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1 Ed Ruscha (1937-) CHEESE MOLD STANDARD WITH OLIVE, 1969 [ENGBERG, 31]
2 Graphics: Toronto 20, 1965 (Portfolio) TORONTO 20 (SUITE OF 20), 1965
Colour silkscreen on wove paper; signed, dated 1969 and numbered 150/150 in pencil to margin
The complete suite of 20 prints original in various mediums on wove paper; numbered 30 of 100.
19.50 ins x 36.90 ins; 49.5 cms x 93.7 cms
27.25 ins x 21.25 ins; 69.2 cms x 54.0 cms
3 Alexander Calder (1898-1976) UNTITLED (”STONES”) Colour lithograph on wove paper; signed and numbered 11/100 in pencil, inscribed “Lith B” in pencil verso 26.50 ins x 20 ins; 67.3 cms x 50.8 cms $1,000—1,500
$30,000—50,000
4 After Andy Warhol (1928-1987) I LOVE YOUR KISS FOREVER FOREVER Colour silkscreen on Vellum paper; stamped “published by Sunday B. Morning” and “fill in your own signature” in blue ink and numbered 219/250 in pencil verso. 16.50 ins x 22.50 ins; 41.9 cms x 57.2 cms
$5,000—7,000 $1,200—1,600
5 Joan Miro (1893-1983) PLATE NO. 3 (FROM HOMENATGE A JOAN PRATS), 1971 [MOURLOT, 709; POLIGRAFA CAT. NO. 3] Colour lithograph on Guarro paper; signed and numbered 12/75 in pencil. Published by La Poligrafa S.A., Barcelona.
6 Peter Phillips (1939-) GRAVY FOR THE NAVY, 19681975 Colour silkscreen; signed, dated 6875 and numbered 4/75 in pencil to margin 23 ins x 37 ins; 58.4 cms x 94.0 cms $800—1,200
21.50 ins x 29.50 ins; 54.5 cms x 75.0 cms
7 Larry Rivers (1923-2002) SOME (VISUAL) AFTER THOUGHTS ON THE BOSTON MASSACRE (PLATE #7); REDCOATS IN THE MIST (PLATE #5), (TWO PLATES FROM THE BOSTON MASSACRE SERIES), 1970
8 ULYSSES CASTELLANOS (1968) UNTITLED (THE AFTERMATH), 2008
Two colour silkscreens; each signed and numbered in editions of 150, the first title (pl. #7), numbered 140/150 in pencil, the second title (pl. #5), numbered indistinctly 140/150.
$1,000—1,500
$4,000—6,000 19 ins x 27.50 ins; 48.3 cms x 69.9 cms $1,200—1,800
Colour inkjet print 24 ins x 36 ins; 61.0 cms x 91.4 cms
9 Roy Lichtenstein (1923-1997) PEACE THROUGH CHEMISTRY IV (FROM THE PEACE THROUGH CHEMISTRY SERIES), 1970 [CORLETT, 99; GEMINI G.E.L., 192] Colour lithograph on Special Arjomari paper; signed, dated ‘70 and numbered 22/56 in pencil to margin. Published by Gemini G.E.L., Los Angeles, USA with their blindstamps to lower right margin. 25.20 ins x 44.10 ins; 64.0 cms x 112.0 cms
10 James Rosenquist (1933-) HORSE BLINDERS (NORTH) (FROM HORSE BLINDERS: NORTH, SOUTH, EAST, WEST), 1972 [GLENN, 60] Colour lithograph and silkscreen with silver foil collage on Arches paper; signed, titled, dated 1972 and numbered 16/19 A.P. in pencil to margin. Aside from the edition of 85. Co-published by Multiples Inc., New York and Castelli Graphics, New York. Printed by Styria Studio, New York with their blindstamp to margin.
