Weber—The Contemporary West | Spring/Summer 2020 Issue

Page 77

E S S A Y

MY OTHER FATHER ROBERT JOE STOUT

I

grew up with two very different fathers. The one who came home just after five was wellorganized but distant. He didn’t drink; he seldom missed work; he seldom interfered in anything I did. He was well-read and could recite Wordsworth, Shelley, and Tennyson that he’d learned from his year of college, but I only remember seeing him read newspapers or magazines like Life and Collier’s. Often in the evenings he sat listening to the radio and playing Solitaire, but during the summer and on weekends he filled most of the daylight hours working in the garden, or digging a root cellar, or mixing and pouring concrete for a sidewalk. Often he had me help, but I don’t remember that he insisted on it or assigned me specific chores. I can’t recall him hugging or punishing me physically in any way. He was who he was, a daily presence, mildly affectionate, determinedly opinionated, dedicated to routine. He wasn’t at all like my other father—the one I truly admired and wished to emulate. Every boy would want a father like my other father. He had climbed

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the Great Pyramids, hunted leopards in Ceylon, smuggled himself across the Rhine hidden beneath gunny sacks. He had been a college running back, a soldier, a ventriloquist, a used car salesman. He had supped in Marseilles and photographed Maori dancers in New Zealand and crossed the International Date Line through raging seas that made everybody on shipboard sick except him. He was a friend of the great Cap Gudmundson, who’d defied the Bolsheviks and who had thawed and eaten the flesh of Siberian mammoths, and of Drew Pearson, who wrote for all the papers and went on national lecture tours that thousands of people paid money to attend. He had traveled throughout the United States with opera


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Articles inside

George Perreault

6min
pages 145-148

Yvette A. Schnoeker-Shorb, About Do Not Feed Signs

2min
pages 149-151

Cheryl Hyde Lewis

1min
pages 143-144

Daniel Edward Moore, In Absentia and other poems

2min
pages 141-142

Mark Jenkins, Boots on the Ground

19min
pages 127-134

Jess Guinivan, Salsola

19min
pages 118-126

Mark B. Hamilton, Through Time, the Joyous Ledges and other poems

7min
pages 135-140

Jim Morgan, Deep Ends

12min
pages 112-117

Jane St. Clair, Hair Like Julia Roberts

22min
pages 94-102

Paul J. Driscoll, Death of the Defender

11min
pages 89-93

Nathaniel Farrell Brodie, Stone, Water, Superstition, and Blood

21min
pages 81-88

Sarah Singh, “Proudly Waving O’re Ole Weber”—A Conversation with Jean Howe Andra Miller

15min
pages 71-76

Robert Joe Stout, My Other Father

8min
pages 77-80

Susan Hafen, Ferreting Out the Mysteries of History—A Conversation with Erik Larson

23min
pages 35-42

Kyra Hudson, Undoing the Work of Historical Erasure—A Conversation with Jesmyn Ward

26min
pages 61-70

Stephen Wolochowicz, Vision Dots: Parts & Portals

4min
pages 15-26

Isabel Asensio, Remapping Contemporary Spanish Literature—A Conversation with Espido Freire

24min
pages 43-51

Angelika Pagel, From Bears to Birds: Visual Storytelling in the Anthropocene—A Conversation with Jane Kim

23min
pages 6-14

Megan M. Van Deventer, Teaching, Prison Education, and Social Justice—A Conversation with Michelle Kuo

15min
pages 54-60

Mikel Vause, Fellowship of the Rope—A Conversation with Sir Chris Bonington

23min
pages 27-34

Espido Freire, How Not to Love Him?

3min
pages 52-53
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