SOBER. LIN,JYUN-SHENG PORTFOLIO
# I feel like I'm losin' my focus. # I feel like I'm losin' my patience. # I feel like my thoughts in the basement. # Feel like, I feel like I am misunderstood. # Feel like I don't wanna be bothered. # I feel like I may be the problem. # I feel like it ain't no tomorrow, in this world. # The world is endin', I'm done pretendin'. # And dont wanna get stuck if I stay still. # I feel like friends been overwhelmed. # I feel like the environment be slacken. # I feel like the feelings are changin'. # Feel like curiosity is jaded. # Feel like no parody. # Feel like, I should not settle.
2014-2020 PROJECTS REVIEW Originated by LIN, JYUN-SHENG
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#Prologue FOR TOO LONG, WE DESIGNER, MOST OF US NEARING ME HAVE BEEN LYING TO OURSELVES. WE SAY WE’RE HERE TO MAKE THE WORLD BETTER, WHEN IN FACT, WE’RE SERVING OURSELVES. AND WHY? WE ARE DRIVEN BY OUR OWN DESIRES TO GET MONEY IN AN EASY WAY, BY FOLLOWING FORMER MODULES. OUR NEED TO STAY IN EASE ECLIPSE OUR DUTY TO PROGRESS. I THINK WE DESIGNER BUILT THE WORLD IN EVERY FIELD, FROM A CHAIR TO A MASSIVE SKYSCRAPER. THEREFORE, WE HAVE MORE RESPONSIBILITY TO PROMOTE HUMAN WORLD’S FACILITIES. AND THE TRUTH IS THIS: WE HAVE FORGOT OUR COMMISSION. I STILL REMEMBER HOW THE VERY FIRST TIME I READ LE CORBUSIER’S URBANISME, I WAS TOTALLY SHOCKED BY HIS PROSPECTIVE AND DETERMINATION, ALTHOUGH SOME OF THE POINTS WERE PROVED TO BE WRONG. HOWEVER, IT WAS THAT SINGULARITY IN HISTORY PUSHES HUMAN SOCIETY FORWARD. THAT IS A DESIGNER SHOULD KEEP IN MIND AND PUT INTO PRACTICE.
INTRODUCTION Originated by LIN, JYUN-SHENG
Contents 2 INTRODUCTION 3 ENCLOSURE OF URBAN EVOLVEMENT 03 10 13
Hierarchy never died #1.1 Enclosure of Urban Evolvement #1.2 Reverse house price strategy #1.3
17 OZYMANDIAS 18 18 19 20 21 22
We are Ozymandias #2.1 Function Area Required #2.2 Site Strategy #2.3 Units & Forms #2.4 Arrangement of Board Type #2.5 Area Design Strategy #2.6
25 DELUMINATOR 26 26 27
Attention Absorber #3.1 Site Strategy #3.2 Diversion Between Day & Night #3.3
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WORKING PROJECTS
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Toucheng post office #4.1 Zhubei CINEMAS & public parking garage #4.1
33 APPENDIX 33 33 34 34 35
Fine art works #5.1 Self-training_form finding #5.2 LOGO design#5.3 Fine art works #5.4 Curriculum & Vitaetion #5.5
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ENCLOSURE OF URBAN EVOLVEMENT CLASS DEFFERENCE OF URBAN EVOLVEMENT EQUALITY Academic Thesis Design_2018 Type : Urban Planning Location : Taipei city, Taiwan Area : Daan Forest Park Users Amount : 20,000 min Key Description :
Reconising hidden class stage in urban city. Constructing public housing to balance housing price.
03 10 13
Hierarchy never died #1.1 Enclosure of Urban Evolvement #1.2 Reverse house price strategy #1.3
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HIERARCHY NEVER DIED #1.1 Hierarchy has existed for thousand years in human society. Both estern and western have developed each system in which people or things are put at various levels or ranks according to their importance. Nowaday, modern society seems to be more free and equal. But the fact is : hierarchy has transformed into some forms can’t be easily found. Ancient China had a solid and precise system specified people what to say or wear .etc. And it is a good subject to analyse.
Human be claded by 3 levels of space which are cloth size, house size and city size. Each level shows people’s class in diffenent ways.
size S
size M
size L
Every stage of ancient China reprented each syle of dressing, further more, the fact that people in different class dressed in different garment to show their stature.
