Worldwide Magazine Reviews & Artist/Owner Testimonials My Music. My World. My Choice.
Photo: Leif Laaksonen
A day with Walden It's 9 a.m. at the biggest pub in Estonia, in the biggest summer resort in the country, but it's raining, the room is filled with harmonicas and lederhosen, we've been driving since 6 o'clock, and the coffee machine is broken. Our harmonica festival shows aren't scheduled to start before the evening but our harpist has insisted on entering the competition; Indrek's jittery and I'm sleepy, yet he walks away with silver. A fellow musician points to my T550 and says: "The bass lines were pre-recorded, right?" "Nah, just me and my Walden." Dennis, the American whom we're to back that evening, is still recovering from a late night, so we're off for pancakes in the rain. Ten hours later Dennis and I are on the concert hall stage with my guitar partner Martin, winging it in front of TV cameras and trying to look as worried as the black-tie audience. "I learned a new song tonight," Dennis brags backstage. "We learned two," I shoot back. "Well, I'll have two more for you tomorrow," he grins. A grey-haired gentleman in an impeccably white suit walks up and says,"Thank you very much! My wife insisted that I tell you: your playing on that slow blues was so beautiful, it brought tears to our eyes... " It's Friday night and there are five more shows to do with Indrek and Dennis. On Sunday, Steve's flying in from London and we hit the road. As long as they fix that coffee machine... Andres Roots Walden Estonia Artist Andresroots.com
Music reflects your life, so does your guitar CONTENTS
Worldwide Magazine Reviews Jonathan Lee interview by ViolĂŁo Pro Magazine (Brazil)
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Industry Profile: Jonathan Lee interview by Australian Magazine (Australia)
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Jonathan Lee: Walden’s Main Man by Mixdown Magazine (Australia) 18 Madera CD4041-CERT Review by Vintage Guitar Magazine (USA)
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Madera CG4041-CERT Review by Acoustic Guitar Magazine (USA)
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Madera CD4040-CERT Review by Acoustic Guitar Magazine (USA)
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Madera CD4040-CERT Review by Guitar Buyer Magazine (UK)
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SupraNatura D2040 by Australian Musician (Australia)
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Natura G740CE Review by Guitar Player (Brazil)
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Natura G730 named Best Fingerpicker by Guitar & Bass (UK)
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Natura D710 Review by Guitar World (USA)
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Natura G630CE Review by Australian Guitar (Australia)
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Natura G570TB Review by Acoustic Guitar Magazine (USA)
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Natura O550 Review by Australian Guitar (Australia)
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Natura T550 Review by Acoustic Guitar Magazine (USA)
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Concorda CG2000CEQ Review by Australian Magazine (Australia)
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Concorda CG600CE Review by Acoustic Magazine (UK)
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Natura N730 Classical Nylon Review by Acoustic Magazine (UK)
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Artist & Owner Reviews SupraNatura G3000
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SupraNatura G2070
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SupraNatura G3030CEQ
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SupraNatura G1070CEQ
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SupraNatura N2030
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Natura G740CE
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Natura G730
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Natura G630CE
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Natura G570 Family
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Natura D550
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Natura T550 Travel Guitar
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Natura O550 Ochestra Model
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Natura D552
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My Music. My World. My Choice
Joe Brooks Singer Songwritter in UK & USA Joebrooks.com
Elementary School Charity Event
"Getting kids into real music! So much fun! Forgot how much energy kids have!"
Photo: Shane Fabila
The following pages contain Walden guitar reviews from 17 of the world’s most prestigious music magazines, including the highly respected Acoustic Guitar Magazine, published in USA. “What does the world truly think about Walden Guitars?” One can now easily find out by reading these unsolicited perspectives by guitar and music industry experts.
Scan the QR code with your smartphone to read magazine reviews.
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Worldwide Magazine Reviews
My Music. My World. My Choice. 7
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My Music. My World. My Choice. 9
WALDEN GUITARS: An American Dream Manufactured in China By Daniel Neves and Miguel De Laet for Viol達o Pro (Brazil) Are all Chinese guitars created equal? Be careful with the answer. Many have preconceived notions about products originating from Asian countries without checking into it further. Viol達o PRO talked with Jonathan Lee, one of the ones responsible for the development of Walden guitars, on the development of Asian manufacturing, the reasons for manufacturing in China, and on environmental and social responsibility. THE FACTORY Tell us a little about yourself and how Walden Guitars was born. I am currently the Division Manager of the Fretted Instrument Division at KHS Musical Instruments. KHS, a musical instrument manufacturer for over 75 years, is the sole owner of the Walden Guitars brand and produces Walden guitars in Lilan, China (located nearby Beijing). All Walden guitars are made at the Walden shop. Previous to becoming the Division Manager, I was the Research and Development Manager as well as the Marketing Manager for Walden. Walden Guitars originated as a collaboration between CFox Guitars, a company I helped found, and KHS. Original designs and specifications were created in consultation with CFox Guitars. Why manufacture in China? There are many reasons why building guitars in China was a natural choice for Walden. With lower average labor rates than elsewhere, it allows for the creation of a high quality instrument with far greater affordability. Chinese history has a rich and deep cultural and artistic tradition which also aids their ability to appreciate some of the finer points of guitar making. KHS Musical Instruments, is headquartered in Taipei, Taiwan. Since all 10
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staff members speak Chinese, overcoming the language and cultural barriers to operating in China are furthermore minimized. It also facilitates the international distribution of all other KHS brands: Mapex Drums, Jupiter Band Instruments, Hercules Stands and Majestic Percussion. The KHS factories are all nearby and this allows for products to be combined into the same shipment, better servicing the needs of our customers. Today, we manufacture somewhere around 50 thousand instruments per year.
Scan this QR with your smartphone to read this article in the original Portugese.
THE MARKET How to associate quality and price? With a background in handmade guitars, finding the balance point between quality and price has been one of the greatest challenges for me. When building guitars that sell for around 3,000 US dollars and above, I could afford to work with the highest grade materials that offered ideal tonal, visual and stability characteristics. Woods that are perfectly quarter-sawn, each piece hand selected. Providing instruments at Walden’s competitive prices presents numerous conflicts from a luthier’s point of view.
Although benefits are realized in terms of labor and overhead expenses, the material cost-toquality ratio becomes a critical consideration when creating instruments in the $300 to $1,500 range. A good example to illustrate this: When building hand made guitars, the cost of a Sitka spruce soundboard and backside set of Indian Rosewood, before any woodworking has begun, is already well above our distributor’s wholesale price for some completed Walden models!
My Music. My World. My Choice. 11
In fact, the price of some tuning machines we used at CFox were greater than the cost of the completed Walden. How do you create a guitar that even comes close to a fine handmade guitar when you can’t come close to affording the materials required to make an instrument of this kind? We and other Asian manufacturers simply can not afford to use these materials and have to work with lower grade, lower cost materials. The challenge then becomes ensuring that the materials used can satisfy the sonic, visual and stability requirements to create valid musical instruments. “What can be sacrificed? What can be compromised? What can not? Where is the line between acceptable and unacceptable?” These become the difficult questions to answer in our quest to create legitimate musical instruments and not just “guitar shaped objects.”
THE MANUFACTURING PROCESS Talk about the manufacturing process of Walden. All quality instrument making operations incorporate similar processes to achieve similar objectives, be they the solo, one person lutherie workshop or large scale factories. Walden’s manufacturing process draws specifically from my experience as a luthier at CFox Guitars, and from techniques used at USA large production shops such as Martin and Taylor. Our guiding principal is to respect 12
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the elements of the guitar building process that are critical to producing quality stable, excellent sounding guitars. Knowing what we absolutely can not compromise and knowing what we must to create instruments at this price level. In our four broad departments: Parts Fabrication, Body-Neck Assembly, Finish, and Setup, each process has its own jig, machine fixture or mold that ensures the consistency of result. Most work is done by hand with recognizable standard woodworking machines such as table saws, jointers, routers, band saws, etc. Some automated machines are used when either a better result can ensue, such as a fingerboard fret-slotting machine, or when an operation is too laborious for an employee.
How is this process is different from what is done in other Asian companies? If one looks into the history of Asian guitar making, you will find that most current factories can trace their history back to Japanese methods of the 1960’s where they were essentially producing low cost alternatives to USA and European made instruments. As labor costs rose in Japan, this system of guitar-building moved to Korea and Taiwan, and later Mainland China, and now Indonesia. Many Asian operations still make “guitar shaped objects.” This is due to a lack of understanding of the fundamentals of guitar design or manufacturing, or due to the business model of producing the cheapest instruments dictating their choice of poor
originating from Africa or South & Central America. Fingerboards and bridges are Indian Rosewood and Ebony imported from India and S.E. Asia.
materials or poor method. From a product standpoint, outside of procedural differences, all Walden guitars incorporate a bolt-on neck joint and 2-way adjustable truss rods which are both less common in Asian manufacturing. Fret ends are hand shaped and polished above standards even seen at Martin. The Walden Natura line may be the only line of nitrocellulose lacquer finished instruments in China, NC lacquer being known for its excellent sonic properties compared with the more common Polyurethane finished used in Asia.
THE CRAFT Here in Brazil we find some luthiers looking for alternatives in other species to substitute traditional woods in the manufacture of instruments. Do you believe that can also occur in the industry? A difficulty arises though when the balance of stability and sonority must be considered. The woods traditionally used, were chosen for these reasons. Choosing replacement materials on the basis that they happen to be sustainably grown simply does not work. A good example comes from experiments we have conducted using Bamboo. It’s so common these days for eco-friendly flooring, it’s hard, and grows like a weed. However, in our tests, it had horrible tonality. Tap a board created from bamboo and it sounds dead, like tapping a cardboard box. That said, we are actively on the lookout for suitable replacement materials that are outside of the traditional woods and can be sustainably acquired. Tell us specially about the Walden classical guitar series inspired in great guitars built by Antonio Torres and Hermann Hauser. How did the idea to try to reproduce the Torres-Hauser soundboard bracing occur? In 2004, at the Guild of American Luthiers
What are the most commonly used in woods in manufacturing Walden guitars? Wa l d e n c u r r e n t l y o n l y u s e s w h a t a r e considered “traditional” guitar tone-woods. Varieties of spruce (Sitka & Engelmann) and western red cedar. Back and side woods are either Indian Rosewood or Mahogany
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I considered adjustments that we might make to the Walden classical guitar, I also had an opportunity to review drawings for two guitars built for Andres Segovia, the 1912 Manuel Ramirez and the Hermann Hauser 1937. Much like an aspiring painter practices the techniques of the masters, I decided that this was the place to begin the development and improvement of the Walden classical guitar.
Convention in Washington State, I attended a seminar hosted by luthier Jeffrey Elliot. The topic: “Restoring Tarrega's 1888 Torres." This guitar had been severely damaged and masterfully restored by Jeff. He also presented plans and measurements for this piece of guitar history and we had the privilege of hearing that particular guitar played in concert that evening. In truth this began my inspiration and respect for the modern classical guitar. As
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It is a Fact: every classical guitar built around the world is based on the Torres classical guitar, but with some soundboard bracing modifications. Are there some modifications in brace dimensions and angles? Is this really the most important topic to craft the sound and tone of the instrument? The soundboard is the most important element contributing to the guitar’s sound. The various vibrations of the side and back influence the tonal quality of the guitar’s voice, particularly the upper partials (the higher frequencies / harmonics), but too “flexible” and they can suck energy from the top and negatively affect sound and tone. T h e c u r r e n t Wa l d e n c l a s s i c a l g u i t a r soundboard bracing design stays quite faithful to the Torres / Hauser designs. Minor modifications include the use of a bridge plate which was not used by Torres on the 1888 but used on the ’37 Hauser. In terms of crafting the tone and sound of an instrument, the bracing dimensions and angles are only one piece in the puzzle. The 1888 Torres had soundboard thicknesses as low as 1.2 mm at the edge and 1.5 - 2.0 mm under the bridge – this is amazing when you consider that a typical soundboard is commonly about 2.5 – 2.8 mm. The way to achieve this is to find exceptional materials, high stiffness-to-weight characteristics allowing a thin the top without losing the stiffness to resist the tension of the strings. With this lower weight, the strings don’t need to work as hard to pump the top: energy is represented as sound.
