Whitewaller Dallas 2016 by Whitewaller

Marc Quinn for the Goss-Michael Foundation

Dallas 2016

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LETTER FROM THE EDITOR

We first came to Dallas in the summer of 2011 for a feature story in Whitewall magazine on Dallas’ TWO x TWO event benefitting amfAR and the Dallas Museum of Art. It was an eye-opening visit. Collectors Howard and Cindy Rachofsky opened The Rachofsky house to us, and spoke about the community and commitment of Dallas’ collectors. A few years prior, the Rachofskys and their friends, the Roses and Hoffmans, had all agreed to eventually bequeath their collections to the Dallas Museum of Art. We soon realized Dallas and its art patrons were wildly unique to the contemporary art world and would soon influence many more art enthusiasts and budding collectors both locally and abroad. The following year, we would then speak with Chris Byrne, the director of the Dallas Art Fair (then in its fourth year), and learn about his plans to turn the regional fair into an international event, which it has now become in its ninth year, with nearly a quarter of its exhibitors coming from outside the U.S. Around that time, we also heard that the new Dallas Cowboys AT&T Stadium had plans to exhibit contemporary art and build a sitespecific collection, spearheaded by Jerry and Gene Jones. In this issue of Whitewaller, we speak with Mrs. Jones in these pages to hear about introducing art to a football-focused audience. Whitewaller also follows up with Howard Rachofsky, whom since our interview in 2011, has gone on to open The Warehouse with Vernon Faulconer—an exhibition space in Dallas available to curators, scholars, and students. We also visit the Dallas Museum of Art to get a sneak peek of the new Rebecca Warren exhibition of sculpture; Dallas Contemporary to hear from Justine Ludwig about its shows of artists Paola Pivi, Helmut Lang, and Dan Colen; and from Rob Teeters at The Power Station, whose exhibition of Karl Holmqvist is not to be missed this week. We also hear from Brian Bolke, the owner of the boutique Forty Five Ten, about the downtown renaissance in Dallas and his store’s move this fall; and Kenny Goss of The Goss-Michael foundation about his participation in the annual MTV:Redefine charity event, and a new exhibition of Paula Crown’s work. There’s so much to see, do, eat, and drink in Dallas this week. With Whitewaller, we hope we help you get to it all! —Katy Donoghue, Editor in Chief

LETTER FROM THE PUBLISHER

We are thrilled to launch Whitewaller in Dallas. Our aim with the print publication and the corresponding mobile app is to offer a comprehensive guide to all the exhibitions and events surrounding Dallas Art Fair week. We also want to offer an insider take on all that Dallas has to offer in terms of culture, entertainment, dining, and shopping. We are incredibly grateful to Cindy Rachofsky and Tina Craig, two top influencers in Dallas who have helped us immensely in creating a resource for the city and its lifestyle and cultural institutions. We know that Dallas is an amazing place for contemporary art, with an unparalleled, generous community of collectors who support and patron the cityâ&#x20AC;&#x2122;s fantastic museums and institutions, like the Dallas Museum of Art, the Nasher Sculpture Center, and Dallas Contemporary. Whitewaller hopes to grow our presence and to partner with Dallas art initiatives for many years to come. We encourage you to download the Whitewaller mobile app to access more content, and to make use of our unique geo-localized service, for ease and accessibility to all that this week has to offer in Dallas. â&#x20AC;&#x201D;Michael Klug, Publisher, CEO & Editor at Large

LETTER FROM THE GUEST EDITOR

It is both a privilege and great honor to be the Guest Editor of Whitewaller Dallas. In this guide, you will be introduced to 12 very special “Insiders” whom showcase their Dallas highlights. These Insiders are people I handpicked to guide you through the most exciting happenings and destinations during Dallas Art Fair. You'll receive a wide array of tips from an equally eclectic mix of professionals in the art, fashion, media, and culture worlds. Trust that their recommendations will not lead you astray. As for my personal dining favorites, I enjoy: Quill for its swankychill vibe, comparable to that of the Gramercy Park Hotel's famed Rose Bar (they just opened, offering a great supper club atmosphere that's sure to shake up the Dallas night scene); Grange Hall for lunch (don't miss the decadent Snob Sandwich, which I’d like to think was named for me); and cocktails at newly-opened Happiest Hour (Dallas’ largest, and yes, happiest patio bar lounge); and the Mansion Bar (a.k.a. the O.G. of the Dallas scene). Of course, I can't forget to mention shopping. There are a few not-to-miss shops: Highland Park Village (I practically lived here when I first moved to Dallas, with all of its great shopping and dining) and Forty Five Ten for the best in modern luxury. The boutique's upcoming new space is guaranteed to make for quite the delightful surprise. After all, there will be an entirely new and dedicated handbag department. (Be still, my Bag Snob beating heart!) As for exhibits, know you're in for a treat anytime you're privy to the well-curated eye of the Rachofsky and Faulcon collections. I’m also looking forward to seeing Dan Colen, Helmut Lang, and Paola Pivi at Dallas Contemporary, as well as Irving Penn’s exhibit at Dallas Museum of Art. Paula Crown at The Goss-Michael Foundation is a mustattend experience, and so is making time to see works by Ann Veronica Janssens and Doris Salcedo at the Nasher Sculpture Center. —Tina Craig, Guest Editor

THE FIRST ESTABLISHED CHAMPAGNE HOUSE

TABLE OF CONTENTS

THE SCOOP/15 Discover the abundant cultural calendar this season in Dallas, featuring outstanding art, glamorous parties, and a wide range of creative activities.

