International Art Online Auction | Dec. 1 - 6, 2018 by waddingtons

International Art Auction DECEMBER 1 - 6, 2018

bid online at onlineauctions.waddingtons.ca

senior specialist Susan Robertson sr@waddingtons.ca

all lots can be viewed online at www.waddingtons.ca

416-847-6179

on view

client services Alec Kerr ak@waddingtons.ca

Friday, November 30 from 12:00 pm to 5:00 pm Saturday, December 1 from 11:00 am to 5:00 pm

Lot 822 Fritz Scholder (1937-2005) INDIAN PROFILE, 1974

front inside

Lot 934 Follower of Guido Reni (1575-1642) PENITENT SAINT MARY MAGDALENE WITH A HALO LOOKING UPWARDS

416-847-6186

back inside

Sunday, December 2 from 11:00 am to 5:00 pm

Lot 832 Sigmund Walter Hampel (1867-1949) DANCING GIRL

Monday, December 3 from 10:00 am to 12:00 pm preview held at 275 King Street East, 2nd Floor Toronto, Ontario M5A 1K2

front cover

back cover Lot 894 Auguste Rodin (1840-1917) BUSTE DE BALZAC, CAST IN 1965

This auction is subject to the Conditions of Sale printed in the back of this catalogue.

801

802

803

THOMAS SANDBY (1721-1798), BRITISH

LADY DIANA BEAUCLERK (1734-1808), BRITISH

JOHN ROBERT COZENS (1752-1797), BRITISH

“BACCHANALS” (SATYRS EATING GRAPES), CIRCA 1780

NAPLES FROM SIR WILLIAM HAMILTON’S VILLA, PORTICI, 1782

Pen and grey ink and watercolour on paper

Pencil and watercolour on brown tinted paper; signed with initials lower right

Sight 25 x 19 in — 62.9 x 48.3 cm

Together with the book: Mrs. Steuart Erskine, “Lady Diana Beauclerk: Her Life and Work”. Published by T. Fisher Unwin, London in 1903. Burgundy hardcover with gilt le"ered cover, ex-libris Stanhope Shelton bookplate inside front cover

Pencil, pen and grey wash on paper; titled “Portici” in the margin below the image bo"om centre, inscribed “Dutuit” in the upper margin, signed “Cozens” in sepia ink verso and inscribed by another “Portici, with the Royal Palace on the right” and further inscribed: “J.R. Cozens was at Portici in Aug. 1782” in pencil verso and to a green label from previous framing aﬃxed to the present backing paper verso

A FRUIT SELLER IN THE COLONNADE NEAR SAINT PAUL’S CHURCH, COVENT GARDEN

Provenance: Mrs. L. Lloyd Davis; Sotheby’s, 1978; Spink & Son Limited, London, UK,1979; Stanhope Shelton Limited, Suﬀolk, UK; From whom purchased by the Private Collection, Hamilton, Ontario in 1981 Exhibited: Spink & Son Limited, London, UK, “English Watercolour Drawings”, Annual Exhibition, 23 April – 18 May, 1979, Cat. No. 7; Museum of London, Exhibition for the opening of the new Covent Garden in August, 1980 Literature: Published in Spink & Son Limited, London, UK catalogue, “English Watercolour Drawings”, Annual Exhibition, 23 April – 18 May, 1979, Cat. No. 7, illustrated, p. 6 $8,000—12,000

Sheet/ Book 9.375 x 7.625 in — 22.2 x 18.4 cm; 13 x 10 x 2 in — 33 x 25.4 x 5.1 cm Provenance: Colonel Lascelles (Woolbeding Library), his collection with printed provenance to the frontispiece tissue guard (the watercolour), “Bacchnals” reproduced on the frontispiece of the book included in the lot ; Ex. Collection Mrs. Henry Lascelles; Duke of St. Albans; Stanhope Shelton Limited, Suﬀolk, UK, the watercolour and the book with Ex-libris bookplate of Stanhope Shelton mounted on the inside front opening page; From whom purchased by the Private Collection, Hamilton, Ontario in 1978 Literature: “Bacchanals” is reproduced in colour on the frontispiece of the accompanying book of Beauclerk’s complete works. The tissue guard has printed text along the bo"om edge that provides the original title “Bacchanals” and text that confirms the Colonel Lascelles provenance. $1,000—1,500

Image/Sheet 7 x 9.25 in — 16.5 x 23.5 cm; 8.5 x 11.5 in — 21.6 x 29.2 cm Provenance: From the collection of Eugene Dutuit, Rouen (1807-1886), author of “Manuel de l’Amateur d’Estampes, Oeuvres Complet de Rembrandt” inscribed in another hand in pencil verso; William Delamo"e; Stanhope Shelton Limited, Suﬀolk, UK; From whom purchased by the Private Collection, Hamilton, Ontario in 1981 Exhibited: Victoria & Albert Museum, London, 1971; Whitworth Art Gallery, Manchester, 1971 (similar drawings in both exhibitions, possibly not this lot); Art Gallery of Hamilton, Ontario, 1999 in “Private Obsessions” Literature: A.P. Oppé, “Alexander & John Robert Cozens”; Hamilton book, Volume II, No. 9 (Whitworth Art Gallery, Manchester), Approved F.W.Hawcro$, Whitworth Gallery; Cozens Exhibitions, V & A and Whitworth p. 54, J.R. Cozens catalogue, 1971 $3,000—5,000

804

805

806

JONATHAN RICHARDSON SNR. (1667-1745), BRITISH

GEORGE ROMNEY (1734-1802), BRITISH

GIOVANNI BATTISTA CIPRIANI (1727-1785), ITALIAN

PORTRAIT OF A GENTLEMAN WITH LONG HAIR (POSSIBLY A SELF-PORTRAIT)

Black chalk on grey wove paper, laid down at edges 7.75 x 6.5 in — 19.7 x 16.5 cm Provenance: Ex. Collection Walter Brandt; Christopher Powney, Dealer in Drawings, Shropshire, UK; From whom purchased by the Private Collection, Hamilton, Ontario in 1989 $500—700

HEAD OF A BEARDED MAN (PRESUMED TO BE KING LEAR); PROSTRATE CLASSICAL FEMALE MARTYR OR SAINT (A DOUBLE-SIDED DRAWING), CIRCA EARLY 1760S TO EARLY 1770S

The recto: a pencil and black chalk drawing, the verso: a pen, brown ink and pencil drawing; numbered “No. 158” in pen and ink at the top centre of the sheet with the black ink stamp of the collector Alfred de Pass in the lower le! corner

See website for verso drawing Sheet 11.75 x 17.7 in — 29.8 x 45 cm Provenance: The Collection of Alfred de Pass, No. 45 in the de Pass album; The Truro Museum, Cornwall, UK and their sale sold at Christie’s 22 February, 1966, described one side only “A Prostrate Woman”, part of Lot 38; From whom purchased by Alistair Ma"hews; Sotheby’s Lot 343, 16 October, 1986, illustrated; Christopher Powney, Dealer in Drawings, Shropshire, UK and Colnaghi, London; From whom purchased by the Private Collection, Hamilton, Ontario in 1987 Literature: Sotheby catalogue sale “Victorian Drawings and Watercolours and British Watercolours”, 16th October, 1986, Lot 343, p. 84, illustrated $4,000—6,000

AMPHITRITE BEING CARRIED TO HER MARRIAGE WITH POSEIDON

Watercolour, pen and brown ink with traces of pencil, heightened with watercolor wash on wove paper 4.1 x 12.8 in — 10.4 x 32.5 cm Provenance: Christopher Powney, Dealer in Drawings, London, UK as “The Birth of Venus”; From whom purchased by the Private Collection, Hamilton, Ontario in 1978 $600—800

808

809

810

JOHN FLAXMAN (1755-1826), BRITISH

FRANCESCO BARTOLOZZI (1727-1815), ITALIAN

BENJAMIN WEST (1738-1820), AMERICAN/BRITISH

A RECLINING RIVER GOD

STUDIES OF HORSES PRANCING (POSSIBLY RELATED TO “DEATH ON A PALE HORSE”, 1796)

ANTHONY’S ORATION / THE DEATH OF JULIUS CAESAR, CIRCA 1768

Pencil and watercolour wash en grisaille; signed and titled “Anthony’s Oration / Death of Jul: Caesar” along the bo!om edge

Pencil and pen with black and brown inks with brown wash and brushstroke shading on blue paper

8.75 x 13.25 in — 22.2 x 33.7 cm

7.5 x 11.625 in — 19.1 x 30.5 cm

Sheet 7 x 9 in — 17.8 x 22.9 cm

Provenance: Christopher Powney, Dealer in Drawings, London, UK; From whom purchased by the Private Collection, Hamilton, Ontario in 1981

Provenance: Iolo Williams, UK; Christopher Powney, Shropshire, UK; From whom purchased by the Private Collection, Hamilton, Ontario in 1989

Provenance: Christopher Powney, Tenterden, Kent, UK; From whom purchased by the Private Collection, Hamilton, Ontario in 1976

Exhibited: “John Flaxman”, 10 March – 9 April, 1976, Exhibition Presented by Christopher Powney and Gallery, London, “Designs for Sculpture and Metal Work”, Cat. No. 40, illustrated; Royal Academy of Arts Exhibition, “John Flaxman”, 1979, Cat. No. 6, illustrated $3,000—5,000

$600—900

Pencil on coarse, fibrous grey paper heightened with white

$800—1,200

811

812

813

SIR DAVID WILKIE (1785-1841), SCOTTISH

JOHN CONSTABLE (1776-1837), BRITISH

SAMUEL PROUT (1783-1852), BRITISH

FIVE STUDIES FOR “THE PENNY WEDDING”, CIRCA 1818

HARBOUR SCENE (SAILING BOAT, ROWBOAT AND FRIGATE BY WHARF), PROBABLY 1803

STUDY OF HULKS AT ANCHOR, PRIOR TO 1819

Five pen and sepia ink drawings with some brushwork; some inscribed verso indicating sketches probably made in situ. Framed in one mat. Four/One 2.75 x 1.75 in — 7 x 4.4 cm; 3.5 x 6.5 in — 8.9 x 16.5 cm Provenance: Morton Morris & Company, London, UK; From whom purchased by the Private Collection, Hamilton, Ontario in 1977 $2,000—3,000

Pencil on paper with watermark of a script “D”; with writing verso Image/sheet 3.2 x 4.9 in — 8.1 x 12.4 cm; 3.5 x 4.7 in — 9 x 12 cm Provenance: Stanhope Shelton Limited, Suﬀolk, UK; From whom purchased by the Private Collection, Hamilton, Ontario in 1978 $3,000—5,000

Watercolour and pencil with pen and ink on paper; titled to labels verso 5.5 x 13 in — 14 x 33 cm Provenance: Ex. Coll. L.G. Duke, No. 1569; Stanhope Shelton Limited, Suﬀolk, UK; From whom purchased by the Private Collection, Hamilton, Ontario in 1978 $400—600

814

815

816

GEORGE CHINNERY (1774-1852), BRITISH

EDWARD LEAR (1812-1888), BRITISH

SCENERY IN BENGAL, 1825 (DESIGN FOR THE FRONTISPIECE)

A VIEW OF CORTE, CORSICA FROM THE ROAD LEADING TO BASTIA, MAY 19TH -21ST, 1868

COLLECTOR’S GROUP OF THREE DRAWINGS

Brown ink and pen over faint pencil lines; titled and dated 1825 on the stone wall at le!, inscribed “Indian buildings with ca"le and a figure outside” to gallery label verso

Pencil, pen and ink with grey and brown washes on paper; signed with monogram “EL” lower le!

