Waddington’s West: Indigenous Art OCTO BE R 28 — NOVEMBER 2 , 2 023
Waddington’s West: Indigenous Art OCTO BE R 28 — NOVEMBER 2 , 2 023
bid and view all lots online at www.waddingtons.ca preview held at Suite 101, 343 Railway Street, Vancouver, V6A 1A4.
director, waddington’s vancouver Jacqui Dixon jd@waddingtons.ca
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778-837-4588
front inside cover
Lot 15 ROBERT CHARLES DAVIDSON MEETING AT THE CENTRE, 2004 Lot 9 CHIEF HENRY SPECK SR. THUNDERBIRD AND LOON MASKS, 1959
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Lot 17 JOE DAVID NORTH WIND MASK, 1972
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Lot 58 KENOJUAK ASHEVAK WINTER RAVENS, 2002
This catalogue and its contents © 2023 Waddington McLean & Company Ltd.
This auction is subject to the Conditions of Sale printed in the back of this catalogue.
Photography & design by Waddington’s All Rights Reserved.
1 DAPHNE ODJIG (1919-2016), ODAWA-POTAWATOMI UNTITLED, 1981
pastel on paper; signed and dated 24 x 22 in — 61 x 55.9 cm PROVENANCE:
Estate of Kenneth and Eunice Barron, Edmonton AB $8,000 — 10,000
2 JOANE CARDINAL-SCHUBERT (B. 1942) HORSE TALISMAN, 1981
mixed media on paper 29.25 x 40.5 in — 74.3 x 102.9 cm PROVENANCE:
Masters Gallery, Calgary, AB Private Collection, British Columbia $1,500 — 2,000
3 ALLEN SAPP (1929-2015) GETTING WOOD TO BURN
acrylic on canvas signed lower right, titled to stretcher verso 16 x 20 in — 40.6 x 50.8 cm PROVENANCE:
Private Collection, Alberta $2,000 — 3,000
4 ALLEN SAPP (1929-2015) FIXING THE WHEEL
acrylic on canvas signed 18 ins x 24 ins; 45.7 cms x 61 cms PROVENANCE:
Private Collection, British Columbia $1,500 — 2,000
5 CECIL YOUNGFOX (1942-1987), ANISHINAABE (OJIBWE) THE OLD WOMAN SAT BY THE RIVER CLEANING FOR THE WINTER FOOD AND MEDICINE, 1989
acrylic on paper; signed, titled verso 18 x 24 in — 45.7 x 61 cm PROVENANCE:
Private Collection, British Columbia $2,000 — 3,000
6 EDDY COBINESS (1933-1996), ANISHINAABE (OJIBWE) BIRD
watercolour on paper; signed and dated lower right 17 x 21 in — 43.2 x 53.3 cm PROVENANCE:
Private Collection, British Columbia $500 — 700
7 CHIEF HENRY SPECK SR. (OZISTALIS) (1908-1971), KWAKWAKA’WAKW SEA RAVEN, SEA MAN, 1959
watercolour on paper; signed and titled PROVENANCE:
Private Collection, British Columbia $800 — 1,200
8 CHIEF HENRY SPECK SR. (OZISTALIS) (1908-1971), KWAKWAKA’WAKW LADY GIANT AND HER FOUR CHILDREN, 1959
watercolour on paper; signed and titled sight 17 x 14.5 in — 43.2 x 36.8 cm PROVENANCE:
Private Collection, British Columbia $800 — 1,200
9 CHIEF HENRY SPECK SR. (OZISTALIS) (1908-1971), KWAKWAKA’WAKW THUNDERBIRD AND LOON MASKS, 1959
watercolour on paper; signed and titled; unframed 14 x 16.75 in — 35.6 x 42.5 cm PROVENANCE:
Private Collection, British Columbia $800 — 1,200
10 CHIEF HENRY SPECK SR. (OZISTALIS) (1908-1971), KWAKWAKA’WAKW FEAST LADLES: KINGFISHER, SEA LION, 1959
watercolour on paper; signed and titled; unframed 14 x 16.75 in — 35.6 x 42.5 cm PROVENANCE:
Private Collection, British Columbia $800 — 1,200
11 CHIEF HENRY SPECK SR. (OZISTALIS) (1908-1971), KWAKWAKA’WAKW BULL HEAD, GRIZZLY BEAR AND TYEE SALMON DANCE MASKS, 1959
watercolour on paper; signed and titled; unframed 14 x 16.75 in — 35.6 x 42.5 cm PROVENANCE:
Private Collection, British Columbia $800 — 1,200
12 CHIEF HENRY SPECK SR. (OZISTALIS) (1908-1971) HOUSE POST, 1959
watercolour on paper; signed and titled; unframed 14 x 16.7 in — 35.5 x 42.5 cm PROVENANCE:
Private Collection, British Columbia $800 — 1,200
13 CHIEF HENRY SPECK SR. (OZISTALIS) (1908-1971), KWAKWAKA’WAKW EAGLE DANCE MASKS, 1959
watercolour on paper; signed and titled; unframed 14 x 16.75 in — 35.6 x 42.5 cm PROVENANCE:
Private Collection, British Columbia $800 — 1,200
14 LELAND BELL (B. 1953), ANISHINAABE (OJIBWE) FOUR SEASONS, 1980
acrylic on canvas; signed and dated lower right; signed, titled (indistinctly) and dated verso 18 x 18 in — 45.7 x 45.7 cm PROVENANCE:
Private Collection, British Columbia $400 — 600
15 ROBERT CHARLES DAVIDSON (B. 1946) MEETING AT THE CENTRE, 2004
epoxy powder-coated aluminium signed and numbered 2/12 17.25 x 26.5 x 28.25 in — 43.8 x 67.3 x 71.8 cm PROVENANCE:
Private Collection, British Columbia $6,000 — 8,000
16 CALVIN HUNT (B. 1958) AND JOHN LIVINGSTON (1951-2019) GREY WHALE TAIL
bronze signed and numbered 5/10 12 x 13.25 x 11 in — 30.5 x 33.7 x 27.9 cm PROVENANCE:
Private Collection, British Columbia $2,500 — 3,500
17 JOE DAVID (B. 1946) NORTH WIND MASK, 1972
cedar, acrylic paint, horse hair, leather signed and dated 11 x 8 x 5.5 in — 27.9 x 20.3 x 14 cm PROVENANCE:
Private Collection, British Columbia $8,000 — 10,000
18 RAYMOND SHAW (B. 1982), KWAKWAKA’WAKW PORTRAIT MASK, 2014
cedar, acrylic paint; signed and dated 9.5 x 7.5 x 4 in — 24.1 x 19.1 x 10.2 cm PROVENANCE:
Private Collection, British Columbia $600 — 900
19 KEN MOWATT (B. 1944) WIND MASK, 1994
birch, acrylic paint, hair, leather inscribed with initials K.M 9 x 6.75 x 5 in — 22.9 x 17.1 x 12.7 cm PROVENANCE:
Private Collection, British Columbia $1,500 — 2,000
20 STANLEY HUNT III (1958-2008), KWAKWAKA’WAKW LARGE TOTEM POLE WITH THUNDERBIRD, KILLER WHALE AND SISUITL DESIGN, 2002
cedar, acrylic paint; signed and dated 55.75 x 54 x 12.5 in — 141.6 x 137.2 x 31.8 cm PROVENANCE:
Private Collection, British Columbia $5,000 — 7,000
21 JOE PETERS JR. (1959-1994), KWAKWAKA’WAKW TSONOQUA FIGURE
cedar, acrylic paint; signed, titled “tso-no-quees” “wass- widi” 24 x 13.5 x 10.5 in — 61 x 34.3 x 26.7 cm PROVENANCE:
Private Collection, British Columbia $800 — 1,200
22 RICK ADKINS (B. 1955), HAIDA MODEL TOTEM POLE
argillite; signed 9.5 x 2.5 x 3 in — 24.1 x 6.4 x 7.6 cm PROVENANCE:
Private Collection, British Columbia $800 — 1,200
