3/2 Capital Collections by Weschler's Auctioneers & Appraisers

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WESCHLER’S WESCHLER’S

Friday, March 2, 2018

CAPITAL COLLECTIONS ESTATE AUCTION Sale 1504

WESCHLER’S

Capital Collections Estate Auction Friday, March 2, 2018 10 AM

WESCHLER’S Weschler’s has served the Nation’s Capital as fine art auctioneers and appraisers since 1890. The gallery is now owned and managed by fourth and fifth generation members of the Weschler family and is supported by a highly experienced administrative staff.

In our second century, Weschler’s renews its commitment to the highest level of professionalism in auction and appraisal services. Since its founding, Weschler’s has strictly adhered to the principle that the company own none of the items it auctions, acting solely as an agent for consignors.

AUCTION SCHEDULE Sale Date

May 11, 2018

Sale Title

Consignment Deadline

Capital Collections

March 23

203 61

Adam A. Weschler (1874-1951) Ralph A. Weschler, Sr. (1897-1966) Ralph A. Weschler, Jr. (1921-1982) Benjamin E. Weschler (1922-1993) William P. Weschler, Sr. (1926-2006) John S. Weschler, Sr. (1956-2011)

92 1 245

87 113 189

103

171

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CAPITAL COLLECTIONS ESTATE AUCTION INCLUDING

AFRICAN AMERICAN FINE ART

PROPERTY FROM THE ESTATES OF:

Stella Boggs, a former Ziegfeld Follies Dancer Brandon H. Grove, Jr. George Ricks Minshew Gerald Moylan Arthur J. Phelan, Jr. James H. Vance III A Washington, DC Estate Donald L. Wright

OTHER CONSIGNORS INCLUDE:

AARP Marion F. Goldin Irrevocable Trust Helena Gunnarsson A Maryland Collector Proceeds to Benefit the National Hospice Foundation Lois Mailou Jones-Pierre-Noel Trust A Philadelphia Collector Betty Shapiro Trust A Washington, DC Collector A Washington, DC Corporate Collection

AUCTION Friday, March 2, 2018 at 10 a.m. PREVIEW Saturday, February 24 – 9 a.m. to 12 p.m. Sunday, February 25 – 11 a.m. to 2 p.m. Monday, February 26 – 10 a.m. to 5 p.m. Tuesday, February 27 – 10 a.m. to 5 p.m. Wednesday, February 28 – 10 a.m. to 5 p.m. Thursday, March 1 – 10 a.m. to 2 p.m. CATALOGUES $20 at the Gallery; $30 by First Class Mail, $55 Overseas In absentee bids this sale may be referred to as 1504 Front Cover: Lot 159 Back Cover: Lot 238 All lots subject to 22% buyer’s premium* as part of purchase price. (See clause 6 of the Conditions of Sale)

40 West Gude Dr Ste 100 Rockville, MD 20850 TEL 202/628-1281 FAX 202/628-2366 www.weschlers.com

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SPECIALISTS IN CHARGE (202) 628-1281 MANAGER OF CAPITAL COLLECTIONS Judy Acs RUGS AND CARPETS Thomas M. Weschler EUROPEAN & AMERICAN FURNITURE AND DECORATIONS William P. Weschler, Jr. Jacquelyn de la Parte, Assistant ASIAN WORKS OF ART William P. Weschler, Jr. FINE ART Danielle Isaacs JEWELRY, COINS & WATCHES Mark P. Weschler 20TH CENTURY DECORATIVE ARTS Mark P. Weschler CUSTOMER SERVICE DEPARTMENTS (202) 628-1281 Fax (202) 628-2366 ABSENTEE BIDS & CONSIGNOR PAYMENTS Linda Niehaus PURCHASER PAYMENTS Karen Weschler

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SPECIALIST DEPARTMENTS SPECIALIST DEPARTMENTS

FURNITURE AND DECORATIONS

Manager of Capital Collections Judy Acs 202-628-1281 info@weschlers.com

American Furniture and Decorations american@weschlers.com William P. Weschler, Jr. Jacquelyn de la Parte, Assistant

FINE ARTS

European Furniture and Decorations european@weschlers.com William P. Weschler, Jr. Jacquelyn de la Parte, Assistant

American and European Paintings, Drawings, Sculpture, Prints and Photographs fineart@weschlers.com Danielle Isaacs

20th Century Decorative Arts 20thcentury@weschlers.com Mark P. Weschler

Rugs, Carpets and Tapestries rugs@weschlers.com Thomas M. Weschler Asian Works of Art asian@weschlers.com William P. Weschler, Jr. Jewelry, Coins & Watches jewelry@weschlers.com Mark P. Weschler

CUSTOMER SERVICE DEPARTMENTS CLIENT SERVICES &

PAYMENTS

ADMINISTRATIVE MANAGER

Karen Weschler

Karen Weschler 202-628-1281 Fax 202-628-2366 APPRAISALS Furniture and Decorations William P. Weschler, Jr. Thomas M. Weschler Fine Arts William P. Weschler, Jr. Thomas M. Weschler Danielle Isaacs Jewelry and U.S. Coins Mark P. Weschler BIDS DEPARTMENT Linda Niehaus SUBSCRIPTIONS Linda Niehaus

TRUSTS & ESTATES William P. Weschler, Jr. Thomas M. Weschler CORPORATE AND MUSEUM SERVICES William P. Weschler, Jr. Thomas M. Weschler AUCTIONEERS Thomas M. Weschler Leonard J. Weschler Mark P. Weschler Samuel A. Botsford GALLERY ASSISTANTS Ronnie Lyon Gregory Janrhett Charles Johnson TRANSLATIONS Chen Wen

ADMINISTRATIVE OFFICE Linda Niehaus Allison Mulholland Deborah Knott Amanda Stortzum SHIPPING Deborah Knott PHOTOGRAPHY Terence D. McArdle CATALOGUE PRODUCTION Karen Weschler COMMUNICATIONS Allison Mulholland Amanda Stortzum PRINTING Spectrum Printing & Graphics

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INFORMATION FOR BUYERS AND SELLERS PREVIEW:

The preview will be held the Saturday preceding the sale from 9 a.m. to 12 p.m., Sunday from 11 a.m. to 2 p.m., Monday, Tuesday and Wednesday from 10 a.m. to 5 p.m., and Thursday from 10 a.m. to 2 p.m. You are encouraged to attend the preview and to closely examine all lots of interest to you. Weschler’s staff will gladly assist you if requested.

CATALOGUES:

The catalogue for this auction is available at Weschler’s Gallery during the exhibition and auction for $20. Catalogues can be mailed for a cost of $30 and mailed overseas at a cost of $55. Annual catalogue subscriptions are available as well. Additional information may be obtained by contacting Linda Niehaus at (202) 628-1281.

PRICE LISTS AND POSTCARDS:

Post sale price lists are available free of charge, approximately three weeks after the sale or online. Weschler’s postcards are automatically sent to catalogue subscribers prior to each sale.

PRE-SALE ESTIMATES:

As a convenience to bidders, Weschler’s publishes pre-sale estimates of the value of each lot in the auction. Estimates are intended as a guide and should not be considered a prediction of the selling price.

RESERVES:

The “reserve” is a confidential minimum price agreed between the consignor and Weschler’s below which a lot will not be sold. Lots that have a reserve will not be marked as such, but the reserves will not be in excess of the low pre-sale estimates. Weschler’s will execute all reserves on behalf of the consignor by bidding through the auctioneer and placing successive or consecutive bids for a lot. The auctioneer may open the bidding on any lot on behalf of the consignor up to the reserve amount. In the event the bidding does not reach the reserve, the auctioneer will announce “Passed.”

BIDDER REGISTRATION:

Each bidder must be assigned a bidding number before bids can be recognized. Bidding number registration will be available during exhibition hours and during the auction. Bidders already registered with an annual Weschler’s bidding number need not re-register for each sale.

ABSENTEE BIDS:

Bidders who cannot attend the auction may submit absentee bids using the Absentee Bid form at the back of this catalogue or available online. Absentee bids may also be placed through Weschler’s FAX number, (202) 628-2366, by telephone, (202) 628.1281. Bids placed by telephone must be confirmed by FAX, letter or email. Our facilities for telephone bidding are somewhat limited so it is strongly recommended that you make arrangements at least 24 hours in advance. Please contact Linda Niehaus at (202) 628-1281 for specific information on absentee bids. Absentee bidders are urged to read the Information for Absentee Bidders at the back of this catalogue.

CONDITION REPORTS:

All property is sold “As Is” in accordance with Conditions of Sale clause 2 and neither Weschler’s nor the consignor make any express or implied warranty or representation as to the condition of any lot offered for sale and no statement made at any time, whether oral or written, shall constitute such a warranty or representation. Weschler’s staff is available to answer any questions or to provide any additional information regarding property offered; however, such condition reports do not constitute warranty and are not intended to replace first hand inspection by a prospective buyer.

BIDDING INCREMENTS:

The auctioneer generally advances the bidding in the following incremental amounts: $100-499 $25 increments $500-999 $50 increments $1,000-1,999 $100 increments $2,000-4,999 $200 increments $5,000-9,999 $500 increments $10,000+ auctioneer's discretion

PURCHASER PAYMENTS:

Successful bidders are requested to make total payment for purchases by cash, Visa or MasterCard or pre-approved check on the day of sale. Buyers not known to Weschler’s and plan ning to pay with a personal or business check are required to supply us a bank letter of credit prior to the auction. If such ar rangements are not made prior to the auc tion, purchases will be held by Weschler's until the check has cleared our bank. The standard 22%* Buyer’s Premium is added to the purchase price of all items sold. Maryland Sales Tax is computed on the total purchase price. The purchaser will be required to pay the Sales Tax unless: (i) the property purchased is for resale and a valid Resale Tax number is presented to Weschler's business office at

the time of payment, and the sales price is $200 or more; or (ii) the property is being shipped to a buyer located outside the state of Maryland by an ICC/USDOT licensed shipper/carrier. *Discount for Cash, Wire or

Local and or Approved Checks.

REMOVAL OF PROPERTY:

All purchases should be paid for and removed the day of sale, but in no event later than one week post sale. Weschler’s will advise you on the best way to transport large items, and will help arrange for packing, insurance and shipping. Weschler’s assumes no responsibility for the acts or omissions of carriers or packers whether or not they are recommended by us. For further information please contact us at (202) 628-1281.

EXPORTATION PERMITS:

Certain lots may be subject to the provisions of the Endangered Species Act of 1973, the Marine Mammal Protection Act of 1972, and the Migratory Bird Act of 1982. In order to export these items, the buyer must obtain special licenses from the Department of the Interior, United States Fish and Wildlife Service. Some items may not be exported, and others may not be resold once purchased. Prospective bidders who intend to export or resell such items are solely responsible for obtaining such licenses and Weschler’s cannot, and will not, assure that such licenses can be obtained.

COMMISSIONS:

Weschler’s receives the standard 10 percent consignor’s commission on the hammer price of each lot that sells for more than $10,001; 15 percent for lots selling between $4,001 and $10,000; 20 percent for lots selling between $1,001 and $4,000; 25 percent or lots selling between $51 and $1,000; and 40 percent for lots selling under $50. For items of exceptional value, the consignor’s commission is negotiable at the time of consignment. If property carries a reserve and does not sell, a “buy back fee” is charged. A sample standard contract may be obtained by contacting Weschler’s office at (202) 628-1281.

CONSIGNMENTS:

If you have property to consign, please contact us at (202) 628-1281 or at info@weschlers.com. Generally, items must be consigned at least six weeks prior to the scheduled auction date, but consignors are urged to consign as early as possible. Visit our website, www.weschlers.com, to view upcoming auction and deadlines.

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CONDITIONS OF SALE The property listed in this catalogue will be offered and sold by Weschler’s Auctioneers and Appraisers, LLC (“Auctioneer”) as agent for the “Consignor” on the following terms and conditions. No employee is authorized to alter these conditions. All bidders and consignors acknowledge knowing and agreeing to these conditions.

1. REGISTRATION Prior to sale, all bidders must register with a Weschler’s representative and receive a bidding number. A bidding number will be required of the successful bidder at the fall of the Auctioneer’s hammer for each lot. 2. “AS IS” CONDITION The Auctioneer and the Consignor assume no risk, liability or responsibility for the authenticity or the authorship of any property identified in the catalogue (that is, the identity of the creator or the period, culture, source or origin as the case may be, with which the creation of any property is identified herein). All property is sold “As Is” and neither the Auctioneer nor the Consignor makes any warranties or representations of any kind or nature with respect to the property, and in no event shall be responsible for the correctness or any implied warranty or merchantability or any implied warranty of fitness for a particular purpose as it relates to description, genuineness, attribution, provenance, safety, reliability or condition of the property. If any implied warranties of merchantability or fitness for a particular purpose can be construed from the catalogue, auction, or bill of sale, such warranties are disclaimed by the Auctioneer and the Consignor. No statement in the catalogue or made at the sale or in the Bill of Sale or invoice or elsewhere shall be deemed such a warranty or representation or an admission of liability. 3. GUARANTEE Notwithstanding the preceding condition, if within 14 days of the date of the sale, on any lot, the purchaser must give notice in writing to the Auctioneer that the lot sold is a counterfeit and, if within 7 days after such notice the purchaser returns to the Auctioneer in the same condition as when sold, and gives written proof from a recognized impartial expert which establishes beyond reasonable doubt that the returned lot is in fact a counterfeit and that this was not indicated by a fair reading of the catalogue or the Auctioneer’s comments at the time of sale, the Auctioneer as agent for the Consignor will rescind the sale and refund the purchase price paid defined as the amount of the successful bid price, plus buyer’s premium. The guarantee is made only to the original purchaser of record (i.e., the registered bidder) and not any subsequent owners. The original buyer must have remained the owner of the lot without disposing of any interest in it to any third party. The term counterfeit is defined as a modern fake or forgery, and made with the intent to deceive.

4. WITHDRAWAL The Auctioneer reserves the right to withdrawal any property at any time before actual sale. 5. BIDDING Unless otherwise announced by the Auctioneer at the time of sale, all bids are per lot as numbered in the catalogue. The Auctioneer reserves the right to reject a bid from any bidder. The highest bid acknowledged by the Auctioneer shall be the purchaser. In the event of any dispute between bidders, the Auctioneer shall have the sole and final discretion either to determine the successful bidder, or to re-offer and re-sell the article in dispute. If the Auctioneer determines that any opening bid is not commensurate with the value of the article offered, he may reject the bid; and if, having acknowledged an opening bid he decides that any advance is not sufficient, he may reject the advance. 6. PURCHASER’S RESPONSIBILITY On the fall of the Auctioneer’s hammer, title to the offered lot passes to the highest bidder who, thereupon will pay the full purchase price therefore or such part as the Auctioneer may require. All deposits may be applied to any or all purchases made by the purchaser at this or any previous sale. All property shall be removed by the purchaser at his expense on the day of sale and, if not so removed, may be sent by the Auctioneer to a public warehouse for the account, risk and expense of the purchaser. Any damage to or loss of any item purchased which is left with the Auctioneer after the day of purchase is the purchaser’s sole responsibility. If the foregoing conditions or any other applicable conditions herein are not complied with, in addition to other remedies available to the Auctioneer and the Consignor by law, including without limitation the right to hold the purchaser liable for the bid price, the Auctioneer at its option, may either (a) cancel the sale, retaining as liquidated damages all payments made by the purchaser, or (b) re-sell the property on 3 days notice to the purchaser and for the account and risk of the purchaser, either publicly or privately, and in such event the purchaser shall be liable for the payment of any deficiency plus all costs, including warehousing, the expenses of both sales, and the Auctioneer’s commission at its regular rates and all other charges due hereunder, and incidental charges. No claims shall be allowed after removal of goods and no article shall be re-sold for purchaser at the sale where purchased.

A premium equal to 22%* of the successful bid price up to and including $100,000, 20% of the successful bid price $100,001$500,000, and 18% of the successful bid price over $500,000 will be added thereto and is payable by the purchaser as part of the total purchase price. Maryland Sales Tax is computed on the total purchase price. The purchaser will be required to pay the Sales Tax unless: (i) the property purchased is for resale and a valid Resale Tax number is presented to Weschler's business office at the time of payment, and the sales price is $200 or more; or (ii) the property is being shipped to a buyer located outside the state of Maryland by an ICC/USDOT licensed shipper/carrier. *Discount for Cash, Wire or Local Approved Checks.

and or

After five (5) business days and the failure to pay in full, the Auctioneer reserves the right to charge the Purchaser’s credit card on file ten percent (10%) of the entire amount due (including the hammer price, buyer’s premium, all applicable taxes and other charges). After fourteen (14) days, the Auctioneer has the right to charge the entire amount due (including the hammer price, buyer’s premium, all applicable taxes and other charges) to the Purchaser’s credit card on file. Buyers not known to the Auctioneer and planning to pay with a personal or business check are required to supply the Auctioneer with a bank letter of credit prior to the auction. If such arrangements are not made prior to the auction, purchases will be held by the Auctioneer until the check has cleared the bank. 7. RESERVES Unless the sale is advertised and announced as an unrestricted sale or sale without reserve, Consignors reserve the right to bid through the Auctioneer as agent on their own consignments. 8. ADDITIONAL CONDITIONS The Auctioneer reserves the right to cancel the sale or any portion thereof without prior or further notice, and to announce at any time additional conditions of sale.