4.3 x 6.75 in — 10.9 x 17.1 cm

4.875 x 7.75 in — 12.1 x 19.7 cm

Provenance: Ex. Coll. of Princess Elizabeth, Landgravine of Hesse-Homburg (1770– 1840) (called “The Muse”), daughter (the 7th child) of George III of England; Ex. Coll. Baroness Gremp von Freudenstein (purchased a collection of the princess at her sale in Hamburg in 1869); A.M. Gremp; William Drummond, Bury Street Gallery, London, UK, label verso inscribed with the provenance given above; From whom purchased by the Private Collection, Hamilton, Ontario in 1983

Provenance: The Leger Galleries Limited, London, UK; From whom purchased by the Private Collection, Hamilton, Ontario in 1985

Exhibited: Burlington House Fair, 1983 $1,500—2,500

A"ributed to Nathaniel Dance-Holland (1735-1811), British PORTRAIT OF A MAN WEARING A SHORT WIG TIED WITH A BOW Pencil on paper; unsigned Together with:

Literature: Edward Lear, “Journal of a Landscape Painter in Corsica”, London, 1870, p. 173, pl. XXIX $3,000—5,000

Francis Place (1647-1728), British SHEET OF FIGURE STUDIES (PEASANTS IN HATS AND HOODED CLOAKS) Grisaille watercolour with traces of pencil on laid paper with top of a watermark identified as No. 317 by W.A. Churchill Together with: Edward Lear (1812-1888), British PRIEST CIMARA (FROM THE VILLAGE OF DRAGIATES), 1848 Pencil on paper; titled lower le! and dated “Oct 25, 1848” lower right. Sheet 8.25 x 6.5 in — 21 x 16.5 cm; 5.5 x 8.5 in — 14 x 21.6 cm; 6.75 x 3.75 in — 17.1 x 9.5 cm Provenance: Dance-Holland: Ex. Coll. Hall family by descent from the time of the drawing; William Drummond, London, UK; From whom purchased by the Private Collection, Hamilton, Ontario in 1988 Place: Ex. Coll. Sir Bruce Ingram (top of watermark as Churchill, No. 317); Stanhope Shelton Limited, Suﬀolk, UK; From whom purchased by the Private Collection, Hamilton, Ontario in 1979 Lear: Christopher Powney, UK; Gi!ed to the Private Collection, Hamilton, Ontario in 1987 $1,200—1,800

818

819

820

COLLECTOR’S GROUP OF FOUR DRAWINGS

COLLECTOR’S GROUP OF THREE WATERCOLOURS

GEORGE HERIOT (1759–1839), SCOTTISH/CANADIAN

William Mulready (1786-1863), Irish A SHEET OF FIGURE STUDIES (GROUPS OF CHILDREN), A DOUBLE-SIDED DRAWING, THE VERSO WITH MOTHER AND CHILDREN AND MEN IN TOP HATS WITH CHILDREN, PROBABLY PRIOR TO 1816 Pencil, pen and black ink on paper; the initial monogram stamp of collector Thomas Lowinsky in the bo!om le" corner of the recto

R. or P. Whi!ock Nicholl (18th/19th Century), British THE ROMAN FORUM, CIRCA 1835 Watercolour on paper; unsigned, inscribed “R or P. Whi!ock Nicoll”(sic) in pencil in a later hand verso and to gallery label verso, also titled and dated “circa 1835” to gallery label verso

COLLECTION OF NINE BRITISH LANDSCAPES: VARIOUS DATES FROM 1823- 1860

Together with: George Jones (1786-1869), British LA BELLE ALLIANCE (STUDY OF FRENCH TROOPS GATHERING BEFORE WATERLOO), CIRCA 1815 Watercolour and pen and ink with bodycolour on beige wove paper; titled in pen and ink lower le", inscribed “George Jones R.A.” in pencil to the mount margin lower right. Together with: James Ward (1769-1859), British A YOUNG GIRL SEATED Pencil on laid paper; signed with script initials “JW. RA” in pencil lower le". Together with: Daniel Maclise (1806-1870), Irish TWO GIRLS LOOKING AT A GOLDFISH BOWL Watercolour with brush and wash; inscribed in black ink script on the reverse: “Mc. Clise I” (sic)

1) Landscape with Lake and Falls; 2) Mountainous River Landscape with Boulder;

Together with:

3) Lake View with Trees, n.d. Watercolour mounted on cream paper;

Henry Eddowes Keene (1824-1909), British ANTWERP MARKET, CIRCA 1895 Watercolour, pen and brown ink on paper.

4) Co!age near Leamington, 1826;

Together with: David Norreys (19TH CENTURY), British FROM CLEY TO BLAKENEY, BEFORE 1925 Watercolour and pencil; signed indistinctly lower right, titled lower le" Sheet 4 x 5.75 in — 9.9 x 14.5 cm; 3.75 x 6.5 in — 9.5 x 16.5 cm; 8.5 x 13.75 in — 21.6 x 34.9 cm Provenance: Whi!ock Nicholl; William Drummond, Covent Garden Gallery Limited, London, UK; From whom purchased by the Private Collection, Hamilton, Ontario in 1978 Keene: Stanhope Shelton Limited, Suﬀolk, UK; Gi"ed to the Private Collection, Hamilton, Ontario in 1980

Sheet 7.5 x 9.6 in — 19.1 x 24.5 cm; 2.75 x 5.5 in — 7 x 14 cm; 7 x 4.75 in — 17.8 x 12.1 cm; 3.6 x 3.2 in — 9.1 x 8.1 cm

Norreys: Private Collection, Hamilton, Ontario from their grandparents found in the house they purchased in 1925

Provenance: See website for full catalogue details.

Exhibited: See website for full catalogue details.

$900—1,400

$450—700

5) Kenilworth Castle, July 1826; 6) Tunbridge Wells, Sept. 1824; 7) View near Bournemouth, N. Wales, 1825; 8) Ullswater Lake. Each unframed. Watercolours 6.3 x 9.25 in — 16 x 23.5 cm; 5.5 x 9.25 in — 14 x 23.5 cm; 5.25 x 7.25 in — 13.3 x 18.4 cm; 6 x 9.5 in — 15.2 x 24.1 cm; 4.5 x 7.25 in — 11.4 x 18.4 cm; 5.3 x 8 in — 13.5 x 20.3 cm; 4.5 x 7.25 in — 11.4 x 18.4 cm; 6 x 9.5 in — 15.2 x 24.1 cm; 4.3 x 6.9 in — 10.9 x 17.5 cm See website for full catalogue details. $2,500—3,500

821

822

823

TOM DARRO (1946- ), AMERICAN

FRITZ SCHOLDER (1937-2005), AMERICAN

DAN THOMPSON (1972- ), AMERICAN

INDIAN GIRL

INDIAN PROFILE, 1974

THE WARRIOR

Oil on masonite board; signed lower right, titled to gallery label verso

Acrylic on canvas; signed upper le!, titled and dated 1974 in black ink to the top selvage verso

Oil on linen; titled to gallery label verso

40 x 30 in — 101.6 x 76.2 cm

Provenance: Eleanor E"inger Gallery, New York gallery label verso; From whom purchased by the present Private Collection, Toronto

48 x 34 in — 121.9 x 86.4 cm Provenance: Goldfield Gallery, Los Angeles, Calif. No. 2083, gallery label verso $6,000—9,000

Provenance: Gallery Moos Ltd., Toronto; From whom purchased by the Private Collection, Westmount, QC on October 13, 1974 accompanied by a copy of the receipt $15,000—25,000

48 x 40 in — 121.9 x 101.6 cm

Literature: See “Southwest Art Selects”, Artists to Watch, (Dan Thompson cited and The Warrior illustrated), April 2002, p. 26; See “The Artist’s Magazine”, The Language of Light by Dan Thompson, March 2002, p. 35 $3,000—5,000

824

825

826

VAN DEARING PERINE (1868-1955), AMERICAN

ALEXANDER FRANCOIS LOEMANS (CIRCA 1816-1898), DUTCH BORN, ACTIVE IN NEW YORK AND CANADA

ABRAHAM MANIEVICH (1883-1942), RUSSIAN/AMERICAN

OCTOBER WOODLAND

Oil on canvas; signed “Van Perine” lower le!, titled in black crayon to the stretcher, inscribed “Van Dearing Perrinne” (sic) / “New York” and “October Woodland” in pencil to the stretcher 26 x 35 in — 66 x 88.9 cm Provenance: Private Collection, Beaverton $3,000—5,000

RIVER LANDSCAPE WITH FIGURES FISHING ON SHORE WATCHING BOATS

STILL LIFE OF FLOWERS IN A COPPER VASE; AUTUMN LANDSCAPE WITH POOL (A DOUBLE-SIDED CANVAS)

Oil on canvas; signed “Loemans” lower le!

Double-sided oil on canvas; signed in Latin lower le! recto

22 x 36 in — 55.9 x 91.4 cm

See website for verso

Provenance: N. Rheaume & Bro, Montreal partial label to the stretcher; Private Collection, Montreal

26 x 32 in — 66 x 81.3 cm

$2,000—3,000

Provenance: Ex. Coll. Dr. Joseph Stern, Montreal; His estate in the early 1950s; By descent to his wife Ada; Gi!ed to her brother Jack Druckman in the 1970s; Gi!ed by Jack Druckman to Dr. Joseph Stern’s niece, the present Private Collection, Montreal Literature: Peter Falk, “Who Was Who in American Art,” Vol. II, p. 2171-2172 $22,000—28,000

827

828

DAVID DAVIDOVICH BURLIUK (1882-1967), RUSSIAN/AMERICAN

ALEXANDER LIBERMAN (1912-1999), RUSSIAN/AMERICAN

LONG DE LA PROMENADE, CIRCA 1949

UNTITLED, 1984

Oil on canvas; signed lower right, titled and dated circa 1949 to gallery label verso

Red enameled metal sculpture on grey metal base; signed with initials “AL” and dated “84” to base.

12.25 x 15.5 in — 31.1 x 39.4 cm

36 x 16 x 16 in — 91.4 x 40.6 x 40.6 cm

Provenance: Harrison Galleries, Vancouver label verso; A.M. Davis Collection, Abbotsford, B.C., No. 18 stamp verso

$6,000—9,000

$6,000—8,000

829

830

831

JENNIFER BARTLETT (1941- ), AMERICAN

STUART DAVIS (1892 - 1964), AMERICAN

VAL BERTOIA (1949- ), AMERICAN

OLD HOUSE LANE #25, 1986-87

UNTITLED

2 CURVES OF SOUND (B-2087), 2018

Colour pastel on three sheets of paper; titled and dated 1986-87 to gallery label verso backing

Black pen and ink drawing on the verso of a sheet of beige-coloured graph paper; signed in pen and ink lower right

Each/Overall 44 x 30 in — 111.8 x 76.2 cm; 44 x 90 in — 111.8 x 228.6 cm

Image/Sheet 7.7 x 10.7 in — 19.6 x 27.3 cm; 8.9 x 11.8 in — 22.5 x 30 cm

Provenance: Paula Cooper Gallery, New York, gallery label verso; Private Collection, Toronto

Provenance: Private Collection, Kleinburg, Ontario

Fi!y-six beryllium copper rods silvered to a silicon bronze plate; stamped “B-2087” to the plate, titled “2 Curves of Sound” and dated 2018 to the accompanying certificate of authenticity, signed with the artist’s initials on “16 Jan. 2018” and stamped “Bertoia”

$3,000—5,000

$5,000—7,000

28 x 15 x 9.75 in — 71.1 x 57.2 x 38.1 cm Provenance: Private Collection, Toronto, acquired directly from the artist’s studio in Bally, PA, a friend of the artist $3,000—5,000

832

833

SIGMUND WALTER HAMPEL (1867-1949), AUSTRIAN

HAROLD FRANCIS RILEY (1934-), BRITISH

DANCING GIRL

Watercolour, graphite, colour pencil and ink heightened with bodycolour and gold paint on paper; signed in pencil lower right Image/Sheet 11.8 x 8.4 in — 30 x 21.3 cm; 12.5 x 8.9 in — 31.8 x 22.6 cm Provenance: The Morris Gallery, Toronto label verso; Private Collection, Caledon, Ontario $4,000—6,000

A NUN FROM SALFORD, 1968

Oil on canvas; signed and dated 68 lower right 29.75 x 16 in — 75.6 x 40.6 cm Provenance: The artist’s studio; Gi!ed to Mrs. Westwell (the present owner’s grandmother), Manchester, UK; By descent to the granddaughter, Toronto, circa 1986 $5,000—7,000