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Industry Profile: JONATHAN LEE By Australian Guitar (Australia) Chief Designer - Walden Guitars President - Walden Guitars Factory
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What makes your products stand out from the rest? Wa l d e n g u i t a r s a r e a m o n g t h e m o s t responsible and ethically made instruments made in Asia. We work five days a week, eight hour days, pay higher salaries, offer health and retirement insurance, and have never missed payroll. We have innovative design elements such as graphite and glass fiber reinforced bolt-on necks. For the price you would be hard pressed to find a better instrument. Many people still believe guitars made in China are inferior products, what do you say to them? My first reaction is to tell them to look at their iPhone/other mobile device and check out where it’s made; look at the clothes you’re wearing. Inferior is not about where something 16
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NO CD? ask your rETailEr
VOLUME 85
What was your first job in music? The band getting paid for a gig; just about covered beer and gas expenses.
PLUS!
$9.95 (INC. GST) NZ $11.90 (INC. GST)
Greatest career achievement to date? Creating our Madera line of eco-friendly, certified 100 percent FSC-Pure instruments. After over 10 years of pressuring suppliers for FSC (Forest Stewardship Council) certified woods we’re finally seeing FSC certified forests and mills. Remember that the spruce soundboards used on all guitars – from the cheapest plywood instrument to the hand made masterpieces – all come from old growth forests. Mahogany and Brazilian Rosewood is listed on CITES (Convention for the International Trade in Endangered Species).
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is made – it’s all about the knowledge and methodology behind the operation, how it was made, who made it. Yes, labor is more affordable – this means we can offer affordability in a great sounding instrument. How does your factory differ from other well-known brands producing in China? Walden owns its own factory. Most other brands job out their manufacturing to OEM shops – the Nike sneaker model. Owning our own factory allows us to make the guitar we want; to control the design, methodology, quality, etc. We are the only acoustic guitar factory in Asia with an FSC Chain-of-Custody certification. We are the only Asian musical instrument manufacturer who is a member of TFT, The Forest Trust, which assists us with tracing our wood supply chain for legality. What are the main challenges faced with running a successful guitar factory? The biggest challenge is building a good sounding, stable, and legitimate instrument at the prices demanded by consumers. There are
big costs associated with purchasing authentic woods, drying and curing them, building in traditional ways, investing in humidity control and other environmental factors that result in stable instruments. Your guitars are manufactured on a large scale for the global market. How does this differ from custom shop luthier operators? We use many of the same machines a small Luthier may use such as table saws, band saws, jointers, etc. We also have other specialized machines such as a fingerboard fret slotting machine, where a solo builder may do the same operation using a fixture on his/ her table saw. Favorite guitarist? There are simply too many. From Chet Atkins to Dimebag, Hendrix to Jorma, Vernon to Tarrega. Gilmour, Garcia… the list goes on and on. Advice for those who want to get into the music products industry? Do it for love. Not money. What’s the most recent guitar-related product that’s excited you? Acoustic MIDI. I love the idea of walking around Burningman playing acoustic guitar, with some backpack mounted speaker system outputting drum and bass and samples. Oh yeah, and the songwriting and composing opportunities are just mind boggling. Most recent musical instrument or accessory purchase? A set of D’Addario guitar strings tension balanced for DADGAD tuning. What are some of the standout products your company is involved with? Any of our 4000 series Madera line instruments – in particular I favor the Grand Auditorium CG4041-Cert and the Dreadnought CD4041-Cert that are made entirely of Central American mahogany (solid top, back and
sides). We released these in 2011 and they are simply awesome instruments. Which musical figure, alive or dead, would you most like to meet? Antonio de Torres, the father of modern classical guitar building. If you could only listen to five albums for the rest of your life, what would they be? How about just giving me an internet connection, a laptop and a set of speakers and I’ll just surf internet radio. That would be fine. Scan this QR with your smartphone to read this article on the official Walden website.
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Jonathan Lee: Walden’s Main Man By Mixdown (Australia) What’s your personal history as a guitar builder and with Walden? I began my journey like many before me – as a failed rock star. Having put those aspirations aside, I was lucky to have the opportunity to pursue a longtime dream of learning the art of guitar building at Charles Fox’s American School of Lutherie in Northern California. Charles and I quickly developed a close friendship and realised we shared many values and visions. In 1996 we formed CFox Guitars, Inc. and built hundreds of handmade instruments that are well respected to this day. What I learned during those years became the foundation for my philosophy of guitar design and construction. After we closed the CFox operation in 2001, I began working directly with Walden guitars as their Research and Development Manager, and I’m currently the Chief Designer for Walden and President of the Walden factory. I spent a great deal of time at the Walden shop in northern China during those earlier years, defining the materials we could use, and rebuilt and redesigned many jigs, fixtures and moulds. I then retrained staff on many of the procedures, such as fret work, finish sanding, etc. With a market that is constantly being refined and having to offer higher quality for lower prices, how do you compete? Guitars are as good as they have ever been. This is a good thing. Guitars are as affordable as they have ever been. This too is a good thing, since it allows more people access to guitars as musical instruments, not just the “guitar-shaped objects” of the past that hurt so much to play that they ended up in a closet somewhere. Walden does not make the 18
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cheapest instruments and we never will. We focus our efforts on building legitimate musical instruments that will stand the test of time. We see our important points of difference in three general categories: Ethics: We believe that operating in a moral, socially responsible way is an important part of our process. We believe that a guitarist cares not only how nice the instrument is, but also who built it. Walden is one of the only brands that owns its own Mainland China factory, while many of our competitors job out their manufacturing (the Nike sneaker model). We operate at high ethical standards. Staff work five days a week, eight hours a day. If we work overtime, we work until 9pm only. Retirement and health insurance is mandatory. Wages are above local standards. Minimum age is a high school graduate. Workstations are well lit and conditions are in line with any first-world wood shop. Compare that with the “sweatshop” many folks think of when they picture
the typical Chinese factory. If you are not purchasing guitars from that kind of operation, Walden becomes one of the few available choices. Innovation: By owning our own factory, we control the materials, designs and processes that we use to build our instruments. We do not have to fit our guitars into someone else’s mould and change the headstock for individuality. We are currently the only Asian manufacturer using a bolt-on neck to body joint, which is a more stable, unintended stress- free joint compared to what I like to call the “Asian dovetail�, which is forced together and leads to all kinds of potential problems. We incorporate a narrowprofile graphite reinforced neck on our high end instruments (1000 Series and above) and a glass-fibre reinforced neck on our mid-
range guitars (500-700 Series). This neck design results in a more stable neck that resists twisting and warping. A result of being stiffer is that the bass resonant frequency of the neck increases and problems with wolftones are reduced. No other production shop builds with this kind of additional neck reinforcement. Walden in partnership with Graphtech (maker of Tusq) worked together to develop the Fossalite nut and saddle material, which is optimised for mid-priced instruments. Beginning 2011, all Walden 300 series through 700 series are installed with Fossalite. Tradition: Building a legitimate instrument that both stands the test of time and sounds great relies on respecting key fundamentals of guitar building. Our shop pays strict attention to humidity control, with numerous climate control
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rooms set to 45 per cent relative humidity. This allows us to keep our materials at the correct moisture content critical towards helping an instrument survive the elements. We have based our bracing designs and measurements on an authentic 1942 Dreadnought and have referenced the specific body shapes from that pre-war era. The important end result is a guitar that is not overbuilt like so many of our Asian competitors. Can you explain the concept behind the Madera line (Certified FSC Pure wood)? Wa l d e n ’ s M a d e r a l i n e o f F S C - P u r e instruments are among only a few guitars built entirely out of FSC certified woods today. FSC, or “Forest Stewardship Council”, is a non-governmental, not-for-profit organistion that sets the standard for responsibly forested products and materials. Every member in the 20
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supply chain from forest through completed product must have a FSC Chain-Of-Custody (COC) Certification. As a COC holder, Walden must track all the FSC-Pure woods we purchase throughout our building process and only purchase from FSC COC mills. That mill must also track their wood processing and purchase from FSC-certified forests. FSC certified forests must develop and follow a long-term forest management plan to ensure the resources are well-managed. For example, the FSC-Pure Central American mahogany comes from a forest with a 70-year cut plan and GPS coordinates for each tree. Every FSC COC holder and forest must be audited by a third party every year to ensure compliance. And TFT (The Forest Trust)? TFT, or “The Forest Trust”, is another global
non-profit organisation. Their focus is working with companies and communities to develop responsible products through reducing forest destruction and empowering local forest dependent communities. They have staff assisting local communities to achieve Verified Legal Origin status and eventually FSC Certification. At the moment, Walden is working with TFT to map our wood supply chain, beginning with our first-line suppliers through mill to forest to ensure everything is legal. We are committed to building with legal materials, and anticipate through our partnership with TFT we can create full transparency throughout our wood supply chain. Your lines cover a fair spectrum of specs and prices – how are models/ designs decided on?
We seek to provide the Walden owner with many options for his/her budget. For example, we do not offer only one dreadnought body shape in our solid-top 500 series. The Orchestra Model (O), Grand Auditorium (G), Travel (T), etc. all provide different voices and playing experiences tailored to the player’s needs and desires. Our 500 series is where our offerings are broadest and as we move upwards, selection and number of models is more limited. Our 600 series represents an upgrade in materials and trim; 700 series adds a solid wood back. Our 1000 series and above apply hand made guitar construction techniques to our line including our graphite reinforced neck, hand cut bone nuts and saddles, wood binding and a general increase in overall wood quality. In this line, we also offer the 1-3/4� nut width preferred by finger-stylists on our Grand Auditorium and Orchestra Models.
Scan this QR with your smartphone to read this article on the official Walden website.
We believe that operating in a moral, socially responsible way is an important part of our process. We believe that a guitarist cares not only how nice the instrument is, but also who built it.
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Madera CD4041-CERT Review By Vintage Guitar Magazine (USA) Brown Sugar: The Walden Guitars CD4041 Dreadnought Are you a card-carrying Lover Of Our Planet Earth? Or are you maybe just looking for a good-sounding, easy-playing guitar that won’t break the bank? Walden Guitars’ new Madera line can satisfy the needs of players who are/ need both. Made of woods certified by the Forest Stewardship Council, the company’s CD4041 is a dreadnought-sized guitar with a mahogany body and neck sourced from Central America. The neck has carbongraphite rails, augmented by a two-way adjustable truss rod in an assembly the company says is stiff enough to pass string energy to the soundboard instead of losing it to neck vibration. The stack-laminated neck heel is bolted to the body. The fingerboard is made of katalox, a wood similar to certain species of ebony, scale length is 25.6", and width at the bone nut is 1 11/16". The katalox bridge is fitted with dot-inlaid plastic bridge pins. The intonated bone saddle and nut show a high level of accuracy in shaping and slotting. Smooth turning tuners with black keys are mounted on the snakehead-style headstock, topped with a simple arching curve. An attractive pearl representation of a Chinese character for “wood” joins the Walden logo on the headstock. The only other ostentation on this tasteful design is the abalone rosette. Tortoise body binding with white and black purfling complements the brown tint over the quartersawn mahogany tonewood. Both body and neck are finished with a glass-smooth topcoat of polyurethane over a polyester base. 22
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The medium frets are neatly dressed and polished, playing cleanly up and down the fretboard. Interior inspection shows very clean workmanship with braces and even the lining made of lightweight spruce. A wood reinforcement, as opposed to Martin-style glue-impregnated fabric, covers the joint of the forward shifted, pre-war style X-brace. While spruce may be a louder tonewood, and cedar may be sweeter, mahogany has a clarity that makes it especially popular for blues pickers. On a dreadnought – a design with lots of body resonance – that can be a welcome thing. Tuned to pitch and strummed with a stiff pick, the CD4041 put forth the expected bigdreadnought bass sound, but with an-acrossthe-spectrum definition and note articulation. A few cross picking runs and some fiddle tune fragments demonstrated the CD4041’s singlenote capabilities. Playing Flatt-inspired rhythm stylings, this square-shouldered acoustic raised a bluegrass clatter that would hold its
own with a Gibson Mastertone banjo. A dreadnought without all the resonant mud? Indeed, the CD4041 plays nice in a mix of acoustic instruments and in recording situations – covering bluegrass, blues, and even gypsy jazz with its combination of its deep range and cutting voice. The Madera experience is enhanced by its intonation and setup, which offered marginal relief in the neck with bluegrass-appropriate string height. Walden is justifiably proud of its environmental dedication in the Madera Line. The company points out that pure FSC materials are difficult to come by, certainly at guitarbuilding quality. If more players asked, perhaps other builders will commit with similar focus. But until they do, the Walden Madera CD4041 can serve as the convincer.