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GLOSSARY FOR PAINTINGS AND DRAWINGS The terms used in this catalogue have the meanings ascribed to them here. Please note that all statements in this catalogue as to authorship are made subject to the provisions in the Conditions of Sale printed in this catalogue. Walter Greaves (British 1846-1930)

In our opinion, a work by the artist. Attributed to Walter Greaves (British 1846-1930) In our opinion, a work of the period of the artist, probably in whole, or in part a work by the artist. Studio of Walter Greaves (British 1846-1930) In our opinion, a work by an unknown hand in the studio of the artist, possibly executed under the supervision of the artist. Follower of Walter Greaves (British 1846-1930) In our opinion, a work in the style of the artist, of a later date, which is contemporary. Circle of Walter Greaves (British 1846-1930) In our opinion, a work of the period of the artist, closely related to his style. Manner of Walter Greaves (British 1846-1930) In our opinion, a work in the style of the artist, and of a later date. After Walter Greaves (British 1846-1930) In our opinion, a copy of a known work of the artist. The terms signed, dated or inscribed mean that in our opinion, the signature date or inscription are by the hand of the artist. We also give the placement of signature on the canvas as follows: l.l. – lower left l.r. – lower right b.c. – bottom center

u.l. – upper left u.r. – upper right u.c. – upper center

The terms bears a signature, bears a date or bears an inscription mean that the work has a signature, date or inscription which may have been added by another hand. Dimensions are given height before width, unless otherwise stated, and to the nearest 1/4-inch. Pictures are framed unless otherwise noted. An asterisk (*) at the end of the description indicates that the print(s) in the lot has not been examined out of its mat and/or frame. While we do our best to protect the frames, we will not be responsible for damage, regardless of cause.

While some defects and damages are mentioned in this catalogue, it is the responsibility of the purchaser to note the condition of each piece.

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ARTIST INDEX Paintings, Prints, Drawings and Sculpture Abad, Pacita . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 249 Acker, Troy . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 226 Adams, Charles Partridge . . . . . . . . . . . . . . . . . . 195 Adan, Louis Emile . . . . . . . . . . . . . . . . . . . . . . . . 177 American School, 19th Century . . . . . . . . . . . . . 233 Angelou, Maya and Biggers, John T. . . . . . . . . 248 Arnegger, Alois . . . . . . . . . . . . . . . . . . . . . . . . . . . 166 Bauerle, Charles B. (Attributed to) . . . . . . . . . . 200 Bentham-Dinsdale, John . . . . . . . . . . . . . . . . . . 190 Bittar, Pierre . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 184 Bogert, George Henry . . . . . . . . . . . . . . . . . . . . . 196 Burr, George Brainard. . . . . . . . . . . . . . . . . . . . . 219 Carter, Clarence Holbrook . . . . . . . . . . . . . . . . . 222 Casteels, Pauwel (After) . . . . . . . . . . . . . . . . . . . 162 Catlett, Elizabeth . . . . . . . . . . . . . . . . . . . . . . . . . 241 Chaleyé, Jean . . . . . . . . . . . . . . . . . . . . . . . . . . . . 179 Chapin, Bryant . . . . . . . . . . . . . . . . . . . . . . . . . . . 216 Cook, Howard Norton . . . . . . . . . . . . . . . . . . . . 254 Cottavoz, Andre . . . . . . . . . . . . . . . . . . . . . . . . . . 182 Cuatrecasas,Gil . . . . . . . . . . . . . . . . 229,230,231,232 Dempsey, Richard . . . . . . . . . . . . . . . . . . . . . . . . 235 Detaille, Edouard Jean-Baptiste . . . . . . . . . . . . 178 Dürer, Albrecht (After) . . . . . . . . . . . . . . . . . . . . 255 Dyf, Marcel. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 181 Eastern European School, Mid-19th Century . 170 Enwonwu, Ben . . . . . . . . . . . . . . . . . . . . . . . . . . . 250 Erté (Romain de Tirtoff) . . . . . . . . . . . . . . . . . . . 256 European School, 16th Century . . . . . . . . . . . . . 160 Fabien, Louis. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 183 Field, Edward Loyal . . . . . . . . . . . . . . . . . . . . . . 194 Fischer, Anton Otto . . . . . . . . . . . . . . . . . . . . . . . 221 Flemish School, 17th Century . . . . . . . . . . . . . . 161 Frost, Frances Seth (Shedd) (Attributed to) . . 207 Gaveau, Claude. . . . . . . . . . . . . . . . . . . . . . . . . . . 185 Gilliam, Sam . . . . . . . . . . . . . . . . . . . . . . 244,245,246 Greaves, Walter . . . . . . . . . . . . . . . . . . . . . . . . . . 189 Hall, George Henry . . . . . . . . . . . . . . . . . . . . . . . 208 Hartland, Richard S. . . . . . . . . . . . . . . . . . . . . . . 186 Harvey, George (Attributed to) . . . . . . . . . . . . . 211 Hugo, Jean . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 180 Johnston, Reuben Le Grande . . . . . . . . . . . . . . 192 Joiner, Harvey . . . . . . . . . . . . . . . . . . . . . . . . . . . 193 Jones, Lois Mailou. . . . . . . . . . . . . 236,237,238,239 Kahill, Joseph B. . . . . . . . . . . . . . . . . . . . . . . . . . 197

Lanskoy, André (Attributed to) . . . . . . . . . . . . . 172 Larot, Dina. . . . . . . . . . . . . . . . . . . . . . . . . . . 167,168 Lawrence, Jacob. . . . . . . . . . . . . . . . . . . . . . 242,243 Lee, Joseph . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 209 Lotichius, Ernst . . . . . . . . . . . . . . . . . . . . . . . . . . 169 Mayr, Christian. . . . . . . . . . . . . . . . . . . . . . . . . . . 202 Meadows, James Edwin . . . . . . . . . . . . . . . . . . . 188 Menkes, Sigmund Joseph. . . . . . . . . . . . . . . . . . 171 Michel, Sally . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 198 Mitchell, Bruce Handiside . . . . . . . . . . . . . . . . . 223 Myers, Jerome . . . . . . . . . . . . . . . . . . . . . . . . . . . 217 Northern European School, 18th Century . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 163,164 Oakes, Abigail (Abby) Tyler (Attributed to) . . 206 Oliver, William . . . . . . . . . . . . . . . . . . . . . . . . . . . 187 Pratt, Henry Cheever (Attributed to) . . . . . . . . 201 Redwood, Allen Carter . . . . . . . . . . . . . . . . . . . . 214 Renoir, Pierre-Auguste (After) . . . . . . . . . . . . . . 251 Robbe, Manuel. . . . . . . . . . . . . . . . . . . . 257,258,259 Roesen, Severin . . . . . . . . . . . . . . . . . . . . . . . . . . 203 Roberts, David (After) . . . . . . . . . . . . . . . . . . . . 260 Rothstein, E. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 227 Scott, John White Allen . . . . . . . . . . . . . . . . . . . 204 Simbari, Nicola. . . . . . . . . . . . . . . . . . . . 173,174,175 Sloan, John . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 218 Smedley, William Thomas. . . . . . . . . . . . . . . . . . 215 Smith, Albert Alexander . . . . . . . . . . . . . . . . . . . 234 Smith, Rufus Way . . . . . . . . . . . . . . . . . . . . . . . . 191 Stull, John Deforest (Attributed to) . . . . . . . . . 224 Sundblom, Haddon Sunny . . . . . . . . . . . . . . . . . 225 Tabary, Céline Marie . . . . . . . . . . . . . . . . . . . . . . 240 Takaezu, Toshiko . . . . . . . . . . . . . . . . . . . . . . . . . 252 Tolliver, William . . . . . . . . . . . . . . . . . . . . . . . . . . 247 Van Hoostraten, Samuel (After). . . . . . . . . . . . . 165 Van Moor, Jan . . . . . . . . . . . . . . . . . . . . . . . . . . . 228 Warren, Henry (Attributed to ) . . . . . . . . . . . . . 199 Weinstein, Mark . . . . . . . . . . . . . . . . . . . . . . . . . . 253 Weir, John Ferguson . . . . . . . . . . . . . . . . . . . . . . 213 Wheeler, William Ruthven . . . . . . . . . . . . . . . . . 210 Whitefield, Edwin . . . . . . . . . . . . . . . . . . . . . . . . 205 Witt, John Henry. . . . . . . . . . . . . . . . . . . . . . . . . 212 Young, Mahonri MacKintosh (Attributed to) . 220 Ziem, Félix (Attributed) . . . . . . . . . . . . . . . . . . . 176

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Notes

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CAPITAL COLLECTIONS ESTATE AUCTION INCLUDING

AFRICAN AMERICAN FINE ART Friday, March 2, 2018 10 am Lots 1 - 260

View items in the sale and leave bids online at www.weschlers.com Register to bid live on-line at www.invaluable.com, www.auctionzip.com and www.ebay.com

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PROPERTY FROM THE ESTATE OF JAMES H. VANCE III 1 2014 Chevrolet Corvette Stingray 3LT Convertible VIN# 1G1YE3D78E5129829 Night Race Blue Metallic with Jet Black/Tan interior and 22,570 approximate mileage. $30,000-$35,000

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RUGS

PROPERTY OF VARIOUS OWNERS 2 Bidjar Rug First Quarter 20th Century Shaded blue ground with shaped vignettes enclosing floral sprays within a rosette and latchhook guard border on salmon ground. 8 ft 9 in x 4 ft (267 x 122 cm) $800-$1,200

3 Sarouk Rug First Quarter 20th Century Blue ground with floral spray field within a palmette and floral spray guard border on red ground. 22 ft 6 in x 12 ft 10 in (686 x 391 cm) $1,000-$2,000

PROPERTY OF A PHILADELPHIA COLLECTOR 4 Heriz Rug Circa 1940 Red ground with herati field centering a star medallion on blueivory ground, ivory spandrels within a rosette and serrated leaf trellising vine guard border on blue ground. 13 ft 5 in x 9 ft 6 in (409 x 290 cm) $1,500-$2,500

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PROPERTY OF VARIOUS OWNERS

5 Tabriz Silk and Wool Rug Post 1950 Ivory ground with millefleur field centering a joined lobed medallion on rose-gold ground, complementary spandrels within a palmette and trellising vine guard border on red ground. 9 ft 8 in x 6 ft 7 in (295 x 201 cm) $800-$1,200

6 Tabriz Silk and Wool Rug Post 1950 Ivory ground with palmette and trellising vine field centering a lobed medallion on red-blue ground, complementary spandrels within a palmette and trellising vine guard border on red ground. 13 ft 11 in x 9 ft 9 in (424 x 297 cm) $2,000-$3,000

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JEWELRY, COINS & WATCHES

PROPERTY FROM THE ESTATE OF JAMES H. VANCE III 7 South African One-Ounce Gold Krugerrand Dated 1976 $1,000-$1,500

PROPERTY OF VARIOUS OWNERS 8 Group of Five Russian Gold Roubles Consisting of: two 1899 ten-rouble gold coins; a 1902 ten-rouble gold coin; an 1897 seven-rouble fifty-kopek gold coin; and an 1899 five-rouble gold coin. Gross weight: 23.5 dwt. $2,000-$3,000

PROPERTY FROM THE ESTATE OF JAMES H. VANCE III 9 American Eagle Fifty-Dollar One-Ounce Gold Coin Dated 1988 $1,000-$1,500

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10 Two American Eagle Fifty-Dollar One-Ounce Gold Coins Dated 1999 and 2002 $2,000-$3,000 11 Two American Eagle Fifty-Dollar One-Ounce Gold Coins Dated 1998 and 1999 $2,000-$3,000

PROPERTY OF HELENA GUNNARSSON 12 Art Deco Platinum and Diamond Open Face Pocket Watch, Doxa, Swiss Circa 1930 The octagonal case having a round silver and cream enamel dial with black enamel Arabic hour chapters and subsidiary dial, surrounded by twenty round full-cut diamonds. The obverse with monogram EH/MG. Dial and movement signed. Gross weight: 27.5 dwt. Length: 40 mm $700-$900

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PROPERTY OF VARIOUS OWNERS

13 Lady’s 18-Karat Yellow-Gold, Stainless Steel and Diamond Automatic Wristwatch, Rolex, Oyster Perpetual, Datejust, Swiss Circa 2009 Serial number V490252 Case number 2320 Having a round gold matte finish dial with diamond inset hour chapters and cyclops lens date aperture, the aftermarket bezel set with a pavé of round brilliant-cut diamonds; attached by the original Jubilee yellow-gold and stainless steel band. Dial, case, movement and band signed. Diameter: 26 mm Length: 6 in (15.2 cm) $3,000-$5,000

14 Lady’s 14-Karat Yellow-Gold Concealed Face Quartz Wristwatch, Baume & Mercier, Swiss Last Half 20th Century The wide flexible bracelet having a hinged cover opening to view a rectangular silver and gold matte finish dial with black enamel line hour chapters. Dial and movement signed. Bracelet stamped dgs 14K. Gross weight without movement: 53.5 dwt. Length: 6-3/4 in (17.1 cm) Width: 1 in (2.5 cm) $1,500-$2,500

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15 Lady’s 18-Karat Yellow-Gold and Diamond Quartz Wristwatch, Cyma, Swiss Having a round mother-of-pearl dial with raised gold tone dot hour chapters, the bezel set with twenty-six round brilliant-cut melee diamonds. Gross weight: 27.8 dwt. Length: 6-3/4 in (17.1 cm) Diameter: 20 mm $800-$1,200

PROPERTY OF HELENA GUNNARSSON 16 Lady’s Art Deco Platinum, Diamond and Ruby 17-Jewel Manual-Wind Wristwatch, Goering Watch Co., Swiss Circa 1925 Having a rectangular cream enamel dial with black enamel Arabic hour chapters, the bezel and lugs set with eight squarecut rubies weighing approximately .40 carats and forty-four round full-cut, marquise and baguette-cut diamonds weighing approximately .90 carats; attached by a platinum adjustable mesh bracelet band. Some damage to band. Movement signed. Gross weight: 11.6 dwt. Length: 7-1/2 in (19.1 cm) $700-$900

PROPERTY OF VARIOUS OWNERS 17 Lady’s Platinum and Diamond 17-Jewel Manual-Wind Wristwatch, Hamilton, American Circa 1930s Having a rectangular white enamel dial with black enamel Arabic hour chapters, the bezel and lugs set with forty-two round brilliant and marquise-cut diamonds weighing approximately 1.50 carats; attached by a black silk band. Dial and movement signed. Length: 5-3/4 in (14.6 cm) $600-$800

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PROPERTY FROM THE BETTY SHAPIRO TRUST

18 Ladyâ&#x20AC;&#x2122;s 18-Karat Yellow-Gold and Diamond 20-Jewel Manual-Wind Wristwatch, Vacheron & Constantin, Swiss Circa 1971 Movement number 609584 Case number 440878 Having an oval gold matte finish dial with gold tone line hour chapters, the bezel set with twenty-four round brilliant-cut diamonds weighing approximately .68 carats; attached by the original 18-karat yellow-gold braceletband. Dial, case, movement and band signed. Together with a Vacheron & Constantin certificate of origin and guarantee. Gross weight without movement: 23.8 dwt. Length: 6-1/4 in (15.9 cm) $1,200-$1,500

PROPERTY OF VARIOUS OWNERS 19 Ladyâ&#x20AC;&#x2122;s 18-Karat Yellow-Gold and Diamond Concealed Face 17-Jewel Manual-Wind Wristwatch, Rolex, Precision, Swiss Circa 1950s The textured yellow-gold bracelet centered by a square cover set with sixteen round single-cut diamonds opening to view a square white enamel dial with raised gold tone line hour chapters. Dial, case and movement signed. Together with an additional link. Gross weight without movement: 33.3 dwt. Length: 6-1/4 in (15.9 cm) $1,500-$2,500

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20 Ladyâ&#x20AC;&#x2122;s Art Deco Platinum and Diamond 18-Jewel Manual-Wind Wristwatch, C. H. Meylan, Tiffany & Co., Swiss Circa 1925 Movement number 41936 Case number 52874 Having a tonneau-shaped white enamel dial with black enamel Arabic hour chapters, the bezel and lugs set with forty-two round brilliant-cut diamonds weighing approximately .90 carats; attached by a platinum mesh band with the clasp set with six round full-cut diamonds weighing approximately .10 carats. Dial signed Tiffany & Co. Movement signed C.H. Meylan/ Brassus/ Swiss. Total weight of diamonds: 1 carat Gross weight without movement: 14.9 dwt. Length: 6-1/4 in (15.9 cm) $2,000-$3,000

