Old Masters O CTO BE R !"#!— !%" &!% '%"
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CONSIGNMENT1SPECIALIST Kristin Vance kv@waddingtons.ca .+,-&.1-,+1&
COVER Lot %& ATTRIBUTED!TO!JOACHIM!BEUCKELAER HAPPY'MOMENT'(FIGURES'IN'A'TAVERN)*' MID'+,TH'CENTURY'(DETAIL)
INSIDE1COVER1
Lot &CIRCLE!OF!GIOVANNI!ANDREA!SIRANI ANNUNCIATION'TO'THE'DEATH'OF'THE'VIRGIN
INSIDE1BACK1COVER Lot -. DOULTON!LAMBETH! AN'UNIDENTIFIED'LADY'HOLDING'A'ROSARY' (A'MEMENTO'MORI'SKULL'DEPICTED'AT'HER'SIDE)
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This catalogue and its contents © !"!#$ Waddington McLean & Company Ltd.
This auction is subject to the Conditions of Sale printed in the back of this catalogue.
BACK1COVER1
Lot . AFTER!PETER!PAUL!RUBENS THE'CONVERSION'OF'ST/'PAUL'(DETAIL)
Photography & design by Waddington’s All rights reserved.
! AFTER!TITIAN!"CIRCA!#$%&–#&()*!AND! OTHERS+!ITALIAN/EUROPEAN LOT!OF!"!OLD!MASTER!MINIATURES#
1. “Man selling Pearls and Jewellery” Oil on paper (possibly over a colour print) laid on wood panel; 2. “Ascension of God, Blessing” In a painted buckle cartouche, oil on canvas laid down to wood, sculpted oval. Rococo style frame; 3. “The Pieta” Oil on panel, octangular shape. Gilt frame with glass on top; 4. “Christ on the Cross and Roman Soldier”; “Mary Lamenting the Death of Christ” Two oils on copper, sculpted ovals, mounted together in the same frame with glass on top Various sizes 6.4 ins x 5 ins; 16.3 cms x 12.7 cms; Various sizes 6.25 ins x 5 ins; 15.9 cms x 12.7 cms; Various sizes 4 ins x 5.25 ins; 10.2 cms x 13.3 cms; Various sizes 4 ins x 2.75 ins; 10.2 cms x 7 cms View website for full catalogue details "#$$%—%'$$
( WILLIAM!HOLBROOK!BEARD! "#%,&-#.//*+!AMERICAN LA!VIE!DES!SINGES!À!LA!JOYEUSE! LECTURE!$THE!LIFE!OF!THE!MONKEYS%! THE!HAPPY!READING&%!'(()
Oil on panel; signed and dated 1880 lower le!, titled to the remains of a typeset label verso 14.4 ins x 11.4 ins; 36.5 cms x 29 cms PROVENANCE)
Sold Castells & Castells, Montevideo, Uruguay, 5 September 2018, Lot 41; From whom purchased by the present Private Collection "*+$$$%—%,+$$$
FR0!SCHONEMAN!"OR!SCHOUMANS*! "#.TH!CENTURY*+!AUSTRIAN/GERMAN HEAD!OF!AN!APOSTLE
Oil on canvas; signed indistinctly lower right, inscribed “Austrian / Schoumans” to the stretcher 20 ins x 16 ins; 50.8 cms x 40.6 cms PROVENANCE)
Private Collection, Ontario "-$$%—%,$$
* AFTER!PETER!PAUL!RUBENS!"#&((#)$/*+!FLEMISH THE!CONVERSION!OF!ST*!PAUL
Oil on canvas. An early 17th century copy, possibly Austrian or Czechoslovakian School. 32.25 ins x 49.5 ins; 81.9 cms x 125.7 cms PROVENANCE)
By descent to the present Private Collection, Toronto from their father who resided in the Czech Republic "!+,$$%—%(+,$$
, FOLLOWER!OF!GEORGE!ROMNEY! "#(1$–#%/,*+!BRITISH LADY!IN!A!HAT
Oil on canvas 18.5 ins x 14.5 ins; 47 cms x 36.8 cms PROVENANCE)
Haynes Art Gallery, Fine Art Dealers, Toronto gallery label to the frame verso; Private Collection, Toronto "!+$$$%—%!+,$$
# ATTRIBUTED!TO!GEORGE!MORLAND! "#()1-#%/$*+!BRITISH WAYSIDE!CAMP
Oil on canvas; titled to nameplate 12 ins x 14 ins; 30.5 cms x 35.6 cms PROVENANCE)
Christie’s label verso; Waddington’s, Toronto, ON, December 7, 2000, lot 1703; Estate of W.A. Ross MacFadden, Toronto "(+$$$%—%-+$$$
. JULIUS!CAESAR!IBBETSON!"#(&.-#%#(*+! BRITISH FISHER!FOLK!IN!THE!ISLE!OF!WIGHT%!'+,"
Oil on canvas; titled “Isle of Wight” in pen and ink to an old label to the stretcher, dated 1794 to the nameplate 12.25 ins x 16.25 ins; 31.1 cms x 41.3 cms PROVENANCE)
Waddington’s, Toronto, December 6, 2004, lot 92 as A"ributed to Julius Caesar Ibbetson; Estate of W.A. Ross MacFadden, Toronto "!+,$$%—%(+,$$
' FOLLOWER!OF!SIR!PETER!LELY! "#)#%–#)%/*+!BRITISH PORTRAIT!OF!A!LADY!WITH!LONG! BLONDE!HAIR!IN!BLUE!GOWN-!YOUNG! GIRL!WITH!KING!CHARLES!SPANIEL
Pair of oils on canvas laid down to board, sculpted ovals. Matching oval gilt frames. Each 30 ins x 25.25 ins; 76.2 cms x 64.1 cms PROVENANCE)
Mr. W.R. Wadsworth, Toronto? indistinctly inscribed to gallery label verso; With Haynes Art Gallery, Toronto with them in 1927 gallery labels verso backings; Private Collection, Toronto "!+$$$%—%!+,$$
/ FOLLOWER!OF!GEORGE!MORLAND! "#()1-#%/$*+!BRITISH THE!THATCHER
Oil on canvas 25.25 ins x 31 ins; 64.1 cms x 78.7 cms PROVENANCE)
Private Collection, purchased in London, UK, sold by the grandson of a prominent Montreal businessman who said his grandfather acquired the painting in London sometime between 1910-1914 and has remained in their family until sold at Waddington’s; Waddington’s, Toronto, December 1993; Estate of W.A. Ross MacFadden, Toronto "!+($$%—%!+'$$
!$ ATTRIBUTED!TO!GEORGE!MORLAND! "#()1-#%/$*+!BRITISH PIGS
Oil on canvas; signed ‘G. Morland’ lower le!, titled to the nameplate a"ached verso 10 ins x 12 ins; 25.4 cms x 30.5 cms PROVENANCE)
Estate of W.A. Ross MacFadden, Toronto ".$$%—%/$$
!! JULIUS!CAESAR!IBBETSON!"#(&.-#%#(*+! BRITISH WALES%!CA*!'+,.