11 JIm Dine (1935- ) EIGHT HEARTS, 1970
12 After Andy Warhol (1928-1987) DIAMOND DUST MARILYN
Mixed-media colour screen print; signed and dated 1970 in black ink along the bottom edge of the image
Colour silkscreen on museum board; stamped “published by Sunday B. Morning” and “fill in your own signature” in blue ink and numbered 302/2500 in pencil verso. Published by Sunday B. Morning together with a Certificate of Authenticity dated 1st March 2012 with the official Sunday B. Morning embossed stamp.
25 ins x 29 ins; 63.5 cms x 73.7 cms $600—900
36 ins x 36 ins; 91.4 cms x 91.4 cms $1,700—2,000
36.50 ins x 64 ins; 92.7 cms x 162.6 cms
$15,000—25,000 $3,000—5,000
13 Emiliano Di Cavalcanti (18971976) UNTITLED (WOMEN ON A BALCONY WITH CAT (MULHERES COM GATO) Colour block print; signed and numbered 8/99 in pencil to margin 18.70 ins x 25.80 ins; 47.5 cms x 65.5 cms $800—1,200
14 Pablo Picasso (1881-1973) NO. 294: RÊVE ÉVEILLÉ DU GENTILHOMME: SURPRENDRE, EN VOYEUR, LE PEINTRE PEIGNANT SUR SON MODÈLE (FROM 347 SERIES), 1968 [BLOCH, 1744]
15 Anni Albers (1899-1994) PRINT A, 1968
Etching and drypoint; signed and numbered 20/50 in pencil to margin. Published by Galerie Louise Leiris, Paris. Accompanied by a copy of the Certificate of Authenticity from RK Galleries, Inc., dated 1/12/82 (1982).
22 ins x 18.75 ins; 55.9 cms x 47.6 cms
6.40 ins x 8.10 ins; 16.3 cms x 20.5 cms $2,500—4,500
Colour silkscreen; signed, titled, dated 1968 and numbered “A 27/50” in pencil to margin, titled “Print A” to gallery label verso
$500—700
16 Harold Barling Town (19241990) UNTITLED, 1955 Colour single autographic print on thin paper with partial visible watermark “...bonded” laid down to a cardboard support; signed and dated “- 55 ” in black ink to margin 20 ins x 15.75 ins; 50.8 cms x 40.0 cms $1,000—1,500
17 Andy Warhol (1928-1987) LINCOLN CENTER TICKET, 1967 [FELDMAN & SCHELLMANN, II.19] Colour screen on light-weight wove paper from the unsigned edition of 500 (there was also a signed edition of 200 screenprints on opaque acrylic). Published by List Art Posters for Lincoln for the Performing Arts, New York. 45.25 ins x 24.25 ins; 114.9 cms x 61.6 cms
18 Robert Indiana (1928-) A GARDEN OF LOVE: ZINNIA; LILAC; PHLOX; ROSES; LILY; TULIP (SUITE OF SIX), 1982 [SHEEHAN, 126-131] The complete set of six colour silkscreens on Fabriano watermarked paper; each signed, titled, dated ‘82, and numbered 63/100 in pencil to margin. Printed by Domberger, Filderstadt, with his blindstamp. Published by Prestige Art, Mamaroneck, New York, NY.
19 Jessica Eaton (1977- ) CFAAL 109, 2011 Archival pigment print on paper; signed, titled, dated 2011 and numbered 1/3 in ink verso. There were also two Artist’s Proofs. In artist’s frame.
20 HOMAGE TO JACK BUSH PORTFOLIO, 1983-1984 HOMAGE TO JACK BUSH PORTFOLIO (SUITE OF 8), 1983/4 The complete set of eight, comprising three colour silkscreens and five etchings with aquatint on paper.
40 ins x 32 ins; 101.6 cms x 81.3 cms $4,000—6,000
30 ins x 22.25 ins; 76.2 cms x 56.5 cms $1,500—2,500
24 ins x 24 ins; 61.0 cms x 61.0 cms $1,500—2,500 $15,000—25,000
21 Robert Rauschenberg (19252008) EQUAL JUSTICE UNDER LAW, 1976
22 Ethel Louise Spowers (18901947) SWINGS, 1932 [COPPEL, ES 22]
Colour lithograph and screen print on wove paper with Styria Studios, New York blindstamp lower left margin; signed, dated 76 and numbered 52/125 in pencil. Published by Trans World Art, New York. Printed by Styria Studios, New York.