23 ATTRIBUTED TO ROBERT DAVIDSON SR. (1880-1969), HAIDA ARGILLITE TOTEM DEPICTING FOUR ANIMALS
argillite 9.25 x 1.75 x 1.75 in — 23.5 x 4.4 x 4.4 cm PROVENANCE:
Private Collection, British Columbia $800 — 1,200
24 ELI BELL, HAIDA TOTEM, 1975
argillite; signed and dated 7 x 2 x 2.5 in — 17.8 x 5.1 x 6.4 cm PROVENANCE:
Private Collection, British Columbia $400 — 600
25 ELLEN NEEL (KAKASO’LAS) (1916-1966), KWAKWAKA’WAKW MODEL TOTEM POLE
cedar, wood stain; signed 11.5 x 13 x 5 in — 29.2 x 33 x 12.7 cm PROVENANCE:
Private Collection, British Columbia $500 — 700
26 ALFIE COLLINSON (B. 1951) WASGO, 1998
argillite, silver, gold plate signed and dated 4 ins x 7.75 ins x 3.5 ins; 10.2 cms x 19.7 cms x 8.9 cms PROVENANCE:
Private Collection, British Columbia $2,500 — 3,500
27 PHIL JANZÉ (1950-2016), GITXSAN BRACELET, 1974
silver; signed and dated PROVENANCE:
Private Collection, British Columbia $3,000 — 5,000
28 A GROUP OF JEWELLERY
silver, argillite, ivory, coral, turquoise; includes a signed silver bracelet by Barry Wilson, a killer whale pendant by Norman Tait, a signed Denny Dixon argillite pendant dated 1977 and a silver Tony Hunt ring bracelet measures 1.5 x 2.25 x 1.75 in — 3.8 x 5.7 x 4.4 cm PROVENANCE:
Estate of Kenneth and Eunice Barron, Edmonton, AB $500 — 700
29 A COLLECTION OF JEWELLERY
silver, gold ; including one Birks silver bracelet and a gold bracelet by Wayne Wilson as well as a Birks 1951 silver compact with an early Bill Reid design commemorating the 1951 Royal visit 1.5 x 2.5 x 2 in — 3.8 x 6.4 x 5.1 cm; 1 x 2.25 x 2 in — 2.5 x 5.7 x 5.1 cm; 0.5 x 2 x 2 in — 1.3 x 5.1 x 5.1 cm PROVENANCE:
Private Collection, British Columbia $1,500 — 2,500
30 A FINELY WOVEN NUU-CHAH-NULTH CEDAR ROOT MAQUINNA HAT
cedar root, dyed grasses 9.5 x 10 x 10 in — 24.1 x 25.4 x 25.4 cm PROVENANCE:
Private Collection, British Columbia $400 — 600
31 A FINE EARLY 20TH CENTURY TLINGIT RATTLE TOP LIDDED BASKET WITH INTRICATE GEOMETRIC DESIGN
spruce root, natural and dyed bear grasses 4 x 6.5 x 6.5 in — 10.2 x 16.5 x 16.5 cm PROVENANCE:
Private Collection, British Columbia $800 — 1,200
32 AN EXCEPTIONALLY FINE 19TH CENTURY TLINGIT OPEN BASKET
spruce root, natural and dyed grasses 4.5 x 5.5 x 5.5 in — 11.4 x 14 x 14 cm PROVENANCE:
Private Collection, Vancouver $1,000 — 1,500
33 A FINE EARLY 20TH CENTURY TLINGIT BOTTLE BASKET WITH LID
spruce root, natural and dyed bear grasses 8 x 5 x 5 in — 20.3 x 12.7 x 12.7 cm PROVENANCE:
Private Collection, British Columbia $500 — 700
34 AN EARLY 20TH CENTURY CHILCOTIN BURDEN BASKET
cedar bark, natural dye 8 x 11.75 x 7.5 in — 20.3 x 29.8 x 19.1 cm PROVENANCE:
Private Collection, British Columbia $500 — 700
35 FOUR FINELY WOVEN NUU-CHAHNULTH TRINKET BASKETS WITH LIDS, CA. 1880-90
spruce root, natural and dyed grasses 2 x 3.5 x 3.5 in — 5.1 x 8.9 x 8.9 cm; 2 x 3.5 x 3.5 in — 5.1 x 8.9 x 8.9 cm; 2 x 2.75 x 2.75 in — 5.1 x 7 x 7 cm; 2 x 2.5 x 2.5 in — 5.1 x 6.4 x 6.4 cm PROVENANCE:
Private Collection, British Columbia $400 — 600
36 A COLLECTION OF NORTHWEST COAST WOVEN BASKETS
consisting of two Coast Salish baskets, a Nuu-Chah-Nulth basket with whale motif and imbricated small round basket 9.25 x 17 x 16.5 in — 23.5 x 43.2 x 41.9 cm; 7 x 12 x 8 in — 17.8 x 30.5 x 20.3 cm; 8.5 x 12 x 6 in — 21.6 x 30.5 x 15.2 cm; 3.5 x 5.75 x 5.75 in — 8.9 x 14.6 x 14.6 cm PROVENANCE:
Private Collection, British Columbia $500 — 700
37 A COLLECTION OF 20TH CENTURY NUU-CHAH-NULTH BASKETS
cedar root and dyed grasses 2.4 x 2.6 x 2.8 in — 6 x 6.5 x 7 cm; 2.4 x 2.6 x 2.8 in — 8 x 8 x 7 cm; 2.4 x 2.6 x 2.8 in — 6 x 6.5 x 7 cm; 1 x 1.2 x 1.2 in — 2.5 x 3 x 3 cm; 4.7 x 1.6 x 1.4 in — 12 x 4 x 3.5 cm PROVENANCE:
Private Collection, British Columbia $100 — 150
38 JOHN LIVINGSTON (1951-2019), ADOPTED KWAKWAKA’WAKW RATTLE WITH HUMAN DESIGN
cedar, acrylic paint height 11.25 in — 28.6 cm PROVENANCE:
Private Collection, British Columbia $500 — 700
39 HENRY HUNT (1923-1985), KWAKWAKA’WAKW PORTRAIT MASK, CA.1950’S
cedar, acrylic paint, lacquer; signed 10 x 6.5 x 5 in — 25.4 x 16.5 x 12.7 cm PROVENANCE:
Private Collection, British Columbia $1,500 — 2,500
40 CICERO AUGUST (B. 1940) AND UNIDENTIFIED ARTIST, COAST SALISH POLYCHROMED RATTLE AND HALIBUT BOWL
wood, acrylic paint, leather, deer hoof; rattle is signed 20.5 x 2 x 2 in — 52.1 x 5.1 x 5.1 cm; 2.5 x 14 x 9 in — 6.4 x 35.6 x 22.9 cm PROVENANCE:
Private Collection, British Columbia $300 — 500
41 JIMMY JOHN (1876-1987), NUU-CHAH-NULTH MODEL TOTEM POLE
cedar, acrylic paint; signed 19 x 7 x 4.5 in — 48.3 x 17.8 x 11.4 cm PROVENANCE:
Private Collection, British Columbia $600 — 900
42 TITUS CAMPBELL (1893-1966), TSIMSHIAN MODEL TOTEM POLE
cedar, acrylic paint; signed and inscribed, depicting bear cub and bear mother 14 x 3.75 x 3.5 in — 35.6 x 9.5 x 8.9 cm PROVENANCE:
Private Collection, British Columbia $600 — 900
43 HENRY ROBERTSON (1934-2016), HAISLA MODEL TOTEM POLE
cedar, acrylic paint; signed ‘Hank Robertson’ 17 x 4 x 2.5 in — 43.2 x 10.2 x 6.4 cm PROVENANCE:
Private Collection, British Columbia $600 — 900
44 UNIDENTIFIED ARTIST MODEL TOTEM
cedar, acrylic paint; inscribed Northwest Coastal Haida; raven, whale, bear, Jen/i/1997 tall height 25 in — 63.5 cm PROVENANCE:
Private Collection, British Columbia $300 — 500
45 UNIDENTIFIED ARTIST MODEL TOTEM
wood, acrylic paint 15.75 x 4 x 5 in — 40 x 10.2 x 12.7 cm PROVENANCE:
Private Collection, British Columbia $300 — 500
46 UNIDENTIFIED ARTIST CARVED FIGURE
cedar, acrylic paint 18.5 x 8.75 x 3.5 in — 47 x 22.2 x 8.9 cm PROVENANCE:
Private Collection, British Columbia $300 — 500
47 RICHARD SUMNER (B. 1956), KWAKWAKA’WAKW CANOE BOX
cedar, twine; signed 12 x 16 x 11.5 in — 30.5 x 40.6 x 29.2 cm PROVENANCE:
Private Collection, British Columbia $800 — 1,200
48 LARRY ROSSO (1944-2006) PAINTED BENTWOOD BOX, 1991
