AUCTION ENDS OCTOBER 31 AT 2PM ET
AUCTION ENDS OCTOBER 31 AT 2PM ET
bid and view all lots online at www.waddingtons.ca
on view
Thursday, October 24
10 am to 5 pm
Friday, October 25
10 am to 5 pm
Sunday, October 27
12 pm to 4 pm
Monday, October 28
10 am to 5 pm
Tuesday, October 29
10 am to 5 pm
preview held at 100 Broadview Avenue, Suite 200 Toronto, Ontario M4M 3H3
tel: 416-504-9100
toll free: 1-877-504-5700
director, international art, montreal Goulven Le Morvan glm@waddingtons.ca 438-528-8489
director, canadian fine art Liz Edwards le@waddingtons.ca 416-847-6193
consignment specalist, international art Alicia Bojkov le@waddingtons.ca 416-847-6176
consignment specalist, Kendra Popelas kp@waddingtons.ca 416-967-6027
fine art administrator Holly Yake hy@waddingtons.ca 416-504-9100
front cover Lot 56
ANDY WARHOL NORTHWEST COAST MASK, FROM COWBOYS AND INDIANS, 1986 [F&S. II.380]
front inside cover Lot 145
DAVID ALEXANDER COLVILLE SLEEPER, 1975
back inside cover Lot 97
BETTY ROODISH GOODWIN ESCAPE, 2003
back cover Lot 89
RICHARD DIEBENKORN BLUE, 1984
This catalogue and its contents © 2024 Waddington McLean & Company Ltd.
This auction is subject to the Conditions of Sale on our website. www.waddingtons.ca
Photography & design by Waddington’s All rights reserved.
1
FRANCISCO JOSÉ DE GOYA Y LUCIENTES (1746-1828), SPANISH
PLATE 77, UNOS Á OTROS, (WHAT ONE DOES TO ANOTHER) FROM LOS CAPRICHOS, CA. 1855 [H. 77]
etching, burnished aquatint, drypoint and burin in sepia and dark umber ink on wove paper, with full margins; numbered and titled; probably from the 2nd edition, this edition is of a very small number; published by the Real Academia de Nobles Artes de San Fernando, Madrid sheet 12.4 x 8.5 in — 31.5 x 21.5 cm
PROVENANCE:
Private Collection, Ontario
LITERATURE: Harris 77.
$600 — 800
2
FRANCISCO JOSÉ DE GOYA Y LUCIENTES (1746-1828), SPANISH
BÁRBAROS!, PLATE 38 FROM LOS DESASTRES DE LA GUERRA, CA. 1892-1937 etching, burnished aquatint, and drypoint on laid paper, with full margins; numbered to the upper left corner, titled to margin; from the 2nd to the 7th edition; printed by the Calcografía for the Real Academia, Madrid, Spain sheet 10.2 x 13 in — 26 x 33 cm
PROVENANCE:
Private Collection, Toronto, ON
$1,000 — 1,500
3
FRANCISCO JOSÉ DE GOYA Y LUCIENTES (1746-1828), SPANISH
LOS DESASTRES DE LA GUERRA, CA. 1810-1820 [D. 121-199; H. 122-200]
etchings with burnished aquatint, drypoint, and engraving on strong wove paper; 6 etchings probably from the 3rd edition of 1903, from an edition of 100, each print titled and numbered; published by the Real Academia de Nobles Artes de San Fernando, Madrid
View website for full catalogue details
PROVENANCE:
Craddock & Barnard, London, UK
Private Collection, Calgary, AB, acquired from the above in the 1980s
LITERATURE:
Delteil 121, 149, 178, 185, 198, 199. Harris 122, 150, 179, 186, 199, 200.
$800 — 1,200
4
FRANCISCO JOSÉ DE GOYA Y LUCIENTES (1746-1828), SPANISH
CAIDA DE UN PICADOR DE SU CABALLO DEBAJO DEL TORO, PLATE 26, FROM “LA TAUROMAQUIA,” 1815-1905 [H. 229]
etching, burnished aquatint, and drypoint in sepia on laid MBM watermarked paper, with full margins; from the fourth edition of 1905, edition of 100, numbered to top right corner, without the title; printed by Pérez Agua at the Calcografia, published by Ricardo de los Ríos
9.4 x 13.9 in — 24 x 35.2 cm
PROVENANCE:
Private Collection, Quebec
LITERATURE:
Harris 229: “This edition is the best after the first. It is very well printed but the impressions are sometimes over-inked.”
$1,000 — 1,500
5
ALBRECHT DÜRER (1471-1528), GERMAN
THE RESURRECTION, CA. 1511 [N.H. 124; B. 15]
woodcut in black on laid paper; a later impression
plate 11.4 x 7.9 in — 29 x 20 cm
PROVENANCE:
Private Collection, Toronto, ON Private Collection, Ontario
LITERATURE:
New Hollstein 124.
Bartsch 15.
$800 — 1,200
6
ALBRECHT DÜRER (1471-1528), GERMAN
CHRIST IN LIMBO, FROM THE LARGE PASSION, CA. 1509-1511 [N.H. 121; B. 14]
woodcut in black on laid paper; a later impression plate 15.4 x 11 in — 39 x 28 cm
PROVENANCE:
Private Collection, Toronto, ON Private Collection, Ontario
LITERATURE:
Bartsch 14.
New Hollstein 121.
$2,000 — 3,000
7
ALBRECHT DÜRER (1471-1528), GERMAN
ABDUCTION OF PROSERPINE ON A UNICORN, 1516-1876 [B. 72, M. 67] photogravure on laid paper, watermark, with small margins; printed by Charles AmandDuran ca. 1876, with red ink stamp verso sheet 12.6 x 8.7 in — 32 x 22 cm
PROVENANCE:
Private Collection, Ontario
LITERATURE:
Bartsch 72. Meder 67. $400 — 600
8
AFTER JOHANN WILHELM WEINMANN (1683-1741), GERMAN
SET OF SEVEN HAND-COLOURED ENGRAVINGS FROM PHYATHOZA ICONGRAPHIA, 18TH CENTURY hand-coloured engravings and mezzotints on laid paper sheets 15.8 x 9.9 in — 40.1 x 25.1 cm; plates 12.8 x 8.3 in — 32.6 x 21.2 cm
PROVENANCE:
Private Collection, Montreal, QC $6,000 — 8,000
OSKAR KOKOSCHKA (1886-1980), AUSTRIAN
JUNGE FRAU GRABSTELE, FROM BEKENNTNIS ZU HELLAS, 1961/1964
lithograph in colours on wove paper, the full sheet; signed and numbered 21/65; titled to label verso; printed by Fritz Lindau at Griffelkunst, Hamburg and published by Marlborough Fine Art Ltd., London
26 x 20.1 in — 66 x 51 cm
PROVENANCE:
Dunkelman Gallery, Toronto, ON Private Collection, Toronto, ON
$600 — 800
10
OSKAR KOKOSCHKA (1886-1980), AUSTRIAN
HYGEIA II, FROM BEKENNTNIS ZU HELLAS, 1961/1964
lithograph in black on wove paper, the full sheet; signed and numbered 21/65; printed by Fritz Lindau at Griffelkunst, Hamburg and published by Marlborough Fine Art Ltd., London
sheet 25.8 x 20.1 in — 65.5 x 51 cm
PROVENANCE:
Dunkelman Gallery, Toronto, ON Private Collection, Toronoto, ON
$600 — 800
11
OSKAR KOKOSCHKA (1886-1980), AUSTRIAN
AKROPOLIS I,
FROM BEKENNTNIS ZU HELLAS, 1961/1964 lithograph in black on wove paper, the full sheet; signed and numbered 21/65; titled to label verso; printed by Fritz Lindau at Griffelkunst, Hamburg and published by Marlborough Fine Art Ltd., London
22.9 x 26.6 in — 58.2 x 67.6 cm
PROVENANCE:
The Isaacs Gallery, Toronto, ON Dunkelman Gallery, Toronto, ON Private Collection, Toronto, ON
$400 — 600
12
OSKAR KOKOSCHKA (1886-1980), AUSTRIAN
AEGINA I,
FROM BEKENNTNIS ZU HELLAS, 1961/1964 lithograph in black on wove paper, the full sheet; signed and numbered 21/65; titled to label verso; printed by Fritz Lindau at Griffelkunst, Hamburg and published by Marlborough Fine Art Ltd., London
20.3 x 25.6 in — 51.5 x 65 cm
PROVENANCE:
Dunkelman Gallery, Toronto, ON Private Collection, Toronto, ON
$400 — 600
CECIL TREMAYNE BULLER (1886-1973)
DIVING STAND 2, CA. 1935
lithograph on paper, full margins signed and numbered 10/10
16.75 x 12 in — 42.5 x 30.5 cm
PROVENANCE:
Private Collection, Toronto, ON
$500 — 700
14
CECIL TREMAYNE BULLER (1886-1973)
DIVING STAND 1, CA. 1935
lithograph on wove paper, full margins signed and numbered 10/10
16.25 x 12.5 in — 41.3 x 31.8 cm
PROVENANCE:
Private Collection, Toronto, ON
$500 — 700
15
HENRI DE TOULOUSE-LAUTREC (1864-1901), FRENCH
MARY HAMILTON, FROM LE CAFÉ
CONCERT, 1893 [W.21]
brush and crayon lithograph printed in light olive green ink on wove paper; from the edition of 500, printed by Edward Ancourt and publsihed by l’Estampe Originale, Paris sight 17.1 x 12.6 in — 43.5 x 32 cm
PROVENANCE:
Private Collection, Toronto, ON
LITERATURE:
Wittrock Vol I, 21.
$300 — 400
16
PIERRE BONNARD (1867-1947), FRENCH
LA TOILETTE ASSISE, FROM PIERRE BONNARD, PEINTRE ET LITHOGRAPHE, 1925 lithograph in black on cream wove paper; signed lower right; from the unnumbered edition of 25, there was also an edition numbered on 100; published by Edmond Frapier, Galerie des Peintres-Graveurs, Paris sight 15.9 x 10.5 in — 40.4 x 26.6 cm;
PROVENANCE:
Sobot Gallery Ltd., Toronto, ON Private Collection, Toronto, ON
LITERATURE:
Bouvet 96-3.
$800 — 1,200
17
AFTER KÄTHE KOLLWITZ (1867-1945), GERMAN
WEIBLICHER RÜCKENAKT AUF GRÜNEN
TUCH, 1903 [K. 69]
lithograph in colours on brown craft paper; bears a signature; printed and published by Emil Richter, Dresden, with stamp verso sheet 23.5 x 17.8 in — 59.6 x 45.1 cm
PROVENANCE:
Private Collection, Germany
Private Collection, Ontario
LITERATURE:
Klipstein, 69.
$300 — 500
18
AFTER KÄTHE KOLLWITZ (1867-1945), GERMAN
9 PLATES, FROM HANDZEICHNUNGEN, 1920 lithographs in black on laid paper; signed and dated to plate; from the portfolio of 24 lithographs, edition of 100, printed and published by Emil Richter, Dresden Selbstbildnis, 1916
View website for full catalogue details
PROVENANCE:
Private Collection, Germany
Private Collection, Ontario
$900 — 1,200
19
CAMILLE PISSARRO (1830-1903), DANISH/FRENCH
MARCHE À LA VOLAILLE, À GISORS, 1891 [L. 613C; D. 98]
etching in black on laid paper; artist’s stamp and numbered 4/43; printed 1923 image 10 x 7.6 in — 25.4 x 19.2 cm
PROVENANCE:
Private Collection, Ontario
LITERATURE:
Lugt supp. 613c. Delteil 98.
$400 — 500
20
HENRI RIVIÈRE (1864-1951), FRENCH
UN MATIN BRUMEUX À MORFAT, FROM “LE BEAU PAYS DE BRETAGNE,” 1915 lithograph in colours on wove paper, with full margins; signed in plate; titled in pencil to margin; from the edition of 500 unsigned impressions, aside from the numbered and signed edition of 100 9.1 x 13.8 in — 23 x 35 cm
PROVENANCE:
Private Collection, Quebec
LITERATURE: Fields p. 88.