Oil on canvas; titled and dated “Wales Circa 1792” to the nameplate, inscribed “by J.C. Ibbetson” in black ink verso 22.25 ins x 27 ins; 56.5 cms x 68.6 cms PROVENANCE)
S. Martinoja, Roma, No. 61 label verso; Dana Designs, small white label, inscribed in blue pen and ink; Estate of W.A. Ross MacFadden, Toronto "-+$$$%—%,+$$$
!( FOLLOWER!OF!THOMAS!BARKER! OF!BATH!"#().-#%$(* A!WOODSMAN!AND!HIS!DOG
Oil on canvas 23.75 ins x 19.75 ins; 60.3 cms x 50.2 cms PROVENANCE)
Private Collection, Cobourg, ON "($$%—%-$$
!ATTRIBUTED!TO!BENJAMIN!ROBERT! HAYDON!"#(%)-#%$)*+!BRITISH OPHELIA!BEFORE!THE!KING!AND!QUEEN
Oil on canvas; signed lower le!, ascribed to “Benjamin Robert Haydon (1786-1846)” to the old nameplate on the frame recto 25 ins x 30 ins; 63.5 cms x 76.2 cms PROVENANCE)
Galerie Heritage?, Toronto faintly typed to a white label dated “/61” in pen and ink to the label to the stretcher; Collection, Toronto, ON "'$$%—%!+($$
!* AFTER!WILLIAM!HOGARTH!"#)(.-#()$*+! BRITISH A!MODERN!MIDNIGHT!CONVERSATION%! '+//!$IN!REVERSE&
Oil on canvas 30 ins x 60 ins; 76.2 cms x 152.4 cms PROVENANCE)
Local Toronto, Ontario Private Collection from an Academic Family "!+,$$%—%(+,$$
!, #%TH!CENTURY!BRITISH!SCHOOL JOY!$A!RAPHAEL!INSPIRED!HEAD! OF!A!YOUTH&%!CA*!'+()
Sanguine drawing on antique paper; titled “Joy” at the bo"om Sight 11 ins x 9 ins; 27.9 cms x 22.9 cms "#$$%—%'$$
!# JAMES!GILLRAY!"#(&(-#%#&*+!BRITISH THE!BRIDAL!NIGHT!$THE!MARRIAGE!OF! CHARLOTTE!AUGUSTA%!THE!PRINCESS! ROYAL%!AND!THE!HEREDITARY!PRINCE!OF! WURTEMBERG&%!MAY!'(%!'+,+
Hand-coloured engraving with le"ers, further annotated in pen and ink in an unknown hand, with an extended title, “... of the Prince Royal England” and a key identifying the figures from le! to right, some including: “L’ Salisbury; K. Geo III; Queen Charlo"e; D of York; D of Clarence; D of Gloucester” and others in pen and ink to the margin. Published by H. Humphrey. Plate 11.7 ins x 17.5 ins; 29.7 cms x 44.4 cms PROVENANCE)
Frank Jarman Limited Fine Art Dealers, O"awa, ON label verso; Prominent Private Collection, Fredericton, NB ",$$%—%.$$
!. MANNER!OF!JAMES!WARD!"#().–#%&.*+! BRITISH THREE!DOGS!ATTACKING!BOAR
Oil on burled walnut wood panel; inscribed DLXXVIII verso 4.75 ins x 6.25 ins; 12.1 cms x 15.9 cms PROVENANCE)
Private Collection, Ontario "-$$%—%,$$
!' FOLLOWER!OF!PATRICK!NASMYTH! "#(%(-#%1#*+!SCOTTISH MOUNTED!OFFICER!POINTING!TO!A! SHEPHERD!AND!HIS!SHEEP!NEAR! CASTLE!RUIN
Oil on panel; bears signature “P. Nasmyth” in red paint lower le! 12 ins x 8.75 ins; 30.5 cms x 22.2 cms PROVENANCE)
A 19th century Aitken Do" & Son, Carvers and Gilders, Edinburgh label to the frame verso; Private Collection, Ontario ",$$%—%.$$
!/ FOLLOWER!OF!SIR!PETER!LELY! "#)#%–#)%/*+!BRITISH PORTRAIT!OF!AN!ARISTOCRATIC!LADY!IN! GOLD!DRESS!SEATED!IN!A!LANDSCAPE
Oil on canvas 51.75 ins x 42 ins; 131.4 cms x 106.7 cms PROVENANCE)
Probably Britnell Gallery, Toronto, “Britnall” (sic) inscribed to the frame verso; Estate of Lois Orkin, Toronto, ON "(+,$$%—%-+,$$
($ ATTRIBUTED!TO!JOHN!HOPPNER! "#(&%-#%#/*+!BRITISH PORTRAIT!OF!A!YOUNG!LADY
Oil on canvas 28.75 ins x 23.5 ins; 73 cms x 59.7 cms PROVENANCE)
Ex. Private Collection of David Angus Wanklyn (1900-1988), Montreal; Consigned by him to the Dominion Gallery, Montreal, PQ., in January 1973, Inventory No. A6952; ; Purchased by W.A. Ross MacFadden from the Dominion Gallery on October 6, 1973 as “A"ributed to John Hoppner (17581810), “Portrait of a Young Lady” to gallery label verso, with another partial Dominion Gallery label to the bo"om right stretcher verso; Estate of W.A. Ross MacFadden, Toronto "(+$$$%—%-+$$$
(! ATTRIBUTED!TO!MICHAEL!DAHL! "#)&)-#($1*+!SWISS/BRITISH MISS!DIANA!HENSHAW
Oil on canvas; titled to the nameplate 30 ins x 25 ins; 76.2 cms x 63.5 cms PROVENANCE)
Estate of Lois Orkin, Toronto, ON "(+$$$%—%-+$$$
(( ATTRIBUTED!TO!RICHARD!WILSON! "#(#$-#(%,*+!BRITISH SPECTATORS!AND!THEIR!DOG! OVERLOOKING!AN!EXPANSIVE! LANDSCAPE!WITH!CASTLE!RUIN!AT! SUNSET
Oil on canvas; signed “R. Wilson” lower le! 19 ins x 24 ins; 48.3 cms x 61 cms PROVENANCE)
Private Collection, Ontario "*+$$$%—%#+$$$
(FOLLOWER!!OF!SIR!PETER!LELY! "#)#%–#)%/*+!BRITISH CATHERINE!WALSH
Oil on canvas, a feigned oval; titled and inscribed “Sir Peter Lely / From Lord Ormethwaite (sic) Collection” by another to the stretcher 30 ins x 26 ins; 76.2 cms x 66 cms PROVENANCE)
Ex. Collection Baron Ormathwaite, England; Collection of O"o R. Schreiber stamp to canvas verso; “Bloomfield” inscribed to Name stamp verso while with America West Frames, Sedona, Arizona, their stamp to upper le! of the frame verso; Private Collection, Ontario "!+($$%—%!+'$$
(* ATTRIBUTED!TO!LUCAS!DE!HEERE! "#&1$-#&%$*+!FLEMISH/BRITISH AN!UNIDENTIFIED!LADY!HOLDING!A! ROSARY!$A!MEMENTO!MORI!SKULL! DEPICTED!AT!HER!SIDE&
Oil on panel 14 ins x 10.5 ins; 35.6 cms x 26.7 cms PROVENANCE)
“Mr. Butler / framed/ Feb. 21/89” (1889) small label annotated with pen and ink verso; “From the Collection of Charles Butler of Warren Wood”, Hatfield, UK, partial typeset label from the front cover of an old catalogue verso; Galerie Bernard Desroches, Montreal, QC, Inv. No. 2535 as “Lucas de Heere” ‘Portrait d’une Dame Flamande’ gallery label verso; Private Collection, Ontario by descent from their mother, Montreal, PQ "'+$$$%—%!(+$$$
(, REALIST!SCHOOL!",/TH!CENTURY*+! CANADIAN? JOHN!THE!BAPTIST!BAPTIZING!JESUS
Oil on canvas. Unsigned. 37 ins x 28.75 ins; 94 cms x 73 cms PROVENANCE)
In a Canadian frame with Larson-Juhl, Mississauga, ON framer’s label verso; Private Collection, St. Petersburg, Florida, formerly North Bay, ON "#$$%—%'$$
(# CAREL!LODEWYK!HANSEN! "#()&–#%$/*+!DUTCH A!COBBLER!OUTSIDE!THE!GATES!OF!THE! AGNIETEN!CHAPEL
Oil on canvas; signed lower right 21 ins x 17 ins; 53.3 cms x 43.2 cms PROVENANCE)
Phillips, London, December 6, 1994, lot 175; Estate Collection, Montreal; By descent in the family, Montreal "!+,$$%—%(+$$$
(. AFTER!GERRIT!DOU!"#)#1-#)(&*+! DUTCH YOUNG!WOMAN!IN!A!WINDOW!WITH! GRAPES
Oil on cradled rough hewn wood panel 16 ins x 12.5 ins; 40.6 cms x 31.8 cms PROVENANCE)
