6 minute read

It Starts in the Kitchen

One room can be the key to Party Planning 101—says a Ho-Ho-Kus hostess—when it’s designed just right.

Text by Donna Rolando Design by Rina Capodieci-Quinn Photography by Peter Rymwid

Even a chef-serious kitchen needs eye candy, such as the crystal and metal chandeliers that inevitably draw compliments and the three-dimensional porcelain accent under the standout hood.

Left: Designer Rina Capodieci-Quinn tapped into the power of contrasts, playing custom-blend oak floors against white perimeter cabinetry with a deep-griege stained finish for the island base. Right: Just beyond the island there’s a trio of fullheight Sub-Zero refrigerators, the center one for wine, and a coffee niche cleverly tucked into the cabinetry.

If you as a fly on the wall peer into the next Schultz family shindig and find happy, smiling faces all gathered around the kitchen island, don’t think hostess/chef Karen didn’t give the dining room a try. Sure, this Ho-Ho-Kus homeowner sets up the formal space for holidays. But most of the time guests gravitate toward the real heart of this family of five’s home: the kitchen. And, thanks to a gut-job renovation, that space is ever-ready to welcome one more.

“We’re always in the kitchen,” says Karen. “It’s definitely the hub.” A far cry from the tiny kitchen the couple marked for demo upon purchasing the house, the spacious 2019 design was built with extended families in mind. Both Karen and husband Gene come from big families, and theirs is the go-to house.

Letting Entertainment Central have its day, the new design almost tripled the kitchen’s size, with Rina Capodieci-Quinn, principal designer at Ramsey’s RCQ Design, configuring the space plan for a perfect canvas complete with raised ceilings and plentiful natural light.

“I really wanted something spacious, with high ceilings and very functional, because I do love to cook,” recalls Karen. “I wanted it practical, but still wanted that wow factor.”

Kudos to the Taj Mahal quartzite-topped island, not only for its singleslab elegance but for mastering comfort with six swivel stools and a 12foot frame, great for congregating. Capodieci-Quinn says of this guest magnet: “The island does exactly what we wanted it to do.” The slab was a precious find from Stone Surfaces.

That wow factor Karen so wanted in addition to her entertainment essentials—such as warming drawers, a six-burner Wolf stove, double ovens and a Sub-Zero wine fridge—is undoubtedly the lighting. This modern take on a crystal chandelier by Metropolitan Lighting “almost looks like a piece of jewelry,”she says.

Another “ta-dah!” is the backsplash, with oversized glass subway tiles in a soft sage, which complements a three-dimensional focal point below the dramatic hood—white like the cabinets. With touches of green and gray, the stove accent pulls in the deep griege stain finish of the island base, the designer says.

Connecting elements in just the right measure was Capodieci-Quinn’s recipe for design success in a kitchen that’s always cooking, be it a special occasion or just the everyday for the couple and their three sons. For instance, the rich tones of the oak hardwood floors give a pop to the white-painted perimeter cabinets accented with bronze hardware and glass features. “Those areas are lit cabinetry, and it adds relief,” the designer explains. “When everything’s solid it gets a little heavier.” From Hardware Designs, polished nickel was a better match for the island— that’s Capodieci-Quinn connecting the dots for aesthetic balance again.

All the countertops are veined quartzite, but the similarities end there. Rather than a leathered Taj Mahal like the island, the perimeter dazzles with Aria, a softer pattern and polished surface.

Because “there’s nothing like natural light,” Capodieci-Quinn maximized windows and delivered bursts of teal, blue and rust with a crystalbead-trimmed Fabricut treatment over the kitchen sink.

If the walls could talk, they’d tell how Benjamin Moore’s “Par Four” gives them what the designer calls a fresh look in a more vibrant sage.

“I think what makes it timeless is that when you mix the materials you don’t go too far in any direction,” she says. “It’s always that blend of traditional and contemporary that makes it work—and the blend of materials.”

But the real test was family, and any fly on the wall can see that this redesign aced the challenge. “Rina did a great job,” says Gene, with Karen adding: “If I had to do it all over, I’d do it again.”

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