IRRESISTIBLE
SEASON 2015
IT’S NOT FORBIDDEN, IT’S SIMPLY IRRESISTIBLE….
Mark Gogoll Enterprises
SILVIE PALADINO – UNFORGETTABLE FE ATURING SPECIAL GUEST ALEX R ATHGEBER
Friday 6 February 8pm Saturday 7 February 8pm 1 hr 50 mins (including interval)
Silvie Paladino has one of the greatest female voices in Australia. Alex Rathgeber is a leading man of musical theatre and together they make beautiful music. Silvie and Alex will showcase songs from composers Rodgers & Hammerstein, Cole Porter, Andrew Lloyd Webber and many more. Silvie first appeared on stage in the role of Eponine in Les Misérables and then performed the role on London’s West End. She has since graced Australian stages with lead roles in Cats, Miss Saigon, Mamma Mia, Chess and Passion and is a regular favourite at Carols by Candlelight. Alex has appeared opposite Geoffrey Rush in Simon Phillips’ The Drowsy Chaperone as well as major productions both here and on the West End and is soon to play the lead role of Billy Crocker in Anything Goes. Silvie and Alex are accompanied by David Cameron on piano for an unforgettable musical experience. The City of Whitehorse is proud to welcome two of Australia’s greatest musical theatre performers to open the 2015 Season.
Paladino demonstrated why she is one Australia’s leading women of musical theatre. Aussie Theatre Alex Rathgeber is the kind of pristine leading man they don’t mint anymore … Handsome and fleet-footed, an impressive vocalist, with a strong upper register that vaults towards high notes. The Age
Christine Harris & HIT Productions
THE ONE DAY OF THE YEAR BY AL AN SE YMOUR
Friday 27 February 8pm (Q & A session)
Director Denis Moore With Peter Hardy, Christine Keogh, Don Bridges, Luke Clayson, Olivia Solomons
Saturday 28 February 2pm & 8pm
“ It’s Anzac Day this week, that’s my day, that’s the old Diggers’ day.”
2 hrs 30 mins (including interval)
What is the meaning of Anzac Day? For war veterans like Alf Cook and his friend Wacka Dawson, it’s the chance to commemorate history, celebrate heroism and conjure national pride. For Alf’s son Hughie, Anzac Day flies the flag for a very different reality, one that brings the dignity of our diggers to its knees and into the gutter with one too many down the pub. At its heart though, The One Day of the Year explores the universal theme of father–son conflict and is one of the great family dramas of Australian theatre.
Warning: Contains strong language and adult themes (15+ years)
Sparking huge controversy on its release in the 1960s, the play incites as much passion now as ever and looks at our national service through the eyes of generation, class and character. On the centenary of the Gallipoli landing, Alan Seymour’s landmark play returns with a fresh take on this truly Australian classic.
Seymour’s writing, with its innate humanity and gritty sincerity, is still vigorous. The One Day of the Year survives the decades with triumph. Herald Sun
Photo: Abraham Solomons
bread&circuses
WOT? NO FISH!!
Tuesday 10 March 8pm (Q & A session)
A collaboration between Danny Braverman & Nick Philippou Writer & Performer Danny Braverman Director Nick Philippou
Wednesday 11 March 1pm
This is a true story of love that will stay with you long after the final words are spoken. In 1926, shoemaker Ab Solomons sketched on the wage packet he gave to his new wife Celie, a ritual he then continued weekly for the next 50 years. Throughout their marriage these wage packets depict with remarkable honesty the ups and downs of their life together.
Thursday 12 March 8pm 1 hr 20 mins (no interval)
After Ab’s death this incredible story was discovered by his great-nephew Danny Braverman. Through Danny’s solo performance we are invited into the Solomons’ world; from falling in love to quarrels about fish balls, it is a funny and moving journey against the backdrop of a changing 20th century London. Premiering to critical acclaim at the Edinburgh Fringe in 2013 this captivating story is told through a different lens and over 3000 wage packets.