Estate of W.A. Ross MacFadden, Toronto, ON "!+,$$%—%(+$$$
(' #%TH/#.TH!CENTURY!DUTCH!SCHOOL PAIR!OF!BATTLE!SCENES#!ATTACKING! A!MEDIEVAL!WALLED!CITY-!BATTLE! SKIRMISH!OUTSIDE!THE!CITY
Two oils on burled wood panel. Each contained in matching walnut frames. Each 9 ins x 14.25 ins; 22.9 cms x 36.2 cms PROVENANCE)
Private Collection, Ontario "!+$$$%—%!+,$$
(/ ATTRIBUTED!TO!JAN!JOSEFSZ0!VAN! GOYEN!"#&.)-#)&)*+!DUTCH VILLAGE!SCENE!WITH!BRIDGE!AND!RIVER
Oil on canvas. Unsigned. 23 ins x 29.25 ins; 58.4 cms x 74.3 cms PROVENANCE)
J.J. Allen Ltd., London partial label to the stretcher; Estate Collection, Vancouver, BC of a gentleman of Dutch heritage having studied in Amsterdam and very familiar with the works of Jan Josephszoon van Goyen. He was the only 17th century Dutch artist to paint landscape compositions where the sky takes up more than half of the canvas; By descent to his son, Vancouver "(+,$$%—%-+,$$
-$ ATTRIBUTED!TO!JAN!DIRKSZ!BOTH! "#)#%-#)&,*+!DUTCH TRAVELLERS!IN!AN!ITALIAN!!LANDSCAPE
Oil on panel with centre braces; signed “Both” lower le! 21.75 ins x 27.5 ins; 55.2 cms x 69.9 cms PROVENANCE)
Private Collection of Mary G. Ellis until 1940; From whom donated to the Worcester Art Museum, Worcester, Massachuse"s as “A"ributed to Jan Sonje”; Odon Wagner Gallery, Toronto, ON as A"ributed to Jan Dirksz Both, Inventory No. 10767 label verso; From whom purchased by the present Private Estate Collection, Toronto on May 13, 1999, invoice No. 10767 View website for full catalogue details "'+$$$%—%!(+$$$
-! #.TH!CENTURY!DUTCH!SCHOOL TAVERN!SCENE!THROUGH! AN!ARCHED!WINDOW
Oil on canvas 11 ins x 10.25 ins; 27.9 cms x 26 cms PROVENANCE)
Private Collection, Toronto, ON "-$$%—%,$$
-( FOLLOWER!OF!HENDRIK!VAN!BALEN! THE!ELDER!"#&(&–#)1,*+!FLEMISH THE!BATH!OF!DIANA
Oil on canvas 24 ins x 31 ins; 61 cms x 78.7 cms PROVENANCE)
Private Collection, Ontario "!+$$$%—%!+,$$
-ATTRIBUTED!JAN!VAN!GOOL! "#)%&-#()1*+!DUTCH COWS!AND!GOATS!RESTING!BY!A!TREE! AND!RAIL!FENCE%!CA*!'+.)-'+.,*
Oil on panel; signed very indistinctly “J. Gool” bo"om centre right 10.5 ins x 13.5 ins; 26.7 cms x 34.3 cms PROVENANCE)
Sold Christie’s, Amsterdam: Tuesday, September 2, 2003, Lot 94; Estate Collection, Montreal, PQ; By descent in the family, Montreal, PQ "!+$$$%—%!+,$$
-* #%TH!CENTURY!DUTCH!SCHOOL MOUNTED!HORSEMEN!IN!BATTLE
Oil on canvas 32 ins x 39 ins; 81.3 cms x 99.1 cms PROVENANCE)
Czechoslovakian export stamp verso (Praha); Private Collection, Ontario "!+$$$%—%!+,$$
-, CIRCLE!OF!WILLEM!ROMEYN! "#),$-#).$*+!DUTCH LANDSCAPE!WITH!SHEPHERDS%!'12"
Oil on canvas; unknown initials “R.T.” and dated 1654 lower right 12 ins x 13.75 ins; 30.5 cms x 34.9 cms PROVENANCE)
Waddington’s, Toronto, June 14, 2004, Lot 23; ]Estate Collection, Montreal, PQ; By descent in the family, Montreal, PQ "'$$%—%!+($$
-# MANNER!OF!CHARLES!HENRI!JOSEPH! LEICKERT!"#%#)-#./(*+!BELGIAN MERCHANTS!UNLOADING!WARES!AT!A! DUTCH!CITY!PORT
Oil on panel. Unsigned. 7.5 ins x 10.25 ins; 19.1 cms x 26 cms "*$$%—%#$$
-. JAN-BAPTISTE!VAN!DER!MEIREN! "#))$-CA0#(/%*+!FLEMISH BATTLE!SQUIRMISH!WITH!MANY! MOUNTED!OFFICERS!DRAWING!GUNS
Oil on canvas; signed lower right 16 ins x 23 ins; 40.6 cms x 58.4 cms PROVENANCE)
Private Collection, Ontario "!+$$$%—%!+,$$
-' #.TH!CENTURY!DUTCH!SCHOOL PAIR!OF!FLORAL!STILL!LIFES!ARRANGED! IN!GLASS!VASES
Pair of oils on canvas Each 18.5 ins x 11.5 ins; 47 cms x 29.2 cms PROVENANCE)
With Pi" & Sco", Ltd., London Depository No. 1814 label verso, inscribed “Temple” in pencil to the label (probably the former collector); Estate of Lois Orkin, Toronto, ON ",$$%—%.$$
-/ AFTER!ABRAHAM!BLOEMAERT! "CA0#&)$-#)&#*+!DUTCH PORTRAIT!OF!A!BOY%!HALF-LENGTH%! PLAYING!A!ROMMELPOT
Oil on panel; inscribed in Dutch: “Sier de vasrelavond Sot.” Hoort hem singen hene man Comt hier met de Rommelpot. Gee! een koekjen in de kan.” along the bo"om 13 ins x 9.6 ins; 33 cms x 24.4 cms PROVENANCE)
Lt. Col. Oreste Pinto; Christie’s, London, 3 June 1955, lot 29, as ‘Molenaer’ (according to their catalogue); Property of a Lady, Christie’s South Kensington, August 21, 2007, lot 527 as: “A!er Abraham Bloemaert”, ‘Portrait of a Boy, Half-length, Playing a Rommelpot’; From whom purchased by the Private Collection, Montreal; Their Estate Collection, Montreal; By descent in the family, Montreal "!+,$$%—%(+,$$
*$ ATTRIBUTED!TO!FERDINAND!BOL! "#)#)–#)%/*+!DUTCH HEAD!AND!BUST!STUDY!OF!AN!OLD!MAN! WITH!LONG!BEARD!AND!STRIPED!ROBES
Watercolour and ink drawing heightened with white on paper Sight 7 ins x 5.5 ins; 17.8 cms x 14 cms "'$$%—%!+($$
*! FOLLOWER!OF!DAVID!TENIERS!THE! YOUNGER!"#)#/–#)./*+!FLEMISH VILLAGES!DANCING!AND!FEASTING! OUTSIDE!AN!INN
Oil on canvas 36 ins x 52 ins; 91.4 cms x 132.1 cms PROVENANCE)
Private Collection, Ontario "!+($$%—%!+'$$
*( CIRCLE!OF!EGBERT!VAN!HEEMSKERK+! "#)1$-#(/$*+!DUTCH PEASANT!DRINKING
Oil on panel 8.75 ins x 7.5 ins; 22.2 cms x 19.1 cms PROVENANCE)
Estate Collection, Montreal, PQ; By descent in the family, Montreal, PQ "#$$%—%/$$
*#.TH!CENTURY!DUTCH!SCHOOL FLOWERS!IN!A!FOOTED!VASE
Oil on canvas; unsigned, with the British Antique Dealer’s Association gold seal certifying it was produced prior to 1850 affixed and embedded into the upper le! recto, inscribed “Temple” in chalk to the frame and to the British depository labels verso 25.75 ins x 19.75 ins; 65.4 cms x 50.2 cms PROVENANCE)
With Pi" & Sco", Limited, London Depository, No. 1729, inscribed “Temple” to the name field on their label affixed to the verso; With Maple’s Depository, their label inscribed “Temple”; Former Collection of “Temple”; Estate of Lois Orkin, Toronto, ON "!+$$$%—%!+,$$
** #%TH!CENTURY!ANGLO-DUTCH! SCHOOL ARISTOCRATIC!FAMILY!AT!A!BANQUET!IN! A!COURTYARD!WITH!ARCHES
Oil on canvas 20.5 ins x 23 ins; 52.1 cms x 58.4 cms PROVENANCE)
Indistinct circular Export stamp: “Frant. Sembdnt”? to the stretcher, possibly Romanian; Private Collection, Ontario "#$$%—%'$$
*, AFTER!REMBRANDT!HARMENSZOON! VAN!RIJN!"#)/)-#)).*+!DUTCH SASKIA!VAN!UYLENBURGH%!',TH! CENTURY
Oil on canvas laid down to plywood panel 24 ins x 19.5 ins; 61 cms x 49.5 cms PROVENANCE)
Private Collection, Quebec ".$$%—%/$$