Scan the QR code with your smartphone to find out more about the CD4041. ...the CD4041 put forth the expected big-dreadnought bass sound, but with an-across-the-spectrum definition and note articulation.
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Walden Madera CG4041-CERT By Acoustic Guitar Magazine (USA) Founded in 1996, Walden Guitars is known for designing and building high quality instruments at affordable prices. Walden’s chief designer, Jonathan Lee, was a former partner at the now-defunct CFox Guitars, and several of that highend shop’s ideas have found their way into Walden designs. Lee’s latest achievement is the Madera line, which was introduced in 2010 and is built solely with responsibly forested, nonendangered woods. To keep things affordable, Walden builds guitars in China. To keep the quality topnotch, Walden builds exclusively in the factory it owns. And to keep things responsible, Walden is a Forest Stewardship Council (FSC) Chain-of-Custody holder, tracking materials from forest to guitarist and guaranteeing that only sustainable and legal woods are used on the Madera line. The all-mahogany CG4041-CERT grand auditorium we received for review is one of two new additions to the eight-model Madera line. (We reviewed the Madera CD4040-CERT, a spruce-and mahogany dreadnought, in September 2010.) It’s no secret that many traditional woods used in instrument making are being logged illegally and that some species are facing extinction. Fortunately, a few makers such as Walden have found business partners in Central and South America and Asia who share a common desire to keep fine instrument-worthy wood viable and available into the future. Working with FSC, these companies use responsibly grown and logged woods, avoiding endangered woods such as ebony and finding alternatives such as katalox (also known as Mexican royal ebony) and establishing a chain of custody from forest to finishing workshop that ensures that their instruments are built from certified FSC pure sustainable tonewoods. 24
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Clean and Tasteful Mahogany Body Eco-friendly qualities aside, the Madera CG4041 is a cleanly built guitar, stained a deep and even red and adorned with tasteful, unfussy binding and pickguard. There’s no unnecessary flash, though details from the scalloping of the bridge to the cut of the peghead to the black-buttoned tuning machines create a unified look befitting a much more expensive instrument. The Central American mahogany of the top, back, and sides is subtly beautiful, with the kind of straight, tight, even grain I’d expect to find on a fine violin. Like the other models in Walden’s Madera and SupraNatura lines, the soundboard is supported by prewarstyle scalloped X-bracing, and the neck and body are coated with a high-gloss polyester/ polyurethane finish. The workmanship inside and out is without obvious flaw, which speaks volumes for the high level of technical expertise present in Walden’s Chinese workshop. All in all, the Madera is a very inviting instrument.
Comfortable and Smooth Wide Neck The grand auditorium size of the CG4041 nestles comfortably on the lap, and the smooth feel of the frets and fingerboard tended to lure me into experimenting higher up the neck than I often do, which I found quite appealing. The width of the neck, at 13⁄4 inches, is slightly wider than I usually play, but it quickly began to feel solid and comfortable (I’ll admit I pay a price for using my thumb to fret the bass notes of barre chords). The depth of the gently rounded neck filled my palm nicely and felt comfortable up to the seventh fret and beyond. If you favor a skinnier neck, you might try Walden’s Madera CD4041-CERT dreadnought, which is 1⁄16 inch narrower at the nut. Bright, Clear, and Warm Tones The CG4041 sang out with exceptionally bright overtones and a clear attack—a vibrantly alive sound that made me want to linger on notes just to listen to them ring and decay. This clarity could be heard from the open strings right up the fingerboard, pretty evenly across the top five strings. To provide a low bed for all this clarity, the low E would have had to really bloom, but it didn’t. Rather, it helped sustain the overall clarity of the rest of the instrument. My enjoyment of the clarity and sustain of the mid to high range on this guitar is due in part to the subtle warmth underlying the highs, a result no doubt of the all Central American mahogany body. The attack is never aggressive or harsh. And I imagine that, given the quality of wood used in its construction, it will only improve with age. When I played it with a flatpick and really dug in for volume, the Madera responded with clean and buzz-free notes, though sheer muscle didn’t add any gravitas to the lower end. Of course, this lack of boomy bass is one of the virtues the grand auditorium size can claim over the dreadnought. When playing in an ensemble with a bass, it could be just the ticket for tonal balance without a muddy low end. Fingerpicking was an immediate joy, whether playing delicately or accompanying
my singing at normal performance levels. This is a fine folkie’s instrument, suited equally to picked chordal acompaniment and single-note soloing. Tuning down to dropped D seemed to improve the overall resonance of the midrange (notably in the key of A), though it didn’t noticeably change the balance of the low end. To see if some styles might sound better than others on the Madera, I let the guitar take me every which way stylistically. I played a little Irish traditional, some favorite licks copped from John Renbourn, a bit o Malagasy fingerpicking, Django Reinhardt style jazz, a Tim O’Brien song, Travis picking, Martin Carthy back-snap faux frailing, Grateful Dead songs, country, original indulgences, and on into the depths of my musical walk-in closet. In the end, everything sounded clean and fresh and the fun of playing the Madera was sustained as the instrument grew more familiar in my hands. Responsible and Affordable Clarity I would happily hand a Walden Madera CG4041 to a beginning guitarist or recommend it to a seasoned professional. For the beginner, it provides instant gratification and clarity of tone for a reasonable price. For the professional, the possibilities of sustain and overtone power will be intriguing and worthwhile, along with the added bonus of knowing that you’re supporting the effort to create more ecologically friendly and sustainable forests while you play your guitar.
The mahogany of the top, back, and sides has the kind of straight, even grain I’d expect to find on a fine violin.
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Madera CD4040-CERT Review By Acoustic Guitar Magazine (USA) Elegant mid-price dreadnought with certified FSC-pure tonewoods. Since 1996, Walden Guitars has been making high-quality classical and steel-string guitars in China for the North American market, and the company recently introduced the Madera line of guitars—instruments made entirely from certified FSC-pure tonewoods such as Sitka spruce and South American mahogany. Through a process known as “chain-ofcustody,” the Forest Stewardship Council ensures that each guitar in the Madera line is fully compliant, overseeing the woods from the time they’re harvested until they’re used in construction. Fittingly, Madera is Spanish for “wood,” and the headstock of each guitar is emblazoned in pearl with a Chinese character that symbolizes wood. We auditioned the Wa l d e n M a d e r a C D 4 0 4 0 - C E RT, w h i c h features all solid woods in a traditional dreadnought design—currently only one of two dreadnoughts with 100 percent pure, responsibly forested wood on the market, the other being the American-made Martin D Mahogany 09, which lists for more than twice the price of the CD4040. SUSTAINABLE ELEGANCE The Madera CD4040-CERT has a nicely streamlined appearance. The fretboard is devoid of inlays, and the abalone soundhole rosette, tortoise body-and-neck binding, and pearl headstock inlays are at once elegant and restrained. Our review model had an attractively grained solid Sitka spruce top with a hint of bearclaw figuring and some winter growth lines. The solid South American mahogany back, sides, and neck were similarly attractive and devoid of blemishes. Made of South American katalox, which 26
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has roughly the same density as ebony, the fretboard and bridge have a nice dark color and even grain. The craftsmanship on our review model was good. The nut was cleanly cut and the fretwork meticulous, but close inspection revealed a few file marks at random spots on the fingerboard. The binding was uniformly flush with the body, but there was a bit of bleed into the finish on the upper bout of the treble side. Inside, the bracing showed no excess glue but was rough in spots and could have used a bit more sanding. The high-gloss finish— a polyester base with a polyurethane top coat—was well applied and carefully buffed. Purists might be put off by that type of finish, but applying a traditional nitrocellulose finish is known to have deleterious effects on the environment, so it would have been out of place on this green guitar. STYLISTIC VERSATILITY AND SOUND The CD4040-CERT’s contemporary C-shaped neck is neither too ample nor too skimpy. Electric guitarists will find the nut width of 1
11⁄16 inches to be reassuringly familiar. While the neck is comfortable, the action on our review instrument was a bit high and the guitar felt a little stiff. The action, of course, can be adjusted to taste by a competent luthier and the guitar should loosen up as it accumulates playing time. The CD4040-CERT projects a clear and vibrant sound with plenty of sustain, in part due to its solid, quartersawn Sitka top. When I played some fingerstyle jazz with long sustained chords, the effect was piano-like, with an attractive natural reverb. Conversely, the guitar sounded appropriately punchy when strumming open-position chords Carter Family–style. As I tried various other approaches I discovered that the CD4040-CERT is a wonderfully versatile instrument. It responded equally well to anything I could think of. The open strings really sparkled on a countryblues improvisation in open E, while higher up the neck, some closed-position R&B-style chord work sounded clear and defined, and a pseudo-bluegrass flatpicked solo sounded clear and articulate in all registers. GREEN GUITARIST’S DREAM With its FSC-pure-certified tonewoods, the CD4040-CERT is perfect for the thoughtfully green guitarist. It’s also a bargain as an allsolid-wood guitar with good looks and a robust sound, suitable for a variety of styles. And with its versatile voice, the CD4040-CERT would also make a great go-to acoustic. The CD4040-CERT projects a clear and vibrant sound with plenty of sustain, in part due to its solid, quartersawn Sitka top. Scan the QR code with your smartphone to watch a CD4040-CERT video review.
My Music. My World. My Choice. 27
Madera CD4040-CERT Review By Guitar Buyer Magazine (UK)
Play acoustic guitar and save the planet at the same time? What could be better? Sam Wise investigates going green. Walden Guitars may not be immediately familiar to you, and with the marketplace as crowded as we can remember it, perhaps that’s why the company has taken a bold step in order to differentiate itself. Responding to both the sharp decline in the planet’s resources and the rise in the general awareness of and interest in ‘ethical’ product, Walden has launched the Madera series, built using only Forest Stewardship Council (FSC) certified sustainable woods. While guitar making is a relatively small industry and is far from the biggest consumer of endangered woods, it does have a relatively high profile and also relies on old-growth wood to supply the best tone. Walden is a partner in the Greenpeace Music Wood campaign (together with big players like Martin, Taylor, Fender, Gibson and Yamaha), which seeks to demonstrate the consumer demand for FSC-certified wood via the guitar makers and encourage more companies to get on board. With the Madera range, Walden is putting this issue front and centre, and the FSC stamp guarantees that all the wood used here comes from forests which are managed and harvested in a sustainable way. Body & Neck So what about the woods used on this guitar, the Madera CD4040-CERT dreadnought? The Sitka spruce soundboard is fairly broad-grained – more so than we’d normally look for in a guitar at this price point, though not disasterously so. The back and sides are South American mahogany, attractive enough in terms of grain figure but nothing out of the ordinary. Walden has gone light on the decoration for this guitar: there’s some understated tortoiseshell binding, which chimes in with the pickguard, and a fairly simple abalone 28
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soundhole ring. This subtlety extends to the fingerboard too, which is a slab of katalox, a sustainable ebony alternative which is pretty much indistinguishable to our eyes, and Walden has left it unadorned by any dot markers. The C-shaped mahogany neck is gloss finished and slim. We would perhaps have liked just a little more depth, but this is a matter of personal preference, of course. The neck finish doesn’t cause the squeaky, sticky feel that some gloss necks have, and the tortoiseshell fingerboard binding contributes to a very slick feel overall. On the topic of the frets, there are 20 of them, of what might be called medium jumbo size, with a few exhibiting some slightly sharp ends, which is disappointing at this price. The slim, tapering headstock is faced in what appears to be more katalox, and carries unbranded closed-back tuners with black buttons. These are made of a rubbery feeling plastic, and while they look nice enough, we might have preferred more katalox. The bridge is again of katalox, with a compensated bone saddle, and there’s a bone nut as well – it’s nice to see these details done right. The Madera is a pretty conservative-looking
guitar, and that’s probably deliberate. The tactic used by most companies selling ethical and fair trade goods in recent years has been to move away from the perceived alternative or ‘hippy’ markets, and to look as mainstream as possible. If Walden wants the world to buy this guitar, then it needs to look pretty much like other spruce and mahogany dreadnoughts, and in that respect it’s a success. Just because things are kept neat and simple, that’s not to say it isn’t a handsome creature; in particular, the unadorned fingerboard and tapered headstock really work for us. But it doesn’t scream ‘save the whales’, and that’s perhaps a win for Walden. Sounds Of course, we know what to expect from a spruce and mahogany dreadnought: there should be plenty of sparkle from the top end, but a certain amount of complexity and warmth introduced into the mid-range by the mahogany. The Madera not only doesn’t disappoint, but perhaps goes somewhat beyond our expectations. There’s not an excessive brightness to the top end, nor quite what we might call ‘sparkle’. Instead, it has a chiming, ringing quality. There’s plenty of sustain, which is likely to be enhanced by the bone nut and saddle, but picking big open chords and arpeggios with notes fretted up the neck really brings out the pure, transparent nature of the top end. Moving into the mid-range, there is the expected harmonic blossoming as the mahogany does its work, and for us, slightly more of that gentle warmth to the tone than we expected. There’s none of the muddiness which can occasionally afflict still-warmer-sounding cedar-topped guitars, though; as you progress into the bass register, there’s plenty of tautness and punch. Dig in and strum a little more, and the chord sings out, not losing clarity as you up the volume. Walden has done a fine job in offering warmth and harmonic richness without losing any of the note separation that makes spruce dreadnoughts such a favourite of strummers the world over. We find that the combination of plenty of body and depth to the tone, and lots of punch, means that the Madera lends itself in particular to funky blues fingerstyle. Rifs on the bass strings ring out, and when you hit a big chord, the
warmth and richness really fill it out. On a guitar at this price, we’ve come to expect the intonation to be perfect, string-to-string balance to be even: in fact, not to have to think about such issues at all, and the Walden really steps up to the plate. You could describe the tone as middle-of-theroad, but really it’s just an excellent generalpurpose guitar. It doesn’t have such a strong tonal character that it’s perfect for one style, yet unsuitable for another. Sure, you can find a picker’s guitar with a sweeter voice, or a cedartopped instrument with more warmth. Certainly a Gibson J-200 would give you a more booming, in-your-face sound, but if you want a guitar that can do all of those things well enough, a spruce/ mahogany dreadnought is your friend, and the Madera is a good example of the breed. Conclusion So, it appears Walden has done what it needed to do and produced a guitar that allows you to do your bit for the planet without looking like you knit your own yoghurt. Best of all, that doesn’t come at the cost of performance. Though some might look for a little more individuality in terms of looks and sounds, we think this guitar’s understated appearance and impressive all-round tone will win it plenty of admirers, whether ecological issues are a priority or of no concern.
