENRI JOSEPH HARPIGNIES (1819–1916), FRENCH

SHORELINE AT CRÉMIEUX, 1847

Watercolour and pen and ink on paper; signed at Crémieux and dated 1847 along the bottom edge lower left. Framed behind glass. Sight 8.75 ins x 16.75 ins; 22.2 cms x 42.5 cms; Framed 13.6 ins x 21.6 ins; 34.5 cms x 54.9 cms

PROVENANCE:

(With) Atelier Daniel master framer’s label, Montreal, QC verso; Private Collection, Ontario

$500 — 700

8

JEAN PESKÉ (1870–1949), POLISH/FRENCH

LE FORT BRÉGANÇON (VAR), SPRING 1912

Watercolour on paper; signed “Peské” at Le Fort Bregançon in ink lower left, signed “Peské” in ink lower right, signed with initials “J.P.” titled, dated “printemps 1912” and inscribed in pen and ink “Souvenir d’une promenade avec les amis Poinsat. Bien amicalement” to artist’s label verso backboard. Framed. Sheet sight 11.25 ins x 18.5 ins; 28.6 cms x 47 cms; Framed 18.8 ins x 25.9 ins; 47.8 cms x 65.8 cms

PROVENANCE:

Gifted from the artist to a friend in memory of a walk with his friends at Poinsat, France; Private Collection, Ontario

$300 — 500

FLORIS ARNTZENIUS (1864-1925), DUTCH

WOMEN AND CHILDREN BY THE SEASIDE

Watercolour, charcoal, gouache and pen and ink on paper; signed lower right. Framed.

Sheet 10 ins x 17.75 ins; 25.4 cms x 45.1 cms; Framed 12.7 ins x 20.6 ins; 32.3 cms x 52.3 cms

PROVENANCE:

Private Collection, Ontario

$1,500 — 2,500

10

WILLEM ALEXANDER KNIP (1883-1967), DUTCH

CANAL BACKWATER WITH BRIDGE

Oil on canvas; signed lower right. Framed. 16 ins x 20 ins; 40.6 cms x 50.8 cms; Framed 23 ins x 26.9 ins; 58.4 cms x 68.3 cms

PROVENANCE:

Private Collection, Toronto, ON $700 — 900

VICTOR ARCHIPOVICH IVANOFF (1909-1988), RUSSIAN/SOUTH AFRICAN ISTANBUL HARBOUR (BLUE MOSQUE?)

Watercolour; signed “Ivanoff” lower left. Framed.

Sheet sight 7 ins x 11 ins; 17.8 cms x 27.9 cms;

Framed 12.35 ins x 16.35 ins; 31.4 cms x 41.5 cms

PROVENANCE: Private Collection, Toronto, ON

$150 — 250

12

HENRY MEYNELL RHEAM (1859-1920), BRITISH

MAIYAN PORT (?), JULY 26, 1900

Watercolour on paperboard; signed with initials HMR and dated 26.7.1900 lower right, titled indistinctly to exhibition label verso and to another handwritten label verso.

Sheet 10.5 ins x 6.9 ins; 26.7 cms x 17.6 cms;

Framed 18.75 ins x 15.5 ins; 47.6 cms x 39.4 cms

Together with: Thomas Herbert Victor (1894-1980)

“NEAR THE LEGARD - CORNWALL; COASTAL VIEW

Two watercolours; each signed with the artist’s pseudonym ‘W. Sands’ lower right and lower left respectively. Both framed. Each image

8.7 ins x 5.7 ins; 22 cms x 14.5 cms. Each framed

17.1 ins x 13 ins; 43.4 cms x 33 cms

Sheet 10.5 ins x 6.9 ins; 26.7 cms x 17.5 cms;

Framed 18.75 ins x 15.5 ins; 47.6 cms x 39.4 cms

PROVENANCE:

The Rheam with Blight & Sons, Carvers and Gilders, Falmouth label verso backboard; Private Collection, Toronto

$300 — 500

M. DOWNUZO? (20TH CENTURY?)

GIRL WALKING IN A FIELD WITH MOUNTAINS IN THE DISTANCE, CIRCA 1926

Oil on canvas laid down to board; signed indistinctly lower right. Framed. 19.75 ins x 28.5 ins; 50.2 cms x 72.4 cms; Framed 26.6 ins x 34.5 ins; 67.6 cms x 87.6 cms

PROVENANCE:

Haynes Art Gallery, Toronto, ON, label verso. Inventory No. 2007, with them on November 16, 1926;

Private Collection, Toronto, ON

$300 — 500

WILLIAM PAGE ATKINSON WELLS (1872-1923), SCOTTISH

TWO SCOTTISH LANDSCAPES: LAKE VIEW WITH ROCKS AND TREE, 1920; MOUNTAIN STREAM WITH RAPIDS, 1921

Two oils on panel; the first signed, titled and dated 1920 lower left; the second signed, titled and dated 1921 lower left. Framed. Each approximately 18 ins x 14.75 ins; 45.7 cms x 37.5 cms; Framed, each 26.5 ins x 23 ins; 67.3 cms x 58.3 cms

PROVENANCE:

Private Collection, Toronto, ON

$400 — 600

OTTÓ BUNDSCHUH (1885-?), HUNGARIAN

BOY PICKING FLOWERS ON A HILLSIDE,1924

Watercolour; signed and dated ‘1924’ lower right. Framed.

11.25 ins x 15.9 ins; 38.1 cms x 50.8 cms; Framed 16.8 ins x 21.3 ins; 42.7 cms x 54.1 cms

PROVENANCE:

Private Collection, Ontario

$200 — 300

16

GEORGE BATES (ACTIVE 1883-1888), BRITISH

RAPIDS BETWEEN A ROCKY LANDSCAPE

Oil on canvas; signed lower left. Framed. 12.1 ins x 20.1 ins; 31.1 cms x 50.8 cms; Framed 23.1 ins x 30.75 ins; 58.7 cms x 78.1 cms

PROVENANCE:

Private Collection, Kingston, ON $200 — 300

ALADAR EDVI ILLÉS (1870-1958), HUNGARIAN

THE DAYS IN BERCSÉNY (FARM NEAR THE COAST)

Oil on board; signed “E. IIlés A.” lower right, signed and titled indistinctly “...a bercsényi napokrn...” in Hungarian in pen and ink verso. Framed.

8 ins x 13.5 ins; 20.3 cms x 34.3 cms;

Framed 11.25 ins x 16.75 ins; 28.6 cms x 42.5 cms

PROVENANCE:

Hungarian export seal verso; Private Collection, Ontario

$300 — 500

18

GEORGE O. OWEN (ACTIVE 1884-1926), BRITISH

AT THE END OF THE DAY, 1904

Oil on board; signed and dated 1904 lower right, titled to a typed label verso. Framed. 12.1 ins x 16.4 ins; 30.5 cms x 40.6 cms; Framed 20.25 ins x 24.5 ins; 51.4 cms x 62.2 cms

PROVENANCE:

Haynes Art Gallery, Toronto, ON gallery label verso; John Britnell Art Galleries Limited, Toronto, ON, gallery label verso; Estate Collection, Ontario

$500 — 700

ÁRPÁD GECSE (1900-1999), HUNGARIAN

MAN IN PROFILE BY A WINDOW, 1923

Oil on board; signed “Gecse A.” and dated “923” lower right. Framed.

10 ins x 7.25 ins; 25.4 cms x 18.4 cms;

Framed 12.75 ins x 10 ins; 32.4 cms x 25.4 cms

PROVENANCE: Private Collection, Ontario

$100 — 200

20

AFTER GEORGE DAWE (1781-1829), BRITISH

HRH PRINCESS CHARLOTTE OF WALES

WEARING A BLUE AND GOLD DRESS

Oil on canvas, feigned oval; unsigned, titled to the bottom stretcher: “H-R-H- Princess Charlotte”. Framed.

10 ins x 8 ins; 25.4 cms x 20.3 cms;

Framed 15.5 ins x 13.4 ins; 39.4 cms x 34 cms

PROVENANCE:

Private Collection, Toronto, ON

$500 — 700

ATTRIBUTED TO EDWARD HUGHES (1832-1908), BRITISH

QUEEN ALEXANDRA, (PRINCESS OF DENMARK) CA. 1896

Oil on canvas; framed.