$600 — 800
21
JAMES JACQUES JOSEPH TISSOT (1836-1902), FRENCH
AT THE WINDOW, 1875 [W. 9]
etching and drypoint in black on wove paper, with wide margins; from an unnumbered and unsigned edition of 25, bearing a signature in pencil by another hand
7.5 x 4.3 in — 19 x 10.8 cm
PROVENANCE:
Private Collection, Quebec
LITERATURE:
Wentworth 9.
$2,000 — 3,000
22
THÉOPHILE STEINLEN (1859-1923), FRENCH
ASSOCIATION DE MALFAITEURS, 1897 [C. 202]
lithograph in black on wove paper, with full margins; signed, a proof aside from the edition of 50; published by Kleinmann, blindstamp 13.1 x 10.6 in — 33.4 x 26.9 cm
PROVENANCE: Private Collection, Quebec
LITERATURE:
Crauzat 202.
$600 — 800
23
JAMES EDWARD HERVEY (J.E.H.) MACDONALD, RCA (1873-1932)
STORMY SKIES (GEORGIAN BAY), 1915/1972
etching in black on wove paper, with full margins printed by David Blackwood in 1972, signed and dated “1915” in pencil by Thoreau MacDonald
2.4 x 3 in — 6 x 7.5 cm
PROVENANCE:
Private Collection, Quebec
$350 — 450
24
DAVID BROWN MILNE (1882-1953)
PAINTING PLACE, 1930-1931
colour drypoint on Fabriano wove paper signed to the margin; initialed in matrix plate 4.75 x 6.75 in — 12.2 x 16.5 cm
PROVENANCE:
Waddington’s Auctioneers, Toronto, ON, 8 Nov 2018, lot 100
Private Collection, London, ON
$800 — 1,000
ALFRED JOSEPH CASSON, OSA, PRCA (1898-1992)
FLOWERS IN A RED BOWL; DELPHINIUMS AND DAISIES, CA.1930
two screenprints in colours on paper, with full margins each print signed in the plate; printed by Sampson-Matthews Ltd., Toronto
10.8 x 9.1 in — 27.4 x 23 cm; 10.6 x 8.8 in — 26.8 x 22.4 cm
PROVENANCE:
Private Collection, Quebec
$400 — 600
26
FRANKLIN CARMICHAEL, OSA, RCA (1890-1945) TRILLIUMS
linocut in colours on wove paper signed, titled, and numbered 1/50 7.8 x 5.9 in — 19.8 x 15 cm
PROVENANCE:
Private Collection, Hamilton, ON
EXHIBITED:
The Eight Members, Arts and Letters Club, Toronto, ON, 19-22 May 2009.
$1,500 — 2,000
27
MARC CHAGALL (1887-1985), FRENCH/BELARUSIAN
DOVE AND MENORAH CANDLESTICK & THE LION OF JUDAH WITH THE TABLETS, FROM THE JERUSALEM WINDOWS, 1961
[M. 365-6; C. BOOKS 49]
lithographs in colour on wove paper, the full sheets; printed by Mourlot Frères, published by André Sauret, Monte Carlo in 1962 each 12.6 x 9.6 in — 32 x 24.5 cm
PROVENANCE:
The Waddington Galleries, Montreal, QC Private Collection, Montreal
LITERATURE:
Mourlot 365-6. Cramer Books 49.
$200 — 400
28
MARC CHAGALL (1887-1985), FRENCH/BELARUSIAN
THE JERUSALEM WINDOWS, 1961 [M. 365-6; C. BOOKS 49] book with 2 lithographs in colour; hardcover, bound, first edition with the text in English by Jean Leymarie; printed by Mourlot Frères, published by André Sauret, Monte Carlo in 1962; complete with the two lithographs in colours on wove paper, the full sheets, from the edition of unknown size 13 x 10.2 in — 33 x 26 cm
PROVENANCE: Private Collection, Montreal, QC
LITERATURE:
Mourlot 365-6. Cramer books 49.
$200 — 300
AFTER PABLO PICASSO (1881-1973), SPANISH
COLOMBE VOLANT (À L’ARC-EN-CIEL) (FLYING DOVE IN A RAINBOW), 1952
[B. 712, M. 214, C. 150]
lithograph in colours on Arches paper, with full margins; signed and numbered 150/200, there were also 38 artist’s proofs on Japon nacré; printed and published by Mourlot, Paris, in 1960
21.3 x 30 in — 54.2 x 76.2 cm
PROVENANCE:
Art Rental Service of the Art Gallery of Ontario, Toronto, ON Private Collection, Toronto, ON
LITERATURE:
Bloch 712. Mourlot 214. Czwiklitzer 150.
$5,000 — 8,000
30
SALVADOR DALÍ (1904-1989), SPANISH
LA SUITE CATALANE, 1954
complete set of 6 painted and glazed ceramic tiles; stamped with the date verso; manufactured by El Siglo, Onda, Spain El beso fuego, Las guitarras, El sol vegetal La estrella de mar, Palomas, Flechas each 8 x 8 in — 20.3 x 20.3 cm
PROVENANCE:
Private Collection, Ontario
$700 — 900
31
PABLO PICASSO (1881-1973), SPANISH HIBOU, VERRE ET FLEUR, 1956 [B. 1272; M. 282]
lithograph in colours on wove paper; poster, signed in blue lower left; from the poster edition of 2,000; printed by Mourlot, Paris, published by Galerie 65, Cannes
26.4 x 18.9 in — 67 x 48 cm
PROVENANCE: Ritchie’s, Toronto, 3 Jun 1992, lot 35 Private Collection, Ontario
LITERATURE: Bloch 1271. Mourlot 282.
$800 — 1,200
32
MARC CHAGALL (1887-1985), FRENCH/BELARUSIAN
AFFICHE D’EXPOSITION (PROFIL BLEU), 1967 lithograph in colours on wove paper; poster, from the unnumbered edition of 2,000; published by Maeght, Paris, printed by Mourlot, Paris
33.9 x 22.4 in — 86 x 57 cm
PROVENANCE: The Boyd Gallery, Toronto, ON Private Collection, Toronto, ON
LITERATURE: Mourlot 476. Sorlier 53.
$200 — 400
BERNARD BUFFET (1928-1999), FRENCH
GALERIE 65 - CANNES, 1960 [S. 26]
lithograph in colours on wove paper; poster, from the edition of 600; published by David & Garnier, Paris, printed by Mourlot, Paris
29.1 x 20.9 in — 74 x 53 cm
PROVENANCE:
Private Collection, Toronto, ON
LITERATURE:
Sorlier 26.
$300 — 500
34
RAOUL DUFY (1877-1953); FERNAND LÉGER (1881-1955); HENRI MATISSE (1869-1954); PABLO PICASSO (1881-1973)
A SELECTION OF 4 LITHOGRAPHS, FROM SCHOOL PRINTS PROJECT, 1943-9 lithographs in colours on English cartridge paper; each signed and titled in plate, from the edition of 3000; printed by W.S. Cowell Ltd., Great Britain, published by School Prints Ltd., Great Britain
Raoul Dufy, The Band, ca. 1940
19.5 x 29.9 in — 49.5 x 76 cm
Fernand Léger, King of Hearts, ca. 1940
18.5 x 28.3 in — 47 x 72 cm
Henri Matisse, The Dancer, 1949
19.5 x 29.9 in — 49.5 x 76 cm
Pablo Picasso, Composition, 1948
19.5 x 29.9 in — 49.5 x 76 cm
PROVENANCE:
Private Collection, Ontario
$600 — 800
35
SALVADOR DALÍ (1904-1989), SPANISH MADONNA OF PORT LLIGAT, 1973
lost-wax patinated bronze casting on black marble base; signature and edition “No. USA 314/2500” incised; published by 2049 Obra Contemporanea S.A., Spain, contained in the original wooden box
5.2 x 4.3 x 3.5 in — 13.1 x 11 x 9 cm
PROVENANCE:
Private Collection, Ontario
$300 — 500
36
SALVADOR DALÍ (1904-1989), SPANISH CRISTO DE SAN JUAN DE LA CRUZ, 1974 sculpture in silver; signature and number 174/250 incised; published by 2049 Obra Contemporanea S.A., Spain, contained in the original black velvet box
8.5 x 5.5 in — 21.7 x 14 cm
PROVENANCE: Private Collection, Ontario
LITERATURE:
Descharnes, Robert & Nicolas “Le Dur et le Mou” catalogue, pg. 168-169, ref #427-429.
$1,500 — 2,500
37
SALVADOR DALÍ (1904-1989), SPANISH CARMEN - CASTANETS, CA.1970
green-patinated bronze on a black marble base; signature and edition “No. USA
348/2500” incised; published by 2049 Obra Contemporanea S.A., Spain, contained in the original wooden box
6.7 x 2.8 x 3.1 in — 17 x 7 x 8 cm
PROVENANCE:
Private Collection, Ontario
$800 — 1,200
38
SALVADOR DALÍ (1904-1989), SPANISH PERSEUS - HOMAGE TO BENVENUTO CELLINI, 1976
gold-patinated bronze on black marble base; signature and edition “No. USA 119/2500” incised; published by 2049 Obra Contemporanea S.A., Spain, contained in the original wooden box
7.5 x 3.1 x 2.5 in — 19 x 8 x 6.3 cm
PROVENANCE:
Private Collection, Ontario
$800 — 1,200
39
PABLO PICASSO (1881-1973), SPANISH
LA DANSE DES FAUNES, 1957 [B. 830; M. 291]
lithograph in black on Arches paper, with full margins; stamped signed; from the unnumbered edition of 1,000, there was also a signed and numbered edition of 200; published by Le Patriote, Nice sheet 19 x 25.6 in — 48.2 x 65 cm
PROVENANCE:
The House of Prints, Toronto, ON Private Collection, Ottawa, ON
LITERATURE:
Bloch 830. Mourlot 291.
$1,200 — 1,800
40
AFTER PABLO PICASSO (1881-1973), SPANISH
LE PEINTRE ET SON MODÈLE, FROM “REGARD SUR PARIS”, 1962 [M. 354] lithograph in black on wove paper; a proof aside from the edition of 180; published by André Sauret, Paris 17 x 13 in — 43.18 x 33 cm
PROVENANCE:
Odon Wagner Gallery, Toronto, ON S.P. Family Collection, Toronto, ON
LITERATURE:
Mourlot 354.
$400 — 500
AFTER PABLO PICASSO (1881-1973), SPANISH
LE PEINTRE ET SON MODÈLE, FROM “REGARD SUR PARIS”, 1962 [M. 353] lithograph in black on wove paper; a proof aside from the edition of 180; published by André Sauret, Paris 17 x 13 in — 43.18 x 33 cm
PROVENANCE:
Odon Wagner Gallery, Toronto, ON S.P. Family Collection, Toronto, ON
LITERATURE:
Mourlot 353.
$400 — 500
42
AFTER PABLO PICASSO (1881-1973), SPANISH
LE PEINTRE ET SON MODÈLE, FROM “REGARD SUR PARIS”, 1962 [M. 355] lithograph in black on wove paper; a proof aside from the edition of 180; published by André Sauret, Paris sheet 17 x 25 in — 43.18 x 63.5 cm
PROVENANCE:
Odon Wagner Gallery, Toronto, ON S.P. Family Collection, Toronto, ON
LITERATURE:
Mourlot 355.
$400 — 500
43
SALVADOR DALÍ (1904-1989), SPANISH
STUDY FOR THE BATTLE OF TETUAN, 1962 etching and aquatint in colours on wove paper; signed and numbered 23/300 sheet 15 x 22.3 in — 38 x 56.7 cm
PROVENANCE:
S.P. Family Collection, Toronto, ON
$2,000 — 3,000
44
SALVADOR DALÍ (1904-1989), SPANISH
COUPLE NUS, FROM “NUDES” PORTFOLIO, 1970 [F. 70-8 E]
lithograph in sepia on watermarked BFK Rives paper, full margins; signed and numbered in Roman LXXIII/CXX; printed by Atelier Desjobert, Paris
20.5 x 25.6 in — 52 x 65 cm
PROVENANCE: Private Collection, Ontario
LITERATURE: Field 70-8 E.