Walden has done a fine job in offering warmth and harmonic richness without losing any of the note separation that makes spruce dreadnoughts such a favourite of strummers the world over.
My Music. My World. My Choice. 29
Supranatura D2040
By Australian Musician (Australia) Not a lot is known about Walden guitars other than they’re designed in the United States and built in the small town of Lilan, China. The name Walden is also the title of the autobiography of Henry David Thoreau, which is based around solitude and life in the woods. This may have absolutely nothing to do with where the company gets its name from, but it’s a fitting title for an instrument that would look right at home in an Alaskan log cabin. Currently the market is flooded with a massive range of mid priced acoustic guitars, so in order for manufacturers to stand out they need to make guitars that appeal to a certain calibre of muso. The Walden D2040 is such an instrument, with a cosmetic appeal that sets it up more as a luxury item than a tool to craft music with. It looked superb straight out of the box and on closest inspection the only flaw I noticed was the dot-inlay was slightly crooked at the 12th fret. A sturdy brown leather case escorts this guitar and it seems reasonable that any decent acoustic should come with its own case these days (manufacturers take note). The D2040 is part of Walden's Supra-Natura series, sporting all wooden manufacturing (including end pins) as well as thin neck to assist with speed and barring of chords. The tone woods employed are a Sitka spruce top, African mahogany body and neck, and rosewood fingerboard. A scalloped “X” bracing lies beneath the silky spruce top for additional strength and longevity. The Martin Guitar Company employed this process in the 1850s, and a scalloped brace differs from a standard brace in that it tends to vibrate more and produce 30
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more bass. Older Martin guitars feature scalloped braces, resulting in a vintage tone that appealed to bluegrass players. African mahogany is becoming the manufacturing norm as Honduras mahogany (South American) declines to the point of extinction. Luckily enough deforestation laws are now protecting this prized tone-wood for future generations, and its African counterpart sounds equally pleasing. Mahogany is highly regarded for its warm, rich tonal properties and thick midrange and its influence on this axe is also apparent. An ebony bridge is used to hold a set of D’addario EXP strings with beautifully crafted rosewood endpins providing the anchor, making this guitar a certifiable timber orgy. The neck is also a sturdy slab of mahogany with a rosewood fret board, that’s smooth to the touch and features the most beautifully finished frets I have ever come across on an acoustic guitar. The frets were thin, smooth
and even along the entire neck and a two way adjustable truss-rod is also routed into the neck cavity (becoming the new “norm” on acoustics) ensuring additional stability and the ability to straighten the neck. Gold Tortoise shell machine heads adorn a sleek headstock, and the travel on the strings is flawless from bridge to tuner without any annoying “chinks” when tuning. A bone nut and saddle are superb additions adding to some already great sustain and the setup would have been perfect for me if the action wasn’t so high. To top it off, the satin nitrocellulose finish on this instrument is superb, with no risk of oily finger-prints or sweat stains being left behind like on gloss surfaces. Okay, a lot has been said about how great this guitar looks and feels, now let’s get to the important stuff. What’s the tone like? First off, the tone is very balanced, smooth and not too ‘boomy’ in the bum (bottom end). I’d describe the sound as sweet with no ugly frequencies jumping out even with an angry strum. Finger style picking resulted in rich, smoky overtones that would sit great in a jazz track. This guitar's only real setback is a lack of volume, which can be an issue if you decide to use it live or are fighting to be heard when its your solo. The thin neck makes barring chords a tad easier but, the action is too high for Al DiMeola style shredding if that’s your calling. However, for an RRP of $795 you get a quality acoustic guitar with a sturdy case that plays wonderfully, looks fantastic, sounds great, with the only issue being volume. If you need a great acoustic to play in your apartment or record with, then I’d recommend the Walden D2040 to you.
Scan the QR code with your smartphone to find out more about the D2040.
My Music. My World. My Choice. 31
Natura G740CE Review By Guitar Player (Brazil)
These days it's not hard to find high quality, well-finished Chinese instruments at a good price. The Walden G740CE is just such an instrument. The body shape is similar to Taylor's grand auditorium and the guitar is built with quality materials that result in a beautiful sound. The G740CE has a blemish-free nitrocellulose l a c q u e r f i n i s h . M a d e f r o m t r e e f i b e r, nitrocellulose lacquer has been the material of choice for guitar finishing since the eighteenth century. A satin finish is smoother than a high gloss finish, allowing for easier and faster movement along the neck. The G740CE's top is made of solid Sitka spruce, a wood that delivers tons of volume and equilibrium. It is the top choice for guitarists who play with a heavy hand. The abalone rosette is a nice detail and inside the body you'll find thin brace wood that structures the sound. The braces increase the bass sound without losing the harmonics and treble sounds. The bridge and fingerboard are made of Indian rosewood — the most desired wood for acoustic guitars, as well as electric and bass guitars. The beautiful design adds to the overall quality of the instrument.The sides and back of the G740CE are made from African mahogany, which produces consistent sound and maintains stability. Walden Guitars uses only mahogany on the neck of their instruments. The comfortably shaped G740CE neck has 20 frets.The cutaway affords easy access to the treble frets and the neck body joint is like a dovetail, yielding great sustain. An important detail of 32
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the instrument is the truss rod which precisely and securely adjusts the action, even with heavy strings. The instrument is 64.77 cm between the top and bridge nut. Locked, gold machine heads assure accurate tuning. The headstock features Indian rosewood and a pearl Walden logo. The Fishman Classic 4 is a four band EQ that yields different sounds. SOUNDS First, we tested the Walden plugged into a Beringher console and Antera amplified speakers. In all EQ and volume set ups, the G740CE had a great sound. When connecting it with a microphone, in addition to the preamp, the sound quality increased most noticeably at high volumes. Next we connected it to a Fender Acoustasonic 30. The sound was even better and fuller. Using maximum volume, flat EQ and no effects, the G740CE performed extremely well, without noise and feedback. Using DSP effects, the guitar produced full, great sounds with sufficient dept to convince the most demanding guitarists. A little chorus and reverb provided beautiful lines that are useful in pop-rock, Brazilian country and other styles. The Walden G740CE is a professional and adaptable guitar for any musicians work.
Scan the QR code with your smartphone to find out more about the G740CE.
The Walden G740CE is a professional and adaptable guitar for any musicians work.
My Music. My World. My Choice. 33
Natura G730 named Best Fingerpicker By Guitar & Bass (UK)
If this guitar came with a price tag of ÂŁ500, we wouldn't have blinked. It has a solid cedar top, a solid rosewood back, scalloped bracing, cast tuners and a satin nitro-cellulose finish. The sides are laminated: some luthiers prefer this because it effectively decouples the top from the back. You even get an abalone rosette and a pearl logo. The Walden ships with a humidifier, but no case or gigbag - but who's complaining when it sounds like this? It chimes, rings, thumps and kerchunks - everything you could ask of in an acoustic guitar. This is the unmistakable sound of solid wood combined with effortless playability and a sonic character that's equally suited to strumming and picking. Even the build quality is virtually flawless. Add a proper bone nut and saddle and some classy tuners, and this could slay the big guns - for peanuts.
Scan the QR code with your smartphone to find out more about the G730.
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My Music. My World. My Choice. 35
Natura D710 Review By Guitar World (USA)
Walden's guitars remind players what acoustic instruments are supposed to deliver: living tone. At the same time, the Chinese-built Walden D710 proves that properly managed overseas manufacturing can produce a superior instrument at roughly half the price of a similar American-born guitar. The D710 is part of Walden's Natura Series, which emphasizes simple aesthetics and gorgeous sound through the use of intelligent design and select woods. There are no frills or fancies on the D710, but its sound is nothing short of spectacular. FEATURES "Elegant" and "subdued" are apt descriptions of Walden's Natura D710. Indian rosewood sides create the D710s modest dreadnought shape, and the same black-swirled exotic wood covers the guitar's back. The soundboard is solid Engelmann spruce, which is known for its powerful projection and warm overtones. Tall scalloped braces in an X pattern form the D710's inner framework, serving to efficiently focus this guitar's output and quell stray resonance. Walden's own uniquely curved rosewood bridge design helps to spread the strings' energy like waves across the soundboard, and a subdued abalone rosette surrounds the sound hole.
Electric guitarists accustomed to moderately thin C-shaped necks are going to love the D710's silkyfast-mahogany neck. Gracefully thin plastic binding dresses the rosewood fingerboard, and the fretwork is flawless, allowing low action with no issues. Other tastefully incorporated appointments include tortoise shell keys on gold tuners, an inlaid mother-of-pearl Walden logo and rosewood headstock fascia. PERFORMANCE Most steel-string acoustics create a lot of noise with each note, because their bodies are not specifically designed to process the acoustic pressure and dynamics from their accompanying soundboards. The Walden's body and soundboard work harmoniously, producing exceptionally pure notes. I was impressed by the first sound I heard through the D710 and continued to be inspired by every cleanly defined nuance and bell-like ring of sustain. Few affordable acoustic guitars can create this kind of warmth and note separation. THE BOTTOM LINE Walden's Natura Series D710 has a thin and fast neck on par with an electric guitar, its action is low and fast, and it exudes a wonderfully conservative beauty. The Walden D710 sets the standard for bargain acoustics and embarrasses many guitars at three times the price.
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Scan the QR code with your smartphone to watch a D710 video review.
I was impressed by the first sound I heard through the D710 and continued to be inspired by every cleanly defined nuance and bell-like ring of sustain. Few affordable acoustic guitars can create this kind of warmth and note separation.