Sight 28.25 ins x 22.75 ins; 69.9 cms x 55.9 cms

PROVENANCE:

(With) C. Roberson & Co. Ltd., London, UK label verso;

(With) James Bourlet & Sons, Ltd., London, UK (label, verso);

Bequest of Mrs. Margaret A. Todd to the Beaverbrook Art Gallery, Fredericton, NB; Beaverbrook Art Gallery, Fredericton, NB; Deaccessioned to benefit art purchases at the Beaverbrook Art Gallery

$1,000 — 1,500

22

BRITISH SCHOOL (19TH CENTURY)

PORTRAIT OF A CLERGYMAN SEATED IN HIS STUDY

Oil on copper; unsigned. Framed. 14 ins x 12 ins; 35.6 cms x 30.5 cms; Framed 19.25 ins x 17.25 ins; 48.9 cms x 43.8 cms

PROVENANCE: Private Collection, Ontario

$300 — 500

CORNELIS BOUTER (1888-1966), DUTCH

FAMILY GROUP WITH CAT

Oil on canvas; signed lower right. Framed. 20 ins x 30 ins; 50.8 cms x 76.2 cms;

Framed 26.25 ins x 34.25 ins; 66.7 cms x 87 cms

PROVENANCE:

Private Collection, Ontario

$400 — 600

24

JACOB HENRICUS MARIS (1837-1899), DUTCH

SHADY BACKYARD WITH FARM HOUSE AND THATCHED HUT

Oil on canvas; signed with initials “JM” lower left, signed “J. Maris” in black ink to the stretcher.

18.5 ins x 27.9 ins; 46.4 cms x 71.1 cms; Framed 27.4 ins x 36.75 ins; 69.6 cms x 93.3 cms

PROVENANCE:

Probably W. Scott & Sons, Montreal, QC, remains of a gallery label to the frame, with them in 1911, No.29 as inscribed to the partial label verso; Private Collection, Montreal, QC

$1,500 — 2,500

STEPHEN LEWIN (CA. 1822-1912), BRITISH

THE GUITAR PLAYER, 1894

Oil on canvas; signed and dated ‘84’ lower left, titled to gallery label verso. Framed.

14.4 ins x 10.75 ins; 35.6 cms x 25.4 cms; 19.8 ins x 15.75 ins; 50.3 cms x 40 cms

PROVENANCE:

Dominion Gallery, Montreal, QC, Inventory No. H2498;

Frederick W. Thom Limited, Toronto, ON gallery label verso; Private Collection, Bonogin, Queensland, Australia

$700 — 900

26

L. BOURDERIOUX - AN**** (MID 20TH CENTURY), FRENCH

SALON WITH TABLE SET FOR TEA

Oil on canvas; signed indistinctly upper left. Framed.

16 ins x 12.75 ins; 40.6 cms x 32.4 cms; Framed 20.25 ins x 16.85 ins; 51.4 cms x 42.8 cms

PROVENANCE: Private Collection, Ontario

$100 — 150

27

ALOIS BINDER (1857–1933), GERMAN

FLIRTING WITH THE BAR MAID, 1888

Oil on canvas; signed and dated 1888 at München lower right. Framed.

27.75 ins x 24.75 ins; 68.6 cms x 61 cms;

Framed 34 ins x 30.9 ins; 86.4 cms x 78.5 cms

PROVENANCE:

Private Collection, Montreal, QC; The proceeds of the sale of this lot to benefit Chabab de Ville Mont-Royal.

$600 — 900

28

ATTRIBUTED TO CARL SCHUCH (1846-1903), AUSTRIAN

STILL LIFE WITH FRUIT, COPPER KETTLE AND GOBLET

Oil on textured canvas; signed “Schuch” lower right. Framed.

15.5 ins x 27.8 ins; 39.4 cms x 70.5 cms;

Framed 19.8 ins x 31.5 ins; 50.3 cms x 80 cms

PROVENANCE:

Private Collection, Kingston, ON $400 — 600

AFTER ALEXANDER ARCHIPENKO (1887-1964), UKRAINIAN/ AMERICAN

GLORIFICATION OF BEAUTY (CIRCA 1925)

Bronze, signed and numbered 7/10. 9.25 ins x 2.1 ins x 2.5 ins; 23.5 cms x 5.3 cms x 6.4 cms

PROVENANCE: Private Collection, Ontario

$300 — 500

30

PIERRE JEROME (1905-1982), FRENCH

STILL LIFE WITH WHITE AND LAVENDER GLADIOLI, CIRCA 1959

Oil on canvas; signed lower left. Framed. Sight 27.1 ins x 19.7 ins; 67.9 cms x 48.9 cms; Framed 33.25 ins x 25.75 ins; 84.5 cms x 65.4 cms

PROVENANCE:

Gifted to Beaverbrook Art Gallery by The Cummings Foundation as indicated by the nameplate on the frame, recto; Beaverbrook Art Gallery, Fredericton, NB; Deaccessioned to benefit art purchases at the Beaverbrook Art Gallery

$400 — 600

31

G. MITCHELL (19TH CENTURY), AMERICAN SCHOOL?

RUT TIME

Oil on panel, signed “G. Mitchell” lower left, titled and numbered “R. #20” in black crayon verso. Framed.

14.9 ins x 11.5 ins; 37.5 cms x 29.2 cms; Framed 20 ins x 16.3 ins; 50.8 cms x 41.4 cms

PROVENANCE:

Private Collection, Montreal, QC $300 — 400

32

19TH/20TH CENTURY FOLK ART SCHOOL, NORTH AMERICAN HORSE, GOATS AND CHICKENS IN A STABLE

Oil on stiff, heavy paper; unsigned. Framed. 11.6 ins x 18.6 ins; 29.5 cms x 47.2 cms; Framed 14 ins x 21 ins; 35.6 cms x 53.3 cms

PROVENANCE:

Private Collection, Toronto, ON $100 — 200

CHARLES LEAVER SHAW (1853-1903), BRITISH

SHEPHERD BOY WITH HIS FLOCK, 1877

Oil on canvas; signed and dated 1877 lower right. Framed.

18 ins x 30 ins; 45.7 cms x 76.2 cms;

Framed 26.25 ins x 38.1 ins; 66.7 cms x 96.8 cms

PROVENANCE:

Private Collection, Ontario

$400 — 600

34

HENRY JOHN KINNAIRD (1880-1920), BRITISH

A SURREY CORNFIELD

Watercolour on paperboard; signed lower right, titled lower left. Framed.

Sheet 20 ins x 15.5 ins; 50.8 cms x 39.4 cms;

Framed 27.5 ins x 23 ins; 69.9 cms x 58.4 cms

PROVENANCE:

Private Collection, Ontario

$300 — 500

35

S. W. CLUTTEN (19TH/20TH CENTURY), BRITISH

FARMER WITH CART AND A WOMAN GATHERING ON ROUTE, 1915

Watercolour on paper; signed “S.W. Clutten” and dated 1915 lower left. Framed.

Sheet sight 9 ins x 14 ins; 22.9 cms x 35.6 cms; Framed 16.75 ins x 21.75 ins; 42.5 cms x 55.2 cms

PROVENANCE:

H. Thompson & Sons, Picture Framer’s, London, UK label verso; Private Collection, Ontario

$100 — 150

36

CICELY MARY BARKER (1895–1973), BRITISH

GRECIAN BEAUTY WITH MIRROR

Watercolour on paper; signed with overlapping monogram initials “CMB” lower right. Framed. Sheet 15 ins x 10.5 ins; 38.1 cms x 26.7 cms; Framed 21.75 ins x 18.25 ins; 55.2 cms x 46.4 cms

PROVENANCE: Private Collection, Ontario

$300 — 500

CHARLES WEBSTER HAWTHORNE (1872-1930), AMERICAN A CLASS STUDY

Oil on canvas; titled to a handwritten label verso and further inscribed: “see the Permanent Collection at Provincetown Art Association, Massachusetts, USA.” 26.5 ins x 22.0 ins; 67.3 cms x 55.9 cms

PROVENANCE:

The Estate of Inger Lise Hojhus, Toronto, ON $800 — 1,200

38

KARL (CARL) MUMMERT (1879-1964), GERMAN MAN WITH MOUSTACHE STANDING; MAN WITH MOUSTACHE PLAYING A FLUTE, CIRCA 1901

Pair of oils on canvasboard; the first title, as viewed in the frame, is unsigned, a letterset biography of the artist is glued to the backboard. The second title is signed with initials “C.M” and dated “10./01” lower left. Both in matching frames. Respectively 8 ins x 5 ins; 20.3 cms x 12.7 cms; 10.75 ins x 6.5 ins; 27.3 cms x 16.5 cms; Framed 10.25 ins x 7.75 ins; 26 cms x 19.7 cms; 13 ins x 8.75 ins; 33 cms x 22.2 cms

PROVENANCE:

Kunsthandlung A.W. Schulgen, Dusseldorf gallery label to the first title verso; Private Collection, Montreal, QC $200 — 300

39

19TH CENTURY AMERICAN SCHOOL

CIRCA 1864

GEORGIE HAGUE AND HER MOTHER

Oil on canvas with paper collage portrait medallion; unsigned. Framed.