21 Victorian Tested 10-Karat Yellow-Gold and Yellow Topaz Parure Circa 1830 Comprising a choker length necklace set with twenty-six closed-back oval faceted topaz; a removable pendant-brooch, of foliate design centered with one closed-back oval topaz surrounded by eight oval faceted topaz, suspending a removable tassel set with four oval faceted topaz; a pair of bracelets, each set with fourteen closed-back oval faceted topaz; and a pair of clip-back earrings, each set with one oval faceted citrine, suspending a removable tassel set with four closed-back topaz. Clip-back earrings are married to the set. Together with a tooled red leather fitted presentation box. Total gross weight: 114.9 dwt. Length of necklace: 16 in (40.6 cm) Length of bracelets: 8 in (20.3 cm) Length of pendant-brooch: 2-1/2 in (6.4 cm) Width: 1-1/2 in (3.8 cm) Length of earrings: 2-1/4 in (5.78 cm) $1,500-$2,500

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22 Art Deco Tested 14-Karat White-Gold, Diamond and Blue Sapphire Ring Circa 1930 The central row having five round old European-cut diamonds weighing approximately .85 carats, surrounded by twenty calibre-cut blue sapphires weighing approximately .50 carats and twenty round full-cut diamonds weighing approximately .30 carats. Total weight of diamonds: 1.15 carats Shank size: 8-1/2 $700-$900

23 Art Deco Platinum and Diamond Brooch Circa 1930 Set with two round old mine-cut diamonds weighing approximately 1.35 carats, surrounded by forty-two round old mine-cut diamonds weighing approximately 1.50 carats. Total weight of diamonds: 2.85 carats Gross weight: 6.4 dwt. Length: 1 in (2.5 cm) Width: 1-1/2 in (3.8 cm) $1,000-$2,000

24 Art Deco White-Gold and Diamond Ring Circa 1930 The navette-shaped filigree mount centered with one round old mine-cut diamond weighing approximately .95 carats, surrounded by four round old mine-cut diamonds weighing approximately .35 carats. Total weight of diamonds: 1.30 carats Shank size: 5-1/2 $1,000-$1,500

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25 Two Tiffany & Co. Yellow-Gold Objets de Vertu The first, a Retro 14-karat gold compact, circa 1940s, having six round faceted rubies opening to view a mirror, together with a teal leather fitted case; and the second, an 18-karat gold pillbox having a basketweave design with the push-button set with three channel-set baguette-cut blue sapphires. Each signed Tiffany & Co. Gross weight of first: 49 dwt. Length: 2-1/4 in sq (5.7 cm) Gross weight of second: 17 dwt. Length: 1 in (2.5 cm) Width: 1-1/4 in (3.2 cm) $1,500-$2,500

27 26

26 14-Karat Yellow-Gold, White-Gold, Cultured Pearl and Diamond Bangle Bracelet First Half 20th Century The top-portion having white-gold openwork centered by nine graduated cultured pearls measuring from 3.4 to 5.4 mm, surrounded by twenty-one round full-cut melee diamonds. Gross weight: 15.1 dwt. Inner length: 6-1/4 in (15.9 cm) $600-$800

27 Two Yellow-Gold Mesh Change Purses The first, a French 18-karat gold purse set with sixteen round old mine-cut diamonds weighing approximately .60 carats, thirteen round faceted rubies weighing approximately .75 carats and two round cabochon rubies; and the second, an English 9-karat gold purse having a central polished yellowgold disc. The first with French standard, the second with the interior stamped with illegible maker and numbered 56970. Gross weight of first: 37.3 dwt. Length: 2-3/4 in (7 cm) Width: 2-1/2 in (6.4 cm) Weight of second: 20.4 dwt. Length: 2-3/4 in (7 cm) Width: 2-1/4 in (5.7 cm) $1,500-$2,500

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PROPERTY OF HELENA GUNNARSSON

28 Princess Length Tested 18-Karat Yellow-Gold, Multi-Color Tourmaline and Diamond Torsade Necklace The nine-strand necklace having multi-color tourmalines of green, orange, pink and yellow measuring approximately 2.8 mm; attached by a floral yellow-gold clasp set with a pavĂŠ of round full-cut diamonds. Length: 18-1/4 in (46.4 cm) $1,500-$2,000

PROPERTY OF VARIOUS OWNERS 30 Gentlemanâ&#x20AC;&#x2122;s 14-Karat Yellow-Gold, White-Gold and Diamond Ring The box-form mount centered with one round brilliant-cut diamond weighing approximately 1.70 carats, surrounded by four round brilliant-cut diamonds weighing approximately .60 carats. Total weight of diamonds: 2.30 carats Gross weight: 14.2 dwt. Shank size: 12 $1,200-$1,500

29 Unmounted 1.28 Carat Round Old Mine-Cut Diamond $1,200-$1,800

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31 Princess Length 18-Karat Yellow-Gold, Blue Star Sapphire, Diamond and Blue Sapphire Necklace The single-strand having graduated blue sapphire beads measuring from 6.3 to 15.8 mm, suspending an oval pendant centered with one large oval cabochon pale blue star sapphire weighing approximately 57.10 carats, surrounded by eleven round cabochon blue sapphires and five old mine-cut diamonds. Length of necklace: 18 in (45.7 cm) Length of pendant: 2-3/4 in (7 cm) Width: 1-1/2 in (3.8 cm) $3,000-$5,000

32 Pair of 18-Karat White-Gold, Multi-Color Sapphire and Diamond Chandelier Pierced Earrings Each suspending nine briolette-faceted multi-color sapphires of red, orange, green, pink and blue weighing approximately 8.10 carats and nineteen round brilliantcut diamonds weighing approximately .20 carats. Total weight of sapphires: 16.20 carats Total weight of diamonds: .40 carats Gross weight: 7 dwt. Length: 1-1/2 in (3.8 cm) $800-$1,200

33 Choker Length 14-Karat White-Gold and Diamond Necklace Having sixty-seven graduated round brilliant-cut diamonds weighing approximately 2.75 carats, suspending a tassel pendant set with one round brilliant-cut diamond weighing .57 carats. Total weight of diamonds: 3.32 carats Gross weight: 10.9 dwt. Length: 16-1/2 in (41.9 cm) $1,200-$1,800 The diamond pendant accompanied by a GIA diamond grading report numbered 5171715594 and dated July 1st, 2016 stating the color is K, clarity is VS1, cut and polish are very good, symmetry is good and faint fluorescence.

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34 Opera Length 14-Karat Yellow-Gold and Cultured Pearl Necklace The necklace may be converted into two choker length necklaces. Gross weight: 70.6 dwt. Length: 32-1/2 in (82.6 cm) $1,500-$2,500 35 Princess Length 18-Karat Yellow-Gold, Baroque Pearl and Coral Necklace The four-strand necklace having forty-eight multicolored Baroque pearls measuring from 9.2 to 10.6 mm and coral beads measuring approximately 5 mm. Length: 18 in (45.7 cm) $1,200-$1,500 36 18-Karat Yellow-Gold and Diamond Brooch, Buccellati The textured yellow-gold mount having six blossoming flowers set with six round brilliant-cut diamonds weighing approximately 1.20 carats and ninety-six rose-cut diamonds. Verso inscribed Italy Buccellati. Gross weight: 13.6 dwt. Length: 3-1/4 in (8.3 cm) $800-$1,200

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37 18-Karat White-Gold and Diamond Cocktail Ring The bombé mount set with approximately one hundred twenty-four round brilliant-cut diamonds weighing approximately 2.50 carats. Gross weight: 12.4 dwt. Shank size: 8 $800-$1,200 38 Princess Length 18-Karat Yellow-Gold, Baroque Tahitian Pearl and Coral Necklace The four-strand necklace having thirty-five Baroque Tahitian pearls measuring from 10.8 to 12.5 mm and red coral beads measuring approximately 5.3 mm. Length: 17-1/2 in (44.5 cm) $1,000-$1,500 39 Platinum, Diamond and Ruby ‘Flower’ Cocktail Ring The floriform tiered mount centered with one round brilliant-cut diamond weighing approximately .85 carats, the second row set with six round brilliant and twelve tapered baguette-cut diamonds weighing approximately 1.30 carats, the third row set with six baguette-cut rubies weighing approximately .25 carats and eighteen baguettecut diamonds weighing approximately 1.40 carats and the fourth row set with thirty invisibly-set square and rectangular-cut rubies weighing approximately 1.85 carats. Shank inscribed 51494. Total weight of diamonds: 3.55 carats Total weight of rubies: 2.10 carats Gross weight: 10.7 dwt. Shank size: 7-1/4 $2,000-$3,000

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40 14-Karat Yellow-Gold, White-Gold and Diamond Tennis Bracelet, Jafa Having forty-one round brilliant-cut diamonds weighing approximately 7 carats. Gross weight: 15.8 dwt. Length: 7-1/2 in (19.1 cm) $2,000-$4,000 41 Princess Length 18-Karat Yellow-Gold, Malachite and Freshwater Pearl Necklace The single-to-double strand necklace having thirty-two malachite beads measuring from 10.2 to 10.4 mm, alternating with twenty-five round freshwater pearls measuring 5.7 mm and eleven blister freshwater pearls. Length: 17-3/4 in (45.1 cm) $1,500-$2,000 42 Contemporary Choker Length 18-Karat White-Gold, Rubellite Tourmaline and Diamond Necklace The triple-strand white-gold necklace having six round brilliant-cut melee diamonds, suspending a pendant set with a tear-drop shaped briolette-faceted rubellite tourmaline weighing approximately 16 carats, twenty-eight round brilliant-cut diamonds and five tassels set with seven round brilliant-cut melee diamonds. Length: 16 in (40.6 cm) $800-$1,200

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43 14-Karat Yellow-Gold, Diamond and Ruby Bracelet Having seven figure-eight segments set with one hundred nineteen round brilliant-cut diamonds weighing approximately 2.25 carats, alternating with seven links set with twenty-eight round faceted rubies weighing approximately 1 carat. Gross weight: 12.4 dwt. Length: 7 in (17.8 cm) $600-$800 44 Matinee Length 18-Karat Yellow-Gold and Blue Sapphire Necklace The four-strand necklace having graduated blue sapphire roundel beads measuring from 4.1 to 8.8 mm. Length: 21-3/4 in (55.2 cm) $2,000-$3,000 45 14-Karat Yellow-Gold and Twin Diamond Ring The bypass-form mount set with two old mine-cut diamonds weighing approximately 1.75 and 1.65 carats, and two round brilliant-cut diamonds weighing approximately .30 carats. Total weight of diamonds: 3.70 carats Shank size: 5 $8,000-$12,000

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46 Yellow-Gold, Turquoise and Diamond Assembled Three-Piece Ensemble Consisting of: an 18-karat gold sunburst brooch, apparently unmarked, centered by fifteen round brilliant-cut diamonds surrounded by oval cabochon turquoise and lapis lazuli stones; and a pair of 14-karat gold clip-back earrings, stamped with maker’s mark (for Preformed Parts, Inc.), each anemone-form mount set with six round brilliant-cut diamonds and eleven oval cabochon turquoise stones. Gross weight of brooch: 20.2 dwt. Length: 2-1/4 in (5.7 cm) Gross weight of earrings: 14.8 dwt. Diameter: 1 in (2.5 cm) $1,500-$2,500

47 Princess Length 18-Karat Yellow-Gold, Lemon Quartz and Blue Sapphire Necklace The single-to-double strand necklace having blue sapphire roundel beads measuring from 3.8 to 5.4 mm, suspending eleven ‘turbo shell’ briolette-faceted lemon quartz stones measuring from 17.8 to 22.8 mm. Length: 17 in (43.2 cm) $1,500-$2,000

48 Platinum Solitaire Diamond Ring The four-prong mount set with one round jubilee-cut diamond weighing approximately 1.80 carats, flanked by two baguette-cut diamonds weighing approximately .10 carats. Total weight of diamonds: 1.90 carats Shank size: 5-1/4 $6,000-$8,000

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49 Princess Length 18-Karat Yellow-Gold, Emerald and Diamond Necklace The necklace with ‘S’ shaped links set with thirty-seven round brilliant-cut diamonds weighing approximately 1.50 carats, centering eight round brilliant-cut diamonds weighing approximately .30 carats, suspending a detachable pendant set with one pear-shaped emerald weighing approximately .80 carats, and surrounded by twelve round brilliant-cut diamonds weighing approximately .25 carats. Total weight of diamonds: 2.05 carats Gross weight: 23.3 dwt. Length: 17-1/2 in (44.5 cm) $1,200-$1,800 50 Opera Length 18-Karat Yellow-Gold, Coral and Black Onyx Necklace The single-strand having seven yellow-gold segments each set with an octagonal black onyx stone alternating with forty-two coral beads measuring from 8.4 to 9.6 mm. Length: 31-1/2 in (80 cm) $600-$800

51 Two Platinum, Yellow-Gold, Amethyst and Diamond Brooches, McTeigue & Co. The first, a 14-karat gold stylized ‘thistle’ brooch having three graduated carved fluted amethysts, thirty-eight round faceted tsavorite garnets weighing approximately 1.70 carats and thirty-six round single-cut diamonds (together with a removable pendant); the second, an 18-karat gold ‘turtle’ brooch with the shell consisting of one large oval cabochon amethyst weighing approximately 24.50 carats, surrounded by twenty-three round brilliant-cut diamonds weighing approximately .95 carats, the tail and rotating head set with nine round brilliant-cut diamonds weighing approximately .15 carats and the eyes set with two round faceted tsavorite garnets. Each impressed with maker’s mark. Gross weight: 27.3 dwt. Length of first: 2-3/4 in (7 cm) Width: 1-3/4 in (4.5 cm) Length of second: 1-3/4 in (4.5 cm) Width: 1-1/8 in (2.8 cm) $1,000-$1,500

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52 14-Karat White-Gold, Emerald and Diamond Cocktail Ring Centered with one octagonal step-cut emerald weighing approximately 3 carats, surrounded by twenty-five round brilliant-cut diamonds weighing approximately 1.85 carats. Shank size: 4-3/4 $2,000-$3,000

53 Contemporary Princess Length Tested 18-Karat White-Gold, Aquamarine, Blue Sapphire and Diamond Necklace The triple-strand necklace having a central row of roundel blue sapphire beads measuring from 3.8 to 6.9 mm, flanked by two rows of roundel faceted aquamarine beads measuring from 3.2 to 5.4 mm centering a white-gold pendant set with two large pear-shaped faceted aquamarines weighing approximately 13 carats each, surrounded by twenty-nine round and oval faceted blue sapphires weighing approximately 6 carats, twenty-eight round brilliant-cut diamonds weighing approximately .70 carats and suspending a trillion-cut aquamarine weighing approximately 2 carats. Total weight of aquamarines: 28 carats Length of necklace: 17-3/4 in (45.1 cm) Length of pendant: 2-1/4 in (5.7 cm) Width: 1-3/4 in (4.5 cm) $5,000-$7,000

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54 Italian Choker Length 18-Karat Yellow-Gold and Diamond Necklace Having stylized textured yellow-gold leaf links set with one hundred forty-three round brilliant and full-cut diamonds weighing approximately 2.40 carats. Together with a Risaliti Firenze tooled blue leather fitted box. Gross weight: 41.1 dwt. Length approximately: 16 in (40.6 cm) $1,800-$2,200

55 Princess Length 18-Karat Yellow-Gold and Rubellite Tourmaline Necklace The single-strand having graduated roundel faceted rubellite tourmaline beads measuring from 4.8 to 14.8 mm, alternating with florentine finish and polished yellow-gold spacers. Length: 20-1/2 in (52.1 cm) $3,000-$4,000

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56 Choker Length 18-Karat Yellow-Gold and Diamond Necklace, Black, Starr & Frost The center portion set with sixty-three round brilliant-cut diamonds weighing approximately 2.50 carats. Clasp signed B.S & F. Gross weight: 16 dwt. Length approximately: 14 in (35.6 cm) $1,500-$2,500

57 18-Karat Yellow-Gold, Gem-Set and Diamond Pendant Brooch, Arthur King The large free-form yellow-gold mount set with one Baroque pearl measuring 11.14 x 8.63 mm, one cultured pearl measuring 7.65 mm, one lapis stone measuring 18.95 x 9.05 mm, two round faceted emeralds weighing approximately .12 carats and approximately seventy-nine round full-cut diamonds weighing approximately 1.25 carats. Signed King. Together with an Arthur King brown felt pouch. Gross weight: 35.1 dwt. Length: 3-3/4 in (9.5 cm) Width: 1-3/4 in (4.5 cm) $1,500-$2,500

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58 18-Karat Yellow-Gold, Tanzanite and Diamond Cocktail Ring Centered with one oval faceted tanzanite weighing approximately 4.40 carats, surrounded by fourteen round brilliant-cut diamonds weighing approximately 1.40 carats. Shank size: 5-1/4 $1,500-$2,500

59 Tested 18-Karat Yellow-Gold and Diamond Bracelet First Quarter 20th Century In the Archaeological Revival style, having a flexible link and granulated bead mount centered with twenty-eight round old mine-cut diamonds weighing approximately 7.35 carats. Together with an Ashley & Sims, London tooled blue leather presentation box. Outer links with illegible marks. Gross weight: 21.3 dwt. Length: 7-1/2 in (19.1 cm) Width: 3/4 in (1.9 cm) $6,000-$8,000

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60 18-Karat Yellow-Gold and White-Gold Bracelet, Cartier Having eight alternating yellow and white-gold oval links. Signed Cartier, JC and numbered P3045. Weight: 60.1 dwt. Length: 8-1/2 in (21.6 cm) $4,000-$6,000

61 18-Karat Yellow-Gold, Yellow Sapphire and Diamond Ring, Cartier Circa 1950-1960 Having an octagonal step-cut yellow sapphire weighing 13.77 carats, flanked by six round brilliant-cut diamonds weighing approximately .30 carats. Signed Cartier. Together with a Cartier gilt decorated tooled red leather ring box. Shank size: 6 $15,000-$20,000 Accompanied by a GIA Gemological Report numbered 1186992102 and dated January 12, 2018 stating that the sapphire is natural, no indications of heat treatment and of Sri Lankan (Ceylon) origin.