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Chinese ancient clothing can be divided by 3 sizes of Sleeves. Each dynasty has different pattern of sleeves. Gradation of sleeves’ size is the most obvious feature of stature. Fundamentally, the higher stature people was in, the bigger sleeves be. The bigger sleeves be, the useless sleeves were.
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Percentages of sleeves accounts for graments analysis Spring & Autumn Times
Qin & Han Dynasties
Sui & Tang & Five Times Dynasties & Ten Kingdoms Period
Yuan Dynasty
Ming Dynasty
The Wei,Chin Southern Northern Dynasties
Song Dynasty
Qing Dynasty
Through the mapping of different sleeves representing different stature and dynasties, confirming
“form is stature’s feature.�
Mapping of different sleeves representing different stature and dynasties
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Percentages of verandas accounts for buildings analysis
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Mapping of different verandas representing different stature and dynasties
Through the mapping of different verandas representing different stature and dynasties, confirming no matter which level human be claded, form representing people’s stature outline.
“form is related to stature outline.�
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Enclosure of Urban Evolvement #1.2
Enclosure of Urban Evolvement #1.2
The Capitalism has failed us.
Once upon a time, we fought for our rights, freedom and equality, when we finally broke away lords and royals’ solid control.
Work hard, economic freedom, industrial manufacturing and trade market had once emerged everyone’s imagination about good lives including us, designers,
We fell into another vicious cycle – Capitalism.
in fact, we’re lying to ourselves. We are not guaranteed success.
People have put enclosure behind for years. We did never eliminate class difference.
Our children will not have a better life than we did. Ten million of us can’t even buy us a house, even though we desperately design one and another. We’ve been crippled by trade market, money games, by politics, by entitlements. We are entitled to nothing. We human society was built on the spirit of unity. We together build our future. We together build our tribes to defend invasion. We together build our nation to expand footprint. And the problem with Capitalism is that it destroys our cooperation by separate us into different classes.
Class difference never truely died. Class difference has rooted in humans’ cells. Class difference has transformed its appearance from solid laws to Socioeconomic status. Class difference can be found out through observing real estate market. And we can reverse class difference by design.
Begun with indagating the development of Eastern custume, continued studying the series of Architecture & Urban form history. I extracted the meaning under their representational form, including the dynasty, stages, culture, profession. Trying put the Class consciousness' prototype of former society transforming into modern society in the aggregate. Returning to modern cities observation, discovered the main target of 19 century’s enclosure has conversed from farms & factories into housing & business district. So I call these urban phenomenon " Taipei city state ", and tried to overflow the modren cities' stage gap on these basis.
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Line graph of land value nearing site from 1983-2017.
Divergence of land value nearing site
Statistics of land value nearing site
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Comparing to building's height, house price height was obviously higher.
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“city’s form is related to Socioeconomic status.”
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Statistic of site's elements
REVERSE HOUSE PRICE STRATEGY #1.3
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Design's urban Fabric against site's to connect to exsiting roads.
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Deconstruct exsiting park and put all the elements back to maintain park's function.
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ter '. e m s eri park p s r l ria e c t form i l b o Pu als t u eq
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Site plan
Floor plan_0001_FFL= +300cm
Floor plan_0001_FFL= +4,000cm
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C H A P T E R T W O
OZYMANDIAS META DESIGN CENTRE
Academic Personal Project_2016 Type : Design Centre Location : Taipei city, Taiwan Area : Commercial Area Users Amount : 932 min Key Description :
Using digital tools define ultimate area programing & create space appropriately. We are Ozymandias #2.1 Function Area Required #2.2 Site Strategy #2.3 Units & Forms #2.4 Arrangement of Board Type #2.5 Area Design Strategy#2.6
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a % .7 icAre 9 1 bl Pu
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And wrinkled lip, and sneer of cold command,
01. Studios @7 02.Laboratories @ 10 03.Class rooms @2 04. Meeting rooms @12 05. Factories @2 06. Modeling rooms @2 07. Gallery @1 08. Lobby hall @1 09.Office @1 10.Computer room @1
postgraduate 1st year: 15people 2nd tear: 15people 5 professors 10 lecturers 60 students
Tell that its sculptor well those passions read
5 students + 1 advisor 70 people
Which yet survive, stamped on these lifeless things,
My name is Ozymandias, King of Kings; Look on my Works, ye Mighty, and despair!
laboratory
sophomore
lectureroom
junior
freshman
senior
exhibition
8.2%
25.6%
9.2%
Nothing beside remains. Round the decay
9.2%
Of that colossal Wreck, boundless and bare
9.2%
24.2% 9.2%
The lone and level sands stretch far away.” -- PERCY BYSSHE SHELLEY
We built human society by our hand and pragmatic. God created world, and we discovered it. By forming a coalition, we designers from every field can recreate the world. Look at our works, ye gorgeous and stunning!