INSIDER TIPS/37 Read Whitewaller’s personal views on how to navigate art week, and take advantage of Dallas’ most exciting hotspots, by 12 of our handpicked Insiders.

DALLAS ART FAIR/45 One of spring’s biggest events is the Dallas Art Fair. Whitewaller features tips from the fair's director Chris Byrne and practical information about the fair.

MUSEUMS & PRIVATE COLLECTIONS/49 Dubbed as one of the fastest growing artistic cities in the world, everything is bigger in Dallas. Explore unique contemporary art from around the world, and read up on our highlights from the show.

DAILY UPDATES Download the Whitewaller mobile app and get the best of the Dallas Art Fair at your fingertips.

TABLE OF CONTENTS

RESTAURANTS & BARS/61 Dallas is home to premiere restaurants and luxury dining experiences. Whitewaller can guide you from meal to meal, so that no matter where you are, the finest cuisine can be at your fingertips.

HOTELS/67 Dallas’ renowned hotels combine the city’s vibrant culture and southern flare, known for boasting luxe accommodations with top-of-the-line amenities.

SHOPPING/71 Whether you are looking for a little black dress or relaxed attire, Dallas’ shopping scene offers it all. Here are Dallas’ top shopping destinations that offer the finest boutique experiences.

EVENT CALENDAR/77 Whitewaller has handpicked events that should not be missed during Dallas Art Fair from April 15 through April 17.

E V E R Y T H I N G

F O R

H E R ,

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A N D

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SPECIAL THANKS

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Whitewaller Dallas Magazine is published by Sky Art Media, Inc. Michael Klug, Founder, Chairman, CEO 175 Varick St. 8th Floor, New York, NY 10014

WWW.WHITEWALLMAG.COM © WHITEWALLER MAGAZINE. REPRODUCTION WITHOUT WRITTEN PERMISSION OF WHITEWALLER IS PROHIBITED. Whitewaller does not assume any responsibility for any inaccuracy of information contained herein. Whitewaller magazine contains facts, views, opinions, and statements of third parties, visitors, and other organizations. Sky Art Media, Inc., its parents, affiliates, and subsidiaries do not represent or endorse the accuracy or reliability of any advice, opinion, statement, or other information, displayed or distributed through Whitewaller magazine. You acknowledge that any reliance upon any such advice, opinions, statement, or other information shall be at your sole risk and you agree that Sky Art Media, Inc., its parents, affiliates, and subsidiaries shall not be held responsible or liable, directly or indirectly, for any loss or damage caused or alleged to have been caused in any way whatsoever related to any advice, opinions, statements, or other information displayed or distributed in Whitewaller magazine printed in Quebec, Canada.

TO BE CONFIRMED

THE SCOOP

In this section, Whitewaller documents the creative activities in and around the Dallas Art Fair and the creative landscape of Dallas.

ERWIN OLAF X RUINART The bewildering outcome of Erwin Olaf’s artistic collaboration with Ruinart. By Whitewaller

Faithful to its deeply rooted role as a global patron of the arts, Ruinart is once again honoring its annual creative collaboration with a special partnership. This year, the prized carte blanche has been entrusted to Dutch artist Erwin Olaf, a daring bold choice given Olaf’s reputation for diving headlong into provocative projects. Ever since 1896, when André Ruinart commissioned Czech artist Alfons Mucha to create an advertising poster, the 287-year-old champagne house has worked with a number of artists and designers. To name a few, Hubert le Gall, Maarten Baas, India Mahdavi, Gideon Rubin, and Hervé Van der Straeten, have all been offered exclusive platforms of unimpeded artistic expression. Assigning such freedom to Olaf could have been perilous, given the photographer’s taste for controversy, as his work comments on ideas as wide as gender, sensuality, consumerism, sterility, power, and history. His explicit, lush, and large-format color prints of staged scenes that suggest complex narratives have already been used in advertising campaigns for international companies such as Levi’s and Microsoft. All the while, his artistic work has been featured in galleries and museums all around the world, including: Wagner + Partner, Berlin; Flatland Gallery, Amsterdam; Hamiltons Gallery, London; and Galerie Magda Danysz, Paris.