$600 — 800
45
JEAN PAUL LEMIEUX (1904-1990)
JEAN PAUL LEMIEUX RETROUVE MARIA
CHAPDELAINE, 1981
portfolio of 10 photolithographs on laid paper, with full margins each signed and numbered 68/125; published by Les Éditions Stanké, Montréal, with blindstamp
22.5 x 18.3 in — 57.2 x 46.5 cm
PROVENANCE:
Private Collection, Montreal, QC
$3,000 — 3,500
46
PABLO
PICASSO (1881-1973), SPANISH
SABLE MOUVANT, 1966 [B. 1183-1192; BA. 1152-1161/B/B; C. BOOKS 136]
the complete suite of 10 aquatints on Rives paper, watermark LB, with full margins; signed and numbered 12/15 on the justification page, one of the “Exemplaire de Chapelle” from the edition of 255, there were also 7 hors commerce; printed by Piero Crommelynck and published by Louis Broder, Paris sight 16.9 x 12.7 in — 43 x 32.2 cm
PROVENANCE:
Odon Wagner Gallery, Toronto, ON. S.P. Family Collection, Toronto, ON
LITERATURE:
Bloch 1183-1192. Baer 1152-1161/B/b. Cramer Books 136.
$10,000 — 15,000
47
AFTER PABLO PICASSO (1881-1973), SPANISH
CRÂNE DE CHEVRE SUR LA TABLE, 1950-1953 [BA. 903]
aquatint in colours enhanced with oil and pastel on Rives BFK wove paper, will full margins; signed in blue crayon; a unique enhanced proof with great blue, aside from the edition of 150; published by Lacourière, Paris, blindstamp sheet 21.9 x 30.2 in — 55.7 x 76.6 cm
PROVENANCE:
Galerie Raphael, Frankfurt, Germany
S.P. Family Collection, Toronto, ON
LITERATURE:
Baer 903.
$10,000 — 20,000
48
PABLO PICASSO (1881-1973), SPANISH SCULPTEUR ET MODELE AGENOUILLE, FROM LA SUITE VOLLARD, 1931-1939 [B. 178; BA. 331]
etching and drypoint in black on Montval laid paper, Vollard watermark, with full margins; signed, from the edition of 260, there were also 50 with larger margins; printed by Lacouriere, Paris and published by Ambroise Vollard, Paris sheet 17.3 x 13.1 in — 44 x 33.2 cm
PROVENANCE:
Odon Wagner Gallery, Toronto, ON S.P. Family Collection, Toronto, ON
LITERATURE:
Bloch 178. Baer 331.
$25,000 — 35,000
PABLO PICASSO (1881-1973), SPANISH COUPLE ET PETIT VALET ENCADRÉS PAR UNE PORTIÈRE, FROM LA SÉRIE 347, 1969 [B. 1657; BA. 1672]
sugarlift aquatint in black printed on wove paper, with full margins; signed and numbered 27/50, there were also 17 artist’s proofs; published by Galerie Louise Leiris, Paris 1969, printed by Atelier Crommelynck, Paris 12.7 x 9.8 in — 32.3 x 25 cm;
PROVENANCE:
Private Collection, Saskatchewan
LITERATURE: Bloch 1657. Baer 1672.
$3,000 — 4,000
50
RENÉ MAGRITTE (1898-1967), BELGIAN
LA COMTESSE DE MONTE CRISTO, PLATE I, FROM AUBE À L’ANTIPODE, 1966 [K&B. 6]
etching in black on Richard de Bas Paper, with full margins; signed and numbered 35/77; aside from fifteen collaborators’ proofs lettered from A-O; published by Atelier Rigal, Paris sheet 15.1 x 11.3 in — 38.4 x 28.6 cm
PROVENANCE:
Private Collection, Ottawa, ON
LITERATURE: Kaplan & Baum 6.
$6,000 — 8,000
51
AFTER RENÉ MAGRITTE (1898-1967), BELGIAN
LE PRÊTRE MARIÉ, PLATE I, FROM SIGNE DE SURVIE AU TEMPS D’AMOUR, 1968 [K&B. 13]
etching and aquatint in colours on Rives paper, with full margins; stamped signed and numbered 147/150, with the blindstamp “Gravure Originale Atelier René Magritte” lower right; from the various numbered editions totaling 350; published and printed by Editions Georges Visat, Paris
12.6 x 8.6 in — 32.1 x 21.9 cm
PROVENANCE:
Private Collection, Ottawa, ON
LITERATURE:
Kaplan & Baum 13.
$2,500 — 3,500
52
BERNARD BUFFET (1928-1999), FRENCH
NEW YORK II, FROM ALBUM NEW YORK, 1964 lithograph in colours on Arches paper, with full margins; signed and editioned “E.A” for épreuve d’artiste, one of 30 artist’s proofs aside from the edition of 150; printed by Mourlot, Paris, published by Alain Mazo and Co., Paris
29 x 21.25 in — 73.7 x 54 cm
PROVENANCE:
The Vincent Price Collection, Denver, CO Private Collection, Toronto, ON
LITERATURE: Mourlot 54.
$800 — 1,200
53
FRANCIS BACON (1909-1992), BRITISH STUDIES OF THE HUMAN BODY, 1980 offset lithograph in colours on wove paper, the full sheet; signed in black felt-pen and numbered 227/250; published by Marlborough Gallery, New York
40 x 26 in — 101.5 x 66 cm
PROVENANCE:
Private Collection, British Columbia
$7,000 — 9,000
54
AFTER FRANCIS BACON (1909-1992), BRITISH PERSONNAGE COUCHE, 1966 lithograph in colours on Chiffon Mandeure paper, with full margins; numbered 45/200; published by Maeght, Paris sheet 25 x 18 in — 63.5 x 45.7 cm
PROVENANCE:
Private Collection, Toronto, ON $800 — 1,200
55
ANDY WARHOL (1928-1987), AMERICAN CAMPBELL’S SOUP CAN (TOMATO), 1966 [F&S. II.4A]
screenprint in colours on paper shopping bag; from the unlimited edition, an unknown number were signed, published by the Institute of Contemporary Art, Boston, for the exhibition Andy Warhol, 1966
24.5 x 16.5 in — 62.2 x 41.9 cm
PROVENANCE:
Private Collection, Toronto, ON
LITERATURE:
Feldman & Schellmann II.4a.
$2,000 — 3,000
56
ANDY WARHOL (1928-1987), AMERICAN NORTHWEST COAST MASK, FROM COWBOYS AND INDIANS, 1986 [F&S. II.380]
screenprint in colours on Lenox Museum Board, the full sheet; signed and editioned “AP 10/50” in pencil, aside from the edition of 250, there were also 15 Printer’s Proofs and 15 Hors Commerce; printed by Rupert Jasen Smith, New York, with blindstamp, published by Gaultney Kilneman Art Inc., New York sheet 36 x 36 in — 91.4 x 91.4 cm
PROVENANCE:
Dean Jensen Gallery, Milwaukee, WI
Private Collection, Toronto, ON
Waddington’s Auctioneers, Toronto, 6 Oct 2016, lot 79
Private Collection, Toronto, ON
LITERATURE:
Feldman & Schellmann, II.380.
$30,000 — 40,000
57
SALVADOR
DALÍ (1904-1989), SPANISH ULTRA SURREALIST CORPUSCULAR GALUTSKA, FROM MEMORIES OF SURREALISM, 1971 [F. 71-15 C]
lithograph with etching in colours on Arches paper, with full margins; signed and editioned “E.A.” for artist’s proof, one of 25 proofs aside from the numbered edition of 175, there were also 40 sets in Roman numerals; printed and published by Transworld Art Corporation, New York
20.75 x 16.5 in — 52.7 x 41.9 cm
PROVENANCE:
William Bennett Gallery, New York, NY Private Collection, Toronto, ON
LITERATURE:
Field 71-15 C.
$2,000 — 3,000
58
SALVADOR DALÍ (1904-1989), SPANISH
SURREALIST PORTRAIT OF DALI SURROUNDED BY BUTTERFLIES FROM MEMORIES OF SURREALISM, 1971 [F. 71-2 G]
lithograph with etching in colours on Arches paper, with full margins; signed and editioned “E.A.” for artist’s proof, one of 25 proofs aside from the numbered edition of 175, there were also 40 sets in Roman numerals; printed and published by Transworld Art Corporation, New York
29.75 x 21.25 in — 75.6 x 54 cm
PROVENANCE:
William Bennett Gallery, New York, NY Private Collection, Toronto, ON
LITERATURE:
Field 71-2 G.
$1,500 — 2,500
59
SALVADOR DALÍ (1904-1989), SPANISH THE VOICE OF MY BELOVED! BEHOLD!, FROM SONG OF SONGS OF SOLOMON [F. 71-17F; M&L. 468-479]
etching and aquatint on Japon paper, with full margins; signed and numbered 51/200; published by Leon Amiel, New York, blindstamp
26.4 x 20.1 in — 67 x 51 cm
PROVENANCE: Private Collection, Toronto, ON
LITERATURE: Field 71-17f. Mitchler & Löpsinger 468-479.
$800 — 1,200
60
JOAN MIRÓ (1893-1983), SPANISH COMPOSITION VII, FROM OBRA INÈDITA RECENT, 1964 [M. 356F]
lithograph in colours on Guarro wove paper, with full margins; signed with the initial and numbered 50/100; printed by Sala Gaspar, Barcelona, Spain
12.2 x 8.7 in — 31 x 22.1 cm
PROVENANCE: Raydon Gallery, New York, NY The Allen Gallery, Toronto, ON Private Collection, Toronto, ON
LITERATURE: Mourlot 356F.
$1,500 — 2,500
61
MARC CHAGALL (1887-1985), FRENCH/BELARUSIAN
PRINTEMPS, 1938
lithograph in colours on wove paper; one of approximately 2,000 unsigned impressions for the Spring 1938 edition of Verve; lithograph in black verso; printed by Mourlot, Paris, published by Tériade, Paris
14 x 10.2 in — 35.5 x 26 cm
PROVENANCE:
Private Collection, Toronto, ON
$500 — 700
62
MARC CHAGALL (1887-1985), FRENCH/BELARUSIAN
DAVID Á LA HARPE, FROM “DESSINS POUR LA BIBLE”, 1956 [M. 134; C. BOOKS 25]
lithograph in colours on wove paper, the full sheet; from an unnumbered edition of 6500, there was also a signed and numbered edition of 75 with margins; printed by Mourlot, Paris and published by Éditions de la Revue Verve, Tériade, Paris
sheet 13.9 x 10.1 in — 35.2 x 25.7 cm
PROVENANCE:
Gallery Raphael, Frankfurt, Germany
S.P. Family Collection, Toronto, ON
LITERATURE:
Mourlot 134. Cramer Books 25.
$400 — 600
63
MARC CHAGALL (1887-1985), FRENCH/BELARUSIAN
ASSUERUS CHASSE VASTHI, FROM “DESSINS POUR LA BIBLE”, 1956 [M. 251; C. BOOKS 25]
lithograph in colours on wove paper, the full sheet; from an unnumbered edition of 6500, there was also a signed and numbered edition of 75 with margins; printed by Mourlot, Paris and published by Éditions de la Revue Verve, Tériade, Paris
13.8 x 10.2 in — 35 x 26 cm
PROVENANCE:
Gallery Raphael, Frankfurt, Germany
S.P. Family Collection, Toronto, ON
LITERATURE:
Mourlot 251. Cramer Books 25.
$400 — 600
64
MARC CHAGALL (1887-1985), FRENCH/BELARUSIAN
DESSINS POUR LA BIBLE, COVER OF VERVE VOL. X, N° 37-38, 1960 [C. 42; M. 230]
lithograph in colours on wove paper; published by Verve, Paris
14.2 x 10.6 in — 36 x 27 cm
PROVENANCE:
Private Collection, Toronto, ON
LITERATURE:
Cramer 42. Mourlot 230.
