International Art Auction | June 18, 2014 by waddingtons

International Art Auction Wednesday 18 June 2014 at 7:00 pm

On View Saturday 14 June from 11:00 am to 5:00 pm Sunday 15 June from 11:00 am to 5:00 pm Monday 16 June from 10:00 am to 12 Noon Preview and Auction to be held at Waddingtonâ&#x20AC;&#x2122;s 275 King Street East, 2nd Floor Toronto Ontario Canada M5A 1K2 This auction is subject to the Conditions of Sale printed in the back of this catalogue. All lots in the auction may be viewed online at InternationalArt.Waddingtons.ca

Waddingtons.ca

Front Cover Lot 67 HENRI LE SIDANER (1862-1939), FRENCH FENETRE DE TRIANON-SOUS-BOIS, VERSAILLES, 1929 Back Cover Lot 123 CARLOS CRUZ-DIEZ (1923- ), VENEZUELEN PHYSICHROMIE NO. 520, 1970 Title Page Lot 95 MAQBOOL FIDA HUSAIN (1915-2011), INDIAN FERTILITY (detail) Inside Front Cover Lot 10 ABRAHAM MANIEVICH (1883-1942), RUSSIAN/AMERICAN STILL LIFE OF FLOWERS IN A COPPER VASE; (detail) AUTUMN LANDSCAPE WITH POOL (A DOUBLE-SIDED OIL) Inside Back Cover Lot 52 JOHN LAVERY (1856-1941), IRISH LADY IN GREEN (MRS. CARA H.)

All lots in the auction may be viewed

Specialist Susan Robertson 416 847 6179 sr@waddingtons.ca Corporate Receptionist Kate Godin 416 504 9100 kg@waddingtons.ca Accounts Manager Karen Sander 416 847 6173 ks@waddingtons.ca Absentee and Phone Bidding 416 504 0033 (Fax) bids@waddingtons.ca Online Bidding www.invaluable.com

Henri Le Sidaner’s enchanting garden view “Fenetre de Trianon Sous-Bois”, lot 67, gracing the front cover of Waddington’s Spring 2014 International Art catalogue, sets the stage for the many fine paintings offered in this season’s auction. After so long a winter season, its warm sunlight, arched window and lush greenery is all the more inviting. Acquired by Dr. Ronald Osborne of Toronto in 1975, and now part of his Estate, it is a befitting ‘window’ to our sale offering over 100 of the finest paintings, sculptures and drawings from Canadian, American and International collections spanning over 5 centuries, 4 continents and a multitude of genres. “Fertility”, lot 95, a rare canvas by Maqbool Fida Husain, whose works have led the booming South Asian art market, confronts you with its bold and powerful presence on our title page. This hitherto unseen canvas has belonged to a private collection in Montreal for over 30 years and encapsulates the artist’s unique approach to form and colour. The American session is led by two large canvases by Russian-American artist Abraham Manievich, acquired by Dr. Joseph Stern of Montreal directly from the artist whom he befriended in Canada, prior to the 1950s. The double-sided “Still Life of Flowers in a Copper Vase”, lot 10, featured on the inside front cover, and the vividly coloured, “In a Summer Garden”, lot 9, are coveted examples of the artist’s dynamic Fauvist painting style. Once again, we are pleased to offer you three oils by popular British artist Edward Seago, from Toronto Estates where they have been enjoyed some 50 years. Sir John Lavery’s elegant “Lady in Green” (Mrs. Cara H.), lot 52, held in the hands of Toronto families for over 100 years, was first exhibited in Toronto in 1909 at the newly formed Art Gallery of Ontario, then called the Art Museum of Toronto. The sale concludes with a Carlos Cruz-Diez kinetic art masterpiece “Physichromie No. 520”, lot 123, acquired by the present owners from the Pollock Gallery in the 1970s. Our Spring 2014 auction offers a selection of visually superb works of art for every collector taste, whether you are a lover of Old Masters, Modern, traditional or contemporary art. We look forward to welcoming you at our preview where all the paintings in their old world frames are sure to impress and entice you. — Susan Robertson Senior Specialist, International Art

Waddington’s

Leadership Team

Waddington’s is Canada’s most diverse and significant provider of fine art auction and appraisal services. Based on a rich legacy in the industry, Waddington’s actively seeks to redefine our business to ensure we remain fresh and reactive to what our clients are seeking. Through our appraisal, auction, private sale and downsizing expertise, we are pleased to provide a complete range of services.

Waddington’s leadership team brings together three of the industry’s best. The combination of their experience, knowledge of market trends and client networks builds on Waddington’s 160 year legacy of growth and dominance.

Waddington’s is Canada’s original auction house, with a history of conducting auctions since 1850. We are also an international auction house, providing access to world markets. Waddington’s is an innovative leader. We enjoy pushing the limits, exploring new territory and creating new partnerships. From the marathon auction of Maple Leaf Gardens, our partnership with the LCBO to auction ﬁne wine, to the launch of Concrete Contemporary and our new Pop-Up Gallery series, we are driven to ﬁnd what’s new, what’s exciting, and what you want to buy or sell.

Waddington’s by Department Asian Art Canadian Fine Art Contemporary Art Auctions and Projects Decorative Arts International Art Inuit Art Jewellery, Watches & Numismatics “Oﬀ the Wall” Art Transitions Philanthropy and Community

Duncan McLean, President, is Waddington’s corporate leader, responsible for strategic development and innovation realization. Under his direction Waddington’s strives to not only continuously evolve to meet the needs of our clients and address the demands of the market, but to push the boundaries, with integrity, creativity and passion. Mr. McLean has been involved in the auction industry for 35 years, as art specialist, appraiser, auctioneer and corporate leader. His knowledge base spans the diversity of Waddington’s offerings, with internationally-recognized expertise in Inuit Art. As Vice President Business Development, Stephen Ranger is focused on identifying new markets, new clients and new ways to do business. For example, Mr. Ranger launched Waddington’s Contemporary Art venture, Concrete Contemporary, to reach an exciting new sector of art enthusiasts and artists. Under Mr. Ranger’s guidance, new partnerships are also being created resulting in edgy new offerings like our Pop-Up Gallery series debuting in 2013. Mr.Ranger brings over 25 years of diverse experience as an auctioneer, appraiser and consultant in the art auction industry with specific expertise in Canadian Fine Art. Linda Rodeck, Vice President Fine Art, is one of Canada’s most trusted and respected Canadian Art specialists. Her impressive career of 25+ years includes leadership roles in the country’s most distinguished auction houses. Ms. Rodeck’s keen understanding of the market and her extensive network are invaluable in her role of sourcing the best works and providing the best service to our clients. As Vice President of Waddington’s Fine Art, Ms. Rodeck will play a critical role in developing new business leveraging her success in the Canadian art market.

International Art

Canadian Fine Art

Waddington’s International Art department presents auctions of ﬁne art from around the world, oﬀering original works from art centres across North America and Europe while continuing to expand our scope to bring our collectors works from Asia, South Asia, Russia and South America. A major element of Waddington’s legacy, our International art auctions draw on Canada’s cultural diversity. The combination of our expertise and our expansive global network ensures the highest standards of authentication and research.

Waddington’s has been a major force in the Canadian art sector for over five decades, beginning with our first auction of Canadian Fine Art held at the Queen Elizabeth Building at the CNE in 1967. Since that historic event, Waddington’s has offered some of the most important Canadian works, set record prices, and has been an integral part of driving the Canadian art market.

Rare and important paintings, sculptures, prints and photographs are oﬀered in our live and online auctions, attracting buyers worldwide.

Susan Robertson Senior Specialist, International Art

Linda Rodeck Senior Specialist, Canadian Art Vice President, Fine Art

Concrete Contemporary Auctions and Projects

Decorative Arts

Waddington’s launched its newest division, Concrete Contemporary Auctions and Projects (CCAP) in March 2012 with a vision and mandate to create a secondary market for contemporary Canadian art.

Decorative Arts at Waddington’s encompasses a broad and diverse variety of objects and the department's client database is one of our largest. From ancient to modern, delicate to deadly, Waddington’s Decorative Arts department redeﬁnes the term, bringing much more than traditional silverware and porcelain ﬁgurines to market, and with remarkable success.

Concrete Contemporary Auctions merges the worlds of traditional auction and the retail gallery, where our relationships with artists, art dealers, curators and collectors result in exciting new sources of contemporary works. The auctions are tightly focused on Canadian contemporary art since 1980 with an emphasis on mid- and latecareer artists with exhibition history in the private and public sphere. An exciting initiative of CCAP is the introduction of our Pop-Up Gallery series. These short-duration single artist exhibitions oﬀer works by some of Canada’s most accomplished and inﬂuential working artists. As well, the groundbreaking Concrete Contemporary Acquisition Fund assists museums and public galleries in the acquisition of works by artists included in the auction.

Waddington’s reputation for developing new markets is well represented by our Decorative Arts department, as is our ability to present large collections – notable recent sales have included Contemporary Studio Glass, Scientific Instruments and Militaria. The department regularly offers auctions which include bronzes, items of Canadian Historical interest, ceramics, devotional works of art, glass, lighting, militaria, mirrors, objets de vertu, porcelain, scientific instruments, travel and exploration maps.

Led by one of Canada’s most plugged-in arts experts, Stephen Ranger, CCAP is committed to exploring new ways to connect, expand and support the contemporary art community.

Sean Quinn Specialist, Decorative Arts

Stephen Ranger Senior Specialist, Contemporary Art

Bill Kime Specialist, Decorative Arts

Jewellery, Watches and Numismatics

Inuit Art

Waddington's has conducted auctions of Fine Jewellery and Numismatics for close to three decades. Highly respected expertise and in-depth knowledge of both domestic and international markets are the anchors of the ongoing success and popularity of our auctions.

Waddington’s is internationally recognized as one of the leading authorities in marketing Inuit Art. No other auction house has been as intrinsically linked to the development of a market for this art form. Inuit Art is a proud part of our DNA. From our ﬁrst landmark auction in 1978 of the William Eccles Collection, Waddington’s has oﬀered thousands of works, set record prices, and expanded the market well beyond Canada’s borders.

Our auctions are composed of a wide spectrum of contemporary and period jewellery featuring examples by some of the most desired names in jewellery including Tiﬀany, Cartier, Fabergé, Jensen, Yurman and Van Cleef & Arpels. Also featured in our auctions are ﬁne wrist and pocket watches, designer fashion jewellery and all forms of numismatics including coins, tokens, banknotes and ancients.

Donald McLean Senior Specialist, Jewellery, Watches and Numismatics

Our legacy of successful Inuit Art auctions, our ability to achieve continually increasing values and our creation of an international market have been key factors in validating Inuit art as a whole and establishing it as an integral part of the Canadian Art scene.