cedar, acrylic paint; signed and dated 12.5 x 12.5 x 12.5 in — 31.8 x 31.8 x 31.8 cm PROVENANCE:
Private Collection, British Columbia $1,000 — 1,500
49 PAUL JOHNNY AND UNIDENTIFIED ARTIST BUTTON BLANKET WITH OPPOSING DESIGNS ALONG WITH A BLANKET CASE
wool, embroidery floss, buttons; signed 70 x 59 in — 177.8 x 149.9 cm; 18.5 x 28 in — 47 x 71.1 cm PROVENANCE:
Private Collection, British Columbia $500 — 700
50 ROBERT CHARLES DAVIDSON (B. 1946) SEA BEAR BOX BACK, 1969
screenprint on paper; 75 in the unnumbered edition sight 24 x 18 in — 61 x 45.7 cm PROVENANCE:
Private Collection, British Columbia $500 — 700
51 ROBERT CHARLES DAVIDSON (B. 1946), HAIDA BENT BOX DESIGN, 1978
screenprint on paper; signed, titled, dated and numbered 78/100 sight 18 x 19 in — 45.7 x 48.3 cm PROVENANCE:
Private Collection, British Columbia $500 — 700
52 WILLIAM (BILL) RONALD REID (1920-1998) AND VARIOUS ARTISTS THE SALMON - CANADA’S PLEA FOR A THREATENED SPECIES
limited edition portfolio of prints limited edition portfolio was produced under the direction of Fisheries and Marine Service, Environment Canada, Ottawa. It consists of the following sections and items: 1. The Legacy: including 5 original silkscreen prints by Bill Reid 2. The Atlantic: including 6 reproductions of 19th century prints 3. The Pacific: including 5 reproductions of gouache paintings by David Denbigh 4: The Cycle: including 6 reproductions of watercolours by Rudi Kovach 5. A book titled “The Salmon” written by Roderick Haig-Brown, 1974, 79 pages including reproductions of colour photographs The portfolio is presented in its original wood and linen protective presentation box, with a bas-relief by Bill Reid 22 x 17 in — 55.9 x 43.2 cm PROVENANCE:
Private Collection, British Columbia $1,000 — 1,500
53 WILLIAM (BILL) RONALD REID (1920–1998), HAIDA UNFINISHED DRAWING OF CENTRAL FIGURE IN “SPIRIT OF HAIDA GWAI” (THE BLACK CANOE), 1997
intaglio photogravure; signed, dated and numbered 18/25 29.5 x 21.5 in — 74.9 x 54.6 cm PROVENANCE:
Private Collection, British Columbia $800 — 1,200
54 TIM PAUL (B. 1950) MOON OF THE HERRING, 2000
screenprint and mixed media on paper signed, titled, dated and numbered 10/35; unframed 26 x 24.5 in — 66 x 62.2 cm PROVENANCE:
Private Collection, British Columbia $500 — 700
55 PARR (1893-1969), KINNGAIT (CAPE DORSET) UNTITLED
felt tip drawing on paper; signed sight 19.50 x 25 in — 49.5 x 63.5 cm PROVENANCE:
George R. Dinney Collection, Winnipeg By Descent to the Current Private Collection, British Columbia $1,000 — 1,500
56 PARR (1893-1969), KINNGAIT (CAPE DORSET) UNTITLED
felt tip and graphite drawing on paper; signed 20 x 25.75 in — 50.8 x 65.4 cm PROVENANCE:
George R. Dinney Collection, Winnipeg By Descent to the Current Private Collection, British Columbia $1,000 — 1,500
57 JOSEPHIE POOTOOGOOK (1887-1958) HUNTER, 1958
stonecut print on paper signed, titled, dated and numbered 18/50 sight 17 x 9.25 in — 43.2 x 23.5 cm PROVENANCE:
Pegasus Gallery, British Columbia Private Collection, British Columbia $4,000 — 6,000
58 KENOJUAK ASHEVAK (1927-2013), KINNGAIT (CAPE DORSET) WINTER RAVENS, 2002
etching and aquatint on paper; signed, dated, titled and numbered 38/50 9.6 x 12.8 in — 24.5 x 32.5 cm PROVENANCE:
Private Collection, Alberta $1,200 — 1,800
59 KENOJUAK ASHEVAK (1927-2013), KINNGAIT (CAPE DORSET) A FINE CATCH, 2005
etching and aquatint on paper; signed, titled, dated and numbered 50/50; unframed sheet 20 x 19 in — 50.8 x 48.3 cm PROVENANCE:
Private Collection, British Columbia $700 — 900
60 KENOJUAK ASHEVAK (1927-2013), KINNGAIT (CAPE DORSET) FIELD OF RAVENS, 1983
stonecut print on paper; signed, titled, dated and numbered, 2/50; unframed 24 x 33.9 in — 61 x 86 cm PROVENANCE:
Estate of Kenneth and Eunice Barron, Edmonton, AB $500 — 700
61 KENOJUAK ASHEVAK (1927-2013), KINNGAIT (CAPE DORSET) TWO RAVENS, 1968
stonecut print on paper; signed, dated, titled and numbered 9/50 sight 18.9 x 24 in — 48 x 61 cm PROVENANCE:
Estate of Kenneth and Eunice Barron, Edmonton AB $1,000 — 1,500
62 PAUTA SAILA (1916-2009), KINNGAIT (CAPE DORSET) STARTLED LOONS, 2004
stonecut and stencil on paper; signed, titled, dated and numbered 50/50; unframed sheet 20 x 24 in — 50.8 x 61 cm PROVENANCE:
Private Collection, British Columbia $300 — 500
63 LUCY QINNUAYUAK (1915-1982), KINNGAIT (CAPE DORSET) RADIANT BIRDS, 1982
stonecut and stencil on paper; signed, titled, dated and numbered, 28/50; unframed 24.4 x 28.3 in — 62 x 72 cm PROVENANCE:
Estate of Kenneth and Eunice Barron, Edmonton, AB $300 — 500
64 PAUTA SAILA (1916-2009), KINNGAIT (CAPE DORSET) DREAM OF OWL, 1972
stonecut on paper; signed, titled, dated and numbered, 23/50; unframed 24.4 x 32.7 in — 62 x 83 cm PROVENANCE:
Estate of Kenneth and Eunice Barron, Edmonton, AB $500 — 700
65 LUCY QINNUAYUAK (1915-1982), QAMANI’TUAQ (BAKER LAKE) TRIO OF OWLS, 1981
stonecut and stencil on paper; signed, titled, dated and numbered, 4/50; unframed 23.6 x 28.3 in — 60 x 72 cm PROVENANCE:
Estate of Kenneth and Eunice Barron, AB $300 — 500
66 PUDLO PUDLAT (1916-1992), KINNGAIT (CAPE DORSET) WE TRAVEL WITH THE LOON, 1973
stonecut and stencil on paper; signed, titled, dated and numbered, 14/50; unframed 24.5 x 34 in — 62.2 x 86.4 cm PROVENANCE:
Estate of Kenneth and Eunice Barron, Edmonton, AB $400 — 600
67 PITALOOSIE SAILA (1942-2021), KINNGAIT (CAPE DORSET) BIRD SPIRIT AT SEA, 1984
stonecut and stencil on paper; signed, titled, dated and numbered 29/50; unframed 24.5 x 36 in — 62.2 x 91.4 cm PROVENANCE:
Estate of Kenneth and Eunice Barron, Edmonton, AB $600 — 800
68 PITSEOLAK ASHOONA (1904-1983), KINNGAIT (CAPE DORSET) AUKPUK, 1974
stonecut on paper; signed, titled, dated and numbered, 30/50; unframed 24.4 x 33.9 in — 62 x 86 cm PROVENANCE:
Estate of Kenneth and Eunice Barron, Edmonton, AB $200 — 300
69 KUDJUAKJUK (MARY QAYUARYUK) (1908-1982), KINNGAIT (CAPE DORSET) SKY SPIRIT, 1977
stonecut and stencil on paper; signed, titled, dated, numbered, 35/50 sight 21.3 x 26 in — 54 x 66 cm PROVENANCE:
Estate of Ken and Eunice Barron, Edmonton, AB $200 — 400
70 ANNAGO (ARNAQU) ASHEVAK (1956-2009), KINNGAIT (CAPE DORSET) TOWN RAVENS, 2003
stonecut and stencil on paper; signed, titled, dated, numbered, 18/50, sight 25.4 x 19.5 in — 64.5 x 49.5 cm PROVENANCE:
Estate of Ken and Eunice Barron, Edmonton, AB $600 — 900
71 NINGIUKULU (NINGEOKULUK) TEEVEE (B. 1963), KINNGAIT (CAPE DORSET) SNOW GEESE RETURN, 2008
etching and aquatint on paper; signed, titled, dated and numbered 33/50; unframed 38.5 x 28 in — 97.8 x 71.1 cm PROVENANCE:
Private Collection, New Brunswick $500 — 700
72 NINGIUKULU (NINGEOKULUK) TEEVEE (B. 1963), KINNGAIT (CAPE DORSET) THE OWL AND THE BOY, 2008
lithograph on paper; signed, titled, dated and numbered 33/50; unframed 24 x 18 in — 61 x 45.7 cm PROVENANCE:
Private Collection, New Brunswick $500 — 700
73 MEELIA KELLY (1940-2006), KINNGAIT (CAPE DORSET) PURSUED, 2003
etching and aquatint on paper; signed, titled, dated and numbered 50/50; unframed 26.25 x 24.25 in — 66.7 x 61.6 cm PROVENANCE:
Private Collection, British Columbia $400 — 600
74 PITSEOLAK ASHOONA (1904-1983), KINNGAIT (CAPE DORSET) UNTITLED
felt tip drawing on paper; signed in syllabics sight 22.75 x 17 in — 57.8 x 43.2 cm PROVENANCE:
George R. Dinney Collection, Winnipeg By Descent to the Current Private Collection, British Columbia $400 — 600
75 KAVOVAOW MANNOMEE (B. 1958), KINNGAIT (CAPE DORSET) OWL WITH CATCH
pencil and felt tip pen on paper; signed in syllabics; unframed sheet 19.5 x 15 in — 49.5 x 38.1 cm PROVENANCE:
Private Collection, British Columbia $200 — 400
76 LUCY TASSEOR TUTSWEETOK (1934-2012), ARVIAT (ESKIMO POINT) FAMILY
stone 10.6 x 6.1 x 5.5 in — 27 x 15.5 x 14 cm PROVENANCE:
Private Collection, Alberta $800 — 1,000
77 LUKE IKSIKTAARYUK (1909-1977), QAMANI’TUAQ (BAKER LAKE) A GROUP OF FOUR ANTLER BIRDS
antler; signed in syllabics tallest height 6.6 in — 16.8 cm PROVENANCE:
Private Collection, British Columbia $800 — 1,200
78 ANDY MIKI (1918-1983), ARVIAT (ESKIMO POINT) ANIMAL CA.1980
antler 4.7 x 2 x 1.2 in — 12 x 5 x 3 cm PROVENANCE:
Private Collection, Seattle, WA $400 — 600
79 MARK TUNGILIK (1913-1986), NAUJAAT (REPULSE BAY) FLOCK OF BIRDS ON A CLIFF
stone, ivory; signed in syllabics 4.5 x 5.25 x 2.75 in — 11.4 x 13.3 x 7 cm PROVENANCE:
Private Collection, British Columbia $400 — 600
80 ROMEO EEKERKIK (1923-1983) FAMILY WITH SEAL
antler, stone 7.5 x 12 x 5.25 in — 19.1 x 30.5 x 13.3 cm PROVENANCE:
Private Collection, Seattle, WA $600 — 900
81 ELIJAH MICHAEL (1929-2008) FLYING SHAMAN, CA. 1969
whalebone 10 x 40 x 9 in — 25.4 x 101.6 x 22.9 cm PROVENANCE:
Estate of Kenneth and Eunice Barron, Edmonton, AB $600 — 900
82 JOSEPH SUSLAQ, UQSUQTUUQ (GJOA HAVEN) WHITE FACE WITH IGLOO
stone; signed in syllabics 9.5 x 5 x 4.75 in — 24.1 x 12.7 x 12.1 cm PROVENANCE:
Private Collection, Alberta $200 — 400
83 CHARLIE UGYUK (1939-1999), TALOYOAK (SPENCE BAY) HAWK
whalebone, stone; signed in syllabics 11 x 4 x 7 in — 27.9 x 10.2 x 17.8 cm PROVENANCE:
Private Collection, Alberta $2,000 — 4,000
84 OSUITOK IPEELEE (1923-2005), KINNGAIT (CAPE DORSET) CARVED OOSIK WITH ANIMALS
oosik, stone; signed 21.1 x 3.3 x 3 in — 53.5 x 8.5 x 7.5 cm PROVENANCE:
Marion Scott Gallery, Vancouver, BC Private Collection, Alberta $2,000 — 2,500
85 ANDREW PALONGAYAK, UQSUQTUUQ (GJOA HAVEN) SHAMAN’S EFFIGY
stone, antler 7.25 x 7.5 x 5 in — 18.4 x 19.1 x 12.7 cm PROVENANCE:
Private Collection, British Columbia $400 — 600
86 WAYNE PUQIQNAK (B. 1975) DRUMMER
stone, antler, bone; signed in syllabics 8 x 8.5 x 6.5 in — 20.3 x 21.6 x 16.5 cm PROVENANCE:
Private Collection, British Columbia $400 — 600
87 UNIDENTIFIED ARTIST DRUMMER
whalebone, hide, antler, stone, hair 15 x 11 x 6 in — 38.1 x 27.9 x 15.2 cm PROVENANCE:
Private Collection, British Columbia $400 — 600
88 EEGYVUDLUK POOTOOGOOK (1931-2000), KINNGAIT (CAPE DORSET) BABY CARIBOU
stone, antler 9 x 8.5 x 4.25 in — 22.9 x 21.6 x 10.8 cm PROVENANCE:
Private Collection, British Columbia $600 — 900
89 TAYARAQ TUNNILLIE (1934-2015), KINNGAIT (CAPE DORSET) SEDNA
stone; signed in syllabics 9 x 10 x 2.75 in — 22.9 x 25.4 x 7 cm PROVENANCE:
Private Collection, British Columbia $500 — 700
90 MARK PITSEOLAK SR. (1945-2012), KINNGAIT (CAPE DORSET) MOTHER AND CHILD
stone; indistinctly signed in syllabics 10 x 9 x 5 in — 25.4 x 22.9 x 12.7 cm PROVENANCE:
Private Collection, British Columbia $400 — 600
91 ISA AQIATTUSUK SMILER (1921-1986), INUKJUAK (PORT HARRISON) SEATED WOMAN STRETCHING SKIN
stone; signed in Roman 12.5 x 11.5 x 7 in — 31.8 x 29.2 x 17.8 cm PROVENANCE:
Private Collection, Alberta $2,500 — 4,500
92 PETER SEVOGA (1940-2007), QAMANI’TUAQ (BAKER LAKE) MOTHER & CHILD
stone 9.1 x 9.1 x 4.9 in — 23 x 23 x 12.5 cm PROVENANCE:
Private Collection, Alberta $500 — 700
93 JOY KILUVIGYUAK HALLAUK (1940-2000), ARVIAT (ESKIMO POINT) MOTHER & CHILD
stone 11.6 x 4.7 x 4.7 in — 29.5 x 12 x 12 cm PROVENANCE:
Private Collection, Alberta $400 — 600
94 LUCY TASSEOR TUTSWEETOK (1934-2012), ARVIAT (ESKIMO POINT) FAMILY
stone; signed in syllabics 3.75 x 3.5 x 2.75 in — 9.5 x 8.9 x 7 cm PROVENANCE:
Private Collection, Seattle, WA $400 — 600
95 LUCY TASSEOR TUTSWEETOK (1934-2012), ARVIAT (ESKIMO POINT) FAMILY
stone 2.75 x 3.5 x 2 in — 7 x 8.9 x 5.1 cm PROVENANCE:
Private Collection, Seattle, WA $300 — 500
96 DAVIDIALUK ALASUA AMITTU (1910-1976), PUVIRNITUQ (POVUNGNITUK) FISH IN NET
stone; signed in syllabics 3.75 x 10 x 2.5 in — 9.5 x 25.4 x 6.4 cm PROVENANCE:
George R. Dinney Collection, Winnipeg By Descent to the Current Private Collection, British Columbia $400 — 600
97 TUNA IQULIQ (1935-2015), QAMANI’TUAQ (BAKER LAKE) MUSK OX
stone 10 x 14 x 6 in — 25.4 x 35.6 x 15.2 cm PROVENANCE:
Private Collection, British Columbia $2,000 — 4,000
98 SILAS QIYUK (B. 1933), QAMANI’TUAQ (BAKER LAKE) FLOATING BIRDS
stone; signed in Roman 6 x 11.5 x 10.5 in — 15.2 x 29.2 x 26.7 cm PROVENANCE:
Private Collection, Alberta $800 — 1,000
99 JOE TALIRUNILI (1893-1976) INUIT FAMILY OF A LONG TIME AGO, 1975
stonecut print on paper signed, dated and numbered 17/50 sight 13 x 18.9 in — 33 x 48 cm PROVENANCE:
Estate of Kenneth and Eunice Barron, Edmonton, AB $600 — 900
100 MYRA KUKIIYOUT (1929 - 2006), BAKER LAKE SPIRIT OF THE HAWK, 1975
stencil on paper ; signed, titled, dated and numbered, 5/14, sight 21.3 x 29.1 in — 54 x 74 cm PROVENANCE:
Estate of Ken and Eunice Barron, Edmonton, AB $300 — 500
101 JESSIE OONARK (1906-1985), KINNGAIT (CAPE DORSET) KUDLOOPUDLOOALOOK (SEA MONSTER), 1970
stencil; signed, titled, dated and numbered, 7/34 on reverse; unframed 22 x 30.3 in — 56 x 77 cm PROVENANCE:
Estate of Kenneth and Eunice Barron, Edmonton, AB $600 — 800
102 JESSIE OONARK (1906-1985), QAMANI’TUAQ (BAKER LAKE) INUK WITH BIRDS, 1974
stonecut and stencil on paper; signed, titled, dated and numbered 12/50 sight 17.5 x 23 in — 44.5 x 58.4 cm PROVENANCE:
Estate of Kenneth and Eunice Barron, Edmonton, AB $1,000 — 1,500
103 JESSIE OONARK (1906-1985), QAMANI’TUAQ (BAKER LAKE) LITTLE WOMAN, 1983
stonecut and stencil on paper; signed, titled, dated and numbered, 17/36; unframed 25.6 x 20.5 in — 65 x 52 cm PROVENANCE:
Estate of Kenneth and Eunice Barron, Edmonton, AB $800 — 1,200
104 SIMON TOOKOOME (1934-2010), QAMANI’TUAQ (BAKER LAKE) THE LAND, 1983
colour pastel on paper; signed; unframed 9.8 x 14.6 in — 25 x 37 cm PROVENANCE:
Estate of Kenneth and Eunice Barron, Edmonton, AB $300 — 500
105 SIMON TOOKOOME (1934-2010), QAMANI’TUAQ (BAKER LAKE) UNTITLED (FIGURE WITH MANY FACES)
coloured pencil drawing on paper; signed; unframed 8.7 x 11.8 in — 22 x 30 cm PROVENANCE:
Estate of Kenneth and Eunice Barron, Edmonton, AB $300 — 500
106 SIMON TOOKOOME (1934-2010), QAMANI’TUAQ (BAKER LAKE) UNTITLED (FIGURE WITH MANY FACES)
coloured pencil drawing on paper; signed; unframed 22 x 30 in — 55.9 x 76.2 cm PROVENANCE:
Private Collection, Alberta $350 — 450
107 VICTORIA MAMNGUQSUALUK (1930-2016), QAMANI’TUAQ (BAKER LAKE) UNTITLED (BIG WOMAN)
coloured pencil drawing on paper; signed; unframed 22.25 x 30 in — 56.5 x 76.2 cm PROVENANCE:
Private Collection, Alberta $400 — 600
108 RUTH ANNAQTUUSI TULURIALIK (B. 1934), QAMANI’TUAQ (BAKER LAKE) UNTITLED
coloured pencil drawing on paper; unframed 22 x 29.5 in — 55.9 x 74.9 cm PROVENANCE:
Private Collection, British Columbia $800 — 1,200
109 JANET KIGUSIUQ (1926-2005), QAMANI’TUAQ (BAKER LAKE) GATHERING FOR FEAST, 1978
stonecut print on paper; signed, titled, dated and numbered 18/50; unframed 20.5 x 29 in — 52.1 x 73.7 cm $200 — 400
110 VICTORIA MAMNGUQSUALUK (1930-2016), QAMANI’TUAQ (BAKER LAKE) THE BOY AND HIS GRANDMOTHER TRICKS MEAN PEOPLE, 1980
stonecut and stencil on paper; signed, titled, dated and numbered 1/60; unframed 25 x 36 in — 63.5 x 91.4 cm PROVENANCE:
Private Collection, British Columbia $200 — 400
111 MARY PUDLAT (B. 1923), KINNGAIT (CAPE DORSET) INNUGAIT, 2001
lithograph on paper; signed, titled, dated and inscribed p.p; unframed sheet 17 x 13 in — 43.2 x 33 cm PROVENANCE:
Private Collection, British Columbia $200 — 400
112 SOROSULUTU, KINNGAIT (CAPE DORSET) FISHING AT NIGHT, 1976
lithograph on paper; signed, titled, dated and numbered 42/50; unframed sheet 18 x 24 in — 45.7 x 61 cm PROVENANCE:
Private Collection, British Columbia $200 — 400
113 MELIA JAW (1934-2006), KINNGAIT (CAPE DORSET) STUNG, 2005
lithograph on paper; signed, titled, dated and numbered 50/50 14.75 x 18 in — 37.5 x 45.7 cm PROVENANCE:
Private Collection, British Columbia $300 — 500
114 MARY PUDLAT (1923-2001), KINNGAIT (CAPE DORSET) WOMEN STRETCHING BEAR SKIN, 1991
lithograph on paper; signed, titled, dated and numbered 8/25; unframed 30 x 43 in — 76.2 x 109.2 cm PROVENANCE:
Private Collection, New Brunswick $500 — 700
115 PITSEOLAK ASHOONA (1904-1983), KINNGAIT (CAPE DORSET) OWLS IN SPRING SNOW, 1972
stonecut print on paper; signed, titled, dated and numbered 20/50; unframed 22.25 x 24 in — 56.5 x 61 cm PROVENANCE:
Private Collection, New Brunswick $200 — 400
116 KUMUARTOK, KINNGAIT (CAPE DORSET) ANGELS BECKON, 2002
etching and aquatint on paper; signed, titled, dated and numbered 9/50; unframed 35.5 x 27.5 in — 90.2 x 69.9 cm PROVENANCE:
Private Collection, New Brunswick $300 — 500
117 OSHOOCHIAK PUDLAT (1908-1992), KINNGAIT (CAPE DORSET) NALUNAIKUTAI, 1990
lithograph on paper; signed, titled, dated and numbered 21/50; unframed 20 x 25 in — 50.8 x 63.5 cm PROVENANCE:
Private Collection, New Brunswick $150 — 250
118 PITSEOLAK ASHOONA (1904-1983), KINNGAIT (CAPE DORSET) UNTITLED (SCARECROW WITH BIRDS), 1963
engraving on paper; signed in syllabics, dated and numbered 24/50 sight 10.5 x 12.5 in — 26.7 x 31.8 cm PROVENANCE:
George R. Dinney Collection, Winnipeg By Descent to the Current Private Collection, British Columbia $200 — 400
119 KENOJUAK ASHEVAK (1927-2013), KINNGAIT (CAPE DORSET) COMPOSITION, 1967
engraving on paper; signed, titled, dated and numbered 46/50 sight 11 x 13 in — 27.9 x 33 cm PROVENANCE:
George R. Dinney Collection, Winnipeg By Descent to the Current Private Collection, British Columbia $400 — 600
120 VICTORIA MAMNGUQSUALUK (1930-2016), QAMANI’TUAQ (BAKER LAKE) CREATURES OF THE DEEP, 1985
stonecut and stencil; signed, titled, dated and numbered 7/48; unframed 25 x 37 in — 63.5 x 94 cm PROVENANCE:
Private Collection, British Columbia $300 — 500