33.5 ins x 27.25 ins; 85.1 cms x 69.2 cms; Framed 38.75 ins x 32.3 ins; 98.4 cms x 82 cms

PROVENANCE:

Ex. Coll. Suzanne Mess, Toronto, ON

$300 — 500

40

19TH CENTURY BRITISH SCHOOL; CYRENIUS HALL (1830-1904), AMERICAN, BRITISH; AMERICAN

PORTRAIT OF A LADY WEARING A BONNET & BLACK SHAWL; A LADY WITH DARK HAIR WEARING A VICTORIAN BROOCH

The first, oil on canvas laid down on plywood panel; unsigned. Framed. The second, oil on canvas, sculpted oval; signed “C Hall” lower right. Framed.

30 ins x 25 ins; 76.2 cms x 63.5 cms;

Framed (1) 37.9 ins x 32.7 ins; 96.3 cms x 83.1 cms; Oval (2) 16.25 ins x 13.4 ins; 41.3 cms x 34 cms; Framed (2) 21.75 ins x 18.75 ins; 55.2 cms x 47.6 cms

PROVENANCE:

The first title: with Mackenzie & Co., Toronto, ON gallery label dated Aug 1905; (Both) Private Collection, Toronto, ON

$300 — 500

DAVID W. HADDON (ACTIVE CA. 1884-1914), BRITISH GRANDPA’S MEDALS

Oil on canvas; signed lower left. Framed. 30.1 ins x 19.9 ins; 76.2 cms x 50.8 cms; Framed 39.6 ins x 29.9 ins; 100.6 cms x 75.9 cms

PROVENANCE:

Private Collection, Montreal, QC; The proceeds of the sale of this lot to benefit Chabab de Ville Mont-Royal.

$700 — 900

42

ATTRIBUTED TO CHARLES KEENE (1823-1891), BRITISH

OLD JOHNNY JOHNSTONE - (AT) COCKENZIE, 16TH SEPT, 1885

Watercolour on heavy paper; signed with initials “C.K.” lower right, titled and dated “16th Sept. 1885” in pencil verso and to the top of the frame in pencil verso. Framed. Sheet 21.1 ins x 14.8 ins; 53.6 cms x 37.5 cms; Framed 28 ins x 21`.3 ins; 71.1 cms x 54.1 cms

PROVENANCE: J.C. Ross in “11-1944” inscribed in pencil, verso; Private Collection, Montreal, QC

EXHIBITED:

Royal Scottish Academy exhibition 1886 inscribed to the remains of a handwritten label verso backing

$300 — 400

43

WILHELM KAUFMANN (1895-1975), AUSTRIAN

ROTHENBURG OB DER TAUBER (TOWN SCENE WITH COACH AND DRIVER OUTSIDE)

Oil on plywood panel; signed lower right, signed and inscribed “Wilhem Kaūfmann Selbstbildruiss” and numbered “No. 12” in pen and ink to artist label verso, titled “Rotenburg A/DTauber” in black paint to the panel verso. Framed.

33 ins x 28 ins; 83.8 cms x 71.1 cms; Framed 38.25 ins x 33 ins; 97.2 cms x 83.8 cms

PROVENANCE:

Private Collection, Ontario

$400 — 600

44

CHARLES GEORGE DEFRESNE (1876-1938), FRENCH

FLAMINGOES AND STORK BY A POOL (IN A ZOO)

Ink and gouache on paper; signed “Dufresne” in pencil lower left. Framed.

Sight 15 ins x 13.8 ins; 28.6 cms x 46.7 cms; Framed 22.1 ins x 20.75 ins; 56.1 cms x 52.7 cms

PROVENANCE:

Private Collection, Montreal, QC; Private Collection, Ontario

$300 — 500

JULES CAYRON (1868-1940), FRENCH

MRS. EMILE MOND IN WHITE AND BLUE, 1906

Pastel on pressed paperboard; signed and dated ‘1906’ lower left. Framed.

Sight 25.1 ins x 17.9 ins; 63.5 cms x 45.7 cms;

Sight 37.5 ins x 29.5 ins; 95.3 cms x 74.9 cms

PROVENANCE:

Beaverbrook Art Gallery, Fredericton, NB;

Deaccessioned to benefit art purchases at the Beaverbrook Art Gallery

$400 — 600

46

VENANCIO ARRIBAS (B.1954), SPANISH

THE DRINKING PARTY

Oil on canvas; signed lower right, titled verso backing. Framed.

PROVENANCE:

Beaverbrook Art Gallery, Fredericton, NB; Deaccessioned to benefit art purchases at the Beaverbrook Art Gallery

$400 — 600

47

(ANONYMOUS) E.S.S. (19TH C./EARLY 20TH C.), FRENCH?

MRS. EMILE MOND IN BLUE, 1908

Pastel on pressed paperboard, mounted onto canvas; inscribed ‘To AM From E.S.S.’ and dated ‘1908’ lower right. Framed.

Sight 35 ins x 26.5 ins; 90.2 cms x 69.9 cms;

Framedf 37.1 ins x 29.2 ins; 94.2 cms x 74.2 cms

PROVENANCE:

Gift of the Countess May Cippico; Beaverbrook Art Gallery, Fredericton, NB; Deaccessioned to benefit art purchases at the Beaverbrook Art Gallery

$400 — 600

48

SAMUEL MELTON FISHER (1859-1939), BRITISH

PROUD MOTHER, 1903

Colour pastel on paper mounted on canvas; signed “S. Melton Fisher” and dated 1903 upper right. Framed.

44 ins x 34 ins; 111.8 cms x 86.4 cms;

Framed 46.75 ins x 36.5 ins; 118.7 cms x 92.7 cms

PROVENANCE:

Private Collection, Toronto, ON

$400 — 600

UNKNOWN, BRITISH?

PORTRAIT OF A DANCER, CIRCA 1830

Oil on canvas; unsigned, titled and dated “Early 19th Century” to a copy of the accompanying original receipt. Framed.

35.75 ins x 27 ins; 90.8 cms x 68.6 cms; Framed 45.25 ins x 37.25 ins; 114.9 cms x 94.6 cms

PROVENANCE:

C.H. Major English Furniture, London, England; From whom purchased by the present Private Collection, Montreal, QC on August 24, 2001 accompanied by a copy of the original receipt

$1,500

2,500

50

SALVATORE MARESCA (19TH/20TH CENTURY), ITALIAN MAN SMOKING A PIPE; MAN LIGHTING A PIPE

Pair of oils on canvas; each unsigned, each given to the artist “S. Maresca” to the nameplates of the frames recto. Matching frames.

15.5 ins x 10.1 ins; 39.4 cms x 26.7 cms; Framed 18.1 ins x 13.25 ins; 46 cms x 33.7 cms; 15.35 ins x 10.25 ins; 39 cms x 26 cms; Framed 18.3 ins x 13 ins; 46.5 cms x 33 cms

PROVENANCE:

Private Collection, Montreal, QC; The proceeds of the sale of this lot to benefit Chabab de Ville Mont-Royal.

$400 — 600

51

HENRY MOORE (1831-1895), BRITISH

VESSEL CRESTING A WAVE AT DAWN

Oil on canvas; signed lower right. Framed. 16.4 ins x 25.6 ins; 41.7 cms x 65 cms; Framed 25.75 ins x 35 ins; 65.4 cms x 88.9 cms

PROVENANCE: Estate Collection, Kingston, ON $600 — 800

52

HARRISON BIRD BROWN (1831-1915), AMERICAN

SEASCAPE, PROBABLY PORTLAND MAINE

Oil on canvas; signed “HBBrown” lower left. Framed.

