Wassem Hawary, M.Arch
Portfolio architecture + design selected works 2009 I 2013
Résumé
Wassem Hawary 1600 N San Fernando Blvd, APT 232, Burbank ,CA, 91504. Arch.wassem@hotmail.com +1-909-908-1266 Professional Experience January 2013- May 2013
Research Assistant, Career and Outreach School of Architecture, Burbank, United States of America.
August 2012- May 2013
Laboratory Assistant in Architectural Department School of Architecture, Burbank, United States of America.
August 2009 – July 2010
Junior designer in the Ministry of Higher Educa on, Jeddah, Saudi Arabia.
March 2009 – January 2009
Design Eleva ons for a Residen al Hotel Drawings, Presenta on & 3Dmax Perspec ve, Jeddah, Saudi Arabia.
May 2008 – July 2008
Junior designer in the Architectural Department of Zuhair Fayez Partnership Consultants, Jeddah, Saudi Arabia.
February 2007 – March 2007
Junior architect in the Architectural Department of Omraniyoun, Mecca, Saudi Arabia.
March 2007 – January 2007
Design Residen al Hotel alone with Drawings, Presenta on & 3Dmax Rendering, Mecca, Saudi Arabia.
EducaƟon/Professional Development August 2012- July 2014(expected)
Woodbury University- Masters of Architecture (M.Arch), Architecture.
August 2005 – July 2010
Umm Al-Qura University, Bachelor of Architectural Engineering, Faculty of Engineering and Islamic Architecture (B.Arch.).
Architectural CompeƟƟons August 2009 – July 2010
Design a special path of travel to Benefit People with Special Needs in a historical mosque (Holy Mosque).
Honors/ Exhibit Part of WUHO Gallery for the 2D3D-4: Quick and Dirty exhibit Complete 35 hours of prepara ons for Project Management Professional cer ficate (PMP). August 2005 – July 2010
Ranked 9th in the Department of Architecture for whole 5 years, UQU.
January 2007
Best student in the Department of Architecture, UQU.
Computer Skills
Auto CAD, Rhino, 3D Max, Revit, InDesign, Illustrator, Photoshop, Design Builder, Sketch Up, Grasshopper, Processing, Arduino, GIS, Maxwell, V-ray.
Languages Arabic, English
Contents
EXPLoding Architecture year
Summer 2013
place
Los Angeles
01
I think we should rethink what we started in the 60s when we compress the architecture system to the roof and started the free plan theory. I believe that mechanical systems are more than just investable services the are pattern of spaces. In my case, I am looking at the Kinect of that. I think the way that we changed the architecture ceiling to a suspended ceiling was the start to a whole new architecture. My proposal is a development of what was in the 60s, a network of services and everything underneath it changed, but in my case the services them self-going to reconfigure the space. This project exploding the air filtration from the mechanical system and make it respond the human occupation and activity.
Modeling, To demonstrate my design Idea, I used rhino modelling to construct the inflatable parts, furthermore with special technic of unfolding I was able to stitching it together using 100% polyester fabric, as well as, the thread. In addition, I used Rhino, Grasshopper, Processing, and Arduino, to perform the physical movements. Arduino held the connection between receivers and processing to analyse the high level of noise activity, which will lead to trigger an air valve to open and inflate the art piece. In addition, the piece will filtrate air inside it and escape it from the gap between the seams to provide a clean air around the occupancy. Moreover, those microphones will lead the piece to fly toward the sound through grasshopper coordination and build the path movement in the air.
Anachronic Reliefs year
Spring 2013
place
Los Angeles
collaboration
Sattam Aljehani
02
Incongruous Taxonomies, over the last two decades, the burgeoning fields of digital media and emerging material technology have drastically altered the industrial paradigm of mass standardization, at the same time they radically expanded the spatial, formal and material genre in architecture and other design practices. Computer Aided Design and Computer Aided Manufacturing (CAD/CAM) have triggered a series of inventions and innovations, and have signaled but a more central role of the 3-dimensional model in the work the designer. In this fashion, models generate drawings, fabrication files, structural or environmental analysis, material studies, etc. In this way, the very digital techniques that foster a particular modeling exploration have their own series of technological and material constraints and possibilities. The inextricable linkage between a formal exploration, its modes of production, its material incarnation, and its resulting in new architectural expression.
Outline
IntroducƟon
- Case studies 1-4 - Introduc on to the geometric pa ern system. 5-6 - The basic principles of the geometric pa ern construc on.5-6 - Methods and principles 5-6 2D Geometric PaƩern DeformaƟon and Analysis
- Regular Pa ern 7-8 . Regular pa ern of congruent regular polygons. . Covers plane en rely . No overlap. - Periodic Pa ern 8-11 . Pa erns with transla onal symmetry . Overlap pa ern. - Pa ern Varia on - Non-periodic Pa ern
2D TO 3D PATTERN TRANSLATIONS
- Principles of the 3d Construc on . principles . 2D pa ern and 3D forms rela on - The Rela on to the ini al pa ern - 3D Geometric pa erns
Pa ern Deforma on and analysis Methods and steps which showing constric on from circles, octagon , lines to stars to overlapping.