Courtesy of Ruinart

Yet for Ruinart, Olaf, through his camera lens, tells the subtler story of Ruinart’s crayères (limestone caverns), choosing to illustrate the ancient art found in cellars. Surprisingly, the work turned out to be something completely different from his signature style of baroque and hypnotic images. On his first visit to Ruinart's cellars in Reims, now a UNESCO World Heritage Site, the photographer was fascinated by the depth and immensity of the crayères, and focused on capturing the impressive details of their prehistoric natural formation, and the traces left by man. Using his 35-year-old Hasselblad camera, he shot the fermenting cellars in black and white, which gave the photos an unusual luminous effect—an impossible look to obtain with color. The artistic photographs appropriately highlight the space's past and heritage, while reminding the viewer of the brand's commitment to staying an eternally contemporary house.

Photograph by Erwin Olaf. Courtesy of Ruinart

CHRIS BYRNE Co-Founder and Director of the Dallas Art Fair By Roseanne Tabachnik

The Dallas Art Fair opens this year with a preview gala on Thursday, April 14, benefitting the Dallas Museum of Art (DMA), the Nasher Sculpture Center, and Dallas Contemporary. Adjacent to the DMA downtown, the fair is open to the public Friday, April 15 through Sunday, April 17. Whitewaller spoke with its director Chris Byrne to hear about the increasingly recognized international fair and what exhibitions he’s looking forward to seeing around town this week. WHITEWALLER: This year’s roster includes more than 90 galleries, 39 of which are new participants, and half of those being from outside the US. Why is a more international roster of galleries beneficial to the fair? CHRIS BYRNE: I think it's important for the Dallas Art Fair to host content and programming which interests the local audience. We extend invitations to galleries following recommendations from collectors, curators, and artists. Also, the gallerists who participated during past years have recommended others —and that's been helpful to the fair's international growth.

WW: The fair is once again partnering to raise funds for the Dallas Museum of Art, the Dallas Contemporary, and the Nasher Sculpture Center. Can you tell us about this year’s iteration of those partnerships? CB: We are fortunate to include the reception for “Irving Penn: Beyond Beauty” at the Dallas Museum of Art, “Nasher 360: Agents, Advisors, Devils and Apostates: The New Art World,” as well as the Dallas Contemporary's reception for Dan Colen, Helmut Lang, and Paola Pivi. We are pleased that proceeds from our preview gala will benefit these institutions. WW: The art scene in Dallas seems to be very collaborative in nature. Do you want the fair to reflect this kind of interconnectivity through the programming? CB: I think that the range of programming will be great. The experience is linear, so it will be possible to attend almost all of the events on the 2016 Dallas Art Fair schedule. WW: Dallas has a very active established collector community. Since the launch of the fair, have you seen an increase in activity among emerging or aspiring collectors? CB: Yes, the Dallas patrons and institutions have created a warm impression of the city both nationally and abroad. The established collector community has embraced collaboration, and thus allowed many young collectors to pursue important civic gifts and projects. When John Sughrue and I founded the Dallas Art Fair, our intention was to create an event, which, in addition to exposing the city to galleries from other parts of the world, would also build upon the strengths of the local scene. WW: Outside of the fair, what surrounding events are you looking forward to most this year? CB: I'm looking forward to seeing Paula Crown's installation “Bearings Down” at the Goss-Michael Foundation. I've had the chance to watch her work develop over the past several years, and feel that this piece will encapsulate her varied and disparate interests. Also, I'm a big fan of Joyce and Kenny Goss' programming, and their generosity and sensitivity to artists. They have facilitated many projects and initiatives over the past several years, encouraging the development of the work. The Power Station's opening reception for Karl Holmqvist should be great, as well.

Courtesy of Dallas Art Fair

Noemie Goudal, Station VI, 2015. Courtesy of Edel Assanti

Gianpietro Carlesso, Curvatura venticinque, Omega, 2014. Courtesy of the artist and Ronchini Gallery

Dallas Art Fair, 2015. Photograph by Kelly Taub, BFA

HOWARD RACHOFSKY Co-Founder of The Warehouse By Katy Donoghue

What started out as a search for extra storage, for collectors Howard Rachofsky and the late Vernon Faulconer’s growing art collections, turned into The Warehouse opening in 2012—an educational exhibition space in Dallas focused on rethinking the global art community. It is open to curators, academics, schools, and more, and during Dallas Art Week, the latest exhibition “Identity Revisited” will be on view. The show looks at artists from the sixties up until today who deal with notions of identity and ideas around gender, sexuality, and race. It includes work by Mark Bradford, Pierre Huyghe, Janine Antoni, Joseph Beuys, Tetsumi Kudo, William Kentridge, Kara Walker, Kiki Smith, and more. We spoke with the cofounder of the space, Howard Rachofsky, about the evolution of programming at The Warehouse, and its place in Dallas’ growing nonprofit contemporary art spaces. WHITEWALLER: What was the initial mission of The Warehouse when you opened it in October 2012? Has that evolved over the past four years? HOWARD RACHOFSKY: It’s funny in a way, because it did sort of morph into its own identity. My partner Vernon Faulconer and I (and sadly Vernon passed away last summer), originally our goal was to find a space primarily for our storage, but to have a little bit of exhibition capability. After a fair amount of searching, we stumbled upon this building, an old furniture warehouse that was over 50,000 square feet. So we decided a lot of exhibition space was better than a little. We retained a wonderful local architect, a man named David Droese, and he finished out the design for relatively easy viewership, and to be able to attend any activities we might want to do here—adding skylights and putting in a new floor, but otherwise keeping a relatively simple white box space. It really is quite a magical space, and Allan Schwartzman, our curator, works with me in designing the various rooms. We have 17 galleries that are all obviously interconnected, in which we produce and show the collection. We show our collection and that of other collectors in Dallas from whom we borrow for exhibitions. Allan curates exhibitions that explore an alternative view of contemporary art and the second half of the 20th century, migrating