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SILVER PROPERTY OF HELENA GUNNARSSON 62 George II Silver Tankard Converted to a Pitcher Fuller White, London, 1752 The later repoussé baluster body with a gilded interior; the top of lid and underside of foot fully marked with maker’s mark F.W. Some surface scratches; handle detached at the insulators. Height: 7-1/4 in (18.4 cm) Gross weight: 25.2 oz $1,000-$1,500

63 Pair of George III Silver Chamber Candlesticks Samuel Roberts Jr, George Cadman & Co, Sheffield, 1799 Each underside fully marked with maker’s mark SR/ GC & Co within a rectangle. Height: 4 in (10.2 cm) Total weight: 19.5 oz $600-$800

64 Pair of George III Silver Bottle Coasters, a Snuffer Tray and a Pap Boat London, Late 18th-Early 19th Century The pair of bottle coasters, probably Benjamin Montigue, 1809, with turned wood bottoms and openwork sides with alternating urn and rosettes joined by chased floral festooning beneath an openwork and reeded border with engraved lion’s head crest above initials in script DH, foot fully marked with maker’s mark B.M; the snuffer tray, Henry Chawner, 1792, boat-form with a scalloped border and a strap handle chased with floral festooning centering a chased bowknot tied pendant lion crest beneath a banner NOBILIS TRA above a circular floral chased crest with crown and flowers raised on three openwork feet, underside fully marked with maker’s mark HC; the pap boat, Peter and Ann Bateman, 1792, of typical form with punchwork and a chased everted rim, the rear of the border with chased rosette crest, fully marked with maker’s mark PB/ AB. Diameter of coasters: 5 in (12.7 cm); Length of snuffer tray: 9 in (22.9 cm) Total gross weight: 16 oz $800-$1,200

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65 Seven George II-III Flat Table Articles London, Late 18th-First Half 19th Century The first, a vegetable spoon, John Lautier, 1776, Old English pattern with bright-cut edging enclosing a shield armorial crest with a punchwork divider; the second, a serving spoon, 1728, Old English Rat Tail pattern with engraved stag crest and with stretched maker’s mark LP beneath a rampant lion; the third, a serving spoon, Peter and Ann Bateman, 1791, Old English pattern with initial W in script; the fourth, a serving fork (probably converted from a spoon), Peter and Ann Bateman, 1795, Old English pattern; the fifth, a meat skewer, William Sutton, 1792; the sixth, sugar tongs, Mary Chawner, 1838, Fiddle Thread and Shell pattern with engraved initial V; the seventh, a small serving fork, possibly John Harris IV, 1822, Fiddle pattern with engraved horse’s head and crown crest and marker’s mark IH. Length of largest spoon: 12-3/4 in (32.4 cm) Total weight: 21.6 oz $500-$700 66 Four Irish George II-III Silver Serving Spoons and a Meat Skewer Dublin, Second Half 18th Century The first, a vegetable spoon, John Power, 1799, Old English pattern, having a pierced grill divider and bright-cut zig-zag edging enclosing a star above a blank oval cartouche; the second, a pair of serving spoons, John Power, 1790; the fourth, a serving spoon, 1752, Old English pattern with later scroll tip and chased handle with crown crest, also with maker’s mark ID within an oval; the fifth, a meat skewer, 1791, with bright-cut zig-zag edging and maker’s mark in script TO in an oval. Length of largest spoon: 13 in (33 cm); Length of skewer: 13-1/4 in (33.7 cm) Total weight: 18.6 oz $800-$1,200

PROPERTY OF VARIOUS OWNERS 67 Victorian Pierced Silver Three-Piece Table Garniture Frederick Elkington, London, 1884-1885 Consisting of an oval center bowl and a pair of compotes; each fully marked and with maker’s mark FE within two circles. Diameter of largest: 12-1/2 in (31.8 cm) Total weight: 56.6 oz $1,000-$1,500

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68 Victorian Silver Four-Piece Coffee and Tea Service Fordham & Faulkner, Sheffield, 1897 Consisting of a coffeepot, teapot, two-handled sugar bowl, and a creamer; each with gadrooning to lower-half of body and all with conjoined initials MRG; each fully marked and with maker’s mark W.F/AF within a square. Coffeepot with detached finial; teapot with repaired handle. Height of coffeepot: 8-1/2 in (21.6 cm) Total gross weight: 60.8 oz $1,000-$1,500

PROPERTY OF HELENA GUNNARSSON 69 George V Hammered Silver Four-Piece Coffee and Tea Service with Tray Albert Edward Jones, Birmingham, 1921-1926 Consisting of a coffeepot, teapot/hot milk jug, two-handled sugar bowl, creamer and a tray. Each fully marked and with maker’s mark AEJ within an oval; each underside numbered 673. Two small dents to foot of sugar bowl; coffeepot and teapot with wicker-wrapped handles. Height of coffeepot and teapot: 6-1/4 in (15.9 cm); Length of tray: 17 in (43.2 cm) Total weight: 34.2 oz $600-$800

70 German Rococo Style Silver Oval Bowl Johann Breymann, Dresden, First Quarter 19th Century With everted and reeded border; fully marked with maker’s mark Breymann; underside with zig-zag export mark. Length: 15 in (38.1 cm) Weight: 45.5 oz $500-$700

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PROPERTY OF VARIOUS OWNERS

71 Pair of Charles X Silver Candlesticks Denis Garreau, Paris, Circa 1820-1825 One bobèche with slight dent to rim; the other bobèche-insert slightly out of round. Height: 11-3/8 in (28.9 cm) Total weight: 26.3 oz $1,000-$2,000

PROPERTY OF HELENA GUNNARSSON

72 Two Austro-Hungarian Silver Oval Bowls Budapest and Vienna, 1826 Each having a wide everted body; the first, Budapest, with maker’s mark in script FS, and a chased crown conjoined monogram TKL; the second, Vienna, with maker’s mark LH. Length of larger: 14-7/8 in (37.8 cm) Total weight: 50.8 oz $600-$800

73 Three Austrian Silver Dishes Vienna, 19th Century The first, a round dish, Karl Sedelmayer, 1803, with maker’s mark KS; the second, an oval dish, Stephan Mayerhofer and Carl Klinkosch, 1856, with maker’s mark M&K; the third, an oval dish, Stephan Mayerhofer, 186*, with maker’s mark ST MAYERHOFER beneath a crest; each fully marked. Diameter of first: 10-7/8 in (27.6 cm); Length of larger oval dish: 9-1/2 in (24.1 cm) Total weight: 38.7 oz $400-$600

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74 Pair of Austrian Rococo Style Silver Convertible Three-Light Candelabra Vienna, Mid-19th Century Each fully marked. Height: 22-3/4 in (57.8 cm) Total weight: 61 oz $700-$900

75 Two Pairs of Austro-Hungarian Rococo Style Repoussé Silver Candlesticks Vienna and Budapest, Mid-19th Century The first pair, Vienna,1858, with maker’s mark TD probably for Thomas Dub, also with initials MD beneath a crown; the second pair, Budapest, 1862, with maker’s mark *SP. Height of larger pair: 13 in (33 cm) Total weight: 48.5 oz $600-$800

76 Four Continental Silver Flat Serving Articles Probably Austro-Hungarian and Swedish, 19th Century The first, a punch ladle, marked Pesth, 1860, similar to Old English pattern, maker’s mark in script CL; the second, a spatula, marked Pesth, 183* similar to Old English pattern, with indistinct maker’s mark; the third, a tart server, having a pierced and chased floral blade with plain tapered handle, maker’s mark in conjoined script TP; the fourth, a Swedish pie server, probably Stockholm, 1855, the blade chased with two lovers in a canoe within a grapevine arbor continuing to a C-scroll shaped handle, with maker’s mark GD. Length of largest: 11-1/2 in (29.2 cm) Total weight: 13.9 oz $800-$1,200

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77 Austrian Silver Covered Écuelle and Stand and a Demitasse Pot Late 19th Century The first, Stephan Mayerhofer and Carl Klinkosch, Vienna, 1864, having a lid with an ivory knop; the second, late 19th century, having an ivory blossom finial and S-scroll handle, the sides with blank strapwork cartouches on an engine-turned ground, also stamped with Diana’s head within a clover flanked by a 3. Handle of demitasse pot with repair. Diameter of first including handles: 8-1/4 in (21 cm); Height of second: 6-1/2 in (14 cm) Total gross weight: 33.8 oz $500-$700 78 Five Continental Silver Table Articles 19th-20th Century The first, a sugar box, Vienna, 185*, with a lobed body and top with engraved crown monogram BM; the second, a German repoussé silver footed bowl fully marked with maker’s mark W, also with zig-zag export mark; the third, a chrysanthemum-form footed bowl, Helsingborg, 1927, with maker’s mark C Hoff; the fourth, a salt cellar, Malmö, 1985, having a faceted paste border and bright-cut gold bezel, also with maker’s mark HASA; the fifth, a Rococo style openwork 850-silver napkin holder. Height of sugar box: 3-1/4 in (8.3 cm) Total gross weight: 27.6 oz $800-$1,200 79 Group of Twelve American and European Silver Les Objets d’Art and a Silver Mounted Reptile Purse 19th-Early 20th Century Consisting of three small boxes; a cow-form and a crown-form vinaigrette; a Continental repoussé 925-silver-gilt interior cosmetic box; an American 14karat tri-color gold and sterling engine-turned cosmetic box with interior lid fitted with a mirror, with maker’s mark JBE Co; a silver and mother-of-pearl overlaid tortoiseshell ring box; a pair of Edward VII silver and burgundy cloth chick-form pin cushions, 1907-1908, maker’s marks SM&Co; an English thimble box with thimble, with maker’s mark IT, possibly Birmingham; an Italian scent bottle; and an American Rococo style repoussé sterling mounted reptile purse with cipher maker’s mark L within a pyramid. Height of tallest box: 2-3/4 in (7 cm); Length of purse: 4-1/4 in (10.8 cm) Total weight of weighable silver: 7.4 oz $800-$1,200

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80 Austrian 835-Silver Oval Platter Circa 1900 Having a ribbed border, stamped with Diana’s head flanked by a 2, the underside of rim stamped HANDARBETE/ 0.835 and with maker’s mark PV within a circle. Length: 16-3/4 in (42.5 cm) Weight: 38.9 oz $400-$600

81 Austro-Hungarian 800-Silver Oval Platter Pest, Circa 1900 Having a shaped and molded everted rim with maker’s mark KM within a rectangle. Length: 23-3/8 in (59.4 cm) Weight: 63.7 oz $700-$900

82 Austrian 800-Silver Strut-Frame Dressing Table Mirror Circa 1900 The oval mirror with a chased Greek-key border having a round convex pediment within a C-scroll raised on S-scroll feet, the verso with an oak backing and steel rod ratchet panel; stamped with Diana’s head within a clover flanked by a 3 and maker’s mark JL within a rectangle. Length: 23 in (58.4 cm); Width: 16 in (40.6 cm) $500-$700

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83 Swedish Rococo Style Silver Three-Piece Tea Set First Half 20th Century Consisting of a teapot, covered sugar bowl, and a creamer, Stockholm, 1948, each with gilt-wash interiors and maker’s mark C.G.H, probably for CG Hallberg; together with associated sugar tongs, 1917, with maker’s mark GAB, possibly Guldsmeds Aktiebolaget, Stockholm. Height of teapot: 9-1/2 in (24.1 cm) Total gross weight: 43.3 oz $500-$700

PROPERTY OF VARIOUS OWNERS 84 Gorham Sterling Flat Table Service Providence, Strasbourg Pattern, Introduced 1897 Consisting of: 1 Sauce ladle 12 Place forks 1 Two-tine butter pick 11 Salad forks 1 Pierced bonbon spoon 11 Seafood forks 1 Pierced serving spoon 9 Bouillon spoons 1 Lemon fork 12 Teaspoons 1 Fruit spoon 9 Iced tea spoons 1 Pierced tomato server 12 Place knives 1 One-piece master butter knife 1 Sugar spoon 1 Cake knife/server 8 One-piece butter spreaders 1 Pastry server 3 Serving spoons 1 Two-piece carving set 2 Large serving forks 1 Gravy ladle Total number of pieces: 103 Total weight of weighable silver: 109.1 oz $1,200-$1,800

85 American Partial Repoussé Sterling Five-Piece Coffee and Tea Service Early 20th Century Consisting of a coffeepot, teapot, two-handled covered sugar bowl, creamer, and a waste bowl. Each underside marked HANDCHASED/ Sterling and with cipher maker’s mark crown shield enclosing a B. Each numbered 840; the sugar bowl also with number 8. Height of coffeepot: 11-1/2 in (29.2 cm) Total gross weight: 85.4 oz $800-$1,200

sample

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PROPERTY OF HELENA GUNNARSSON 86 Four Falick Novick Arts & Crafts Hammered Sterling Table Articles Chicago, Early 20th Century The first, a lobed bowl with initial C; the second, a lobed tray with initials HOC within a circle; and two serving spoons (one pierced), each with initial C. Each underside stamped STERLING/ HANDWROUGHT/ F.NOVICK/ CHICAGO. Underside of bowl with small dent. Diameter of tray: 12-1/8 in (30.8 cm) Total weight: 46 oz $800-$1,200

PROPERTY OF VARIOUS OWNERS 87

87 Russian Silver Kovsh Maker’s mark in Cyrillic PS, possibly P.F. Sazikov, Moscow, Late 18th-Early 19th Century Of typical form, in the seventeenth-century style, possibly made for the Romanov tercentenary, the cavetto with a central embossed bust portrait of Mikhail Romanov within scrolling vine and flowers and a Cyrllic low-relief presentation band; the shaped handle with embossed Imperial eagle. Impressed on underside with 84 standard and maker’s mark. Length: 6-1/4 in (15.9 cm) Weight: 3.6 oz $1,000-$1,500

88 Two Russian Silver Podstakanniki Moscow or St. Petersburg, Last Quarter 19th Century The first partial-gilt, the body with continuous chased farmers in a wooded landscape, the underside with maker’s mark with Latin letters EL, assay mark and double-struck city mark; the second having a Cyrillic chased body beneath an openwork lattice rim, the underside with maker’s mark in Cyrillic IAC, probably for Ivan Sveshnikov, with double-struck assay mark and city mark. Height of taller: 7-3/4 in (19.7 cm) Total weight: 8.5 oz $1,000-$1,500

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89 Russian Gem-Set, Silver and Copper ‘Capture of Kexholm’ Commemorative Medallion Kovsh Silver, Circa 1908-1917 Of typical form with openwork escutcheon handle set with an oval cabochon amethyst, rim of foot marked Sterling; the commemorative medallion, circa 1710, the obverse having a bust of Tsar Peter I with inscription PETRVS ALEXII FIL. D.G. RVSS. IMP. M. DVX. MOSCOVIE, the reverse with inscription IMPERIO LAETI PARET CARELA GRADIVI above a seated Mars holding a crown, the background with topographical plan of fortress with inscription Carela/ Kexholm, in exergue CAPTA 8.Sept./ST.V. Length: 4-3/8 in (11.1 cm) Gross weight: 2.5 oz $700-$1,000 90 Russian Silver ‘Lord Hamilton’ Commemorative Kovsh and a Silver Salt Cellar Moscow, Circa 1880-1917 The first, cup-form with gilt interior and shaped handle, the exterior body inscribed in Cyrillic to Lord Hamilton in remembrance of his service aboard the Lieutenant Burakov, maker’s mark in Cyrillic A.K; the second, a cauldron-form salt cellar raised on three ball feet, the body chased with three joined floral reserves on a diaper ground, maker’s mark in Cyrillic H.I, assay mark in Cyrillic VP, date mark obscured. Length of kovsh: 2-3/4 in (7 cm) Total weight: 2.6 oz $700-$1,000