Colour linocut in yellow ochre, viridian, reddish brown and cobalt blue on Japon paper; signed, titled, dated 1932 and numbered 13/50 in pencil to margin, with an unidentified partial paper label verso with printed “Date” field inscribed in sepia ink with handwritten date: “Aug. 1932” verso
30 ins x 22.50 ins; 76.2 cms x 57.2 cms
9.50 ins x 10.50 ins; 24.1 cms x 26.7 cms
$1,500—2,500
$12,000—18,000
23 Frank Stella (1936-) THE PACIFIC (FROM THE WAVES I, 1985-1989), 1988 [WADDINGTON GRAPHICS, 2] Colour silkscreen with colour lithograph and linocut, with handcolouring, marbling and collage on heavy T.H. Saunders and Somerset wove paper; signed, dated ‘88 and numbered 48/60 in pencil on the image lower right (there were also 10 artist’s proofs). Published by Waddington Graphics, London, UK. Printed by Spencer Tomkins and James Wetly by Atelier Frank Stella. 74.50 ins x 54.50 ins; 189.2 cms x 138.4 cms $6,000—8,000
24 Jessica Stockholder (1959- ) UNTITLED, 2000 Colour lithograph and collage on watermarked paper printed to the edges; signed, dated 2000 and numbered 1/3 in pencil to bottom edge of the image 22.50 ins x 30 ins; 57.2 cms x 76.2 cms $700—900
25 Terence La Noue (1941-) UNTITLED (FROM TARANTELLA SERIES), 1988 [R.G. 9.1. V] Colour monoprint with handcolouring and collage on unique handcast coloured paper; signed and dated 88 in pencil lower left. Published by Tyler Graphics Ltd., NY, USA.
26 Henry Moore (1898-1986) TWO RECLINING FIGURES IN YELLOW AND RED (FROM MEDITATIONS ON THE EFFIGY), 1967 [CRAMER, 73]
27 Robert Indiana (1928-) MECCA II; MECCA III (TWO FROM MECCA), 1977 [SHEEHAN, 94 & 95]
Colour lithograph on Japon nacre paper; signed and dated 67 in the plate in reverse to the image lower right, signed, dated 67 and numbered 35/50 in pencil along the bottom edge. Published by Marlborough Fine Art, London, UK.
Two colour silkscreens on Arches 88 / France watermarked paper; each signed, titled, dated ‘77 and numbered 27/50 in pencil to margin (there were also 6 artist’s proofs). Published by Posner Gallery, Milwaukee. Printed by Simca Print Artists, Inc., New York.
13.50 ins x 11.75 ins; 34.3 cms x 29.8 cms
23.40 ins x 12.20 ins; 59.5 cms x 30.9 cms
$1,500—2,500
$2,500—3,500
29 Marc Chagall (1887-1985) L’ARBE DE JESSE (THE TREE OF LIFE), 1960 [MOURLOT, 297]
30 Jean-Paul Riopelle (1923-2002) JUTE IV, 1967 [YSEULT RIOPELLE, 1967.15EST.LI]
Colour lithograph on Arches; signed and numbered 90/90 in pencil to margin. Published by Maeght Editeur, Paris.
Colour lithograph on Lana paper; signed and numbered 33/75 in pencil to margin. Published by ARTE Adrien Maeght, Maeght Editeur, Paris.