Duncan McLean Senior Specialist, Inuit Art

Christa Ouimet Specialist, Inuit Art

Asian Art

“Oﬀ the Wall” Art

Waddington’s Asian Art department is Canada’s leader in serving the demands of the rapidly growing Asian market supported by our recognized and credible expertise. Our ability to achieve exceptional prices for works is based on our international reputation and network with the community.

Our “Oﬀ The Wall” Art online auctions are a unique opportunity to showcase accessible art. Drawing from our International Art and Canadian Art divisions, “Oﬀ The Wall” Art auctions feature paintings, prints and sculpture.

Specializing in jade, paintings, porcelain, religious works of art, textiles, woodblock and export wares, we present works from China, Japan, Korea, South East Asia, South Asia, Himalaya and others.

These monthly, online auctions are always an eclectic selection of aﬀordable works – a great way to learn, enjoy art and start building a collection. Working closely with our other divisions, this auction has developed its own diverse and extensive network of clients.

Anthony Wu Specialist, Asian Art

Doug Payne Specialist, Fine Art

Transitions

Philanthropy and Community

Transitions is Waddington’s downsizing and estate management service, created speciﬁcally for clients going through a transition who require knowledgeable, qualiﬁed and professional advice.

Waddington's is committed to working within the community by contributing our time to charity fundraising events and appraisal clinics. We are honoured to work with countless museums, galleries, art organizations and fund raising events and contribute our time to over 20 events each year raising over $2,000,000 annually for the community.

Successful downsizing and estate planning require an accurate appraisal of tangible assets. Drawing on Waddington’s 160 years of experience across our diverse areas of specialties, Transitions helps clients make informed decisions to keep, gift, sell or donate. Our clients include ﬁduciaries, executors and beneﬁciaries responsible for settling estates, as well as private clients looking to downsize and turn their material encumbrances into a monetary resource. Transitions is an end-to-end solution to help you sort, value, sell and move on to the next stage.

Marcia Kim Manager

Ellie Muir Coordinator

In addition, the Concrete Contemporary Acquisition Fund each year funds 50% of the purchase price for a work of contemporary Canadian art for a public institution. We have supported the following organizations: Aids Committee of Toronto, SNAP Best Buddies Birdlife International Canadian Opera Company Casey House, Art with Heart Casey House, Snowball CAMH Unmasked Covenant House The Furniture Bank Integra Foundation Lake Ontario Waterkeepers OCAD University Metro Toronto Zoo Montreal Children’s Hospital Nyota School, Kenya Princess Margaret Hospital Robert McLaughlin Gallery Second Harvest, Toronto Taste Serve Canada St. Mary’s General Hospital, Kitchener St. Michaels Hospital, ARTGEMS The STOP Foodbank Toronto Symphony Orchestra The Varley Gallery Windsor Art Gallery Warchild Canada York University Fisher Fund

International Art Lots 1â&#x20AC;&#x201C;123

InternationalArt.Waddingtons.ca

1 19TH CENTURY AMERICAN PRIMITIVE THE UNION - SEE-SAW (CUBA AND THE US) Oil on canvas. Unstretched and matted. 8.75” x 11” — 22.2 x 27.9 cm. Provenance: The old matboard came from a supplier in New York as stamped by the manufacturer on the reverse; Private Collection, Canada $1,000—1,500 * Additional information available on our website

2 SHEPARD ALONZO MOUNT (18041868), AMERICAN LADY ON HORSEBACK Oil on canvas; signed and dated 1842 lower right 20” x 18” — 50.8 x 45.7 cm. Note: The artist was one of three Mount brothers including William Sidney Mount and Henry Smith Mount. He was primarily a portrait painter. By 1830 he had gained a reputation as a portrait artist who kept a studio in NYC until 1841. $1,000—1,500

3 IRVING RAMSEY WILES (1861-1948), AMERICAN IN THE GARDEN Oil on braced panel; signed and dated 1887 lower left, indistinctly titled and inscribed on an old paper label verso 12” x 14” — 30.5 x 35.6 cm. Note: The braces to the back of the panel are impressed with the manufacturer’s patentee stamp: EF French, NY $6,000—8,000

International Art Auction – Wednesday 18 June 2014 at 7 p.m.

4 WILLIAM EDWARD NORTON (1843-1916), AMERICAN SEA COAST, DIEPPE Oil on canvas; signed and dated /86 lower left, signed and titled to artist’s label in London, England verso 18” x 20” — 45.7 x 50.8 cm. Provenance: With H.J. Matthews, Toronto; Ex. Coll. Sir Byron Edmund Walker, Toronto; By descent through the family, Toronto $3,000—5,000 * Additional information available on our website

5 EDITH LUCILLE HOWARD (1885-1960), AMERICAN CYPRESSES OF CASIERA, TUSCANY Oil on canvas; signed lower left, signed at “19 W. 8th Street, New York” and titled by the artist to label verso 30.25” x 25.5” — 76.8 x 64.8 cm. Provenance: With a Henry M. Taws, Philadelphia stretcher $2,000—3,000

6 GEORGE PETER (1859-1950), AUSTRIAN/AMERICAN HOPI INDIAN SNAKE DANCE, WALPI, ARIZONA, 1914 Oil on canvas, signed and dated 14 lower left. Together with a Milwaukee Public Museum postcard that they published depicting this painting in colour postmarked: “Milwaukee Wis. Aug 1, 1946” 14.75” x 38” — 37.5 x 96.5 cm. Provenance: Private Collection, Santa Fe, New Mexico $5,000—7,000 * Additional information available on our website

InternationalArt.Waddingtons.ca

7 EMILE ALBERT GRUPPE (18961978), AMERICAN THE BANYAN TREE, FLORIDA Oil on canvas; signed lower right 20” x 24” — 50.8 x 61 cm. $5,000—7,000

8 WALTER EMERSON BAUM (18841956), AMERICAN BRANCH CREEK Oil on canvas; signed and dated 1918 lower right, titled to the frame and stretcher verso 32” x 40” — 81.3 x 101.6 cm. Exhibited: Pennsylvania Museum of Fine Art, 1919, partial label to the stretcher $8,000—12,000

International Art Auction – Wednesday 18 June 2014 at 7 p.m.

9 ABRAHAM MANIEVICH (1883-1942), RUSSIAN/AMERICAN IN A SUMMER GARDEN Oil on canvas; signed in Latin lower right 31.75” x 34” — 80.6 x 86.4 cm. Provenance: Ex. Coll. Dr. Joseph Stern, Montreal; His estate in the early 1950’s; By descent to his wife Ada; Gifted to her brother, Jack Druckman in the 1970’s; Gifted by Jack Druckman to Dr. Joseph Stern’s niece, the present Private Collection, Montreal Literature: Peter Falk, “Who Was Who in American Art,” Vol. II, p. 2171-2172

$35,000—45,000 * Additional information available on our website

10 ABRAHAM MANIEVICH (1883-1942), RUSSIAN/AMERICAN STILL LIFE OF FLOWERS IN A COPPER VASE; AUTUMN LANDSCAPE WITH POOL (A DOUBLE-SIDED OIL) Oil on canvas; signed in Latin lower left of the recto (Still Life) 26” x 32” — 66 x 81.3 cm. Provenance: Same as previous lot 9: Ex. Coll. Dr. Joseph Stern, Montreal; His estate in the early 1950’s; By descent to his wife Ada; Gifted to her brother, Jack Druckman in the 1970’s; Gifted by Jack Druckman to Dr. Joseph Stern’s niece, the present Private Collection, Montreal Literature: Peter Falk, “Who Was Who in American Art,” Vol. II, p. 2171-2172 $35,000—45,000 * Additional information available on our website

(verso)

InternationalArt.Waddingtons.ca

11 WORTHINGTON WHITTREDGE (1820-1910), AMERICAN FARMER TENDING TRAP IN A RIVER WITH COWS GRAZING (ON THE HUDSON RIVER?) Oil on canvas; signed lower left 9” x 14” — 22.9 x 35.6 cm. $6,000—9,000

12 ALEXIS MATTHEW PODCHERNIKOFF (1886-1933), RUSSIAN/AMERICAN THE AFTERGLOW Oil on canvas; signed lower left, titled to the stretcher 22” x 28” — 55.9 x 71.1 cm. $2,000—3,000

13 OSKAR KOKOSCHKA (1886-1980), AUSTRIAN TWO NUDES Conte drawing; signed with initials lower right 17.25” x 11” — 43.8 x 27.9 cm. $3,000—5,000

International Art Auction – Wednesday 18 June 2014 at 7 p.m.

14 ALOIS ARNEGGER (1879-1967), AUSTRIAN SNOW COVERED ALPINE CABINS Oil on canvas; signed lower left 24.25” x 36.5” — 61.6 x 92.7 cm. Provenance: With The Isaacs Gallery, Toronto $4,000—6,000

15 MAX SCHODL (18341921), AUSTRIAN STILL LIFE WITH CLOISONNE VASE, CLOCK AND POKAL; STILL LIFE WITH SATSUMA AND CLOISONNE VASES Two oils on board; each signed and dated, the former, signed and dated 1899 upper right, the latter, signed and dated 1913 upper left Each 12.5” x 9.5” — 31.8 x 24.1 cm. $6,000—8,000

InternationalArt.Waddingtons.ca

16 FRIEDRICH SCHLEGEL (18651935), AUSTRIAN DANCING TO THE SHEPHERDS’ TUNE Oil on canvas; signed lower right 25” x 37.5” — 63.5 x 95.3 cm. $3,000—5,000

17 LOUIS CHARLES VERBOECKHOVEN (1802-1889), BELGIAN FISHING BOATS, BARGES AND OTHER CRAFT COMING AND GOING FROM A PORT Oil on canvas; signed lower left 14.75” x 22” — 37.5 x 55.9 cm. $3,000—5,000

18 VOJTECH ADALBERT HYNAIS (1854-1925) , AUSTRIAN LES NYMPHES ET LE SATYRE, 1873 AFTER WILLIAM ADOLPHE BOUGUEREAU (1825-1905) Oil on canvas; signed lower right, titled and dated 1883 at Wien to the stretcher 27” x 22” — 68.6 x 55.9 cm. $5,000—8,000

International Art Auction – Wednesday 18 June 2014 at 7 p.m.