Andro Wekua, Get out of my room, 2006. Courtesy of The Rachofsky Collection

from a particularly American point-of-view to a more global view. Much of what we've presented is a more global vision explaining and showing the interconnectivity of art made around the world. Our first exhibition compared and contrasted post-war Italian art with post-war Japanese art. In our collection, we offer an alternative approach at looking at art making. More and more people are now coming around to the view that globalization has been going on for a long time; it just wasn’t as well collected and presented in American museums. The second exhibition that we did dealt with geometry within the grid and made the case for a more global perspective of South America, Western Europe, Asia, and the United States, exploring how all these works had a degree of connectivity and a relationship that wasn't so well-considered in past decades. We hope to exhibit thoughtful presentations that are food-for-thought for both the local art community and a broader community as well. WW: Has the programming at The Warehouse affected your approach to collecting? HR: I think it can't help but influence it, although we actually had gone down the path prior to The Warehouse. But we didn't have the ease of a venue or the deeper thinking to take that approach. We're certainly not the first or the only ones to take a look at this more global arts scene, but at the moment, we have done exhibitions that seem very fresh. WW: Are there areas of focus in your collection that you’re looking at now? We know a few years ago it was the Japanese post-war artists.

HR: Well actually, there are a couple of areas that we’ve drifted into unintentionally. One in the last couple of years has been an exploration of post-war Korean art, particularly the movement called “Dansaekhwa.” This sort of Korean monochrome was an aesthetic form that has a degree of political overtone dating from late ‘60s to the early ‘80s in terms of its primacy, although many of the artists were living and continued to make a lot of work. We have begun collecting in that arena. And then, in more recent in times, we’ve gone back to re-thinking American minimalists from the

‘60s and ‘70s, and a little bit of the light and space movement, or perceptual art from the west coast. I think although we're always looking for younger work, we're also going back and trying to fill in places from the collection that resonates with the work we already have, but that we hadn't explored yet in much depth. WW: When Whitewall interviewed you a few years ago, we spoke with you and Cindy about how the Dallas art scene is growing, but it really wasn’t up to the level of the collector community in Dallas. Where do you see The Warehouse fitting into that? HR: It’s clearly a nonprofit space, although it’s not a foundation. It’s a private space that we open up as much as we can to any and everyone in the community to add to the venues that we already have here, and to expand the notion of looking and enjoying and experiencing contemporary art. We now have places like The Power Station and Panos, and Elisabeth Karpidas have opened a space in Dallas, showcasing Panos’ mother’s Pauline Karpidas’ great collection. Seth Davidow has opened a space, and he and his mother, Joan, did this long-time fixture on the Dallas art scene. Of course we’ve also had this amazing art collection built out in the AT&T Stadium in Arlington, which is where Gene and Jerry Jones put together an advisory committee of curators and collectors to bring art to a much, much larger audience than that typically frequents museums. To see it actually in a living space, albeit an unusual public space, has been a huge success. They have a really major program going on and are certainly building out an audience. So there are more and more opportunities to view contemporary art in practice in this area. I would say that things are certainly growing organically.

Louise Bourgeois, Cell (You Better Grow Up), 1993. Courtesy of The Rachofsky Collection

Jonathan Horowitz, BeyoncÃ© (3x3), 2015. Courtesy of The Rachofsky Collection. Kiki Smith, Virgin, 1993. Courtesy of The Rachofsky Collection. Jim Hodges, Great Event, 1999. Courtesy of The Rachofsky Collection

THE DALLAS COWBOYS ART COLLECTION By Katy Donoghue

A few years ago, when we first heard about a contemporary art collection being housed at the Dallas Cowboys AT&T Stadium, our curiosity was piqued. Since then, Jerry and Gene Jones have created an incredible collection of contemporary works and sitespecific installations by artists like Teresita Fernández, Gary Simmons, Ellsworth Kelly, Jenny Holzer, Eva Rothschild, and Anish Kapoor, whose Sky Mirror welcomes fans into the arena from the outside. Whitewaller spoke with Mrs. Jones about her innovative idea to offer sports and entertainment fans an access to museum-quality contemporary art and how even her children and grandchildren have become art enthusiasts. WHITEWALLER: Why did you initially want to put contemporary art in a football stadium? GENE JONES: We truly wanted our stadium to be more than a place to watch a football game. Our desire from the very beginning was to create a building that we would play football in and have different types of entertainment— from rodeos to concerts.