834

835

836

HAROLD FRANCIS RILEY (1934-), BRITISH

LYNN CHADWICK (1914-2003), BRITISH

PORTRAIT OF RILEY’S MOTHER IN A BLACK LACE SHAWL IN A MISTY LANDSCAPE, 1964; A WOMAN OF SALFORD FROM THE BACK, 1962

FIGURE (STUDY FOR A SCULPTURE), 1962

HAROLD FRANCIS RILEY (1934-) AND BRIAN DUFF (1929-2007), BRITISH

The first: a colour pastel on purple paper mounted on board; signed with initial “R” and dated 64 lower right The second: a watercolour heightened with white on green paper; signed and dated 62 in pencil lower right

See website for second piece Respectively 12.2 x 8.5 in — 30.9 x 21.6 cm; 17 x 11.5 in — 43.2 x 29.2 cm

Ink and watercolour on C.M. Fabriano / Ingres (made in Italy) watermarked laid paper; signed and dated “Lynn Chadwick 62” in pen and ink lower right Sheet/Image 24.5 x 18.9 in — 62.2 x 48 cm; 22.6 x 10 in — 57.5 x 25.4 cm Provenance: Peter Croydon, Toronto commercial photographer from the late 1940s to the 1980s, acquired directly from the artist $1,500—2,000

PORTRAIT OF LAURENCE STEPHEN LOWRY RBA RA (1887-1976); PHOTOGRAPH OF LOWRY, TIRED (2 WORKS)

The first by Riley being a black charcoal drawing with shading and heightened with white pastel on paper; the second by Duﬀ, being a black and white photograph; stamped “Daily Express / Copyright Picture by Brain Duﬀ “ to the verso

See website for second piece Respectively 12.75 x 9.25 in — 32.4 x 23.5 cm; 9 x 11.75 in — 22.9 x 29.8 cm

Provenance: The House of J. Davey & Sons Limited, Manchester framer’s label to the first verso (Riley had “A Woman of Salford” framed); Both works direct from the artist’s studio; Gi!ed to Mrs. Westwell (the present owner’s grandmother), Manchester, UK; By descent to the granddaughter, Toronto, circa 1986

Provenance: The House of J. Davey & Sons Limited, Manchester framer’s label verso (Riley had the drawing of Lowry framed); Both works direct from the artist’s studio and collection; Gi!ed to Mrs. Westwell (the present owner’s grandmother), Manchester, UK; By descent to the granddaughter, Toronto, circa 1986

$1,000—1,500

$1,200—1,800

837

838

839

HAROLD FRANCIS RILEY (1934-), BRITISH

PHILIP CONNARD (1875-1958), BRITISH

MRS WESTWELL WEARING A HAT, 1960; A MINE SHAFT WITH FIGURES, CHRISTMAS, 1964

MRS. WESTWELL IN BLUE (GRANNIE SARA ANN WESTWELL); MRS. WESTWELL IN ORANGE HAT

LADY IN FANCY DRESS (ALSO KNOWN AS MISS MIMPRISS, LATER MRS. BENGE)

The first: a pencil and charcoal drawing heightened with white on buﬀ-coloured paper; signed and dated 60 lower right; the second: a pencil drawing heightened with white chalk on light brown paper; signed and inscribed “to Mrs. Westall with love for Christmas 1964” in pencil lower right

Two colour pastels on brownish paper; each signed in pencil lower right

Sight Respectively 13 x 9.5 in — 33 x 24.1 cm; 14.5 x 9.5 in — 36.8 x 24.1 cm Provenance: Both with The House of J. Davey & Sons Limited, Manchester framer’s label verso (Riley had the drawings of framed); Both works direct from the artist’s studio; Gi"ed to Mrs. Westwell (the present owner’s grandmother), Manchester, UK, one as a Christmas card; By descent to the granddaughter, Toronto, circa 1986 $1,000—1,500

See website for second piece Each sight 15.9 x 9.8 in — 40.5 x 25 cm; 15.7 x 10 in — 39.9 x 25.4 cm Provenance: Both with The House of J. Davey & Sons Limited, Manchester framer’s label verso (Riley had the drawings framed); Both works direct from the artist’s studio; Collection of the si#ers; Both with Mrs. Westwell (the present owner’s grandmother), Manchester, UK; By descent to the granddaughter, Toronto, circa 1986 $1,000—1,500

Oil on canvas; signed with initials and dated 1920 lower right, signed in red paint to the canvas verso, titled “Lady in Fancy Dress” to an old, unknown inscribed label in pen and ink with remains of the artist’s name “Connard” at the address “Richmond” verso 50.25 x 40 in — 127.6 x 101.6 cm Provenance: Phillips, London, November 17, 1998, lot 60, illustrated as “Miss Mimpriss”; From whom purchased by the Private Collection, Ontario Exhibited: Royal Academy, London, 1920, Cat. No. 652 $10,000—15,000

840

841

842

FRANK OWEN SALISBURY (1874-1962), BRITISH

FREDERICK GEORGE SWAISH (1879-1931), BRITISH

HAROLD KNIGHT (1874-1961), BRITISH

MAGNOLIAS

PORTRAIT OF JOHN COLLINGWOOD READE AT AGE 2, 1906

Oil on canvas; signed lower right 36 x 28 in — 91.4 x 71.1 cm Provenance: Private Collection, Hamstead, PQ in 1989

$1,500—2,500

Oil on canvas; signed “F. G. Swaish” and dated “06” lower le!, signed at 98 Redland, Bristol in pen and ink to the frame upper le! verso 40 x 28 in — 101.6 x 71.1 cm Provenance: With Chapman Bros., Chelsea label verso; Family of the si"er, Private Collection, Montreal, PQ $2,000—3,000

843

844

THOMAS EDWIN MOSTYN (1864-1930), BRITISH

ALBERT DURER LUCAS (1828-1918), BRITISH

PICNIC (UNDER A FULL MOON)

Oil on canvas; signed lower right, remains of title to a partial gallery label verso 20 x 24 in — 50.8 x 61 cm Provenance: Remains of a Toronto gallery active in the early to mid-20th century; Private Collection, Montreal $1,500—2,500

SPRING FLOWERS ON A MOSSY BANK WITH CROSS-LEAVED HEATHER, BLADDER CAMPION, FERNS AND BUTTERFLIES; PRIMROSES ON A MOSSY BANK, CIRCA 1867

Pair of oils on board; the first, signed and dated 1867 lower right, the la"er, titled in pencil verso. In matching frames.

See website for second piece Each 10 x 8 in — 25.4 x 20.3 cm Provenance: Private Collection, Markham, Ontario, gi!ed to her in April 1959 on her 21st birthday, previously residing in Richmond, Surrey, UK $1,200—1,800

THANKSGIVING

Oil on masonite board; signed lower right, titled to gallery label verso 30 x 24 in — 76.2 x 61 cm Provenance: Mellors-Laing Galleries, Toronto; Estate Collection, Ontario $4,000—6,000

845

846

847

GEORGE CLINT (1770-1854), BRITISH

EDWARD LADELL (1821-1886), BRITISH

PORTRAIT OF LADY SUFFIELD, 1836

GRAPES, BERRIES AND AN EGG NEST ON A CARVED LEDGE

HENRY JOHN BODDINGTON (1811-1865), BRITISH

Oil on panel in a feigned oval; inscribed: “Painted by Clint,” titled “Lady Suﬃeld” and dated 1836 in pen and ink to the old paper label; further inscribed: “The Hon. Miss G....(?)” a"ached to the verso Feigned oval/panel 14 x 11.8 in — 35.6 x 30 cm; 14.4 x 11.8 in — 36.6 x 30 cm Provenance: Ex. Collection The Hon. Miss G...di... (indistinct) to the old handwri"en pen and ink label verso; Frost & Reed, London, Reg. No. 1904 as “Portrait of Lady Suﬃeld” label verso; The Cooling Galleries Ltd., London & Toronto; Private Collection, Toronto $1,500—2,500

Oil on canvas; signed with monogram initials mid-le# 15 x 13 in — 38.1 x 32 cm Provenance: Leslie Lewis, London stamp to the stretcher $3,000—4,000

A WELSH LANE - A BRIGHT DAY, 1853

Oil on canvas; signed and dated 1853 lower right, signed at “1 Marburg Co"ages, Hammersmith”, titled and numbered “No. 7” to artist handwri"en label in sepia pen and ink to the stretcher, the stretcher incised with initials “P.G.” 20 x 30 in — 50.8 x 76.2 cm Provenance: The Cooling Galleries, London & Toronto label verso; With Frederick Thom Gallery, Toronto for cleaning in January 1989 label verso Exhibited: The Royal Society of British Artists, 1853, Cat. No. 167 Literature: See Jan Reynolds’ “The Williams Family of Painters”, pgs. 20 and 75 (the lot cited and with further ref. cited: “Art Journal, p. 135”) $3,000—5,000

848

849

850

JAMES E. MEADOWS (1828-1888), BRITISH

ALFRED PARSONS (1847-1920), BRITISH

VILLAGERS AND HORSES OUTSIDE THE JOHN HOBS INN

THE WYE NEAR BUILTH

SAMUEL JOHN LAMORNA BIRCH (1869 -1955), BRITISH

Oil on canvas; signed lower le!, dated 1873 to the nameplate 30 x 50 in — 76.2 x 127 cm

Oil on canvas; signed lower le!, titled to label verso 26 x 36.5 in — 66 x 92.7 cm

Provenance: The Cooling Galleries, London & Toronto; With Frederick Thom Gallery, Toronto for cleaning in February, 1989 label verso

Provenance: The Cooling Galleries Ltd., London & Toronto; With Frederick Thom Gallery, Toronto for cleaning in January, 1989 label verso

$2,000—3,000

CLEAR DEEP POOLS OF SPEAN INVERNESS-SHIRE, 1939

Oil on canvas; signed and dated 1939 lower right, titled to gallery label verso 20 x 25 in — 50.8 x 63.5 cm Provenance: Laing Galleries Limited, Toronto $3,000—4,000

851

852

853

SIR FRANK BRANGWYN (1867-1956), BRITISH

EDWIN ARTHUR WARD (1859-1933), BRITISH

ALFRED DE BREANSKI SNR. (1852-1928), BRITISH

TURKS BOARDING "THE DOLPHIN", CIRCA 1899

BAFFLED (CHARLES I AND OLIVER CROMWELL DISCUSSING IMPORTANT NEWS), 1883

BRORA FALLS, SUTHERLAND

Oil on board; signed with initials “FB” lower right, titled to gallery label verso, signed, titled and numbered No. 4813 to the L.B.H. label verso

Oil on canvas; signed and dated 1883 lower right

14.75 x 20.5 in — 37.5 x 52.1 cm

Provenance: Luscombe Carroll (The Carroll Galleries), London, England partial label; Possibly Eaton’s, Canada partial grey label verso; Ex. Collection of the Weston family, Woodbridge, Ontario; The Antique Shoppe, Toronto; From whom purchased by Mr. and Mrs. F. McCullough, Etobicoke, Ontario in the late 1980s; With John Britnell Art Galleries Limited, Toronto, for appraisal on April 14, 1988; By descent

Provenance: The Fine Art Society Ltd., London; The Estate of R. Lyman Williams, Montreal; By descent to the present Private Collection, St. Catharines, Ontario Literature: The frontispiece to W.H. Long’s, “Naval Yarns”, 1899 $3,000—5,000

40 x 50 in — 101.6 x 127 cm

$3,000—5,000

Oil on canvas; signed lower right, titled in pencil to the top selvage 20 x 30 in — 50.8 x 76.2 cm Provenance: By descent through the family, Lindsay, Ontario $4,000—6,000

854

855

856

THOMAS SIDNEY COOPER (1803-1902), BRITISH

ALFRED DE BREANSKI SNR. (1852-1928), BRITISH

COWS AND SHEEP GRAZING

SHEEP IN SNOW; COWS WATERING IN A POOL WITH HERDER AND HIS DOG

HIGHLAND LANDSCAPE WITH COWS WATERING

Pair of oils on panel; the first: signed and dated 1860 lower le", signed and dated 1860 verso, the second: signed and dated 1846 lower right

Oil on canvas; signed lower right

Oil on panel; signed and dated 1874 lower right 17.75 x 24 in — 45.1 x 61 cm Provenance: With Sco! & Son, Montreal gallery label verso; Private collection, St. Andrew’s, Quebec; Dominion Gallery, Montreal, Inventory No. A1992 to label verso, acquired (through an exchange) by the Dominion Gallery from the collector cited above on November 9, 1955; Sold to a Westmount collector on March 12, 1966 $5,000—7,000

857 ALFRED DE BREANSKI SNR. (1852-1928), BRITISH RIVER LANDSCAPE WITH RAIL FENCE AND HERD OF CATTLE IN THE FIELD

Oil on canvas; signed lower le" 18 x 30.25 in — 45.7 x 76.8 cm $2,000—3,000

See website for second piece Each 10 x 15 in — 25.4 x 38.1 cm Provenance: The first: Ex. Coll. G. Larkin, London, UK, inscribed to an old partial label verso; Estate Collection, Innisfil, Ontario $5,000—7,000

18 x 30 in — 45.7 x 76.2 cm $2,000—3,000

858

859

860

ALFRED FONTVILLE DE BREANSKI JNR. (1877 - 1955), BRITISH

ALFRED FONTVILLE DE BREANSKI JNR. (1877–1955), BRITISH

WALTER J. WATSON (1879-1979), BRITISH

LOCHEARNHEAD AND GLEN OGLE, N.P.