13 ins x 25 ins; 33 cms x 63.5 cms

PROVENANCE:

Private Collection, Montreal, QC $1,000 — 1,500

SIR ALFRED EAST (1849-1913), BRITISH

BOATS AT REST IN A CITY HARBOUR

Watercolour on paper laid down to board; signed lower left. Framed.

Sheet 13.5 ins x 20.4 ins; 34.3 cms x 52.1 cms;

Framed 21.25 ins x 27.7 ins; 54 cms x 70.4 cms

PROVENANCE:

Picture Framing by John Britnell Son, Toronto, ON label verso; Private Collection, Ontario

$300 — 500

54

COLVIN SMITH (1795-1875), SCOTTISH

SIR WALTER SCOTT, CIRCA 1829

Oil on canvas; unsigned. Framed. 30 ins x 24.75 ins; 76.2 cms x 62.9 cms; Framed 37.1 ins x 32.5 ins; 94.2 cms x 82.6 cms

PROVENANCE:

Gift of Sir Alec Martin, K.B.E. to the Beaverbrook Art Gallery, Fredericton, NB; Deaccessioned to benefit art purchases at the Beaverbrook Art Gallery

$1,200 — 1,800

55

LADISLAV KRALJ-MEĐIMUREC (1891–1976), CROATIAN

STILL LIFE OF APPLES AND PEARS ON A DRAPED TABLE

Oil on canvas; signed upper left. Framed. 33 ins x 23.1 ins; 83.8 cms x 58.4 cms; Framed 38.5 ins x 28.75 ins; 97.8 cms x 73 cms

PROVENANCE: Private Collection, Ontario

$500 — 700

56

SIGISMUND CHRISTIAN HUBERT GOETZE (1866-1939), BRITISH

PORTRAIT OF MRS. CONSTANCE GOETZE PLAYING THE PIANO

Oil on canvas; signed lower right, titled to a typed label verso. Framed. 28 ins x 36 ins; 71.1 cms x 91.4 cms; Framed 30.25 ins x 38.25 ins; 76.8 cms x 97.2 cms

PROVENANCE:

Gift of the Countess May Cippico to the Rt. Hon. Lord Beaverbrook, Beaverbrook Art Gallery, Fredericton, NB, c/o Messrs. Rogers & Co., Broughton Street, SW 8, UK; Deaccessioned to benefit art purchases at the Beaverbrook Art Gallery

$1,000 — 1,500

ALEX DE ANDREIS (1880–1929), BELGIAN/BRITISH

A CAVALIER, 1922

Oil on canvas; signed and dated 1922 lower right, titled to gallery label verso. Framed.

32 ins x 25.75 ins; 81.3 cms x 66 cms;

Framed 44.5 ins x 38.25 ins; 113 cms x 97.2 cms

PROVENANCE:

Frost & Reed, London, UK gallery label to the stretcher, Registered No. 32872; Private Collection, Toronto, ON

$800 — 1,200

58

19TH CENTURY GERMAN SCHOOL, GERMAN CAVALIER TOASTING

Oil on white metal; remains of an old inscribed label verso. Framed.

8 ins x 6.6 ins; 20.3 cms x 17.1 cms;

Framed 14.8 ins x 13.5 ins; 37.6 cms x 34.3 cms

PROVENANCE:

John Britnell Art Galleries Limited, Toronto, ON, gallery label verso; Private Collection, Ontario

$200 — 300

59

LUDWIG GLOSS (1851-1903), GERMAN

THE STUDENT

Oil on braced panel; signed lower right, titled to gallery label, verso. Framed.

11.25 ins x 13 ins; 28.6 cms x 33 cms; Framed 17.25 ins x 19.25 ins; 43.8 cms x 48.9 cms

PROVENANCE:

Anton Stöckl, Wein stamp verso; Luscombe Carroll (The Carroll Galleries), Toronto, London & New York gallery label verso, inventory No. 01801; Private Collection, St. Louis, MO; Waddington’s, Toronto, May 9, 2019, Lot 144; Private Collection, Ontario $600 — 900

60

KAROLY PALDEÁK (1899-1969), HUNGARIAN

TABLE SETTING WITH URNS AND FRUIT

Oil on canvas; signed indistinctly lower right. Framed.

20 ins x 24 ins; 50.8 cms x 61 cms; Framed 27.75 ins x 31.5 ins; 70.5 cms x 80 cms

PROVENANCE:

Private Collection, Toronto, ON $100 — 200

GIACOMO GROSSO (1860-1938), ITALIAN

FRUIT BASKET ON THE FOREST FLOOR

Oil on canvas; signed lower left. Unframed. 14.6 ins x 28.2 ins; 36.8 cms x 71.1 cms

PROVENANCE:

Private Collection, Toronto, ON $600 — 900

62

ANDREI ANDREEVITCH SINITAR (B.1952), UKRAINIAN PLAYGROUND, 1992

Oil on board; signed in Cyrillics and dated 92 lower right.

35.4 ins x 31.1 ins; 90 cms x 79 cms

PROVENANCE: Private Collection, Ontario

$500 — 700

JÁNOS JANKÓ (1833-1896), HUNGARIAN VILLAGE ENCAMPMENT

Mixed-media including watercolour, ink and possibly gouache on paper; signed bottom right. Framed.

Sight 11 ins x 16.5 ins; 27.9 cms x 43.2 cms; Framed 21.25 ins x 26.25 ins; 54 cms x 66.7 cms

PROVENANCE:

Private Collection, Toronto, ON $700 — 900

64

JAN MEIJER (1927-1995), DUTCH

FIGURES ON A BOAT, 1953

Ink drawing on paper; signed, dated 1953 at Mirabella and inscribed with dedication by the artist, “To Kryn en Tess Taconis V” upper right edge, the backboard inscribed: “Gift to Mr. Kryn- Taconis / 44 Dusan Avenue Toronto/ From Jan Meijer Spanje/ 1953/1955” in black ink verso. Framed.

18.25 ins x 27 ins; 45 cms x 66 cms; Framed 19.3 ins x 27.9 ins; 49 cms x 70.9 cms

PROVENANCE:

Gifted from the artist to Kryn Taconis, Toronto, ON in 1953/1955 inscribed in ink verso; Private Collection, Toronto, ON $400 — 600

MAX LIEBERMANN (1847-1935), GERMAN KARRE IN DEN DÜNEN, 1900 [SCHIEFLER, 50 III B (VON C)]

Drypoint etching on paper with no watermark, with the blind stamp of E.A. Seamann dated 1858 in the plate lower left; signed “MLiebermann” in pencil to margin, inscribed number “R 139” in pencil to the left, bottom edge, inscribed ‘73’ in pencil lower left edge verso. Aside from the edition of 50 numbered copies. Framed.

Plate 6.9 ins x 9 ins; 17.5 cms x 22.9 cms; Sheet 10.7 ins x 13.7 ins; 27.2 cms x 34.8 cms; Framed 11.5 ins x 14.5 ins; 29.2 cms x 36.8 cms

PROVENANCE:

A.H. Wilkens Auctions, Toronto as “Cart in the Dunes” January 28, 2014, with copy of the original receipt adhered to the verso; Private Collection, Toronto, ON

$600 — 800

66

JOHN TEMPLETON LUCAS (1836-1880), BRITISH

CUPBOARD LOVE, JULY 1866

Oil on canvas; signed “J.T. Lucas” from his studio at “3 Leighton Yillus, Camden Road / N. London,” titled and dated “painted in July 1866/ retouched “Nov 7 1866” by the artist with a painter’s palette device by his name verso. Framed.