I grew up in a small town that didn't have a museum, so it's nice to think that people who may not get to go to museums can get a touch of some really wonderful art. That has been our goal with the art that we have in the stadium. We did want it to appeal to young people and older people, but with quality art that could be shown in great museums. I know for our family, now that our children and our grandchildren have had the opportunity to know about the artists that we have at the stadium, they're now collecting art themselves. WW: That must be so rewarding to see your children and grandchildren find their own interest in art. GJ: It is amazing. It's really rewarding for me to see that they're so interested. Plus, I personally have learned so much with the recent edition of Ellsworth Kelly to our stadium. Ellsworth Kelly was just wonderful to do a TV interview where he talked about his career, and about his recent honor at TWO x TWO [in October 2015]. Even someone as prominent as Ellsworth Kelly was very touched and very excited to think that some people would get to see his art on television. That's the exciting thing to me about what we do with the art collection in the stadium. We have the networks talking about the art and it’s showing on national TV all over the world. People wherever can tune in to these ball games, and if the Cowboys are playing, they get to see a little art, as well as the football games. That's very rewarding to me. WW: How would you describe the focus of the collection?

Gene Jones. Photograph by Billy Surface

GJ: Jerry and I collected, and have a nice collection of sports arts at our home, but when we were faced with the stadium, we thought, “No, that's not going to work in the stadium.” We need living artists, and it needs to be contemporary because of the type of building it was. We've acquired many pieces, but it's all about the art of our time and asking artists to do site-specific pieces. We have to find someone who has had experience with large works of art, and in the beginning, that was a little challenging.

Jim Campbell, Exploded View (Cowboys) 2012-2013. Photograph by Tom Fox

With Anish Kapoor, we wanted to have a big sculpture outside our stadium from day one. Millennium Park was being built about the same time, and once I saw Cloud Gate, I thought, “We have to have something like that at our stadium!” WW: Has it changed at all the way you personally collect, or the way you look at, art? GJ: Absolutely. Now we go to Art Basel in Miami, and we’re going to different art shows. Now we are following these artists and keeping up with up-and-coming young artists, as well as artists who are established like Anish Kapoor. I'm really proud to be part of what's happening in art and what's happening in this area.

Alyson Shotz, Crystalline Structure #2, 2013. Photograph by Tom Fox

KENNY GOSS Co-Founder of The Goss-Michael Foundation By Caroline Wall

The solo exhibition of Chicago-based artist Paula Crown is on view at the Goss-Michael Foundation in Dallas this week. A day following the show’s opening on April 7, the contemporary British art collection lead by co-founder Kenny Goss, participated in the city’s annual MTV RE:DEFINE charity event benefiting the MTV Staying Alive Foundation. Whitewaller caught up with Goss to find out more about the event that brings together the very best in art, music, and charity, as well as Crown’s exhibition, and the foundation’s move to 1305 Wycliff Avenue in Dallas’ Design District this May.

WW: We’ve heard that Marc Quinn will be painting an eye for the highest bidder. Quinn’s done a lot of work with manipulating irises into sort of global or celestial landscapes. Have you heard anything about what the conceptual framework around this commission might be? KG: Quinn’s iris works are basically portraits. He refers to them as “stealth portraits,” tapping into his interest in the universal and unique. They’re very personal, and yet talk about global ideas such as beauty, identity, and paranoia. WW: Your gallery has a heavy focus on exposing young artists to the social side of art. Has MTV RE:DEFINE helped to make any interesting connections between your artists and key players in the art world? KG: I believe RE:DEFINE plays a key role in connecting young artists to collectors. Our art committee brings together a diverse group of work that exposes the collector base to artists that they may not come across otherwise. WW: A couple of years ago, you talked about how MTV’s Staying Alive Foundation is so important for empowering communities to fight HIV on their own, as opposed to having some outside force come in and try to police people’s behavior. Now that you’ve had the chance to observe the foundation’s impact, are there any examples you’ve noted of this effect?

Courtesy of The Goss-Michael Foundation

WHITEWALLER: It looks like you have some really fantastic artists contributing to the MTV:REDEFINE auction. Have you noticed any particularly interesting works this year? KENNY GOSS: Artists are being extremely generous this year. We have fabulous works by Enoc Perez, Marc Quinn, Paula Crown, Damien Hirst, Dan Colen, Bruce Weber, and Sterling Ruby—just to name a few. With this great lineup, we anticipate we will exceed the $2.2 million we raised last year. WW: Do any of artists participating in MTV RE:DEFINE create work that’s thematically related to the Staying Alive Foundation? KG: Typically, we do have work donated that relates to our cause. For example, last year, the artists Elmgreen & Dragset produced a powerful work made from the pigment of HIV medication.