*# #%TH!CENTURY!DUTCH!MANNER+! CZECHOSLOVAKIAN ELEGANTS!WITH!PARASOL!ON! HORSEBACK!WITH!DOGS!AND!SHEEP! AND!SPECTATORS!IN!A!ROCKY! LANDSCAPE
Oil on canvas. A companion to lot 48 in this sale. 27.5 ins x 37.5 ins; 69.9 cms x 95.3 cms PROVENANCE)
Czechoslovakian export stamp verso (Praha); Private Collection, Ontario "'$$%—%!+($$
*. MANNER!OF!JAN!VAN!HUCHTENBURG! "#)$(–#(11*+!DUTCH BATTLE!SCENE!WITH!OTTOMAN!TURKS
Oil on cradled panel. Unframed. 23.5 ins x 33 ins; 59.7 cms x 83.8 cms PROVENANCE)
Private Collection, Ontario "!+$$$%—%!+,$$
*' #%TH!CENTURY!DUTCH!MANNER+! CZECHOSLOVAKIAN ELEGANTS!ON!HORSEBACK!WITH! HUNTERS!AND!THEIR!DOGS!IN!A! WOODED!LANDSCAPE
Oil on canvas 27.75 ins x 37 ins; 70.5 cms x 94 cms PROVENANCE)
Czechoslovakian export stamp verso (Praha); Private Collection, Ontario "'$$%—%!+($$
*/ ATTRIBUTED!TO!AERT!VAN!DER!NEER! "#)/1-#)((*+!DUTCH LANDSCAPE!IN!MOONLIGHT
Oil on panel; apparently unsigned, given to the artist and titled to a typed label verso 18.75 ins x 25 ins; 47.6 cms x 63.5 cms PROVENANCE)
Gi! of Mr. and Mrs. Miklos Rosza inscribed to a typed label verso, described erroneously as an “oil on canvas” and further inscribed “Cat 4” in pen and ink to the label; Sold at an unknown auction, black stencil mark “674 FV” to the panel verso; Private Collection, Waverly, Nova Scotia ",+$$$%—%.+$$$
,$ FOLLOWER!OF!ANTHONY!VAN!DYCK! "#&..–#)$#*+!FLEMISH ELEGANT!ARISTOCRATIC!LADY%!THREEQUARTER!LENGTH%!STANDING%!WEARING! A!BLACK!GOWN!WITH!LACE!COLLAR! AND!HOLDING!A!LOCKET!AND!CHAIN%! WITH!A!VASE!OF!FLOWERS!AT!HER!SIDE
Oil on canvas; inscribed “4 Disposta” to the top stretcher 57 ins x 43.25 ins; 144.8 cms x 109.9 cms PROVENANCE)
Private Collection, Ontario "(+$$$%—%-+$$$
,! AFTER!HENDRICK!MARTENSZ!SORGH! "CIRCA!#)#/-#)(/*+!DUTCH L’HEURE!DE!JOUISSANCE! $THE!HOUR!OF!ENJOYMENT&
Oil on white metal; titled, inscribed “Martin Sorgh” / Galerie du musé de Brunswick” in pen and ink to an inscribed label verso. A 19th century copy. 12.25 ins x 15 ins; 31.1 cms x 38.1 cms PROVENANCE)
Private Collection, Ontario "*$$%—%#$$
,( ATTRIBUTED!TO!ANTON!MAUVE!"#%1%#%%%*+!DUTCH FLOCK!IN!A!MEADOW!WITH!SHEPHERD
Oil on canvas; signed “A. Mauve” lower right 18 ins x 28 ins; 45.7 cms x 71.1 cms PROVENANCE)
Private Collection, Ontario "#$$%—%'$$
,FOLLOWER!OF!GÉRARD!SEGHERS! "#&.#–#)&#*+!FLEMISH SAINT!PETER!BEFORE!THE!DENIAL
Oil on canvas 29 ins x 24.5 ins; 73.7 cms x 62.2 cms PROVENANCE)
Estate Collection, Montreal, PQ; By descent in the family, Montreal, PQ "!+$$$%—%!+,$$
,* AFTER!ÉLISABETH!LOUISE!VIGÉE!LE! BRUN!"#(&&-#%$,*+!FRENCH PORTRAIT!OF!VIGÉE-LEBRUN!$SELF! PORTRAIT!BUST!LENGTH&
Oil on panel; signed “Virginia Lebrun” upper right 13 ins x 9.25 ins; 33 cms x 23.5 cms ".$$%—%/$$
,, FLEMISH!SCHOOL+!#(TH!CENTURY THE!CROWD!AND!SAUL!WELCOMING! DAVID!WITH!THE!HEAD!OF!GOLIATH
Oil on panel 22.5 ins x 31.5 ins; 57.2 cms x 80 cms PROVENANCE)
Estate Collection, Montreal, PQ; By descent in the family, Montreal, PQ "(+$$$%—%-+$$$
,# SCHOOL!OF!PIETER!BRUEGEL!THE! ELDER!"BORN!CIRCA!#&,&-#&).*+! FLEMISH PORTRAIT!OF!A!MAN! $WITH!WHITE!COLLAR&
Oil on panel; titled to gallery label verso 12.75 ins x 9 ins; 32.4 cms x 22.9 cms PROVENANCE)
Galerie Bernard Desroches, Montreal gallery, Inv. 5360 label verso; Private Collection, Ontario Private Collection, Ontario by descent from their mother, Montreal, PQ "(+$$$%—%-+$$$
,. FOLLOWER!OF!ANTHONY!VAN!DYCK! "#&..–#)$#*+!FLEMISH HEAD!OF!AN!APOSTLE!LOOKING! UPWARDS
Oil on canvas laid down to board 15 ins x 13 ins; 38.1 cms x 33 cms PROVENANCE)
Private Collection, Toronto, ON "#$$%—%/$$
,' ATTRIBUTED!TO!JOACHIM! BEUCKELAER!"CIRCA!#&1/-#&(1*+! FLEMISH HAPPY!MOMENT!$FIGURES!IN!A!TAVERN&%! MID!'1TH!CENTURY
Oil on canvas. Accompanied by a photo certificate from Professor Dr. Ludwig W. Abels, Wien/Paris, in German script. 30.5 ins x 40 ins; 77.5 cms x 101.6 cms PROVENANCE)
With Beaux Arts, Belgium, their stamp to the top le! stretcher verso; Purchased from a gentleman whose parents bought it in Europe in the 1910s; Private Collection, Ontario "-+$$$%—%*+$$$
,/ AFTER!PETER!PAUL!RUBENS! "#&((-#)$/*+!FLEMISH THE!CRUCIFIXION%!'1'(! $A!.)TH!CENTURY!COPY!BY!ANDREAS! PEDERSEN&
Oil on canvas with arched top, the top folded backwards and relined on a rectangular canvas; signed by the copyist, Andreas Pedersen and dated 1904 lower right. Unframed. 89 ins x 60 ins; 226.1 cms x 152.4 cms PROVENANCE)
Private Collection, St. Petersburg, Florida, formerly North Bay, ON "-+$$$%—%*+$$$
#$ CIRCLE!OF!FRANS!SNIJDERS! "#&(.-#)&(*+!FLEMISH GAMEKEEPER!AND!THE!DAY’S!BAG
Oil on canvas. Unsigned. 33 ins x 47 ins; 83.8 cms x 119.4 cms PROVENANCE)
Private Collection, Kingston, ON, purchased from an estate near Kingston, ON ",+$$$%—%.+$$$
#! MANNER!OF!LUCAS!VAN!UDEN! "#&.&-#)(,*+!FLEMISH FIGURES!IN!AN!EXTENSIVE!RIVER! LANDSCAPE!WITH!WINDBREAKS!OF! TREES!IN!DISTANCE
Oil on canvas 11 ins x 15.5 ins; 27.9 cms x 39.4 cms PROVENANCE)
Private Collection, Ontario ",$$%—%.$$
#( FOLLOWER!OF!DAVID!TENIERS!THE! YOUNGER!"#)#/-#)./*+!FLEMISH THE!MUSICIANS
Oil on panel 9.5 ins x 7.25 ins; 24.1 cms x 18.4 cms PROVENANCE)
Estate Collection, Montreal, PQ; By descent in the family, Montreal, PQ "!+,$$%—%(+,$$
#CIRCLE!OF!JOSEF!VAN!AKEN! "#(/.–#($.*+!FLEMISH LADIES!AND!GENTLEMEN!IN!AN!INTERIOR
Oil on panel 23 ins x 27.75 ins; 58.4 cms x 70.5 cms PROVENANCE)
Estate Collection, Montreal, PQ; By descent in the family, Montreal, PQ "-+$$$%—%*+$$$
#* AFTER!JACOB!JORDAENS!"#&.1-#)(%*+! FLEMISH THE!PAINTER’S!FAMILY%!CA*!'1.'!$COPY&
Oil on canvas 32.25 ins x 36.25 ins; 81.9 cms x 92.1 cms PROVENANCE)
The Fine Art Galleries, The T. Eaton Co., Limited, Canada partial gallery label verso; Private Collection, Ontario "(+$$$%—%-+$$$
#, FOLLOWER!OF!JEAN-BAPTISTE! GREUZE!"#(,&-#%/&*+!FRENCH GIRL!WITH!DOVE%!'++"
Oil on canvas; bears signature “JB Greuze” and dated 1774 upper right 24 ins x 19.75 ins; 61 cms x 50.2 cms PROVENANCE)
Estate of Lois Orkin, Toronto, ON "(+$$$%—%-+$$$
## JEAN!BAPTISTE!GREUZE!"#(,&–#%/&*+! FRENCH UN!!PARENT!$PORTRAIT!PRESUMED!TO!BE! OF!JEAN-BAPTISTE!GREUZE&%!'++(
Oil on canvas; inscribed: “Portrait Authentique de Greuze Pintor/ Tournus, le 9 Avril 1778 / Un Parent” to the top stretcher 24.75 ins x 20.5 ins; 62.9 cms x 52.1 cms PROVENANCE)