31 Sanaz Mazinani (1978- ) ROME/TRIPOLI (FROM CONFERENCE OF THE BIRDS), 2012
12.50 ins x 9.50 ins; 31.8 cms x 24.1 cms
28 ins x 38 ins; 71.1 cms x 96.5 cms
58 ins x 76.75 ins; 147.3 cms x 194.9 cms $1,500—2,000
28 Joan Miro (1893-1983) PERSONATGE I ESTELS III, 1979 [DUPIN, 1090] Colour etching and aquatint with collage on thick Arches paper printed to the edges; signed and numbered 49/50 in pencil to bottom edge, titled “Personatge I estels 56” in pencil verso. Printed by Joan Barbara, Barcelona. Published by Maeght, Paris. 35.60 ins x 24.80 ins; 90.5 cms x 63.0 cms $4,000—6,000
$2,000—3,000
Colour inkjet print; signed in pen and ink to label verso, also titled, dated 2012 and numbered 2/25 to the same label verso 14 ins x 17.75 ins; 35.6 cms x 45.1 cms
$5,000—8,000
32 Yves Gaucher (1934-2000) LIGNE, SURFACE, VOLUME, [ 2 ], 1961 Colour embossed etching on heavy wove paper; signed, titled, “Ligne, Surface, Volume, / 2 /, dated ‘61 and numbered 7/25 in pencil to margin 12 ins x 10.50 ins; 30.5 cms x 26.7 cms $800—1,200
$1,200—1,500
33 Walter Joseph Phillips (18841963) THE WATERFRONT, ALERT BAY, 1928 [BOULET, 113] Colour woodcut on Goyu paper; signed with initials in the plate lower left, signed in pencil to margin. Printed in an edition of 300. 6.25 ins x 8.75 ins; 15.9 cms x 22.2 cms $2,000—3,000
34 Salvador Dalí (1904-1989) VISIONS SURREALISTE (SUITE OF 4), 1976 [FIELD, 76-4]
35 Michael Wolf (1954-) TOKYO COMPRESSION #39, 2009
The complete set of four colour lithographs from original paintings printed to the edges on Japon paper; titles including: Coronation of Gala (The Empress); Obsesssion of the heart (The World); Mystery of Sleep (The Hermit); andEnigma of the rose (Death),each signed and numbered EA in pencil or white chalk. Published by Bowles/Hopkins, San Francisco, CA. Printed at Torrents, Barcelona, Spain and Atelier Gordon, Paris, France.
Colour inkjet print; signed in blue ink, titled, dated 2009, numbered 12/20 and inscribed “Printed 2012” to label verso
36 Martin Parr (1952- ) CANADA. TORONTO. 2012 Pigment print. Printed in 2013 in an edition of 10, this being numbered 1 of 10 to artist’s signed studio label verso. 20 ins x 30 ins; 50.8 cms x 76.2 cms
10 ins x 8 ins; 25.4 cms x 20.3 cms $4,000—6,000 $400—600
29.80 ins x 21.30 ins; 75.7 cms x 54.2 cms $4,000—6,000
37 Suzy Lake (1947- ) EXTENDED BREATHING WITH MOVING GRASSES, 2009 Colour light ink jet print; signed, dated ‘09/11 and numbered 11/25 in black ink to margin
38 April Hickox (1955- ) COMPOST - RED PETAL, 2010
39 David Lloyd Blackwood (1941- ) JUNE VISIT HOME, 1999
Colour chromogenic print; titled, dated 2010 and numbered 2/7 to gallery label verso
Etching and aquatint; signed, titled, dated 1999 and numbered 65/75 in pencil to margin
33 ins x 33 ins; 83.8 cms x 83.8 cms
19.75 ins x 31.75 ins; 50.2 cms x 80.6 cms
18 ins x 24 ins; 45.7 cms x 61.0 cms $2,000—4,000 $1,500—2,000
40 Jabulane Sam Nhlengethwa (1955-) DISCUSSING JAZZ AT THE SHABEEN, 1994 Colour lithograph on Arches watermarked paper with “Mark Attwood” blindstamp; signed, titled, dated ‘94 and numbered 15/30 in pencil to margin
$2,500—3,500 15.50 ins x 23.25 ins; 39.4 cms x 59.1 cms $700—900
41 Peter Lik (1959-) “ECHOES OF SILENCE" (CANYONLANDS NATIONAL PARK, UTAH), 2005 Colour silver hailde Fuji Archive print; signed and numbered 513/950 in gold pen and ink lower right 26.60 ins x 79 ins; 67.6 cms x 200.7 cms
42 Adrian Wiszniewski (1958-) CARMINE CUT OUT BLACK AND BLUE, 1993 Colour silkscreen on heavy wove paper; signed, numbered 10/20 and inscribed “IV” in pencil to margin. Published By Glasgow Print Studio with their blindstamp lower right. 11.80 ins x 11.80 ins; 30.0 cms x 30.0 cms
$3,000—4,000 $300—500
43 Bengt Lindström (1925-2008) LE LION DE NEMEE (PL.1); L’HYDRE DE LERNE (PL.2); DIOMEDE (PL.3) (THREE PLATES FROM HERAKLES), 1977 Three colour etchings with carborundum on textured Arches paper; each signed and numbered 94/99 in pencil.