Paula Crown, ALPHABRAVO, Night Sky, 2016. Courtesy of the artist and Marlborough Gallery New York

KG: A great example of the impact we’re making can be found in Kenya, where the soap opera Shuga, produced by MTV's Staying Alive Foundation, has proven to be a remarkable success on changing the behavior of young adults. A research company found that many of its younger viewers had discussed issues around safe sex and HIV and have shown a willingness and enthusiasm to get tested. WW: The Goss-Michael Foundation will be hosting an exhibition by Paula Crown this spring. Crown’s done a lot of conceptual, site-specific installations—almost like pocket landscapes. Can you talk a little bit about the direction she’s taking with this exhibition? KG: We know the piece will be specific to our space, but deals with issues that are important to Paula. She’s been working with floor plans of the gallery to design the immersive audio/ video installation. We’ve also been told there will be an “action” taking place at some point during the exhibition. Of course, I’m very excited to see how the piece evolves. Dan Colen, Orgasm Addict, 2014. Courtesy of the artist Sterling Ruby, TROUGH, 2014. Courtesy of Sterling Ruby and Gagosian Gallery

JUSTINE LUDWIG Director of Exhibitions and Senior Curator at Dallas Contemporary By Caroline Wall

This month, Dallas Contemporary debuted three solo exhibitions of work by Dan Colen, Paola Pivi, and Helmut Lang. Each artist’s work, through a variety of methods, center on material—with Colen using trash to create 3D canvases, Pivi choosing feathers to render dangerous animals approachable and charming, and Lang’s employment of organic material to create relics that reference ancient civilizations. Whitewaller spoke with Senior Curator Justine Ludwig to learn more about the shows that are not to be missed during Dallas Art Week.

in each piece are sizeable to begin with, calling for large-scale canvases. The results are gorgeous, enveloping three-dimensional canvases. WW: Paola Pivi has talked before about representing people within her animal sculptures. How do you think her choice of more intimidating animals, like bears and crocodiles, impacts that representation? JL: The interplay between humorous, or whimsical and dangerous, is in many ways a reflection of the human condition. Pivi’s polar bears merge the aesthetic of these animals with stances that recall human figures as they dance or recline. These animals are great hunters and dangerous predators, but through the artist’s interventions, they are transformed into something approachable. Pivi’s works delve into the complexity of character. Nothing is presented as a simple binary. WW: How do you see Pivi’s fantastic creatures interact with Dallas Contemporary’s gallery setting? JL: I love the mutability of Dallas Contemporary’s galleries. As a raw industrial space, we are able to transform with each exhibition, allowing the work to take center stage. We are altering the space of the gallery to best suit Pivi’s work and to build an abstract narrative structure for viewers to roam. This exhibition also takes advantage of the massive galleries by presenting a variety of large-scale works.

Portrait by Nick Glover

WHITEWALLER: Dan Colen has been investigating some avant-garde materials for a while now—such as bubblegum, tar, and dirt—and he’s discussed letting the material of his medium guide him. How does that attitude come through with his new trash paintings? JUSTINE LUDWIG: In these works, Colen embraces the discarded materials that he finds surrounding his Red Hook studio. These objects comprise the detritus of consumerism. He uses debris as substrates, which he then paints on top of. In many cases, it appears as if the forms of the objects beneath drive the paint application. They add an unexpected and sumptuous depth to these abstract works. WW: Do you think there is a particular reason why Cohen has gone so much bigger with these recent works? JL: Trash paintings are dictated by the medium itself. The materials that Colen is embedding

Dan Colen, Bloodfeast, 2012. Courtesy of Dan Colen Studio

WW: Helmut Lang has said before that he prefers materials with “scars and memories of a former purpose”—and some of his work incorporates scraps from his old fashion archive. Do you think there’s a new narrative being constructed from these memories? JL: Many of Lang’s works feel like relics. They have backstory, which adds resonance to the final product. In Lang’s body of work, which will be on view at Dallas Contemporary, he uses sheepskin—an organic material. Lang has an intimate knowledge of material and form, leading to works that transcend the expected constraints of their material. His forms also reference ancient cultures and spirituality, while remaining abstract and resisting the pull of becoming overly didactic. WW: What sort of effects have you seen the Dallas Art Fair have on the contemporary art scene for the past few years in Dallas?

Helmut Lang, Installation view, 2015. Courtesy of Sperone Westwater, New York

Paola PIVI, Untitled (zebras) 2003. Photographic print

JL: Last year was my first experience of the Dallas Art Fair. It was exciting to see the high level of galleries featured in the fair, as well as the ability of the fair’s organizers to seamlessly pair local, national, and international gallery. For me, it has been an absolute joy to have colleagues and dear friends from all over the world here in Dallas. I am blown away by the difficult and unexpected work that each gallery brings to the fair, which I see as speaking to the savviness of the community here. I also believe that the fair challenges the Dallas institutions to create exhibitions that speak to an international audience. I hope that over the next few years the fair may also be used as a platform to help Dallas-based artists garner more attention.