19 JEHAN FRISON (1882-1961), BELGIAN BALLERINA IN HER STUDIO Oil on canvas; signed and dated 1918 lower left 58” x 37” — 147.3 x 94 cm. $9,000—12,000

20 AFTER THOMAS GAINSBOROUGH (1727-1788), BRITISH LANDSCAPE WITH CATTLE Oil on canvas; given the title “Landscape with Cattle” on the nameplate. 40” x 50” — 101.6 x 127 cm. Provenance: Sir William Cornelius Van Horne, Toronto, (18431915), inventory number VH.29, believed to be a copy, that was formerly on the London market (no date) and presumably the one Van Horne bought (no date); Thence by descent through the family, Toronto $3,000—5,000 * Additional information available on our website

21 JOHN WARD OF HULL (1798-1849), BRITISH THE WILLIAM LEE ARRIVING AT HULL Oil on canvas; titled to label verso, inscribed in pen and ink on an old partial label: “The William Lee” from “MW Clarke” attached to the verso 9.25” x 14” — 23.5 x 35.6 cm. Provenance: M.W. Clarke, label verso $3,000—5,000

InternationalArt.Waddingtons.ca

22 GEORGE CLARKSON STANFIELD (1828- 1878), BRITISH LACO COMO Oil on canvas; signed beneath the wayside chapel at the mid right, titled in pencil to the stretcher 19.75” x 30” — 50.2 x 76.2 cm. Provenance: With James Bourlet, UK; The Eaton’s Fine Art Galleries, Canada, remains of label $3,000—5,000

23 WILLIAM SHAYER SR. (17871879), BRITISH IN THE NEW FOREST Oil on canvas; signed and dated 1840 lower left 30” x 25” — 76.2 x 63.5 cm. Provenance: Arthur Ackermann & Sons, London; The Cooling Galleries, London; John Noott Fine Paintings and Works of Art, Worcestershire, England from whom purchased by the present Private Collection, North Carolina in December 2000; With Durrett Studio & Gallery, Marietta, GA Private Collection, North Carolina

$6,000—8,000

International Art Auction – Wednesday 18 June 2014 at 7 p.m.

24 WILLIAM SHAYER SR. (1787-1879), BRITISH SOUTHHAMPTON COAST Oil on canvas; signed lower left 16” x 24” — 40.6 x 61 cm. Provenance: “Cooling” (Gallery, London and Toronto) inscribed in red crayon to the stretcher; From whom purchased by the present Private Collection, North Carolina $6,000—8,000

25 SIR EDWIN HENRY LANDSEER (1802-1873), BRITISH PORTRAIT OF A YOUNG WOMAN Oil on canvas; signed and dated 1845 lower left 18” x 12” — 45.7 x 30.5 cm. $3,000—4,000

25A ATTRIBUTED TO SIR GODFREY (GOTTFRIED) KNELLER (16461723), BRITISH PORTRAIT OF A MAN IN ARMOUR (FRANCIS, 2ND EARL OF GODOLPHIN)? Oil on canvas; feigned oval 30” x 25” — 76.2 x 63.5 cm. $5,000—7,000

InternationalArt.Waddingtons.ca

26 CHARLES HUNT (1803-1877), BRITISH THE COURT MARTIAL Oil on canvas; signed and dated 1872 lower left 24” x 37” — 61 x 94 cm. Note: This oil painting was also published as a print entitled: “A Plea for Mercy” $12,000—18,000

27 FREDERIC WALKER (1840-1875), BRITISH PLAYING THE GUITAR (STUDY OF HIS SISTER FANNY WALKER WITH GUITAR), CIRCA 1869 Watercolour; titled to labels verso, numbered “No. 2” to old title label verso. Together with the Victorian needlework stool and the book: “Twenty Seven Illustrations by Frederick Walker” both depicted in the watercolour; as well as another hardcover book: “Life and Letters of Frederick Walker, A.R.A.” by John George Marks Arched sheet 12.25” x 9.25” — 31.1 x 23.5 cm. Provenance: Ex. Coll. Mr. Edward Phipps-Walker (1914-1985), residing in the UK and Canada; Purchased by the present owners father-in-law, Canada from the above; Gifted to the present family member $2,000—3,000 * Additional information available on our website

International Art Auction – Wednesday 18 June 2014 at 7 p.m.

28 THOMAS EDWIN MOSTYN (1864-1930), BRITISH AN ESTATE GARDEN, CIRCA 1920 Oil on canvas 36” x 42” — 91.4 x 106.7 cm. $6,000—8,000

29 WILLIAM BROMLEY (18351888), BRITISH CONSOLING A FRIEND Oil on canvas; signed and dated 1867 lower left 28” x 36.25” — 71.1 x 92.1 cm. $3,000—5,000

InternationalArt.Waddingtons.ca

30 CHARLES WEST COPE (18111890), BRITISH O HUSH THEE, MY BABY Oil on canvas on wood panel; signed with monogram and dated 1874 lower right; signed and titled to artist labels verso 24.75” x 32” — 79.8 x 61 cm. Provenance: Mr. Cope-Proctor; With Davies Clifton... partial label while with R. Titley; W. Eatwell, 49 Dorset St., Portman... small paper label; Christie’s, London, November 4, 1988, lot 113; From whom purchased by the present Private Collection, Canada Note: Typed label W. Eatwell, 49 Dorset St., Portman Square, London W (artists’ colourman and supplier 1855-1876) $10,000—15,000

31 GEORGE SMITH (1829-1901), BRITISH THE NEW BOY Oil on canvas; signed and dated 1859 lower right, signed and titled at “2 Tor Villas, Kensington” to the stretcher 26” x 35” — 66 x 88.9 cm. Provenance: Collection Boca Raton, Florida Exhibited: The Royal Academy of Arts, 1859, Cat. No. 219 Literature: Algeron Graves, “The Royal Academy of Arts”, Volume 4, S.R. Publishers Ltd. and Kingsmead Reprints, 1970 $10,000—15,000

International Art Auction – Wednesday 18 June 2014 at 7 p.m.

32 DAVID JAMES (1853-1904), BRITISH ON THE CORNISH COAST Oil on canvas; signed and dated 1882 lower right 34” x 44” — 86.4 x 111.8 cm. $7,000—9,000

33 THOMAS SIDNEY COOPER (18031902), BRITISH SHEEP AND CATTLE BY A TIDAL FLAT Oil on canvas; signed and dated 1837 lower left 18” x 24” — 45.7 x 61 cm. Provenance: Estate of Edward Albert Manning (19031978), Ontario $5,000—7,000

InternationalArt.Waddingtons.ca

34 MARGARET DOVASTON (18841955), BRITISH TALE OF THE HIGH SEAS Oil on canvas; signed lower right, titled to gallery label verso 20” x 27” — 50.8 x 68.6 cm. Provenance: Mitchell Galleries, n.p.; The Fine Art Galleries, The T. Eaton Co. Ltd., Canada remains of label;

$8,000—12,000

35 MARGARET DOVASTON (18841955), BRITISH START FOR THE COMPETITION Oil on canvas; signed lower left 18.25” x 24” — 46.4 x 61 cm. Provenance: Estate collection by descent $5,000—7,000

International Art Auction – Wednesday 18 June 2014 at 7 p.m.

36 ALFRED DE BREANSKI SR. (1852-1928), BRITISH KEW GARDENS Oil on canvas, signed and dated 1887 lower left, signed and and titled verso 12” x 16” — 30.5 x 40.6 cm. Provenance: Cooling Galleries, London and Toronto; With Britnell Gallery, Toronto $2,000—3,000

37 ALFRED FONTVILLE DE BREANSKI (1877-1955), BRITISH EVENING RYDAL WATER Oil on canvas; signed lower right, signed and titled verso 28” x 42” — 71.1 x 106.7 cm. Provenance: With The Fine Art Galleries, The T. Eaton Co., Ltd., Canada inscribed “Eatons” to the frame verso $5,000—7,000

38 ALFRED FONTVILLE DE BREANSKI (1877-1955), BRITISH ABOVE LOCH EARN, N.B. Oil on canvas; signed lower left, signed and titled verso 24” x 36” — 61 x 91.4 cm. $4,000—6,000

InternationalArt.Waddingtons.ca

39 ALFRED AUGUSTUS GLENDENING SNR. (1840-1910), BRITISH NEAR RUDHAM, NORFOLK Oil on canvas; signed and dated 1902 lower right, titled to the top selvage verso 12” x 22” — 30.5 x 55.9 cm. $3,000—5,000

40 ALFRED AUGUSTUS GLENDENING SNR. (1840-1910), BRITISH THE TIME OF THE HARVEST Oil on canvas laid down on masonite; signed with initials and dated 1877 lower right 15.25” x 23.25” — 38.7 x 59.1 cm. $3,000—4,000

41 NOEL HARRY LEAVER (18891951), BRITISH MARKET OUTSIDE A MOSQUE Watercolour; signed lower left Sight 14” x 20” — 35.6 x 50.8 cm. $3,000—4,000

International Art Auction – Wednesday 18 June 2014 at 7 p.m.

42 EVELYN DE MORGAN (1855-1919), BRITISH MISS SANDFORD- A FULL FACED WOMAN’S HEAD Pencil on white paper; inscribed “Miss Sandford, 4 Townston (? indistinct) Sq” in pencil lower left. Dated circa 1890 on the label verso Sheet 10” x 6.75” — 25.4 x 17.1 cm. Provenance: Mrs. Wilhelmina Stirling, Old Battersea House, until 1965; Hartnoll & Eyre Ltd. London; Barry Friedman Ltd., NY; Private Collection, Canada $3,000—5,000 * Additional information available on our website

43 DAME ELISABETH FRINK (1930-1993), BRITISH MAN ON HORSE V Pencil drawing on paper; signed and dated ‘79 lower right, titled to gallery label verso Sheet 30” x 22.5” — 76.2 x 57.2 cm. Provenance: Waddington Galleries, Toronto, inventory number T1346K $3,000—5,000

44 LYNN CHADWICK (1914-2003), BRITISH MAQUETTE VIII, WALKING WOMAN, 1986 Bronze with black patination; stamped “C378”, dated “1986” and numbered “4/9” in the cast to the base. Together with a copy of the original receipt. Height approximately height 7” — 17.8 cm. Provenance: Evelyn Amis Fine Art, Florida, accompanied by a copy of the original receipt, invoice #2170, dated 7 Feb. ‘98; from whom purchased by the present Private Collection, Toronto $15,000—20,000

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45 EDWARD SEAGO (1910-1974), BRITISH FISHING BOATS ON THE HARD, CASCAISPORTUGAL

46 EDWARD SEAGO (1910-1974), BRITISH THE WATCHTOWER AT HOORN, HOLLAND Oil on canvas; signed lower left, titled to the stretcher

Oil on canvas; signed lower left, titled to the stretcher 20” x 30” — 50.8 x 76.2 cm. 20” x 26” — 50.8 x 66 cm. Provenance: Probably Laing (Blair), Toronto: Private Collection, Toronto by descent

Provenance: P & D Colnaghi Co., Ltd., London; The Estate of Kenneth Langmuir, Toronto $20,000—30,000

$30,000—50,000

47 EDWARD SEAGO (1910-1974), BRITISH VILLAGE RIVER SCENE Oil on masonite board; signed lower left 12” x 16” — 30.5 x 40.6 cm. Provenance: Estate of Olive Russell, Toronto; Gifted to a private collection through the Estate of Dr. George W. Stock; By decent. $10,000—15,000

International Art Auction â&#x20AC;&#x201C; Wednesday 18 June 2014 at 7 p.m.