44 Alfred Pellan (1906-1988) POLYCHROMÉE - C -, 1973 Colour silkscreen on The Graphic Guild blindstamped paper; signed, titled, dated 73 and inscribed and numbered: “Bon à Tirer 1/2” in pencil 35 ins x 23.20 ins; 89.0 cms x 59.0 cms $600—800
30.50 ins x 23 ins; 77.5 cms x 58.4 cms $1,200—1,800
45 Salvador Dalí (1904-1989) LE PAGE, PL. A (FROM DON JUAN SUITE), 1970 [FIELD, 706 A] Colour etching on Japon paper with embossed “Dali” blindstamped signature lower right margin; signed and numbered LXXIV/C in pencil to margin. Published by Argillet, Paris. With Certificates of Authenticity verso. 15.70 ins x 12.60 ins; 40.0 cms x 32.0 cms
46 Marino Marini (1901-1980) FROM COLOR TO FORM V, 1969 [GUSTALLA, L96] Colour lithograph on Arches watermarked paper; signed and numbered 50/50 in pencil to margin. Printed by Mourlot, Paris. Published by XXE Siecle, Paris. From the sametitled portfolio. 15.50 ins x 20.25 ins; 39.4 cms x 51.4 cms
47 Pablo Picasso (1881-1973) MUSEE MUNICIPAL D’ART MODERNE CERET, 1958 [BLOCH, 1283; CZWIKLITZER, 32] Colour linocut on poster paper; signed “Picasso” in pencil lower right. Printed by Hidalgo Arnera, Vallauris. Published by Association des Potiers de Vallauris in an edition of 875. 24 ins x 17.80 ins; 61.0 cms x 45.2 cms
$800—1,200 $700—900
$500—700
48 Adrian Wiszniewski (1958-) “KUNST” (ARTIST SCULPTING) One colour linocut on wove paper; signed, titled and numbered 14/25 in pencil to margin 45.50 ins x 34.75 ins; 115.6 cms x 88.3 cms $300—500
49 Robyn Denny (1930-2014) SUITE 66/ III, 1966 Colour silkscreen; signed, numbered “Printers Proof” and dated ‘66 in pencil to margin. Aside from the edition of 75. Published by Editions Alecto. 15.70 ins x 13 ins; 40.0 cms x 33.0 cms $600—800
50 Salvador Dalí (1904-1989) LINCOLN IN DALIVISION, 1977, AMERICAN EDITION [FIELD, 77-1]
51 Andy Warhol (1928-1987) INTERVIEW MAGAZINE, MARCH, 1979: FLORA MCEWAN
52 Jean-Paul Lemieux (1904-1990) TIME REMEMBERED (LIMITED EDITION ALBUM), 1980
Photolithograph and original etched sepia remarque with embossing on “Arches/France” watermarked paper, with Dalart Naamloze Vennootschap blindstamp, “DALART N.V./COPYRIGHT 1976” in the lower left margin. Signed and numbered 115/350 in pencil to margin. Distributed by Martin Lawrence Limited Editions, Van Nuys, CA, USA, called the “American Edition”.
