ExhibitionCATALOG
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Recreating the world as we see it is not my concern. I want to go further to where my mind drifts off. I want to be a part of the painting process, challenging all my rational choices. On this endless road, you suddenly walk without feet, no road ahead, taken by an unknown, strong wind letting you down in the middle of nowhere. That is where I want to go, to meet with the unknown.
Marit Geraldine Bostad, February 2023Create Magazine Issue 34
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Welcome to Marit Geraldine Bostads solo exhibit
“A Meeting With The Unknown”
Spring is here and once again a great pleasure we present Marit Geraldines exhibit and online catalog, at Gulden Kunstverk Gallery in April 2023.
Alle paintings are for sale. Prices are listed in NOK (Norwegian kroner) Please use a currency calculator to find the price in your currency. Should you be interested in purchasing one or more of the paintings, please contact us by phone, text or email.
We can offer free of charge digital mounting of specific paintings in your home or office. All you have to do is send us a photo of your space, a few measurements, and we’ll return the photo with a new painting on your wall.
Welcome to Norways most beautiful art gallery and the beautiful art work signed Marit Geraldine Bostad
TELEFON: (47) 32 23 62 80 or 934 02 977
EMAIL: POST@GULDENKUNSTVERK.COM
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M
arit Geraldine’s dynamic career continues to gain momentum. In May 2022, one of her works could be seen all over London. Her painting was chosen as the "Face of" The Affordable Artfair UK.
In other words this Norwegian abstract artist fronted all marketing material for the well renowned British art fair, evident in London's cityscape and art industry. There were interviews, great attention, and a sold-out stand at her London gallery, Mint Art. Today, Marit Geraldine works with a growing number of galleries abroad, in London, New York and Dubai, and soon representation in Paris. The artist is also represented at Madelyn Jordon Gallery in New York, with whom she started working in 2017.
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Marit Geraldine Bostad was recently interviewed by the international art magazine Create Magazine, where she describes her artistic work as a continuous encounter with the Unknown. Her palette or range of colours is not limited until she starts painting, and all the mixing of colours takes place on the canvas itself. She rarely uses a brush but rather other tools that provide expressive and diverse strokes. By removing the unnecessary so that only the essence remains, it is up to the viewer to interpret the work based on their own stories and experiences.
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Words
Words 1
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Words 10
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Distant Memory 1
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Distant Memory 2
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Marit Geraldine Bostad is once again back at Gulden Kunstverk Gallery with a powerful exhibit, “A Meeting With The Unknown”, a collection of fresh paintings that deal with the inner psyche, memories and human relationships. Her artworks are created spontaneously - at the intersection between the conscious and the subconscious. She describes her practice as disconnecting from an externally controlled world. She wants to free herself from the conscious choices in the hope of achieving a new interaction, a new source of inspiration and a redefined artistic expression, through a free expressionistic approach to painting.
Marit Geraldine first exhibit “Hope Island” at Gulden Kunstverk took place in 2020 during the pandemic. It was a time of isolation and distance, little physical contact and great uncertainty in the world. In the middle of this darkened scenario, the artist spread hope in the gallery with her bright and sensuous abstract paintings - her «lockdown» series. But now we are free to come and be inspired together in Norways most beautiful gallery.
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Organica 1
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Abstraction is a powerful tool for breaking from the expectations of the human experience.
The abstract painter operates in a realm separate from the conditions of the everyday, experimenting within a new flexible dimension where the conscious and subconscious meet.”
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“
The most inspiring moments are when the paint itself find new ways, takes interesting and unexpected turns across the canvas. At those moments I need to use my intuition, to either follow or reroute. I don´t listen to music when I work, I use silence as a mentor - to enable me to hear my own voice. I am constantly in a dialogue with my material, it is all about give and take.”
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