24 ins x 18.2 ins; 45.7 cms x 61 cms; Framed 30.5 ins x 24.4 ins; 77.5 cms x 62 cms

PROVENANCE: Private Collection, Ontario

$500 — 700

67

TERENCE LOUDON (1900-1949), BRITISH FLOWERS IN A VASE

Oil on canvas; signed lower right. Framed. Inventory No. 71.12 to upper-right corners of the canvas-stretcher and frame, verso and 1971.12 to lower-right corner of stretchers, verso 34.5 ins x 24 ins; 87.6 cms x 61 cms; Framed 42.25 ins x 31.25 ins; 107.3 cms x 79.4 cms

PROVENANCE:

Beaverbrook Art Gallery, Fredericton, NB; Deaccessioned to benefit art purchases at the Beaverbrook Art Gallery

$600 — 800

68

EMILE RENÉ MENARD (1861-1930), FRENCH

NYMPH RECLINING IN A FOREST CLEARING

Oil on canvas; signed lower right. Framed. 19.75 ins x 28.75 ins; 49.5 cms x 73 cms; Framed 26.5 ins x 35.4 ins; 67.3 cms x 89.9 cms

PROVENANCE: Private Collection, Ontario

$800 — 1,200

GEORGE A. BOYLE (1826-1899); UNKNOWN ARTIST, FOLLOWER OF PIERRE-AUGUSTE RENOIR (1841-1919), BRITISH

GEESE & CROWS, FROG ISLAND, CATFORD; LADY WITH A PARASOL

Geese and Crows: Oil on panel; signed with initials “GB” lower right, titled verso. Framed. Lady With a Parasol: Oil on panel; indistinctly signed (and possibly dated) lower right, indistinctly inscribed in pencil upper left verso, further inscribed “Canada” in blue ink upper left verso. Framed.

4.8 ins x 8.5 ins; 12.2 cms x 21.5 cms;

Framed 11.9 ins x 16 ins; 30.2 cms x 40.6 cms; (2) 8.7 ins x 6.15 ins; 22.1 cms x 15.6 cms; Framed 11.5 ins x 9.15 ins; 29.2 cms x 23.2 cms

PROVENANCE:

Private Collection, Ontario

$200 — 400

70

MONOGRAM INITIALS C.A. OR L.A.? (19TH CENTURY), BRITISH SCHOOL

THE LESSON

Oil on canvas; signed with compounded initials ‘CA’ or ‘LA’ lower right, titled to gallery label verso. Framed.

14.1 ins x 18.25 ins; 35.8 cms x 46.4 cms; Framed 20.75 ins x 24.75 ins; 52.7 cms x 62.9 cms

PROVENANCE:

The Fine Art Galleries, The T. Eaton Co. Limited, Canada gallery label verso Stock no. 1873 as “unsigned”; Private Collection, Ontario $500 — 700

ALBERT SORKAU (1874-1953), FRENCH

MAID FEEDING THE CAT MILK

Oil on canvas; signed “Sorkau” lower right, signed “Albert Sorkau” with the artist’s studio address in pencil to the top stretcher, verso. Framed.

13.9 ins x 10.6 ins; 35.6 cms x 26.7 cms; Framed 20 ins x 16.75 ins; 50.8 cms x 42.5 cms

PROVENANCE:

The Paris American Art Cie, Paris, France stamp to the centre stretcher; Estate Collection, Ontario

$300 — 500

72

19TH CENTURY FRENCH SCHOOL

MAIDEN SETTING THE CAGED BIRD FREE

Oil on canvas; unsigned. Framed.

18.5 ins x 15.6 ins; 47 cms x 40.6 cms; Framed 21.9 ins x 18.9 ins; 55.6 cms x 48 cms

PROVENANCE:

Private Collection, Toronto, ON

$300 — 500

PROFESSOR FRANZ NOWAK (1885–1973), AUSTRIAN

STILL LIFE WITH PEARLS; STILL LIFE WITH JAPANESE FIGURINES

Pair of oils on board; each unsigned, given to the artist “Prof. Franz Novak, Vienna” to the nameplates on each frame recto. In matching frames.

11.1 ins x 13.75 ins; 27.9 cms x 35.6 cms;

Framed 17.1 ins x 19.75 ins; 43.4 cms x 50.2 cms

PROVENANCE:

Private Collection, Montreal, QC; The proceeds of the sale of this lot to benefit Chabab de Ville Mont-Royal

$400 — 600

74

CIRCLE OF CONRAD KIESEL (1846-1921), GERMAN

YOUNG MAIDEN HOLDING A SHEET OF MUSIC, CIRCA 1885

Oil on embossed leather with tooling. Framed. 15.75 ins x 10.25 ins; 40 cms x 26 cms; Framed 19.4 ins x 13.9 ins; 49.3 cms x 35.3 cms

PROVENANCE:

Private Collection, Montreal, QC $250 — 350

75

WYCLIFFE EGGINTON (1875-1951), BRITISH

AN OLD ENGLISH FARM YARD, 1902

Oil on canvas; signed and dated 1902 lower right, titled verso. Framed.

13.1 ins x 19 ins; 33 cms x 48.3 cms; Framed 16.9 ins x 22.9 ins; 42.9 cms x 58.2 cms

PROVENANCE:

Private Collection, Ontario

$200 — 300

77

CHARLES LOUIS MOZIN (1806–1862), FRENCH

FIGURES ON A QUAY (QUILLEBOEUF)

Together with: E.L. HERRING (19TH CENTURY), BRITISH FISHING ALONG THE RIVER’S EDGE

9TH CENTURY BRITISH & IRISH SCHOOL BLACK ROCK CASTLE, RIVER LEE, CO. CORK

A HAY BARGE LEAVING THE STONE COTTAGE ON SHORE

See website for full catalogue details.

PROVENANCE:

Private Collection, British Colombia

$600 — 800

FOLLOWER OF JEAN-BAPTISTECAMILLE COROT (1796–1875), FRENCH

TWO FIGURES IN A WOOD

Oil on panel; bears signature “Corot” lower right. Framed.

16 ins x 11 ins; 40.6 cms x 27.9 cms;

Framed 21.5 ins x 16.75 ins; 54.6 cms x 42.5 cms

PROVENANCE:

Private Collection, Toronto, ON

$400 — 600

79

FREDERICK JOHN WIDGERY (1881-1942), ENGLISH

MOORLAND SCENE

Watercolour on paper; signed lower left. Framed.

Sight 14 ins x 21 ins; 36 cms x 52.5 cms;

Framed 23 ins x 29.75 ins; 58.4 cms x 75.6 cms

PROVENANCE:

Private Collection, Montreal, QC

$200 — 300

80

WILLIAM WILLS (ACTIVE 1880-1910), BRITISH

HAYSTACKS IN FIELD, 1919

Oil on paperboard; signed “William Wills” and dated 1919 lower right. Framed.

12.5 ins x 16.5 ins; 31.8 cms x 41.9 cms; Framed 20 ins x 24 ins; 50.8 cms x 61 cms

PROVENANCE:

Private Collection, Toronto, ON $100 — 200

81

CHARLES HUNT (1803-1877?), BRITISH CHILDREN AT THE SHOEMAKER’S WINDOW TEASING THE OLD MARKET VENDOR

Oil on canvas; signed “C. Hunt” lower right. Framed.

13.75 ins x 17 ins; 34.9 cms x 43.2 cms; Framed 17.9 ins x 21.1 ins; 45.5 cms x 53.6 cms

PROVENANCE:

Private Collection, Ontario $500 — 700

BRITISH (19TH CENTURY)

PORTRAIT OF A RELATIVE OF MRS. ALLEN BAINES (GENTLEMAN WITH RED HAIR AND SIDEBURNS)

Oil on canvas; unsigned. Framed. 14 ins x 12 ins; 35.6 cms x 30.5 cms; Framed 21.7 ins x 19.6 ins; 55.1 cms x 49.8 cms

PROVENANCE:

Bequest of Dr. Allen Baines to The Art Museum of Toronto (the Art Gallery of Ontario) in 1922 gallery label attached verso; Collection of the Art Gallery of Ontario, Toronto, ON, Accession No. 633 label verso; Deaccessioned from the collection of the Art Gallery of Ontario to benefit art purchases at the AGO

$400 — 600

83

ALEX DE ANDREIS (1880-1929), BRITISH CAVALIER IN YELLOW CLOAK

Oil on canvas; signed lower right, titled to the nameplate. Framed. 32 ins x 25.5 ins; 81.3 cms x 64.8 cms; Framed 42 ins x 34.75 ins; 106.7 cms x 88.3 cms

PROVENANCE:

Purchased at Frederick W. Thom Limited gallery, Toronto, ON in 1983; Private Collection, Bonogin, Queensland, Australia

$800 — 1,200

84

MALCOLM WOODWARD (1943-2014), BRITISH

ADAM: THE FALL, 1977

Patinated bronze; signed “Woodward” and numbered 2/9 along one lower side panel.