Colour offset lithograph; signed by Andy Warhol in black felt tip pen along the bottom edge, with two black ink doodles at each side of her face, annotated by Warhol: “To Timothee” in black felt tip pen along the top left edge
Complete folio including 15 colour facsimiles of the paintings “Time Remembered” on BFK Rives rag paper including the signed and numbered hand printed colour lithograph “Les Jours à Kent House, 1905” with tissue guard (measuring 18” x 14”).
18 ins x 10 ins; 45.7 cms x 25.4 cms
22.50 ins x 22 ins; 57.2 cms x 55.9 cms
$700—900 $4,000—5,000
24.30 ins x 17.30 ins; 61.7 cms x 43.9 cms $600—900
53 Robert (Bob) Freeman (1936-) THE BEATLES 64 (COVER FOR BEATLES FOR SALE ALBUM) Chromogenic colour print on Ilford Cibachrome paper; signed on the matboard in pencil lower right and inscribed “For Mike” in pencil to the photographer’s matboard lower left, numbered AP in a circle, dated ‘86. 12.10 ins x 18 ins; 30.7 cms x 45.7 cms $1,000—1,500
54 Salvador Dalí (1904-1989) THE TWELVE TRIBES OF ISRAEL (LES DOUZE TRIBUS D’ISRAEL) (SUITE OF 13), 1973 [FIELD, 72-6]
55 Walter Joseph Phillips (18841963) MOUNT CATHEDRAL AND MOUNT STEPHEN, 1928 [BOULET, 118]
The complete set of thirteen original etchings with pochoir on Arches watermarked paper; each signed and numbered 174/195 in pencil to margin, with lettered copyright Salvador Dali stamp verso
Colour woodcut on Japon paper; signed with initials in the plate lower left. Executed in an edition of 300, this being numbered “27” in pencil to margin lower left.
19.75 ins x 14.50 ins; 50.2 cms x 36.8 cms
Colour chromogenic print; signed, titled, dated 2012 and numbered 3/25 to typed label verso, signed and dated 2012 in pen and ink to the same label verso. Printed in 2012. 15 ins x 22 ins; 38.1 cms x 55.9 cms $900—1,200
6.30 ins x 8.70 ins; 16.0 cms x 22.0 cms $1,200—1,500
$10,000—15,000
56 Philippe Chancel (1959- ) ARIRANG, 2006
57 Joan Miro (1893-1983) PLATE III (FROM LE LÉZARD AUX PLUMES D'OR), 1971 [CRAMER,148]
58 Jabulane Sam Nhlengethwa (1955-) DEDICATED TO VICTOR NDLAZILWANA, 1994
59 Jesus Rafael Soto (1923-2005) REPETITION OPTIQUE NO. 3, SERIES 1 (FROM SOTOMAGIE), 1967
Colour lithograph on wove paper; signed and numbered 92/100 in pencil. Printed by Mourlot, Paris, published by Louis Broder, Paris
Colour lithograph on Arches watermarked paper with “Mark Attwood” blindstamp; signed, titled, numbered 24/30 and dated ‘94 in pencil to marginImage/Sheet 15.5" x 23.25" — 39.4 x 59.1 cm.; 22" x 29" — 55.9 x 73.7 cm.
Colour silkscreen on thin cardboard; signed on the image in pencil lower right, titled “Sotomagie: Print #3 (series 1)” to gallery label verso
15.50 ins x 23.50 ins; 39.4 cms x 59.7 cms
$500—700
13.75 ins x 39.40 ins; 34.9 cms x 100.1 cms $5,000—7,000
23.75 ins x 23.75 ins; 60.3 cms x 60.3 cms
60 GUIDO MOLINARI (1933-2004) PARALLELE ROUGE NOIRE, 1967 Colour silkscreen on wove paper with La Guilde Graphique Inc., Atelier Galerie blindstamp; signed, titled, dated ‘67 and numbered 10/100 in pencil to margin. There were also five HCs. 21.50 ins x 17.90 ins; 54.6 cms x 45.5 cms $600—800
$500—700
61 Victor Vasarely (1906-1997) (FROM ENIGMES), 1974
62 Anni Albers (1899-1994) PO., 1973
Colour silkscreen on Arches paper; signed and numbered 239/250 in pencil to margin. Published by Galerie Denise René, Paris.