BRIAN BOLKE President and Co-Founder of Forty Five Ten By Katy Donoghue

Forty Five Ten has been one of Dallas’ best shopping spots since it opened in 2000. This fall, the boutique moves downtown, in a 45,000-square-foot space. Its neighbors will include The Joule hotel, Tenoversix, Traffic LA, and Play by Comme des Garçons, among others. We spoke with Bolke about the retail and cultural renaissance of downtown Dallas, and how art seems to permeate it all. WHITEWALLER: You are behind Forty Five Ten’s move to Downtown Dallas. Can you tell us about the choice to move and the change that’s happening in your new neighborhood? BRIAN BOLKE: We've been in our current location for 16 years. We are the partner for The Joule hotel and we are now building a new store right across the street. We've been working on it for a few years and we're excited that it's finally under construction, and are hoping to open it in November. I think there are a lot of parallels between Downtown Dallas and what's happening in downtown Los Angeles. Dallas is in the the '40s, '50s, '60s and '70s, was a super vibrant downtown—if you wanted to go shopping you would come to Dallas to go downtown. You'd either go to Neiman Marcus or any other major department store. But it got kind of dusty and sleepy in the '80s and '90s. And now, you’re seeing the exploration of downtown Dallas in design, culture, food, etc. Our store is really at the epicenter of it. I love this sort of return to a romantic idea that it's a place to go for something very special. WW: What are the parallels you’re seeing between the revival of Dallas’ downtown and L.A.'s? BB: I think in L.A., there are a lot of important art features that have really made that city culturally important. You look at even the Dallas Art Fair, since its beginning to what it’s become, and it's just completely different. And then museums in Dallas—the Pollock show will be down by the time the art fair opens, but it was extraordinary and would've been extraordinary in any city of the world. During the fair will be the Irving Penn show, which personally, I'm very excited about. WW: How much interaction do you see between your clients and the art community? BB: It's honestly one of the most important

Courtesy of Forty Five Ten

aspects of the store. It's a complete community between the worlds of art, design, fashion, food, and I think that is really what we are doing downtown. If somebody comes to the store just because they love the art, or just because they love the music, I am just as happy as if they come because they want to buy fashion. They're all related, and I think that in this day and age, if the consumer doesn't have a multidimensional experience, they're completely bored. I think we have a rare opportunity to create really exciting programming that cuts through a lot of these ideas. WW: In the new space, what kind of artworks can we expect to see? BB: We're partnering [with] Lehmann Maupin for our programming. One of the main things we purchased for the store’s collection is Catherine Opie’s Elizabeth Taylor series throughout the store. And if someone's interested, they can actually purchase them. Plus, we have amazing works by Mario Testino. WW: I imagine you’re personally interested in contemporary art as well. Do you collect?

Courtesy of Forty Five Ten

BB: Yes. My partner and I, we're branching out a little more, but we have a collection of photography. We're big consumers and loyalists of art, and that really comes from having such lovely friends in the Dallas area that are also consumed by art. This city has, especially in private hands, some of the most incredible art in the world. Courtesy of Forty Five Ten

REBECCA WARREN Artist By Charlotte Boutboul

This spring, Rebecca Warren’s outdoor sculpture Pas de Deux (Plaza Monument) (2016) debuted at the Dallas Museum of Art. To coincide with the special commission, “Rebecca Warren: The Main Feeling,” a 10-year look at the artist’s work, opened last month at the museum, curated by Gavin Delahunty. The exhibition contextualizes the artist’s use of clay, bronze, steel, neon, Polystyrene, and Perspex in sculptures that depict the female figure in exaggerated forms that have become increasingly abstract. Whitewaller spoke with Warren about her practice, her points of reference that range from Helmut Newton to Robert Crumb, and the subversive humor in her work.

WW: You reference in your work classical male masters, notably Degas, Giacometti, and Rodin. How do you canalize these references as a female artist depicting women? RW: The references, such as they might be, occur in the shapes of the sculptures themselves. Because of this, I think that the canalizing is done as soon as it has begun. As well as intake, influence, lifting, and placing in new contexts, there are other sorts of swaps going on. I kind of inhabit the character that makes the art, and this can complicate the sources of my work. In this sense, my wish has always been to operate and to be accepted as an artist. I don’t necessarily use my gender as a primary role. WW: You have shifted from soft clay to harder steel and bronze over the years. What directs your choice of medium when starting a piece? RW: I had an interest in crumbly fragility in the early clay sculptures. Over time, I've subsequently developed an interest in other values like permanence, longevity, and hardiness, for instance. But they can all run parallel to each other. Often I choose a material for a very broad function, like resilience to weather or as a ground for paint. You're going with what feels right, or at least what doesn't feel wrong. Every now and then I realize I'm making something in the wrong material, so I change it.