MOEL HEBOG, N. WALES

Oil on canvas; signed lower le!, signed and titled verso

Oil on canvas; signed lower right, signed and titled verso

24 x 36 in — 61 x 91.4 cm

28 x 42 in — 71.1 x 106.7 cm

Provenance: The T. Eaton Co., Ltd., The Fine Art Galleries, Toronto; From whom purchased by William Mellow on October 26, 1949 with copy of the original receipt; The Estate of Helen (Mellow) Zinkargue, Toronto

Provenance: Private Collection, Toronto by descent $4,000—6,000

CATTLE DRINKING IN THE LOWLANDS; SHEEP GRAZING ON A RIVERSIDE

Pair of oils on canvas; both signed lower right and lower le! respectively, the first title also dated 1919 lower right each 15.5 x 25.5 in — 39.4 x 64.8 cm Provenance: Spencer S.A., Fine Paintings, London labels to each verso $5,000—7,000

$5,000—7,000

861

862

863

ALFRED FONTVILLE DE BREANSKI JNR. (1877-1955), BRITISH

SAMUEL PROUT (1783-1852), BRITISH

THE ENGLISH LAKES, CONISTON WATER

ABOVE LOCH VENNACHAR (SIC) N.B.

Oil on canvas laid down on masonite; signed lower le!, titled to the original gallery receipt accompanying the lot

Oil on canvas; signed lower le!, signed and titled verso

20 x 30 in — 50.8 x 76.2 cm Provenance: The T. Eaton Co., Limited of Canada; From whom purchased by Mr. G.V. Frost accompanied by the original receipt dated February 16, 1952; By descent to the present Private Collection, Mississauga, Ontario $2,500—3,500

16.25 x 22 in — 41.3 x 55.9 cm $1,500—2,500

ON THE LAHN, THE RHEIN, GERMANY

Watercolour and pen and ink heightened with white Sheet 9.5 x 6.4 in — 24.1 x 16.2 cm Provenance: Bonhams, London, June 7, 2005, Lot 24; From whom purchased by the present Private Collection, Ontario $3,000—4,000

864

865

866

WILIAM CALLOW (1812-1908), BIRTISH

SAMUEL PROUT (1783-1852), BRITISH

GEORGE ROMNEY (1734-1802), BRITISH

OLD HOUSES TRABEN ON THE MOSELLE, 1606-1617

ST. NICHOLAS CHURCH FROM THE CHARLES BRIDGE, PRAGUE

Watercolour on prepared board; signed and dated 1903 lower right, titled to labels verso

Pencil heightened with white on grey paper; annotated “Prague - St. Charles” in pencil lower right

STUDY OF A SEATED WOMAN, C. 1769 (PROBABLY A SKETCH FOR THE PAINTING “THE WARREN FAMILY” EXHIBITED IN 1769)

Brown pen and ink on laid paper

17.9 x 13.9 in — 45.5 x 35.3 cm

10.25 x 15.5 in — 26 x 39.4 cm

Sheet 7.7 x 5.9 in — 19.5 x 15 cm

Provenance: Sotheby’s, London, July 20, 1994, lot 83; From whom purchased by a Private Collection, Penteguishene, Ontario; With Waddington’s, Toronto, July 20, 1994, Lot 65; Private Collection, Ontario

Provenance: Spink Gallery, London, UK, Inventory No. K3 9514 to their label verso; Bonhams, London, UK, June 6, 2006, Lot 44, illustrated; From whom purchased by the Private Collection, Ontario

Provenance: Miss Romney, Christie’s sale, 1894; The Morris Gallery, Toronto, their label inscribed with the above sale; Private Collection, Caledon, Ontario

Exhibited: According to the note verso, this watercolor was exhibited at the R.W.S. in 1903

$1,000—1,500

Literature: This watercolor is cited in William Callow’s, “William Callow R.W.S. F.R.G.S: An Autobiography” edited by H.M. Cundall, 1908, p. 168 according to a handwri!en label signed “C.W.Carey” verso backing. The label further inscribed “Seven of the artist’s works are in the South Kensington Museum.” $4,000—5,000

Exhibited: Probably a sketch for “The Warren Family”, a painting Romney exhibited at the Free Society of Artists in 1769 $800—1,200

867

868

869

SIMEON SOLOMON (1840-1905), BRITISH

HERCULES BRABAZON BRABAZON (1821 -1906), BRITISH

JOHN PIPER (1903-1992), BRITISH

CAECILIA, 1896

Pencil on paper; signed, titled bo!om centre and dated 1896 lower le" Image/Sheet 13.6 x 9.1 in — 34.5 x 23 cm; 14.9 x 9.8 in — 37.8 x 25 cm Provenance: Private Collection, Caledon, Ontario $10,000—15,000

ALEXANDRIA

Watercolour on paper; signed with initials “HHB” lower le", titled to an unidentified handwri!en label and further inscribed: “lent by Walter Johnston ... ” verso backing Sight 4.25 x 7.5 in — 10.8 x 19.1 cm Provenance: Ex. Collection Walter Johnston, Oakbank, Redhill, inscribed: “Lent by Walter Johnston / Oakbank / Redhill” in pen and ink to an old unidentified exhibition label verso backing; Remnants of a second gallery label, London, UK verso; Estate of J. Patricia Sco!, Toronto $800—1,200

THE CAMARGUE

Watercolour with ink and pencil heightened with pastel; signed lower right 13.75 x 21 in — 34.9 x 53.3 cm Provenance: Laing Galleries, Toronto; Private Collection, Belleville, Ontario $7,000—9,000

870

871

872

EDWARD SEAGO (1910-1974), BRITISH

A STREET IN PONZA

BARGES WAITING FOR THE TIDE, COLNE ESTUARY, 1950

THE WINDMILL, ZIERIKZEE

Oil on masonite; signed lower le!, titled in pencil verso 20 x 30 in — 50.7 x 76.2 cm Provenance: Laing (Galleries), Toronto from “Recent Paintngs By Edward Seago”, no date; Estate Collection, Toronto Exhibited: Laing, Toronto in “Recent Paintings By Edward Seago”, n.d. Cat. No. 20 $15,000—20,000

Oil on masonite; signed and dated 50 lower le!, titled verso 20 x 24 in — 50.8 x 61 cm Provenance: H. C. Walker (Son of Sir Edmund Walker), Toronto, the verso inscribed “dining room south wall”, a prominent location in the Walker residence; By descent through the family

Oil on masonite; signed lower le!, titled faintly in pencil verso 12 x 15.75 in — 30.5 x 40.6 cm Provenance: Estate Collection, Toronto $8,000—12,000

$15,000—20,000

873

874

875

EDWARD SEAGO (1910-1974), BRITISH

EDWARD SEAGO (1910–1974), BRITISH

THE BRIDGE AT PETIT ANDELY

ALMOCAGEME, PORTUGAL

LOUIS BOSWORTH HURT (1856-1929), SCOTTISH

Oil on masonite; signed lower le!, titled faintly in pencil verso

Oil on masonite board; signed lower le! and titled verso

12 x 15.75 in — 30.5 x 40.6 cm

9.75 x 15.75 in — 24.8 x 40 cm

Provenance: Estate Collection, Toronto

Provenance: With Staﬀ’s Gallery, Toronto; Private Collection, Toronto

$8,000—12,000

HIGHLAND CATTLE DRINKING AT A POOL

Oil on canvas; signed with pseudonym “A. Millward” lower right 12 x 18 in — 30.5 x 45.7 cm Provenance: Frederick W. Thom Limited, Toronto label verso $3,000—4,000

876

877

878

ROBERT CARRICK (C.1829-1904), SCOTTISH

ALBERT ROOSENBOOM (1845-1875), BELGIAN

FERDINAND WILLAERT (1861-1938), BELGIAN

CHILDREN AT THE SEASHORE FISHING, 1888

PLAYING DRESS-UP

QUIET REFLECTIONS, GHENT

Oil on panel; signed lower le!

Oil on canvas; signed lower le!

13.5 x 10.25 in — 34.3 x 26 cm

51.5 x 39 in — 130.8 x 99.1 cm

Provenance: Anonymous sale; Christie's, New York, 6 September 2006, lot 174; Christie’s, Amsterdam, 16 November 2016, lot 173; Private Collection, London, Ontario

$7,000—10,000

Oil on canvas; signed and dated 1888 lower right 18.5 x 25.25 in — 47 x 64.1 cm Provenance: Private Collection, Drumbo, Ontario $4,000—6,000

$2,000—3,000

879

880

881

FRANZ KASPAR HUIBRECHT VINCK (1827– 1903), BELGIAN

FÉLICIEN JOSEPH VICTOR ROPS (1833– 1898), BELGIAN

MANUEL ORTIZ DE ZÁRATE (1886-1946), CHILEAN

VOX POPULT (THE VOICE OF THE PEOPLE)

Oil on canvas; signed lower le! 32.75 x 13.25 in — 83.2 x 33.7 cm Provenance: Waddington’s, Toronto, November 20, 1989, lot 1035; From whom acquired by the present Private Collection, Toronto; With Ho’s Fine Art and Custom Framing, Ontario $2,500—3,500

LE PARFAIT ACCORD

VASE DE FLEURS, CIRCA 1932

Black crayon drawing on wove paper laid down to a gilt-ruled blue mount; titled in crayon, the mount, signed “F. Rops” in pencil lower right, a small circular stamp with initials “SG” to the mount at lower right

Oil on board; unsigned, titled to the Collector’s label verso backing

7 x 6.25 in — 17.8 x 16.5 cm $600—800

10 x 8 in — 25.4 x 20.3 cm Provenance: With Bonhams, Canada label verso backing; A.M. Davis Collection, Abbotsford, B.C. $800—1,200

882

883

884

FOLLOWER IN THE MANNER OF PAUL VAN SOMER (CIRCA 1576-1621), FLEMISH

ANTON MAUVE (1838-1888), DUTCH

JOHANN JAN ZOETELIEF TROMP (1872 -1947), DUTCH

FERRAR FAMILY ANCESTRAL PORTRAIT: “MARY FERRAR (NÉE WOODENOTH) WITH HER 3RD SON NICHOLAS FERRAR BORN FEB. 23RD 1592”

Oil on canvas; given to the artist “Jansen” (Cornelis Janssens van Ceulen (1593-1661)) on the old, handwri!en label headed with the above title signed by a descendent of the Ferrar family verso. Contained in a period 17th century carved Nordic white pine frame, made by a master carver (possibly French). 51.5 x 42.5 in — 130.8 x 108 cm Provenance: According to an undated, handwritten letter from Emma Johnston, a descendent in the UK, that is disjointed with indistinctly written passages, writing to Nicholas Ferrar Davidson (who was gifted the portrait on July 23, 1908), she recollects that the painting came from Magdalene College, Cambridge. She also states that copies of the original were made; Reportedly purchased from Magdalene College, Cambridge;... See website for full catalogue details. $5,000—8,000

JONGEN MET KOE (BOY WITH COW)