$200 — 300
65
MARC CHAGALL (1887-1985), FRENCH/BELARUSIAN
LA PETITE NUE, FOR THE EXHIBITION CÉRAMIQUES, SCULPTURES ET LES FABLES DE LA FONTAINE, 1952 lithograph in colours on wove paper; signed in plate, invitation card for the exhibition “Céramiques, sculptures et Les Fables de La Fontaine” held in 1952 at Galerie Maegth in Paris
3.5 x 14.2 in — 9 x 36 cm
PROVENANCE:
Private Collection, Toronto, ON
$500 — 700
66
IRA MOSKOWITZ (1921-2001); ISAAC BASHEVIS SINGER (1902-1991), POLISH/AMERICAN
REACHES OF HEAVEN, 1980 complete portfolio with the original drawing on paper and 24 etchings in sepia on Arches paper, with full margins; each etching signed and numbered XVI/25, signed by the artist and novelist in ink and numbered XVI in pencil to colophon, from the edition of 275; published by Landmark Press, New York, the etchings printed by Sorini Studios, New York 18.75 x 13.3 in — 47.6 x 33.8 cm
PROVENANCE:
Private Collection, Toronto, ON
$800 — 1,000
67
RUFINO TAMAYO (1899-1991), MEXICAN TAMAYO, 1967
hand-painted, leather bound book; introduction by Juan Garcia Ponce, signed and numbered 23/100 to colophon, without the additional drawing; published by Galeria de Arte Misrachi, Mexico; contained in the hand-painted leather bound book, each unique 16 x 12.5 in — 40.6 x 31.8 cm
PROVENANCE:
Private Collection, Toronto, ON
$200 — 300
68
MAX ERNST (1891-1976); JACQUES PRÉVERT (1900-1977), GERMAN/ FRENCH
LES CHIENS ONT SOIF, 1964 [S/L. 98 C] complete portfolio with 2 etchings in colours on BFH paper with full margins and 25 lithographs in colours on BFK Rives paper; two etchings signed by the artist, numbered 250 to colophon, the total edition was of 320; published by Au Pont des Arts, Paris, lithographs printed by Mourlot & Frères, Paris; contained in the original cream linen clothbound portfolio sheet 17 x 12 in — 43.2 x 30.5 cm
PROVENANCE:
Private Collection, Toronto, ON
LITERATURE:
Spies/Leppien 98 C.
$700 — 900
ROBERTO MATTA (1911-2002), CHILEAN
FMR, 1971 [S. 260-269]
portfolio of 10 soft ground etching and aquatint in colours on Vélin de Lana vellum, with full margins; with text, numbered 50 to colophon, each print signed and numbered 50/85, there were also XV hors-commerce numbered in roman, this exemplary is without the additional suite on Japon nacré paper; published by Éditions Georges Visat, Paris, contained in the original black cloth-bound portfolio
15 x 11 in — 38 x 28 cm
PROVENANCE:
Private Collection, Montreal, QC
LITERATURE:
Sabatier 260-269.
$1,500 — 2,500
70
JOAN
MIRÓ (1893-1983), SPANISH
PROVERBES À LA MAIN, 1970 [C-M. 679A]
lithograph in colours on textile; bears the number 70/100; probably the front page of the book
31.3 x 22.2 in — 79.5 x 56.5 cm
PROVENANCE:
Galerie Dresdenere, Toronto, ON Private Collection, Toronto, ON
LITERATURE:
Cramer-Maeght 679a.
$600 — 800
71
JOAN MIRÓ (1893-1983), SPANISH
QUELQUES FLEURS POUR DES AMIS, 1964 [M. 407; C. BOOKS 92]
complete portfolio with 1 lithograph and 32 offset lithographs in colours on Grand Vélin de Rives and Arches wove paper; signed lower right to the frontispiece lithograph; each offset lithograph signed in plate; numbered 178 to colophon; published by Societe Internationale d’Art XXe Siècle, Paris, Ed. Fernand Mourlot, Paris; contained in the original cream portfolio box 16.1 x 12.8 in — 41 x 32.5 cm
PROVENANCE:
Private Collection, Toronto, ON
LITERATURE:
Mourlot 407. Cramer 92.
$3,000 — 4,000
72
SALVADOR DALÍ (1904-1989), SPANISH
THE TWELVE SIGNS OF THE ZODIAC, 1967 [M&L. 1181-1192; F. 67-6]
complete portfolio with 12 lithographs and 1 lithograph for the frontispiece in colours on Arches paper, full margins; text by Nicolas Sokoloff; each signed and numbered 79/250 and the frontispiece numbered lithograph, there were also 50 on Japon lettered I-L and 15 hors commerce copies lettered A-O; printed by Fernand Mourlot, Paris, published by Amiel, Paris; contained in the original beige linen clothbound portfolio
28.7 x 20.5 in — 73 x 52 cm
PROVENANCE:
Private Collection, Toronto, ON
LITERATURE: Michler & Löpsinger 1181-1192. Field 67-6.
$15,000 — 20,000
MARC CHAGALL (1887-1985), FRENCH/BELARUSIAN
THE STORY OF EXODUS, 1966 [M. 444-467]
complete portfolio of 24 lithographs in colours on Arches paper, with full margins ; signed and numbered 244/250 on the colophon, from the total edition of 285; printed by Mourlot, Paris, published by Léon Amiel, Paris and New York; contained in the original beige linen clothbound portfolio
20.1 x 14.6 in — 51 x 37 cm
PROVENANCE:
Private Collection, Toronto, ON
LITERATURE:
Mourlot 444-467.
$20,000 — 30,000
40 DISEGNI DI MAESTRI MODERNI, 1961
OFFSET LITHOGRAPHS; TEXT BY GRYTZKO MASCIONI; NUMBERED 368/450 TO COLOPHON; PUBLISHED BY 2P EDIZIONI D’ARTE, MILAN 1961; printed on paper specially manufactured by Cartiera Ventura; binding executed by Conti Borbone in jacaranda wood with gold titles to spine and gold frieze to plate to a design by painter Osvaldo Carrara
20.1 x 16.1 in — 51 x 41 cm
PROVENANCE:
Private Collection, Toronto, ON
$1,000 — 1,500
75
MARC CHAGALL (1887-1985), FRENCH/BELARUSIAN
L’INSPIRATION FROM CHAGALL LITHOGRAPHE 1957-1962. VOLUME II 1963 [M. 398]
lithograph in colours on wove paper; printed by Andre Sauret, published by Mourlot, Paris sheet 12.6 x 9.4 in — 32 x 24 cm
PROVENANCE:
The Sherman Galleries, Newport News, VA Private Collection, Ottawa, ON
LITERATURE:
Mourlot 398. $150 — 250
76
THREE SCREENPRINTS
1. Breakaway, 1978
screenprint in colours on wove paper, with full margins
signed, titled, dated “’78”, and editioned “AP 13/15”
20.25 x 26.75 in — 51.4. x 67.9 cm
2. Alone, 1978
screenprint in colours on wove paper, with full margins
signed, titled, dated “78”, and editioned “AP 11/15”
26.75 x 20.5 — 67.9 x 52.1 cm
3. Life Stem, 1978
screenprint in colours on wove paper, with full margins
signed, titled, dated “78”, and editioned “A.P. 6/15”
26.75 x 20.25 in — 67.9 x 51.4 cm
PROVENANCE:
Private Collection, Toronto, ON $600 — 800
77
JACQUES HURTUBISE (1939-2014)
TWO SCREENPRINTS
1. Catamoune, 1979
screenprint in colours on wove paper, with full margins
signed, titled, dated “74”, and numbered 34/75
25.5 x 30.5 in — 64.8 x 77.5 cm
2. Naraboumba, 1971
screenprint in colours on wove paper, with full margins
signed, titled, dated “71”, and numbered 20/51
31.5 x 25.75 in — 80 x 65.4 cm
PROVENANCE:
Private Collection, Toronto, ON
$1,200 — 1,600
78
ANNE MEREDITH BARRY, OSA, RCA
(1932-2003)
DAYBREAK #4
woodcut in colours on wove paper, with full margins
signed, titled, and numbered artist’s proof 5/5, aside from the edition of 50 19.5 x 23.5 in — 49.5 x 59.7 cm
PROVENANCE:
Private Collection, Toronto, ON
$300 — 400
79
JOHN HOYLAND (1934-2011), BRITISH OCHRE-PINK, FROM NEW YORK SUITE, 1971
screenprint in colours on white wove paper, with full margins; signed, dated “71”, and numbered 77/100; published by Waddington Graphics, London
26.8 x 34.6 in — 68 x 88 cm
PROVENANCE: Private Collection, Ontario
$600 — 800
80
RONALD YORK WILSON, OSA, RCA (1907-1984)
DONOTIS, 1977
lithograph in colours on wove paper signed, titled, dated “77”, and numbered 10/48; titled and dated to artist label verso Sight 15.5 x 20.5 in — 39.7 x 51.8 cm
PROVENANCE: Beaverbrook Art Gallery, Fredericton, NB Deaccessioned to benefit art purchases at the Beaverbrook Art Gallery
$200 — 300
81
RONALD YORK WILSON, OSA, RCA (1907-1984)
MAYAN, 1977
lithograph in colours on wove paper signed, titled, dated “77”, and numbered 15/50 to the margin; titled, dated, and numbered to artist label verso
20.75 x 25.25 in — 39.7 x 51.4 cm
PROVENANCE:
Beaverbrook Art Gallery, Fredericton, NB
Deaccessioned to benefit art purchases at the Beaverbrook Art Gallery
$200 — 300
82
RONALD YORK WILSON (1907-1984)
SRINAGAR FROM CITIES, 1967 screenprint in colours on wove paper signed, titled, and editioned “A/P”; titled and dated to artist label verso image 14.5 x 19.75 in — 39.4 x 51.8 cm
PROVENANCE:
Beaverbrook Art Gallery, Fredericton, NB
Deaccessioned to benefit art purchases at the Beaverbrook Art Gallery
$250 — 350
83
RONALD YORK WILSON, OSA, RCA (1907-1984)
JAIPUR FROM CITIES, 1967 screenprint in colours on wove paper signed, titled, and numbered 1/60; titled, dated, and numbered to artist label verso 22.75 x 28 in — 40 x 52.7 cm
PROVENANCE:
Beaverbrook Art Gallery, Fredericton, NB Deaccessioned to benefit art purchases at the Beaverbrook Art Gallery
$250 — 350
84
RONALD YORK WILSON, OSA, RCA (1907-1984)
ISFAHAN FROM CITIES, 1967 screenprint in colours on wove paper signed, titled, and editioned A/P; titled and dated to artist label verso 23 x 28 in — 39.4 x 52.1 cm
PROVENANCE:
Beaverbrook Art Gallery, Fredericton, NB Deaccessioned to benefit art purchases at the Beaverbrook Art Gallery
$250 — 350
RONALD YORK WILSON, OSA, RCA (1907-1984)
KUALA LUMPUR, FROM CITIES, 1967 screenprint in colours on wove paper, with full margins signed, titled, and numbered 27/60; titled and numbered to artist label verso 16 x 21 in — 40.6 x 53.3 cm
PROVENANCE:
Beaverbrook Art Gallery, Fredericton, NB Deaccessioned to benefit art purchases at the Beaverbrook Art Gallery
$250 — 350
86
JOHN BELLANY (1942-2013), SCOTTISH
UNTITLED (RECLINING FIGURE)
lithograph in colours on wove paper; signed and editioned “Publisher’s Proof 2” 16.5 x 19.5 in — 41.9 x 49.5 cm
PROVENANCE: Private Collection, Toronto, ON
$400 — 600
87
HENDRIK NICOLAAS WERKMAN (1882-1945), DUTCH
DAS WINDLIECHT GOTTES. EEN TRACTAAT VAN M. LUTHER, (THE WIND OF GOD. A TREATISE BY MARTIN LUTHER), 1942
booklet with inkroll and stencil in colours on the front and backcover, on cream and beige wove paper; from the edition of 100, published by De Blauwe Schuit, Groningen 11 x 7.7 in — 28 x 19.5 cm
PROVENANCE:
Private Collection, Toronto, ON $600 — 800
88
ROBERT MOTHERWELL (1915-1991), AMERICAN
MEDITERRANEAN, (STATE I), 1975 [E&B. 117; B. 146]
lithograph and screenprint in colours on Arches paper, with full margins; signed, editioned “PP” for printer’s proof, and inscribed “State I”; published by Tyler Graphics, Ltd, Bedford Village, blindstamp, printed by Kenneth Tyler and Robert Bigelow 46.5 x 31.5 in — 118 x 80 cm
PROVENANCE:
Gallery Bronell, Montreal, QC
Private Collection, Montreal, QC Waddington’s Auctioneers, Toronto, 21 Oct 2010, lot 39
Private Collection, London, ON
LITERATURE:
Engberg & Banach 177. Belknap 146. Tyler Graphics 391 RM 10.