This is a show about love that has been made with love. The Guardian The touching and powerful imagery brought me close to tears and put my heart in my mouth.✫✫✫✫✫ Broadway Baby Enlightening… not just for the belly, but for the mind and heart. Time Out
Promac Productions Australia
THE PIRATES OF PENZANCE
Saturday 28 March 2pm & 8pm 1 hr 50 mins (including interval)
With Philip Gould, Brian Hannan, Alison Rae Jones, Caroline Vercoe, Chris McKenna Director Hugh Halliday Musical Director Linda O’Brien Pirates of Penzance, the smash hit Broadway musical and arguably the most popular of the Gilbert & Sullivan repertoire, is performed by a talented cast of six in this madcap musical adventure. This production contains all the great musical delights and comedic escapades that have had audiences on their feet with applause for over 100 years. Award winning actor and singer Philip Gould is joined by the very funny, highly acclaimed Brian Hannan and international soprano Alison Rae Jones in this feel-good musical comedy. This show promises to be a lot of fun and a great night in the theatre with hit songs such as Cat Like Tread, Model Of A Modern Major General, Poor Wandering One and A Policeman’s Lot. It’s time to revisit Gilbert & Sullivan with one of their greatest musicals.
Redskin Productions in conjunction with 6PAC
THE FLOORSHOW
Friday 17 April 8pm
Writer Geoff Paine With Geoff Paine, Genevieve Morris, Boris Conley
1 hr 15 mins (including interval)
Dame Helen and Chad Bradley present their very own tell-all, show-all, dance-all showbiz master class!
Warning: Possible flat notes now and then
Chad Bradley is the ultimate triple threat; singer-dancerBroadway hack. Dame Helen Highwater was the original diva long before Beyoncé had squeezed into a sequined leotard. Grabbing ideas and some dancers from the audience, Chad and Dame Helen present a step-by-step guide to a kick ass show, including: • Choreography for Beginners (and straight guys) • Upstaging – The Darkest Art of All • The Big Finish – all the elements come together
Why spend years doing workshops when you could get it all here? Each show is invented before your eyes, every cliché carefully worked up by these masters of the stage, every tear producing moment squeezed until it bleeds. It’s a master class where you help create the magic. If you are looking for a laugh then look no further than The Floorshow.
Queensland Theatre Company
KELLY
Tuesday 21 April 8pm (Q & A session) Wednesday 22 April 8pm 1 hr 20 mins (no interval) Warning: Strong coarse language, sexual references and simulated violence (15+ years)
Writer Matthew Ryan With Steven Rooke, Kevin Spink, Anthony Standish Director Todd MacDonald Set Designer Simone Romaniuk Lighting Designer Ben Hughes Composer & Sound Designer Guy Webster Fight Director Niki-J Price Unmasking the man in the iron mask. Ned Kelly sits in his prison cell. Tomorrow he is going to hang. A wounded beast in a cage, defiant till the end. A priest enters to give him his last rites and it is revealed to be Dan, Ned’s younger brother, believed burnt to death at Glenrowan. Dan is desperate and needs one last thing from his older brother but Ned stands firmly against him. So begins a brutal confrontation by two titans of Australian history. Facing the sins of their past, each blames the other for their downfall and neither will escape unharmed. This makes for a brilliantly charged premise, beautifully staged and weaving Kelly fact, theory and myth while exploring masculinity, brotherhood and the dangerous dynamic of mateship.
Kelly is a subtle, smart imagining of Ned Kelly’s last night alive, charged with unfulfilled potential and torturous regret, and deeply moving to the bitter end. ✫✫✫✫✫ Brisbane Times
This project has been assisted by the Australian Government through the Australia Council, its arts funding and advisory body.
This project is supported by the Queensland Government through Arts Queensland, part of the Department of Science, Information Technology, Innovation and the Arts.