Black chalk on paper; titled to the handwri!en label wri!en in Dutch script by Bergami (?), representing the children of Anton Mauve dated at Ro!erdam 25th April, 1909 with his four wax seals mounted to the verso backing Image/Sight 3.25 x 5.7 in — 8.3 x 14.5 cm Provenance: Sold to collector Dr. D. de Invo (indistinct) of Ro!erdam for the children of Anton Mauve at Ro!erdam on the 25th April, 1909, with 4 wax seals with initial monogram SB (of S. Bergami ?) to the backing verso; Private Collection, Caledon, Ontario $500—700

RETURN FROM THE FISHING (GROUNDS)

Watercolour on paper; signed lower le", titled to the backboard Image/Sheet 6.7 x 9.6 in — 17 x 24.5 cm; 7.3 x 10.2 in — 18.5 x 26 cm Provenance: Private Collection, Carleton Place, Ontario $1,000—1,500

885

886

887

ADRIANUS JOHANNES GROENEWEGEN (1874-1963), DUTCH

ALBERT JOHAN (JAN) NEUHUYS (1844 -1914), DUTCH

JOHAN DIJKSTRA (1896-1978), DUTCH

THE ERRAND

HE LOVES ME

Watercolour; signed lower right

Oil on panel; signed lower le! and titled to the nameplate

Sight 15.75 x 11.5 in — 40 x 29.2 cm Provenance: J.B. Robertson, Toronto gallery label verso backing; Private Collection, Toronto

18.25 x 12.5 in — 46.4 x 31.8 cm

SANDY PATH WITH FARM HOUSE

Oil on canvas; signed lower right 19.7 x 23.6 in — 50 x 60 cm $8,000—12,000

$2,000—3,000

$800—1,200

888

889

890

WILLEM STEELINK (1856-1928), DUTCH

JOHAN FREDERIK CORNELIS SCHERREWITZ (1868-1951), DUTCH

WILLEM GEORGE FREDERIK JANSEN (1871 -1949), DUTCH

A DUTCH FARMSTEAD

SCHELPENVISSER OP HET STRAND (SHELL FISHERMEN ON THE BEACH)

SHEPHERD AND SHEEP, 1913

Oil on canvas; signed lower right, dated 1913 verso

Oil on canvas; signed lower le!

21 x 32.5 in — 53.3 x 82.6 cm

12.75 x 18.5 in — 32.4 x 47 cm

Provenance: With Arthur Lefebure, Pointe Clair, P.Q. in the early 20th century, framer’s label to the frame verso; Private Collection, Carleton Place, Ontario

Provenance: French Gallery No. a/88 label verso; Frederick W. Thom Limited, Toronto; From whom purchased by the Private Collection, Toronto; Their Estate Collection, Toronto

8.75 x 12.75 in — 30.5 x 40.6 cm

$1,500—2,500

$1,000—1,500

$1,500—2,500

Oil on canvas; signed lower right, titled to gallery label verso

Provenance: Roelofs Kunsthandels Art Gallery, Amsterdam; Estate Collection, Toronto

891

892

893

CORNELIS VREEDENBURGH (1880-1946), DUTCH

KAREL APPEL (1921-2006), DUTCH

FACE

COUPLE IN WOOD

Oil on board; signed in the wet paint “appel” lower right

Hand-painted wood multiple construction; signed “Appel” in red paint lower le!, numbered 31/50 in red paint verso, signed with lower case initials “ep” of the publisher (Editions Press) with copyright in red paint verso, also titled and numbered 31/50 to the publisher’s signed certificate of authenticity and justification label numbered “#353” aﬃxed to the verso.

AMSTERDAM, 1907

Oil on canvas; signed, dated 1907 lower right, titled to gallery label verso 12 x 16 in — 30.5 x 40.6 cm Provenance: Johnson Art Galleries Ltd, Montreal label verso; Private Collection, Innisfil, Ontario $4,000—6,000

19 x 14 in — 48 x 35.6 cm Provenance: Prominent Collection, Quebec $10,000—15,000

Published by Editions Press of San Francisco in a total edition of 65 including: 50 Arabic numbered sculptures numbered 1/50-50/50; 7 Artist’s Proofs; 7 H.C. Proofs and I Museum Proof 17.75 x 24.75 in — 45.1 x 62.9 cm $4,000—6,000

894

895

896

AUGUSTE RODIN (1840-1917), FRENCH

BUSTE DE BALZAC, CAST IN 1965

TÊTE DE VICTOR HUGO, CAST IN 1963

JEAN (HANS) ARP (1886-1966), GERMAN/FRENCH

Dark brown patinated bronze; signed “A. Rodin” and inscribed “Copyright by Musée Rodin 1965”, with foundry mark “Georges Rudier Fondeur Paris” in the cast at the bo!om edge, stamped with raised le!ering “A. Rodin” to the interior. Titled and numbered “septieme epreuve (7)” of 12, “inventory No. 1.944, a été vendue par le Musée Rodin” to the accompanying Musée Rodin, Paris certificate signed and dated August 3, 1967 by Madame C. Goldscheider, with the label of Dominion Gallery, Montreal, titled and numbered “cast No. 7 of 12”, Inventory No. C4614 to the underside of the black marble base.

Dark brown patinated bronze; signed “A. Rodin”, inscribed “Copyright by Musée Rodin 1963”, with foundry mark “Georges Rudier/Fondeur. Paris.” in the cast at the bo!om edge, stamped with raised le!ering “A. Rodin” to the interior. Titled and numbered “Cast number 11” of “12 only” to the accompanying Musée Rodin and Dominion Gallery, Montreal Certificates of Authenticity. Raised on a black marble base.

Bronze/Overall 12 x 10.5 x 7.5 in — 30.5 x 26.7 x 19.1 cm; 16 in — 40.6 cm Provenance: Cast by Georges Rudier Foundry, Paris, for the Musée Rodin, Paris; From whom purchased by the Dominion Gallery, Montreal and entered in the DG inventory in August 1967 accompanied by the original certificate, signed and dated “3 Aout 1967” by Madame C. Goldscheider confirming the edition of 12, this being cast number 7/12, Inventory No. 1/944; Dominion Gallery, Montreal, Inventory No. C4614 gallery label to the underside; From whom purchased by a Private Collection, Montreal on February 22, 1969; Private Collection, Montreal and Vancouver $30,000—50,000

Bronze/Overall 7.25 x 4.25 x 5.5 in — 18.4 x 10.8 x 14 cm; 10.5 in — 26.7 cm Provenance: Cast by Georges Rudier foundry, Paris, for the Musée Rodin, Paris; Musée Rodin, Paris with Certificate signed and dated 12 Juillet, 1963 by Madame C. Goldscheider, confirming the edition of 12, this being cast number 11/12, Inventory No. D3560; From whom purchased by Dominion Gallery, Montreal, partial gallery label to the underside, Inventory No. D3560 with a Certificate of Authenticity dated December 5th, 1964; From whom purchased by the family of the consignor, Montreal; Private Collection, Montreal and Vancouver $15,000—20,000

DÉCOUPAGE NO. 27, 1963 (A BRONZE RELIEF)

Bronze on duralumin; signed “Arp” and numbered 1/5 verso. Mounted on a velvet wrapped plywood support. Accompanied by a Photo-Certficate signed and dated “19.X.64” in pen and ink by Mrs. Arp with certification of the number of the bronze (No. 27) and the edition size, this being numbered in an edition of 5 reliefs, titled and dated 1963 in pencil to the Certificate verso. Together with a copy of Galerie Dominion’s le!er to the consignor’s family dated September 1986 confirming Mrs. Arp’s Photo-Certificate dated October 19, 1964 accompanying this lot. Bronze/Overall duralumin 9.1 x 6.7 in — 23 x 17 cm; 11.8 x 9.1 in — 30 x 23 cm Provenance: Galerie Dominion Gallery, Montreal; From whom purchased by the family of the consignor, Montreal; Private Collection, Montreal and Vancouver $15,000—20,000

897

898

899

YVARAL (JEAN-PIERRE VASARELY) (1934 -2002), FRENCH

ROGER BEZOMBES (1913-1994), FRENCH

LEONARD TSUGUHARU FOUJITA (1886 -1968), JAPANESE/FRENCH

CRISTALLISATION RVN, 1972

Acrylic on canvas; signed twice, titled, dated 1972 and numbered “No. 1241” verso 39.5 x 39.5 in — 100 x 100 cm Provenance: Inter-Continental Art Agency Ltd., Vancouver label verso; Private Collection, Vancouver, B.C. $7,000—10,000

“WAX PRINTS” (STILL LIFE WITH FLOWERS IN A VASE)

Oil with collage on printed silk fabric mounted on wood panel; signed lower right, signed at “N.Y 2207”, titled “Wax Prints” and inscribed “3 quai Saint Michel Paris/ 20M” in black marker and stamped with a circular blue le!ered indistinct stamp verso 28.75 x 19.75 in — 73 x 50.2 cm Provenance: Prominent Collection, Montreal Exhibited: At “3 quai Saint Michel, Paris”, n.d., inscribed in black marker verso

BABY ACROBAT; BABY WALKING

Two red and black ink drawings on paper; each signed and signed in Japanese in pen and ink lower right Each sheet 20 x 14.5 in — 50.8 x 36.8 cm Provenance: Acquired by Tatsuo Kameda, Toronto in Paris, circa late 1970s; With Rolland Picture Framing, Montreal labels verso; The Estate of Tatsuo Kameda, Toronto $3,000—5,000

$4,000—6,000

900

901

902

PHILIPPE HENRI NOYER (1917-1985), FRENCH

PAUL MICHEL DUPUY (1869-1949), FRENCH

CHARLES EMILE JACQUE (1813-1894) , FRENCH

CHILDREN WITH PETS, 1946

Oil on canvas; signed and dated 46 lower right, signed in pencil to the stretcher 28.75 x 23.5 in — 73 x 59.7 cm Provenance: Sotheby’s, New York, October 7, 1989, Lot 308; From whom purchased by the present Private Collection, Hampstead, PQ in 1989 $3,000—4,000

LADY’S TIME ON THE VERANDA; PORTRAIT OF A MAN IN AN INTERIOR (A DOUBLE-SIDED PANEL)

Oil on panel; signed “P.M. Dupuy” in pencil lower right verso 5 x 7 in — 12.7 x 17.8 cm Provenance: A.M. Davis Collection Abbotsford, B.C., No. 54 stamp verso $1,200—1,800

KLEINBERGER (WITH HERDER GUARDING SHEEP AT NIGHT)

Oil on panel; signed lower right, titled ” Kleinberger” in pencil to a small paper label to the verso 7.1 x 12.6 in — 18 x 32. cm Provenance: With Ch. Po!ier, Paris label verso; inscribed “Alexander Young” in pen and ink on the label verso; Garfield Galleries, Toronto; Estate Collection, Toronto $2,000—3,000

903

904

905

HENRI JOSEPH HARPIGNIES (1819-1916), FRENCH

THEODULE-AUGUSTIN RIBOT (1823-1891), FRENCH

JEAN-BAPTISTE ROBIE (1821-1910), BELGIAN

GATEWAY TO TREES, 1860

THE CHEF BUYING POULTRY (LE CUISINIER), 1865

VASE OF FLOWERS

Oil on canvas; signed and dated 1860 lower le! 16 x 12.75 in — 40.6 x 32.4 cm Provenance: Sir Edmund Walker Collection, Toronto By descent through the family Exhibited: The Art Gallery of Toronto Loan Exhibition, January, 1920, Cat. No. 50 while with Sir Edmund Walker

Oil on canvas; signed “Ribot” and dated 1865 lower le! 18.25 x 15 in — 46.4 x 38.1 cm Provenance: Private Collection, O"awa by descent from their grandfather $5,000—7,000

$2,000—3,000

906

907 NARCISSE VIRGILLE DÍAZ DE LA PEÑA (1807-1876) A SPRING ALLEGORY

Oil on canvas; signed lower right, titled to the nameplate 25.5 x 19.25 in — 64.8 x 48.9 cm Provenance: Sotheby's New York: Friday, June 5, 2009 [Lot 00079]; From whom purchased by the present Private Collection, London, Ontario $4,000—6,000

16 x 12.5 in — 40.6 x 31.8 cm Provenance: Ex. Collection F. Butler (middle initial “N”? indistinct) June 7, 1910 inscribed to a handwri"en label verso; Unknown label with lot no. “104” and inscribed “Rous?” (as consignor no.) in black crayon to this label verso; Private Collection, Toronto $3,000—5,000

LOUISE ABBÉMA (1858-1927), FRENCH A FAITHFUL COMPANION

Oil on panel; signed lower right, titled to a handwri"en label verso

Oil on cradled panel; signed lower le!, titled to gallery label verso, 13.75 x 10.4 in — 34.9 x 26.5 cm Provenance: Luscombe Carroll (The Caroll Gallery), London remains of gallery label verso; Private Collection, Collingwood, Ontario $6,000—8,000

908

909

910

ÉTIENNE PROSPER BERNE-BELLECOEUR (1838-1910), FRENCH

A QUIET MOMENT

LIGHTING UP, 1908

THE PICKET

Oil on panel; signed lower right

Oil on cradled panel; signed and dated 1908 lower right

Oil on cradled panel; signed lower le!