Ritchies: Tuesday, May 30, 1995, lot 243; Private Collection, Toronto, ON "-+$$$%—%*+$$$
#. FOLLOWER!OF!JEAN-BAPTISTE!VAN! LOO!"#)%$-#($&*+!FRENCH PORTRAIT!OF!MARIE!LESZCZYŃSKA! $'+)/-'+1(&%!QUEEN!OF!FRANCE%!HALFLENGTH%!IN!A!GOLD!DRESS!AND!AN! ERMINE-LINED!CLOAK!BY!A!LEDGE!WITH! HER!CROWN
Oil on canvas, painted in a feigned oval 40 ins x 31 ins; 101.6 cms x 78.7 cms PROVENANCE)
Estate of Lois Orkin, Toronto, ON "'$$%—%!+($$
#' CIRCLE!OF!JAN!PEETERS!THE!ELDER! "CIRCA!#),$-#)((*+!FLEMISH IMAGINARY!PORT!WITH!SHIPPING!AND! FIGURES!WORKING!WITH!RUINS
Oil on canvas 22 ins x 28 ins; 53.3 cms x 69.9 cms PROVENANCE)
Private Collection, Ontario ".$$%—%/$$
#/ AFTER!PETER!PAUL!RUBENS! "#&((–#)$/*+!FLEMISH PORTRAIT!OF!SUSANNA!LUNDEN!$LE! CHAPEAU!DE!PAILLE&%!PROBABLY!'1..'1.1
Oil on canvas; signed and inscribed: “A!er Rubens, by Robt. Crozier” and dated 1883 lower le! 31.75 ins x 22 ins; 80.6 cms x 55.9 cms PROVENANCE)
An old, inscribed pen and ink label verso lists the following collectors: Unknown (the first name is indistinct as the label is torn in that place); A!erwards Mr. Bernard Quarritch, London; W. Robert Crozier of Manchester; Passed to John Lawson, Manchester of London, England in 1883; Private Collection, Toronto, ON from their mother in law who was in the antique business "(+,$$%—%-+$$$
.$ CIRCLE!OF!MAURICE!QUENTIN!DE!LA! TOUR!"#(/$-#(%%*+!FRENCH GENTLEMAN!AT!HIS!WRITING!DESK
Oil on textured paper board 11.75 ins x 9.75 ins; 29.8 cms x 24.8 cms PROVENANCE)
Estate Collection, Ontario ".$$%—%/$$
.! ATTRIBUTED!TO!JEAN-BAPTISTE!VAN! LOO!"#)%$-#($&*+!FRENCH FEEDING!A!PARROT-! TALKING!BY!THE!DOOR
Pair of oils on panel; each signed lower le! and inscribed “J. Van Loo” verso Each 7 ins x 6.5 ins; 17.8 cms x 16.5 cms "!+$$$%—%!+,$$
.( FOLLOWER!OF!CLAUDE!LORRAIN! "#)//–#)%,*+!FRENCH LANDSCAPE!WITH!NARCISSUS
Oil on canvas PROVENANCE)
Private Collection, Toronto, ON "(+$$$%—%-+$$$
.MANNER!OF!NICOLAS!POUSSIN! "#&.$-#))&*+!FRENCH THE!REST!ON!THE!FLIGHT!INTO!EGYPT! WITH!SAINT!JOHN!THE!BAPTIST
Oil on canvas, painted in a tondo Tondo/Overall 14.75 ins x 13.5 ins; 37.5 cms x 34.3 cms; Tondo/Overall 16 ins x 14.25 ins; 40.6 cms x 36.2 cms PROVENANCE)
Private Collection, Toronto, ON "!+$$$%—%!+,$$
.* ATTRIBUTED!TO!JEAN-BAPTISTE! GREUZE!"#(,&-#%/&*+!FRENCH AUX!“ROSE”!$GIRL!WITH!ROSE&%!'+2'
Pastel on paper; signed “J.B. Greuze,” titled and dated 1751 in pen and ink to an old label from the previous backing paper, a"ached to the present verso backing Sight 13.75 ins x 11.5 ins; 34.9 cms x 29.2 cms PROVENANCE)
susan woodrooffe inscribed to a label verso "!+$$$%—%!+,$$
., CIRCLE!OF!THÉODORE!ROUSSEAU! "#%#,-#%)(*+!FRENCH FOREST!WITH!ORANGE!SKY
Oil on canvas; bears signature “TH Rousseau” in red paint lower le! 31 ins x 38.75 ins; 78.7 cms x 98.4 cms PROVENANCE)
Said to have been acquired from the collection of Gail Barber, Guelph, ON; By the husband of the present Private Collection in 2003 until his death in 2012; By descent to his wife who understood from notes that her late husband received the painting from Gail Barber in Guelph, ON "!+$$$%—%!+,$$
.# AFTER!ÉLISABETH!LOUISE!VIGÉE!LE! BRUN!"#(&&-#%$,*+!FRENCH SELF!PORTRAIT!OF!THE!ARTIST! IN!HER!STUDIO%!'+,)
Oil on canvas laid down to masonite. A fine 19th century copy. 29.5 ins x 23.5 ins; 74.9 cms x 59.7 cms PROVENANCE)
Garfield Galleries, Toronto label verso; Private Collection, Ontario "!+$$$%—%!+,$$
.. FOLLOWER!OF!A!#)TH!CENTURY! GERMAN!MASTER TEMPORA!MUTANTUR!ET!NOS!MUTAMUR! IN!ILLIS!$TIMES!ARE!CHANGING!AND!WE! ARE!CHANGING!WITH!THEM&#!MAN!WITH! RUFFED!COLLAR!AND!COAT!OF!ARMS%! "(!YEARS!OLD%!'2(/
Oil on cradled panel; inscribed in Latin, dated A (nno) 1583 and inscribed “Aeta 48” upper right 25 ins x 22.75 ins; 63.5 cms x 57.8 cms PROVENANCE)
“Col Hess,” possible owner, inscribed verso; Private Collection, Toronto, ON "(+$$$%—%-+$$$
.' AFTER!ELISABETTA!SIRANI!"#)1%-#))&*+! ITALIAN THE!INFANT!SAINT!JOHN!THE!BAPTIST! IN!THE!WILDERNESS
Oil on canvas 30.35 ins x 25 ins; 77.1 cms x 63.5 cms PROVENANCE)
Alex Drysdale, Carvers and Gilders and Picture Frame Makers, Edinburgh label to the frame verso; Private Collection, Ontario ".$$%—%/$$
./ MID-#%TH!CENTURY!ROME+!ITALIAN APOLLO!AND!THE!MUSES!ON!MOUNT! PARNASSUS!WITH!PEGASUS%!CA*!'+2)
Oil on panel; inscribed “26 B. de - di H” in blue crayon to the frame verso 11.5 ins x 9.5 ins; 29.2 cms x 24.1 cms PROVENANCE)
Art Gallery Sandro Bosi, Rome, their business card accompanying the lot as the original receipt inscribed “Banco Roma” 1971 and 1972; From whom acquired by a Private Collection, Toronto, ON; Prominent Private Collection of a former museum curator, Fredericton, NB "!+$$$%—%!+,$$
'$ AFTER!CARLO!DOLCI!"#)#)-#)%)*+! ITALIAN THE!NATIVITY!WITH!THE!ADORATION
Oil on canvas; inscribed “Carlo Dolci/ 1816-1686/ Firenze” in black paint to the relined canvas verso 21.5 ins x 17 ins; 54.6 cms x 43.2 cms PROVENANCE)
Christie’s South Kensington, Thursday, November 30, 2006, lot 120; Estate Collection, Montreal, PQ; By descent in the family, Montreal, PQ ".$$%—%/$$
'! MANNER!OF!GIOVANNI!PAOLA!PANINI! "#).#-#()&*+!ITALIAN ARCHITECTURAL!CAPRICCIO!WITH! ANTIQUITIES#!A!RUIN!WITH!CORINTHIAN! COLUMNS%!A!STATUE%!AND!FIGURES!IN!!A! LANDSCAPE!SETTING
Oil on canvas 19.25 ins x 14.75 ins; 48.9 cms x 37.5 cms PROVENANCE)
Acquired from a former dealer Paris, France (uncertain); Estate Collection, Toronto "!+,$$%—%(+,$$
'( CIRCLE!OF!GIOVANNI!ANDREA!SIRANI! "#)#/-#)(/*+!ITALIAN ANNUNCIATION!TO!THE!DEATH! OF!THE!VIRGIN
Oil on canvas; with an indistinct red wax seal to the canvas verso 29.25 ins x 39 ins; 73.7 cms x 99.1 cms PROVENANCE)
Britnell’s Art Gallery, Toronto, ON label to the frame; Private Collection, Toronto, ON "#+$$$%—%'+$$$
'PAOLO!FIDANZA!"#(1#–#(.&*!AFTER! RAFFAELLO!“RAPHAEL”!SANZIO!DA! URBINO!"#$%1–#&,/*+!ITALIAN HEAD!OF!PLATO!$THE!ELDER!PLATO!! FROM!THE!‘THE!SCHOOL!OF!ATHENS’!IN! THE!VATICAN&%!CA*!'+2+-(2