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48 GEOFFREY W. BIRKS (1929-1993), BRITISH IT GETS DARK QUICK NOW Oil on masonite; signed lower right 20” x 24” — 50.8 x 61 cm. Provenance: Direct from the artist, friend of the present Private Collection, Canada, acquired while residing in Bramley, Yorkshire near Pudsey where the artist resided Note: Birks and his cat Oliver are depicted in the scene at the bottom center $3,000—4,000

49 GEOFFREY W. BIRKS (1929-1993), BRITISH RED BRICK HOUSES Oil on masonite; signed and dated 1988 lower left. Unframed. 19.75” x 24” — 50.2 x 61 cm. Provenance: Direct from the artist, friend of the present Private Collection, Canada, acquired while residing in Bramley, Yorkshire near Pudsey where the artist resided Note: The artist is depicted in the bottom center of the scene, shown from the back, holding the hand of a boy in red to his right. His black cat, Oliver (Olly) by the lamp post lower left is always depicted in Birk’s paintings $3,000—5,000

International Art Auction – Wednesday 18 June 2014 at 7 p.m.

50 GEOFFREY W. BIRKS (1929-1993), BRITISH PENNINE VISTA; STREET SCENE (A MINIATURE IN THE MARGIN LOWER RIGHT)A “ONE PLUS ONE” Two watercolours on one sheet; signed lower right 15” x 19” — 38.1 x 48.3 cm.; 1.5” x .75” — 3.8 x 1.9 cm. Provenance: Direct from the artist, friend of the present Private Collection, Canada, acquired while residing in Bramley, Yorkshire near Pudsey where the artist resided Note: The artist called this watercolour with a miniature watercolour vignette in the bottom of the page as a “One Plus One” $2,000—3,000

(One Plus One detail)

51 GEOFFREY W. BIRKS (1929-1993), BRITISH HALIFAX/HADDERSFIELD Watercolour; signed lower right Together with another: MISTY MORNING LANDSCAPE Watercolour; signed lower right Sight 11.75” x 18” — 29.8 x 45.7 cm.; 12” x 19” — 30.5 x 48.3 cm. Provenance: Direct from the artist, friend of the present Private Collection, Canada, acquired while residing in Bramley, Yorkshire near Pudsey where the artist resided $2,000—3,000

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52 SIR JOHN LAVERY (1856-1941), IRISH LADY IN GREEN (MRS. CARA H.) Oil on canvas; signed lower right, titled and dated 1903 at Cromwell Place, London to artist label verso 35” x 24” — 88.9 x 61 cm.

Provenance: The property of E.F.B. Johnston, Esq., K.C. Toronto; Harry Diamond, Toronto purchased circa 1958; His Estate, Toronto Exhibited: The Art Museum of Toronto (now the Art Gallery of Ontario), the “Second Exhibition Catalogue of a Loan Collection of paintings of the English, Old Master, Modern Dutch, French and other European Schools Contributed by Private Collectors” from 24th November - 16th December 1909, Catalogue No. 38 label verso

$30,000—40,000 Literature: The Art Museum of Toronto, The Second Exhibition Catalogue

International Art Auction – Wednesday 18 June 2014 at 7 p.m.

53 LOUIS BOSWORTH HURT (1856-1929), SCOTTISH HIGHLAND HERD GLENCOE Oil on canvas; signed and dated 1902 lower left 50” x 40” — 127 x 101.6 cm. $12,000—18,000

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54 ATTRIBUTED TO SIR JOHN WATSON GORDON (1788-1864), SCOTTISH PORTRAIT OF A MAN (SAID TO BE A PORTRAIT OF SIR WALTER SCOTT) Oil on canvas; given to Sir John Watson Gordon and titled “Sir Walter Scott” on the old nameplate 30” x 25” — 76.2 x 63.5 cm. Provenance: Odon Wagner Gallery, Toronto as “Attributed to Sir John Watson Gordon”; Private Collection, Toronto Literature: See Julian Halsby and Paul Harris: “The Dictionary of Scottish Painters 1600-1960”, p. 79 Note: Sir John Watson Gordon was a most successful mid-19th century portrait painter. President of the Royal Scottish Academy, his earliest and most famous of sitters was Sir Walter Scott. It has been long believed that Scott was the sitter for this painting. $3,000—5,000

55 THOMAS CRANE (1808-1859), BRITISH THE GRANDCHILDREN OF THE DUKE OF WELLINGTON Oil on canvas; signed and titled to label verso 28” x 36” — 71.1 x 91.4 cm. $2,000—3,000

International Art Auction – Wednesday 18 June 2014 at 7 p.m.

56 ATTRIBUTED TO HENDRIK JACOBSZ DUBBELS (BORN C. 1620-1676), DUTCH MARINE (SMALL SHIPS NEAR A CITY PORT) Oil on canvas; given to Dubbels and titled to an old pen and ink label verso, the stretcher also signed and titled 14” x 19” — 35.6 x 48.3 cm. Provenance: Ex. Coll. Dr. Rudolf Scheer-Hennings, Germany; By descent to the present Private Collection, Canada $3,000—5,000 * Additional information available on our website

57 ATTRIBUTED TO ABRAHAM JANZ STORCK (1644-1708), DUTCH A ROYAL YACHT, BARGES AND A WARSHIP IN A CALM Oil on canvas 32” x 42.5” — 81.3 x 108 cm. Provenance: The Estate of Noreen Francis Westell, Toronto $10,000—15,000

58 CIRCLE OF EGLON HENDRIK VAN DER NEER (1634-1703), DUTCH YOUNG GIRL IN A GARDEN POINTING TO A PARROT Oil on canvas; indistinctly inscribed and dated 1697 to the stretcher 56” x 40” — 142.2 x 101.6 cm. $5,000—7,000

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59 CORNELIS SPRINGER (1817-1891), DUTCH AMSTERDAM (ON A RAINY DAY), 1880 Oil on panel; signed and certiﬁed by the artist on his handwritten label dated “21 Dec. 80” , with two red wax artist’s seals with the initials “CS” of the artist verso 10” x 7.75” — 25.4 x 19.7 cm. $20,000—30,000

59A WILLEM BASTIAAN THOLEN (1860-1931), DUTCH DROMMEDARUS VAN ENKHUIZEN Oil on canvas; signed lower right, titled to label verso 23.5” x 34” — 59.7 x 86.4 cm. Provenance: Ex. Coll. Gijbertus Willem Lans, Wassenaar, Holland; By descent to his daughter, Canada in the 1960’s $6,000—9,000

International Art Auction – Wednesday 18 June 2014 at 7 p.m.

60 JOHAN FREDERIK CORNELIS SCHERREWITZ (1868-1951), DUTCH FARMER MILKING HIS THREE COWS BY AN OUTBUILDING Oil on canvas; signed lower left 33” x 49” — 83.8 x 124.5 cm. $5,000—7,000

61 JOHAN FREDERIK CORNELIS SCHERREWITZ (1868-1951), DUTCH FARMER LEAVING THE OUTBUILDING WITH HIS THREE COWS Oil on canvas; signed lower left 33” x 49” — 83.8 x 125.1 cm. $5,000—7,000

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62 CIRCLE OF CLAUDE JOSEPH VERNET (1714-1789), FRENCH BEACHING A BOAT ON A STORMY NIGHT AT SEA Oil on canvas 30” x 36” — 76.2 x 91.4 cm. $3,000—5,000

63 ATTRIBUTED TO EUGENE DELACROIX (1798-1863) , FRENCH DAVID PLAYING THE HARP FOR SAUL (STUDY) Oil on canvas 14” x 17.5” — 35.6 x 44.5 cm. Provenance: With Morency Feres, Ltee, Montreal $5,000—7,000

International Art Auction – Wednesday 18 June 2014 at 7 p.m.

64 CHARLES THEODORE FRERE (1814-1882), FRENCH THE YOUNG ADVENTURERS Oil on panel, signed and dated ‘87 lower left 13” x 18.75” — 33 x 47.6 cm. Provenance: Garﬁeld Fine Art Gallery, Toronto; The Estate of Harry Diamond, Toronto $2,000—3,000

65 ADOLPHE WEISZ (1838- D. AFTER 1900), FRENCH HER WEDDING DAY Oil on panel; signed at Paris lower right 17” x 13.5” — 43.2 x 34.3 cm. $5,000—7,000

(detail)

66 JEAN-JACQUES HENNER (18291905), FRENCH DRAPED NUDE SLEEPING IN THE FOREST Oil on board; signed lower left 9” x 12.75” — 22.9 x 32.4 cm. $3,000—5,000

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67 HENRI LE SIDANER (1862-1939), FRENCH FENETRE DE TRIANON SOUSBOIS, VERSAILLES, 1929 Oil on canvas; signed lower left, titled “Windows” on the accompanying original receipt. Together with a hardcover copy of the catalogue raisonne by Yann Farinaux- Le Sidaner: “L’Oeuvre Peint/ L’Oeuvre Grave” 32” x 25.6” — 81.3 x 65 cm. $100,000—150,000

Provenance: Galerie Georges Petit, No. 11532; Private Collection; Vente 13 Juin 1973, Hotel Rameau, Versailles, No. 101; Vente 7 Oct. 1973, Hotel Rameau, Versailles, No. 145; Allan Rich Galleries, New York from whom purchased by Dr. Ronald J. Osborne, Toronto on May 12, 1975 entitled “Windows” and accompanied by the original invoice, No. 3291; His Estate Literature: Yann Farinaux-Le Sidaner, “Le Sidaner, L’Oeuvre Peint/ L’Oeuvre Grave”, Paris, 1989, illustrated, Cat. No. 666, p. 247 * Additional information available on our website

International Art Auction – Wednesday 18 June 2014 at 7 p.m.