14.5 x 10.25 in — 36.8 x 26 cm Provenance: Frederick W. Thom Limited, Toronto; From whom purchased by the Private Collection, Toronto January 3, 1978; Estate Collection, Toronto Literature: “A Quiet Moment” was reproduced as a feature work in the gallery advertisement “’In Toronto’ Fine Paintings by recorded artists” at the Frederick Thom Galleries, Toronto, n.d $2,000—3,000

14.5 x 10.5 in — 36.8 x 26.7 cm Provenance: Frederick W. Thom Limited, Toronto; From whom purchased by the Private Collection, Toronto January 3, 1978 with a copy of the receipt; Estate Collection, Toronto $2,000—3,000

14.6 x 10.2 in — 37.2 x 26 cm Provenance: Frederick W. Thom Limited, Toronto; From whom purchased by the Private Collection, Toronto January 3, 1978; Estate Collection, Toronto $2,000—3,000

911

912

913

ADOLPHE ALEXANDRE LESREL (1839-1929), FRENCH

CHARLES EUPHRASIE KUWASSEG JNR. (1838-1904) , FRENCH

ANTOINE BOUVARD (1870 - 1956), FRENCH

IN THE GUARD ROOM

THE BRITTANY COAST

Oil on canvas; signed lower right

Oil on canvas; signed lower le!, titled to an old typed label verso and to the gallery label verso

10 x 7.5 in — 25.4 x 19.1 cm Provenance: Frederick W. Thom Limited, Toronto; From whom purchased by the Private Collection, Toronto on December 16, 1972 with receipt; Their Estate Collection, Toronto $2,000—3,000

12.5 x 20.1 in — 31.8 x 51 cm Provenance: The Fine Art Galleries, The T. Eaton Co. Limited, Canada label verso; From whom purchased by William Mellow on December 17, 1949 accompanied by the original receipt; The Estate of Helen (Mellow) Zinkargue, Toronto $1,200—1,800

THE GRAND CANAL, VENICE, WITH SANTA MARIA DELLA SALUTE

Oil on canvas; signed “Bouvard” lower right 20 x 26 in — 50.8 x 66 cm Provenance: The Fine Art Galleries, The T. Eaton Co. Limited, Canada as “Venice”; From whom purchased by William Mellow on October 26, 1949 with a copy of the original receipt; The Estate of Helen (Mellow) Zinkargue, Toronto $7,000—9,000

913A

914

915

BOUVARD (19TH/20TH CENTURY), FRENCH

HENRY MORET (1856-1913), FRENCH

THÉOPHILE ALEXANDRE STEINLEN (1859 -1923), FRENCH/SWISS

VENETIAN BACKWATER

Oil on canvas; signed “BouvarD” lower le! 21 x 26 in — 53.3 x 66 cm Provenance: Campbell McConnell, Toronto; By descent to the present Private Collection, Mississauga, Ontario $2,000—3,000

COTE MARITIME

Pencil and charcoal on beige paper; stamped “Atelier H. Moret” in red ink lower right Sight 5 x 6.75 in — 12.7 x 17.1 cm Provenance: A.Chatenet; Iegor Auction House, Palm Beach & Montreal, D-940 label verso backing; A.M. Davis Collection, Abbotsford, B.C., No. 15 stamp verso backing $500—750

THE FAMILY

Charcoal sketch with a graphite sketch of ladies verso; stamped initial signature lower le! recto and stamped with initial signature lower le! verso Sheet 10.7 x 7.1 in — 27.3 x 18 cm Provenance: Private Collection, Ontario $700—900

916

917

918

THÉO TOBIASSE (1927-2012), ISRAELI/ FRENCH

ERTÉ (1892-1990), FRENCH

ADOLPHE LÉON WILLETTE (1857-1926), FRENCH

L’ENFANT NAIT DANS UNE ARENE, 1967

Ink and gouache on paper; signed, titled and dated 67 upper le! and upper right, titled to gallery labels verso backing Sheet 21.75 x 17.5 in — 55.2 x 44.5 cm Provenance: The Waddington’s Galleries Inc., Montreal, Inventory No. S-1968; Galerie Heﬀel, Quebec Ltee; Private Collection, Toronto; A.M. Davis Collection, Abbotsford, B.C. Exhibited: Waddington Galleries, Montreal in “Theo Tobiasse, One Man exhibition, 1967; Exposition Universelle (Pavillion du Judaisme), Montreal, 1967 $3,000—4,000

THREE COSTUME DESIGNS FOR “VENISE AU XVIII SIECLE” AT FOLIES BERGÈRE: DEUXIEME SEIGNEUR, NO. 21 (PROLOGUE); TROISIEME SEIGNEUR, NO. 22 (PROLOGUE); QUATRIÈME SEIGNEUR, NO. 23 (PROLOGUE), AUGUST 29, 1919

Three gouache and ink drawings with traces of pencil on paper; each signed “Erte” in pen and ink lower right, each titled, numbered and dated “29 aout 1919” by the artist in pen and ink verso

ANGEL AND DEATH; TITANIA AND BOTTOM (A DOUBLE-SIDED DRAWING)

Two blue crayon drawings on paper; each side signed in pencil lower right

See website for verso Sheet 7.1 x 6.5 in — 18 x 16.5 cm

Sheets, each 12.8 x 8.4 in — 32.5 x 21.3 cm

Provenance: The Morris Gallery, Toronto; Private Collection, Caledon, Ontario

Provenance:

$900—1,200

Ex. Coll. Ruben Torres, noted fashion designer; Joanne Bergen, Fine Art Consultant, Toronto labels verso backing; Private Collection, Ontario Exhibited: See McAllen International Museum, Texas exhibition catalog “Erte and his Contemporaries - Costume Designs for the Early Twentieth Century Music Hall in Paris”, p. 25 $1,000—1,500

919

920

921

CONSTANTIN GUYS (1802–1892), FRENCH

EDGAR DEGAS (1834-1917), FRENCH

TWO LADIES IN HATS

CHAMPS DE COURSE, CIRCA 1869-72 (STUDY FOR “JOCKEYS DEVANT LES TRIBUNES”)

JULES PASCIN (1885-1930), BULGARIAN/FRENCH

Crayon and ink on thin paper Sheet 7.2 x 4.3 in — 18.2 x 11 cm Provenance: Private Collection, Caledon, Ontario $500—700

Pencil drawing; stamped “Atelier Ed. Degas” (Lugt, 657) lower right, titled to gallery labels verso Image/Sheet 6.5 x 8.5 in — 16.5 x 21.6 cm; 7.1 x 8.7 in — 18 x 22 cm Provenance: Paul Vallo!on Tableaux de Maitres, Lausanne, Inventory No. 9875 label mounted to the backing; The Morris Gallery, Toronto gallery label verso with typed label aﬃxed to this label inscribed: “Study for ‘Jockeys devant les tribunes’/ Musee d’Orsay” (the oil panting); Private Collection, Caledon, Ontario $12,000—18,000

922 ANDRÉ DERAIN (1880-1954), FRENCH LES ARBES

Black crayon on paper; stamped with “Atelier Andre Derain” stamp lower right Sight 10 x 16 in — 25.4 x 40.6 cm Provenance: The Morris Gallery, Toronto, circa 1980; Private Collection, Caledon, Ontario $4,000—6,000

DANS LE PARC

Pencil and watercolour on cream wove paper; stamped “Atelier Pascin”, stamped “Succession Pascin Le Commissaire Priseur” and numbered “74” in pencil to the stamp verso, titled “Dans Le Parc” to gallery label verso Sheet 10.2 x 7.4 in — 25.8 x 18.7 cm Provenance: “Collection Gross” stamped verso; The Morris Gallery, Toronto label verso; Private Collection, Caledon, Ontario $2,500—3,500

923

924

925

HANS SCHLEEH (1928–2001), GERMAN/CANADIAN

HANS SCHLEEH (1928-2001), GERMAN/CANADIAN

SUZANNE EISENDIECK (1906-1998), GERMAN

THE CREATION

STUDY FOR A SCULPTURE; MANY FACES

LE CLOWNE CATONE

White marble; signed “Schleeh” to the bo!om edge of the base of the marble. Mounted on a circular black lacquered revolving base.

Two colour pastels on paper; each signed lower right, the second title; signed and inscribed indistinctly in German in pencil along the bo!om edge verso

Oil on canvas; signed lower right, titled verso.

Approximately 24 x 9 x 8 in — 63.5 x 22.9 x 17.8 cm

See website for second piece

Provenance: Les Ateliers R.G., Paris label verso inscribed “Dominion” / “Montreal”, label to the frame verso; The Paris American Art Co., Paris stamp to the stretcher; Dominion Gallery, Montreal, Inventory No. F5072 stamps verso; Private Collection, Westmount, QC

Provenance: Acquired directly from the artist; By Dominion Gallery, Montreal, Inventory No. F3958, entered in the inventory book in February, 1972; From whom purchased by the family of the consignor, Montreal and Vancouver on March 9, 1972; Private Collection, Montreal and Vancouver $2,500—3,500

Sight/Sheet 27.6 x 21.3 in — 70 x 54 cm; 26 x 19.8 in — 66 x 50.25 cm Provenance: Dominion Gallery, Montreal; From whom purchased by the family of the consignor, Montreal; Private Collection, Montreal and Vancouver $800—1,000

21.5 x 13 in — 54.6 x 33 cm

$2,000—3,000

926

927

928

DIETZ EDZARD (1893-1963), GERMAN

AUTO PORTRAIT (SELF-PORTRAIT), 1915

DANSEUSE, 1962

L’OPERA, PARIS, CIRCA 1943

Oil on board; signed lower right, titled, inscribed and dated “Auto Portrait/ sur carton/ 1915” in verso

Oil on canvas; signed lower le!, signed, titled and inscribed “Danseuse Etoile” and dated 1962 in pencil to the stretcher

18 x 13.75 in — 46 x 35 cm

21.75 x 18.5 in — 55.2 x 47 cm

Oil on canvas; titled and inscribed “Maurice Renaud/ L’Opera, Paris” lower le!, titled and dated circa 1943 to gallery label verso

Provenance: Galerie Dominion, Montreal, Inventory No. F7922 as “Autoportrait sur carton, 1915” gallery label verso; Sotheby’s, New York, March 16, 2011, Lot 106 accompanied by a copy of the receipt; From whom purchased by the present Private Collection, Vancouver; With Maynard’s, June 22, 2016, Lot 26; A.M. Davis Collection, Abbotsford, B.C., stamps verso

Provenance: The Paris American Art Co., Paris stamp to the stretcher; Private Collection, Hamstead, PQ

$4,000—6,000

$3,000—5,000

24 x 30 in — 61 x 76.2 cm Provenance: With International Galleries, Chicago, Illinois label verso; Petley Jones Gallery, Vancouver label verso; A.M. Davis Collection, Abbotsford, B.C., No. 22 stamp verso $10,000—15,000