Ink drawing on fine laid paper with fleur de lys watermark, tipped at the top two corners to a paper support with laid lines; inscribed by Paolo Fidanza in pen and ink below the drawing, on the mount in Italian script: “Platone Ateniesi dipinto da Raffaelle nel Vaticano” Sheet/Mounted 16.7 ins x 11.5 ins; 42.4 cms x 29.1 cms; Sheet/Mounted 13.5 ins x 9.5 ins; 34.3 cms x 24.1 cms PROVENANCE)
Estate of Fred Helson, Toronto, ON; By descent to his wife, Toronto, ON "!+$$$%—%!+,$$
'* PAOLO!FIDANZA!"#(1#–#(.&*!AFTER! RAFFAELLO!“RAPHAEL”! SANZIO!DA!URBINO!"#$%1–#&,/*+! ITALIAN HEAD!OF!MANDRICARDO!$FIDANZA’S! “IDEA”!$UNIQUE!STUDY&
Ink drawing on fine laid paper with watermark of a shield with scrolled top laying on its side, tipped at the top two corners to a paper support with laid lines; inscribed by Paolo Fidanza in pen and ink below the drawing on the mount in Italian script: “Idea di un mostro chiamato Mandricardo, che dicesi esser stato Nano di Costantino Imperatore dipinto da Raffaello nel Vatican” inscribed in Italian to label verso. Sheet/Mounted 15.6 ins x 12 ins; 39.7 cms x 30.5 cms; Sheet/Mounted 17 ins x 13.4 ins; 43.2 cms x 34 cms PROVENANCE)
Estate of Fred Helson, Toronto, ON; By descent to his wife, Toronto, ON "!+$$$%—%!+,$$
', AFTER!LEONARDO!DA!VINCI! "#$&,-#&#.*+!ITALIAN MONA!LISA
Oil on canvas. A nineteenth century copy of the smaller celebrated original in the Louvre, Paris. 30.5 ins x 21.25 ins; 77.5 cms x 54 cms PROVENANCE)
With Staff’s Gallery, Toronto, ON in 1997; Private Collection, Ontario "'$$%—%!+($$
'# FOLLOWER!OF!THE!SCHOOL!OF! RAPHAEL!"#$%1–#&,/*+!ITALIAN STUDY!OF!HEADS!LOOKING! UPWARDS!IN!ECSTACY
Oil sketch on canvas 9.5 ins x 12.75 ins; 24.1 cms x 32.4 cms PROVENANCE)
Estate Collection, Ontario "!+,$$%—%(+,$$
'. CIRCLE!OF!CARLO!MARATTA! "#),&-#(#1*+!ITALIAN PORTRAIT!OF!A!CARDINAL!MAZARIN
Oil on canvas 26.75 ins x 20 ins; 67.9 cms x 50.8 cms PROVENANCE)
Tajan, June 21, 2006, lot 27; Private Collection, St. Petersburg, Florida, formerly North Bay, ON "#+$$$%—%'+$$$
'' AFTER!VITTORE!CARPACCIO! "#$)&-#&#,*+!ITALIAN RITORNO!DEGLI!AMBASCIATORI! $RETURN!OF!THE!AMBASSADOR&
Oil on canvas; incised to the stretcher: “Venice / Copy Carpaccio...” and inscribed indistinctly with le"ers to the right centre stretcher verso. Unframed. 51.5 ins x 51.5 ins; 130.8 cms x 130.8 cms PROVENANCE)
Estate of David Parsons, Mahone Bay N.S "#+$$$%—%'+$$$
'/ CIRCLE!OF!LUCA!GIORDANO! "#)1$-#(/&*+!ITALIAN VISION!OF!THE!BLACK!CHRIST! WITH!ANGELS
Oil on canvas, arched top 23 ins x 16.5 ins; 58.4 cms x 41.9 cms PROVENANCE)
Private Collection, Ontario "(+$$$%—%-+$$$
/$ ATTRIBUTED!TO!SALVATOR!ROSA! "#)#&-#)(1*+!ITALIAN THE!FORTUNE!TELLER%!'11(
Oil on canvas; signed and dated 1668 at Volterra verso, titled to the old label typeset verso 15.7 ins x 12.25 ins; 40 cms x 31.1 cms PROVENANCE)
From the W. Averell and Marie Harriman Collection, typeset label verso; Private Collection, Ontario "(+$$$%—%-+$$$
/! AFTER!CARLO!MARATTA!"#),&–#(#1*+! ITALIAN VIRGIN!OF!THE!IMMACULATE! CONCEPTION
Oil on canvas, ma"ed in a feigned oval. Painted from the engraving in reverse by the French artist, Etienne Picart (1631-1723) in 1665. 37 ins x 27.75 ins; 94 cms x 70.5 cms; 39 ins x 29 ins; 99.1 cms x 73.7 cms PROVENANCE)
Private Collection, St. Petersburg, Florida, formerly North Bay, ON "`!+($$%—%!+'$$
/( ATTRIBUTED!TO!FRANCESCO!MONTI! "#)%&–#()%*+!ITALIAN MIDWIVES!ATTENDING! THE!NEWBORN!CHRIST
Oil on canvas; signed indistinctly lower right 5.75 ins x 7.25 ins; 14.6 cms x 18.4 cms PROVENANCE)
Estate Collection, Ontario ",$$%—%.$$
/FOLLOWER!OF!FRANCESCO!GUARDI! "#(#,-#(.1*+!ITALIAN PAIR!OF!',TH!CENTURY!VENETIAN! ARCHITECTURAL!VIEWS#!VIEW!OF! THE!PORTICO!OF!THE!PALAZZO! DUCALE-!ELEGANT!COMPANY!UNDER!A! COLONNADE
Two oils on canvas. In matching frames. Each 15.5 ins x 12.25 ins; 39.4 cms x 31.1 cms PROVENANCE)
“View of the Portico of the Palazzo Ducale” may have been purchased at Jackson’s, November 13, 2012, lot 6 by the present Private Collection, St. Petersburg, Florida, formerly North Bay, ON "!+,$$%—%(+,$$
/* SCHOOL!OF!SALVATOR!ROSA! "#)#&–#)(1*+!ITALIAN TRAVELS!OF!THE!COVENANT
Oil on canvas; signed and dated 1666 bo"om centre 23 ins x 31 ins; 58.4 cms x 78.7 cms PROVENANCE)
A.K. Higgs, Publishers label to the frame; Estate Collection, Montreal, PQ; By descent in the family, Montreal, PQ "(+$$$%—%-+$$$
/, CIRCLE!OF!ANTONIO!JOLI! "CIRCA!#(//–#(((*+!ITALIAN ARCHITECTURAL!CAPRICCIO!WITH! SPECTATORS!AMONG!RUINS
Oil on canvas 25 ins x 30.5 ins; 63.5 cms x 77.5 cms PROVENANCE)
Private Collection, Toronto, ON "!+$$$%—%!+,$$
/# E0!BOTTONI!"#.TH!CENTURY*+!ITALIAN THE!EDUCATION!OF!THE!YOUNG! CLERGYMAN%!'(,+
Oil on canvas; signed and dated 1897 at “Roma”, lower right 64 ins x 41 ins; 162.6 cms x 104.1 cms PROVENANCE)
Private Collection, Ontario "!+,$$%—%(+$$$
/. ATTRIBUTED!TO!JOSEPH!DE!PAEZ! "#(,/–#(./*+!MEXICAN MADONNA!DELLA!SEDIA!$AFTER! RAPHAEL%!'"(/–'2.)%!ITALIAN&
Oil on canvas, a feigned tondo, laid down on masonite; signed “Joseph de Paez” lower right 25.5 ins x 23.75 ins; 64.8 cms x 60.3 cms PROVENANCE)
Private Collection, Ontario "'$$%—%!+($$
/' KAROL!HEIMROTH!"#%)//),-#.1/*+! UKRAINIAN/!POLISH MOSES!AT!THE!RED!SEA%!','/
Oil on canvas; signed “Heimroth. Paryz” (at Paris) and dated “913” lower le! 40 ins x 26 ins; 101.6 cms x 66 cms PROVENANCE)
With William Haines, Toronto framer’s label verso backing; Private Collection, Toronto, ON ",$$%—%.$$
// FOLLOWER!OF!CLAUDIO!COELLO! "CA0!#)1,–#).1*+!SPANISH FRANCIS!II%!'ST!HUSBAND!OF!MARIE! STUART-!MARIE!STUART!WHILE! DAUPHINESS!OF!FRANCE
Pair of oils on panel; each inscribed “by Coello,” titled and numbered “No. 7” in black paint verso. In matching reproduction, elaborate, Italianate frames. Each 13 ins x 10.25 ins; 33 cms x 26 cms PROVENANCE)
John L. Lindair, collector’s calling card verso; With Encadrement Baroque Picture Frames, Montreal, Quebec labels verso; Estate Collection, Montreal, PQ By descent in the family, Montreal, PQ "!+$$$%—%!+,$$
!$$ FOLLOWER!OF!FRANCISCO!JOSÉ! DE!GOYA!Y!LUCIENTES!"#($)–#%,%*+! SPANISH THE!BODY!OF!THE!DEAD!CHRIST! IN!THE!TOMB
Oil on canvas 11.5 ins x 27.5 ins; 29.2 cms x 69.9 cms PROVENANCE)