$2,000 — 3,000
RICHARD DIEBENKORN (1922-1993), AMERICAN
BLUE, 1984
woodcut printed in colours on Mitsumata paper, the full sheet; signed with initials, dated “84”, and numbered 98/200, from the edition of 200, there were also 20 artist’s proofs; published by Crown Point Press, Oakland, blindstamp, printed by Tadashi Toda at Shi Un Do Print Shop, Kyoto
42.5 x 26.7 in — 108 x 67.8 cm
PROVENANCE:
Private Collection, Toronto, ON
$30,000 — 40,000
90
CLAES OLDENBURG (1922-2022), SWEDISH/AMERICAN
SOFT SAXOPHONE (BLUE, YELLOW, RED), 1992 [A&P. 238]
lithograph in colours on Somerset Satin paper, the full sheet; signed and numbered 33/40; published by Brooke Alexander, Inc., New York, printed by Derrière l’Étoile Studios, New York
sheet 35 x 43.5 in — 88.9 x 110.5 cm
PROVENANCE:
Leanne Hull Fine Art, Toronto, ON Private Collection, Toronto, ON
LITERATURE:
Axsom and Platzker 238.
$1,000 — 1,500
91
ALEXANDER CALDER (1998-1976), AMERICAN FLIES IN THE SPIDER WEB (YING AND YANG), 1976
lithograph in colours on Arches paper, the full sheet; signed and numbered 89/175; published by Transworld Art, New York, with blindstamp 19.6 x 25.4 in — 49.8 x 64.5 cm
PROVENANCE: Private Collection, Toronto, ON
$2,000 — 3,000
92
ALEXANDER CALDER (1898-1976), AMERICAN
UNTITLED, CA. 1960
lithograph in colours on wove paper, the full sheet; signed and numbered 50/50 23.4 x 18.1 in — 59.4 x 46 cm
PROVENANCE:
The Great Dane Collection, Philadelphia, PA Hindman Auctions, Chicago, 21 May 2015, lot 155 Private Collection, Toronto, ON
$1,500 — 2,500
ELISABETH FRINK (1930-1993), BRITISH SMALL HORSE AND RIDER, 1970 [W. 40] lithograph in colour on wove paper, with full margins; signed and numbered 12/60 in pencil sheet 15.4 x 23.2 in — 39 x 59 cm
PROVENANCE:
Pollock Gallery, Toronto, ON Private Collection, Ontario
LITERATURE:
Wiseman 40, col.ill. p.111.
$1,000 — 1,500
94
LYNN CHADWICK CBE, RA, (1914-2003), BRITISH
TWO SITTING FIGURES ON STRIPES, 1972 lithograph in colours on BFK Rives paper, with full margins; signed, dated “72”, and numbered 51/100; printed by Erker-Presse, St. Gallen, Switzerland, blindstamp 55.9 x 76.2 in — 142 x 193.5 cm
PROVENANCE:
The Great Dane Collection, Philadelphia, PA Private Collection, Toronto, ON
$700 — 900
95
PAUL JENKINS (1923-2012), AMERICAN UNTITLED, 1971
lithograph in unique colours on wove paper, the full sheet; signed, dated “71”, and editioned “Trial Proof”
24 x 19 in — 61 x 48.3 cm
PROVENANCE:
Tupperware Brands Corporate Collection, Orlando, FL
Private Collection, British Columbia
$400 — 600
96
HENRY MOORE (1898-1986), BRITISH TWO ROCK RECLINING FIGURES, 1967 [C. 102]
lithograph in black on Barcham Green wove paper; signed, dated “67,” and numbered II/X, there was also a numbered edition of 50; published by the artist and Much Hadham in 1968 and printed by J E Wolfensberger, Zurich
31.5 x 22.4 in — 80 x 57 cm
PROVENANCE:
Private Collection, Toronto, ON
LITERATURE: Cramer 102.
$800 — 1,200
BETTY ROODISH GOODWIN (1923-2008)
ESCAPE, 2003
chromolithograph on handmade cream paper, with full margins signed and dated “03” lower right; titled, dated, and numbered 66/100 to label verso 18 x 12 in — 45.7 x 30.5 cm
PROVENANCE:
Galerie René Blouin, Montreal, QC Private Collection, Edmonton, AB
$2,000 — 3,000
98
CHARLES PACHTER (B. 1942)
UNTITLED (SELF-PORTRAIT), 1968 lithograph on wove paper in colours, full sheet signed and numbered 14/20 18 x 11 in — 45.7 x 27.9 cm
PROVENANCE:
Pascal Gallery, Toronto, ON Private Collection, Toronto, ON
$600 — 800
99
SALVADOR DALÍ (1904-1989), SPANISH CRAZY HORSE, 1966-68
[M&L. 1158; F. 68-1]
lithograph in colours on BFK Rives paper, with full margins ; signed and numbered 82/250; printed by Desjobert, Paris, published by Yamet Arts, New York sheet 30.1 x 22.2 in — 76.5 x 56.5 cm
PROVENANCE:
Private Collection, Toronto, ON
LITERATURE:
Michler & Löpsinger 1158. Field 68-1.
$3,000 — 5,000
100
SALVADOR DALÌ (1904-1989), SPANISH
TAUROMACHIE I; TAUROMACHIE V, FROM TAUROMACHIE, 1968
two lithographs in colours with embossing on BFK Rives paper, the full sheet; signed and numbered 93/150 and 115/150 respectively; published by WUCUA (Werbungs und Commerz Union Anstalt), Vaduz 21.5 x 17 in — 54.6 x 43.2 cm
PROVENANCE:
The Isaacs Gallery, Toronto, ON Private Collection, Toronto, ON
LITERATURE:
Michler/Löpsinger 1220b - 1224b. Field 68-12.
$3,000 — 5,000
101
SALVADOR DALÌ (1904-1989), SPANISH
THE KISS; RETURN, O SHULAMITE, FROM SONG OF SONGS OF SOLOMON, 1971
two etchings and drypoint in colours on Arches paper, with full margins; each signed and numbered S 183/200; printed by Jacques David & Jacomet, Paris, published by Leon Amiel, New York
26.4 x 20.1 in — 67 x 51 cm
PROVENANCE:
Private Collection, Toronto, ON
$1,200 — 1,500
102
MARC CHAGALL (1887-1985), FRENCH/BELARUSIAN
FEMME AVEC PARAPLUIE, FROM DERRIÈRE LE MIROIR, 1964 [M. 412]
lithograph in colours on Arches paper, with full margins; signed and numbered 22/75; printed by Mourlot Frères, Paris, published by Maeght Editeur, Paris
18.9 x 25.6 in — 47.9 x 65 cm
PROVENANCE:
Dunkelman Gallery, Toronto, ON Private Collection, Toronto, ON
LITERATURE: Mourlot, 412.
$3,000 — 5,000
103
KAREL APPEL (1921-2006), DUTCH PRESQUE UNE TÊTE, FROM PAYSAGES HUMAINS, CA. 1960
lithograph in colours on wove paper; signed and numbered 40/100; published by L’Oeuvre Gravée, Zürich
65 x 49 in — 165.1 x 124.5 cm
PROVENANCE:
Private Collection, Toronto, ON $300 — 400
104
KAREL APPEL (1921-2006), DUTCH
UNTITLED, 1969
screenprint in colours on Arches paper, with full margins; signed, dated “69”, and numbered 17/75
sheet 22.4 x 30.1 in — 56.8 x 76.5 cm
PROVENANCE:
Private Collection, Montreal, QC
$400 — 600
105
KAREL APPEL (1921-2006), DUTCH
BLUE FACED BEAST, 1971
lithograph in colours on wove paper; signed, dated, and numbered 9/100
image 22.5 x 33.3 in — 57.2 x 84.7 cm
PROVENANCE:
Private Collection, Ontario
$400 — 600
106
KAREL
APPEL (1921-2006), DUTCH
SAD CAT, FROM CATS, 1979
lithograph in colours on Japon paper; signed and editioned “A.P.”, one of 15 artist’s proofs, aside from the edition of 125 on Arches paper; printed by Arts Litho, Paris, published by London Arts, Inc., Detroit
24.9 x 32.1 in — 63.2 x 81.5 cm
PROVENANCE:
Private Collection, Toronto, ON
$300 — 400
107
AUGUSTE HERBIN (1882-1960), FRENCH ÉTERNITÉ, 1961
screenprint in colours on cardstock; numbered 111/150; unsigned as issued sheet 23.8 x 19.5 in — 60.5 x 49.5 cm
PROVENANCE: Private Collection, Toronto, ON
$500 — 700
108
JULIO LE PARC (B. 1928), ARGENTINIAN 16 COULEURS, CA. 1975-9
screenprint in colours on wove paper, the full sheet; signed and numbered 81/200; published by Editions Denise René, Paris, blindstamp
39.5 x 27.7 in — 100.3 x 70.4 cm
PROVENANCE: Marci Lipman Graphics, Toronto, ON Private Collection, Toronto, ON
$1,000 — 1,500
109
GENE DAVIS (1920–1985), AMERICAN YANKEE DOODLE, 1969
screenprint in colours on wove paper, the full sheet; signed and numbered 3/144, there were also 18 hors de commerce; printed by Fine Creations, Inc., New York, published by HKL, Ltd., New York and Boston
78.7 x 33.9 in — 200 x 86 cm
PROVENANCE:
Private Collection, Montreal, QC
$6,000 — 8,000
110
YACOV AGAM (B. 1928), ISRAELI FOUR SEASONS, 2015
agamograph in colours; signed and numbered 8/99 13.75 x 13.75 in — 34.9 x 34.9 cm
PROVENANCE:
Private Collection, Saskatchewan
$400 — 500
111
YACOV AGAM (B. 1928), ISRAELI SPRING FALL, 2015 agamograph in colours; signed and numbered 8/99
13.75 x 13.75 in — 34.9 x 34.9 cm
PROVENANCE:
Private Collection, Saskatchewan
$400 — 500
112
YACOV AGAM (B. 1928), ISRAELI SUMMER WINTER, 2015 agamograph in colours; signed and numbered 9/99
13.75 x 13.75 in — 34.9 x 34.9 cm
PROVENANCE:
Private Collection, Saskatchewan
$400 — 500
113
VICTOR
VASARELY (1908-1997), HUNGARIAN/FRENCH
TOGONNE, 1981
screenprint in colours on wove paper, the full sheet; signed and numbered 216/300 27 x 36 in — 68.6 x 91.4 cm
PROVENANCE:
Private Collection, Saskatchewan
$600 — 800
114
VICTOR
VASARELY (1906-1997), HUNGARIAN/FRENCH
SIRIUS, 1969
screenprint in colours on wove paper; signed, dated “/69”, and numbered 179/300 image 17 x 17.5 in — 43.2 x 44.5 cm
PROVENANCE:
Private Collection, Toronto, ON
$400 — 600
115
VICTOR
VASARELY (1906-1997), HUNGARIAN/FRENCH
IBOYA MC 12, 1970
column sculpture, coloured Luran mounted to wood; signed, titled, and numbered 33/50 to label on base; published by Editions Pyra AG, Zumikon, Switzerland
33.5 x 6 x 6 in — 85.1 x 15.2 x 15.2 cm
PROVENANCE:
Private Collection, Toronto, ON
$7,000 — 9,000
116
GENEVIÈVE
CLAISSE (1935-2018), FRENCH
GREEN, RED, WHITE, AND BLUE GEOMETRIC COMPOSITION
screenprint in colours on paper; signed lower right
20 x 24 in — 50.8 x 61 cm
PROVENANCE:
Private Collection, Toronto, ON
$100 — 150
117
NOBU
FUKUI (B. 1942), AMERICAN/JAPANESE
#7, 1970
lithograph in colours on wove paper; signed, titled, dated, and numbered VIII/XXV in Roman 25 x 25 in — 63.5 x 63.5 cm
PROVENANCE:
Private Collection, Ontario
$200 — 300
118
PATRICK HERON (1920-1999), BRITISH
EIGHT INCLUDING ULTRAMARINE, 1971
screenprint in colours on JR Green paper; signed, dated “71”, and numbered 71/75; printed by Kelpra Studio, published by Waddington Graphics, London
image 23 x 31 in — 58.4 x 78.7 cm
PROVENANCE:
Private Collection, Montreal, QC
Waddington’s Auctioneers, Toronto, 21 Oct 2010, lot 75
Private Collection, London, ON
$4,000 — 6,000
119
JACK HAMILTON BUSH, OSA, ARCA (1909-1977)
WHITE FLIP, FROM THE SUITE OF FIVE, 1974 screenprint in colours on wove paper, with full margins
signed, dated, and numbered 10/100 lower left; titled and numbered 10/100 to gallery label verso
32.25 x 25.1 in — 81.9 x 63.8 cm
PROVENANCE:
Waddingtons Galleries, Montreal, QC
Private Collection, Toronto, ON
$4,000 — 6,000
120
JACK HAMILTON BUSH, OSA, ARCA (1909-1977)
GREEN LOOP, FROM THE SUITE OF FIVE, 1971 screenprint in colours on wove paper, with full margins
signed, dated, and numbered 90/100 lower right
sight 24.5 x 32.5 in — 56.5 x 74.9 cm
PROVENANCE:
Private Collection, Toronto, ON
$4,000 — 6,000
121
FRIEDENSREICH HUNDERTWASSER (1928-2000), AUSTRIAN
L’EXPULSION, 1967 [K. 28]
lithograph in colours on wove paper, with full margins; signed, dated, numbered 76/154, situated at Genève, and inscribed “656”, with the artist’s monogram stamp; titled to gallery label verso
sheet 26 x 31.5 in — 66 x 80 cm
PROVENANCE:
Gallery Moos Ltd., Toronto, ON Private Collection, Ontario
LITERATURE: Koschatzky 28.