121 CLEMENCE WESCOUPE (B. 1951), ANISHINAABE (OJIBWE) CANADA GOOSE
acrylic on canvas board, 1986; signed and dated 18 x 14 in — 45.7 x 35.6 cm PROVENANCE:
Private Collection, British Columbia $300 — 400
122 CLEMENCE WESCOUPE (B. 1951) NEW SPIRIT, 1979
acrylic on paper signed, titled and dated sight 29.1 x 21.3 in — 74 x 54 cm PROVENANCE:
Estate of Kenneth and Eunice Barron, Edmonton, AB $200 — 300
123 NORVAL MORRISSEAU (1932-2007), ANISHINAABE (OJIBWE) THUNDERBIRD SPIRIT
screenprint on rag paper; signed, titled and numbered 69/78 31 x 21 in — 78.7 x 53.3 cm PROVENANCE:
Estate of Kenneth and Eunice Barron, Edmonton, AB $500 — 700
124 NORVAL MORRISSEAU (1931-2007), ANISHINAABE (OJIBWE) THE WOMAN AND THE FLY
screenprint on paper; signed, titled and numbered 34/98 sight 18.5 x 22.2 in — 47 x 56.5 cm PROVENANCE:
Estate of Ken and Eunice Barron, Edmonton, AB $400 — 500
125 NORVAL MORRISSEAU (1931-2007), ANISHINAABE (OJIBWE) MY GRANDDAUGHTER
screenprint on paper; signed, titled and numbered 63/500 PROVENANCE:
Private Collection, British Columbia $250 — 300
126 NORVAL MORRISSEAU (1931-2007), ANISHINAABE (OJIBWE) OJIBWAY THUNDERBIRD
screenprint on paper; signed, titled and numbered 63/500 sight 19 x 13 in — 48.3 x 33 cm PROVENANCE:
Private Collection, British Columbia $250 — 300
127 NORVAL MORRISSEAU (1931-2007), ANISHINAABE (OJIBWE) BEAR SPIRIT
screenprint on paper; signed, titled and numbered 63/500 sight 13 x 18.5 in — 33 x 47 cm PROVENANCE:
Private Collection, British Columbia $250 — 350
128 NORVAL MORRISSEAU (1931-2007), ANISHINAABE (OJIBWE) MY GRANDSON AND THE BIRDS
screenprint on paper; signed, titled and numbered 63/500 sight 13 x 19 in — 33 x 48.3 cm PROVENANCE:
Private Collection, British Columbia $250 — 300
129 SAMUEL (SAM) ASH (1951-2021) UNTITLED
acrylic on card signed sight 11.6 x 17.3 in — 29.5 x 44 cm PROVENANCE:
Estate of Kenneth and Eunice Barron, Edmonton, AB $200 — 300
130 DAPHNE ODJIG (1919-2016), ANISHINAABE (OJIBWE) THE OLD SWIMMING HOLE, 1981
screenprint on paper; signed, titled, dated and numbered; 21/125; unframed 25 x 22 in — 63.5 x 55.9 cm PROVENANCE:
Estate of Kenneth and Eunice Barron, Edmonton, AB $400 — 600
131 DAPHNE ODJIG (1919-2016), ODAWA-POTAWATOMI ARMS OF SECURITY, 1977
screenprint on paper; signed, titled, dated and inscribed artist’s proof, sight 24 x 19.7 in — 61 x 50 cm PROVENANCE:
Private Collection, British Columbia $800 — 1,000
132 DAPHNE ODJIG (1919-2016) SPIRIT OF JERUSALEM
screenprint on paper signed, titled and numbered 122/250; unframed 29 x 23 in — 73.7 x 58.4 cm PROVENANCE:
Private Collection, British Columbia $300 — 400
133 DAPHNE ODJIG (1919-2016) WESTERN WALL, JERUSALEM
screenprint on paper signed, titled and numbered 122/250; unframed 29 x 23 in — 73.7 x 58.4 cm PROVENANCE:
Private Collection, British Columbia $300 — 400
134 DAPHNE ODJIG (1919-2016) JAFFA GATE
screenprint on paper signed, titled and numbered 122/250; unframed 29 x 23 in — 73.7 x 58.4 cm PROVENANCE:
Private Collection, British Columbia $300 — 400
135 DAPHNE ODJIG (1919-2016) FAITHS OF JERUSALEM
screenprint on paper signed, titled and numbered 122/250; unframed 29 x 23 in — 73.7 x 58.4 cm PROVENANCE:
Private Collection, British Columbia $300 — 400
136 DAPHNE ODJIG (1919-2016) VISION
screenprint on paper signed, titled and numbered 122/250; unframed 29.25 x 21.75 in — 74.3 x 55.2 cm PROVENANCE:
Private Collection, British Columbia $300 — 400
137 EVOO SAMGUSAK MANGELIK (B. 1942), KANGIQLINIQ (RANKIN INLET) VASE DECORATED WITH BIRDS
glazed ceramic 18 x 10 x 12 in — 45.7 x 25.4 x 30.5 cm PROVENANCE:
Private Collection, Alberta $600 — 900
138 KAKEE PETER (B. 1973), KINNGAIT (CAPE DORSET) HAWK
stone; signed in Roman 7.5 x 5.5 x 2.25 in — 19.1 x 14 x 5.7 cm PROVENANCE:
Private Collection, British Columbia $350 — 450
139 JONASIE QUARQORTOK FABER (B. 1944), GREENLAND MUSK OX
stone ; signed in Roman 4.5 x 7 x 2.2 in — 11.4 x 17.8 x 5.6 cm PROVENANCE:
Private Collection, British Columbia $300 — 500
140 JOMIE AIPEELEE (B. 1963), IQALUIT (FROBISHER BAY) MUSK OX
stone 3.5 x 6 x 2 in — 8.9 x 15.2 x 5.1 cm PROVENANCE:
Private Collection, British Columbia $200 — 300
141 MARIE KUUNNUAQ (1933-1990), QAMANI’TUAQ (BAKER LAKE) SMALL MUSK OX
stone; signed in syllabics 4.3 x 6.3 x 2 in — 11 x 16 x 5 cm PROVENANCE:
Estate of Kenneth and Eunice Barron, Edmonton AB $300 — 500
142 ANDY MAMGARK (1930-1997), ARVIAT (ESKIMO POINT) RECLINING BEAR
stone, antler; signed in syllabics 4.75 x 8 x 4.5 in — 12.1 x 20.3 x 11.4 cm PROVENANCE:
Private Collection, British Columbia $300 — 500
143 LUCASSIE OQAITUQ (B. 1921), SANIKILUAQ (BELCHER ISLANDS) HUNTER WITH HARPOON, 1969
stone, wood, antler; measurements without spear 12 x 6 x 3 in — 30.5 x 15.2 x 7.6 cm PROVENANCE:
George R. Dinney Collection, Winnipeg By Descent to the Current Private Collection, British Columbia $300 — 500
144 ENOOK MANOMIE (B. 1941), IQALUIT (FROBISHER BAY) BEAR WITH SEAL, 1965
stone; signed in Roman 5.5 x 15 x 4.5 in — 14 x 38.1 x 11.4 cm PROVENANCE:
Estate of Kenneth and Eunice Barron, Edmonton, AB $400 — 600
145 UNIDENTIFIED ARTIST GROWLING BEAR
stone 3.5 x 6.5 x 2 in — 8.9 x 16.5 x 5.1 cm PROVENANCE:
Estate of Kenneth and Eunice Barron, Edmonton, AB $100 — 200
146 DAVIDEE SAUMIK (1925-1984), INUKJUAK (PORT HARRISON) MOTHER AND CHILD
stone; signed in syllabics 9.5 x 3 x 5.5 in — 24.1 x 7.6 x 14 cm PROVENANCE:
Private Collection, British Columbia $600 — 900
147 ATTRIBUTED TO MARY KIINALIK KUMAK (B. 1923), SALLUIT (SUGLUK) WOMAN STRETCHING SKIN
stone 6 x 8 x 3.5 in — 15.2 x 20.3 x 8.9 cm PROVENANCE:
Private Collection, British Columbia $300 — 500
148 JOANASIE MANNING (B. 1967), KINNGAIT (CAPE DORSET) OWL AND CHICKS
stone, antler; signed in Roman 4 x 8 x 5 in — 10.2 x 20.3 x 12.7 cm PROVENANCE:
Private Collection, British Columbia $300 — 500
149 JIMMY TAIPANAK (1919-2000), QAMANI’TUAQ (BAKER LAKE) FACE
stone 5 x 2.5 x 1.75 in — 12.7 x 6.4 x 4.4 cm PROVENANCE:
Private Collection, British Columbia $150 — 250
150 UNIDENTIFIED ARTIST MOTHER AND CHILD
stone 8 x 5 x 3.5 in — 20.3 x 12.7 x 8.9 cm PROVENANCE:
Private Collection, British Columbia $300 — 400
151 NOAH JAW (B. 1976), KINNGAIT (CAPE DORSET) KAYAKER
stone, antler, leather; signed 3.25 x 11 x 6.5 in — 8.3 x 27.9 x 16.5 cm; 5 x 5.5 in — 12.7 x 14 cm PROVENANCE:
Private Collection, British Columbia $300 — 500
152 CHARLIE INUKPUK (B. 1941), INUKJUAK (PORT HARRISON) MAN WITH WOLF, 1969
stone 14.4 x 7.5 x 8.7 in — 36.5 x 19 x 22 cm PROVENANCE:
George R. Dinney Collection, Winnipeg By Descent to the Current Private Collection, British Columbia $400 — 600
153 ALICE UTAKRALAK NANORAK (B. 1939), NAUJAAT (REPULSE BAY) BIRTHING CIRCLE
stone; signed in syllabics 4.5 x 6 x 5.5 in — 11.4 x 15.2 x 14 cm PROVENANCE:
Private Collection, British Columbia $300 — 500
154 TUNA IQULIQ (1935-2015), QAMANI’TUAQ (BAKER LAKE) FIGURE
stone; signed in syllabics 6.25 x 4 x 3 in — 15.9 x 10.2 x 7.6 cm PROVENANCE:
Private Collection, British Columbia $300 — 500
155 UNIDENTIFIED ARTIST, INUKJUAK (PORT HARRISON) GROWLING BEAR
stone 2.5 x 5.5 x 2 in — 6.4 x 14 x 5.1 cm PROVENANCE:
Private Collection, British Columbia $300 — 500
156 JOANASIE NOWKAWALK (B. 1926), INUKJUAK (PORT HARRISON) WOMAN WITH OTTER, CA.1969
stone 9.4 x 5.9 x 3.5 in — 24 x 15 x 9 cm PROVENANCE:
George R. Dinney Collection, Winnipeg By Descent to the Current Private Collection, British Columbia $500 — 700
157 UNIDENTIFIED ARTIST FAMILY
stone 10 x 8 x 7 in — 25.4 x 20.3 x 17.8 cm PROVENANCE:
Private Collection, British Columbia $500 — 700
158 LUCASSIE TOOKALOOK (B. 1917), PUVIRNITUQ (POVUNGNITUK) MAN HOLDING SEAL, 1967
stone 9.1 x 11.4 x 7.5 in — 23 x 29 x 19 cm PROVENANCE:
George R. Dinney Collection, Winnipeg By Descent to the Current Private Collection, British Columbia $400 — 600
159 ADAMIE AUPALURTA PUTUGO (B. 1934), PUVIRNITUQ (POVUNGNITUK) MAN WITH WALRUS HEAD
stone 6 x 6.5 x 4 in — 15.2 x 16.5 x 10.2 cm PROVENANCE:
George R. Dinney Collection, Winnipeg By Descent to the Current Private Collection, British Columbia $400 — 600
160 ATTRIBUTED TO FELIX KOPAK (B. 1918), NAUJAAT (REPULSE BAY) LARGE WALKING MAN
stone 23 x 9 x 11 in — 58.4 x 22.9 x 27.9 cm PROVENANCE:
Private Collection, British Columbia $600 — 900
161 GEORGE ARLUK (1949-2023), ARVIAT (ESKIMO POINT) FIGURE
stone; signed in Roman and syllabics 6.5 x 7.5 x 1.75 in — 16.5 x 19.1 x 4.4 cm PROVENANCE:
Private Collection, British Columbia $300 — 500
162 GEORGE ARLUK (1949-2023), ARVIAT (ESKIMO POINT) TRANSFORMATION
stone; unsigned 7 x 4.5 x 2.5 in — 17.8 x 11.4 x 6.4 cm PROVENANCE:
Private Collection, British Columbia $300 — 500
163 MAUDIE RACHEL OKITTUQ (B. 1944), TALOYOAK (SPENCE BAY) SPIRIT OWL
stone 9.5 x 4 x 10 in — 24.1 x 10.2 x 25.4 cm PROVENANCE:
Private Collection, British Columbia $400 — 600
164 AXANGAYUK SHAA (1937-2019), KINNGAIT (CAPE DORSET) GOOSE
stone; unsigned 12 x 7 x 13 in — 30.5 x 17.8 x 33 cm PROVENANCE:
Estate of Kenneth and Eunice Barron, Edmonton, AB $1,000 — 2,000
165 ABRAHAM ANGHIK RUBEN (B. 1951), PAULATUK SPIRIT BIRD, 1983
stone; signed in Roman, dated 13 x 22 x 7 in — 33 x 55.9 x 17.8 cm PROVENANCE:
Estate of Kenneth and Eunice Barron, Edmonton, AB $1,000 — 1,500
166 JOANASSIE IGIU (1923-1981), KINNGAIT (CAPE DORSET) OWL
stone; signed in syllabics 9 x 14 x 10 in — 22.9 x 35.6 x 25.4 cm PROVENANCE:
Estate of Kenneth and Eunice Barron, Edmonton, AB $400 — 600
167 KAKA ASHOONA (1928-1996), KINNGAIT (CAPE DORSET) SEAL
stone; signed in Roman 11 x 16 x 8 in — 27.9 x 40.6 x 20.3 cm PROVENANCE:
Estate of Kenneth and Eunice Barron, Edmonton, AB $600 — 900
168 UNIDENTIFIED ARTIST KUDLIK
stone, antler 5.5 x 10.5 x 6 in — 14 x 26.7 x 15.2 cm PROVENANCE:
Private Collection, British Columbia $200 — 400
169 GRAHAM PETTMAN (B. 1938), CREE SALMON, 1982
stone; signed and dated 14 x 10 x 7 in — 35.6 x 25.4 x 17.8 cm PROVENANCE:
Private Collection, British Columbia $500 — 700
170 GRAHAM PETTMAN (B. 1938), CREE COUPLE
stone; signed 10.75 x 5 x 4 in — 27.3 x 12.7 x 10.2 cm PROVENANCE:
Private Collection, British Columbia $300 — 500
Editions NOV EM BE R 18 — 23, 2 023
Buying at Waddington’s All lots will be offered and sold subject to the Conditions of Sale which appear in this catalogue as well as any Glossary and posted or oral announcements. By bidding at auction, bidders are bound by those Conditions and Glossary, as amended by any announcements or posted notices, which together form the contract of sale between the successful bidder (buyer), Waddington’s™ (auctioneer) and the consignor (seller) of the lot. Description or photographs of lots are not warranties and each lot is sold “as is” in accordance with the Conditions of Sale.
condition of lots
All of the items are to be considered, unless otherwise noted in the catalogue description or condition report, in good condition. The definition of “good” when used in reference to condition, describes an object as having had no major damage or repair but as with the nature of the material, may show minor surface wear, discolouration etc., which indicates the acceptable wear that the piece may acquire with age. If you are particular about minor flaws, you should have our staff answer any questions before bidding. Sizes are approximate. Frames on artwork are not included as part of purchase or condition. It is the sole responsibility of the bidder to inquire as to the condition of a lot before bidding. Condition reports are available upon request by phone, fax, email or in person. You are advised to make any requests well in advance of the sale.