School of Interaction Design usable area requirements: 01. Studios @8 02.Laboratories @ 10 03.Class rooms @2 04. Meeting rooms @12 05. Factories @2 06. Modeling rooms @2 07. Gallery @1 08. Lobby hall @1 09.Office @1 10.Computer room @1
undergraduate freshman: 60 people sophomore: 50 people junior: 50 people senior: 40 people postgraduate 1st year: 20people 2nd tear: 15people 5 professors 5 lecturers 60 students
ractive Des Inte ign f lo o ho 3% . 30
We designers are all Ozymandias.
sophomore
laboratory
junior
lectureroom
senior
freshman
exhibition
24.1%
7.2% 7.2% 7.2%
22% 16.9%
60 students + 1 advisor
The hand that mocked them, and the heart that fed; And on the pedestal, these words appear:
5.7% 7.2%
lecturehall
15 employee
ign
Half sunk a shattered visage lies, whose frown,
undergraduate freshman: 60 people sophomore: 50 people junior: 45 people senior: 35 people
5 students + 1 advisor 70 people 10 employee
School of Industrial Design usable area requirements: 01. Studios @8 02.Laboratories @ 10 03.Class rooms @2 04. Meeting rooms @12 05. Factories @2 06. Modeling rooms @2 07. Gallery @1 08. Lobby hall @1 09.Office @1 10.Computer room @1
st r i a l D e s
Stand in the desert. . . . Near them, on the sand,
usable area requirements:
ndu
Who said—“Two vast and trunkless legs of stone
School of Architectre Design
undergraduate freshman: 50 people sophomore: 50 people junior: 40 people senior: 30 people postgraduate 1st year: 20people 2nd tear: 15people 5 professors 8 lecturers 50 students 5 students + 1 advisor 70 people
Sc h 28 ool .7 % of I
I met a traveller from an antique land,
f Architec ool o h c 41.1% ture D S es ig n
WE KNOW HOW TO ORDER
FUNCTION AREA REQUIRED#2.2
15 employee 50 students + 1 advisor
3.3% 8.7% 8.7% 41.9%
8.7% 10% 18.7%
60 students + 1 advisor
Sc
WE ARE OZYMANDIAS #2.1
sophomore laboratory
junior
lectureroom
senior
freshman
office
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SITE SRATEGY#2.3
site segmentation defination
Maximizing space using
publishing design woks & allying commercial using migrating design school for independent operation
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UNITS & FORMS#2.4 06
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Area Required Graph Integrating 3 kinds of requirements & analize posibilities of each assembling.
Paramatric Logic
nts e m . i re bling u re q ssem f s o ch a d i n f ea e k p 3 g ities o i Ty n o i n rat sibil oro g V o e f I nt lize p ro o i Pr na a y n ti es
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ARRANGEMENT OF BOARD TYPE#2.5
001_Massing Spliting Rules
002_Equipments' Assembling
003_Office Assembling
004_Factories' Assembling
005_abxffjnfnqwlfnlwnflwnflknw
006_Floors & Stairs' Assembling
007_Studios' Assembling
008_Classrooms' Assembling
009_Public Areas
010_Exhibitions' Assembling
011_Laboratories' Assembling
012_Conference rooms' Assembling
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AREA DESIGN STRATEGY#2.6
School of interaction design
School of indutrial design
School of Architecture
FL001= -760cm
FL002= +440cm
FL003= +1640cm
FL004= +2840cm
FL005= +3440cm
FL006= +4440cm
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DELUMINATOR
ATTENTION ABSORBER
26 Attention Absorber #3.1 26 Site Strategy #3.2 27 Diversion Between Day & Night #3.3
Art Gallery Personal Project_2017 Type : Exhibiton & Auditorium & Studios Location : Taipei city, Taiwan Area : Cultural Area Users Amount : 60 min + 200(audience) Key Description : Transforming 2 types of facade between day & night.
