WHAT ARE YOU READING?
A troubled marriage—and love story—set against the background of the AIDS pandemic, and the American wars in Vietnam and Iraq lie at the heart of After Camus. Saul Davidoff and Tolle Riordan, who meet during a protest against the Vietnam War, marry, live through the Plague Years of the AIDS epidemic, raise a family … and burn out. Camus is a hero to both of them: Tolle, a young dancer and choreographer, has a liaison with him in Paris shortly before his death; Saul, inspired by Camus’s The Plague, becomes an infectious disease (and AIDS) doctor … and Camus becomes a ghostly presence central to our story. The Intimacy of Spoons explores the many metaphors of the spoon: from love and marriage to the spoon of a grave that holds our bodies; from the darkness of loss and night, where “the Big Dipper is nothing but / the oldest spoon pointing us home”; to the darkness of lungs transformed into art. The poems cover a wide variety of topics—cultural, political, familial, and natural—and always, underlying these poems is the song of birds—with broken wings or clear voices, avian muses filling our forests now or long gone. There are nods to Basho and Thoreau, to Eliot and Frost, Dickinson and Milton, this last, a long poem that retells the story of Adam and Eve from the point of view of Mal, the apple. Likewise, The Intimacy of Spoons shares a variety of forms, from sonnet, sestina, and villanelle to syllabics, lyrics, and a ballad. At the center of the book is the long poem, “Elegy for My Body,” which uses wordplay and contrasting voices to explore mortality, because “You can’t really do time; / it simply does us, / or undoes us, / us beings in the time being being beings / on Times Squared / waiting for the big ball to fall.” The poems of The Intimacy of Spoons return us to everyday stories and objects, common yet profound.
20
WELL READ MAGAZINE