9.0 ins x 15.25 ins x 6.75 ins; 23.5 cms x 38.7 cms x 17.8 cms

PROVENANCE:

Gift of Mr. George J. Rosengarten, O.C.; Beaverbrook Art Gallery, Fredericton, NB, Inventory No. 1984.01.S; Deaccessioned to benefit art purchases at the Beaverbrook Art Gallery

$500 — 700

85

VARIOUS ARTISTS (19TH/20TH CENTURY), HUNGARIAN/EUROPEAN

SIX WORKS (TWO DRAWINGS AND 4 ETCHINGS) INCLUDING:

1. British or European School (Early 20th Century)

“Man in Beret”

2. Indistinctly signed “S.... F. Mária”

“Thatched Huts,” 1977

3. Unknown Artist

“Minotty,” (Portrait of a Young Woman), 1920

4. Unknown Artist, 20th Century

“Satyr With A Flute,” 1924.

5. Jeno Remsey (1885-1960) “Folyópart (Riverside)”

6. Jeno Remsey (1885-1960)

“Ploughing (Szántás),” 1958

See website for full catalogue details.

PROVENANCE: Private Collection, Ontario

$400 — 600

SIGISMUND CHRISTIAN HUBERT GOETZE (1866-1939), BRITISH

LINDISFARNE CASTLE: THE PICNIC PARTY, CIRCA 1923

Oil on canvas laid down to plywood panel; signed lower right. Framed.

15.9 ins x 24.1 ins; 38.1 cms x 59.7 cms;

Framed 19.6 ins x 28 ins; 49.8 cms x 71.1 cms

PROVENANCE:

Messrs Finbow & Sons Ltd. UK;

Gift of the Countess May Cippico to the Rt. Hon. Lord Beaverbrook, Beaverbrook Art Gallery, Fredericton, NB, c/o Messrs. Rogers & Co., Broughton Street, SW 8, UK; Deaccessioned to benefit art purchases at the Beaverbrook Art Gallery

$300 — 400

87

SIGISMUND CHRISTIAN HUBERT GOETZE (1866-1939), BRITISH

LINDISFARNE CASTLE: WATERY SUNSET, ABBEY RUINS IN THE DISTANCE, 1923

Oil on canvas laid down to plywood panel; signed lower left, titled in pen and ink to a label verso. Framed.

15.6 ins x 24 ins; 39.5 cms x 61 cms; Framed 19.75 ins x 28 ins; 50.2 cms x 71.1 cms

PROVENANCE:

Messrs. Finbow & Sons. Ltd., UK;

Gift of the Countess May Cippico to the Rt. Hon. Lord Beaverbrook, Beaverbrook Art Gallery, Fredericton, NB, c/o Messrs. Rogers & Co., Broughton Street, SW 8, UK, inscribed in pen and ink to label verso; Deaccessioned to benefit art purchases at the Beaverbrook Art Gallery

$300 — 400

88

JOSEPH CONSTANT (1892-1969), FRENCH?

TWO CRAYON STUDIES OF BIG GAME: LEOPARD; LION

Two charcoal drawings on paper; each signed “Constant” lower right and lower left respectively. Unframed.

Sheets 11 ins x 15 ins; 22.9 cms x 35.6 cms;

PROVENANCE:

Private Collection, Ontario

$150 — 250

89

ANATOLIJ LVOVIC KAPLAN (1902-1980), RUSSIAN

RIWKELE, 1966 (FROM STEMPEMJU)

[MAYER-STRODT IX, 10]

Lithograph on paper; signed, titled, dated ‘65’ and indistinctly numbered 62 in pencil to margin. From the edition of 125. Published by Verlag der Kunst. Framed.

Image 15.8 ins x 22.5 ins; 40.1 cms x 57.2 cms;

Framed 23.4 ins x 30 ins; 59.4 cms x 76.2 cms

PROVENANCE:

Private Collection, Ontario

$150 — 250

V. COWAN (20TH/21ST CENTURY)

NUDE MALE

Acrylic on paper; signed “V. Cowan” lower right. Framed.

Sheet 23.75 ins x 35 ins; 61 cms x 88.9 cms;

Framed 34.4 ins x 45.8 ins; 87.4 cms x 116.3 cms

PROVENANCE:

Private Collection, Ontario

$200 — 300

91

OSCAR RABIN (1928-2018), RUSSIAN HOUSE, 1969

Linocut on paper; signed in cyrillics and dated ‘69’ in pencil to margin. Framed. Together with: “BIBLE”, 1969

Linocut on paper; signed in cyrillics and dated ‘69’ in pencil to margin. Framed.

Image 8.25 ins x 10.75 ins; 21 cms x 27.3 cms;

Framed 14.4 ins x 16.6 ins; 36.6 cms x 42.2 cms

Image 7.9 ins x 10.6 ins; 20.3 cms x 26.9 cms;

Framed 14.1 ins x 16.6 ins; 35.8 cms x 42.2 cms

PROVENANCE:

Private Collection, Ontario

$500 — 700

92

AVIGDOR ARIKHA (1929-2010), ISRAELI/FRENCH

LA MAIN, 1976

Etching on cream wove paper; signed, dated 76 and numbered 11/25 in pencil to margin.

Framed.

Plate 6.8 ins x 5 ins; 36.8 cms x 30.5 cms;

Framed 16.1 ins x 13.8 ins; 40.9 cms x 35.1 cms

PROVENANCE:

Private Collection, Toronto, ON $200 — 300

93

RENÉ ROBERT BOUCHÉ (1905-1963), FRENCH

JEAN COCTEAU, JULY 25, 1957

India ink on paper; signed and dated “25 July 57” in ink lower right. Indistinct blindstamp to paper, lower left corner. Framed.

Sight 24.9 ins x 18.5 ins; 68.6 cms x 48.3 cms;

Framed 37.75 ins x 29.75 ins; 95.9 cms x 75.6 cms

PROVENANCE:

Gifted from the artist to the Beaverbrook Art Gallery, Fredericton, NB;

Deaccessioned to benefit art purchases at the Beaverbrook Art Gallery

$300 — 500

ROBERT BASER (1908–1998), ISRAELI

FIGURE WALKING IN A CITY STREET, CIRCA 1930-1935

Watercolour on support-board; signed lower right, inscribed with the artist’s last name and inscribed “30 -35” in the bottom margin of the support board. Framed.

Sheet sight 6.25 ins x 8.6 ins; 15.9 cms x 21.8 cms; Support Sheet

7.5 ins x 9.5 ins; 19.1 cms x 24.1 cms;

Framed 13 ins x 15 ins; 33 cms x 38.1 cms

PROVENANCE: Private Collection, Ontario

$200 — 300

95

WOLF KIBEL (1903-1938), POLISH/SOUTH AFRICAN

THE LAST SUPPER

Etching and drypoint; signed in pencil to margin. The edition was published in an edition of 10. Framed.

Plate 6.75 ins x 7.75 ins; 17.1 cms x 19.7 cms;

Framed 16.4 ins x 14.25 ins; 41.7 cms x 36.2 cms

PROVENANCE:

Purchased from Strauss & Co. Fine Art Auctioneers, Cape Town, South Africa; Private Collection, Toronto, ON

$300 — 500

96

VLADIMIR VLADIMIROV (B. 1920), RUSSIAN

METAMORPHISIS, 1993

Oil on canvas; signed lower left; signed, titled and dated 1993 verso 35.4 ins x 39.4 ins; 90 cms x 100 cms $1,000 — $1,500

97

PETER ROBERT KEIL (B. 1942), POLISH/GERMAN FACE

Oil on hardboard; signed. Framed. 36 ins x 24 ins; 90 cms x 51 cms; Framed 41.3 ins x 29.3 ins; 104.9 cms x 74.4 cms

PROVENANCE:

Private Collection, Ontario

$800 — $1,200

ALFRED WILLIAMS PARSONS (1847-1920), BRITISH

VIEW OF MOUNT FUJI

Watercolour on wove paper; signed. Framed. Sight 13.75 ins x 20.3 ins; 34.9 cms x 51.4 cms; Framed 25.7 ins x 32.2 ins; 65.3 cms x 81.8 cms

PROVENANCE: Private Collection, Ontario

$500 — 700 99

STEFANO FALK (STEFAN) (1912-1986), AMERICAN

TROPICAL HUT AND BEACH

Oil on canvas; signed lower right 24 ins x 31.1 ins; 61 cms x 79 cms

PROVENANCE: Private Collection, Ontario

$700 — $900

100

J. LUROS ? (20TH/21ST CENTURY)

A POLISH CITY SQUARE IN SNOW

Oil on canvas; signed lower right. Framed. 23.75 ins x 31.75 ins; 60.3 cms x 80 cms; Framed 30 ins x 38.25 ins; 76.2 cms x 97.2 cms

PROVENANCE:

A German export stamp to the stretcher; Private Collection, Ontario

$300 — 500

101

SUZANNE TOURTE (1904-1979), FRENCH

FLOWERS ON A WINDOWSILL WITH GEESE OUTSIDE

Gouache on paper; signed lower right. Framed. Sight 19.1 ins x 12.3 ins; 48.5 cms x 31.2 cms; Framed 26.25 ins x 19.3 ins; 66.7 cms x 49 cms

PROVENANCE:

Claude Robert, Commissaire-Priseur, Paris label verso, stamped no. 85; Private Collection, Ontario

$500 — 700

102

ORIENATIALIST SCHOOL STUDY; A. CRUVELLIE, EUROPEAN

ORIENTALIST STUDY OF STREET WITH MAN AND DONKEY, 1871; PIPER BOY, 1876

Orientialist School: White gouache and ink on grey paper; indistinctly signed and inscribed “Sarabia/Chauen” and dated ‘71’ lower right. Framed.