$1,200 — 1,800
122
ANTONI CLAVÉ (1913-2005), SPANISH
A ALBRECHT DÜRER, 1971
engraving in colours with carborundum and embossing on wove paper, the full sheet; signed and numbered 51/79
sheet 29.9 x 22.4 in — 76 x 57 cm
PROVENANCE: Private Collection, British Columbia
$500 — 700
123
ANTONI CLAVÉ (1913-2005), SPANISH POINT VERT, 1972 [P. 279] etching and aquatint in colours with carborundum and embossing, the full sheet; signed and numbered 60/75; published by Vision Nouvelles, Paris sheet 30 x 22.25 in — 76.2 x 56.5 cm
PROVENANCE: Private Collection, Toronto, ON
LITERATURE: Passeron, 279.
$200 — 300
124
ANTONI CLAVÉ (1913-2005), SPANISH COMPOSITION BLEUE, 1990 etching with aquatint and carborundum on Arches wove paper, with full margins; signed and editioned “Ep, d’éssai” for trial proof, aside from the edition of 75 42.5 x 31.5 in — 108 x 80 cm
PROVENANCE: Private Collection, Toronto, ON $300 — 400
125
HANS HARTUNG (1904-1989), GERMAN
L 1973-8, 1973 [RMM 406]
lithograph in black on BFK Rives paper, with full margins; signed, titled, and editioned “H.C.” for hors commerce, a proof aside from the edition of 75; published by Galerie de France, Paris, printed by Erker-Presse, Saint-Gall, 1988
41.1 x 29.1 in — 104.3 x 74 cm
PROVENANCE:
Private Collection, London, ON
LITERATURE:
Rainer Michael Mason 409.
$500 — 700
126
RAOUL UBAC (1910-1985), FRENCH
PETIT CHAMP I, 1982
lithograph in colours on wove paper, with full margins; signed and numbered 45/75; titled verso; published by Maeght, Paris, printed by Arte, Paris
17.9 x 23.6 in — 45.5 x 60 cm
PROVENANCE:
Private Collection, Montreal, QC
$100 — 150
127
ANTONIO SAURA (1930-1998), SPANISH UNTITLED, FROM POUR JORN, 1976 [G. 201]
lithograph and zincograph in colours on Arches paper; signed and numbered 41/100; printed by Clot, Bramsen & Georges, Paris 23.8 x 16.7 in — 60.5 x 42.5 cm
PROVENANCE: Private Collection, London, ON
LITERATURE: Galfetti 201.
$400 — 600
128
REUVEN RUBIN (1893-1974), ISRAELI UNTITLED (DONKEY AND TWO FIGURES), 1972 lithograph in colours on wove paper; signed and editioned “E.A. 37” sight 23.2 x 18.5 in — 59 x 47 cm
PROVENANCE: Private Collection, Toronto, ON $500 — 700
REUVEN RUBIN (1893-1974), ISRAELI
UNTITLED (JACOB’S DREAM)
lithograph in colours on paper; signed and numbered 167/200
21.7 x 27.6 in — 55 x 70 cm
PROVENANCE:
Private Collection, Toronto, ON
$300 — 500
130
ARTUR
NIKITIN (1936-2022), LATVIAN
STILL LIFE, 1977; KURT VONNEGUT’S “CAT’S CRADLE”, 1979
lithographs in colours on wove paper; 1) Still Life, 1977 signed, titled, dated “77”, and numbered 7/20 16.9 x 16.9 in — 43 x 43 cm
2) Kurt Vonnegut’s “Cat’s Cradle”, 1979, signed, titled, dated “79”, and numbered 3/10 13.8 x 12.8 in — 35 x 32.5 cm
PROVENANCE:
Acquired directly from the artist ca. 1979, Riga, Latvia
Private Collection, Toronto, ON
$300 — 500
131
TOSHIO SAEKI (1945-2019), JAPANESE UNTITLED, FROM AKAI HAKO [THE RED BOX], 1972-2010
screenprint in colours on washi shin-kozo-shi paper; signed in pencil; a later impression after the original print from 1972 sight 18.7 x 25.7 in — 47.6 x 65.4 cm
PROVENANCE:
Private Collection, Ontario
$500 — 700
132
MICHAEL CRAIG-MARTIN (B. 1941), IRISH
ASHTRAY, FROM ALAN CRISTEA GALLERY TWENTIETH ANNIVERSARY PORTFOLIO, 2014
screenprint in colours on wove paper, the full sheet; signed, dated, and numbered 15/40 verso; published by Alan Cristea Gallery, London
19.7 x 19.7 in — 50 x 50 cm
PROVENANCE:
Private Collection, British Columbia
$800 — 1,200
133
MICHAEL SNOW, RCA (1928-2023)
1956, A VIDEOPRINT, 1974
offset photolithograph in colours on wove paper
signed, dated, and editioned “A.P.”; aside from the edition of 100 22 x 27.5 in — 55.9 x 69.9 cm
PROVENANCE:
Private Collection, Montreal, QC
$800 — 1,200
134
DAVID ROW (B. 1949), AMERICAN PUSH COMES TO SHOVE, 2002
etching and aquatint in colours on BFK Rives paper, with full margins; signed, titled, dated “02”, and numbered 102/125 19.5 x 28.9 in — 49.5 x 73.5 cm
PROVENANCE:
Private Collection, Montreal, QC
$500 — 800
135
CAROL SUMMERS (1925-2016), AMERICAN AETNA WAKING, CA. 1960-1965
colour woodcut on wove paper; signed, titled, and editioned “Proof” to upper edge; aside from the numbered edition of 50 sheet 35.5 x 35.75 in — 90.2 x 90.8 cm
PROVENANCE:
Janak Khendry Collection, Toronto, ON $400 — 600
136
HARVEY LITTLETON (1922-2013), AMERICAN CIRCLED IMPOOL, 1981; HEAR CHECKED, 1981
vitreographs on paper; each signed, titled, dated, and editioned “ed 20” to margin
28.3 x 20.9 in — 72 x 53 cm;
28.1 x 20.9 in — 71.5 x 53 cm;
PROVENANCE:
Janak Khendry Collection, Toronto, ON $500 — 700
HARVEY LITTLETON (1922-2013), AMERICAN
TRIAL II, 1975
vitreograph on paper; signed, titled, dated, and editioned “ed/50” to margin
29.3 x 20.9 in — 74.5 x 53 cm
PROVENANCE:
Janak Khendry Collection, Toronto, ON $300 — 500
138
HARVEY LITTLETON (1922-2013), AMERICAN
FOUR VITREOGRAPHS FROM 10° ROTATION, 1981
vitreographs on paper; each signed, titled, dated, and editioned “ed/50”
1) 10° Rotation II
29.5 x 20.9 in — 75 x 53 cm
2) 10° Rotation IV + 90°
28.5 x 20.7 in — 72.5 x 52.5 cm
3) 10° Rotation V + 90°
28.5 x 20.9 in — 72.5 x 53 cm
4) Rotating Squares V
20.9 x 28.5 in — 53 x 72.5 cm
PROVENANCE:
Janak Khendry Collection, Toronto, ON
$800 — 1,200
139
EMILIO VEDOVA (1919-2006), ITALIAN #23; #30; #38, 1990
vitreographs on Arches paper, with full margins; each signed, dated “90”, and numbered 12/20 each sheet 22 x 30 in — 55.9 x 76.2 cm
PROVENANCE:
The Glass Art Gallery Inc., Toronto, ON Janak Khendry Collection, Toronto, ON $600 — 800
140
JOSEPH DRAPELL, RCA (B. 1940)
UNTITLED (BLUE AND ORANGE), 2008 archival digital print in colours on wove paper signed, dated, and editioned “A.P.” 23.75 x 36.5 in — 60.3 x 92.7 cm
PROVENANCE: Private Collection, Ontario $400 — 600
NATHAN EUGENE CARSON (B. 1980)
HOPE FORWARD, 2023
mixed media print on wove paper, with full margins
signed, tiitled, dated “23”, and numbered 12/25
9 x 12 in — 22.9 x 30.5 cm
PROVENANCE:
Casey House, Toronto, ON
$1,000 — 1,500
142
JOHN HARTMAN, RCA (B. 1950)
TORONTO FROM ABOVE THE DON RIVER, 2011
etching, drypoint, and aquatint on wove paper, with full margins
signed, titled, dated, and numbered 24/30 to margin
13 x 13.75 in — 33 x 34.9 cm
PROVENANCE:
Casey House, Toronto, ON
$1,500 — 2,500
143
ATTILA RICHARD LUKÁCS (B. 1962)
ARBOR VITAE II, 1999 etching in black on wove paper, with full margins signed and numbered 26/40
41.5 x 29.5 in — 105.4 x 74.9 cm
PROVENANCE:
Open Studio Print Archive, Toronto, ON $2,000 — 3,000
144
ATTILA RICHARD LUKÁCS (B. 1962)
BOY WITH GREEN ARMS, 1998 screenprint in colours with acrylic and tar on museum board signed, dated “99”, and numbered 4/40 lower left 76 x 60 in — 193 x 152.4 cm
PROVENANCE:
Private Collection, Toronto, ON $3,000 — 4,000
145
DAVID ALEXANDER (ALEX) COLVILLE (1920-2013)
SLEEPER, 1975
screenprint in colours on on Harumi board, with full margins signed, dated, and numbered 37/70 lower right margin; titled and dated to gallery label
verso
sight 18 x 22 in — 45.7 x 55.9 cm
PROVENANCE:
Gallery Moos Ltd., Toronto, ON Private Collection, Ontario
By descent to the present Private Collection, Whitby, ON
$4,000 — 6,000
146
DAVID ALEXANDER (ALEX) COLVILLE (1920-2013)
THREE SHEEP, 1954-1991 photolithograph in colours on wove paper signed, titled, and editioned “17/100 AP” 13.5 x 21.5 in — 34.3 x 54.6 cm
PROVENANCE: Private Collection, Toronto, ON
$800 — 1,200
147
DAVID
LLOYD BLACKWOOD, RCA (1941-2022)
CAPTAIN LEW KEAN PASSING, 1979
etching and aquatint in colours on wove paper signed, titled, dated, and numbered 18/50 22 x 28 in — 55.9 x 71.1 cm
PROVENANCE: Private Collection, Ontario
EXHIBITED:
Art Gallery of Ontario, Toronto, ON, “Black Ice: David Blackwood Prints of Newfoundland”, Feb 5 - Jun 12, 2011.