Colour silkscreen and photo offset on heavy wove paper; signed, titled, dated 1973 and numbered “PO. 9/40” in pencil to margin
29 ins x 29 ins; 73.7 cms x 73.7 cms
14.80 ins x 12.40 ins; 37.6 cms x 31.4 cms
$600—800
63 Elise (Elyse) Victoria Louise Windsor (1989- ) MISE EN ABYME LAMINATE; (STAIRS) (TROMPE L’OEIL, PETITE MAISON SERIES), 2011
64 Alexander Calder (1898-1976) CHEVRONS NOIR SUR ROUGE ET JAUNE, 1966
20 ins x 20 ins; 50.8 cms x 50.8 cms
Colour lithograph on BFK Rives watermarked paper; signed and numbered 74/90 in pencil to margin, inscribed “Calder”, titled “Chevrons Noir sur Rouge et Jaune” and erroneously dated 1960 in pencil verso and to the Art Gallery of Ontario label verso. Published by Maeght, Paris, FR.
$500—800
26 ins x 38 ins; 66.0 cms x 96.5 cms
Two colour chromira prints each laid to a foam core backing; the first, titled and dated 2011 to typed label verso backing, the latter, reportedly executed in 2010
$500—700
$1,500—2,500
65 TAKASHI SUZUKI (1971-) BAU GRID (CONTACT EDITION), 2015 Colour chromogenic print; titled, dated 2015 and numbered 1/20 to the unidentified label, signed in black pen and ink to the unidentified label verso 20 ins x 16 ins; 50.8 cms x 40.6 cms
66 Joan Miro (1893-1983) SUECIA (SWEDEN) (FROM JOAN MIRO ESCULTOR, PLATE #5), 1974 [MAEGHT, 938] Colour lithograph; signed in the plate lower right. Art Conseil editeur, Paris. Printed by Ediciones Poligrafa 7.90 ins x 15.70 ins; 20.0 cms x 40.0 cms
67 James H. Gardner & Herb Greene (20th Century) POSTER: BILL GRAHAM PRESENTS THE SAN FRANCISCO SCENE IN TORONTO/ GRATEFUL DEAD AND JEFFERSON AIRPLANE Colour lithographic poster with letters on thin lightweight stock; signed and dated with copyright with printed letters “James H. Gardner ‘67.
68 Leonetto Cappiello (1875- 1942) NITROLIAN - SEC AUSSITOT PEINT, 1929 [CAPPIELLO / RENNERT, 470] Colour lithographic poster; signed and dated 1929 in the plate lower right. Published by Les Nouvelles Affiches Cappiello, 32 Rue Beaujon, Paris 63 ins x 47.20 ins; 160.0 cms x 120.0 cms
$1,200—1,600 $500—700
20.50 ins x 13.90 ins; 52.0 cms x 35.4 cms
$3,000—4,000
$8,000—12,000
69 Andrew Wright (1971- ) UNTITLED PHOTOGRAPH #3 (PLANT), 2013 Colour chromogenic print on Kodak paper; titled, dated 2013 and numbered 20/25 to typed label verso, signed with initials in pen and ink to the label 18 ins x 24 ins; 45.7 cms x 61.0 cms $900—1,200
70 Salvador Dalí (1904-1989) LA FEMME-FEUILLE (LADYLEAF); LA TÊTE (THE HEAD) (FROM LA VENUS AUX FOURRURES, PL. F AND PL. O), 1968 [FIELD, 68-6] Two original etchings with drypoint and roulette heightened with colour on Japon paper with embossed “Dali” blindstamped signature lower right margin; each signed and numbered 59/145 in pencil to margin. Printed by Etienne-Denis Braillard, Geneva. Published by Argillet, Paris. Each with Certificates of Authenticity verso.