68 TADEUS STYKA (1889-1954), POLISH/FRENCH NUDE WITH BLONDE HAIR Oil on canvas; signed lower left. Contained in an antique tortoise-shell frame. 31” x 24.75” — 78.7 x 62.9 cm. Provenance: Stella Tylkowski, Poland, to Canada with her circa 1940’s; By descent to the present Private Collection, Ontario $4,000—6,000

69 TADEUS STYKA (1889-1954), POLISH/FRENCH LION AND LIONESS Oil on board; signed lower left 25.5” x 31.5” — 64.8 x 80 cm. $4,000—6,000

70 CHARLES LOUIS KRATKE (18481921), FRENCH THREE OFFICERS AT A TEA PARTY Oil on panel; signed and dated 1873 lower left 15.5” x 19.8” — 39.4 x 50.3 cm. $3,000—5,000

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71 BERTHE MORISOT (1841-1895), FRENCH THE BOWL OF MILK, 1890 Blue crayon drawing heightened with black crayon sketching lines on paper; atelier stamp lower right Sight 12” x 9” — 30.5 x 22.9 cm. Provenance: Charles E. Slatkin Galleries, New York; Jerrold Morris Gallery, Toronto Literature: Reported to have been exhibited in an exhibition of drawings, pastels and paintings held at the Museum of Fine Arts, Boston, Oct./Nov. 1960. $5,000—7,000 * Additional information available on our website

72 CAMILLE PISSARRO (1830-1903), FRENCH LE RUE DU VILLAGE Graphite drawing on paper; signed with initials and inscribed “cat. 63” lower right, titled to gallery label verso 6” x 8” — 15.2 x 20.3 cm. Provenance: William A. Findlay, Chicago, invenory number WF54 $4,000—6,000

73 JEAN-CHARLES CAZIN (1841-1901) , FRENCH EVENING NEAR AVIGNON Oil on panel; signed lower right, titled to gallery label verso 12.5” x 15.5” — 31.8 x 39.4 cm. Provenance: George Petit, Paris; Watson Art Galleries, Montreal; Miss Helen Norton, Ayer’s Cliﬀ, Quebec; Walter Klinkhoﬀ Gallery, Montreal; Private Collection, Toronto $3,000—4,000

International Art Auction – Wednesday 18 June 2014 at 7 p.m.

74 BOUVARD (19TH/20TH CENTURY), FRENCH THE GRAND CANAL, VENICE Oil on canvas; signed “Bouvard” lower right 15 “ x 21.75” — 38.1 x 55.2 cm. Provenance: The Estate of Peter Stripp, Toronto $4,000—6,000

75 HENRY MALFROY (1895-1944), FRENCH BATEAUX ETANG DE THAU ... (POND BOATS IN THAU) Oil on canvas; signed lower left, indistinctly titled to the stretcher 18” x 25.5” — 45.7 x 64.8 cm. Provenance: Britnell’s Art Galleries, Toronto from whom purchased by the present Private Collection, Toronto in 1973 $3,000—4,000

76 BOUVARD (19TH/20TH CENTURY), FRENCH GONDALIER AT VENICE Oil on canvas 9.5 “ x 13” — 24.1 x 33 cm. Provenance: Leslie Lewis, London, inventory number No. 567/1224 stamp to the stretcher $4,000—6,000

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77 ANTOINE BLANCHARD (19101988), FRENCH PLACE DE L’OPERA ET LE CAFE DE LA PAIX A PARIS EN 1900 Oil on canvas; signed lower right, signed and titled verso, stamped with artist’s studio stamp, Paris verso. Accompanied by the artist’s photo certiﬁcate conﬁrming it to be “my original and genuine work” signed by Antoine Blanchard and stamp dated “18 Fev. 1978” and stamped with the artist’s studio stamp at Paris 13” x 18” — 33 x 45.7 cm. $6,000—8,000

Provenance: Purchased at Hagman Gallery, California in 1978 by the consignor’s aunt residing in California; By descent to the present Private Collection, Canada Note: The present work is listed in the Rehs Galleries Inc., Antoine Blanchard Virtual Checklist (AntoineBlanchard.org) no. CPP01318.0015. The authentication letter accompanies this work.

International Art Auction – Wednesday 18 June 2014 at 7 p.m.

78 ERTE (ROMAIN DE TIRTOFF) (1892-1990) AND WORKSHOP, FRENCH WINGS OF VICTORY (STUDY FOR LES AILES DE LA VICTOIRE) Gouache and watercolour on thick illustration board; signed “Erte” lower right with an indistinct “L...” to the left of the signature Sheet 13.75” x 10” — 34.9 x 25.4 cm. Literature: “Designs by Erte: Fashion drawings and Illustrations from ‘Harper’s Bazar’”, ed. Stella Blum: Dover Publications Inc.; “Erte at Ninety: The Complete Graphics”, ed. Marshall Lee Note: Erte created this gouache study for the March 1919 cover design for Harper’s Bazar magazine. The ﬁnal design included detailed patterning on her cape. The present lot signed “.Erte” in upper case lettering lower right, is proceeded by an indistinct word possibly referencing part of the title: “Les Ailes” or “Le Ali”.

Erte wanted to show the power of air ﬂight in WWI. The bird of prey changes into an airplane as it moves from victory’s hand. This is the study for the most wanted of Erte prints. The image was also published as a limited edition silkscreen print in November 1978 by the Chicago Serigraphic Workshop measuring 27” x 19”; as a poster by Circle Gallery in 1983 and its image appeared on a silk scarf. $3,000—5,000

79 FRANCOIS GALL (1912-1989), FRENCH ANIMATION AU TOUR DE LA STATUE DE DANTON, METRO ODEON, PARIS Oil on canvas; signed at Paris lower right 23.6” x 31.9” — 59.9 x 81 cm. $8,000—12,000

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80 CONSTANTINE KLUGE (19122003), FRENCH PLACE DES TERNES Oil on canvas; signed lower right, titled to the stretcher and to gallery label verso 21.25” x 25.75” — 54 x 65.4 cm. Provenance: Frost and Reed, London, registered number 15273 label verso $3,000—4,000

81 CLAUDE WEISBUCH (1927-), FRENCH HARLEQUIN SEATED Oil and crayon on canvas; signed lower right 39.5” x 32” — 100.3 x 81.3 cm. $3,000—4,000

81A MICHEL DE GALLARD (1921- 2007), FRENCH LA BORDE THORIGNY-SUR-OREUSE (YONNE) Oil on canvas; signed upper left, signed and titled to the stretcher 35" x 52" — 88.9 x 132.1 cm. Provenance: Galerie Martal, Montreal, numbered “No. 5” to gallery label verso $3,000—4,000

International Art Auction – Wednesday 18 June 2014 at 7 p.m.

82 ROBERT COUTURIER (19052008), FRENCH HOMMAGE A MAILLOL Bronze with dark brown patination; signed and numbered 3/6, stamped “Susse Fondeur, Paris” to the base Height height 15.4” — 39 cm. Note: The artist executed the ink drawing for the larger bronze (70.9”) of this edition in 1969 $5,000—7,000

83 ROBERT COUTURIER (19052008), FRENCH COUPLE (HOMMAGE A RODIN), CIRCA 1967 Mottled green hammered iron; stamped signature and numbered 3/3 to the base, titled to gallery label to the underside 15” x 5.9” x 0.2” — 38.1 x 15 x .5 cm. Provenance: Dominion Gallery, Montreal, Inventory number A5061 $1,500—2,000

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84 ANDRE LANSKOY (1902-1976), FRENCH ENTIEREMENT GRIS CLAIR Oil on canvas; signed lower left; titled to the stretcher 16” x 13” — 40.6 x 33 cm. $40,000—50,000

International Art Auction – Wednesday 18 June 2014 at 7 p.m.

85 YVARAL (JEAN-PIERRE VASARELY)(1934-2002), FRENCH HORIZON STRUCTURE JORV Acrylic on canvas; signed bottom center; signed, titled, dated 1977 and numbered No. 1721 in red ink verso verso 19.75” x 19.75” — 50.2 x 50.2 cm. $4,000—5,000

86 YVARAL (JEAN-PIERRE VASARELY) (1934-2002), FRENCH STRUCTURE AMBIGUE RV Acrylic on board; signed, titled, dated 1969 and numbered “No. 80” verso 25.25” x 25.25” — 64.1 x 64.1 cm. Provenance: The Fleck Family Collection, acquired directly from the artist’s studio, Paris $4,000—6,000

87 YVARAL (JEAN-PIERRE VASARELY) (1934-2002), FRENCH STRUCTURE AMBIGUE RV Acrylic on board; signed, titled, dated 1969 and numbered “No. 79” verso 25.25” x 25.25” — 64.1 x 64.1 cm. Provenance: The Fleck Family Collection, acquired directly from the artist’s studio, Paris $4,000—6,000

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88 ALEXANDRE ISTRATI (1915-1991), ROMANIAN/FRENCH UNTITLED COMPOSITION Oil on canvas; signed upper right; signed at “11 Impasse Ronsin, Paris XV ” verso 21.25” x 25.5” — 54 x 64.8 cm. $9,000—12,000

89 JACQUES GERMAIN (1915-2001), FRENCH RED ABSTRACT Oil on canvas on canvas; signed and dated 89 lower right, signed and dated ‘89 verso 15” x 18” — 38.1 x 45.7 cm. $4,000—6,000

International Art Auction – Wednesday 18 June 2014 at 7 p.m.

90 CHRISTIAN SCHAD (1894-1982), GERMAN THE SEDUCER Pen and ink and watercolour wash on paper; signed lower right, stamped “Sammlung G.W. Stein-Zurich” in red ink verso. Matted and unframed. Sheet 7.25” x 4.5” — 18.4 x 11.4 cm. $6,000—8,000

91 OTTO DILL (1884-1957), GERMAN FARMER DRIVING HORSES Oil on canvas; signed and dated 1939 lower right 12” x 17” — 30.5 x 43.2 cm. Provenance: Ex. Coll. Dr. Rudolf Scheer-Hennings, Germany; By descent to the present Private Collection, Canada Note: Dr. Rudolf Scheer-Hennings, serving on the Advisory Board of the Deutche Bank died before 1958. He was the son of Admiral Reinhard Scheer (1863-1928), the highest ranking oﬃcer in the German navy. $3,000—4,000

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92 HERMAN KERN (1839-1912), GERMAN SAMPLING THE BREW Oil on braced panel, signed lower right, signed with initials and inscribed by the artist: “La reproduction est defendue” verso and with the red wax seal impressed with the artist’s initials “HK” verso 18.34” x 12” — 46.6 x 30.5 cm. $3,000—5,000

93 ATTRIBUTED TO CARL BORROMUS ANDREAS RUTHART (1630-1703), GERMAN LÖWEN BESCHÜTZEN IHRE KLEINEN VOR EINEM ANGRIFF (LIONS PROTECTING THEIR YOUNG) Oil on canvas 25” x 31” — 63.5 x 78.7 cm. Provenance: With a ﬁne art gallery located at 16 Tetbury Street, Minchinhampton, Gloucester partial label to the stretcher; Collection, California $3,000—4,000

International Art Auction – Wednesday 18 June 2014 at 7 p.m.

94 MUHAMMED ABDUR RAHMAN CHUGHTAI (1897-1975) , PAKISTANI BATHING DAY (KASHMIRI GIRL REMOVING HER DRESS TO TAKE A BATH IN POND OF WATER)

Note: The artist’s son has noted that in his old age, Chughtai became ill and had many projects and works underway which he revisited in his studio. Before his death, Chughtai signed this work and left other works unsigned.

