All rights reserved, no part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form, electronic, photocopying, or other means without the prior permission of the copyright holders. Š Whatiftheworld 2015 Š Images : Nico Krijno
1 Argyle Street Woodstock Cape Town South Africa 7925 info@whatiftheworld.com www.whatiftheworld.com
Designed by Ben Johnson Printed in South Africa
notes to self-underlined sentremember this I took its not always the object as sculpture predominantly with the by the camera the for the truth changes from its original altogether open ever changing does it make you feel I have
ences
conversations overheard this photograph and about the finished product or but the interest lies transformation created
camera is a tool not a tool gets loose and shape into something new the box how no idea where this is
going
Meditation, Meditation, Meditation, Meditation, Meditation, Meditation, Meditation, Meditation, Meditation, Meditation, Meditation, Meditation, PROCESS PROCESS
with your eyes closed
PROCESS PROCESS
Meditation, Meditation, Meditation, Meditation, Meditation, Meditation, Meditation, Meditation, Meditation, Meditation PROCESS PROCESS
PROCESS PROCESS
more than now the image is getting a little clearer
I
a mumble have a real strong feeling about this.
Meditation,
Meditation, Meditation, Meditation, a new language for organizing in addition as a tool for depiction. no grey areas. over the landscape. (cultural) rhythms as form meaning and guidance through the concept of random order uncompromising material
Meditation, Meditation, Meditation, photography as a tool space to its function
One big reinforcing mesh
the words become part of the work cold walls once the mechanism intersections of lines at corners. patterns emerge see I see objects as perceived will change in time and the may be unchanging and spaceless of the world stones with one hand to cold water and the other to
now
revealing the device of concrete and clay. is understood. random I see I see I see I see I
with spatial extension conceptual like numbers like the deep structure that which cannot be sensed centers of gravity hot both hot and cold at the same time
this is still time
time
the patterns the entrails
‘out there’ a are not windows drop steel,
throw cloth
image time time time
changing time of leaves
time
of animals structure really exists in the world or only feature of the mind of the thinking subject cut glass surfaces crack foam, smell wood, scratch concrete
see yourself
lose yourself
now say that in a different language. What we did I am who I say I am. mostly comfortable avoid stress perpetual conceptual visual drawing interference mirroring Illusions. natural structures terms change the boundaries of and the placement of objects within it
in contemporary household equipment By simple means. with all we’ve been given. In a sort of elastic state. but uneasy. surprises understanding perceptual errors pivotal positions pink and green straight lines. conditions stay balanced. the photographic frame the materials are unstable
im personal and timeless Intentional actions cultural backgrounds structure absorbs the unusual in place in what seems jampacked factors the meaning from the original objects linked by interference. surprise and understanding through culpicture perspectives mislead by distorting the data is distorted. not pushed like an
and peculiar and puts it a timeless perspective. high speed knee jerks extracting development of ideas casually the right mixture of tivated structures
neutral signals insincere laugh
the picture is flat spontaneous
its true that the leaves of a tree delight
further reading:
most objects are
closed in form parts move together this work will never be finished unresolved off the tongue academic pursuits. derivative of its previous purpose glossing over art ordinary everyday life us a lot more than the roots Structure and Science by Peter Medawar and Julian Shelley, Excerpta Medica, International Congress Series.
Balance. Repetition. Mirrors. Most of all, the world is a within an overarching paradigm of clarity and accuracy. The context in which makes possible an underlying sense of the way it all fits together, despite our collective tendency not in, the world without combined of disparity and disorderliness getting oneself into all
Proposition. place where parts of wholes are described
to conceive of it as such. But then aga end is a place where souls are but with an overbearing feeling To ignore it is impossible without of kinds of trouble
despite one’s best get entangled with it so much Meanwhile, And others are saying things much as the quiet become the size of nickels And the street gears inside the And downward flows Then finally we opened the box Our heads were reeling with the but we decided to go ahead
intentions to not
the statues are bleeding green. better than we ever could; suddenly verbose And the hail’s heralding corners are gnashing together like the head of some omniscient engineer. the garnered wisdom that has never died we couldn’t find any rules glitter of possibilities, contingencies... with ever increasing faith and just ignore them
despite tremendous So instead, we went ahead to of unstable elements and modicums and With not zero total
tearing along when in reality it’s never
pressure to capitulate with fate fabricate a catalogue particles strangeness for brief moments
which amount to nothing more than tiny fragments of a finger snap. Meanwhile we’re furiously seeing green. And the map has started its creases due to overuse... needed folds And the air’s
withholding the sound of its And our heads approach a density remiof the center of the sun the garnered wisdom Expectation leads to disappointment. If you don’t expect something big huge and exciting... usually... I dunno, just, uh yea...” further reading:
Smells like content’ The Books, by Nick Zammuto and Paul De Jong
wellspring niscent of the infinite And therein that has never died
productivity lies