91 Pair of Russian-Type 88-Gilt Silver and Cloisonné Enamel Spoons Last Half 20th Century Each verso of bowls enameled in shaded green-to-blue, red and white of a stylized Imperial eagle on a gilt diaper ground, the round and twisted handle with cloisonné enamel plumage finial; each side of handle stamped with 88 standard. Length of each: 7 in (17.8 cm) Total gross weight: 3.9 oz $700-$1,000

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FURNITURE AND DECORATIONS PROPERTY OF VARIOUS OWNERS 92 Vasily Grachev (Russian 1831-1905) Galloping Cherkessians Signed LBP Grachev in Cyrillic; with founder’s mark Fabr. C.F. Woerffel Bronze sculpture with dark-brown patina, mounted on a mottled black marble base. Left corner of marble damaged. Height: 18 in (45.7 cm); Length: 19 in (48.3 cm) $7,000-$9,000 93 After Evgeni Alexandrovich Lanceray (Russian 1848-1886) The Indecisive Moment Signed Evgeni Lanceray in Cyrillic and with circular foundry mark Bronze sculpture with dark-brown patina. Horse’s tail detached. Height: 19-1/2 in (49.6 cm); Length: 38 in (96.5 cm) $2,000-$3,000

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PROPERTY OF HELENA GUNNARSSON 94 Three Continental Partial Gilt and Polychrome Decorated Porcelain Scent Bottles Second Half 19th Century The first, a Dresden Meissen-type ovoid-form with courtship scenes, the sides with floral sprays against a yellow ground, the underside with underglaze blue Augustus Rex-type monogram mark AR; the second, a Dresden ovoid-form having men with unmounted horses amidst ruins and rolling hills and castles, the underside with underglaze blue crown D factory mark; the third, Royal Vienna-type rectangular-form the recto having an allegorical scene of Venus clipping a sleeping Cupidâ&#x20AC;&#x2122;s wings, the verso an allegorical scene of vanity, signed K Weli, each with gilt beaded borders and sides with gilt scrolling foliage and birds against a burgundy ground, the underside with blue factory mark above inscription Amor wird entwaffnet; each with later Swedish gilt 925-silver tops, each fully marked and with makerâ&#x20AC;&#x2122;s mark HASA. Each lacking original porcelain tops; each with wear to gilding; the third with wear to gilt beading. Height of tallest: 6-1/4 in (15.9 cm) $600-$800 95 Herend Porcelain Partial Dinner Service Vieux Saxe Pattern, Circa 1850-1880 Consisting of fourteen dinner plates, a pair of salad/dessert plates, two oval platters and a round covered two-handle tureen with undertray; the larger platter dated 1857; each within an osier molded border and with underglaze blue cross and shield factory mark, some with various inscribed numbers. 20 pieces. The tureen with age cracks to bottom. Height of tureen: 7-7/8 in (20 cm); Length of larger platter: 14 in (35.6 cm) $800-$1,200

PROPERTY OF VARIOUS OWNERS 96 Limoges Enamel and Ebonized Wood Casket 19th Century The domed-lid mounted with twelve enamel plaques depicting various hunt and battle scenes. Some losses to ebonized molding; one plaque with loss. Height: 10 in (25.4 cm); Width: 12 in (30.5 cm); Depth: 7-1/2 in (19.1 cm) $1,000-$1,500

sample

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PROPERTY OF HELENA GUNNARSSON

97 Louis XVI Style Ormolu Mounted Marble Three-Piece Clock Garniture Circa 1900 The clock having a slightly domed white enamel dial with floral festooning enclosing black Arabic numerals; the two-train movement striking a bell on the hour and halfhour; the back plate impressed with number 834/43. Dial with restoration. Height: 13-1/2 in (33 cm) $600-$800

PROPERTY OF VARIOUS OWNERS 98 Continental Baroque Style Floral Marquetry Walnut Oak Center Table Southern German or Northern Italian, Late 18th-19th Century The top having a central octagonal medallion with marquetry crest and initials WZâ&#x20AC;&#x2122;Kâ&#x20AC;&#x2122; (17) 98 within a floral scrolling tendril and bird inner border and a rope and berry outer border raised on an oak carved acanthus leaf baluster standard on an octagonal molded stepped base. Minor losses and repairs to marquetry top; base probably associated. Height: 29-1/2 in (75 cm); Diameter: 36 in (91.4 cm) $600-$800

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99 Set of Eight Dutch Rococo Style Satinwood Marquetry Walnut Dining Chairs Last Quarter 19th Century Consisting of a pair of arm and six sides; each with green felt upholstered slip seats. Some with repairs where the crestrail meets the stiles; minor repairs and losses to marquetry. $600-$800

sample

101

100

PROPERTY OF HELENA GUNNARSSON 100 Continental Ebonized Wood Inlaid Figured Walnut and Satinwood Commode Northern Italian or Southern German, Circa 1800 Brasses replaced; restorations to inlay and veneer particularly to the top; rear feet replaced. Height: 34-1/2 in (87.6 cm); Width: 50 in (127 cm); Depth: 25 in (63.5 cm) $1,000-$2,000

101 Biedermeier Satinwood Inlaid Mahogany Sewing Table Circa 1830 The chamfered rectangular top opening to view a birchwood-lined interior with covered wells centering a central well above two lyre-form standards with three brass rods and joined by a trestle base. Repairs to top and interior. Height: 29-1/2 in (75 cm); Width: 24 in (61 cm); Depth: 20 in (50.8 cm) $600-$800

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102

102 Biedermeier Partial Ebonized Mahogany Drop-Leaf Sofa Table Circa 1830 Each side with a blocked frieze, one side fitted with a drawer enclosing three wells and verso with a false front. Some repairs to veneer of feet. Height: 28 in (71.1 cm); Width: 36-1/4 in (92.1 cm); When open: 52-1/4 in (132.7 cm); Depth: 30-1/4 in (76.8 cm) $800-$1,200

PROPERTY OF VARIOUS OWNERS

103

103 Indo-Portuguese Baroque Style Partial Ebonized Ebony and Mahogany Stained Satinwood Slant-Front Bureau Probably Goa, 18th-19th Century The fall-front writing lid opening to view a concave and serpentine architectural amphitheater with a central double-concave raised panel prospect door enclosing two pigeonholes and a concave drawer flanked by two document drawers and an arrangement of six pigeonholes and nine drawers over a sliding-panel well compartment. Possibly originated with an upper section; brass tear-drop pulls probably original; feet probably replaced; various chips and wear to ebonized decoration; ebonized decoration of a later date; one side handle broken. Height: 43 in (109.2 cm); Width: 38-3/4 in (98.4 cm); Depth: 22-1/2 in (57.2 cm) $1,000-$1,500

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105

PROPERTY FROM THE ESTATE OF BRANDON H. GROVE, JR. 104 George III Giltwood Mirror Last Quarter 18th Century Some chips and wear to gilding; gilding lacquered; pediment restored and missing elements. 64 x 28 in (162.6 x 71.1 cm) $1,000-$1,500

PROPERTY OF VARIOUS OWNERS 105 Victorian Satinwood Inlaid Mahogany Collectorâ&#x20AC;&#x2122;s Chest of Drawers on Stand Last Half 19th Century Some losses and repairs to inlaid top; wood knob pulls possibly replaced; cracks on both sides. Height: 42-1/8 in (107 cm); Width: 26-1/2 in (67.3 cm); Depth: 15-1/2 in (39.3 cm) $800-$1,200

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107

PROPERTY OF HELENA GUNNARSSON 106 George III Mahogany Drop-Leaf Table Circa 1770-1790 One end fitted with a frieze drawer. Crack to one drop leaf. Height: 28 in (71.1 cm); Width when open: 56-3/4 in (144.1 cm); Depth: 38-3/4 in (98.4 cm) $1,000-$1,500

108

PROPERTY OF A PHILADELPHIA COLLECTOR 107 George III Giltwood Mirror Circa 1760-1780 Regilded and with some wear to gilding. 48 x 28-1/2 in (121.9 x 72.4 cm) $1,500-$2,500

PROPERTY OF VARIOUS OWNERS 108 William IV Mahogany Partnerâ&#x20AC;&#x2122;s Writing Table Circa 1830-1835 Each side fitted with a central concave drawer flanked by two short drawers. Height: 30 in (76.2 cm); Width: 58-1/2 in (148.6 cm); Depth: 38-3/4 in (98.4 cm) $1,000-$1,500

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PROPERTY OF A PHILADELPHIA COLLECTOR

109

109 Regency Floral Penwork and Gilt Decorated Pedestal Games Table and a Gilt and Black Tôle Tray on Later Stand First Quarter 19th Century The games table with three horizontal cracks to top; some wear to decoration; the tray with craquelure to black enamel ground and some wear and chips to painted gallery. Height of games table: 21-1/2 in (54.6 cm); Width: 17-7/8 in (45.4 cm); Depth: 18 in (45.7 cm); Height of tôle tray with stand: 18-1/4 in (46.4 cm); Width: 29-3/4 in (75.6 cm); Depth: 23-1/4 in (59.1 cm) $1,000-$1,500

PROPERTY OF VARIOUS OWNERS 110 George III Mahogany Three-Part Dining Table Circa 1770-1790 Consisting of a central drop-leaf section and two demilune ends. Each with modern adjustable stainless steel extensions to pad feet. Height: 30 in (76.2 cm); Width when fully extended: 126 in (320 cm); Depth: 51-3/4 in (131.4 cm) $2,000-$3,000

110

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111 Set of Eight George III Style Mahogany Dining Chairs Kittinger, Buffalo, NY, Williamsburg Reproduction #CW47, Post 1950s Each with shaded blue, gray, tan and champagne striped upholstery. Each with oval CW Kittinger, Buffalo branded mark and with Williamsburg branded mark to rear legs. Each with various abrasions particularly to legs. $1,000-$1,500

112

112 Chippendale Walnut Chest of Drawers Philadelphia, Circa 1760-1780 Top with 2-1/2 in long Dutchman patch; top with some cracks and abrasions; brasses replaced; left side with some cracks. Height: 35-1/8 in (89.2 cm); Width: 38-1/4 in (97.2 cm); Depth: 19 in (48.3 cm) $800-$1,200

sample

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113 Pair of Chippendale Walnut Side Chairs Attributed to the Workshop of Benjamin Randolph, Philadelphia, Circa 1770-1780 Each originally armchairs; each with light-blue and green brocade silk damask upholstered slip seats; one seat with remnant of Benjamin Randolphâ&#x20AC;&#x2122;s eagle and chinoiserie paper label. Each with Dutchman repairs at the stiles and side seat rails with plugged screw holes; the first with repairs to crestrail at the stiles; small crack to upper section of splat; right seat rail repaired with restoration to corner block; the second with repair to bottom part of splat. $1,000-$2,000

113

114 American Walnut Step-Back Cupboard Lancaster County, PA, Second Quarter 19th Century In two parts: the upper section having two windowglazed panel doors enclosing a light-blue painted interior with spoon notches above two short drawers; the protruding lower section having three thumbmolded aligned drawers with wood knop pulls above two inset panel doors enclosing a divided interior with a shelf. Upper section with rebuilt short drawers. Height: 85 in (215.9 cm); Width: 60 in (152.4 cm); Depth: 20-1/4 in (51.4 cm) $1,500-$2,500

114

Provenance: Conestoga Auction Company, Manheim, PA, Furniture, Toys & Holiday, November 10, 2017, lot 29

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115 Queen Anne Cherry Highboy Connecticut, Circa 1740-1760 In two parts. Brasses replaced; bottom section with repairs to side cracks. Height: 77-1/4 in (196.2 cm); Width: 39 in (99 cm); Depth: 19 in (48.3 cm) $4,000-$6,000

116 Pair of Queen Anne Mahogany Side Chairs Philadelphia, Circa 1750-1760 Each back seat rail stamped III and V respectively. Each slip seat upholstered in gold silk Dupioni. Seat frames replaced; one chair with repairs to rear right leg below the seat rail; other chair with repair to crestrail at the stiles. $1,000-$1,500

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117 Federal Mahogany Drop-Leaf Two-Part Dining Table Baltimore, Circa 1815-1820 Each end fitted with a frieze drawer. Each with some losses to rule joint at the central hinges; repairs and losses to applied beading. Height: 28-1/2 in (72.4 cm); Width when fully extended: 139-1/4 in (353.7 cm); Depth: 54 in (137.2 cm) $2,000-$3,000

117

118 Federal Mahogany Secretary Bookcase Baltimore, Circa 1815-1820 In three parts. The top and bottom sections each with white chalk inscription Jno. F. Young/ 1131 Spruce St/ Phila. Some chips to sides of top section; minor cracks to veneer in lower section; wood pulls replaced. Height: 93-1/2 in (237.5 cm); Width: 57-3/4 in (146.7 cm); Depth: 24-1/4 in (61.6 cm) $1,000-$1,500

118

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119

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119 Queen Anne Cherry Highboy New England, Possibly Connecticut River Valley, Circa 1740-1760 In two parts. Brasses replaced; some repairs to thumbmolding of lower section; repairs to knee returns; acorn drop pendants replaced; both sides of upper section with repaired cracks. Height: 74-1/2 in (189.2 cm); Width: 37-1/4 in (94.6 cm); Depth: 19-1/4 in (48.9 cm) $2,000-$3,000

121

PROPERTY FROM THE ESTATE OF BRANDON H. GROVE, JR. 120 Daniel Friedrich Sotzmann (German 1754-1840) New York Engraved map with later hand coloring and outlining by Carl Ernst Bohn, 1799, no. VII, for Christopher Ebelingâ&#x20AC;&#x2122;s Erdbeschreibung von Amerika, engraved by W. Sander. Framed.* 485 x 635 mm (19 x 25 in) $1,000-$1,500

PROPERTY OF VARIOUS OWNERS 121 Victorian Rococo Style Laminated Rosewood Library Armchair Attributed to John Henry Belter or J & J.W. Meeks, New York, Circa 1850-1860 Upholstered in rose Greek-key silk damask. $2,000-$3,000

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PROPERTY FROM THE ESTATE OF BRANDON H. GROVE, JR.