Watercolour on heavy paper; signed lower left, titled, annotated and certiﬁed by the artist’s son, Arif Rahman Chughtai on 17th September, 2013; stamped by the Chughtai Museum Trust, Lahore, Pakistan verso. Unframed. Sheet 23.5” x 19.25” — 59.7 x 48.9 cm. $12,000—18,000

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95 MAQBOOL FIDA HUSAIN (19152011), INDIAN FERTILITY Oil on canvas; signed lower right, titled verso and inscribed number “H3-50/IC” 38.25” x 50” — 97.2 x 127 cm. $300,000—400,000

Provenance: Private Collection, Montreal Note: Maqbool Fida Husain’s “Fertility” reinterprets the traditional Indian motif of the Mithuna or “loving couple”, an iconic representation that first appeared in Indian sculpture over 2,000 years ago. Mithuna is understood to have multiple meanings, ranging from an obvious celebration of life’s pleasures to the more metaphorical symbolism of a human soul’s longing for union with the divine. Husain first painted the subject in his 1960 work “Mithuna Bronze” and would return to the theme throughout his career. In every incarnation, Husain transforms and all but rejects the old image. In the traditional motif, male and female are typically depicted in a loving embrace. Husain’s interpretation, by contrast, presents the couple with a different dynamic: glancing in opposing directions, recumbent, their postures exude isolation rather than unity. According to Husain scholar Shiv. S. Kapur, there are two clearly discernible strains in Husain’s painting; one which celebrates the beauty of life in simple forms and joyous rhythms of colour, and another which speaks of social hypocrisy, guilt and repression of sensuality. The disconnect between the male and female figures may allude to an erosion of a traditionally affirmative response to life experience in the community and the increasingly internal disintegration of the individual in modern society. The juxtaposition of repression and celebration is also mirrored in the formal elements of “Fertility.” The male figure in shades of grey appears cold and hard in contrast to his partner whose vibrant patches of colour and fiery yellow orb exude pulsating life. The traditionally positive connotations of the theme of “fertility” and new life contrasts strongly to the state of disconnect that appears to plague the subjects of this painting. The Mithuna, along with a preoccupation with the female figure, are two of the most recognizable motifs in Husain’s work which incorporate elements of classic Indian narratives as well as the influence of modern art’s inwardlooking tendencies. Husain’s work reflects both upon the state of modern society while staying grounded in archetypal parables of life, love and death. Source: “Husain” Richard Barthomew and Shiv S. Kapur; Harry Abrams Inc., New York 1971

International Art Auction – Wednesday 18 June 2014 at 7 p.m.

96 JACOB EPSTEIN (1921-2003), POLISH/ISRAELI A GIRL WITH AN APPLE, 1997 Bronze with green patination; signed. Number 2 from the edition of 4 castings. Accompanied by the certiﬁcate of authenticity and two books: “Jacob Epstein Sculptures” and “Jacob Epstein Theory of Observation” 19.5” x 3.5” x 9.1” — 49.5 x 9 x 23 cm. Provenance: Family of the artist, Bat-Yam, Israel Literature: The two monographs accompanying this lot include: Bella Carmely and Rachel Epstein Ben Tov, “Jacob Epstein Sculptures,” “Nativ Bahomer” Association, a bronze from this edition illustrated in colour; and Dr. Dorit Kedar, “Jacob Epstein/Theory of Observation” $1,500—2,000

97 LUDWIG BLUM (1891-1975), ISARELI STREET IN ISRAEL Oil on canvas; signed, inscribed in Hebrew and dated 1959 along the bottom edge 14” x 10.75” — 35.6 x 27.3 cm. Provenance: Ex. Coll. J.D. Raymond, Montreal $5,000—7,000

98 LUDWIG BLUM (1891-1975), ISREALI SHIPS AT EILAT Oil on canvas; signed, inscribed in Hebrew and dated 1957 along the bottom edge. Contained in a handmade frame by Yoram Gil Gallery, Israel 10.75” x 16.5” — 27.3 x 41.9 cm. Provenance: Ex. Coll. J.D. Raymond, Montreal Note: Eilat is a popular Israeli tourist destination on the Red Sea. It occupies a very small coastline, ﬂanked by Egypt to the west and Jordan to the east $5,000—7,000

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99 CORSICAN SCHOOL, EARLY 16TH CENTURY, ITALIAN MADONNA AND CHILD WITH SAINT JOHN THE BAPTIST Oil on panel 28” x 23” — 71.1 x 58.4 cm. $8,000—12,000

100 CIRCLE OF GIACOMO CERUTI (1698-1767), ITALIAN A BEGGAR WITH HIS DOG Oil on canvas 13.5” x 10” — 34.3 x 25.4 cm. Provenance: Estate Collection, New York; Collection, California $4,000—6,000

International Art Auction – Wednesday 18 June 2014 at 7 p.m.

101 IN THE MANNER OF FRANCESCO GUARDI (1712-1793), ITALIAN PAIR OF VENETIAN CAPRICCIOS: MARKET BY RUINS; MOTHER AND CHILD AND BYSTANDERS AT COASTAL RUINS Pair of oils on canvas; arched tops. 18th/early 19th Century. Arched 48” x 29” — 121.9 x 73.7 cm. Provenance: Estate collection, Los Angeles $5,000—7,000

102 ATTRIBUTED TO PHILIPP PETER ROOS (CALLED ROSA DA TRIVOLI) (16571706), GERMAN SHEPHERD AND THE ANIMAL KINGDOM Oil on canvas; previously given to Jacopo Da Ponte (Bassano) (15101592) and titled “Evening Landscape” to the old nameplate 29” x 39” — 73.7 x 99.1 cm. $6,000—8,000

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103 17TH CENTURY ITALIAN SCHOOL MARTYRDOM OF ST. CATHERINE (WITH NUDE SKETCHES VERSO) Graphite and watercolour heightened with white on laid paper Together with: 17th Century French School HEAD OF CHRIST WITH CROWN OF THORNS LOOKING UP, Sepia chalk drawing heightened with white, squared for transfer, on laid paper with J C initials centering a petal ﬂower head watermark. Each matted and unframed. Sheets 10.75” x 7” — 27.3 x 17.8 cm.; 14.5” x 11” — 36.8 x 27.9 cm. $4,000—6,000

104 SCHOOL OF FRANCESCO GUARDI (1712-1793), ITALIAN ENTRANCE TO THE ARSENAL IN VENICE Oil on canvas 13.5” x 17” — 34.3 x 43.2 cm. $6,000—9,000

International Art Auction – Wednesday 18 June 2014 at 7 p.m.

105 AFTER RAFFAELLO SANZIO CALLED RAPHAEL (1483-1520), ITALIAN MADONNA OF THE GOLDFINCH Oil on canvas; signed “Michele Cortazzi fece” (b. 1800- ?) and dated 1855 at “Firenze” verso. Contained in a 19th Century gilt Florentine frame. 42.5” x 30” — 108 x 76.2 cm. Note: The original canvas is in the Uﬁzzi Gallery, Florence $5,000—7,000

106 AFTER RAFFAELLO SANZIO CALLED RAPHAEL (1483-1520), ITALIAN MADONNA DELLA SEDIA Oil on canvas; in a feigned tondo. Contained in a 19th Century Florentine frame. 20.5” x 20” — 52.1 x 50.8 cm. $3,000—4,000

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107 18TH/19TH CENTURY ITALIAN MADONNA AND CHILD WITH A GOLDFINCH Oil on canvas; feigned tondo 29.75” x 28” — 75.6 x 71.1 cm. Provenance: Family Collection, Torino, Italy; By descent to the present Private Collection, Canada $2,000—3,000

108 As may appear

109 SABASTIANO GUZZONE (18561890), ITALIAN THE PRESENTATION Oil on panel; signed and dated 75 at Roma lower right 16” x 21.5” — 40.6 x 54.6 cm. $3,000—5,000

International Art Auction – Wednesday 18 June 2014 at 7 p.m.

110 JIROKICHI KASHAGI (1870-1923), JAPANESE WOMAN CARRYING FLOWERS; WOMAN WORKING IN A RICE FIELD Two watercolours; each signed lower right Each 19.25” x 13” — 48.9 x 33 cm. Provenance: R. Jackson and Sons, Liverpool; Gifted inscription dated “Dec. 8th, 1948” to one; the other dated, “Jan. 8th. (19)49” verso $2,000—3,000

111 ANGEL BOTELLO (1913-1986), PUERTO RICAN FRANCOISE PLAYING Ink and watercolour on paper; signed lower right Sight 14” x 17.5” — 35.6 x 44.5 cm. Provenance: Private Collection, Montreal Note: Angel and his wife, Christiane Botello, adopted three children. This scene depicts their daughter, Francoise, born in 1962 at about the age of 3. The children became one of the greatest most lasting and important inﬂuences in Angel’s life and work. They were a source of artistic inspiration which was reﬂected in his paintings where they appear as models or protagonists. $3,000—5,000

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112 ATTRIBUTED TO IVAN PAVLOVICH POKHITONOV (18511923), RUSSIAN SUMMER ON THE COAST Oil on board 5” x 7.25” — 12.7 x 18.4 cm. $5,000—7,000

113 GRIGORIY MIKHAILOVICH SHEGAL (1889-1956), RUSSIAN WOMAN HOLDING A BOWL OF APPLES, CIRCA 1924-1925 Oil on canvas 37” x 28.8” — 94 x 73.2 cm. $6,000—8,000

114 NIKOLAY DMITRIEVIC MILIOTTI (1874-1962), RUSSIAN FIGURE WALKING IN THE VILLAGE Oil on board; signed and dated ‘27 lower left 17” x 21” — 43.2 x 53.3 cm. $3,000—5,000

International Art Auction – Wednesday 18 June 2014 at 7 p.m.

115 ALEKSANDR GRIGOR’EVICH TYSHLER (1898-1980), RUSSIAN LOVERS Oil on canvas; signed in cyrillics and dated 71 lower right; signed, inscribed and dated 1971 to the stretcher 19.25” x 18” — 48.9 x 45.7 cm. $12,000—18,000

116 ALEKSANDR GRIGOR’EVICH TYSHLER (1898-1980), RUSSIAN WOMAN WITH GLASS Oil on canvas; signed in cyrillics and dated 64 lower left 19.75” x 15” — 50.2 x 38.1 cm. $12,000—18,000

117 ALEKSANDR GRIGOR’EVICH TYSHLER (1898-1980), RUSSIAN WOMAN WITH BOAT Oil on canvas; signed in cyrillics and dated 70 lower left, signed in cyrillics to the stretcher, titled and inscribed in cyrillics to label verso 22.5” x 15” — 57.2 x 38.1 cm. $12,000—18,000

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118 ERNST NEIZVESTNY (1926-), RUSSIAN HEAD (FROM THE SERIES “DANTE”) Watercolour and ink on paper; signed in cyrillics and dated 76 lower right Sheet 22” x 16.5” — 55.9 x 41.9 cm. Provenance: Gallery Astley, Uttersberg, Sweden Note: This work is one of the earliest works the artist executed after leaving Russia when he was able to freely express his emotions and feelings in his art. The artist worked on the Dante theme since the early 1960’s. This work was painted either in Austria or Switzerland before he went to visit Astley Nyhlen to inaugurate Galleri Astley in Uttersberg, Sweden with a large exhibition where this painting was purchased. $3,000—4,500

119 JULIJ VEDERNIKOV (1943), RUSSIAN COMMUNITY HOUSE Oil on canvas; signed in cyrillics and dated 1989 lower left, signed and titled in cyrillics and dated 1989 verso 22.75” x 18” — 57.8 x 45.7 cm. $12,000—15,000

International Art Auction – Wednesday 18 June 2014 at 7 p.m.