A
E
B
C
D
F
G
H
(A) A periodic ling of the plane with regular octogons. (B) A periodic ling of the plan with regular octogons, circle center. (C) regular octogons and circles connact to the octogon vertex, which created the overlapping moments. (D) iden fied stars from osetng inside the ini al octogon and connac ng the midpoint of the new octogon with the ini al vertex. (E) periodic ling of the plane with regular octagons, circles, overlapping moments, rotated square 68 ° and arrayed.(F) Connec ng each square vertex with another square vertex in order to obtain a rectangular. Arraying the rectangular and considering the intersec on of the lines, it iden fies a new parameter. (G) Iden fying new parameters from arraying and rota ng the rectangular in pa ern F. (H) Extending the square line to reach the octagon member, and ose ng the extended line inside the square in order to obtain the diagonal stripes line.
Identifying new moments
Diagonal stripes pattern
Flower shaped pattern
Rotated rectangular
Identifying form
Triming the center cericle
Identifying new moments
Arrayed and Rotated square 68°
extending square lines
Identifying octagon
We classify different pa ern discovery approaches. We study their different technical bases and summarize their results with the numbers of pa erns discovered and the names of the names of the systems experimented.
Trimmed Star shaped pattern
The midpoint of a line segment
Star shaped pattern
The midpoint of a line segment
Arrayed and Rotated square Identifying octagon
A er crea ng the ini al pa ern we came up with dierent itera ons and 2D moments, these output could have dierent varia on, but they all based on the ini al pa ern.
Identifying new moments between the cells
Identifying new moments
Flower shape pattern
The midpoint of a line segment
Diagonal stripes pattern
Arrayed and Rotated square Identifying octagon
Identifying new moments
0 iterations
180째 rotation
overlap pattern
Simple grid
These itera ons below came from mul rota on and overlap processes, which it provides varia ons of forms in the ini al pa ern that can generate new methods of construc on.
1 iterations
Identifying new forms
2 iterations
3 iterations
Identifying new forms
Identifying new forms
5 iterations
4 iterations
Identifying new forms
Identifying new forms
6 iterations
7 iterations
8 iterations
9 iterations
10 iterations
11 iterations
A er simplifying itera on (4) we obtained a new 2D pa ern, which it generates a new pa ern or grid and that in order to develop the ini al pa ern (5,6,7,8). In itera on (9,10,11) a er applying dierent methods on the pa ern we focused on a specific part in order to obtain a new system that could be deformated and obtain more forms pa erns.
New shapes A1 iterations
In this step we focused on a speci c part in the pa er so we could understand the new language that mul processes generated it, and that in order to generate complex 2d geometry that based on the ini al pa ern.
A2 iterations
A3 iterations We extened the lines of the grid and determined a new shapes, which allowed us to apply di erent processe.
A5 iterations
We determined speci c forms and we applied di erent aesthe c techniques such as o se ng, overlapping and mirroring.
A6 iterations
The selected part in the pa ern a er deforma on and that when we applied mul -overlaps on some forms of geometry and simpli ed some of the complex geometries which forced some shapes to shi
A10 iterations
A12 iterations
A13 iterations
A14 iterations
The ini al pa ern a er deforma on and that when we simpli ed some geomtries and applied mul -processes,such as point a ractor, overlap and rota on
A11 iterations
A15 iterations
Step 1
Perspective view of the pattern
Front view of the pattern Step 2
In this step we translated the ini al 2D pa ern to 3D, and we used di erent techniques such as sweeping, extrac on, rota on and subtrac on, and that in order to achieve one e cient technique which produces aesthe c e ect and forms. The rst technique is sweeping mul ple adjacent volumes to produce a three-dimensional object, which is generated by the geometric forms in the pa ern and moves along a desired path (possibly rota ng as it does so).
I
II
(VI) a top view of the pattern after adding a point attractor
V
III
(VII) a top view of the pattern after simplifying it
3D Form after adding a cube to it
The second technique, (I) we constructed a rhombus shape from decagram valume , and we constructed congruent triangles between every threever ces, and that in order to create a four sided parallelogram with equal sides, and to prove that the rhombus is symmetric across each of these diagonals (II) and we connected each ver ces to the opposite ver ces. In (III) we extended the lines un l they intersected, so we could deterime the external points (IV), which it would determine the length of the extruded face octahedrons (V)
22.5 Degree
Â
Â
22 .5 0
(I)
(II)
Simple cylinder shape
Division & Projection
(III) Extraction
(IV) Connection
(V) Rotation
The third technique, in this step we used the ini al octagon shape and we applied different processes. (I) we started by a simple cylinder shape and in (II, III, IV) we divided to 8 segments. (V) We rotated the bo om face of the octagon 22.5°, and in (VI) we connected the edges of the top face to vertex of the bo om face to create triangular shapes, the center of the triangular shape generates a pentagon shape.