From the private collection of the Catholic Church, Toronto, ON ",$$%—%.$$
!$! MANNER!OF!JUSEPE!DE!RIBERA! "#&.#–#)&,*+!SPANISH SAINT!PAUL!THE!HERMIT! IN!THE!WILDERNESS
Oil on canvas, sculpted oval. Framed in the oval. 39 ins x 29.5 ins; 99.1 cms x 74.9 cms PROVENANCE)
Private Collection, Ontario "/$$%—%!+($$
!$( FOLLOWER!OF!SIR!PETER!LELY! "#)#%–#)%/*+!BRITISH PORTRAIT!OF!A!LADY!$LIKELY!!CATHERINE! SEDLEY%!COUNTESS!OF!DORCESTER&! SEATED!BY!AN!URN!HOLDING!A! POSY!OF!FLOWERS
Oil on canvas, three-quarter length 47 ins x 38 ins; 119.4 cms x 96.5 cms PROVENANCE)
Estate of Lois Orkin, Toronto, ON "-+$$$%—%*+$$$
!$ATTRIBUTED!TO!MICHAEL!DAHL! "#)&.-#($1*+!SWEDISH/BRITISH BAROQUE!PORTRAIT!OF!AN!ENGLISH! NOBLEMAN!IN!A!LONG!WIG
Oil on canvas, sculpted oval. Contained in an antique oval frame. 29 ins x 24 ins; 73.7 cms x 61 cms PROVENANCE)
Estate of Lois Orkin, Toronto, ON "(+$$$%—%-+$$$
Index A
Goyen, A!ributed to Jan Josefsz. van 29
N
Aken, Circle of Josef van 63
Greuze, A!ributed to Jean-Baptiste 74
Neer, A!ributed to Aert van der
Anglo-Dutch, 18th Century School 44
Greuze, Follower of Jean-Baptiste 65 Greuze, Jean Baptiste
66
Guardi, Follower of Francesco
B
49
P 93
Balen, Follower of the elder Hendrik van 32
Paez, A!ributed to Joseph de
97
Panini, Manner of Giovanni Paola 81
Bath, Follower of Thomas Barker of 12
H
Beard, William Holbrook 2
Hansen, Carel Lodewyk
Beuckelaer, A!ributed to Joachim 58
Haydon, A!ributed to Benjamin Robert 13
Bloemaert, A"er Abraham 39
Heemskerk, Circle of Egbert van
42
R
24
Raphael, Follower of the School of 86
26
Bol, A!ributed to Ferdinand
40
Heere, A!ributed to Lucas de
Both, A!ributed to Jan Dirksz
30
Heimroth, Karol 98
Bo!oni, E.
96
Hogarth, A"er William
British, 18th Century School
15
Bruegel, School of Pieter the Elder 56 Brun, A"er Élisabeth Louise Vigée Le 54, 76 C Carpaccio, A"er Vi!ore
88
Coello, Follower of Claudio
99
68
Poussin, Manner of Nicolas
73
Realisth School 14
25
Ribera, Manner of Jusepe de
101
Hoppner, A!ributed to John
20
Rijn, A"er Rembrandt Harmenszoon van 45
Huchtenburg, Manner of Jan van
47
Rome, Mid-18th Century
79
Romeyn, Circle of Willem 35 I/J
Romney, Follower of George
5 90
Ibbetson, Julius Caesar
7, 11
Rosa, A!ributed to Salvator
Joli, Circle of Antonio
95
Rosa, School of Salvator
Jordaens, A"er Jacob
64
Rousseau, Circle of Théodore
94 75
Rubens, A"er Peter Paul 4, 59, 69 L
D Dahl, A!ributed to Michael
21, 103
Dolci, A"er Carlo 80 Dou, A"er Gerrit 27 Dutch, 18th Century School
34
Dutch, 18th/19th Century School
28
Dutch, 19th Century School 38, 43, 31 Dyck, Follower of Anthony van
50, 57
Leickert, Manner of Charles Henri Joseph 36
S
Lely, Follower of Sir Peter 23
Schoneman, Fr.
Lely, Follower of Sir Peter 8, 19, 102
Seghers, Follower of Gérard
Loo, A!ributed to Jean-Baptiste van 71
Sirani, A"er Elisabe!a
Loo, Follower of Jean-Baptiste van 67
Sirani, Circle of Giovanni Andrea
Lorrain, Follower of Claude
Snijders, Circle of Frans
83, 84
Flemish, School of 17th Century
55
G German, Follower of a 16th Century Master 77 Gillray, James (1757-1815)
16
Giordano, Circle of Luca 89 Gool, A!ributed Jan van 33 Goya, Follower of Francisco José de y Lucientes 100
72
3 53
78 82
60
Sorgh, A"er Hendrick Martensz
51
M Manner, 18th Century Dutch
E/F Fidanza, Paolo
Peeters, Circle of Jan the Elder
46, 48
T
Mara!a, A"er Carlo
91
Teniers, Follower of David the Younger 62, 41
Mara!a, Circle of Carlo
87
Titian, A"er
1
Mauve, A!ributed to Anton
52
Tour, Circle of Maurice Quentin de La 70
Meiren, Jan-Baptiste van der
37
Monti, A!ributed to Francesco
92
U/V/W/Y
Morland, A!ributed to George
6, 10
Uden, Manner of Lucas Van
Morland, Follower of George
9
Vinci, A"er Leonardo da 85
Nasmyth, Follower of Patrick
18
Ward, Manner of James
61
17
Wilson, A!ributed to Richard
22
Buying at Waddington’s All lots will be offered and sold subject to the Conditions of Sale which appear in this catalogue as well as any Glossary and posted or oral announcement. By bidding at auction, bidders are bound by those Conditions and Glossary, as amended by any oral announcement or posted notices, which together form the contract of sale between the successful bidder (buyer), Waddington’s™ and the consignor (seller) of the lot. Descriptions or photographs of lots are not warranties and each lot is sold “as is” in accordance with the Conditions of Sale.
CONDITION'OF'LOTS
All of the items are to be considered, unless otherwise noted in the description or condition report, in good condition. The definition of “good” when used in reference to condition, describes an object as having had no major damage or repair but as with the nature of the material, may show minor surface wear, discolouration etc., which indicates the acceptable wear that the piece may acquire with age. If you are particular about minor flaws, you should examine the pieces in person or have our staff answer any questions before bidding. Sizes are approximate. It is the sole responsibility of the bidder to inquire as to the condition of a lot before bidding. Condition reports are available upon request by phone, fax, email or in person. You are advised to make any requests well in advance of the sale. Frames on artwork are not included as part of purchase or condition.
BUYERS'PREMIUM
A premium of 20% of the successful bid price of each lot. A charge of 13% HST (Harmonized Sales Tax) is applicable on the hammer price and buyer’s premium, except for purchases exported from Canada. In the case where purchases are shipped out of the province of Ontario, the HST or GST is charged based on the tax status of that province.
PAYMENT
Payment for purchases must be by cash, INTERAC direct debit (CDN clients in person only), certified cheque (U.S. & Overseas not applicable), travelers cheque, bank dra", electronic transfer (fee applies), VISA or Mastercard (up to $25,000). ALL'PRICES'IN'CANADIAN'FUNDS
Selling at Waddington’s BIDDING
The Auctioneer may also execute bids on behalf of the consignor to protect the reserve. The reserve is the confidential minimum price the seller is willing to accept for his or her property, below which it will not be sold.