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122 Pair of Federal Inlaid Figured Mahogany Fold-Top Card Tables New York, Circa 1805 One with repairs to cracks to top; each with some cracking to veneered skirt; some losses and repairs to inlay; second table with plinth to right rear leg replaced and plinth to left rear leg with repairs. Height: 29-1/4 in (74.3 cm); Width: 36 in (91.4 cm); Depth: 17-1/2 in (44.5 cm) $1,000-$1,500

123 PROPERTY OF HELENA GUNNARSSON 123 Four Chinese Export ‘Famille Rose’ Plates Qianlong Period (1736-1795) The first, enamel and gilt painted with the cavetto having a basket of flowers within an everted rim painted with scrolls and scholar’s devices; the other three each enamel and gilt painted with various flowering branches. The first having an age crack to the cavetto. Diameter of largest: 9 in (22.9 cm) $600-$800

PROPERTY OF VARIOUS OWNERS 124 Three Chinese Lac Burgaute Snuff Bottles First Quarter 20th Century The first, flattened ovoid-form inlaid with mother-of-pearl on opposing sides with foliate reserves enclosing a figure outside a pagoda, the verso with a bird amidst a flowering tree, also with a border of mother-of-pearl dust, and the bottom painted in red lacquer with pseudo four-character Qianlong mark within a gilt metal applied frame; the second and third, slightly flattened ovoid-form and bottle-form, each having opposing sides with triangular reserves and each side enclosing flowers amidst a floral diaper ground, both bases with inlaid mother-of-pearl leaf mark. Height of tallest: 3-7/8 in (9.8 cm) $800-$1,200

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125 Two Japanese Partial Gilt and Polychrome Decorated Satsuma Vases Meiji Period (1868-1912) The first, meiping-form with a neck and flaring base, each painted with four gilt Shimazu, the body enamel and gilt painted with Arhats in a mountain landscape with shrines, intertwined with a sinuous dragon enamel painted with raised opaque white scales, together with a hardwood stand; the second, bottle-form similarly painted with gilt Shimazu, the body enamel and gilt painted with Arhats intertwined with a sinuous dragon enamel painted with raised opaque white scales, the neck molded in relief with an intertwined dragon; each underside with dai nippon mark beneath a Shimazu mon; the first, having a four-line gold signature mark on a burnt-red ground seal; and the second, having a five-line gold signature mark on a black ground seal for the potter and the painter. Each with minor wear to gilding. Height of first: 18-3/4 in (47.6 cm); Height of second: 12 in (30.5 cm) $1,000-$1,500

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126 Japanese Bronze Figure of a Walking Elephant with Ivory Tusks Meiji Period (1868-1912) A two-color dark and light-brown patina, on a rustic carved wood stand; the underside signed RuZan. Height: 14 in (35.6 cm); Length: 17 in (43.2 cm) $400-$600

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127 Two Acoma Polychrome Decorated Pottery Ollas Mary Antonio Garcia, Last Quarter 20th Century The first painted in brick-red and black, the body with diagonal checkerboard and barbed lines beneath a shoulder painted with four birds alternating with flowers, the underside signed Acoma, N.M. with conjoined MANTONIO in black; the second painted in black and pale brick-red with stylized radiating stars and lines enclosing four stylized feather roundel medallions on a white ground, the underside signed Garcia/ Acoma, NM. Height of taller: 13 in (33 cm) $800-$1,200

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128 Two Santa Clara Carved, Polished and Matte Blackware Ollas and a Carved, Polished and Matte Redware Olla Last Quarter 20th Century The first, carved in sunken relief with an Avanyu centering a Greek-key roundel enclosing a bear claw set with an oval cabochon turquoise bead above four incised mythological creatures, the underside signed in pencil Phyllis/ Marlin/ Hemlock/ Santa Clara Pueblo; the second, carved in sunken relief with an Avanyu beneath stylized feathers, the underside inscribed Stella/ Santa Clara; the third, carved in sunken relief with an Avanyu, the eye set with a turquoise bead, the underside inscribed Olivas Pottery/ Gil-Gina. Height of tallest: 7-7/8 in (20 cm) $800-$1,200 129 Two Hopi Polychrome Decorated Pottery Ollas and a Zuni Polychrome Decorated Pottery â&#x20AC;&#x2DC;Lizardâ&#x20AC;&#x2122; Pot Last Quarter 20th Century The first, painted in black and salmon with various geometric reserves on a cream and salmon ground and signed Coyote for Joy Navasie; the second, painted in chocolate-brown and brick-red with stylized terrace, feathers and geometric lines on a white ground and signed with a frog cipher mark for Joy Navasie; the third, a Zuni pot molded in relief with two lizards painted in salmon with white spots amidst geometric devices painted in black and pale brick-red on a pale brick-red splatter ground signed Tony Lorenzo/ Zuni Pueblo above a cipher in black. Height of tallest: 7-7/8 in (20 cm) $1,000-$1,500 130 Three Hopi Polychrome Decorated Pottery Jars Nampeyo, Last Quarter 20th Century The first, painted in brown with stylized feathers and geometric lines on a brick-red ground, the underside inscribed Elton/ Nampeyo beside a lizard; the second, painted in brick-red and brown with four reserves of stylized butterflies above a geometric banding on a cream ground, the underside signed Rayvin/ Nampeyo above a stylized grasshopper cipher mark; the third, painted in black with stylized claws with geometric lines on a cream ground with brick-red field, the underside signed Adelle L./ Nampeyo above a corn stalk. Height of tallest: 7-1/8 in (18.1 cm) $800-$1,200

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131 Hupa Karok Clam-Shell and Hide Coiled Tobacco Basket 20th Century The oblong-form basket with two rows of triangular stepped concentric rows; the lid with clam-shell discs and pendants attached to hide strings. Some losses to openwork foundation banding on lid and neck. Height: 9 in (22.9 cm) $800-$1,200

20TH CENTURY FURNITURE AND DECORATIONS PROPERTY OF VARIOUS OWNERS

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132 Two Wedgwood â&#x20AC;&#x2DC;Butterflyâ&#x20AC;&#x2122; Lustre Bowls Early 20th Century The first, a pedestal bowl with opalescent exterior and orange interior; the second, octagonal, with a puce exterior and opalescent interior; underside of each with printed gilt factory mark and pattern numbers Z4532/ T and X4827/T respectively. Height of taller: 5-3/4 in (14.6 cm); Diameter: 8-1/8 in (20.6 cm) $800-$1,200

PROPERTY OF HELENA GUNNARSSON 133 Five Dirk Van Erp Copper Articles Circa 1911-1977 Consisting of a radial-hammered copper tray, a hammered copper bowl, a pair of hammered copper and floral cut-out bookends and a dark patina hammered copper inkwell; each with incised mark. Length of tray: 9-1/2 in (24.1 cm); Width: 7-1/4 in (18.4 cm); Diameter of bowl: 6-1/4 in (15.9 cm); Height of bookends: 4-3/4 in (12.1 cm); Height of inkwell: 2 in (5.1 cm) $1,000-$2,000

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134 Dirk Van Erp Hammered Copper and Mica â&#x20AC;&#x2DC;Bean Potâ&#x20AC;&#x2122; Table Lamp Circa 1913-1915 The single-socket base above a four panel mica shade; with incised windmill and open-box mark. Total height: 10-1/2 in (26.7 cm); Diameter: 9-1/2 in (24.1 cm) $3,000-$5,000

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135 Pair of Gustav Stickley Hammered Copper Bookends and an Inkwell Circa 1901-1916 Each having incised Als ik Kan mark. Height of bookends: 5-3/4 in (14.6 cm); Diameter of inkwell: 5-1/2 in (14 cm) $500-$700

136 Seven Roycroft Hammered Copper Desk Articles East Aurora, NY, Circa 1915-1930 Consisting of a Walter Jennings lacy rim vase, a chamber candlestick, two inkwells, two letter openers and a pen tray. Each with incised orb and cross mark, vase with incised orb and cross mark with two dots for Walter Jennings. Height of vase: 5-1/4 in (13.3 cm); Diameter of candlestick: 4-1/4 in (10.8 cm); Height of tallest inkwell: 2-1/2 in (6.4 cm); Length of longest letter opener: 7-1/4 in (18.4 cm); Length of pen tray: 6 in (15.2 cm) $500-$700

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137 Six Roycroft Hammered Copper Candlesticks East Aurora, NY, Circa 1915-1930 Consisting of a twisted base three-light candelabrum, a pair of tall candlesticks, a single ‘Princess’ candlestick and a pair of Karl Kipp candlesticks with arrow design base; three with incised orb and cross mark, the pair incised Karl Kipp/ Handwrought with cipher marks, and one candlestick unmarked. One pair of candlesticks in need of resoldering. Heights from: 6-1/2 to 20-1/4 in (16.5 to 51.4 cm) $600-$800 138 Three Roycroft Hammered Copper Table Articles East Aurora, NY, Circa 1920-1938 Consisting of a footed fruit bowl with ribbed and rosette design, a ‘Saucer’ centerbowl and a covered tobacco humidor; each with incised orb and cross mark. Patina loss to saucer bowl. Diameter of first: 7-1/2 in (19.1 cm); Diameter of second: 9-1/4 in (23.5 cm); Height of third: 3-1/2 in (8.9 cm) $600-$800

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139 Six Pairs of Roycroft Hammered Copper Bookends East Aurora, NY, Circa 1910-1928 From tallest to shortest: the first, having a large poppy flower; the second, centering a masted ship within a deep etched round medallion; the third, having a central deep etched square motif with two floral accents; the fourth, having a verdigris finish with applied brass; the fifth, having an etched floral motif within a bright orange enamel oval medallion; and the sixth, having a geometric form with four square cut-outs; each with incised orb and cross mark. The fourth pair with verdigris patina loss; the fifth with enamel loss. Heights from: 4 to 6 in (10.2 to 15.2 cm) $600-$800 140 Roycroft Hammered Copper ‘American Beauty’ Miniature Vase East Aurora, NY, Circa 1920s With incised orb and cross mark. Height: 7 in (17.8 cm) $600-$800

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141 Roycroft Hammered Copper ‘Shell Casing’ Vase East Aurora, NY, Circa 1910-1915 Having a wide riveted base tapering to a cylindrical vase. Incised with orb and cross mark. Scattered loss to dark-brown patina. Height: 10-1/2 in (26.7 cm); Diameter of base: 5-1/4 in (13.3 cm) $1,000-$2,000

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142 Roycroft Hammered Copper ‘American Beauty’ Vase East Aurora, NY, Circa 1915-1920 With incised orb and cross mark. Height: 12-1/4 in (31.1 cm) $800-$1,200 143 Roycroft Hammered Copper ‘Dogwood’ Vase East Aurora, NY, Circa 1920-1925 The cylindrical form with a dark-green patinated rim having a continuous etched dogwood pattern; with incised orb and cross mark. Small ding near lip of base. Height: 10-1/4 in (26 cm); Diameter: 3-1/4 in (8.3 cm) $800-$1,200 144 Roycroft Hammered Copper and Enamel Vase East Aurora, NY, Designed by Walter Jennings, Circa 1915-1920 The cylindrical form with a continuous etched dogwood pattern above green Italian enamel geometric decoration. Incised with orb and cross mark with two dots for Walter Jennings. Scattered loss to green enamel. Height: 7 in (17.8 cm); Diameter: 2-1/2 in (6.4 cm) $700-$900

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145 Two Roycroft Hammered Copper Vases East Aurora, NY, Circa 1920s The first, after a design by Dard Hunter, having a heavy cylindrical form with applied nickel-silver banding; the second, having a similar heavy cylindrical form with a continuous etched rosette design; each with incised orb and cross mark. The second with a small dent to rim. Height of first: 6-1/4 in (15.9 cm); Height of second: 5 in (12.7 cm) $600-$800 146 Roycroft Hammered Copper and Enamel Vase East Aurora, NY, After a design by Walter Jennings, Circa 1910-1915 The cylindrical form having a flared rim with green, yellow and orange Italian enamel decoration. Incised with orb and cross mark. Height: 7 in (17.8 cm); Diameter: 2-1/4 in (5.7 cm) $1,000-$2,000 For a similar example see Rago Arts and Auction Center, Early 20th Century/ Arts and Crafts, October 27, 2012, lot 0044 147 Pair of Roycroft Hammered Copper ‘Strap’ Candlesticks East Aurora, NY, Circa 1910-1915 Each with incised orb and cross mark. Height: 11-1/2 in (29.2 cm) $1,000-$2,000 148 Roycroft Hammered Copper ‘Egyptian Flower Holder’ Buttress Vase East Aurora, NY, Circa 1906-1910 Having four buttress handles centering a cylindrical vase with four applied nickel-silver squares, with incised orb and cross mark. Height: 7-3/4 in (19.7 cm) $1,000-$2,000

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PROPERTY OF VARIOUS OWNERS 149 Tiffany Studios ‘Woodbine’ Translucent Fractured Leaded Glass and Bronze Table Lamp Circa 1910 The domed shade with a border of “Woodbine” trellising flowers and mottled green-gold and amethyst glass on a honeycomb mottled blue glass ground on a three-light circular greenish-brown bronze standard with a central knob continuing to a slightly lobed flared base; the shade with two applied labels stamped TIFFANY STUDIOS/ NEW YORK and impressed number 1428-20; the underside of base impressed TIFFANY STUDIOS/ NEW YORK and numbered 333. Some background blue panels cracked. Diameter of shade: 14 in (35.6 cm); Height: 19-3/4 in (50.2 cm) $15,000-$20,000 Literature: Dr. Egon Neustadt, The Lamps of Tiffany, New York, 1970, pp. 87-88

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PROPERTY FROM THE ESTATE OF DONALD L. WRIGHT

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150 Elsabé Dixon (South African b. 1964) Imbongi Polychrome decorated polyurethane sculpture signed Elsabe Dixon on rear hoof; raised on an enamel painted base with casters and with identification plaque. Some scuffs. Height: 75 in (190.5 cm); Length: 64 in (162.6 cm) $700-$1,000

PROPERTY OF VARIOUS OWNERS 151 Contemporary Chromed Steel and Ebonized Wood ‘Barcelona’ Style Daybed After a Design by Mies van der Rohe, Late 20th Century Having a cream leather tufted upholstered cushion and bolster. Unmarked. Length: 77 in (195.6 cm); Width: 38 in (96.5 cm) $800-$1,200

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PROPERTY OF HELENA GUNNARSSON 152 Gustav Stickley Arts & Crafts Oak Settle Model No. 222, Circa 1912-1917 Having tapered posts with eight slats beneath the arms and twenty-two slats along the backrest; upholstered in cream loose cushions. Unmarked. Length: 79-1/4 in (201.3 cm); Height: 36 in (91.4 cm) $3,000-$5,000

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PROPERTY OF VARIOUS OWNERS 153 Antonio Citterio ‘Charles’ Two-Piece Sectional Sofa Manufactured by B & B Italia, Design Introduced 1997 Raised on a chromed base and having cream chenille upholstery. Each with B&B Italia Maxalto paper label. Length of larger section: 90 in (228.6 cm); Height: 29 in (73.7 cm) $1,500-$2,500

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154 Michel Ducaroy ‘Togo’ Four-Piece Sectional Sofa Manufactured by Ligne Roset, Design Introduced 1973 Comprising two armless sections, a corner section and an ottoman; each having emerald-green tufted velvet upholstery. Each with Ligne Roset cloth tags. Height: 27-1/2 in (69.9 cm); Length of armless section: 50-1/2 in (128.3 cm) $800-$1,200

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PROPERTY FROM THE ESTATE OF GERALD MOYLAN 155 Pair of Isamu Noguchi ‘Akari’ Bamboo and Paper Floor Lamps Model BB3/55DD, Design Introduced 1951 One with split to bamboo. Height of base: 63-1/4 in (160.7 cm); Height of larger shade: 19 in (48.3 cm) $800-$1,200

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156 Eero Saarinen ‘Womb’ Chair and Ottoman Manufactured by Knoll International, Design Introduced 1948 Each upholstered in olive-green wool and raised on chromed steel rod legs. Each unmarked. Each with deterioration and hardening to foam interior. Height of chair: 36-1/4 in (92.1 cm); Width: 39 in (99 cm) $500-$1,000

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157 Two Harry Bertoia ‘Diamond’ Chairs and an Ottoman Manufactured by Knoll International, Design Introduced 1952 The larger, having brown wool upholstery and raised on a chromed steel base, together with a matching ottoman; the second, having orange wool upholstery raised on a chromed steel base. Each with paper labels. Height of larger: 27-1/2 in (69.9 cm); Width: 44-1/2 in (113 cm) $800-$1,200

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158 Harry Bertoia ‘Bird’ Chair with Ottoman Manufactured by Knoll International, Design Introduced 1952 Each having green wool upholstery and raised on a chromed steel base; together with a black welded-steel wire frame. Unmarked. Height: 39-1/4 in (99.7 cm); Width: 38-1/4 in (97.2 cm) $700-$900

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PROPERTY FROM THE ESTATE OF STELLA BOGGS, A FORMER ZIEGFELD FOLLIES DANCER 159 Demétre Chiparus (Romanian 1886-1947) Les Girls Signed on base D. H. Chiparus Chryselephantine cold painted bronze sculptures with alternating gilt and partial gilt-green patina raised on a mottled brown onyx base. Each girl marked on right foot Bronze and numbered; side of base with foundry mark Etling, Paris and underside of base marked MADE IN FRANCE. Chips to base; missing seven hands. Height overall: 20 in (50.8 cm) $300,000-$500,000 During the 1920s in Paris, Demétre Chiparus’ work drew inspiration from the dancers of the day including the Russian Ballet, the Parisian music halls of Les Folies Bergères and the Casino de Paris. Note: Weschler’s would like to thank Chiparus expert, Alberto Shayo, for his assistance in the cataloguing of this exquisite piece. This lot is accompanied by a Certificate of Authenticity from Mr. Shayo. For a similar example see Sotheby’s, Paris, Arts Décoratifs du XXe Siècle & Design Contemporain, November 27, 2012, lot 27 Literature: Shayo, Alberto. Chiparus: Master of Art Deco. New York: Abbeville Press, 1993, p 61 (for the five-figure model in Etling’s period catalog sheet) and pp 163-165, pls 94-96 (for the three variants of the model) Export Note: According to Mr. Shayo, during the 1920s and 30s ivory was sourced from Africa. Prospective buyers should refer to the U.S. Fish and Wildlife Service (www.fws.gov/international/travel-and-trade/ivory-ban-questions-and-answers.html) for further information on importing/exporting African ivory, including the de minimis exemption.