ILBIJERRI Theatre Company and Belvoir
BEAUTIFUL ONE DAY
Friday 1 May 8pm (Q & A session) Saturday 2 May 8pm 1 hr 15 mins (no interval) Warning: Coarse language, adult themes, suggestions of violence
Devisor & Performer Kylie Doomadgee, Paul Dwyer, Rachael Maza, Jane Phegan, Harry Reuben Devisor & Director Eamon Flack Devisor, Performer & Cultural Consultant Magdalena Blackley Devisor & Audio Visual Designer Sean Bacon Devisor & Dramaturge David Williams Palm Island 2004. An Aboriginal man dies in police custody. Members of the Palm Island community make a direct challenge to police power and the police station is torched. Eight years later, the people of Palm Island continue to demand real justice, and all the while life continues. As raw as it is confronting, the show stars three Islanders in their first theatrical appearances. It combines documentarystyle footage with conversation, reportage, stories and images, told in their own words. Beautiful One Day captures the horrible reality of an unnecessary death and the remarkable humanity, wisdom and determination of Palm Islanders to forgive. ILBIJERRI Theatre Company and Belvoir came together in 2011 over a shared sense of outrage at the injustices surrounding the death of Mulrunji Doomadgee. Prompted by the Palm Island community, they have looked for a way to turn anger into real understanding and new possibilities. The result is Beautiful One Day – a theatrical documentary about the irrepressible life and times of Palm Island.
Beautiful One Day is powerful stuff‌ it is essential viewing for everyone... Do not miss it. Critical Mass
Victorian Opera
OPERA GALA HEROES AND VILLAINS
Friday 12 June 8pm 2 hrs (including interval)
Artists Kate Amos, Simon Bruckard (Repetiteur), Nathan Lay, Elizabeth Lewis, Emma Muir-Smith, Michael Petruccelli, Cristina Russo, Matthew Tng On the grand stage of opera, stories of forbidden love and dangerous adventure are revealed in breathtaking music. In each, there are heroes, villains… and a few in between. To celebrate Victorian Opera’s 10th anniversary season, opera’s next generation of performers are bringing you an unforgettable night of opera featuring the thrilling music of Rossini, Mozart and more. From the villainous Don Giovanni to the fearless Tamino and devilishly cunning Barber of Seville, witness the colourful characters from much loved operas brought to life. This is your chance to support a company that is redefining opera and helping to build its future with some of Australia’s finest operatic artists. Join us as the heroes and villains of opera take centre stage in this magical event.
The Master of Music (Opera Performance) is a collaboration between Victorian Opera and Melbourne Conservatorium of Music, University of Melbourne The Master of Music (Opera Performance) is made possible by the support of the State Government through Arts Victoria.
TheatricHals
THE TAP PACK
Wednesday 24 June 8pm Thursday 25 June 1pm & 8pm 1 hr 20 mins (no interval)
Creators Jesse Rasmussen, Jordan Pollard, Thomas J Egan Director & Co-creator Nigel Turner–Carroll Lighting Designer Trudy Dalgleish Add a shot of a classic song Half a shot of witty humour A nip of live music A dash of tap dancing And garnish with a great night out You got yourself The Tap Pack. Inspired by the unforgettable live shows of the “Rat Pack” featuring Frank Sinatra, Dean Martin and Sammy Davis Jnr comes a new, highly entertaining act combining the old classics with a fresh twist. Tap! The Tap Pack are guys who can sing, joke and above all tap up a storm. With songs like Lady Is A Tramp and Me And My Shadow mixed with slick humour, slap stick comedy, sharp suits and high-energy tap dancing, The Tap Pack picks up where the Rat Pack left off. These men are Australia’s finest and most inspiring young artists with credits in over 20 musical theatre productions, motion picture block busters and all things entertainment. This is a show inspired by the legends of yesteryear and freshly created for the audience of today. Cool classics with a fresh twist. Join us as we swingify new songs, jazz up the old ones and tap beats so cool, you won’t need ice in your drink.