buyer’s premium
Waddington’s charges a buyer’s premium of 23% on the hammer price up to and including $25,000 CAD. Hammer prices in excess of $25,000 CAD will be charged a buyer’s premium of 20%. Buyer’s premium and applicable Canadian taxes are added to the hammer price. A charge of 13% HST (Harmonized Sales Tax) is applicable on the hammer price and buyer’s premium except for any items directly shipped from our premises out of Canada. In the case where purchases are shipped out of the province of Ontario, the HST or GST is charged based on the tax status of that province.
payment
Payment for purchases must be by cash; interac direct debit (CDN clients in person only); certified cheque (U.S. & Overseas not applicable); bank draft; E-Transfer; Wire Transfer (fee applies); visa or Mastercard (up to $25,000).
all transactions are conducted in canadian dollars (cad)
Selling at Waddington’s shipping
The auctioneers will not undertake packing or shipping. The purchaser must designate and arrange for the services of an independent shipper and be responsible for all shipping and insurance expenses. The auctioneers will, upon request, provide names of professional packers and shippers but will not be held responsible for the service or have any liability for providing this information. Reliable preauction estimates of shipping costs of lots offered in this sale may be obtained from: PakShip 905-470-6874 / 416-293-8225 / 905-470-6875 taurus@pakship.ca / www.pakship.ca Safer Shipping Inc. 416-299-3367 / 416-299-9750 perry@safershipping.ca / www.safershipping.ca
removal of purchases
Purchases must be paid for within 48 hours of the date of the sale, and removed from premises within 10 days of the date of sale (see Conditions of Sale, conditions 8 to 15). Clients are advised that packing and/or handling of purchased lots by our employees or agents is undertaken solely as a courtesy for the convenience of clients.
cites
Restrictions exist regarding the import and export of species protected under CITES (Convention on International Trade in Endangered Species). This includes but is not limited to items made of or containing bone (whalebone etc.), ivory, tortoise shell, seal skin, rhinoceros horn and any other animal part and is strictly controlled or forbidden by most countries. Please review your country’s laws before bidding on pieces made of or containing these restricted items. It is the sole responsibility of the buyer to inquire about and obtain the proper permits for artwork purchased that may contain restricted materials, if such permit can be obtained. Please contact the department for further assistance. Failure to obtain necessary import/ export permits will not void any sale. All Narwhal Tusks must have a Marine Harvest Number or a Marine and Mammal Transport number to be sold at Waddington’s. For more information please visit: www.cites.org
insurance
A 1% insurance charge, based on the hammer price of the property, will be applied to all accounts.
auction advice
For auction advice on paintings, drawings, prints, jewellery, and various forms of decorative arts and other collectibles, please contact us via email or telephone. We are pleased to review emails containing photographs and information on your pieces in order to provide auction estimates for you to consider. For collections with a variety of objects, please contact our Appraisals and Consignments department (consignments@waddingtons.ca). For department-specific inquiries, please contact the specialist and/or department directly. All contact information can be found at www.waddingtons.ca. With specialists located at our head office in Toronto as well as in Vancouver and Montreal, we are pleased to meet with prospective consignors across the country. For more information on consigning to our auctions, please contact us at consignments@waddingtons.ca. Please note that property typically arrives at Waddington’s at least three months before the sale in order to allow our specialists time to research, catalogue, photograph and promote the items. Consignors will receive a contract to sign, setting forth terms and fees for our services.
Conditions of Sale 1. Each lot is subject to a premium of 23% on the hammer price up to and including $25,000 CAD. Hammer prices in excess of $25,000 CAD will be charged a buyer’s premium of 20%. Buyer’s premium and applicable Canadian taxes are added to the hammer price. 2. Unless exempted by law, the buyer is required to pay Federal Good and Services Tax on the total purchase price including the buyer’s premium. 3. The auctioneer reserves the right to withdraw any lot from sale at any time, to divide any lot or to combine any two or more lots at his sole discretion, all without notice. 4. The auctioneer has the right to refuse any bid and to advance the bidding at his absolute discretion. The auctioneer reserves the right not to accept and not to reject any bid. Without limitation, any bid which is not commensurate with the value of the article offered, or which is merely a nominal or fractional advance over the previous bid may not be recognized. 5. Each lot may be subject to an unpublished reserve which may be changed at any time by agreement between the auctioneer and the consignor. The auctioneer may bid, or direct an employee to bid, on behalf of the consignor as agreed between them. In addition, the auctioneer may accept and submit absentee and telephone bids, to be executed by an employee of the auctioneer, pursuant to the instructions of prospective purchasers not in attendance at the sale. 6 The highest bidder accepted by the auctioneer for any lot shall be the buyer and such buyer shall forthwith assume full risk and responsibility for the lot and must comply with such other Conditions of Sale as may be applicable. If any dispute should arise between bidders the auctioneer shall have the absolute discretion to designate the buyer or, at his option, to withdraw any disputed lot from the sale, or to re-offer it at the same or a subsequent sale. The auctioneer’s decision in all cases shall be final.
7. Immediately after the purchase of a lot, the buyer shall pay or undertake to the satisfaction of the auctioneer with respect to payment of the whole or any part of the purchase price requested by the auctioneer, failing which the auctioneer in his sole discretion may cancel the sale, with or without re-offering the item for sale. 8. The buyer shall pay for all lots within 48 hours from the date of the sale, after which a late charge of 2% per month on the total invoice may be incurred or the auctioneer, in his sole discretion, may cancel the sale. The buyer shall not become the owner of the lot until paid for in full. Items must be removed within 10 days from the date of sale, after which storage charges may be incurred. 9. Each lot purchased, unless the sale is cancelled as above, shall be held by the auctioneer at his premises or at a public warehouse at the sole risk of the buyer until fully paid for and taken away. 10. All lots are sold “AS IS”. Any description issued by the auctioneer of an article to be sold is subject to variation to be posted online and/or announced via email prior to the time of sale. While the auctioneer has endeavored not to mislead in the description issued, and the utmost care is taken to ensure the correct cataloguing of each item, such descriptions are purely statements of opinion and are not intended to constitute a representation to the prospective purchasers and no warranty of the correctness of such description is made. Some lots are of an age and/or nature which preclude their being in pristine condition and some catalogue descriptions make reference to damage and/or restoration. The lack of such a reference does not imply that a lot is free from defects nor does any reference to certain defects imply the absence of others. It is the responsibility of prospective purchasers to inspect or have inspected each lot upon which they wish to bid and to bid accordingly. 11. Payment for purchases must be by cash; interac direct debit (CDN client in person only); certified cheque (U.S. & Overseas not applicable); bank draft; E-Transfer; Wire Transfer (fee applies); visa or Mastercard (up to $25,000).
12. In the event of failure to pay for or remove articles within the aforementioned time limit, the auctioneer, without limitation of the rights of the consignor and the auctioneer against the buyer, may resell any of the articles affected, and in such case the original buyer shall be responsible to the auctioneer and the consignor for: (a) any deficiency in price between the re-sale amount and the amount to have been paid by the original buyer (b) any reasonable charge by the auctioneer for the storage of such articles until payment and removal by the subsequent buyer and (c) the amount of commission which the auctioneer would have earned had payment been made in full by the original buyer. 13. It is the responsibility of the buyer to make all arrangements for insuring, packing and removing the property purchased and any assistance by the auctioneer or his servants, agents or contractors, in packing or removal shall be rendered as a courtesy and without any liability to them. 14. The auctioneer acts solely as agent for the consignor and makes no representation as to any attribute of, title to, or restriction affecting the articles consigned for sale. Without limitation, the buyer understands that any item bought may be affected by the provisions of the Cultural Property Export Act (Canada). 15. The auctioneer reserves the right to refuse admission to the sale or to refuse to recognize any or all bids from any particular person or persons at any auction.
Waddington’s 275 King Street East, Second Floor Toronto, Ontario M5A 1K2
tel: 416-504-9100 toll free: 1-877-504-5700 www.waddingtons.ca