LITERATURE:
William Gough, David Blackwood: Master Printmaker, (Richmond Hill: Firefly Books, 2001), repro. 112. Katharine Lochnan et al., Black Ice: David Blackwood Prints of Newfoundland, (Toronto: Art Gallery of Ontario, 2011) repro. plate 37, unpaginated.
$2,000 — 3,000
148
LAWRENCE PAUL YUXWELUPTUN (B. 1957)
N.W.C. MAN, 2021 etching and aquatint in black on wove paper, with full margins signed, titled, and numbered 21/100, there were also 10 artist’s proofs; published by New Leaf Editions, Vancouver, with blindstamp 10 x 7.25 in — 25.4 x 18.4 cm
PROVENANCE: Private Collection, Toronto, ON $250 — 350
149
LAWRENCE PAUL YUXWELUPTUN (B. 1957)
RAIN BIRD MAN, 2021
etching and aquatint in black on wove paper, with full margins signed, titled, dated, and numbered 21/50 to the margin; published by New Leaf Editions, Vancouver, blindstamp 12.75 x 6.75 in — 32.4 x 17.1 cm
PROVENANCE:
Private Collection, Toronto, ON
$250 — 350
150
JOHN GRAHAM COUGHTRY (1931-1999)
UNTITLED (RECLINING FIGURE), 1982 lithograph in black on wove paper initialed, dated “82”, and numbered 9/26 image 33.25 x 28 in — 84.5 x 71.1 cm
PROVENANCE:
Private Collection, Toronto, ON $200 — 300
151
FRIEDEL DZUBAS (1915-1994), AMERICAN
ABC, 1984
screenprint in colours on Arches 88 paper, with full margins; signed, titled, dated, and editioned “Bon à tirer”; from an unreleased edition; printed by Jerry Shiner at The Art Printer, Toronto, with blindstamp
22.5 x 29 in — 57.2 x 73.7 cm
PROVENANCE:
The Art Printer, Toronto, ON
$1,000 — 2,000
152
RITA LETENDRE, RCA (1928-2021)
APRIL TIME, 1981
screenprint in colours on Somerset paper, the full sheet signed, titled, dated “81”, and editioned “Studio Proof I/II”; printed by Jerry Shiner at The Art Printer, Toronto, with blindstamp
20.5 x 28 in — 52.1 x 71.1 cm
PROVENANCE:
The Art Printer, Toronto, ON
$700 — 900
153
RITA LETENDRE, RCA (1928-2021)
MAADIM, 1980
screenprint in colours on Somerset paper, the full sheet
signed, titled, dated “80”, and editioned “Studio Proof 2/2”; aside from the numbered edition of 110 and 30 artist’s proof numbered in Roman; printed by Jerry Shiner at The Art Printer, Toronto, with blindstamp 19.25 x 27.5 in — 48.9 x 69.9 cm
PROVENANCE:
The Art Printer, Toronto, ON
$500 — 700
154
JEAN PAUL RIOPELLE, RCA (1923-2002)
JUTE I, 1967 [YSEULT RIOPELLE, 1967.12EST.LI]
lithograph in colours on wove paper signed lower right and numbered 21/75 lower left
29.5 x 41 in — 74.9 x 104.1 cm
PROVENANCE:
Waddington’s Auctioneers, 28 Oct 2010, lot 197
Private Collection, London, ON
LITERATURE:
Yseult Riopelle, Jean Paul Riopelle: Catalogue raisonné des estampes (Montreal: Hibou Éditeurs, 2005), 149, no. 1967.12EST.LI.
$4,000 — 6,000
155
HAROLD KLUNDER (B. 1943)
BRONZE AGE MAGDALENIUM I; BRONZE AGE MAGDALENIUM II, 1983
two screenprints in colours on wove paper, with full margins
each signed, titled, dated “’83”, and numbered 10/20; printed by Jerry Shiner at The Art Printer, Toronto, with blindstamp
29 x 22 in — 73.7 x 55.9 cm
PROVENANCE:
The Art Printer, Toronto, ON Private Collection, Toronto, ON
$800 — 1,200
156
PHIL RICHARDS (B. 1951)
DEADLY FRUIT
screenprint in 24 colours on Arches 88 paper; original grey-scale acrylic on mold-made paper, with full margins
signed, titled, and editioned “Bon a tirer”; aside from the edition of 35; printed by Jerry Shiner at The Art Printer, Toronto, with blindstamp
29 x 22.5 in — 73.7 x 57.2 cm;
30.3 x 22.8 in — 77 x 58 cm
PROVENANCE:
The Art Printer, Toronto, ON
$300 — 500
157
RONALD WILLIAM BOLT (B. 1938)
NIGHTWAVE, 1979
screenprint in colours on wove paper, with full margins signed, titled, dated “79”, and editioned “Studio Proof 1/2”; aside from the editions of 30 & 70; printed by Jerry Shiner at The Art Printer, Toronto, with blindstamp image 18.3 x 15 in — 46.5 x 38.1 cm
PROVENANCE:
The Art Printer, Toronto, ON
$300 — 400
158
JOSEPH YVON FAFARD, RCA (1942-2019)
BULL, 1995
laser cut steel
signed, dated “95”, and numbered 20/50 verso
2.25 x 5.25 in — 5.7 x 13.3 cm
PROVENANCE: Private Collection, Nova Scotia
$800 — 1,200
159
JOSEPH YVON FAFARD, RCA (1942-2019)
COW, 1996
laser cut steel initialed, dated “96”, and numbered 31/50 verso 3 x 4.5 in — 7.6 x 11.4 cm
PROVENANCE:
Private Collection, Nova Scotia
$800 — 1,200
160
DAVID LLOYD BLACKWOOD, RCA (1941-2022)
COMPASS, 2009
digital transfer of original watercolour on glass plate signed, dated “09”, and numbered 101/350 to underside diameter 10 in — 25.4 cm
PROVENANCE:
Private Collection, United States
$250 — 350
161
MICHAEL SNOW, RCA (1928-2023)
CONDIMENTAL SHIFTS, 2007
digital transfer of original painting on glazed porcelain plate plate handthrown by ceramic artist Thomas Aitken signed, dated, and numbered 178/265 to underside; also impressed ceramicist mark to underside diameter 9 in — 22.9 cm
PROVENANCE:
Private Collection, United States
$400 — 600
162
EDWARD BURTYNSKY, RCA (B. 1955)
OLIVE GROVES #1, JAEN, SPAIN, 2010 waterslide decal on Cameo China signed, titled, dated, and numbered 9/350 to underside 11.75 x 8.5 in — 29.8 x 21.6 cm
PROVENANCE: Private Collection, United States
$250 — 350
163
HAROLD BARLING TOWN, OSA, RCA (1924-1994)
STRETCH, BLUE ON ORANGE, 1971
screenprint in colours on paper, the full sheet signed, dated “71”, and numbered 17/99
28 x 39.5 in — 71.1 x 100.3 cm
PROVENANCE:
Mazelow Gallery, Toronto, ON Walker’s Auctioneers, Ottawa, ON, 18 Apr 2012, lot 69 Private Collection, Ontario
$400 — 600
164
JOHN GRAHAM COUGHTRY (1931-1999)
UNTITLED (ABSTRACT FORMS); UNTITLED (BURGUNDY), 1981
two screenprints in colours on wove paper
1) Untitled (Abstract Forms)
signed, dated, and editioned “Studio Proof 1/2”; printed by Jerry Shiner at The Art Printer, Toronto, with blindstamp
29 x 22.25 in — 73.7 x 56.5 cm
2) UNTITLED (BURGUNDY), 1981 signed, dated, and editioned “Bon à tirer”; printed by Jerry Shiner at The Art Printer, Toronto, with blindstamp
29.75 x 22 in — 75.5 x 55.75 cm
PROVENANCE:
The Art Printer, Toronto, ON $400 — 600
165
CLAUDE BREEZE (B. 1938)
OUTER LAND IMAGE: SPRING; OUTER LAND IMAGE: SUMMER, 1982
two screenprints in colours on Arches paper, with full margins each signed, titled, dated, and numbered; printed and published by Jerry Shiner at The Art Printer, Toronto each 24 x 18 in — 61 x 45.7 cm
PROVENANCE:
The Art Printer, Toronto, ON
$200 — 300
166
DAN CHRISTENSEN (1942-2007); JOSEPH DRAPELL (B. 1940); FRIEDEL DZUBAS (1915-1994); K.M. GRAHAM (1913-2008); DARRYL HUGHTO (B. 1943); DOROTHY KNOWLES (1927-2023); WILLIAM PEREHUDOFF (1918-2013)
7 PRINTS FROM HOMAGE TO JACK BUSH, 1984
four screenprints in colours on wove paper, with full margins and three etchings in colours on wove paper, with full margins 7 prints from the suite of 8 printed by Jerry Shiner, The Art Printer, Toronto; published by Merriot Editions Ltd., Toronto each 22 x 30 in — 55.9 x 76.2 cm
View website for full catalogue details
PROVENANCE:
The Art Printer, Toronto, ON
$1,000 — 1,500
167
FRIEDEL DZUBAS (1915-1994), AMERICAN AFTERTHOUGHT, 1984
screenprint in colours on Arches 88 paper, with full margins; signed, titled, dated, and editioned “Bon à tirer”; from an unreleased edition; printed by Jerry Shiner at The Art Printer, Toronto, with blindstamp 22.3 x 29.13 in — 56.6 x 74 cm
PROVENANCE: The Art Printer, Toronto, ON
$1,000 — 2,000
168
FRIEDEL DZUBAS (1915-1994), AMERICAN NIGHTSTAR, 1984
screenprint in colours on Arches 88 wove paper, with full margins; signed, titled, and numbered 81/90; printed by Jerry Shiner at The Art Printer, Toronto, with blindstamp sheet 32.3 x 19.1 in — 82 x 48.5 cm
PROVENANCE: The Art Printer, Toronto, ON
$1,000 — 2,000
169
RALSTON CRAWFORD (1906-1978), AMERICAN
S.S. DE GRASSE, 1952 [F. 52.16]
lithograph in colours on wove paper, with full margins; signed and numbered 178/200; printed by Desjobert, Paris, published by La Guilde Internationale de Gravure, Geneva, blindstamp
15.2 x 22.2 in — 38.5 x 56.5 cm
PROVENANCE:
Private Collection, Ontario
LITERATURE:
Freeman 52.16.
$800 — 1,200
170
JAMES BROWN (1951-2020), AMERICAN
SELF PORTRAITS, 1983
illustrated book with thirty lithographs in black on paper; thirty lithographs including the cover, from the edition of 300; printed by Ercolano, Naples, published by Lucio Amelio, Naples each page 16.6 x 13.1 in — 42.1 x 33.4 cm
PROVENANCE:
Private Collection, Montreal, QC
$100 — 150
171
MICAH LEXIER (B. 1960)
THE OSCILLOSCOPE DRAWINGS, 2020 complete portfolio of 10 photopolymer prints on Japanese Kozuke paper, with full margins each initialed, dated, numbered 4/25, and inscribed “o.s.” for Open Studio; published by Open Studio, Toronto, contained in the original screenprinted aluminum portfolio box each 11 x 17 in — 27.9 x 43.2 cm
PROVENANCE:
Open Studio Print Archive, Toronto, ON $2,000 — 3,000
172
ALAIN JACQUET (1939-2008), FRENCH DUNCAN’S DONUT, 1990 offset lithograph in colours on paper, the full sheet; signed and numbered 13/100 verso 8.3 x 8.3 in — 21 x 21 cm
PROVENANCE: Private Collection, Toronto, ON $100 — 200
173
YOSHITOMO NARA (B. 1959), JAPANESE BANGING THE DRUM; MARCHING ON A BUTTERBUR LEAF; REAL ONE, 2019-2020 suite of three offset lithographs in colours on wove paper, the full pages each printed with the mention “Dallas Contemporary © Yoshitomo Nara”; published by Dallas Contemporary, Texas
15 x 16.9 in — 38 x 43 cm; 24 x 18.1 in — 61 x 46 cm; 27.2 x 16.9 in — 69 x 43 cm
PROVENANCE:
Private Collection, United States
$1,500 — 2,500
174
JEFF KOONS (B. 1955), AMERICAN
BALLOON RABBIT (VIOLET), 2019
Limoges porcelain with chromatic coating in violet; stamp-signed, dated, and numbered 746/999 on the underside; contained in original styrofoam-lined presentation box with original plastic stand; published by Bernardaud, Limoges, France
11.5 x 5.5 x 8.3 in — 29.2 x 13.9 x 21 cm
PROVENANCE:
Private Collection, Europe
LITERATURE: A certificate of authenticity will be delivered to the buyer.