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ATTENTION ABSORBER #3.1
SITE STRATEGY #3.2
[Harry Potter ] Albus Dumbledore using deluminator to extract lamp’s light.
Site Location
Tourist viewing painting Mona Lisa.
Attention be absorbed by color block.
Inspired by Harry Potter's tool "deluminator", which abosorb lights. People's attention can be easily drew away like deluminator. In my country, building's facade is always filled with Signboards, which covers its original outline. I create a building display mode which can switch due to different function needed. Signboard on buildings is deluminator.
01. Studio 02. Public Exhibition 03. Elevator 04. Auditorium
Plan_001_FFL= +150cm
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DIVERSION BETWEEN DAY & NIGHT #3.3
Floors & Stairs v.s. Public Area Led contents correspond to facade.
Area Requirements' Programming.
Design massing's transfom development.
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01. Studio 02. Public Exhibition 03. Elevator
Daytime architecture facade.
Plan_002_FFL= +730cm
Nighttime architecture facade. 01. Studio 02. Public Exhibition 03. Elevator Plan_003_FFL= +1200cm
01. Studio 02. Public Exhibition 03. Elevator Plan_004_FFL= +1600cm
Combing two types of LED pannel turns architecture into a big signboard or open cinema.etc due to different activities requirements. Maximizing architecture outline's posibility. LED walls can be uesd for briefing or displaying pics and videos. By controlling LED's on & off, architecture can be any types we want anytime.
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LED Pannel hanging on facade
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TOUCHENG POST OFFICE UNDER CONSTRUCTION
Public Construction Proffesion project_2019 Type : office Location : Yilan city, Taiwan
Area : Cultural Area Users Amount : 80 min Architect : Great-First Architect & Associate Position : Project Mannager
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ZHUBEI CINEMAS & PUBLIC PARKING GARAGE UNDER CONSTRUSTION
Commercial Proffesional Project_2019 Type : Cinemas & parking garage Location : Hsinchu city, Taiwan
Area : Commercial Area Users Amount : 3,000 min Architect : Great-First Architect & Associate Position : Project Mannager
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APPENDIX Digital Installation art #5.1 Self-training_form finding #5.2 LOGO design #5.3 Fine art works #5.4
[#5.1] Using grasshopper finding the best structure which stands itself.
[#5.2] Combing traditional Japanese & Chinese form with brutalism experiments.
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[#5.4] Misty Mountain
[#5.4] Thunder!
[#5.3] stereoscopic " 垀� " fonts
[#5.3] stereoscopic "AR" fonts [#5.3] stereoscopic "AR" fonts
[#5.4] Human scale practice_ Vitruviano
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LIN,JYUN-SHENG
Email : llinnllaa@gmail.com Mobile Phone :+886-975205386
Personal Info : 19th October 1993, born in Taipei City,Taiwan
CURRICULUM & VITAETION
Education : Nov 2012-Jun 2018 NATIONAL TAIPEI UNIVERSITY OF TECHNOLOGY, Bachelor of Architecture Work Experience : January 2018 to date, Great-First Architecture and Associates Executive Designer to Project Manager and Team Leader, organizing design competition team from programming to composing a proposal, concept conceiving, formalizing a complete SOP for architectural competition, regulating a team managing two projects budgeting 12 and 9 billion, contact person for two projects, producing design drawing and construction drawing, budget management. Extracurricular Experience : Jul 2015 – Aug 2015 Summer Camp of Architecture Department - General Coordinator Sep 2015 – Oct 2015 Farewell Party of Architecture Department - General Coordinator Jul 2016-Oct 2016 Orientation Camp of Architecture Department - General Coordinator 2016-2017 Director of Student Association of Architecture Department Apr 2018 Graduate Exhibition_01 of Architectural Design – Exhibit Designer Jun 2018 Graduate Exhibition_02 of Architectural Design – Curator Languages : Mandarin Chinese (native) and English (standard) Computing Skills : 3D modeling softwares : Rhino6.0, grasshopper, 3ds max 2019, V-Ray for 3ds max, Sketchup2019, Lumion8.0, Revit 2019, Twinmotion 2D graphic softwares : Autocad 2019, Adobe Illustrator, Photoshop, Indesign Animation softwares : Adobe Premiere, After Effect Word softwares : Microsoft Word, Excel, PowerPoint
Originated by LIN, JYUN-SHENG