The Tap Pack will have you swinging in your seats. Stage Whispers
Photo: Rob Maccoll
Queensland Theatre Company
HEAD FULL OF LOVE
Friday 10 July 8pm (Q & A session) Saturday 11 July 2pm & 8pm 1 hr 5 mins (no interval) Warning: Health themes, references to suicide, some moderate language, onstage smoke effects (15+ years)
Writer Alana Valentine Director Wesley Enoch Set Designer Simone Romaniuk Composer Brett Collery Lighting Designer Ben Hughes Tour Produced by Performing Lines A yarn to warm your heart (and your head). The Annual Alice Springs Beanie Festival is fast approaching and Tilly Napuljari is running out of time to finish her new creation and enter it for judging. Nessa Tavistock, a Sydneysider, has run away to the Red Centre to escape her own problems back in the big smoke. With time and talk, they realise that despite their differences in language, surroundings and upbringing, they are not so different after all. In making their beanie together, Tilly and Nessa’s stories become entwined and made into a thing of beauty - row by row, colour by colour, yarn by yarn. Head Full of Love is the story of these two remarkable women and the unlikely but inspiring friendship which forms between them. It invites you to look differently at the possibilities of the humble beanie: a much-loved everyday item, and an extension of ourselves and the everyday lives we wear.
Head Full of Love will make you think, make you laugh and make you cry. And really, isn’t that what theatre is all about? ArtsHub
Toured produced by Performing Lines for Blak Lines, with the support of the Australian Government through the Australia Council, its arts funding and advisory body.
Head Full of Love was originally co-commissioned by Darwin Festival, 32° Browns Mart Producing Hub and Red Dust Theatre.
Bell Shakespeare
HAMLET
Wednesday 29 July 8pm Thursday 30 July 10.30am & 8pm 2 hrs 40 mins (including interval)
By William Shakespeare With Josh McConville & Matilda Ridgway Director Damien Ryan Dark acts result in darker consequences. And there is little that’s darker and more complicated than the act of revenge. A family torn apart by murder, a son burdened with the truth and the task of avenging his father, and a country on the brink of war. Anguish, passion and desperation collide in this tragic telling of Hamlet, the Prince of Denmark, who is tormented by the impossibility of his dilemma, and who remains one of theatre’s most fascinating characters. Following the critically acclaimed Henry V in 2014, Damien Ryan will deliver a new production of Hamlet, infused with the passion, contemplation and emotion that Shakespeare’s compelling poetry cries out for. Josh McConville and Matilda Ridgway will delve into the depths of the complexity, violence, philosophical reflection, madness and maddening seduction of Hamlet.
There’s a reason the name Bell Shakespeare has become synonymous with quality theatre. ArtsHub
Bell Shakespeare is supported by the NSW Government through Arts NSW
This production is assisted by the Australian Government through the Australia Council, its arts funding and advisory body.
Christine Harris & HIT Productions
AUSTRALIA DAY WRIT TEN & DIRECTED BY JONATHAN BIGGINS
Friday 28 August 8pm (Q & A session) Saturday 29 August 2pm & 8pm 2 hrs 20 mins (including interval)
Everyone wants a piece of the party pie in this modern ripper of a comedy. The country town of Coriole is getting ready for Australia Day – a time to crack open a frothy, stick a snag on the barbie and celebrate what it means to be a true blue Aussie. The Australia Day committee is gearing up to put on the town’s biggest party – but they have a few issues of their own to sort out first. With everyone from the Greens to the local mayor to the CWA wanting a piece of the party pie, it’s proving hard yakka to work out what an Aussie celebration should look like. Nothing is sacred as the national identity is put through the ringer in this thoroughly modern comedy! Will the day be fair dinkum after all? Or are there too many roos loose in the community hall? Written and directed by the acclaimed playwright and Sydney Theatre Company satirist Jonathan Biggins of the famed The Wharf Revue, Australia Day will give you a new take on our national day.
There’s something to offend just about everyone in Jonathan Biggins’ deliciously light and perfectly pitched jokefest. Biggins knows his audience well and sets about ribbing all of them, young and old, blue-rinse and red ragger. The Australian
Photo: Andy Phillipson
Circa
BEYOND
Director & Creator Yaron Lifschitz with the Circa Ensemble Friday 11 September 8pm Saturday 12 September 8pm 1 hr 10 mins (no interval)
There is a line between human and animal, between madness and sanity, between logic and dream… We invite you to step over this line…and go Beyond. Beyond is warm, surreal and unexpectedly moving. Blending dynamic circus acts like trapeze and Chinese pole with multiple rabbit heads, rubiks cubes and blindfolds, set to a bewitching mix of show tunes, ballads and electronica, this creation delights and enchants. Beyond is set on multiple stages within stages – small red-curtained worlds that offer a glimpse of this rich and empathetic world. Maybe we are in a cabaret, a zoo, an asylum or on a stage. Seven artists have gathered to express their inner selves and to connect with each other and the audience. Over the course of Beyond we meet the artists, marvel at their skills, enter their personalities and emerge into a strangely beautiful and curiously tender world. A sell out in 2014, don't miss your chance to go Beyond.