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Les Girls comes to Weschler’s from the Estate of Stella Boggs, a lover of dance. Born in 1916 in the Panama Canal Zone, Stella Boggs led an extraordinary life. At the age of 15, Stella received a six-month contract to dance for the famous Broadway producer, Florenz Ziegfeld, Jr. Stella, performing under the name “Estelita” made her Broadway debut in the 1932 show Hot Cha!, one of the last shows produced by Ziegfeld before his death that same year. Upon returning to the Panama Canal Zone she started her own dance studio and, during the war, danced in the USO shows. Les Girls was purportedly given to her by a suitor in 1931 and has since descended through the family. Our thanks to the family of Stella Boggs for their contribution of photographs and newspaper clippings. Stella Boggs (left) and her sisters

Stella Boggs (center standing) and the USO “Canal Zone Varieties” Dancers

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FINE ART PROPERTY OF VARIOUS OWNERS 160 European School, 16th Century Portrait of Charles V Unsigned Oil on panel 26-1/4 x 20-1/4 in (66.7 x 51.4 cm) $800-$1,200

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161 Flemish School, 17th Century Christ on the Road to Calvary with the Veil of Veronica Unsigned Oil on cradled panel 25-3/4 x 39 in (65.4 x 99 cm) $1,000-$1,500

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162 After Pauwel Casteels (Flemish 17th-18th Century) The Siege of Vienna Unsigned Oil on canvas 29 x 36 in (73.7 x 91.4 cm) $1,000-$1,500

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163 Northern European School, 18th Century Portrait of a Lady Unsigned Oil on canvas 43-1/2 x 32 in (110.5 x 81.3 cm) $1,500-$2,500

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164 Northern European School, 18th Century Still Life with Flowers Unsigned Oil on canvas 30 x 25 in (76.2 x 63.5 cm) $1,000-$1,500

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165 After Samuel van Hoogstraten (Flemish 1627-1678) Man Looking out a Window and Woman Looking out a Window: Two Works The first signed Cop M.V.G. and dated 1889 l.r., and the second signed Cop/M.G. and dated 1889 l.r. Each an oil on canvas Each: 30-3/8 x 25 in (77.1 x 63.5 cm) $4,000-$6,000

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166 Alois Arnegger (Austrian 1879-1967) Alpine Sunset Signed A. Arnegger l.r. Oil on canvas 24 x 36 in (61 x 91.4 cm) $1,000-$1,500

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167 Dina Larot (Austrian b. 1943) Still Life with Flowers and Fruit Unsigned Oil on canvas 28 x 23 in (71.1 x 58.4 cm) $1,000-$1,500

169 Ernst Lotichius (German 1840-1876) View in Catskills with Deer Signed E. Lotichius and dated 1856 l.l. Oil on canvas 27-1/2 x 43 in (69.9 x 109.2 cm) $1,500-$2,500

168 Dina Larot (Austrian b. 1943) Reclining Woman Signed Larot l.l. Oil on canvas 43 x 52 in (109.2 x 132.1 cm) $1,000-$1,500

169

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PROPERTY FROM THE ESTATE OF ARTHUR J. PHELAN, JR. 170 Eastern European School, Mid-19th Century Russian Village Unsigned Watercolor on paper; apparently in good condition. Framed.* Sight size: 7 x 11 in (17.8 x 27.9 cm) $400-$600

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PROPERTY FROM THE BETTY SHAPIRO TRUST 171 Sigmund Joseph Menkes (Polish 1896-1986) Still Life with Flowers, Blue and White Vase and Stringed Instrument Signed Menkes l.r. Oil on canvas 30 x 20 in (76.2 x 50.8 cm) $10,000-$15,000

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PROPERTY OF VARIOUS OWNERS 172 Attributed to AndrÃ© Lanskoy (Russian 1902-1976) Untitled Signed Lanskoy l.l. Oil on canvas 26 x 24-1/2 in (66 x 62.2 cm) $1,500-$2,500

174 Nicola Simbari (Italian 1927-2012) Allegra Signed Simbari l.r. Acrylic on canvas 27-1/2 x 39-1/2 in (69.9 x 100.3 cm) $3,000-$5,000

PROCEEDS TO BENEFIT THE NATIONAL HOSPICE FOUNDATION 173 Nicola Simbari (Italian 1927-2012) Still Life with Flowers Signed Simbari l.r. Oil on canvas 29 x 35 in (73.7 x 88.9 cm) $2,000-$3,000

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175 Nicola Simbari (Italian 1927-2012) Ischia Unsigned Oil on canvas 29 x 39-1/2 in (73.7 x 100.3 cm) $3,000-$5,000

PROPERTY OF VARIOUS OWNERS 176 Attributed to FÃ©lix Ziem (French 1821-1911) Grand Canal Venice Signed Ziem l.r. Oil on canvas mounted on panel 18 x 30-1/2 in (45.7 x 77.5 cm) $3,000-$5,000

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PROPERTY OF A WASHINGTON, DC COLLECTOR 177 Louis Emile Adan (French 1839-1937) A Hunter Returning Home Signed L. Emile Adan l.l. Oil on canvas 24 x 18-1/4 in (60.9 x 46.3 cm) $800-$1,200

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PROPERTY OF VARIOUS OWNERS 178 Edouard Jean-Baptiste Detaille (French 1848-1912) French Cavalry on Parade Signed Edouard Detaille and dated 1884 l.r. Oil on canvas 25 x 17 in (63.5 x 43.2 cm) $1,500-$2,500

PROCEEDS TO BENEFIT THE NATIONAL HOSPICE FOUNDATION 179 Jean ChaleyÃ© (French 1878-1960) Roses Multicolores Unsigned Oil on canvas 32 x 19-3/4 in (81.3 x 50.2 cm) $2,000-$3,000 Provenance: Wally Findlay Galleries, New York

PROPERTY OF VARIOUS OWNERS 180 Jean Hugo (French 1894-1984) Women at the Marketplace Signed J. Hugo l.r. Gouache on paper; apparently in good condition. Framed.* Sight size: 4-1/2 x 7-1/4 in (11.4 x 18.4 cm) $800-$1,200

180

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PROCEEDS TO BENEFIT THE NATIONAL HOSPICE FOUNDATION

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181 Marcel Dyf (French 1899-1985) Anemones and Marguerites (Pot Flowers) Signed Dyf l.r. Oil on canvas 22 x 18 in (55.9 x 45.7 cm) $3,000-$5,000 Provenance: Registered in the Marcel Dyf archive No. 50039

PROPERTY OF VARIOUS OWNERS 182 AndrÃ© Cottavoz (French 1922-2012) La Boue Rouge Signed Cottavoz l.r. and inscribed with title on verso Oil on canvas 18 x 22 in (45.7 x 55.9 cm) $1,500-$2,500

PROCEEDS TO BENEFIT THE NATIONAL HOSPICE FOUNDATION 183 Louis Fabien (French b. 1924) Dahlias de Couleur Fuchsia Signed Fabien l.r. Oil on canvas 30 x 36 in (76.2 x 91.4 cm) $800-$1,200

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184 Pierre Bittar (French b. 1934) Winter Landscape Signed Bittar l.l. Oil on canvas 37 x 45 in (94 x 114.3 cm) $1,000-$2,000

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185 Claude Gaveau (French b. 1940) Le GenÃªts le Provence Signed Gaveau l.r. Oil on canvas 32 x 40 in (81.3 x 101.6 cm) $800-$1,200

185

Provenance: Wally Findlay Galleries, New York

PROPERTY OF A WASHINGTON, DC COLLECTOR 186 Richard S. Hartland (British 19th-20th Century) Harvesting Hay Unsigned Oil on canvas 30 x 50-1/4 in (76.2 x 127.6 cm) $800-$1,200

186

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187 William Oliver (British 1823-1901) At the Stile Signed W. Oliver l.l. Oil on canvas 48-1/4 x 28-1/4 in (122.5 x 71.7 cm) $800-$1,200

PROPERTY OF VARIOUS OWNERS 188 James Edwin Meadows (British 1828-1888) Traveler in a Farm Landscape Signed J.E. Meadows l.r. Oil on canvas 32-1/2 x 47 in (82.6 x 119.4 cm) $1,500-$2,500

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189 Walter Greaves (British 1846-1930) Whistler on the Thames Signed W. Greaves and dated 1869 l.r. Oil on canvas 24 x 20 in (61 x 50.8 cm) $15,000-$25,000 Provenance: Anderson Galleries, New York, March 5, 1912 Hence by descent to present owner Literature: Gallatin, Albert Eugene. Portraits of Whistler: A Critical Study and An Iconography. John Lane Company, 1918, no 36, pg 35.

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PROCEEDS TO BENEFIT THE NATIONAL HOSPICE FOUNDATION 190 John Bentham-Dinsdale (British 1927-2008) Two Ships at Sea Signed John Bentham Dinsdale l.l. Oil on canvas 20 x 26 in (50.8 x 66 cm) $1,500-$2,500

191

PROPERTY OF VARIOUS OWNERS 191 Rufus Way Smith (American 1840-1900) Sheep in a Landscape Signed R. Way Smith and dated 90 l.r. Oil on panel 20 x 24 in (50.8 x 61 cm) $1,000-$1,500 Provenance: Vixseboxse Gallery, Cleveland, OH

192

192 Reuben Le Grande Johnston (American 1850-1918) Landscape with Cows Signed R.L. Johnston l.r. Oil on canvas 20 x 24 in (50.8 x 61 cm) $1,000-$2,000

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193 Harvey Joiner (American 1852-1932) Stream in the Woods Signed Harvey Joiner l.l. Oil on canvas 16-1/2 x 19-1/2 in (41.9 x 49.6 cm) $1,500-$2,500

193

194 Edward Loyal Field (American 1856-1914) Autumn Landscape Signed E. Loyal Field l.l. Oil on canvas 23 x 33 in (58.4 x 83.8 cm) $1,000-$1,500

194 195 Charles Partridge Adams (American 1858-1942) Rocky Mountain Scene Signed Charles Partridge Adams l.l. Oil on canvas 13 x 9-1/2 in (33 x 49.6 cm) $3,000-$5,000

195

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196

197

198

196 George Henry Bogert (American 1864-1944) Grand Canal Scene Signed Geo H Bogert l.l. Oil on canvas 30 x 27-1/2 in (76.2 x 69.6 cm) $1,000-$2,000

197 Joseph B. Kahill (American 1882-1957) The Collector Signed Jos B. Kahill l.l. Oil on canvas 13 x 16 in (33 x 40.6 cm) $800-$1,200

PROPERTY FROM THE MARION F. GOLDIN IRREVOCABLE TRUST 198 Sally Michel (American 1902-2003) Grazing Pair Signed Sally Michel and dated 1989 l.r. Oil on canvasboard 14 x 18 in (35.6 x 45.7 cm) $3,000-$5,000 Provenance: Katharina Rich Perlow Gallery, New York

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LOTS 199-224 ARE FROM THE ESTATE OF ARTHUR J. PHELAN SR. 199 Attributed to Henry Warren (British 1794-1879) Ferry from Manchester, Ohio to Temperanceville, Kentucky Unsigned Oil on canvas 9-1/2 x 15 in (24.1 x 38.1 cm) $1,000-$1,500

199

200

200 Attributed to Charles B. Bauerle (American 19th Century) View of the Ohio River Unsigned Oil on canvas 22 x 29 in (55.9 x 73.7 cm) $2,000-$3,000 Provenance: Kennedy Galleries, New York

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201

202

201 Attributed to Henry Cheever Pratt (American 1803-1880) View of Mine Works in a Mountain Valley Unsigned Watercolor on paper; apparently in good condition. Framed.* Sight size: 15 x 23 in (38.1 x 58.4 cm) $800-$1,200

202 Christian Mayr (American 1805-1851) A Lady Feeding a Parrot Signed C. Mayr l.l. Oil on canvas 27 x 22-1/2 in (68.5 x 57.2 cm) $4,000-$6,000

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203

203 Severin Roesen (American 1815-1872) Still Life of Flowers in a Glass Vase on a Marble Ledge Signed Roesen l.c. Oil on canvas Oval: 24 x 20 in (61 x 50.8 cm) $20,000-$30,000

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204

204 John White Allen Scott (American 1815-1907) Eagle Point, Mississippi River, Dubuque, Iowa Signed J.W.A. Scott l.r. Oil on canvas 20 x 30 in (50.8 x 76.2 cm) $6,000-$8,000

205

205 Edwin Whitefield (American 1816-1892) Cap a lâ&#x20AC;&#x2122;Aigle on the Upper Mississippi River Signed E. Whitefield and titled l.r. Ink and wash on paper; apparently in good condition. Framed.* Sight size: 6 x 9-1/8 in (15.2 x 23.1 cm) $500-$700

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206

206 Attributed to Abigail (Abby) Tyler Oakes (American 1823-ca. 1898) Mountain Vista Unsigned Oil on canvas 18 x 24 in (45.7 x 61 cm) $4,000-$6,000

207 Attributed to Francis Seth (Shedd) Frost (American 1825-1902) Mountainous Lake Scene with Waterfall Unsigned Oil on canvas 24 x 35 in (61 x 88.9 cm) $1,500-$2,500

207

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208

209

208 George Henry Hall (American 1825-1913) Still Life of Flowers and Ferns in a Ceramic Jar on a Table Signed Geo H. Hall and dated 1872 l.r. Oil on canvas 23-1/4 x 17-1/2 in (59.1 x 44.5 cm) $10,000-$15,000

209 Joseph Lee (American 1827-1880) Italianate House in Rustic Setting Unsigned Pastel, gouache and ink on brown paper; apparently in good condition. Framed.* 20 x 24 in (50.8 x 61 cm) $600-$800

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210

210 William Ruthven Wheeler (American 1832-1894) Great Lakes Marine Disaster Unsigned Oil on canvas 27-1/2 x 47-1/2 in (69.9 x 120.7 cm) $10,000-$15,000 Exhibitions: Window on the West: Views of the American Frontier from the Phelan Collection. February 17-April 28, 2002, Nassau County Museum of Art, Roslyn, NY.

211 Attributed to George Harvey (American 1835-1920) Bluffs on the Mississippi River near Burlington Unsigned Oil on artist board 8-1/2 x 14 in (21.6 x 35.6 cm) $1,000-$1,500 Exhibitions: Window on the West: Views of the American Frontier from the Phelan Collection. February 17-April 28, 2002, Nassau County Museum of Art, Roslyn, NY.

211

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212

213

212 John Henry Witt (American 1840-1901) A Classical Conversation Signed J.H. Witt ANA l.r. Oil on canvas 16-1/4 x 12-1/4 in (41.3 x 31.1 cm) $2,000-$3,000

213 John Ferguson Weir (American 1841-1926) View of a Room Inside the U.S. Capitol Unsigned and inscribed “Westward the Star of Empire Takes its Way” in progress at the National Capitol by E. Leutze l.r. Ink and pencil on grid paper, with P&P Commercial blind stamp l.r.; with toning around edges, hinged with archival tape along upper edge. Framed. Sheet size: 5 x 8 in (12.7 x 20.3 cm) $800-$1,200 Literature: Fahlman, Betsy. John Ferguson Weir: The Labor of Art (American Arts Series), University of Delaware Press, 1997, p 34. On a later visit, however, the younger artist was able to talk with the older painter. While he observed Leutze, he made a sketch, “Westward the Star of Empire Takes its Way/In Progress at the National Capitol.” He records the artist standing, brush and maulstick in hand, on a scaffold equipped with a chair, stool, and table. A visitor stands close to the canvas while an assistant is busy with the cartoon on the left, with a man posing to his right...

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214 Allen Carter Redwood (American 1844-1922) Hop Pickers Camp Unsigned and with spurious signature l.r. Gouache en grisaille with sepia and white heightening on paper; apparently in good condition. Framed.* Sight size: 5-5/8 x 8-3/4 in (14.2 x 22.2 cm) $400-$600

214

Exhibitions: Window on the West: Views of the American Frontier from the Phelan Collection. February 17-April 28, 2002, Nassau County Museum of Art, Roslyn, NY.