929

930

931

OTTO GREINER (1869-1916), GERMAN

HERMANN PHILIPS (1844-1927), GERMAN

LADY IN A GOWN WITH HANDS UPHELD TO HER EARS; A SKETCH OF TWO MALE NUDES SEATED VERSO

THE ARTIST’S DAUGHTER (YOUNG GIRL WEARING A RIBBON-TIED HAT)

CHARLES JOHANN PALMIE (1863-1911), GERMAN

A double-sided drawing in black chalk on grey paper; the recto, signed with initials lower right Sheet 18.5 x 13 in — 47 x 33 cm Provenance: Private Collection, Caledon, Ontario $1,500—2,500

Oil on panel; signed “H. Philips” upper le!, given to “Professor Hermann Philips” and titled to the nameplate

Oil on canvas; signed and dated “Hard. 07” lower right

8 x 6 in — 20.3 x 15.2 cm

26 x 36.25 in — 66 x 92.1 cm

Provenance: J.B. Benne" & Sons Ltd., Glasgow, a!er 1901 per label verso; Private Collection, Toronto

$4,000—6,000

$1,000—1,500

932

933

R. CARSIN? (19TH CENTURY), GERMAN

SCHOOL OF (MATTEO DA SIENA) MATTEO DI GIOVANNI DI BARTOLO (1430– 1495), ITALIAN

GEFLÜGELHANDLER IN KAIRO (POULTRY DEALER IN CAIRO)

Oil on canvas; indistinctly signed lower right: Th? Carsin”?; given to “R. Carsin” to the nameplate, titled in German in pen and ink to old label to the top stretcher 32 x 19.75 in — 81.3 x 50.2 cm $2,000—3,000

SUMMER DAY ON THE HARD RIVER, GERMANY, 1907

VIRGIN AND CHILD WITH SAINTS

Tempera on a gold ground with punched decoration on canvas laid down to wood panel, then laid down to masonite board, with cradling verso 18.9 x 16.9 in — 48 x 43 cm Provenance: Maurice Grieve Importer of Antique Hand Carved Frames and Decorative paintings, New York label to the lip of the frame; Gi!ed by a friend to the present Private Collection, Canada in the 1950’s $3,000—5,000

934

935

936

FOLLOWER OF GUIDO RENI (1575-1642) (LATE 17TH CENTURY), ITALIAN BAROQUE

CIRCLE OF PIETRO DA CORTONA (1596 -1669), ITALIAN

ATTRIBUTED TO STEFANO DELLA BELLA (1610 - 1664), ITALIAN

PENITENT SAINT MARY MAGDALENE WITH A HALO LOOKING UPWARDS

STUDY FOR TRIUMPH OF THE MEDICI, PALAZZO PITTI FRESCO DESIGN, 1643

RIVER-GOD: EUPHRATES SEATED WITH A WATER JUG

Oil on late 17th Century canvas, relined in the 19th Century. Contained In a Baroque frame.

Graphite heightened with white on blue watercolour ground on laid paper with colour key annotations in pen and ink, the verso with sepia pen and ink hand-wri!en invoice in Latin with a list of dates for materials. A red wax seal with indistinct script monogram including the initials “WB” and others initials to the verso. Unframed.

Pen and ink drawing on laid paper with indistinct watermark - a shield?, the drawing sheet tipped at the top to a laid paper sheet with partial crown watermark; inscribed “Stefano del Bella” in pencil to the edge of the backing paper verso, indistinct Collector’s stamp to the backing sheet verso

23.6 x 18 in — 60 x 45.7 cm Provenance: Ex. Coll. Jerome Alexander (d. 1950’s), New York City, purchased in Italy, possibly in Florence, in the 1920’s as a “Titian”, later opined to be by a “Follower of Titian”; By descent in the family from their grandfather to the present Private Collection, Oakville, Ontario $5,000—7,000

Sheet 11 x 16.3 in — 28 x 41.5 cm Provenance: Private Collection, Toronto acquired at Christie’s, London, circa 1974; D & J Ritchie Inc., Toronto, May 30, 1995, Lot 256, illustrated; From whom purchased by the present Private Collection, Toronto $3,000—4,000

937

938

SCIPIONE SIMONI (1853-1918), ITALIAN

VIRGILIO TOJETTI (1851-1901), ITALIAN

WOMAN CONVERSING WITH A MUSICIAN AT A PORTAL IN ITALY

DREAMLAND

Watercolour; signed lower right 30 x 21 in — 76.2 x 53.3 cm $2,000—3,000

Oil on canvas; signed at Paris upper le" 26 x 39.25 in — 66 x 99.7 cm Provenance: Ex. Coll. Myrtle Reeve, Toronto; From whom purchased by a Lady, Toronto $3,000—5,000

Sheet 9.4 x 7 in — 24 x 18 cm Provenance: Estate Collection, Waterloo, Ontario $800—1,200

939

940

941

EMILIO GRECO (1913-1995), ITALIAN

ALESSANDRO PAPETTI (1958-), ITALIAN

PAOLO QUARESIMA (1962- ), ITALIAN

PRIMAVERA (SPRING), 1961

RITRATTO (PORTRAIT), 1998

LA PALLA DI SAMUEL, 2011

Gilt and silvered bronze; signed “Greco I” in the cast to the tree trunk, titled to the gallery label aﬃxed to the underside of the travertine base. Accompanied by Dominion Gallery’s Certificate of Authenticity dated August 6th, 1970

Oil on canvas; signed and dated 98 lower right, signed, titled, and dated 1998 verso

Oil on canvas; signed and dated in Roman numerals “MMXI” bo"om centre, titled to the stretcher

Bronze/Base 45.25 x 18 x 15 in — 114.9 x 45.7 x 38.1 cm; 2 x 10 x 10 in — 5.1 x 25.4 x 25.4 cm Provenance: Dominion Gallery, Montreal, Inventory No. B4564 described as a “silver cast” acquired directly from the artist as stated in the accompanying Dominion Gallery Certificate of Authenticity dated August 6th, 1970, signed by Max Stern; From whom purchased by the present Private Collection, Toronto on April 3rd, 1969 accompanied by the receipt Literature: Sergei Androsov and Antonella Greco; “Emilio Greco – Sculptor Searching for the Ideal – Sculpture, Drawings, Etchings 1946/1993”, The State Hermitage Museum of St. Petersburg, 21 February-21 May 2006, plate no. 12 (a similar cast illustrated); Leonardo Sciascia, “Emilio Greco – A Cura di Elio Mercuri, Il Cigno”, Edizioni d’Arte, Roma, Italy, 1971, p. 96 $15,000—20,000

Together with: “Alessandro Pape"i” Buschlen Mowa" Gallery, Vancouver exhibition catalogue, 26 May- 22 June 2000, autographed copy from the artist signed at Vancouver in black felt tip pen to flyleaf 39.4 x 36.6 in — 100 x 93 cm Provenance: Buschlen Mowa" Gallery, Vancouver; From whom purchased by the present Private Collection, Vancouver & Toronto in the 1990’s $3,000—5,000

23.5 x 59 in — 60 x 150 cm Provenance: Galleria D’Arte Capri S.R.L., Capri, Italy; From whom purchased by the present Private Collection, Toronto on 25-07-2013 accompanied by a copy of the receipt $3,000—5,000

942

943

944

JANIS FERDINANDS TIDEMANIS (1897 -1964), LATVIAN

FRITS THAULOW (1847–1906), NORWEGIAN

CAN-CAN DANCERS

BALLET DANCERS, 1955

STREET IN CHRISTIANIA

Oil on masonite board; signed lower right

16 x 13 in — 40.6 x 33 cm

17.5 x 22.5 in — 44.5 x 57.2 cm

Oil on canvas; signed lower right, titled to gallery labels verso

Provenance: Purchased directly from the artist’s studio on O’Connor Drive, Toronto in 1955 by professional ballet dancer Skaidrite “O!y” Skujins, Toronto; By descent to her son, Toronto

Provenance: Commissioned by Skaidrite “O!y” Skujins, professional ballet dancer, Latvia and Toronto, accompanied by a black and white photograph dated February 1956 depicting “O!y” standing in front of the painting hanging in her home; By descent to her son, Toronto

$1,000—1,500

$2,000—3,000

21.75 x 18 in — 55.2 x 45.7 cm Provenance: The Holland Fine Art Gallery, London, numbered “No. 1” to their label verso; With Po!ier, Emballeur de Tableaux & Objets d’art, Paris, numbered “No. 54” to their label; Galerie Miethke, Wien label; With Boote & Sons Warehouse, Liverpool; Odon Wagner Gallery, Toronto; Private Collection, Aurora, Ontario $9,000—12,000

945

946

947

JACOB EPSTEIN (1921-2003), POLISH/ISRAELI

MICHEL KIKOÏNE (1892-1968), RUSSIAN/FRENCH

BORIS IZRAILOVICH ANISFELD (1879-1973), RUSSIAN

LOVERS

CAGNES-SUR-MER (ROOFTOPS), CIRCA 1918

JEWISH FUNERAL

Bronze with brown/gold patina; signed with overlapping initials “JE” and signed “Jacob Epstein” to the back of the bronze. Titled and certified to the accompanying Certificate of Authenticity. Cast in an edition of eight with various patina. Together with the catalogue “Jacob Epstein Sculptures” 11.4 x 13.8 x 11.8 in — 29 x 35 x 30 cm Provenance: Family of the artist, Bat-Yam, Israel Literature: Bella Epstein Carmely and Rachel Epstein Ben-Tov, “Jacob Epstein Sculptures ‘Nativ Bahomer’ [association]/ In memory of Jacob Epstein”, Israel, illustrated in colour, full page, the catalogue acompanying the lot

Oil on canvas on masonite board; signed “Kikoine” lower right, signed “Kikoine” in red paint verso, dated “circa 1918“ to label verso. 21.25 x 25.75 in — 54 x 65.4 cm Provenance: Private Collection Europe; Private Collection, Vancouver; A.M. Davis Collection, Abbotsford, B.C., inscribed “Circa 1918” to label verso $8,000—12,000

$1,500—2,000

948 MUHAMMAD ABDUR RAHMAN CHUGHTAI (1897-1975), PAKISTANI BANQA (LOVER BOY)

Watercolour and pencil on thick paper; certified and titled by the artist’s son, Arif Chughtai, in pen and ink in 2018 in Lahore, Pakistan and stamped by the Chughtai Museum Trust, Lahore, Pakistan twice verso. Unframed. Sheet 17 x 15 in — 43.2 x 38.1 cm Provenance: Ex. Coll. Chughtai Museum Trust, Lahore, Pakistan $10,000—15,000

Oil on canvas; incised signature in Latin lower right 21 x 31.25 in — 53.3 x 79.4 cm Provenance: Collection of Joey and Toby Tanenbaum, Toronto Exhibited: Possibly exhibited New York, The Brooklyn Museum, The Boris Anisfeld Exhibition (touring), 1918-1920, Cat. No. 52 $5,000—7,000

Notes:

Index A Abbéma, Louise (906) Anisfeld, Boris Izrailovich (947) Appel, Karel (892, 893) Arp, Jean (Hans) (896) B Bartlett, Jennifer (829) Bartolo, Matteo di Giovanni Bartolozzi, School of (Matteo da Siena) (933) Bartolozzi, Francesco (809) Beauclerk, Lady Diana (802) Bella, Stefano Della, Attributed to (936) Berne-Bellecoeur, Étienne Prosper (908, 909, 910) Bertoia, Val (831) Bezombes, Roger (898) Birch, Samuel John Lamorna (850) Boddington, Henry John (847) Bouvard, (913A) Bouvard, Antoine (913) Brabazon, Hercules (868) Brangwyn, Sir Frank (851) Breanski, Alfred de, Snr. (853, 856, 857) Breanski, Alfred Fontville de, Jnr. (859, 858, 861, 862) Burliuk, David Davidovich (827) C Callow, William (864) Carrick, Robert (876) Carsin, R.? (932) Chadwick, Lynn (835) Chinnery, George (814) Chughtai, Muhammad Abdur Rahman (948) Cipriani, Giovanni Battista (806) Clint, George (845) Connard, Philip (839) Constable, John (812) Cooper, Thomas Sidney (854, 855) Cortona, Pietro da, Circle of (935) Cozens, John Robert (803) D Dance-Holland, Nathaniel, Attributed to (816) Darro, Tom (821) Davis, Stuart (830) Degas, Edgar (920) Derain, André (922) Díaz de la Peña, Narcisse Virgille (907) Dijkstra, Johan (887) Duff, Brain (836) Dupuy, Paul Michel (901) E Edzard, Dietz (926, 927, 928) Eisendieck, Suzanne (925) Epstein, Jacob (945) Erté (917)