SHIPPING
WADDINGTON’S'COMMISSION'RATES Items selling for $7,501 or more 10% Items selling for $2,501 to $7,500 15% Items selling for $251 to $2,500 20%
The Auctioneers will not undertake packing or shipping. The purchaser must designate and arrange for the services of an independent shipper and be responsible for all shipping, insurance expenses and any necessary export permits that may apply. The Auctioneers will, upon request, provide names of professional packers and shippers but will not be held responsible for the service or have any liability for providing this information. Reliable preauction estimates of shipping costs of lots offered in this sale may be obtained from:
Items selling for $250 or less 25%
PakShip
*There is a minimum handling charge of $20 per item
#$%-'($-)*('+/+#$%-'($-)*(%+/+',)--#.-*--% taurus@pakship.ca / www.pakship.ca Safer Shipping Inc. ',)--##-..)( / ',)--##-#(%$ perry@safershipping.ca / www.safershipping.ca
REMOVAL'OF'PURCHASES
Purchases must be paid for within 48 hours of the date of the sale, and removed from premises within 10 days of the date of sale (see Conditions of Sale, conditions 8 to 15). Clients are advised that packing and/or handling of purchased lots by our employees or agents is undertaken solely as a courtesy for the convenience of clients.
CITES
Restrictions exist regarding the import and export of species protected under CITES (Convention on International Trade in Endangered Species). This includes but is not limited to items made of or containing bone (whalebone etc.), ivory, tortoise shell, seal skin, rhinoceros horn and any other animal part and is strictly controlled or forbidden by most countries. Please review your country’s laws before bidding on pieces made of or containing these restricted items. It is the sole responsibility of the buyer to inquire about and obtain the proper permits for artwork purchased that may contain restricted materials, if such permit can be obtained. Please contact the department for further assistance. Failure to obtain necessary import/ export permits will not void any sale. All Narwhal Tusks must have a Marine Harvest Number or a Marine and Mammal Transport number to be sold at Waddington’s. For more information please visit: www.cites.org
*There is a minimum handling charge of $20 per item CANADIAN'ART'DEPARTMENT'COMMISSION''RATES Items selling for $7,501 or more 10% Items selling for $2,501 to $7,500 15% Items selling for $2,500 or less 20%
INSURANCE
A 1% insurance charge, based on the hammer price of the property, will be applied to all accounts.
AUCTION'ADVICE
For auction advice on paintings, drawings, prints, jewellery, and various forms of decorative arts and other collectibles, please feel free to contact us via email or telephone. We are pleased to review emails containing photographs and information on your pieces in order to provide auction estimates for you to consider. For collections with a variety of objects, please contact our Appraisals and Consignments department (consignments@waddingtons. ca). For department-specific inquiries, please contact the specialist and/or department directly. All contact information can be found at www.waddingtons.ca. Our offices are located in Toronto and Vancouver, but our specialists occasionally travel to major Canadian cities to meet with prospective consignors. To receive more information on Valuation Days across Canada or to arrange an appointment, please contact our Toronto office (',)-%$'-#,$$). Please note that property typically arrives at Waddington’s at least three months before the sale in order to allow our specialists time to research, catalogue, photograph and promote the items. Consignors will receive a contract to sign, se0ing forth terms and fees for our services.
Conditions of Sale !"#All lots are sold “AS IS”. Any description issued by the auctioneer of an article to be sold is subject to variation to be posted or announced verbally in the auction room prior to the time of sale. While the auctioneer has endeavoured not to mislead in the description issued, and the utmost care is taken to ensure the correct cataloguing of each item, such descriptions are purely statements of opinion and are not intended to constitute a representation to the prospective purchasers and no warranty of the correctness of such description is made. An opportunity for inspection of each article is offered prior to the time of sale. No sale will be set aside on account of lack of correspondence of the article with its description or its reproduction, if any, whether colour or black & white. Some lots are of an age and/or nature which preclude their being in pristine condition and some catalogue descriptions make reference to damage and/or restoration. The lack of such a reference does not imply that a lot is free from defects nor does any reference to certain defects imply the absence of others. Frames on artwork are not included as part of purchase or condition. It is the responsibility of prospective purchasers to inspect or have inspected each lot upon which they wish to bid, relying upon their own advisers, and to bid accordingly. %"# Each lot sold is subject to a 20% buyers premium as part of the purchase price. &"# Unless exempted by law, the buyer is required to pay Harmonized Sales Tax on the total purchase price including the buyer’s premium. For international buyers, taxes are not applicable when purchases are shipped out of country. Items shipped out of Ontario, the buyer is required to pay taxes as per the tax status of that province, whether it HST or GST (Goods and Services Tax).
)" Each lot may be subject to an unpublished reserve which may be changed at any time by agreement between the auctioneer and the consignor. The auctioneer may bid, or direct an employee to bid, on behalf of the consignor as agreed between them. In addition, the auctioneer may accept and submit absentee and telephone bids, to be executed by an employee of the auctioneer, pursuant to the instructions of prospective purchasers not in a*endance at the sale. +"# The highest bidder accepted by the auctioneer for any lot shall be the buyer and such buyer shall forthwith assume full risk and responsibility for the lot and must comply with such other Conditions of Sale as may be applicable. If any dispute should arise between bidders the auctioneer shall have the absolute discretion to designate the buyer or, at his option, to withdraw any disputed lot from the sale, or to re-offer it at the same or a subsequent sale. The auctioneer’s decision in all cases shall be final. 8. Immediately a,er the purchase of a lot, the buyer shall pay or undertake to the satisfaction of the auctioneer with respect to payment of the whole or any part of the purchase price requested by the auctioneer, failing which the auctioneer in his sole discretion may cancel the sale, with or without re-offering the item for sale. 9. The buyer shall pay for all lots within 48 hours from the date of the sale, a,er which a late charge of 2% per month on the total invoice may be incurred or the auctioneer, in his sole discretion, may cancel the sale. The buyer shall not become the owner of the lot until paid for in full. Items must be removed within 10 days from the date of sale, a,er which storage charges may be incurred.
'" The auctioneer reserves the right to withdraw any lot from sale at any time, to divide any lot or to combine any two or more lots at his sole discretion, all without notice.
10. Each lot purchased, unless the sale is cancelled as above, shall be held by the auctioneer at his premises or at a public warehouse at the sole risk of the buyer until fully paid for and taken away.
("# The auctioneer has the right to refuse any bid and to advance the bidding at his absolute discretion. The auctioneer reserves the right not to accept and not to reject any bid. Without limitation, any bid which is not commensurate with the value of the article offered, or which is merely a nominal or fractional advance over the previous bid may not be recognized.
11. Notwithstanding condition no. 1, if the buyer, prior to removal of a lot, makes arrangements satisfactory to the auctioneer for the inspection of such lot by a fully qualified person acceptable to the auctioneer to determine the genuineness or authenticity of the lot, to be carried out promptly following the sale of the lot, and if, but only if, within a period of 14
days following the sale a wri*en opinion of such person is presented to the auctioneer to the effect that the lot is not genuine or authentic, accompanied by a wri*en request by the buyer for rescission of the sale, then the sale of the lot will be rescinded and the sale price refunded to the buyer. 12. Payment for purchases must be by cash, INTERAC direct debit (Cdn clients in person only), certified cheque (U.S. & Overseas not applicable), travelers cheque, bank dra,, electronic transfer (fee applies), and VISA or Mastercard (up to $25,000). 13. In the event of failure to pay for or remove articles within the aforementioned time limit, the auctioneer, without limitation of the rights of the consignor and the auctioneer against the buyer, may resell any of the articles affected, and in such case the original buyer shall be responsible to the auctioneer and the consignor for: (a) any deficiency in price between the resale amount and the amount to have been paid by the original buyer; (b) any reasonable charge by the auctioneer for the storage of such articles until payment and removal by the subsequent buyer; and (c) the amount of commission which the auctioneer would have earned had payment been made in full by the original buyer. 14. It is the responsibility of the buyer to make all arrangements for insuring, packing and removing the property purchased and any assistance by the auctioneer or his servants, agents or contractors, in packing or removal shall be rendered as a courtesy and without any liability to them. 15. The auctioneer acts solely as agent for the consignor and makes no representation as to any a*ribute of, title to, or restriction affecting the articles consigned for sale. Without limitation, the buyer understands that any item bought may be affected by the provisions of the Cultural Property Export Act (Canada). 16. The auctioneer reserves the right to refuse admission to the sale or to refuse to recognize any or all bids from any particular person or persons at any auction.
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