A masterpiece that sparkles, like the finest champagne. Berlin Morgenpost Audiences have come to expect the earth from Circa… Beyond gives them the moon as well. The Stage, UK
Circa acknowledges the assistance of the Australian Government through the Australia Council, its arts funding and advisory body and the Queensland Government through Arts Queensland
Lef t Bauer Productions
MASTER CLASS
Tuesday 22 September 8pm (Q & A session)
By Terrence McNally With Maria Mercedes Director Daniel Lammin Associate Director Cameron Lukey
Wednesday 23 September 1pm & 8pm
Inspired by Maria Callas’ famous 1973 visit to New York’s Juilliard School of Music, Master Class is an insightful look into the life and art of opera’s most beloved and controversial diva.
2 hrs (including interval)
At the time, Callas’ own career singing on the world’s great stages had drawn to a close, her voice a shadow of its former glory. Four years later, Callas’ death at the age of fifty one sealed her legend as a real life tragic heroine. Master Class sees Callas prod and provoke her students in a searing, funny and touching depiction of a woman who knows what it takes to walk the high wire and the sacrifices required to attain the dream. Forty years later, Callas’ story as a woman forced to choose between professional power and a personal life remains as relevant as ever.
Maria Mercedes is Callas. She is remarkable… Hers is the kind of astonishing performance that leaves the actor and the script invisible, if not forgotten. Aussie Theatre It’s hard to imagine how anyone could leave this masterfully directed play without feeling affected by the soul of this great artist. Theatre Press
Asanti Dance Theatre
SANKOFA
Tuesday 10 November 8pm
Director Appiah Annan With the Asanti Dance Theatre Ensemble
1 hr (no interval)
Sankofa teaches us that before one can truly move forward, one must look back to the past. Featuring incredible international guest artists from Asanti’s sister company in Ghana, combined with some of Australia’s most exciting afro-contemporary dancers and musicians, you will be blown away by their energy, connection to culture and extraordinary talent. With undulating torsos, flips through rings of fire, raw energy, exhilarating dance moves and phenomenal acrobatics fused with a combination of live and pre-recorded sound, Sankofa beautifully explores traditional and yet universal themes. Follow one man’s journey through the centuries and into the unknown, all the time under the watchful eye of Sankofa.
A CDP production
THE 26-STOREY TREEHOUSE Monday 30 March 12pm & 2pm 1 hr (no interval)
Well, what are you waiting for? Come on up! Yes, that’s right. The 26-Storey Treehouse has been brought to the stage... and you’re invited! You know what 26 storeys means. Even more inventions than before... like the 78 flavour ice cream dispensing robot and the brain bamboozling Maze of Doom (not to mention the selfinflating underpants) and more things to go wrong – not least of which is the very real possibility that the entire show is a complete and utter disaster. Will Andy and Terry push their friend Jill to her absolute limits? And who is this shady Hector Houtkop, with a really bad pirate accent? And what about all those pirates? So what are you waiting for? You’ll laugh your head off!
Suitable for children 6 - 12 years Wow!…goes to the edge of the ridiculous to get a laugh. Sydney Morning Herald on The 13-Storey Treehouse
This project has been assisted by the Australian Government through the Australia Council for the Arts, its arts funding and advisory body.