My Music. My World. My Choice. 37
Natura G630CE Review
By Australian Guitar (Australia) (SOLID TOP) GRAND AUDITORIUM ACOUSTIC WITH CUTAWAY & PICKUP Walden is a manufacturer of "affordable" guitars. Those few words can make you run for the hills or see real bargain potential. Every now and then when the Australian Guitar staff hand me a guitar to be reviewed they ask me straight up "how much do you think it's worth?" It's a good test because it only takes a few minutes to formulate an immediate opinion of an instrument, but much longer to make sense of it and write it down, which also gives you a chance for much more playing time. At first I guessed into 4 figures as I saw the grand auditorium shape, Fishman pickup, solid top, gold tuners and a reasonable sound. Needless to say I was surprised to hear my guess was almost double the actual price of this guitar. BACKGROUND Your average guitar lover will know a one or two sentence background to a lot of the common guitar manufactures, so here's one to add to your mental list. The company Walden came into existence around 12 years ago and is the result of two American luthiers designing guitars then sending them to China to be put together. The company actually doing the cutting, bending and gluing is not new to the game, they've been making instruments since as far back as the 1930's. You might already be starting to draw conclusions about craftsmanship and guitar royalty lineage, so if you're the kind of person that won't buy any guitar that hasn't been sneezed on by an age old luthier wood worker in Alabama then keep on walking. 38
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ALL ABOUT The Grand Auditorium shape has immediate benefits of being light and easy to play standing or sitting, the size a little more manageable than a dreadnought or jumbo. Up on the headstock the tuners are gold and die cast and the Walden logo unobtrusive and classy with a pearl finish. The binding and inlays bring a bit of flair to an otherwise plain design and the pick-guard follows the shape of the cutaway and sound hole. There is no denying that as far as looks, they got it very right with this guitar. Build quality is also impressive with no obvious bleed of the stain or lacquer and all the joins tight and even. The even grain of the laminated back and sides adds aesthetic appeal to the otherwise plain finish and the bracing internally is finely cut and lacks rough edges and tool scoring marks that you sometimes see in less expensive mass produced acoustic guitars.
The guitar sits halfway on Walden's lineup, as part of the 'natura' finish line. They claim the wood will age and mature the more and the longer that you play it, changing to match the style of your playing. The first point is likely true but in all honesty an ivory saddle and neck nut to replace the stock plastic items would go along way to sweetening the tone of this guitar. PLAYING IT How each strings tone and volume is balanced on an acoustic guitar can make a big difference to what you use it for, some guitars with a spectacular low end may sound tinny and weak up top. Like other features of this guitar, Walden have found a good middle ground and extracted about as much low end that is possible out of a typical grand auditorium shape.Typically, the mids are the most prominent of the sonic spectrum meaning fingerpicking, picked chords and the odd solo sound fine, but I wouldn't be using this as an open chord strumming machine, it responds better to a gentle touch than to a smashing with a 2mm thick Dunlop.
sound and feel good, we all know that can be different from one guitar to the next that came off the same production line. This guitar immediately impressed me and even after a number of days of playing it, I couldn't fault it in any game-ending sort of way. I consider a grand auditorium style guitar much harder for manufacturers to get right, as you can't just replace tone and balance with sheer volume attainable on other types of guitar designs. Walden have done an impressive job with this model, putting a great shape, look and pickup system into the hands of people with a limited budget.
The Fishman pickup system installed on this guitar is the same that is used on many other (and some more expensive) guitars and is your usual peizo under the bridge type design with a 9 volt powered preamp. You get treble, mids, bass and brilliance controls along with volume and a low battery warning light. I wouldn't say that it adds anything to the sound of the guitar, but I consider cheaper guitars without pickups quite limited, this factory fitted system opens up the instrument to many more buyers, and while the tone plugged in isn't considerably sweet, it cuts through a band mix well enough. THE BOTTOM LINE With instruments at this price point, it all comes down to value for money and how many features can be packaged up into a product that attracts buyers. With guitars however, you have that trump card that it must
My Music. My World. My Choice. 39
Natura G570TB Review
by Acoustic Guitar Magazine (USA) Handsome sunburst cedar top delivers three dimensional tone and responsiveness at an attractive price. While the Walden Guitars name is relatively new to the US market, the company has been marketing instruments from its own Lilan, China, factory to European, Canadian, and South African guitarists since 1996. Starting with a business built around a traditional dreadnought and a single classical guitar design, Walden has built its output into three lines each of classical guitars and steel-strings made with a wide range of woods, body styles and price points. The affordable G570TB Grand Auditorium steel-string is part of their mid-level Natura line. APPROACHABLE, ATTRACTIVE, AND AFFORDABLE Despite its low price, the Walden's build quality is hard to fault. Fret ends lie flush against the bound-rosewood fretboard, and the precise dot inlays and appropriately cut nut slots demonstrate care. The book-matched-cedar top's dark tobacco sunburst and the back and side's attractive wood grains are protected by a seamless, satin nitrocellulose finish, with no excess buildup anywhere.The black/white/ black rosette and matching body purfling also give off a classy vibe that belies the G570TB's low price, and the backstrip, tailblock strip, and finely carved heel point all match up with lay-line accuracy. A look inside revealed clean kerfing and svelte, scalloped bracing, with minimal visible excess glue— confirmation that this no thrown-together job— while the flawless bolt-on neck joint adds uptown mystique. In all, fit and finish are excellent, and Walden takes care to include a second "winter" saddle (to offset the lowered action 40
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that occurs in low-humidity conditions) and Planet waves soundhole humidifier (with refill syringe). BRIGHT AND BALANCED BIG BODY The robust and aesthetically pleasing 15 7/8-inch grand auditorium body— vaguely reminiscent of a cross between a Taylor grand auditorium and an OM— combines with the nicely C-shaped mahogany neck and medium factory action in a very comfortable and playable package, though the action could easily go even lower with the help of a setup tech. Played fingerstyle, the G570TB cheerfully responds with a bright, airy, mahogany tone and plenty of smooth sustain behind the initial clear cedar edge. The 4 5/8-inch-deep body supports the tonewoods with a three dimensional tenor midrange and just enough baritone on bottom to balance things out. I found the bass strings to be focused and tight, with almost none of the low-string thud that can plague guitars in this price range.
Spinning the smooth chrome tuners, I was pleased to find that pieces in open or altered tunings ring out with power and ĂŠlan; each note in a chord sings with clarity and distinction. Playing with a pick produces a responsive, engaging tone, with a jangly sparkle evident during open-chord strumming, and plenty of volume, sustain, and punch available for palm-muted power chords or biting single-note solo excursions. Throughout, the G570TB rewards player nuance with the appropriate response: Vibrato, picking dynamics, and color changes are reproduced on demand. In all, there is more than enough tactile feedback and satisfying tone to reward beginners, advancing intermediate players adding new techniques to their to their repertoire, and advanced players alike. THE WRAP With an appealing mahogany voice, versatile body size, and excellent build quality, the G570TB will work nicely for any player wanting a dose of rich acoustic tone and grown-up feel at a rock-bottom price. Its handsome, woody looks and open-string sparkle make it a natural choice for beginners learning to strum their first chords, and an instrument that's likely to remain rewarding to play as they develop.
Wi t h a n a p p e a l i n g m a h o g a n y v o i c e , versatile body size, and excellent build quality, the G570TB will work nicely for any player wanting a dose of rich acoustic tone and grown-up feel at a rock-bottom price.
Scan the QR code with your smartphone to find out more about the G570TB.
My Music. My World. My Choice. 41
Natura O550 Review
by Australian Guitar (Australia) We take a look at a petite offering from Walden Guitars. Walden Guitars are rapidly establishing an enviable reputation for producing high quality, low cost acoustic guitars. Our expectations have routinely been pushed higher and higher over the past decade, so that it becomes increasingly difficult to raise the bar further, however our initial impressions of the Walden instruments did just that. Designed in the U.S.A and manufactured in China, they are an object lesson in taking advantage of the global manufacturing paradigm — it is far too easy these days to source a generic model and have your logo printed on the headstock, with predictably uninspiring result, whereas the guitars that have been pushing the budget envelope have utilized cheaper off-shore manufacturing in service of solid design and with the benefit of demonstrably proactive quality control. The 550 has been a foundation model in the Walden range to date, and has previously been available in dreadnought and grand auditorium configurations. This year, the company expanded the range to include orchestra and traveler versions of the 550, and this issue we have the orchestra version O550 for your perusal. THE ORCHESTRA QUESTION While the O550 is also available as a cutaway electric-acoustic, the review model is the plain vanilla version. This is not a problem as it allows us to concentrate on the indigenous tone of the guitar, which is very impressive for a guitar that retails for $399. One of the features that surely contributes greatly to the quality of its output is a solid spruce soundboard, which although much more 42
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common on guitars in this price range these days, is still a wonderful development — nothing sucks up the tone like a laminated soundboard, and there was a time not so long ago when any guitar in this price range would have necessarily been stuck with one. The back and sides are sapele, which is an African timber closely related to mahogany. It has become quite popular in luthiery over the past decade, and it is an attractive tonewood, both in terms of its figured appearance and mellow yet clear tone. In tandem with a spruce soundboard, sapele back and sides contribute to create a well balanced output that is warm without sacrificing definition, and that is as good a description of the tone of the O550 as any. The orchestra body shape is a little smaller than a dreadnought, and although this inevitably sacrifices some volume, it also helps to ensure that the O550 does not have the strident tone that characterises so many sub-$500 acoustic guitars.
COUNTRY COMFORT Picking it up, the O550 is one of the most comfortable acoustic guitars I have played. This slightly smaller orchestra shape is very nicely positioned when you sit to play, and the body is about half an inch shallower than the corresponding dreadnought model. The result is that the string length seems more accessible, which is particularly important for fingerstyle players. The O550's neck is a very subtle V-shape, which is not too deep but still feels substantial in your hand. As we said earlier, the O550 has a beautiful natural tone, which is mellow and rounded without losing any of its definition. Walden suggest that this body shape is particularly well suited to recording due to its focused voice, and it is easy to agree with them. It really comes alive when you fingerpick, its evenness allowing each note to emerge equally, however it is just as well suited to strumming, where its natural restraint smooths any dynamic rough edges. THE BOTTOM LINE The Walden O550 is an impressive instrument regardless of price, and the fact that it retails for so little only makes it all the more of a stunning find. There are lots of affordable guitars around these days, and you could easily make the mistake of assuming that since even the cheapest instruments are pretty well put together these days, an entrylevel guitar is going to be pretty much equal, however the O550 proves that is not the case. One of the things you are looking for in an expensive acoustic guitar is character, and it is something you rarely encounter in an instrument costing as little as this one, however that is exactly what the Walden O550 has. All in all, it is an expressive and attractively voiced instrument that you would not baulk at spending twice as much on.
Scan the QR code with your smartphone to find out more about the O550.
My Music. My World. My Choice. 43
Natura T550 Review
by Acoustic Guitar Magazine (USA) Review of a compact travel guitar that's a blast to play—even when you're not out on the road. For a lot of guitar players, travel guitars are a compromise by definition. But as smaller-bodied guitars return to vogue, some of the industry’s most respected builders are devoting more attention to the quality and sound of travel- and parlor-size instruments. Walden Guitars is now among the manufacturers aiming to improve the sonic possibilities of the travel-size guitar. And on many counts, the new T550 hits the mark. Walden isn’t yet a household name among guitar consumers. The company began building instruments in 1996, primarily for the European and Canadian markets, and entered the US market for the first time several years later. But in that short time Walden carved out a respectable niche in the cluttered affordableguitar market, built on a reputation for value, quality construction, and playability. And it’s on these fronts that the T550 delivers. SMALL, SOLID, AND SUBDUED Like other Waldens we’ve seen, the T550 conveys an understated air of quality right out of the case. The satin nitrocellulose finish is flawless and reveals a handsome straight- and even-grained spruce top that you’d expect to find on a more expensive guitar. The bookmatched laminate mahogany back, meanwhile, is quite striking in sunlight, revealing a deep grain pattern that radiates outward from the bass end of the body to achieve a subtle but cool sunrise effect. It also lends a sense that Walden is choosing its wood and materials with considerable care. A peek around the interior revealed the same 44
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attention to fit and quality. Kerfing and bracing were both exceptionally clean. And details like the truss-rod access —which are often marred by the splintery by-products of drilling on similarly priced guitars—were spotlessly tidy. A small, tortoiseshell-colored pickguard, black and white rosette, and matching binding all contribute to a traditional, classy look, and only the slim, tapered headstock hints at any kind of contemporary design influence. RESONANT AND CUTTING By virtue of their diminutive dimensions, travel guitars can’t achieve the full-spectrum tone or volume of a full-size guitar. But those inherent limitations are part of what makes the T550’s projection, presence, and character so remarkable.The Walden can’t quite muster the sustain you’d get from a big-bodied, full-scale guitar, either. But the T550 makes the most of its 7/8-scale body and compensates with tones that are complex and versatile across several styles.