71 Andy Warhol (1928-1987) UNTITLED (HALSTON ADVERTISING CAMPAIGN: MEN’S WEAR), 1982 [F. & S., IIIB.9] Colour screenprint poster on heavy wove paper; signed by both Warhol and Halston upper left and lower right respectively in black felt tip marker. Printed by Rupert Jasen Smith, New York.
$1,500—2,500
Three colour Cibachrome prints (triptych); each given to the artist, titled, dated 1988 and numbered 3/10 to the Salama-Caro Gallery label verso 60 ins x 47.60 ins; 152.4 cms x 120.9 cms $3,000—5,000
22.60 ins x 28.50 ins; 57.4 cms x 72.4 cms $1,200—1,800
12.50 ins x 9.50 ins; 31.8 cms x 24.1 cms
72 Calum Colvin (1961-) CENOTAPH TRIPTYCH, 1988
73 Salvador Dalí (1904-1989) PAPILLONS ANCIENNES (SUITE OF 4), 1976 [FIELD, 77-1] The complete set of four colour lithographs on Japon paper; each signed and numbered EA XXIX/LXV in pencil to margin, aside from the edition of 100 on Japon in Arabic numerals. Titles including: Renaissance [ten of coins]; Courtier [five of swords]; Dawn [six of swords]; and Courtesan [eight of swords]. Published/printed by Bowles & Hopkins/Sienna Workshop, New York.
74 Gordon Appelbe Smith (1919-) WINTER POND, 2002 Colour etching on paper; signed, titled, dated 2002 and numbered 14/35 in pencil to margin 21 ins x 23 ins; 53.3 cms x 58.4 cms
75 John Bladen Bentley (1948- ) WATER & STONE (LARGE VERSION)
76 Lynne Cohen (1944-2014) UNTITLED, 2007, PRINTED LATER
Colour carbon transfer print on thin paper mounted to a wove sheet (chine colle) with impressed plate mark; signed “Bentley” and numbered 1/10 in pencil to margin
Colour chromogenic print; signed in black pen and ink to label verso, also titled, dated 2012 and numbered 18/25 to the same label verso
$500—700 17.75 ins x 22 ins; 45.1 cms x 55.9 cms
$1,200—1,500 $3,000—5,000
23.25 ins x 16 ins; 59.1 cms x 40.6 cms $3,000—5,000
77 Walter Joseph Phillips (18841963) SUMMER, 1925 [BOULET, 79] Colour woodcut on Torinoko paper; signed with artist’s chopmark and dated 1925 in the plate lower left, signed in pencil to margin. Printed in an edition of 500 plus. 5.40 ins x 6.80 ins; 13.7 cms x 17.2 cms $900—1,200
13.75 ins x 17.10 ins; 34.9 cms x 43.5 cms
78 Sarah Anne Johnson (1976- ) BEST BEACH (DETAIL), 2015 Colour chromogenic print; signed in black pen and ink to label verso, also titled, dated 2015 and numbered 6/20 to the same typed label verso 12 ins x 24 ins; 30.5 cms x 61.0 cms $1,500—2,000
79 Andy Warhol (1928-1987) NORTHWEST COAST MASK (FROM COWBOYS AND INDIANS), 1986 [FELDMAN & SCHELLMANN, II.380] Colour silkscreen on Lenox Museum Board with the blindstamp of the printer Rupert Jasen Smith, New York lower left; signed by Warhol in black crayon and numbered AP 10/50 in pencil. Published by Gaultney Kilneman Art Inc., New York, New York. Aside from the edition of 250. 36 ins x 36 ins; 91.4 cms x 91.4 cms $12,000—18,000