215 William Thomas Smedley (American 1858-1920) The Four were Seated at a Round Table in the Corner Signed W. T. Smedley and dated 1900 l.r. Watercolor and gouache on paper; apparently in good condition. Framed.* Sight size: 13 x 15 in (33 x 38.1 cm) $1,000-$2,000

215

216 Bryant Chapin (American 1859-1927) Still Life of Fruit on a Ledge Signed Bryant Chapin and dated 1903 l.l. Oil on canvas 15 x 20 in (38.1 x 50.8 cm) $3,000-$5,000

216

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217

219

218

217 Jerome Myers (American 1867-1940) Street Scene with Children Signed Jerome Myers l.r. Oil and pencil sketch on board 12 x 9-1/4 in (30.5 x 23.5 cm) $1,500-$2,500 218 John Sloan (American 1871-1951) From Critters to People Signed John Sloan and dated â&#x20AC;&#x2DC;06 l.c. and inscribed In the square we found a bench under a wide old tree, and went at the paper along bottom edge Black crayon on paper; apparently in good condition. Framed.* Sight size: 16 x 14 in (40.6 x 35.6 cm) $2,000-$4,000 219 George Brainard Burr (American 1876-1950) Parisian Park Scene Signed G. Burr l.l. Oil on canvas 14-1/2 x 18 in (36.8 x 45.7 cm) $1,500-$2,500

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220

221

220 Attributed to Mahonri Mackintosh Young (American 1877-1957) Snake Dance Unsigned ContĂŠ crayon and pencil on paper; apparently in good condition. Framed.* Sight size: 10-1/8 x 7-5/8 in (25.7 x 19.3 cm) $600-$800

221 Anton Otto Fischer (American 1882-1962) World War II Convoy Signed Anton Otto Fischer and dated 1944 l.l. Oil on canvas 32 x 26 in (81.3 x 66 cm) $2,000-$3,000

222

222 Clarence Holbrook Carter (American 1904-2000) Study for Treasury Department Mural Signed Clarence H. Carter and dated 36 l.r. Pencil and crayon on paper; apparently in good condition. Framed.* 13-1/2 x 28 in (34.3 x 71.1 cm) $3,000-$5,000

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223

224

223 Bruce Handiside Mitchell (American 1908-1963) The Hudson at Newburgh, New York Signed Bruce Mitchell l.r. Watercolor and gouache on paper; apparently in good condition. Framed.* Sight size: 19-1/2 x 27-3/4 in (49.6 x 70.5 cm) $800-$1,200

225

224 Attributed to John Deforest Stull (American 1910-1972) Industrial Port with Ship Unsigned Watercolor on paper; apparently in good condition. Framed.* Sight size: 17 x 23 in (43.2 x 58.4 cm) $400-$600

PROPERTY FROM THE ESTATE OF GEORGE RICKS MINSHEW 225 Haddon Sunny Sundblom (American 1899-1976) Dining in a Tavern Signed Sundblom u.l. Oil on canvas 36 x 29 in (91.4 x 73.7 cm) $4,000-$6,000

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PROCEEDS TO BENEFIT THE NATIONAL HOSPICE FOUNDATION

226

226 Troy Acker (American b. 1945) Nestled in the Mountains Signed Acker l.r. Oil on canvas 24 x 30 in (61 x 76.2 cm) $1,000-$1,500 Provenance: Wally Findlay Galleries, New York

PROPERTY OF VARIOUS OWNERS

227

227 E. Rothstein (American 20th Century) Sailboats at Sea Signed E. Rothstein l.r. Oil on canvas 31 x 50 in (78.7 x 127 cm) $800-$1,200

PROCEEDS TO BENEFIT THE NATIONAL HOSPICE FOUNDATION 228 Jan Van Moor (American 20th-21st Century) Nature Morte en Hiver Signed Van Moor l.r. and with title and signed on verso Oil on canvas 40 x 40 in (101.6 x 101.6 cm) $800-$1,200

228

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PROPERTY FROM THE ESTATE OF GERALD MOYLAN

229

229 Gil Cuatrecasas (American 1935-2004) Untitled Abstract Signed Gil Cuatrecasas and dated 71 l.r. Acrylic on paper; apparently in good condition. Framed.* Sight size: 27 x 39 in (68.5 x 99 cm) $800-$1,200

230

230 Gil Cuatrecasas (American 1935-2004) Untitled Abstract Signed Gil Cuatrecasas and dated 72 l.r. Acrylic on paper; apparently in good condition. Framed.* Sight size: 39 x 27 in (99 x 68.5 cm) $800-$1,200

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231 Gil Cuatrecasas (American 1935-2004) Untitled Abstract Signed Gil Cuatrecasas and dated 71 l.r. Acrylic on paper; apparently in good condition. Framed.* Sight size: 27 x 39 in (68.5 x 99 cm) $800-$1,200

231

232 Gil Cuatrecasas (American 1935-2004) Untitled Abstract Unsigned Acrylic on canvas 50 x 55-1/2 in (127 x 141 cm) $2,000-$4,000

232

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LOTS 233-248 REPRESENT A COLLECTION OF IMPORTANT AFRICAN AMERICAN ART FROM THE 20TH CENTURY 234

233

PROPERTY OF VARIOUS OWNERS 233 American School, 19th Century Woman at the Oven Unsigned Oil on canvas 12 x 16 in (30.5 x 40.6 cm) $400-$600

235

234 Albert Alexander Smith (American 1896-1940) Via Quirinale, Rome Signed Albert Smith l.l. and inscribed with title and A souvenir/of Rome/from the artist/Albert Smith/to Lois Jones on matting Watercolor on paper; apparently in good condition. Framed.* Sight size: 9 x 7 in (22.9 x 17.8 cm) $800-$1,200

235 Richard Dempsey (American 1909-1987) Circus at Bogotรก Signed Dempsey l.r. Oil on Masonite 15 x 24 in (38.1 x 61 cm) $2,000-$3,000

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236

236 Lois Mailou Jones (American 1905-1998) Vendors at Martissant, Haiti Signed Lois Mailou Jones and dated Haiti â&#x20AC;&#x2DC;64 l.l. Watercolor on paper, apparently in good condition. Framed.* Sight size: 18 x 23-1/4 in (45.7 x 59.1 cm) $6,000-$8,000 Provenance: Acquired directly from the artist

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237

PROPERTY FROM THE LOIS MAILOU JONES-PIERRE-NOEL TRUST 237 Lois Mailou Jones (American 1905-1998) Marché aux Puces, Rue Médard, Paris Signed Lois M. Jones and dated Paris 38 l.l. Gouache on board 15 x 18 in (38.1 x 45.7 cm) $10,000-$12,000 Exhibitions: Lois Mailou Jones: A Life in Vibrant Color. November 14, 2009-February 27, 2010, Mint Museum of Art, Charlotte, NC; Museum of the National Center of Afro-American Artists, Roxbury, MA.

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238

238 Lois Mailou Jones (American 1905-1998) Homage to Oshogbo Signed Lois M. Jones and dated 1971 l.r. Acrylic and mixed media on canvas 44-1/2 x 24-1/2 in (113 x 87.6 cm) $40,000-$60,000 Exhibitions: Lois Mailou Jones: A Life in Vibrant Color. November 14, 2009-February 27, 2010, Mint Museum of Art, Charlotte, NC; Museum of the National Center of Afro-American Artists, Roxbury, MA.

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239

239 Lois Mailou Jones (American 1905-1998) Pecheurs sur la Siene Signed Lois M. Jones, dated 1936 and inscribed l.r. Watercolor on paper; apparently in good condition. Framed.* 17-1/2 x 22-1/4 in (44.5 x 56.5 cm) $7,000-$9,000 Exhibitions: Lois Mailou Jones: A Life in Vibrant Color. November 14, 2009-February 27, 2010, Mint Museum of Art, Charlotte, NC.

240

PROPERTY OF VARIOUS OWNERS 240 CÃ©line Marie Tabary (American 1908-1993) Gladioli in Vase with Books Signed C. Tabary l.r. Oil on canvas 22-1/4 x 18 in (56.5 x 45.7 cm) $400-$600

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241

241 Elizabeth Catlett (American 1915-2012) Dress Model Signed A. Catlett l.r. Watercolor on paper; overall with toning. Framed.* Sight size: 21-3/4 x 14-3/4 in (55.2 x 37.5 cm) $1,000-$1,500

242

242 Jacob Lawrence (American 1917-2000) Carpenters Offset lithograph in color, 1977, signed Jacob Lawrence and dated in pencil l.r., titled in pencil l.c. and numbered 99/300 in pencil l.l.; apparently in good condition. Framed.* Sight size: 476 x 5.2 mm (18-3/4 x 22-1/2 in) $1,000-$1,500

243

243 Jacob Lawrence (American 1917-2000) Clients and Lawyers Limited edition screenprint, 1994, produced for the National Bar Association, signed Jacob Lawrence and inscribed 7/94 in marker l.r.; apparently in good condition. Framed.* Sight size: 762 x 565 mm (30 x 22-1/4 in) $800-$1,200

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244

PROPERTY FROM A WASHINGTON, DC ESTATE 244 Sam Gilliam (American b. 1933) Untitled Abstract Signed Sam Gilliam and dated 69 l.r. Acrylic on crinkled paper attached to painted canvas 53 x 42 in (134.6 x 106.6 cm) $20,000-$30,000

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245

PROPERTY OF A WASHINGTON, DC CORPORATE COLLECTION 245 Sam Gilliam (American b. 1933) Region Arc Signed Sam Gilliam, titled and dated 75 on verso Acrylic on canvas with canvas collage and with beveled edges 48 x 54 in (121.9 x 137.2 cm) $40,000-$60,000 Provenance: Linda Farris Gallery, Seattle, WA

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246

PROPERTY OF AARP 246 Sam Gilliam (American b. 1933) Untitled Abstract Screenprint collage, 1987, signed Sam Gilliam, dated and numbered 29/30 in pencil l.r.; apparently in good condition. Framed in a Plexiglas shadowbox.* Sight size: 838 x 1168 mm (33 x 46 in) $5,000-$7,000

247

PROPERTY FROM THE ESTATE OF JAMES H. VANCE III 247 William Tolliver (American 1951-2000) Jug Band Serigraph, signed William Tolliver in pencil l.r., numbered 236/350 in pencil l.l. and titled in pencil l.c.; apparently in good condition. Framed.* Sight size: 737 x 1003 mm (29 x 39-1/2 in) $700-$900

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248

PROPERTY OF VARIOUS OWNERS 248 Maya Angelou (American 1928-2014) and John T. Biggers (American 1924-2001) Our Grandmothers Large folio in red cloth binding, 1994, hand signed John Biggers and Maya Angelou and numbered 122/400 in pencil on last page, words by Maya Angelou and lithographs by John T. Biggers, published by the Limited Editions Club, NY; apparently in good condition. Housed in a red cloth presentation box. Size of box: 23 x 18-1/4 in (58.4 x 46.4 cm) $1,000-$1,500

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249

PROPERTY OF AARP 249 Pacita Abad (Filipino 1946-2004) Butterfly Signed Pacita Abad and dated 85 l.r. Mixed media on oil and button tapestry in an acrylic case.* 58 x 85 in (147.3 x 215.9 cm) $10,000-$15,000

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PROPERTY OF VARIOUS OWNERS

250

250 Ben Enwonwu (Nigerian 1921-1994) Remi Bronze composite sculpture Height: 6-1/4 in (15.9 cm); Base: 2-1/2 in (6.4 cm) $7,000-$9,000

251

251 After Pierre-Auguste Renoir (French 1841-1919) Coco Bust Bronze with brown patina, 1992, after the original casting from 1907, inscribed Renoir and numbered AP 19/20 on left side of neck and inscribed cire perdue vesuvius on back of neck, produced by Louise Renoir Couture Ltd. Height: 12 in (30.5 cm) $1,500-$2,500 Note: This work is accompanied by a certificate of authenticity issued by La Fondation Renoir Pour Les Arts and signed by Madame Louise Renoir.

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252

PROPERTY OF AARP 252 Toshiko Takaezu (Japanese 1922-2011) Three Quarter Moon Stoneware with polychrome in an acrylic case, 1991 Height: 17 in (43.2 cm) $3,000-$5,000

253

PROPERTY OF VARIOUS OWNERS 253 Mark Weinstein (American 20th Century) Esperanto Multi-dimensional metal sculpture Diameter: 59 in (149.8 cm) $1,500-$2,500

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PROPERTY FROM THE MARION F. GOLDIN IRREVOCABLE TRUST

254

254 Howard Norton Cook (American 1901-1980) Chrysler Building (Chrysler Building Under Construction) (Duffy122) Engraving, 1930, signed Howard Cook imp and dated in pencil l.r. and numbered 1/75 in pencil l.l., originally intended to be a run of 75 but only 50 editions were produced; apparently in good condition. Framed.* Sheet size: 254 x 165 mm (10 x 6-1/2 in) $7,000-$9,000

PROPERTY OF VARIOUS OWNERS 255 After Albrecht DÃ¼rer (German 1471-1528) Repose on the Flight into Egypt Wood engraving, 1505, but possibly later; apparently in good condition. Framed.* Sheet size: 305 x 203 mm (12 x 8 in) $800-$1,200

255

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256

256 Erté (Romain de Tirtoff) (French 1892-1990) June Brides Suite: Two Works Each an embossed serigraph, each signed Erté in pencil l.r. and each numbered 127/300 in pencil l.l.; each apparently in good condition. Each framed.* Sight size of each: 939 x 736 mm (37 x 29 in) $1,000-$1,500

256

257

257 Manuel Robbe (French 1872-1936) Le Choix de l’Epreuve Etching and aquatint in color, 1900, published by Sagot, signed Manuel Robbe in pencil l.r. and numbered 3/40 in pencil l.l.; apparently in good condition. Framed.* Sight size: 432 x 311 mm (17 x 12-1/4 in) $1,500-$2,500 Note: This work is accompanied by a certificate of authenticity issued by Galerie Michael, Beverly Hills, CA

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258 Manuel Robbe (French 1872-1936) Le Quai Aux Fleurs Etching and aquatint in color, signed Manuel Robbe in pencil within the plate; apparently in good condition. Framed.* Sight size: 330 x 508 mm (13 x 20 in ) $800-$1,200

258

259 Manuel Robbe (French 1872-1936) Le Roman Sentimental Etching and aquatint in color, 1902, signed Manuel Robbe in pencil l.r. and numbered 28/65 in pencil l.l.; apparently in good condition. Framed.* Sight size: 533 x 375 mm (21 x 14-3/4 in) $1,000-$2,000

259

Note: This lot is accompanied by a certificate of authenticity issued by Galerie Michael, Beverly Hills, CA

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260

260 After David Roberts (British 1796-1864) Interview with the Viceroy of Egypt at His Palace and The Citadel of Cairo: Two Works Each a lithograph in color; each apparently in good condition. Each framed.* Sight size of first: 343 x 496 mm (13-1/2 x 19-1/2 in); Sight size of second: 324 x 489 mm (12-3/4 x 19-1/4 in) $1,000-$1,500

260

END OF AUCTION THE NEXT CAPITAL COLLECTIONS ESTATE AUCTION WILL BE HELD ON MAY 11, 2018. CONSIGNMENT DEADLINE: MARCH 23

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40 West Gude Dr Ste 100, Rockville MD 20850 tel 202.628.1281 / fax 202.628.2366 info@weschlers.com www.weschlers.com

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INFORMATION FOR ABSENTEE BIDDERS As a convenience to clients who cannot attend the auction, Weschler’s will execute absentee bids without charge. Bids will be executed to purchase the lots requested as inexpensively as is allowed by other bids and/or reserves upon those lots. Absentee bids can be accepted over the telephone, but all verbal bid requests must be confirmed in writing prior to the auction, either with the Absentee Bid form in this catalogue, a signed letter, fax or telegram delivered to the Gallery. Bids should be submitted as early as possible, and should be dated with the date of submission. In the event of identical bids, Weschler’s has sole and complete discretion as to which to execute, but the first bid received normally will be preferred. Bids submitted for each lot should be in the amount you would bid if you attended the auction, exclusive of the 22 percent buyer’s premium. Weschler’s does not execute “buy” bids. If you are a successful bidder, you will receive an invoice detailing your purchase and requesting prompt payment and removal. Unsuccessful bids generally are not acknowledged. To avoid delay in removing purchases, buyers not known to Weschler’s and planning to pay with a personal or business check are advised to supply us a bank letter of credit prior to the auction, addressed to the attention of

INFORMATION FOR SHIPMENT OF PURCHASES Karen Weschler. If such arrangements are not made prior to the auction, purchases will be held by Weschler’s until the check has cleared our bank. Bids are subject to the “Conditions of Sale” which appear in the front of this catalogue. While every effort is made to properly execute absentee bids, Weschler’s will not be responsible for errors or failure to execute such bids. For additional information on absentee bids and purchaser payments, please contact our offices at (202) 628-1281 or by fax at (202) 628-2366.

BIDDING INCREMENTS The auctioneer generally advances the bidding in the following incremental amounts: $100-499 $25 increments $500-999 $50 increments $1,000-1,999 $100 increments $2,000-4,999 $200 increments $5,000-9,999 $500 increments $10,000+ auctioneer’s discretion A premium equal to 22%* of the successful bid price up to and including $100,000, 20% of the successful bid price $100,001-$500,000, and 18% of the successful bid price over $500,000 will be added to the final bid price.

If your bid is successful, Weschler’s can help arrange shipment of your purchases to you. We will be happy to recommend professionals with whom we have worked in the past, but assume no liability for their performance. Please note the Conditions of Sale in the front of this catalogue concerning prompt payment and clearance. In default of these conditions, lots may be transferred to a public warehouse at the risk and cost of the purchaser. As stated in the Conditions of Sale, Weschler’s assumes no responsibility for the acts or omissions of carriers or packers, whether or not recommended by us. All shipments are at the expense of the purchaser. For further information concerning packing and shipping of purchases, please contact our offices at (202) 628-1281.

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Notes

AUCTION SCHEDULE Sale Date

May 11, 2018

Sale Title

Consignment Deadline

Capital Collections

March 23

203 61

92 1 245

87 113 189

103

171

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WESCHLER’S WESCHLER’S

Friday, March 2, 2018

CAPITAL COLLECTIONS ESTATE AUCTION Sale 1504

WESCHLER’S

Capital Collections Estate Auction Friday, March 2, 2018 10 AM