Piper Boy: Watercolour and pencil on watercolour board, sculpted oval; signed and dated ‘76’ to the mid left. Matted and unframed under an oval-cut glass.

Sheet (1) 9 ins x 12 ins; 22.9 cms x 30.5 cms; Framed (1) 11.6 ins x 14.5 ins; 29.5 cms x 36.8 cms; Sheet, oval (2) 9.1 ins x 7 ins; 23.1 cms x 17.8 cms; Overall Matted (2) 10.9 ins x 8.9 ins; 27.7 cms x 22.6 cms

PROVENANCE:

The first title with Atelier Roussil Inc., Montreal, QC label verso; (Both) Private Collection, Ontario

$200 — 400

103

ZULE MOSKOWITZ (B. 1938), ARGENTINEAN/ISRAELI

LADIES IN A CAFE

Watercolour on wove paper; signed lower right. Framed 14.3” x 20.8” (35.6 cm x 53.3 cm)

PROVENANCE: Private Collection, Ontario

$200 — 300

Index

A

ANDREIS, ALEX DE 83, 57

ARCHIPENKO, AFTER ALEXANDER 29

ARIKHA, AVIGDOR 92

ARNTZENIUS, FLORIS 9 ARRIBAS, VENANCIO 46

ARTISTS, VARIOUS 85

B

BARKER, CICELY MARY 36

BASER, ROBERT 94

BATES, GEORGE 16

BINDER, ALOIS 27 BOUCHÉ, RENÉ ROBERT 93

BOURDERIOUX, AN L. 26

BOUTER, CORNELIS 23

BOYLE, GEORGE A. 69 BRITISH, 82

BROWN, HARRISON BIRD 52 BUNDSCHUH, OTTÓ 15

C-D

CAYRON, JULES 45 CLUTTEN, S. W. 35 CONSTANT, JOSEPH 88 COROT, FOLLOWER OF JEAN-BAPTISTE-CAMILLE 78 COWAN, V. 90

CRUVELLIE, A. 102

DAWE, AFTER GEORGE 20 DEFRESNE, CHARLES GEORGE 44 DOWNUZO, M. 13

E-G

EAST, SIR ALFRED 53 EGGINTON, WYCLIFFE 75 FALK, STEFANO 99

FISHER, SAMUEL MELTON 48 GECSE, ÁRPÁD 19 GLOSS, LUDWIG 59 GOETZE, SIGISMUND CHRISTIAN HUBERT 56, 86, 87 GROSSO, GIACOMO 61

H

HADDON, DAVID W. 41 HALL, CYRENIUS 40

HARPIGNIES, HENRI JOSEPH 7 HAWTHORNE, CHARLES WEBSTER 37 HUGHES, ATTRIBUTED TO EDWARD 21 HUNT, CHARLES 81

I-J

ILLÉS, ALADAR EDVI 17

IVANOFF, VICTOR ARCHIPOVICH 11 JANKÓ, JÁNOS 63 JEROME, PIERRE 30

K

KOEKKOEK, HERMANUS JR. 1 KAPLAN, ANATOLIJ LVOVIC 89 KAUFMANN, WILHELM 43 KEENE, ATTRIBUTED TO CHARLES 42 KEIL, PETER ROBERT 97 KIBEL, WOLF 95 KIESEL, CIRCLE OF CONRAD 74 KINNAIRD, HENRY JOHN 34 KIRSCHNER, ATTRIBUTED TO MARIE LUISE 3 KNIP, WILLEM ALEXANDER 10 KRALJ-MEƑËIMUREC, LADISLAV 55

L

LEWIN, STEPHEN 25 LIEBERMANN, MAX 65 LOUDON, TERENCE 67 LUCAS, JOHN TEMPLETON 66 LUROS, J. 100

M

MAINSSIEUX, LUCIEN 6 MARESCA, SALVATORE 50 MARIS, JACOB HENRICUS 24 MEIJER, JAN 64 MENARD, EMILE RENÉ 68 MITCHELL, G. 31 MOORE, HENRY 51 MOSKOWITZ, ZULE 103 MOZIN, CHARLES LOUIS 77 MUMMERT, KARL 38

N-O

NOWAK, PROFESSOR FRANZ 73 OWEN, GEORGE O. 18

P

PALDEÁK, KAROLY 60

PARSONS, ALFRED WILLIAMS 98 PESKÉ, JEAN 8

R

RABIN, OSCAR 91 RHEAM, HENRY MEYNELL 12

S

SCHOOL, 19TH CENTURY ANGLO DUTCH 2 SCHOOL, BRITISH 22 SCHOOL, 19TH CENTURY FRENCH 72 SCHOOL, 19TH CENTURY GERMAN 58 SCHOOL, 19TH CENTURY ITALIAN 5 SCHOOL, 19TH/20TH CENTURY FOLK ART 32

SCHUCH, ATTRIBUTED TO CARL 28 SHAW, CHARLES LEAVER 33 SINITAR, ANDREI ANDREEVITCH 62 SMITH, COLVIN 54

SNELL, JAMES HERBERT 4 SORKAU, ALBERT 71

T-V

TOURTE, SUZANNE 101 VLADIMIROV, VLADIMIR 96

W

WELLS, WILLIAM PAGE ATKINSON 14 WIDGERY, FREDERICK JOHN 79 WILLS, WILLIAM 80 WOODWARD, MALCOLM 84

All lots will be offered and sold subject to the Conditions of Sale which appear in this catalogue as well as any Glossary and posted or oral announcement. By bidding at auction, bidders are bound by those Conditions and Glossary, as amended by any oral announcement or posted notices, which together form the contract of sale between the successful bidder (buyer), Waddington’s™ and the consignor (seller) of the lot. Descriptions or photographs of lots are not warranties and each lot is sold “as is” in accordance with the Conditions of Sale.

condition of lots

All of the items are to be considered, unless otherwise noted in the description or condition report, in good condition. The definition of “good” when used in reference to condition, describes an object as having had no major damage or repair but as with the nature of the material, may show minor surface wear, discolouration etc., which indicates the acceptable wear that the piece may acquire with age. If you are particular about minor flaws, you should examine the pieces in person or have our staff answer any questions before bidding. Sizes are approximate. It is the sole responsibility of the bidder to inquire as to the condition of a lot before bidding. Condition reports are available upon request by phone, fax, email or in person. You are advised to make any requests well in advance of the sale.

Frames on artwork are not included as part of purchase or condition.

buyers premium

A premium of 20% of the successful bid price of each lot.

A charge of 13% HST (Harmonized Sales Tax) is applicable on the hammer price and buyer’s premium, except for purchases exported from Canada. In the case where purchases are shipped out of the province of Ontario, the HST or GST is charged based on the tax status of that province.

payment

Payment for purchases must be by cash, INTERAC direct debit (CDN clients in person only), certified cheque (U.S. & Overseas not applicable), bank draft, electronic transfer (fee applies), VISA or Mastercard (up to $25,000).