In standard tuning, country-blues fingerpicking sounded delightfully dry and funky, but still quite full bodied. Single-note picking on the third and fourth strings yielded tones that were a bit on the angular, boxy side, but the first and second strings rang with authority, and the faster decay of all the notes worked well for snappy, percussive strumming and flatpicking. Tuned down, the Walden is surprisingly bassy. And when I strummed some big, open drones in my favorite C tuning, the Walden’s dry, barky tonal tendencies gave way to a low end rich sustain that that belied the guitar’s small size and reinforced what a well-balanced guitar the T550 is.The Walden’s neck feels very substantial. And while the thick profile made the neck feel largish compared to the small body, it enhanced the Walden’s overall sense of substance and quality, and more than likely contributed to the guitar’s tuning stability and sustain in lower open tunings. THE WRAP On more than a few occasions during my time with the Walden, I would reach for the T550 instead of a number of full-size guitars around my house and in the office. A lot of that has to do with the instrument’s unobtrusive size—it’s a really easy guitar to keep sitting next to the couch or your desk while you’re working, listening to records, or chatting. But it also speaks volumes about how good the Walden sounds and feels. With its rich palette of tones; substantial, high-quality feel; and responsiveness, the Walden makes a travel companion that would be a delight to spend time with in a hotel, around the campfire, or on the trail. It’s an ideal guitar for smaller players and students, and it’s easy to imagine recording situations where the Walden’s rich but not-so-boomy voice could come in handy. That versatility and more-than-satisfactory sonic qualities help the Walden stand apart from much of the affordable travel-guitar pack.
Scan the QR code with your smartphone to watch a T550 video review.
With its rich palette of tones; substantial, high-quality feel; and responsiveness, the Walden makes a travel companion that would be a delight to spend time with in a hotel, around the campfire, or on the trail.
My Music. My World. My Choice. 45
Concorda CG2000CEQ Review
by Australian Magazine (Australia) SIMPLICITY, SIMPLICITY, SIMPLICITY! I have reviewed a couple of Walden guitars over the past year, an orchestra body and a dreadnought, both from the 500 series of the Natura line. Retailing for about $400, they were exceptionally good instruments that we contend would have been just as compelling at twice the price. With solid spruce tops, and mahogany back and sides, they had the sort of well-balanced voice that distinguishes a good acoustic instrument, though more than that, they had character; an indefinable something one doesn’t usually encounter with instruments in that price range. This issue we are going to take a look at a considerably more expensive Walden guitar. The CG2000CEQ is one of the premium 2000 series models from the Concorda line, which is basically the gloss finished range, while Natura and SupraNatura models are satin finished. In addition to the orchestra bodied CO2000, which like the review model features a Sitka spruce top with rosewood back and sides, there is the CG2010 (grand auditorium shape, as is the review model, with Engelmann spruce top and rosewood back and sides) and the CD2040 (dreadnought with Sitka spruce top and mahogany back and sides). All have a mahogany neck, the 2000’s with an ebony fretboard, the 2010 and 2040 with rosewood. ECONOMY Retailing for almost four times as much as the Walden models we have seen before, the CG2000CEQ raises our expectation considerably – it is one thing to unexpectedly discover character in a $400 guitar, but we demand character (and a whole lot more) from a guitar retailing for $1500. Obviously materials will be superior, and the CG2000CEQ is constructed entirely of solid timbers, whereas the cheaper models had 46
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solid tops with laminated back and sides. Of course, this issue’s review model has a Fishman Prefix Pro preamp and cutaway, whereas the corresponding models with such appointments in the 500 series (albeit the Fishman Classic 4 instead of the Prefix Pro) retail for up to $600, which of course closes the gap significantly.The timber used in the making of this guitar is absolutely gorgeous. The deep dark grain of the back and sides is mesmerising, and the face of the headstock is finished with a veneer of the same rosewood. The neck is mahogany, which is also used alongside maple in creating the elegantly simple rosette. The Sitka spruce top is quite blonde, and though it appears relatively plain, there is a subtle quilting that is very attractive. SOUNDS The grand auditorium shape is one I like very much. It is most similar to, but not as waisted as the orchestra shape, both of which are rounded and more waisted than a dreadnought. To my ear, these shapes produce a more focused and better-balanced bass and mid-range, and are generally
more mellow than dreadnoughts. The grand auditorium is a little larger than in the lower bout than the orchestra, and indeed it shares characteristics with what other manufacturers might term a mini-jumbo. Though it has a warm and balanced voice, mellow relative to the dreadnought, you should not assume that this one is a wallflower. The tone is rich and powerful, and even in an ensemble with a couple of other acoustic guitars, confidently projects. As with the other Waldens we have seen, balance is the key, and in that regard the CG2000CEQ is superior. Dynamic variations are as much about saturation as volume, and fingerpicked passages retain their presence. The Prefix Pro is the perfect pre-amp to translate the CG2000CEQ’s gorgeous natural voice, it perfectly conveys that sense of balance and manages to capture the essence of the instrument’s complex tone. It features a 4-band EQ (bass, mid, treble, brilliance), plus a notch filter and phase reversal switch, and the control panel is hinged to allow access to the battery compartment.
Scan the QR code with your smartphone to find out more about the CG2000CEQ.
THE BOTTOM LINE Well, the 500 series Waldens were so good, it was difficult to imagine how the top shelf Waldens would stack up relative to them. I am happy to say that the high standard they set in terms of design and construction, when executed with premium materials, produces an instrument that is absolutely deserving of its place toward the top of the range. It is like this guitar delivers on a promise that the 500 series only hinted at. The much feted character exhibited by those earlier instruments springs fully to life with the CG2000CEQ; it is a guitar that can confidently play whichever role you assign it, and all with a voice that you just want to keep hearing. ...a guitar that can confidently play whichever role you assign it, and all with a voice that you just want to keep hearing.
My Music. My World. My Choice. 47
Concorda CG600CE Review by Acoustic Magazine (UK)
By virtue of its minimalistic headstock design and distinctive scratchplate, it is its own guitar. But does it deliver sonic individuality? The first thing that grabbed my attention with this guitar was the elegant body shape design, which is not dissimilar to certain brands in the marketplace. The cutaway adds more than just good access to the upper registers of the fingerboard in that it contributes to the flow of the guitar's proportions. Further finesse is to be enjoyed with the simple yet smart white plastic binding and bridge pins. The tidiness of finish on the Chinese made instrument is genuinely impressive. Set up with an average height on the action, this Walden was fun to play and will suffice as a solid workhorse for your gigging venues. The mahogany neck profile is just fantastic — a shallow C cross-section. It is slim enough to be well seated in your hand for delicate playing and yet substantial enough to give a great pivot for vibrato. I would have liked to have made a small adjustment to the truss rod to lower the action marginally, but this should be readily achieved by asking your retailer. It is light, well balanced, evenly fretted, with clean fret ends. Upon inspecting the back braces it's easy to see that they are quite tall and well finished in their tapered profile. Extra consideration has been taken in assisting the live performer. The Fishman Aero Plus preamp features a three-band graphic EQ (bass, middle and treble), but unlike many systems available today it also comes equipped with some more professional touches.There are notch, brilliance and phase controls, all of which help provide practical solutions to live-performance situations. Perhaps the notch filter is the most useful part 48
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of the preamp as it whips away unwanted frequencies which typically contribute to feedback —a particular burden in some venues when you have little choice but to sit virtually on top of your amplifier. To operate it, you set the volume to your desired level where feedback starts to occur, and the you gradually turn the notch filter clockwise until the feedback is vanquished. The brilliance pot dials in more top-end sparkle and classy qualities to your sound. If you have ever become frustrated with finger noise coming from the strings when you are striving for a clean recording, this subtle control can also assist you with this, simply by turning it counter-clockwise. If you are required to play at low volumes on your gigs, you may well find yourself using the phase switch, as it improves the bass response and also assists in reducing feedback at high volumes —a versatile sidekick. The tuner itself has a large digital format readout of the note being played, with suitably clear indicators for overly sharp or flat notes.
Note tracking is sensitive, responsive and distinct, much in the same way as the EQ operates with good integrity to each respective frequency. When plugged in, the breadth of this guitar's vocal character widens in potential immensely. After playing for a few minutes the battery expired and replacement was a painless process. Access is easy as the whole preamp rotates outward towards you. The battery itself is held in place with a simple and effective push-down locating clip.
Scan the QR code with your smartphone to find out more about the CG600CE.
The guitar is also thoughtfully supplied with a spare replacement saddle, bridge pin, Allen key, and even a Plant Waves humidifier designed to sit inside the soundhole. In addition you are provided with a simple booklet describing how to get the most from your preamp along with some practically useful suggested EQ settings for playing fingerstyle, with scooped mids, for strumming patterns and for cutting through the mix. The features which are the best assets of this guitar are the quality Fishman Aero Plus preamp system, its rosewood back and sides, and intonated saddle. I found the rosewood fingerboard a little dry to my tastes, but this is nothing a small amount of lemon oil wouldn't rectify very quickly. So in answer to the question, 'Does it deliver?', the CG600CE does so, and reasonably well at that. At ÂŁ410 it represents a great tool which may perhaps offer you greater value for money than its more expensive and similarly proportioned cousins. This price point is fiercely contended, more so than ever, so it is refreshing to see the quality of components which make this guitar and accompany it, adding further to its value. The EQ system is the show-stealer and sets it up as a fresh competitor for your consideration. It is definitely worth your attention as a stock guitar for your rack.
The mahogany neck profile is just fantastic —a shallow C crosssection. It is slim enough to be well seated in your hand for delicate playing and yet substantial enough to give a great pivot for vibrato.
My Music. My World. My Choice. 49
Natura N730 Classical Nylon Review by Acoustic Magazine (UK)
Quality materials, beautiful finish and great sound! Walden Guitars have scored again with the N730, a great guitar at an unbelievable price. Walden Guitars have established a reputation for producing high quality instruments at very competitive prices. Their instruments are designed in America, built in China, and clearly demonstrate that a properly managed overseas manufacturing operation can produce quality instruments at a fraction of the price of an entirely home-grown effort. The N730 classical guitar follows in this tradition and for the price the result is excellent. This instrument looks, plays and sounds like Walden have really taken serious note of guitarists’/guitar teachers’ opinions of what they would like to see in an entry level guitar. Build and Features The most striking and immediately obvious feature is the finish. Satin nitrocellulose lacquer, thinly applied, gives this guitar a natural, elegant and subtle aesthetic, enhancing the clean, simple and uncluttered lines of the instrument. An understated abalone rosette complements the natural appearance of the top. The soundboard is fine-grained solid western cedar, with solid Indian rosewood back, rosewood sides and fingerboard. Hauser/ Torres inspired fan bracing, traditional rosewood bridge and saddle construction, and standard 650mm scale length ensure the N730 remains true to its heritage. A cedar top generally gives an immediate and robust response and plays in quicker than 50
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spruce, so in the few days I had this guitar I noticed the instrument developing.The overall tone is resonant and clear, with an abundance of overtones, and for a guitar of this price quite remarkable. As is often the case with cedar tops you don’t need to coax the sound out as you sometimes have to with spruce — it’s just there, punchy and bold. The balance between bass and treble tends to lean towards the bass — usual in new nylon-strung instruments — but with a little more playing the treble should develop further. Sounds The instrument responds well to a wide range of dynamic demands.The bass response is positive over the entire range and has a belllike clarity in mid register. The treble is clear and bright with more than enough sustain in the upper register and no wolf notes. This guitar is loud, a result not just of the excellent materials and craftsmanship, but also the minimal use of finishing lacquer allowing the
wood to breathe, move and resonate. I had to remind myself on more than one occasion that this is an entry-level guitar and comment accordingly. The acid test with classical guitars is how the top three strings respond, especially in the higher positions. The N730 scores well in all departments. It has a consistency of tonal quality, producing a solid core sound throughout the entire range and an even sustain, especially above the seventh fret on the first string. The string set-up is excellent and, importantly, the distance from the first string to the edge of the fretboard is sufficient to allow space for correctly executed ligados (not enough space is a common problem). The neck contours enable a comfortable playing experience, and the satin finish also ensures that the thumb glides smoothly along the back of the neck, with none of the drag sometimes associated with gloss lacquer.
The overall tone is resonant and clear, with an abundance of overtones, and for a guitar of this price quite remarkable.
Scan the QR code with your smartphone to find out more about the N730.
My Music. My World. My Choice. 51
Two in the blues Good mood on the road World universe Music and dreams
Paolo Gianolio Italy Paologianolio.com
The following pages contain stories from real players (including Walden international artists and worldwide owners) about 13 of Walden's popular models: G3000, G2070, G3030CEQ, G1070CEQ, N2030, G740CE, G730, G 6 3 0 C E , G 5 7 0 f a m i l y, D 5 5 0 , D 5 6 0 family, T550, O550, and D552. Potential customers conduct independent research and seek information from musicians as well as other customers who have purchased similar products. In addition, your music reflects your life, so does your guitar. Look at the choices they made. We trust that you will be as inspired by these Walden friends’ stories as we are. In the end, these experiences are the true reward for making great instruments and it is why we are in the guitar business. Scan the QR code with your smartphone to read artist reviews.