(VI) Vertex connectivity
(VIII)
(XII)
(VIII)
(XIII)
(IX)
(X)
(XI)
(XIV)
(XV)
(XVI)
(XVII) In (VII,VIII,IX,X,XI,) we divided it into triangles and extracted the center points to the outside of the 3D geometric Shapes. In (XII,XIII) we decreased the length between each 3D shape. In (XIV) we overlapped some of the elements and that in order to subtract them from each other which it is shown in (XV,XVI,XVII).
Form ( A)
Form (B)
In this process we copied form (A) and rotated it, and we subtracted them from each other , and than we added a rectangular extruded grid in order, and we euxcavated form (C) . From this process we found new form.
Form ( C)
New forms
new moments
Urban Render Farm Incongruous taxonomies year
Fall 2013
place
Los Angeles
collaboration
Sattam Aljehani
03
Our project is about understanding the relationship between building and users along with the relation between part and whole, while taking into consideration the notion of monolithic and motion, the project proposes a new perception of the monolith and representation of aggregation in an ordered system that indicates natural relationships, in scale, texture, material, and building topology, and that throughout a series of digital and manual operations that has been done at different levels.
B
P B T
Neighborhood office commercial Public facilities Public open pace
B P
1Level 2-4 Level 5-7 Lele
vehicular movement train movement Bus stations
pedestrian walkway
The site Neighborhood & commercial Bus stations Pedestrian movement
Circulation and services Render Lap1 Render Lap 2 Display room
Server building IT department, open area Offices Kitchen and services
Occupied space. Valumes 355159 cubic foot for 2 solids 274379 cubic foot for 3 solids 281092 cubic foot for 3 solids
WC
Server room Lounge
WC
Coffee
Lounge
Display room
Render lab
Render lab Lounge
Office
Ground floor 1/16�
Server room
IT department
Services
Lounge Open work space
copy & print
Services
Second floor 1/16�
CEO
Server room
Lounge
Coffee
Offices Offices
Lounge
Third floor 1/16�
Exploded Diagram
Unfolded Pa ern
Rus ca on Diagram
Section C-C at 1/16”
Section A-A at 1/16”
Section B-B at 1/16”
Elevation at 1/16”
E
Elevation at 1/16”
SE
C
TI
O
N
B
SECTION
A
SECTION C
1 SOIL / GRAVEL 2
WATER PROOF SEAL
3
CHANNEL FOR DRAINAGE
4
EPOXY SEAL TO PREVENT BOLTS FROM MOVING
5
CONCRETE SLAB ON GRADE
6
BOLT IN RADIUS BOLTED TO STEEL
7
PERFORATED METAL CLADDING
8
STEEL CHANNEL
9
NEGATIVE CAVITY FOR INSULATION
10 HOLLOW STEEL BLOCK 11 A/C UNITS (VENTILATION) 12 THICK PERFORATED STEEL 13 I BEAM ( ACTS COMPOSITELY WITH SLAB) 14 #5 RE-BAR 15 REINFORCED CONCRETE SLAB 16 16 THICK GLASS FOR RAILING 17 CORRUGATED STEEL
15 14 13
18 17
18 RADIANT HEATING SYSTEM 19 GYPSUMY BASE THIN SLAB 20 HANDRAIILS
10 9 8 7 6 5 4 3 2
1
Structural Details The building is based in one combined structure system which will be built at once and support all parts. Egg create is what we found the most compiling and suitable system that we could build our complex building; However, we are open to sugges ons and different kind of solu on. The building will be cold down from its faced and the ground floor, which we think it will be the most efficient method form our rendering farm.
12 11 A/C
Ac ve System
Passive The perforated steel allows the building to breathe out and in which will be determined from the auto mechanical close system that we have on the Faรงade. In the end we have a complete LEED building with auto adjustment. On the other hand, we have the light that also have the same technique of the ven la on
Passive System
Ac ve Indeed our project is covering all aspect of LEED cer ficate but what we care about is more than that. We designed building that act as one bode when it cold itself it dose because the farm got heated from its users not because some one dose not like hot.
Drainage The geomatry of the roof pushes the water to the edges of the building to the pipes, which run beside the geomatries of the wall. than they collact the water bring it from the roof to the underground and connect it to the main pipes underground.
Radiant Floor System The radiant floor are integrated within the floor plates to stabalize the room temperture while the panel control between natural and ar ficial ven la on. Air condi on pushes cold air inside the building, while the radiant floor stabilizes the temperature inside the space.
PERFORATED METAL CLADDING
7 8 20 19 18 15
FIXED GLASS PANELS
EGG CRATE STRUCTURE
The main structure of the building is stee, which it called Egg crate structure .In the envlope there are two types of panles, first, the perforated metal cladding for vantela on, and a er the cladding is a fized glass panels
Thank you. arch.wassem@hotmail.com