Garr y Ginivan Attractions
STRIPEY Tuesday 7 July 10am 50 mins (no interval) Suitable for children 3 - 8 years
Adapted by Garry Ginivan from the books by Wendy Binks Director Garry Ginivan The eggscellent adventures of an emu chick! Imagine having to keep track of 30 small emu chicks, who are running here, there and everywhere? Well that’s what Crikey, their emu dad must do and when one of them goes missing, that’s when all the fun begins. Along the way in their search for Stripey, they encounter an array of loveable Aussie characters, such as Fluster the Corella, Bluey the Kanga, Sox’s the Joey, Snap, Flatfoot, Strewth and Shuffle the Echidna. Stripey is a cracking adventure, based on a simple story adapted for the stage in the well-known, highly skilled and foot-tapping style associated with other Garry Ginivan Attractions such as Possum Magic, Wombat Stew and My Grandma Lived in Gooligulch!
Patch Theatre Company
CRANKY BEAR Saturday 3 October 10am 45 mins (no interval) Suitable for children 4 - 8 years
Adapted from the best-selling book The Very Cranky Bear by Nick Bland Flamboyant friends Zebra, Lion and Moose each think they know how to solve the Bear’s crankiness but their shenanigans just make him even crankier! It takes a humble and empathetic Sheep with an open heart and listening ear to solve the Bear’s woes. Cranky Bear is a rollicking caberet-style new show packed with laughter, music and mayhem.
They sing, dance and thoroughly delight a theatre full of adoring, interactive children on the importance of ironing out the grumps in life if we want happiness. Sunday Mail
This project has been assisted by the Australian Government through the Australia Council for the Arts, its arts funding and advisory body.
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SUBSCRIPTION PACKAGES Choose a minimum of just four theatre shows to create a package and enjoy the benefits of priority booking until 8 January 2015. Take advantage of the delayed debit payment plan, reduced prices on the variety program and free ticket exchange. Choose eight shows to create a gold package and receive a complimentary drink or ice cream at each performance. DELAYED DEBIT PAYMENT Choose any package and have the option to pay in instalments each time you see a performance. Please note the following terms and conditions: • You must be a current subscriber. • You are committed to paying the full amount of your package and at no time can your package be cancelled. • If your credit card (MasterCard or Visa) expires during the year please contact us with your new expiry date. • Delayed debit payments will appear on your credit card statement as ‘City of Whitehorse’. ADDITIONAL TICKETS FOR SUBSCRIBERS Package buyers have the option to purchase additional tickets to all shows for friends and family. Even if they are not subscribers, you can add their tickets to your booking form and all be seated together. (Non-subscribers using separate booking forms will have their booking processed when individual tickets go on sale on 8 January 2015.) INDIVIDUAL TICKETS Individual tickets to all shows go on sale 8 January 2015 and can be purchased via the internet, in person, by phone or by mail using the booking form in this brochure. Please note: phone bookings incur a $3.75 handling fee per transaction (not per ticket), internet bookings incur a $3.00 handling fee per transaction. $25 YOUTH TICKETS (U25) If you are under the age of 25 then take advantage of this great offer of $25 tickets as part of the Professional Theatre Season (excludes opera). Proof of age may be required. TICKET EXCHANGES – THEATRE SHOWS You may exchange your ticket to a show for another performance of the same show (where available), provided the ticket is received by the box office prior to the first performance of that show. This service is free for subscribers. Sorry, refunds are not available at any time. ACCESS AND ACCESSIBILITY •M elway map 48 G9. • The Whitehorse Centre is accessible for patrons in wheelchairs or with limited mobility. If you require a wheelchair space in the theatre, please request this when booking tickets. • Free and disabled parking is available at the Whitehorse Centre. • N unawading train station (Belgrave and Lilydale lines) is a 10 minute walk from the centre. • An audio loop providing enhanced audio volume is available in selected theatre seats for patrons wearing a hearing aid with a T switch. Please request these seats when booking tickets. • Patrons with a hearing or speech impairment can call us via the National Relay Service on 133 677 then quote 9262 6333.
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GREAT STORYTELLING IS POWERFUL: IT CAN LIFT US UP, CONFRONT US, BRING A TEAR AND SHINE A LIGHT ON THE UNDERBELLY. BE PART OF OUR UNMISSABLE 2015 STORY.
The Whitehorse Centre is owned and operated by Whitehorse City Council. Council proudly supports the Professional Theatre Season 2015, one of the major features of its arts program.
www.whitehorsecentre.com.au