Scan the QR code with your smartphone to read owner reviews.
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Artist & Owner Reviews
My Music. My World. My Choice. 55
My choices matter 56
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My Music. My World. My Choice. 57
SupraNatura G3000 “I’ve played a Walden SupraNatura G3000 for quite a while now. This steel string guitar is more than just worth its money! It enlightens the room with its open voice and is rich in harmonics. The Walden is comfortably to handle and easy to play. I love to use my Walden in my project studio for extreme strumming. It also performs very well when playing pop ballads with a pick. It’s an allrounder which inspires me to try new things. My guitar students and I are enthusiastic about both the SupraNatura series as well as about the lower price ranges. If you think about getting a better guitar you should definitely think about getting a Walden. You’ll get a lot guitar for medium money!” Andreas Oberholz Walden Germany Artist gitarrenunterrichtberlin.de
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“This is 'my path' to finding my Walden guitar - G3000. At the age of 8 I had classical guitar lessons till I was 16. From the age of 16 – 20 years old I played all sorts of music still using my classical guitars. It wasn’t until I saw Antoine Dufour’s song 'Spiritual Groove' off Youtube when I was 20 years old that my life changed in terms of guitar playing. The likes of Don Ross, Andy Mckee and Antoine Dufour play a type of Fingerstyle Percussive playing involving technical techniques like harmonic tapping on a sort of grand auditorium/jumbo shaped acoustic guitar. “So, eagerly having this desire to dive straight into this style of guitar playing, I needed an acoustic guitar of this nature. Having no knowledge or experience in acoustic guitar brands, I knew one thing: I wanted the same style of guitar as these amazing guitarists. After a long time searching the internet I came across the G3000 and I fell in love with it. I loved its dark, thick Indian Rosewood back and sides, satin finish and its neck. You also receive a hardback case, which looks just as beautiful as the guitar itself! I was impressed with the price and the clear sound it produces from a harmonic tap, it’s amazing! “I actually told one of my good friends, who has the same guitar background, about Walden and he also fell in love with the G2070. Being 6 months down the line since we both bought our Walden guitars, we love playing them and they're our treasured possessions. Walden’s G3000 guitar has met my needs and desires in providing me with a beautiful guitar with the clear and perfect sounds I want.
Scan the QR code with your smartphone for more information on the G3000.
“This is 'my path, my dream. My Walden' story.”
Glen Kingsley Ewing UK youtube.com/user/glene7
My Music. My World. My Choice. 59
SupraNatura G2070 “I love the quick response to finger picking — the sound springs off the top in such a lively manner...there seems to be a natural compression in these guitars.” Michael Mucklow Walden USA Artist michaelmucklow.com
“The guitar has an amazing crisp and precise top end, yet has awesome bass tones and nicely rounded mids, an ideal sound for my style, that coupled with a very responsive design and a superbly ergonomic neck profile makes this the best guitar I have played since I began some 15 years ago.” Dave Warren Walden UK Artist davewarrenguitarist.com
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“I am a middle-aged, short woman with small hands and I decided I wanted to take guitar lessons. I have been using a Washburn 3/4 size guitar (a model Washburn doesn't make anymore) because the neck on a full-sized guitar is just too wide for me. So, even though the Washburn guitar is all right, I decided I wanted a new guitar. “I went to the internet and started studying up on different guitar makers, and I ran across an article about the new narrow necks on your guitars. I went to your website and checked out the guitars. Listened to the different artists playing different models of your guitars and decided I liked the G2070. “Well, the closest dealer to me is over 2 hours away so that is why I went to eBay. Anyway, I bought this guitar and got it delivered to me Friday and I have spent a lot of this weekend playing it. It is everything your website said it would be and I love it! “The neck is just right for me. It is the same size (if not a little narrower) as my 3/4 size guitar yet it has this wonderful, resonant sound of a full size guitar because it is one. I love the way it is made and think it is just gorgeous. Just thought I would let you know what I think of it. I am going to tell all the women guitar players I know about your guitars. Thanks for a great guitar!” Robin Riley Evansville, IN, USA
“I have played fingerstyle guitar for 25 to 30 years. My last name is Walden (no connection), which led to my initial curiosity about Walden guitars. I recently bought a G2070, and feel blessed. It is difficult for me to imagine that any other guitar at any price could be significantly better in aesthetics, playability, or sound. It’s like a handmade custom instrument. This thing is as clear as a bell, and set up perfectly. I would be embarrassed to tell you what a deal I got on it. I own several other steel string and classical guitars. Over time, I intend to replace them all with Walden models. Thanks a million for making these guitars available at such a great price. Walden Guitars has to be one of the biggest made-in-China success stories.” Wayne Walden North Muskegon, Michigan, USA
Scan the QR code with your smartphone for more information on the G2070.
My Music. My World. My Choice. 61
SupraNatura G3030CEQ “The Walden SupraNatura G3030CEQ is a fantastic finger-style guitar that has warm, mellow tones that provide me with that subtle variety, whether I am on the stage or in the studio.” Rex Goh Walden Australia Artist www.rexgoh.com
“I love my Walden G3030CEQ. It's rich but bright, and incredibly easy to play, which I really appreciate as a finger-style guitar player. Its extended highs and lows give me a nice, full sound, and its tone cradles my voice perfectly.” Michelle Lewis Walden USA Artist michellelewismusic.com
“I have got to say it has to be one of the best acoustic guitars I have played in many years. It felt like an 'old' guitar from the moment I picked it up and started playing (that's a good thing I hope you know)!” Dizzy G Gillespie Walden USA Artist myspace.com/dizzgillespie
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“My Walden G3030CEQ is a top instrument that I don´t want to miss anymore, neither on stage nor in the studio.” Daniel Wagner Guitarist of 4backwoods Walden Germany Artist myspace.com/4backwoods
“Its extreme playability makes the Walden G3030CEQ the guitar everyone has ever dreamed of.” Jean-François Walden France Artist
“I love my SuperNatura G3030CEQ. Its characteristics linked with its excellent workmanship and elegant finish make it a real piece of jewelry that I don´t want to put down.” Tobi Born Guitarist of the Nadine Kraemer Band Walden Germany Artist tobiborn.de
"WOW! What can I say. It is truly a Blessing to play this high quality work of art. The craftsmanship along with the fit and finish is fantastic! This guitar has such a deep and smooth tone all the way up and down the board and sounds amazing playing live shows. …Way Cool!" Colton www.myspace.com/coltonandzara
My Music. My World. My Choice. 63
SupraNatura G1070CEQ “I have owned many guitars and my Walden is by far the sweetest sounding one of them. Sweet highs, gentle mids, and basses that are full without being boomy. The neck is perfect for my hands and fast runs are smooth all the way up and down the neck. The Fishman Prefix perfectly recreates the acoustic sound of the guitar and it's simple to dial in a great sound. This will be my main guitar both on and off the road. I simply could not be happier. Great job!” Scott Bravo Walden USA Artist myspace.com/scottbravomusic “I really love my G1070CEQ. I use it both live and in the studio. It has great feel, sounds great and looks cool too! It's also a great writing tool. Having the pickup makes it super easy for writing demos.” Mike Krompass Walden USA Artist myspace.com/mikek
“Walden Guitar has helped me compose and express the true me; Walden Guitar enables me more freedom; Walden Guitar makes it easy to play, compose and be free.” Maite Kelly Walden Germany Artist maitestarkelly.com
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“The Walden lies very well in the hand and is easily playable. It convinces with its warm sound and I very much like the simple design. A really beautiful guitar that perfectly fits my music with its true sound.” Nadine Kraemer Walden Germany Artist nadinekraemerband.com
“This is a guitar with a strong character, perfect for playing chords and melodies. The guys at Walden have spent a lot of time in developing a great sounding instrument. With perfect tuning stability and a superb feeling, it is able to capture the attention of both the player and the audience! The Walden Paolo Gianolio Signature is an acoustic guitar that I would and could really recommend to all of my guitar player colleagues!” Paolo Gianolio Walden Italy Artist paologianolio.com
“This is a top shelf guitar in so many respects, and its available to folks in a way most guitars of this caliber would only be dreamed of. If you dream of one day owning a truly fine acoustic guitar but feel that it's just out of reach — guess again! That day is here.” Sean Harkness Walden USA Artist seanharkness.com
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SupraNatura N2030 “ I p l a y a Wa l d e n S u p r a N a t u r a N2030. This one is just ingenious and easily playable with its smallish distance between the strings and fingerboard. Barrés work is troublefree, something that can be a decisive factor for beginners and really recommends buying a Walden guitar. And you get an unbeatable value for a commendable price.” Sonja Ullmer Walden Germany Artist
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Scan the QR code with your smartphone for more information on the N2030.
“My Walden guitars (steel and nylon strings) are in constant use, live and in the studio. They sound great, are easily playable and do really amuse.� Tobias Meinen Walden Germany Artist gitarrenunterrichtberlin.de
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Natura G740CE “I've owned Martin guitars in the past and tried many guitars before making my most recent purchase (Martin, Taylor, Alvarz, Breedlove, Atlas, Takamine) and have to say that I'm really impressed by the playability, sound and value of your guitars. Thanks for making such a guitar available for those of us that don't have thousands of dollars to spend, but still want a good sound.” Derek R.
“Bought a G740CE last Fall and like it so well that I just bought a G630CE for open G tuning and slide. After playing dreadnoughts for many years I find the G-body more comfortable and with a better-balanced sound than most larger guitars.” Charlie A. Thunder Bay, Ontario, USA
“Walden is a versatile guitar appealing to various genres allowing for a variety of uses from one single guitar.” Justin Willet Walden USA Artist willetonline.com
Scan the QR code with your smartphone for more information on the G740CE.
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Natura G730 “When I recorded 'Rest Now (Reprise)' I was stunned at how the guitar recorded so effortlessly. By that I mean there was little EQ used and Reverb was only for flavor. The guitar is now 5 months in my possession. It has gotten better and better and there is a personality that comes out of this instrument that just makes me smile. “You know that Walden is the first choice of mine when recommending a guitar. “It must make you smile to know how many people love these instruments. I sure do. I think I sold another one tonight... A guy who is coming to my studio for a recording project played it and FELL IN LOVE ! I told him to go to Play It Again Music in Ann Arbor, MI and buy himself one. He seemed pretty interested. He asked if he could use mine in the studio if needs be. I said of course. “So now I am getting a G570... Tho I am awfully tempted by the O550.... We'll have to see. Anyway thanks again for these fine instruments... I am a fan for life. I have a pretty big stable of guitars but I will buy more Waldens and sell others I don't like as much. “This is my Walden with a student's new G570 and is she ever happy! She wants me to record with it so my next unheard of 'greatest hits' will be with hers and mine Gs.” Cliff Sullins
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“My new Walden guitar delivers a rich, warm tone which turns any concert venue into a living room with a small fireplace, blanket and hot cup of coffee.� Jeremy Willet Walden USA Artist willetonline.com Scan the QR code with your smartphone for more information on the G730.