ALL PRICES IN CANADIAN FUNDS

bidding

The Auctioneer may also execute bids on behalf of the consignor to protect the reserve. The reserve is the confidential minimum price the seller is willing to accept for his or her property, below which it will not be sold.

shipping

The Auctioneers will not undertake packing or shipping. The purchaser must designate and arrange for the services of an independent shipper and be responsible for all shipping, insurance expenses and any necessary export permits that may apply. The Auctioneers will, upon request, provide names of professional packers and shippers but will not be held responsible for the service or have any liability for providing this information. Reliable preauction estimates of shipping costs of lots offered in this sale may be obtained from:

PakShip 905-470-6874 / 905-470-6875 / 416-293-8225 taurus@pakship.ca / www.pakship.ca

Safer Shipping Inc. 416-299-3367 / 416-299-9750 perry@safershipping.ca / www.safershipping.ca

removal of purchases

Purchases must be paid for within 48 hours of the date of the sale, and removed from premises within 10 days of the date of sale (see Conditions of Sale, conditions 8 to 15). Clients are advised that packing and/or handling of purchased lots by our employees or agents is undertaken solely as a courtesy for the convenience of clients.

cites

Restrictions exist regarding the import and export of species protected under CITES (Convention on International Trade in Endangered Species). This includes but is not limited to items made of or containing bone (whalebone etc.), ivory, tortoise shell, seal skin, rhinoceros horn and any other animal part and is strictly controlled or forbidden by most countries. Please review your country’s laws before bidding on pieces made of or containing these restricted items. It is the sole responsibility of the buyer to inquire about and obtain the proper permits for artwork purchased that may contain restricted materials, if such permit can be obtained. Please contact the department for further assistance. Failure to obtain necessary import/ export permits will not void any sale.

All Narwhal Tusks must have a Marine Harvest Number or a Marine and Mammal Transport number to be sold at Waddington’s.

For more information please visit: www.cites.org

waddington’s commission rates

Items selling for $7,501 or more 10%

Items selling for $2,501 to $7,500 15%

Items selling for $251 to $2,500 20%

Items selling for $250 or less 25%

*There is a minimum handling charge of $20 per item

canadian art department commission rates

Items selling for $7,501 or more 10%

Items selling for $2,501 to $7,500 15%

Items selling for $2,500 or less 20%

*There is a minimum handling charge of $100 per item insurance

A 1% insurance charge, based on the hammer price of the property, will be applied to all accounts.

auction advice

For auction advice on paintings, drawings, prints, jewellery, and various forms of decorative arts and other collectibles, please feel free to contact us via email or telephone. We are pleased to review emails containing photographs and information on your pieces in order to provide auction estimates for you to consider.

For collections with a variety of objects, please contact our Appraisals and Consignments department (consignments@waddingtons.ca). For department-specific inquiries, please contact the specialist and/or department directly. All contact information can be found at www.waddingtons.ca.

Our offices are located in Toronto and Vancouver, but our specialists occasionally travel to major Canadian cities to meet with prospective consignors. To receive more information on Valuation Days across Canada or to arrange an appointment, please contact our Toronto office (416-504-9100).

Please note that property typically arrives at Waddington’s at least three months before the sale in order to allow our specialists time to research, catalogue, photograph and promote the items. Consignors will receive a contract to sign, setting forth terms and fees for our services.

Conditions of Sale

1. All lots are sold “AS IS”. Any description issued by the auctioneer of an article to be sold is subject to variation to be posted or announced verbally in the auction room prior to the time of sale. While the auctioneer has endeavoured not to mislead in the description issued, and the utmost care is taken to ensure the correct cataloguing of each item, such descriptions are purely statements of opinion and are not intended to constitute a representation to the prospective purchasers and no warranty of the correctness of such description is made. An opportunity for inspection of each article is offered prior to the time of sale. No sale will be set aside on account of lack of correspondence of the article with its description or its reproduction, if any, whether colour or black & white. Some lots are of an age and/or nature which preclude their being in pristine condition and some catalogue descriptions make reference to damage and/or restoration. The lack of such a reference does not imply that a lot is free from defects nor does any reference to certain defects imply the absence of others. Frames on artwork are not included as part of purchase or condition. It is the responsibility of prospective purchasers to inspect or have inspected each lot upon which they wish to bid, relying upon their own advisers, and to bid accordingly.

2. Each lot sold is subject to a 20% buyers premium as part of the purchase price.

3. Unless exempted by law, the buyer is required to pay Harmonized Sales Tax on the total purchase price including the buyer’s premium. For international buyers, taxes are not applicable when purchases are shipped out of country. Items shipped out of Ontario, the buyer is required to pay taxes as per the tax status of that province, whether it HST or GST (Goods and Services Tax).

4. The auctioneer reserves the right to withdraw any lot from sale at any time, to divide any lot or to combine any two or more lots at his sole discretion, all without notice.

5. The auctioneer has the right to refuse any bid and to advance the bidding at his absolute discretion. The auctioneer reserves the right not to accept and not to reject any bid. Without limitation, any bid which is not commensurate with the value of the article offered, or which is merely a nominal or fractional advance over the previous bid may not be recognized.

6. Each lot may be subject to an unpublished reserve which may be changed at any time by agreement between the auctioneer and the consignor. The auctioneer may bid, or direct an employee to bid, on behalf of the consignor as agreed between them. In addition, the auctioneer may accept and submit absentee and telephone bids, to be executed by an employee of the auctioneer, pursuant to the instructions of prospective purchasers not in attendance at the sale.

7. The highest bidder accepted by the auctioneer for any lot shall be the buyer and such buyer shall forthwith assume full risk and responsibility for the lot and must comply with such other Conditions of Sale as may be applicable. If any dispute should arise between bidders the auctioneer shall have the absolute discretion to designate the buyer or, at his option, to withdraw any disputed lot from the sale, or to re-offer it at the same or a subsequent sale. The auctioneer’s decision in all cases shall be final.

8. Immediately after the purchase of a lot, the buyer shall pay or undertake to the satisfaction of the auctioneer with respect to payment of the whole or any part of the purchase price requested by the auctioneer, failing which the auctioneer in his sole discretion may cancel the sale, with or without re-offering the item for sale.

9. The buyer shall pay for all lots within 48 hours from the date of the sale, after which a late charge of 2% per month on the total invoice may be incurred or the auctioneer, in his sole discretion, may cancel the sale. The buyer shall not become the owner of the lot until paid for in full. Items must be removed within 10 days from the date of sale, after which storage charges may be incurred.

10. Each lot purchased, unless the sale is cancelled as above, shall be held by the auctioneer at his premises or at a public warehouse at the sole risk of the buyer until fully paid for and taken away.

11. Notwithstanding condition no. 1, if the buyer, prior to removal of a lot, makes arrangements satisfactory to the auctioneer for the inspection of such lot by a fully qualified person acceptable to the auctioneer to determine the genuineness or authenticity of the lot, to be carried out promptly following the sale of the lot, and if, but only if, within a period of 14

days following the sale a written opinion of such person is presented to the auctioneer to the effect that the lot is not genuine or authentic, accompanied by a written request by the buyer for rescission of the sale, then the sale of the lot will be rescinded and the sale price refunded to the buyer.

12. Payment for purchases must be by cash, INTERAC direct debit (Cdn clients in person only), certified cheque (U.S. & Overseas not applicable), bank draft, electronic transfer (fee applies), and VISA or Mastercard (up to $25,000).

13. In the event of failure to pay for or remove articles within the aforementioned time limit, the auctioneer, without limitation of the rights of the consignor and the auctioneer against the buyer, may resell any of the articles affected, and in such case the original buyer shall be responsible to the auctioneer and the consignor for:

(a) any deficiency in price between the resale amount and the amount to have been paid by the original buyer;

(b) any reasonable charge by the auctioneer for the storage of such articles until payment and removal by the subsequent buyer; and

(c) the amount of commission which the auctioneer would have earned had payment been made in full by the original buyer.

14. It is the responsibility of the buyer to make all arrangements for insuring, packing and removing the property purchased and any assistance by the auctioneer or his servants, agents or contractors, in packing or removal shall be rendered as a courtesy and without any liability to them.

15. The auctioneer acts solely as agent for the consignor and makes no representation as to any attribute of, title to, or restriction affecting the articles consigned for sale. Without limitation, the buyer understands that any item bought may be affected by the provisions of the Cultural Property Export Act (Canada).

16. The auctioneer reserves the right to refuse admission to the sale or to refuse to recognize any or all bids from any particular person or persons at any auction.

Waddington’s