F Flaxman, John (808) Foujita, Leonard Tsuguharu (899) G Greco, Emilio (939) Greiner, Otto (929) Groenewegen, Adrianus Johannes (885) Guys, Constantin (919) H Hampel, Sigmund Walter (832) Harpignies, Henri Joseph (903) Heriot, George (820) Hurt, Louis Bosworth (875) J/K Jacque, Charles Emile (902) Jansen, Willem George Frederik (890) Johan, Albert (886) Jones, George (818) Keene, Henry Eddowes (819) Kikoïne, Michel (946) Knight, Harold (842) Kuwasseg, Charles Euphrasie (912) L Ladell, Edward (846) Lear, Edward (815, 816) Lesrel, Adolphe Alexandre (911) Liberman, Alexander (828) Loemans, Alexander Francois (825) Lucas, Albert Durer (844) M Maclise, Daniel (818) Manievich, Abraham (826) Mauve, Anton (883) Meadows, James E. (848) Moret, Henry (914) Mostyn, Thomas Edwin (843) Mulready, William (818) N Nicholl, R. or P. Whittock (819) Norreys, David (819) Noyer, Philippe Henri (900) P Palmie, Charles Johann (931) Papetti, Alessandro (940) Parsons, Alfred (849) Pascin, Jules (921) Perine, Van Dearing (824) Philips, Hermann (930) Piper, John (869) Place, Francis (816) Prout, Samuel (813, 863, 865)

Q Quaresima, Paolo (941) R Reni, Guido, follower of (934) Ribot, Theodule-Augustin (904) Richardson, Jonathan Snr. (804) Riley, Harold Francis (833, 834 836, 837, 838) Robie, Jean-Baptiste (905) Rodin, Auguste (894, 895) Romney, George (805, 866) Roosenboom, Albert (877) Rops, Félicien Joseph Victor (880) S Salisbury, Frank Owen (840) Sandby, Thomas (801) Scherrewitz, Johan Frederik Cornelis (889) Schleeh, Hans (924, 923) Scholder, Fritz (822) Seago, Edward (870, 871, 872, 873, 874) Simoni, Scipione (937) Solomon, Simeon (867) Somer, Paul Van, Follower in the Manner of (882) Steelink, Willem (888) Steinlen, Théophile Alexandre (915) Swaish, Frederick George (841) T Thaulow, Frits (944) Thompson, Dan (823) Tidemanis, Janis Ferdinands (942, 943) Tobiasse, Théo (916) Tojetti, Virgilio (938) Tromp, Johann Jan Zoetelief (884) V Vinck, Franz Kaspar Huibrecht (879) Vreedenburgh, Cornelis (891) W Ward, Edwin Arthur (852) Ward, James (818) Watson, Walter J. (860) West, Benjamin (810) Wilkie, Sir David (811) Willaert, Ferdinand (878) Willette, Adolphe Léon (918) Y/Z Yvaral, (897) Zárate, Manuel Ortiz de (881)

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Payment for purchases must be by cash, INTERAC direct debit (Cdn clients in person only), certified cheque (U.S. & Overseas not applicable), travelers cheque, bank draft, electronic transfer (fee applies), VISA or Mastercard (up to $25,000). ALL PRICES IN CANADIAN FUNDS

Selling at Waddington’s bidding

The Auctioneer may also execute bids on behalf of the consignor to protect the reserve. The reserve is the confidential minimum price the seller is willing to accept for his or her property, below which it will not be sold.

shipping

waddington’s commission rates Items selling for $7,501 or more 10% Items selling for $2,501 to $7,500 15% Items selling for $251 to $2,500 20%

The Auctioneers will not undertake packing or shipping. The purchaser must designate and arrange for the services of an independent shipper and be responsible for all shipping, insurance expenses and any necessary export permits that may apply. The Auctioneers will, upon request, provide names of professional packers and shippers but will not be held responsible for the service or have any liability for providing this information. Reliable preauction estimates of shipping costs of lots offered in this sale may be obtained from:

Items selling for $250 or less 25%

PakShip

*There is a minimum handling charge of $20 per item

Envoy 416-299-3367 / 416-299-9750 ph@envoy.ca / www.envoypackandship.com

A 1% insurance charge, based on the hammer price of the property, will be applied to all accounts.

905-470-6874 / 905-470-6875 / 416-293-8225 taurus@pakship.ca / www.pakship.ca

removal of purchases

Purchases must be paid for within 48 hours of the date of the sale, and removed from premises within 10 days of the date of sale (see Conditions of Sale, conditions 8 to 15). Clients are advised that packing and/or handling of purchased lots by our employees or agents is undertaken solely as a courtesy for the convenience of clients.

cites

Restrictions exist regarding the import and export of species protected under CITES (Convention on International Trade in Endangered Species). This includes but is not limited to items made of or containing bone (whalebone etc.), ivory, tortoise shell, seal skin, rhinoceros horn and any other animal part and is strictly controlled or forbidden by most countries. Please review your country’s laws before bidding on pieces made of or containing these restricted items. It is the sole responsibility of the buyer to inquire about and obtain the proper permits for artwork purchased that may contain restricted materials, if such permit can be obtained. Please contact the department for further assistance. Failure to obtain necessary import/ export permits will not void any sale. All Narwhal Tusks must have a Marine Harvest Number or a Marine and Mammal Transport number to be sold at Waddington’s. For more information please visit: www.cites.org

*There is a minimum handling charge of $20 per item canadian art department commission rates Items selling for $7,501 or more 10% Items selling for $2,501 to $7,500 15% Items selling for $2,500 or less 20%

insurance

auction advice

For auction advice on paintings, drawings, prints, jewellery, and various forms of decorative arts and other collectibles, please feel free to contact us via email or telephone. We are pleased to review emails containing photographs and information on your pieces in order to provide auction estimates for you to consider. For collections with a variety of objects, please contact our Appraisals and Consignments department (consignments@waddingtons. ca). For department-specific inquiries, please contact the specialist and/or department directly. All contact information can be found at www.waddingtons.ca. Our offices are located in Toronto and Vancouver, but our specialists regularly travel to major Canadian cities to meet with prospective consignors. To receive more information on Valuation Days across Canada or to arrange an appointment, please contact our Toronto office (416-504-9100). Please note that property typically arrives at Waddington’s at least three months before the sale in order to allow our specialists time to research, catalogue, photograph and promote the items. Consignors will receive a contract to sign, setting forth terms and fees for our services.

Conditions of Sale 1. All lots are sold “AS IS”. Any description issued by the auctioneer of an article to be sold is subject to variation to be posted or announced verbally in the auction room prior to the time of sale. While the auctioneer has endeavoured not to mislead in the description issued, and the utmost care is taken to ensure the correct cataloguing of each item, such descriptions are purely statements of opinion and are not intended to constitute a representation to the prospective purchasers and no warranty of the correctness of such description is made. An opportunity for inspection of each article is offered prior to the time of sale. No sale will be set aside on account of lack of correspondence of the article with its description or its reproduction, if any, whether colour or black & white. Some lots are of an age and/or nature which preclude their being in pristine condition and some catalogue descriptions make reference to damage and/or restoration. The lack of such a reference does not imply that a lot is free from defects nor does any reference to certain defects imply the absence of others. Frames on artwork are not included as part of purchase or condition. It is the responsibility of prospective purchasers to inspect or have inspected each lot upon which they wish to bid, relying upon their own advisers, and to bid accordingly. 2. Each lot sold is subject to a 20% buyers premium as part of the purchase price. 3. Unless exempted by law, the buyer is required to pay Harmonized Sales Tax on the total purchase price including the buyer’s premium. For international buyers, taxes are not applicable when purchases are shipped out of country. Items shipped out of Ontario, the buyer is required to pay taxes as per the tax status of that province, whether it HST or GST (Goods and Services Tax).

6. Each lot may be subject to an unpublished reserve which may be changed at any time by agreement between the auctioneer and the consignor. The auctioneer may bid, or direct an employee to bid, on behalf of the consignor as agreed between them. In addition, the auctioneer may accept and submit absentee and telephone bids, to be executed by an employee of the auctioneer, pursuant to the instructions of prospective purchasers not in attendance at the sale. 7. The highest bidder accepted by the auctioneer for any lot shall be the buyer and such buyer shall forthwith assume full risk and responsibility for the lot and must comply with such other Conditions of Sale as may be applicable. If any dispute should arise between bidders the auctioneer shall have the absolute discretion to designate the buyer or, at his option, to withdraw any disputed lot from the sale, or to re-offer it at the same or a subsequent sale. The auctioneer’s decision in all cases shall be final. 8. Immediately after the purchase of a lot, the buyer shall pay or undertake to the satisfaction of the auctioneer with respect to payment of the whole or any part of the purchase price requested by the auctioneer, failing which the auctioneer in his sole discretion may cancel the sale, with or without re-offering the item for sale. 9. The buyer shall pay for all lots within 48 hours from the date of the sale, after which a late charge of 2% per month on the total invoice may be incurred or the auctioneer, in his sole discretion, may cancel the sale. The buyer shall not become the owner of the lot until paid for in full. Items must be removed within 10 days from the date of sale, after which storage charges may be incurred.

4. The auctioneer reserves the right to withdraw any lot from sale at any time, to divide any lot or to combine any two or more lots at his sole discretion, all without notice.

10. Each lot purchased, unless the sale is cancelled as above, shall be held by the auctioneer at his premises or at a public warehouse at the sole risk of the buyer until fully paid for and taken away.

5. The auctioneer has the right to refuse any bid and to advance the bidding at his absolute discretion. The auctioneer reserves the right not to accept and not to reject any bid. Without limitation, any bid which is not commensurate with the value of the article offered, or which is merely a nominal or fractional advance over the previous bid may not be recognized.

11. Notwithstanding condition no. 1, if the buyer, prior to removal of a lot, makes arrangements satisfactory to the auctioneer for the inspection of such lot by a fully qualified person acceptable to the auctioneer to determine the genuineness or authenticity of the lot, to be carried out promptly following the sale of the lot, and if, but only if, within a period of 14

days following the sale a written opinion of such person is presented to the auctioneer to the effect that the lot is not genuine or authentic, accompanied by a written request by the buyer for rescission of the sale, then the sale of the lot will be rescinded and the sale price refunded to the buyer. 12. Payment for purchases must be by cash, INTERAC direct debit (Cdn clients in person only), certified cheque (U.S. & Overseas not applicable), travelers cheque, bank draft, electronic transfer (fee applies), and VISA or Mastercard (up to $25,000). 13. In the event of failure to pay for or remove articles within the aforementioned time limit, the auctioneer, without limitation of the rights of the consignor and the auctioneer against the buyer, may resell any of the articles affected, and in such case the original buyer shall be responsible to the auctioneer and the consignor for: (a) any deficiency in price between the resale amount and the amount to have been paid by the original buyer; (b) any reasonable charge by the auctioneer for the storage of such articles until payment and removal by the subsequent buyer; and (c) the amount of commission which the auctioneer would have earned had payment been made in full by the original buyer. 14. It is the responsibility of the buyer to make all arrangements for insuring, packing and removing the property purchased and any assistance by the auctioneer or his servants, agents or contractors, in packing or removal shall be rendered as a courtesy and without any liability to them. 15. The auctioneer acts solely as agent for the consignor and makes no representation as to any attribute of, title to, or restriction affecting the articles consigned for sale. Without limitation, the buyer understands that any item bought may be affected by the provisions of the Cultural Property Export Act (Canada). 16. The auctioneer reserves the right to refuse admission to the sale or to refuse to recognize any or all bids from any particular person or persons at any auction.

Waddingtonâ&#x20AC;&#x2122;s 275 King Street East, Second Floor Toronto, Ontario M5A 1K2

tel: 416-504-9100 toll free: 1-877-504-5700 www.waddingtons.ca