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Natura G630CE “I have played guitar on and off for about 27 years and, although I am pretty proficient in various styles of electric and acoustic type music, I am not a professional musician. I do know a good instrument when I see one though, and I have had the opportunity to play quality instruments such as Martin, Taylor, Ovation, Takamine, etc. “I bought my G630CE from eBay as a new but blemished due to two tiny hairline cracks in the lacquer, so I paid only about one third of the normal United Kingdom retail price. Because of that I knew I would be getting a pretty good instrument for a bargain price, but this did not prepare me for what I discovered when I opened the box. “The guitar was presented very well in its standard cardboard box, and comes with a great little humidifier and full instructions for that and the electrics. I was a little worried about the darkness of the back and sides and feared that it may be inferior wood or plywood stained to emulate rosewood very convincingly, but quickly discovered that not only are the back and sides good tonewoods, but the cedar top is of a close-grained quality that is quite rare these days. The finish quality is as perfect as one can hope for in a natural wood instrument, and the fretwork was immaculate. The only thing I would say is that the bridge and fingerboard do need some feeding as they look and feel a bit dry, but this is normal and should be done regularly by the user anyway. “I could feel the resonance even by handling the guitar before tuning it to pitch which was done accurately with the quality gold coloured machine heads that enhance the appearance. Wow! The guitar sang sweetly and stayed in tune after a quick stretch of the strings and a re-tune. The intonation is spot on, and harmonics ring out better than any other acoustic I have played. The neck is very comfortable and string spacing feels somewhere between a standard steel string acoustic and a Fender Stratocaster, so it's easy to get an immediate feel for the fretboard. “The Fishman Classic 4 transducer does not let the guitar down when plugged in. Even though I first tested it on a little 10 watt Ibanez acoustic amp, the tones were true and very lively. The graphic equaliser works very well when playing through different amps and altering playing style, and gives enough variation and compensation for just about anyone's needs. I tried to make it boom and feed back, but I found it almost impossible where much more expensive guitars have annoyingly done so without trying. “I'm going to love playing this guitar, and I would recommend this model to any serious amateur or professional musician without reservation at the full retail price. In other words, my bargain purchase is not flavouring my perceptions of what is a quality instrument.” Bill Dalziel Scotland 72
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“I absolutely adore my Walden. I have recently bought a G630CE and without doubt, it is my favourite acoustic. “I have been playing for 30 years, during that time I have horse traded so many guitars I can't count them all. In the late 90's with a new job and starting a family — my music went into the closet. Now my daughter does not need so much attention lavished on her — I have in the past two years got back into playing guitar again. “I have too many strats, 335's and some home brew guitars. I wanted a nice classy acoustic, but just could not find what I was looking for — until I found Walden. The balance of sound is just perfect, the resonance is to die for. The intonation as supplied was perfect and makes the harmonics just ring. I play all sorts of genres and have used this from classical pieces, through jazz and blues, to rock and experimental. “Thank you Walden for producing my most prized guitar — a guitar that will get even better over time. This one will stay with me forever, it's a keeper and a joy to play.” Ian J Cowan Washington, UK
“It took me four years to find my true love (a Gretsch Sierra Jumbo with the Fishman 'prefix') but your G630CE beat it out....I've owned Martins, Epiphones, a Gibson, a Guild, a Blueridge, Jay Tursers, Washburns and many others within the $500 to $800 range. I purchased the Walden for less money and it's better than any of these.” Steve Bottcher
Scan the QR code with your smartphone for more information on the G630CE.
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Natura G570 Family “I just bought a G570, and I’m astounded by the amount of quality and tone packed into such an inexpensive package. I’ve owned a LOT of nice guitars over 25 years, some as much as 5 times the price of the G570, and this one can hold its own against any of them. Thanks Walden!” Rob S. Needham, MA, USA
“I am the proud 2nd place winner of your G570 through the Walden Giveaway with Playguitar! What a beautiful guitar! The tone and action are perfect for me. It's even caused me to venture out of the woodshed and into a small band. Not a bad start for a 52 year old that's been stuck in the same chords and simple riffs for the last 30 years, eh?” Dave Middleton
“I picked up my Walden G570CE about a year ago and it was absolutely love at first sight. I personally have always been a dreadnaught fan but the feel of the Grand Auditorium blew me away. Walden’s are becoming extremely popular among my friends and fellow pickers. A close friend of mine that I perform with took one look at my Walden, played for about ten minutes and then went out and purchased one identical to mine. We have since had to have our names stitched into our gig bags to tell our instruments apart. I was asked one Saturday night at an open mic night if I liked my Taylor I was playing and my only response was, 'You must be mistaken, I only play Walden guitars.' Thanks so much for producing a guitar that sounds like a million dollars but doesn’t cost it.” John Hudson Spartanburg, SC, USA
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“Today I got my new Walden, a lovely G570TB. I am still surprised at the cost since to me it sounds and plays and seems built and set up like a much dearer instrument. I initially played the all solid and more expensive G3000 at Manson’s guitar show last weekend in the UK, but I liked the cedar top of the 570 and the price too! I would add that I have played guitars by Freshman, Yamaha, Takamine and Tanglewood in this price range and up to about £500 and although very good, I can say that to my ears this guitar is better. Owing to the low cost of the Walden and a favourable p/x deal I was also able to afford a dreadnought I had my eye on as well, so I can now benefit from two totally different bodied guitars giving me a broader range of sound.” Matt Allen Exeter, UK
“It was love at first sight! When the Walden G570TB became available I bought her at first chance. What a beautiful looking guitar as well as an amazing sounding guitar! Still can't get over the price! I will be forever, a life-long Walden guitar fan. Thanks.” Trina B. Ogden Dunes, IN, USA
Scan the QR code with your smartphone for more information on the G570.
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Natura D550 “I just purchased, yesterday, a D550 and absolutely love it! I feel like the luckiest 58year old guy in the world. It was the only Walden in the store, hanging among Martin's, Larivee's, Gibson's, Cort's, Seagull's, Fender's, Epiphone's, and others. Although many of those others were excellent guitars, when I played the Walden D550 it had the most wonderful, musical voice I could imagine. The fit and finish superb in every detail. The set-up and action were perfect. My fingers glide effortlessly up and down the silky fretboard, and the strings do not screech when sliding over them. Moreover the string spacing is great for fingerstyle playing. I cannot believe how easy this instrument is to play. The string tension in regular tuning seems so relaxed, and yet the tonal qualities do not degrade under moderately heavy strumming. The strings are so very easy to press down, and yet there is no buzzing.”
“I recently purchased a nice affordable Walden D550 acoustic guitar for a friend that wanted to learn how to play. I looked around a few stores and the guitars in that price range were typically in need of severe adjustments, then I came across the Walden Guitars. This guitar played nicely right off the shelf with a nice rich tone and the factory setup was great. For the money I figured she couldn't go wrong. So I gave a few lessons and the more I played this guitar the more I liked it. So after a few nights on the web and reading up on Walden Guitars I've taken the plunge and just ordered a 12 String D552, a G3000 and a G1070CEQ for my own personal use. The quality of the parts and workmanship is fantastic and make these the best value in acoustic guitars that I have seen in years. Keep up the great work!” Paul Toracinta Rockville, RI, USA
Ralph Fourt
Scan the QR code with your smartphone for more information on the D550.
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“The fit and finish are very good, the playability is very very good, and the tone is a cross between Martin and Taylor. Every string plays true with punchy trebles and a very present bass. I am very pleased.” Tom Gindorf
“I have been playing acoustic guitar since I was 8 and I am 42 years old. I play for my own enjoyment and never really have had any desire to be a professional player but I have owned a lot of different low priced guitars over the years. I have owned Washburn's, Ovation, Alvarez and Oscar Schmitt to name a few.
made by Martin or even some of your lower priced Taylors. I own a ESP-LTD, EC-100 and a Jay Turser Tele but the guitar I seem to not be able to go more than a day without picking up and playing is my Walden D550. This guitar feels as good as it sounds and I could not be happier with it. If your looking for a quality guitar that is pleasing to the ear snag yourself a Walden, you will be glad you did.” Scott Tuckness
“With a wife and 3 kids to support going out and snagging a Taylor or Martin is not going to happen so when I was looking to get rid of a Jumbo sized acoustic I went shopping. A little place by the name of P-Hill Auctions in Pleasant Hill, Missouri was selling some Walden's, so I got curious and being an IT manager for GE I research everything I purchase. While I could not find a lot of ink on Walden guitars what I did find was nothing but good. Normally you find 50% of the people love a brand and the other 50% hate them and start talking about the action being too high or the tuning keys being horrible or the neck not having a good feel and of course the most important thing about any guitar: TONE. “Finally I went to P-Hill played a Epiphone, Jay Turser and a Washburn D-10S before I picked up the Walden D550. While it did not have fancy tobacco sunburst or blue or red shiny paint job it was nice looking in a natural way, thus natural finish. However I tuned this guitar up, and starting playing some chords and the tone of this guitar just about knocked me off the stool I was sitting on. “Folks this guitar has tone that I believe could stand up against 800 to 900 dollar guitars
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Natura T550 Travel Guitar “With a great acoustic sound for the studio and the more intimate venues, the T550 is also small-bodied enough to avoid feedback issues when equipped with a pick-up and plugged in for the big stage. It is reliable, versatile and has a tone entirely its own — just what I've been looking for.” Andres Roots Walden Estonia Artist andresroots.com
“Just unpacked my Walden travel guitar. I'm speechless, it sounds great, first and most importantly. It's beautiful, it was in tune out of the box, the gigbag is great and there is a humidifier! I can't believe it, how do you do it? My baby Taylor sounds like a toy compared to the Walden. I have to work in Switzerland unfortunately even though I live in Torino, Italy, but you guys just gave me some help to get up in the morning and go through my work days knowing that when I get home I have a real guitar to play even though all my axes are back in Torino.” Paolo Torino, Italy
Scan the QR code with your smartphone for more information on the T550.
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"I’m a touring singer/songwriter. I play all kinds of stages with different set ups, sound guys, bands and crowd sizes—sometimes all in one day. I need an instrument that is comfortable, transportable and reliable. I need to know I can pull a great sound at a moments notice. That’s my Walden." Sally-Anne Whitten Walden Australia Artist www.sallyannewhitten.com.au
"She grew musically out of her old guitar. The music shop we go to recommended a backpackers size guitar to us with softer strings and set it all up for us, as the rest of her family (me included) have not got a musical bone in our body. It is a pleasure to see her play now and the enjoyment she gets from your guitar. I attached a picture of her busking in town, she has just turned 11." Linda Knight Anna's mother UK
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Natura O550 Ochestra Model “I´ve chosen the Walden Orchestra O550CE. Her body is comfortably small, but anyhow it sounds warm and pressing. It is perfect for live sessions and sounds exactly the way I wished for. The sound is sparkling, but also deep and warm.” John Goldtrain Walden Germany Artist myspace.com/johngoldtrain
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"Having toured and produced extensively, I have had to expect a high level of reliability from my guitars. From my initial contact with the guitars through to today, Walden has provided me with that pleasant surprise that not only provides me with a great stage instrument but one which also gives me that additional choice in the studio." Alwyn Aurisch Guitarist of The Rumour Mill & Session Walden Australia Artist myspace.com/alwynaurisch
“The O550 has the same Walden qualities of sound as the other models I own and/or have played. There's an 'air' or 'lightness' to the tone. I've just never been able to aptly define it with words. This guitar also has that quick response, 'snappiness', off the soundboard that I've personally come to really like about Waldens. I like what I hear, especially with regard to how nicely it recorded. The O550 will be used for a song or two on my next Fingerstyle CD. “I find the tone to be a bit similar to a parlor guitar I own. Yet, overall, it does have the OM type sound which is comparable to the nicer OM style guitars that are in the $14002000 price range. But you know yourself how subjective guitar tone is.
Scan the QR code to listen to the O550.
“ Ye a h , I l i k e w h a t I h e a r w i t h t h e O550...definitely!” Michael Mucklow Walden USA Artist
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Natura D552 “I've had my D552 for about a month. I love it. It plays well and holds tune very nicely. This is my first (and probably only) 12 string. I've heard they can be hard to tune and keep tuned, but this one does very well. I play it and my D550E about equally, leading praise and worship in the church I attend. Thanks for two great instruments.� A. J. Smith of Seven Springs Church Calera, AL, USA sevenspringschurch.net.
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Scan the QR code with your smartphone for more information on the D552.
“My wife bought me a D552 for Christmas. What a fantastic gift! I had played many other 12 string guitars at a local music store, including Fenders, Seagulls, and Taylors. I found the Walden D552 be be a very comfortable 12 string to play. This guitar sounds excellent and was my favorite of the lot. An incredible value as well. Everyone that has seen and played my Walden is amazed by how great it sounds and how great they compare to other 12 strings.” Robert Jacobson Chicco, CA, USA
“I let my brother and three other friends try my Waldens and none of them believed the quality, and the voice on such affordable guitars. Bottom line, they now all own one.”
“I traded in my Yamaha 12 string for a brand new D350CEB for my 12 year old son. This guitar, even for being on the entry level of Walden, is fantastic! He loves it. Hell, I love it! It's very comfortable/easy to play and sounds great....not to mention it's great looking black gloss finish. Also, I sold my 'Little Martin' and picked up the D552 for my son for Christmas. It arrived and I had to take it out and try it before I wrapped it and put it away. What a great sounding guitar. Blows that Yamaha away by a long shot! This D552 is also comfortable/easy to play and sounds incredible. Keep up the good work! I don't know how many more Walden's one family can have! It amazes me that with this quality (and price point) that Walden's aren't more common.” Steve Valenti Weston, CT, USA
Michael C. Troy, NY, USA
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WALDEN REVIEW BOOK 2012 Edition Copyright@2012 Walden Guitars. All Rights Reserved.
Photo: Takako Harkness