120 ISMAEL GONZALEZ DE LA SERNA (BORN CIRCA 1897-1968), SPANISH NU

Provenance: Hammer Galleries, New York, with photo-certiﬁcate, No. 18487-10; From whom purchased by Dr. Ronald J. Osborne, Toronto; His Estate

Oil on board; signed and dated ‘37 lower right, titled and numbered #22 to a paper label verso. Together with two black and white photo-certiﬁcates including: one signed by the artist, the other, signed and stamped by Victor J. Hammer, Hammer Galleries verso, each numbered 18487-10. Together with the hardcover book by Cesareo Rodriguez-Aguilera: “Ismael De La Serna”, Ediciones Poligrafa, Barcelona 34.6” x 24.8” — 88 x 63 cm. $8,000—10,000

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121 VINCENTE DE GARCIA PAREDES (1845-1903), SPANISH A ROYAL PROCESSION Oil on canvas; signed lower right 20” x 25.5” — 50.8 x 64.8 cm. $6,000—8,000

122 MARIANO ALONSO PEREZ (18571930), SPANISH LOVERS SLEDDING Oil on canvas, signed lower left 22” x 12” — 55.9 x 30.5 cm. $3,000—4,000

International Art Auction – Wednesday 18 June 2014 at 7 p.m.

123 CARLOS CRUZ-DIEZ (1923- ), VENEZUELEN PHYSICHROMIE NO. 520, 1970 Acrylic and laminated plastic on panel; signed, titled and dated “Juillet 1970” at “Paris” verso 24” x 24” — 61 x 61 cm. Provenance: Delamare & Cie. Paris; Pollock Gallery, Toronto from whom purchased by the present Private Collection, Toronto in the early 1970’s $70,000—100,000

Note: Carlos Cruz-Diez is known as an inﬂuential contemporary master artist for his contribution to the theory and practice of colour, particularly in relation to physical movement. As a leader of the kinetic art movement that became an international phenomenon in the 1950s and 1960s, he was fascinated by the possibility of generating new visual experiences and a more interactive relationship with the viewer. Cruz-Diez’s “Physichromie” series originated in 1959 and is considered his most important body of work. The term, coined by the artist, means “physical colour” and references the investigation of colour in time and space. When colours are placed in parallel strips and at right angles, their relationships are blended and transformed and the spectator’s viewpoint changes. An innovator of his time, Cruz-Diez was active at the heart of the movement in Paris and participated in the Denise Rene Gallery’s legendary exhibition series “Le Mouvement” (1955, 1964) that helped to popularize kinetic and op art both in Europe and internationally.

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Index

American Primitive, 19th Century...1 Arnegger, Alois...14

Guardi, Francesco, In the Manner of...101 Guardi, Francesco, School of...104 Guzzone, Sabastiano...109

Baum, Walter Emerson...8 Birks, Geoﬀrey W....48, 49, 50, 51 Blanchard, Antoine...77 Blum, Ludwig...97, 98 Botello, Angel...111 Bouvard...74, 76 de Breanski, Alfred Fontville...37, 38 de Breanski, Alfred, Snr....36 Bromley, William...29

Henner, Jean Jacques...66 Howard, Edith Lucille...5 Hull, John Ward of...21 Hunt, Charles...26 Hurt, Louis Bosworth...53 Husain, Maqbool Fida...95 Hynais, Vojtech Adalbert...18

Istrati, Alexandre...88 Italian, 18th/19th Century...107 Italian School, 17th Century...103

Peter, George...6 Pissarro, Camille...72 Podchernikoﬀ, Alexis Matthew...12 Pokhitonov, Ivan Pavlovich, Attributed to...112 R

Cazin, Jean-Charles...73 Ceruti, Circle of Giacomo...100 Chadwick, Lynn...44 Chughtai, Muhammed Abdur Rahman...94 Cooper, Thomas Sidney...33 Cope, Charles West...30 Corsican School, Early 16th Centry...99 Couturier, Robert...82, 83 Crane, Thomas...55 Cruz-Diez, Carlos...122 D Delacroix, Eugene, Attributed to...63 Dill, Otto...91 Dovaston, Margaret...34, 35 Dubbels, Hendrik Jacobsz, Attributed to...56 E Epstein, Jacob...96 Erte, (Roman de Tirtoﬀ) and Workshop...78 F Frere, Charles Theodore...64 Frink, Dame Elizabeth...43 Frison, Jehan...19

S I

J James, David...32 K Kashagi, Jirokichi...110 Kern, Herman...92 Kluge, Constantine...80 Kneller, Sir Godfrey (Gottfried), Attributed to...25A Kokoschka, Oskar...13 Kratke, Charles Louis...70 L Landseer, Sir Edwin Henry...25 Lanskoy, Andre...84 Lavery, Sir John...52 Leaver, Noel Harry...41 M Malfroy, Henry...75 Manievich, Abraham...9, 10 Miliotti, Nicolay Dmitrievic...114 de Morgan, Evelyn...42 Morisot, Berthe...71 Mostyn, Thomas Edwin...28 Mount, Shepard Alonzo...2

G Gainsborough, Thomas, After...20 Gall, Francois...79 Gallard, Michel de...80A Germain, Jacques...89 Glendening, Alfred Augustus, Snr....39, 40 Gordon, Sir John Watson, Attributed to...54 Gruppe, Emile Albert...7

Raphael, Raphaello Sanzio, After...105, 106 Roos,Philipp Peter, Attributed to...102 Ruthart, Carl Borromus Andreas, Attributed to...93

Scherrewitz, Johan Frederik Cornelis...60, 61 Schad, Christian...90 Seago, Edward...45, 46, 47 de la Serna, Ismael Gonzalez...120 Schlegel, Friedrich...16 Schodl, Max...15 Shayer, William, Snr....23, 24 Shegal, Grigoriy Mikhailovich...113 Le Sidaner, Henri...67 Smith, George...31 Springer, Cornelis...59 Stanﬁeld, George Clarkson...22 Storck, Abraham Janz, Attributed to...57 Styka, Tadeus...68, 69 T Tholen, Willem Bastiaan...59A Tyshler, Aleksandr Grigor'evich...115, 116, 117 V Van der Neer, Hedrik Elgon, Circle of...58 Vedernikov, Julij...119 Verboeckhoven, Louis Charles...17 Vernet, Claude Joseph, Circle of...62 W Walker, Frederic...27 Weisbuch, Claude...81 Weisz, Adolphe...65 Whittredge, Worthington...11 Wiles, Irving Ramsey...3

N Neizvestny, Ernst...118 Norton, William Edward...4 P Paredes, Vincente de Garcia...121 Perez, Mariano Alonso...122

Y Yvaral, (Jean-Pierre Vasarely)...85, 86, 87

International Art Auction – Wednesday 18 June 2014 at 7 p.m.

Conditions Of Sale

1. All lots are sold “AS IS”. Any description issued by the auctioneer of an article to be sold is subject to variation to be posted or announced verbally in the auction room prior to the time of sale. While the auctioneer has endeavoured not to mislead in the description issued, and the utmost care is taken to ensure the correct cataloguing of each item, such descriptions are purely statements of opinion and are not intended to constitute a representation to the prospective purchasers and no warranty of the correctness of such description is made. An opportunity for inspection of each article is oﬀered prior to the time of sale. No sale will be set aside on account of lack of correspondence of the article with its description or its reproduction, if any, whether colour or black & white. Some lots are of an age and/or nature which preclude their being in pristine condition and some catalogue descriptions make reference to damage and/or restoration. The lack of such a reference does not imply that a lot is free from defects nor does any reference to certain defects imply the absence of others. Frames on artwork are not included as part of purchase or condition. It is the responsibility of prospective purchasers to inspect or have inspected each lot upon which they wish to bid, relying upon their own advisers, and to bid accordingly. 2. Each lot sold is subject to a premium of 20% of the successful bid price of each lot up to and including $50,000 and 15% on any amount in excess of $50,000 as part of the purchase price.

sale at any time, to divide any lot or to combine any two or more lots at his sole discretion, all without notice. 5. The auctioneer has the right to refuse any bid and to advance the bidding at his absolute discretion. The auctioneer reserves the right not to accept and not to reject any bid. Without limitation, any bid which is not commensurate with the value of the article offered, or which is merely a nominal or fractional advance over the previous bid may not be recognized. 6. Each lot may be subject to an unpublished reserve which may be changed at any time by agreement between the auctioneer and the consignor. The auctioneer may bid, or direct an employee to bid, on behalf of the consignor as agreed between them. In addition, the auctioneer may accept and submit absentee and telephone bids, to be executed by an employee of the auctioneer, pursuant to the instructions of prospective purchasers not in attendance at the sale. 7. The highest bidder accepted by the auctioneer for any lot shall be the buyer and such buyer shall forthwith assume full risk and responsibility for the lot and must comply with such other Conditions of Sale as may be applicable. If any dispute should arise between bidders the auctioneer shall have the absolute discretion to designate the buyer or, at his option, to withdraw any disputed lot from the sale, or to re-offer it at the same or a subsequent sale. The auctioneer’s decision in all cases shall be final.

3. Unless exempted by law, the buyer is required to pay Harmonized Sales Tax on the total purchase price including the buyer’s premium. For international buyers, taxes are not applicable when purchases are shipped out of country. Items shipped out of Ontario, the buyer is required to pay taxes as per the tax status of that province, whether it HST or GST (Goods and Services Tax).

8. Immediately after the purchase of a lot, the buyer shall pay or undertake to the satisfaction of the auctioneer with respect to payment of the whole or any part of the purchase price requested by the auctioneer, failing which the auctioneer in his sole discretion may cancel the sale, with or without re-oﬀering the item for sale.