$8,000 — 12,000
175
DAMIEN HIRST (B. 1965), BRITISH BUTTERFLY RAINBOW, [H7-2] (SMALL), 2020
laminated giclée print in colours on aluminum composite panel, the full panel; stamp-signed and numbered 1084/4150 to label; published by Heni Editions, London, United Kingdom, contained in its original packaging
9.5 x 19.7 in — 24.1 x 50 cm
PROVENANCE:
Heni Editions, London, UK
Private Collection, Toronto, ON
LITERATURE:
Heni Catalogue number H7-4.
$1,000 — 1,500
176
DAMIEN HIRST (B. 1965), BRITISH RAINBOW BUTTERFLY HEART, [H7-4] (SMALL), 2020
diasec-mounted giclée print in colours, on aluminium composite panel stamp-signed and numbered 788/3510 to label; published by Heni Editions, London, United Kingdom, contained in its original packaging
13.8 x 14.3 in — 35 x 36.4 cm
PROVENANCE:
Heni Editions, London, UK
Private Collection, Toronto, ON
LITERATURE:
Heni Catalogue number H7-4.
$1,500 — 2,000
177
SAM FRANCIS (1923-1994), AMERICAN UNTITLED, 1992 [L. SF-081 RC]
etching and aquatint in colours on wove paper, with full margins; signed and numbered 76/76, there were also 18 artist’s proofs; published by 2RC Edizioni d’Arte, Rome, printed by Vigna Antoniniana Stamperia d’Arte, Rome
36 x 39.5 in — 91.5 x 100.4 cm
PROVENANCE:
Private Collection, Europe
LITERATURE:
Lembark, SFE 081 RC.
$5,000 — 7,000
178
SAM FRANCIS (1923-1994), AMERICAN UNTITLED, (SF-204); UNTITLED (SF-205), 1975 [L.185-186]
lithographs in colours on BFK Rives paper, the full sheets; each signed and editioned “AP”, each one of the 6 artist’s proofs aside from the numbered edition of 30 and 1 bon à tirer; published by The Litho Shop, Santa Monica and printed by George Page, Santa Monica each 37 x 27 in — 94 x 68.6 cm
PROVENANCE: Private Collection, Europe
LITERATURE:
Lembark, 185-186.
$3,500 — 4,500
179
SAM FRANCIS (1923-1994), AMERICAN UNTITLED, (SF-350); UNTITLED, (SF-351), FROM PAPIERSKI, 1992
lithographs in colours on BFK Rives paper, the full sheets; each signed and editioned “AP”, aside from the numbered edition of 50; printed by Gardner Litho, Buena Vista, California, published by Editions Daniel Papierski, Paris
each 29.9 x 22.4 in — 76 x 57 cm
PROVENANCE: Private Collection, Europe
$3,500 — 4,500
180
SAM FRANCIS (1923-1994), AMERICAN UNTITLED (SF-310), 1979 [L. 236] lithograph in colours on BFK Rives paper, the full sheet; signed and numbered 22/30, there were also 2 artist’s proofs and 1 bon à tirer; printed by George Page, Santa Monica, published by The Litho Shop, Inc, Santa Monica
29.5 x 41.1 in — 74.9 x 104.5 cm
PROVENANCE: Private Collection, Europe
LITERATURE: Lembark, 236.
$3,500 — 4,500
181
SAM FRANCIS (1923-1994), AMERICAN UNTITLED (SF-311), 1979 [L. 238]
lithograph in colours on BFK Rives paper, the full sheet; signed and numbered 22/24; printed by George Page, Santa Monica, published by The Litho Shop, Inc, Santa Monica
42.1 x 29.9 in — 107 x 76 cm
PROVENANCE: Private Collection, Europe
LITERATURE: Lembark, 238.
$3,500 — 4,500
182
ERICA
RUTHERFORD (1923-2008)
BLUE BIRDS, 1986
screenprint in colours on wove paper signed, titled, and editioned “OS 2/2” for Open Studio; published by Open Studio, Toronto
37 x 29.5 in — 94 x 74.9 cm
PROVENANCE:
Open Studio Print Archive, Toronto, ON $800 — 1,200
183
ERICA RUTHERFORD (1923-2008)
TEATIME FOR TIB, 1983 screenprint in colours on wove paper signed, titled, dated “83”, and editioned “OS Proof 2/2” for Open Studio; published by Open Studio, Toronto 29.25 x 22.5 in — 74.3 x 57.2 cm
PROVENANCE:
Open Studio Print Archive, Toronto, ON $800 — 1,200
184
SPRING
HURLBUT (B. 1952)
YOU TOOK THE WORDS RIGHT OUT OF MY MOUTH, 2015 lithograph and screenprint in colours on wove paper, with full margins signed, dated, and numbered 2/5; published by Open Studio, Toronto 20 x 30 in — 50.8 x 76.2 cm
PROVENANCE:
Open Studio Print Archive, Toronto, ON
$2,500 — 3,500
185
JOHN MASSEY (B. 1950)
BLACK EYE, 1988-89
lithograph and screenprint in colours on wove paper, the full sheet signed and numbered 40/40; published by Open Studio, Toronto, printed by Carl Skelton, Open Studio, Toronto
28 x 26 in — 71.1 x 66 cm
PROVENANCE:
Open Studio Print Archive, Toronto, ON
$800 — 1,200
186
HAROLD BARLING TOWN, OSA, RCA (1924-1994)
THE WHALE CYCLE, 1977 linocut in colours on wove paper signed, dated “77”, and editioned “Open Studio proof #2”, aside from the numbered edition of 99; published by Open Studio, Toronto
22.25 x 30 in — 56.5 x 76.2 cm
PROVENANCE:
Open Studio Print Archive, Toronto, ON
$400 — 600
187
AA BRONSON, OC, RCA (B. 1946) RED HANKIE #1, 2004
screenprint in colours on wove paper, the full sheet signed, titled, dated, and numbered 8/25; published by Open Studio, Toronto, printed by Eric Mathew, Open Studio, Toronto sheet 22 x 30 in — 55.9 x 76.2 cm
PROVENANCE:
Open Studio Print Archive, Toronto, ON $3,500 — 4,500
188
HAROLD KLUNDER, RCA (B. 1943) IVORY COAST, 1979 lithograph in colours on wove paper, with full margins signed, titled, dated “79,” and editioned “o.s. proof” for Open Studio proof, aside from the edition of 10; published by Open Studio, Toronto, printed by Nick Novak and Don Holman, Open Studio, Toronto 33.25 x 24 in — 84.5 x 61 cm
PROVENANCE:
Open Studio Print Archive, Toronto, ON $800 — 1,200
189
HAROLD KLUNDER, RCA (B. 1943)
ELDERSLIE, 1979
lithograph in black on wove paper, with full margins
signed, titled, dated “79”, and editioned “3/3 state proof - o/s imp.” for Open Studio Impression; published by Open Studio, Toronto, printed by Nick Novak and Don Holman, Open Studio, Toronto sheet 29.25 x 40.25 in — 74.3 x 102.2 cm
PROVENANCE:
Open Studio Print Archive, Toronto, ON
$1,200 — 1,800
190
IAIN BAXTER& (B. 1936)
MCLUHAN’S LANDSCAPE, 1999
monoprint over colour screenprint signed, titled, and dated “99” lower centre 22.5 x 30 in — 56.3 x 75 cm
PROVENANCE:
Acquired directly from the artist Museums Foundation of Canada, Ottawa, ON Private Collection, Ontario
$2,000 — 3,000
191
TED HARRISON, RCA (1926-2015) JUNEAU, 1988
screenprint in colours on wove paper signed, titled, dated “88”, and numbered 127/165 sight 25.25 x 19.25 in — 64.1 x 48.9 cm
PROVENANCE:
Hollander York Gallery, Toronto, ON Private Collection, Ontario
$600 — 800
192
NORVAL MORRISSEAU, RCA (1931-2007), ANISHINAABE (OJIBWE) UNTITLED (PORTFOLIO), 1981
complete suite of 6 screenprints in colours on wove paper, with full margins including “Sermon to the Birds,” “Bird Speaks to These Children,” “Children of Light and Sound,” “Woodland Creatures,” “Fish and Loons of Lake Nipigone,” and “We are Gods Within Ourselves,” each signed, titled, and numbered 103/350 and contained in an original clothbound case with artist’s emblem on cover image 26 x 19.75 in — 55.9 x 43.2 cm; sheet 26 x 20 in — 66 x 50.8 cm
PROVENANCE:
Acquired directly from the artist Private Collection, Montreal, QC Private Collection, Montreal, QC
$2,000 — 3,000
193
THE CONNOR BROTHERS (B. 1968), BRITISH
I DRINK THEREFORE I CAN, 2021
giclee print with silkscreen varish on wove paper, with full margins; signed, dated “’21”, and numbered 95/150; published by Clarendon Fine Art, London
47.2 x 29.9 in — 120 x 76 cm
PROVENANCE:
Private Collection, Toronto, ON
$1,600 — 1,800
194
THE CONNOR BROTHERS (B. 1968), BRITISH
THOSE WHO SAY IT CANNOT BE DONE, 2021
giclee print with silkscreen varish on wove paper, with full margins; signed, dated “’21”, and numbered 114/150; published by Clarendon Fine Art, London
47.2 x 29.5 in — 120 x 75 cm
PROVENANCE: Private Collection, Toronto, ON
$1,600 — 1,800
195
YAYOI KUSAMA (B. 1929), JAPANESE PUMPKIN, RED, NAOSHIMA, 2019 lacquered cast resin sculpture; stamped with artist’s name and titled to underside “Naoshima © Yayoi Kusama”, contained in the original deep green box; published by Benesse Holdings, Inc., Naoshima, Japan
3.3 x 5.3 x 5.3 in — 8.4 x 13.5 x 13.5 cm
PROVENANCE:
Private Collection, Toronto, ON $600 — 800
196
YAYOI KUSAMA (B. 1929), JAPANESE PUMPKINS, YELLOW AND RED, 2016 two lacquered cast resin sculptures; each stamped with the artist’s name to the base, offered in their original box; published by Benesse Holdings, Inc., Naoshima, Japan
4.02 x 3 x 3 in — 10.2 x 7.6 x 7.6 cm
PROVENANCE:
Private Collection, Toronto, ON $1,200 — 1,500
197
FANNY BRODAR (B. 1971), NORWEGIAN TODAY, 2022
giclée on archival cold press cotton rag paper, with full margins; signed and numbered 1/30
20 x 20 in — 50.8 x 50.8 cm
PROVENANCE:
Private Collection, Toronto, ON
$300 — 400
198
SNIK (21ST CENTURY), BRITISH
ASCENSION, 2022
screenprint in colours, hand-finished by the artist, each unique, on Somerset paper, with full margins; signed and numbered 39/90; printed and published by GraffitiPrints, Newcastle, blindstamp
39.8 x 25 in — 101 x 63.5 cm
PROVENANCE:
Private Collection, Toronto, ON
$700 — 900
199
CONOR HARRINGTON (B. 1980), IRISH HOT AIR, I DO DECLARE, 2021 archival pigment print with screenprint and gloss varnish on Somerset Enhanced Satin 330 gsm paper, with full margins; signed and numbered 17/150; published by HungryBoy Books, London 36.6 x 43.3 in — 93 x 110 cm
PROVENANCE: Private Collection, Toronto, ON
$800 — 1,200
200
LEROY NEIMAN (1921-2012), AMERICAN QUEEN AT ASCOT (THE PINK QUEEN), 1976 screenprint in colours on wove paper; signed and numbered 270/300
25.75 x 30.75 in — 65.4 x 78.1 cm
PROVENANCE:
Ashcroft-Munro Art Editions Ltd., Toronto, ON Private Collection, Ontario
$300 — 400