4. The auctioneer reserves the right to withdraw any lot from

9. The buyer shall pay for all lots within 48 hours from the date of

the sale, after which a late charge of 2% per month on the total invoice may be incurred or the auctioneer, in his sole discretion, may cancel the sale. The buyer shall not become the owner of the lot until paid for in full. Items must be removed within 10 days from the date of sale , after which storage charges may be incurred. 10. Each lot purchased, unless the sale is cancelled as above, shall be held by the auctioneer at his premises or at a public warehouse at the sole risk of the buyer until fully paid for and taken away. 11. Notwithstanding condition no. 1, if the buyer, prior to removal of a lot, makes arrangements satisfactory to the auctioneer for the inspection of such lot by a fully qualified person acceptable to the auctioneer to determine the genuineness or authenticity of the lot, to be carried out promptly following the sale of the lot, and if, but only if, within a period of 14 days following the sale a written opinion of such person is presented to the auctioneer to the effect that the lot is not genuine or authentic, accompanied by a written request by the buyer for rescission of the sale, then the sale of the lot will be rescinded and the sale price refunded to the buyer. 12. Payment for purchases must be by cash, INTERAC direct debit (Cdn clients in person only), certified cheque (U.S. & Overseas not applicable), travelers cheque, bank draft, electronic transfer (fee applies), and VISA or Mastercard (up to $25,000). As Waddington's requires written authorization for all credit card purchases, credit cards must be presented in person by the cardholder and therefore cannot be accepted over the telephone. However, fax authorization arrangements can be made.

affected, and in such case the original buyer shall be responsible to the auctioneer and the consignor for: (a) any deficiency in price between the re-sale amount and the amount to have been paid by the original buyer; (b) any reasonable charge by the auctioneer for the storage of such articles until payment and removal by the subsequent buyer; and (c) the amount of commission which the auctioneer would have earned had payment been made in full by the original buyer. 14. It is the responsibility of the buyer to make all arrangements for insuring, packing and removing the property purchased and any assistance by the auctioneer or his servants, agents or contractors, in packing or removal shall be rendered as a courtesy and without any liability to them. 15. The auctioneer acts solely as agent for the consignor and makes no representation as to any attribute of, title to, or restriction affecting the articles consigned for sale. Without limitation, the buyer understands that any item bought may be affected by the provisions of the Cultural Property Export Act (Canada). 16. The auctioneer reserves the right to refuse admission to the sale or to refuse to recognize any or all bids from any particular person or persons at any auction.

13. In the event of failure to pay for or remove articles within the aforementioned time limit, the auctioneer, without limitation of the rights of the consignor and the auctioneer against the buyer, may resell any of the articles

InternationalArt.Waddingtons.ca

Buying at Waddington’s

All lots will be oﬀered and sold subject to the Conditions of Sale which appear in this catalogue as well as any Glossary and posted or oral announcement. By bidding at auction, bidders are bound by those Conditions and Glossary, as amended by any oral announcement or posted notices, which together form the contract of sale between the successful bidder (buyer), Waddington’s™ and the consignor (seller) of the lot. Descriptions or photographs of lots are not warranties and each lot is sold “as is” in accordance with the Conditions of Sale.

inquire as to the condition of a lot before bidding. Condition reports are available upon request by phone, fax, email or in person. You are advised to make any requests well in advance of the sale.

Condition of Lots All of the items are to be considered, unless otherwise noted in the description, in good condition. The definition of “good” when used in reference to condition, describes an object as having had no major damage or repair but as with the nature of the material, may show minor surface wear, discolouration etc., which indicates the acceptable wear that the piece may acquire with age. If you are particular about minor flaws, you should examine the pieces in person or have our staff answer any questions before bidding. Sizes are approximate. It is the sole responsibility of the bidder to

Artfact Live! clients will be charged a buyer's premium of 23% of the successful bid price of each lot up to and including $50,000 and 18% on any amount in excess of $50,000 as part of the total purchase price.

Frames on artwork are not included as part of purchase or condition. Buyers Premium A premium of 20% of the successful bid price of each lot up to and including $50,000 and 15% on any amount in excess of $50,000 is paid by the buyer as part of the total purchase price.

A charge of 13% HST (Harmonized Sales Tax) is applicable on the hammer price and buyer's premium, except for purchases exported from Canada. In the case where purchases are shipped out of the province of Ontario, the HST or GST is charged based on the tax status of that province.

Bidding To bid in person at the auction, you must register for a bidding number by showing identification acceptable to the Auctioneer upon entering the salesroom. Your number will identify you if you are the successful bidder. You will be responsible for all lots purchased on your bidding number. Banking information may be requested by Waddington’s™. You may submit an Absentee Bid Form if you are unable to attend the sale. Bidding by telephone, in limited circumstances, can be arranged prior to the sale. While we are pleased to offer absentee and telephone bidding as a service to our clients, and take great care in their commission, the Auctioneer will not be responsible for technical difficulties, errors or failure to execute bids. The Auctioneer may also execute bids on behalf of the consignor to protect the reserve. The reserve is the confidential minimum price the seller is willing to accept for his or her property, below which it will not be sold.

Payment Payment for purchases must be by cash, INTERAC direct debit (Cdn clients in person only), certiﬁed cheque (U.S. & Overseas not applicable), travelers cheque, bank draft, electronic transfer (fee applies), VISA or Mastercard (up to $25,000). As Waddington's requires written authorization for all credit card purchases, credit cards must be presented in person by the cardholder and therefore cannot be accepted over the telephone. However, fax authorization arrangements can be made. ALL PRICES IN CANADIAN FUNDS

International Art Auction – Wednesday 18 June 2014 at 7 p.m.

Selling at Waddington’s

Shipping: The Auctioneers will not undertake packing or shipping. The purchaser must designate and arrange for the services of an independent shipper and be responsible for all shipping, insurance expenses and any necessary export permits that may apply. The Auctioneers will, upon request, provide names of professional packers and shippers but will not be held responsible for the service or have any liability for providing this information. Reliable pre-auction estimates of shipping costs of lots oﬀered in this sale may be obtained from: Pak Mail 905.470.6874 905.470.6875 416.293.8225 taurus@pakmailmarkham.ca www.pakmailmarkham.ca Envoy 416.299.3367 416.299.9750 ph@envoy.ca www.envoypackandship.com Removal of Purchases Purchases must be paid for within 48 hours of the date of the sale, and removed from premises within 10 days of the date of sale (see Conditions of Sale, conditions 8 to 15). Clients are advised that packing and/or handling of purchased lots by our employees or agents is undertaken solely as a courtesy for the convenience of clients.

Paintings, drawings, prints, furniture, jewellery and all forms of decorative arts and collectibles may be brought to our Toronto oﬃce where we can provide you with preliminary auction estimates and consignment procedures. Please visit our website at www.waddingtons.ca for details on our various departments and how to contact the specialists. We also accept mailed and emailed requests for advice on the marketability of objects. A photograph and phone number must accompany a full description of each item. Our specialists regularly travel to major Canadian cities to meet with prospective consignors. For further information, or to arrange an appointment, please contact our Toronto oﬃce.

Notice for our International Clients

Commission Rates Items selling for $7,501 or more 10% Items selling for $2,501 to $7,500 15% Items selling for $251 to $2,500 20% Items selling for $250 or less 25% *There is a minimum handling charge of $20 per item Insurance A 1% insurance charge, based on the hammer price of the property, will be applied to all accounts.

Restrictions exist regarding the export of species protected under CITES (Convention on International Trade in Endangered Species). The export and importation of items made of or containing whalebone, ivory, tortoise shell, seal skin, rhinoceros horn and other animal parts is strictly controlled or forbidden by most countries. Please review your country’s laws before shipping or purchasing pieces made of or containing these restricted items. Obtaining the appropriate permits is the responsibility of the client. All Narwhal Tusks must have a Marine Harvest Number or a Marine and Mammal Transport number to be sold at Waddington's. For more information please visit: www.cites.org

Property normally arrives at Waddington’s at least three months before the sale in order to allow our specialists time to research, catalogue, photograph and promote the items. Consignors will receive a contract to sign, setting forth terms and fees for our services.

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Operational StaďŹ&#x20AC;

Specialist Departments

Asian Art Anthony Wu 416 847 6185 aw@waddingtons.ca

Jewellery, Watches & Numismatics Don P. McLean 416 847 6170 dpm@waddingtons.ca

Yvonne Li 416 847 6195 yl@waddingtons.ca

Monthly Fine Art

Janfer Chung 416 847 2852 jf@waddingtons.ca

Doug Payne 416 847 6180 dp@waddingtons.ca

Anthony Lee Consultant

Silver, Glass & Ceramics

Canadian Fine Art Linda Rodeck 416 847 6176 lr@waddingtons.ca Erin Rutherford Fine Art Administrator 416 504 5100 er@waddingtons.ca Contemporary Art

Bill Kime 416 847 6189 bk@waddingtons.ca Shasha Liu Assistant sl@waddingtons.ca Sculpture, Decorations, Clocks & Lighting Sean Quinn 416 847 6187 sq@waddingtons.ca

President Duncan McLean 416 847 6183 adm@waddingtons.ca Vice President Business Development Stephen Ranger 416 847 6194 skr@waddingtons.ca Vice President Fine Art Linda Rodeck 416 847 6176 lr@waddingtons.ca General Manager Duane Smith 416 847 6172 das@waddingtons.ca Creative & Technical Manager Jamie Long 416 847 6188 jl@waddingtons.ca Queeny Xu Assistant qx@waddingtons.ca

Stephen Ranger 416 847 6194 skr@waddingtons.ca

Accounts Manager Karen Sander 416 847 6173 ks@waddingtons.ca

Kristin Vance Client Services / Administrator kv@waddingtons.ca

Elda Pappada 416 504 9100 x6213 ep@waddingtons.ca

International Art

Corporate Receptionist Kate Godin 416 504 9100 kg@waddingtons.ca

Susan Robertson 416 847 6179 sr@waddingtons.ca Emma Frank Assistant ef@waddingtons.ca Inuit Art Christa Ouimet 416 847 6184 co@waddingtons.ca Nadine DiMonte Assistant nd@waddingtons.ca

Lynda Macpherson 416 847 6190 lm@waddingtons.ca Appraisal Co-ordinator Ellie Muir 416 847 6196 em@waddingtons.ca Building Manager Steve Sheppard 416 847 6186 ss@waddingtons.ca Client Services Andrew Brandt 416 504 9100 ext 6200 ab@waddingtons.ca

Waddingtons.ca/Cobourg 9 Elgin Street East, Cobourg ON K9A 0A1 General Manager Paul Needham 905 373 0501 pn@waddingtons.ca Absentee and Phone Bidding 905 373 1467 (Fax) Waddingtons.ca/Collingwood P. O. Box 554, Collingwood ON L9Y 4B2 Valerie Brown 705 445 8811 vb@waddingtons.ca Transitions.Waddingtons.ca Marcia Kim 416 847 6196 mk@waddingtons.ca

International Art Waddingtons.ca

275 King Street East, Second Floor Toronto Ontario Canada M5A 1K2

Telephone: 416.504.9100 Fax: 416.504.0033 Toll Free: 1.877.504.5700