Rebecca Warren, The Hills 1, 2010. Courtesy of Matthew Marks Gallery, Gavin Delahunty, Rebecca Warren. Artwork: Rebecca Warren, Dou Dou Che, 2006. Courtesy of Dallas Museum of Art and Matthew Marks Gallery © Rebecca Warren. Photo by Ron Amstutz

WHITEWALLER: When and why did you decide that sculpture would be your form of art making, and women your subject of predilection? REBECCA WARREN: I have a fascination for the power and potency of objects. I'm drawn to the elemental in art. I suppose the transformation from a soft, malleable material to a shaped and meaningful thing is also fascinating to me. This idea—if that’s what it is—developed over my time as a student and gained full steam in the early ‘90s when I was starting out as a known artist. The women in my sculptures began to take form because of my interest for the work of photographer Helmut Newton and cartoonist Robert Crumb. The reductions of function to form, the arcs and swellings, outlines, undulating surfaces—all intensely interesting to look at, and funny. I have subsequently made many works that can’t conceivably be called “women.” Husbands, for example!

WW: You have also shifted from figuration to abstraction. Can you explain what drew you to that transition? RW: There's a range between these two categories along which my work has moved up and down. Sometimes the abstractions are human shapes, or seem so to me. What interests me in this range is indeed the potential for one thing standing for another, or reminding you of something, somewhere, or inhabiting its own peculiar universe of strange function and odd form. WW: You are an artist, a painting and sculpture professor at the Kunstakademie of Düsseldorf, and a residential advisor at London’s Royal Academy of Arts. How do you combine and manage the academic sphere with the creative sphere in your career?

Rebecca Warren, Eins, 2013. Courtesy of Matthew Marks Gallery, © Rebecca Warren. Photo by Ron Amstutz

RW: By doing it all in useful proportions. It’s good to be associated with these sorts of institutions, to be recognized, included, and also to exercise some small influence here and there. It's important not to lose touch with the direct teaching potential of your art. Working with students reminds you of the grinding process that necessarily accompanies any achievement in art, and being able to talk this kind of thing through with students is an important privilege—and brings me back to the realities of my own processes.

Rebecca Warren, Reclining Figure, 2011. Courtesy of Matthew Marks Gallery, © Rebecca Warren

ROB TEETERS Artistic Director of The Power Station By Caroline Wall

The not-for-profit exhibition space The Power Station, founded in 2011, is housed in a former electrical substation for the Dallas Power & Light Company. The facility was active into the late 1940s, and later put to a range of uses. Alden Pinnell is the collector behind the newest chapter to its varied history, offering many out-of-town artists a chance to respond to the unique, raw space with a site-specific project. Past exhibitions include installations by Jacob Kassay, Oscar Tuazon, Virginia Overton, Michael E. Smith, and now, Karl Holmqvist this spring. We spoke with the space’s Artistic Director Rob Teeters, about displaying the kinds of work that clash with traditional gallery spaces.

community, it’s their first encounter with the artists’ work. So, the exhibitions also offer a platform of exchange between the artist and the Dallas community more broadly. WW: Is there anything in particular about the building’s past as an electrical warehouse that you think adds to its magnetism, or shows up conceptually in the exhibitions? RT: The building has all sorts of bizarre details that artists have integrated into their projects throughout The Power Station’s programming. Oscar Tuazon used the building’s integrated crane to lift and rotate a large-scale sculpture for his exhibition “Die.” The rotation caused the sculpture to crumble under the pressure of its own movement that left loose pieces of concrete scattered throughout the installation. Lucy Dodd recently used the same crane to suspend a painting in space as a quasi-ceiling for a room made of paintings she conceived as a "mermaid’s den” in her exhibition “Buttercut.” WW: Would you say that the space influences artists’ work in a general way—like encouraging larger work, or more interactive pieces—or is the influence more specific for each artist?

Untitled (Four letter-word sculpture FUCK), 2015. Courtesy of The Power Station

Photograph by Daniel Zimmer

WHITEWALLER: The Power Station’s niche seems to be its departure from the “white cube” galleries that we’re so familiar with, along with its enormous size. What are some of the challenges that come with maintaining this kind of unique alternative space?

ROB TEETERS: It’s truly a Frankensteinian composite. For artists, the building’s raw architecture offers an alternative to the exhibition conventions of the white cube. It’s a challenging proposition for an artist to formalize an exhibition in a busy interior with a lot of columns and walls made of brick and concrete with peeling paint. But, it’s also an opportunity to think specifically about how the exhibition format can hold its relationship to The Power Station’s architecture without this becoming the exhibition’s primary focus or motivation. It’s worth noting that many of the artists who have conducted projects at The Power Station are coming to the space as firsttime visitors to Dallas —and, for the Dallas

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RT: The influence is always specific to each artist and doesn’t necessarily render only large work. For example, Tobias Madison extended an invitation to Emanuel Rossetti, Stefan Tcherepnin, and Flavio Merlo to participate in his exhibition “Drip Event." They thought of the space as a living, breathing organism that filled up with fluid and emptied itself out. This came to be by way of flooding the mezzanine level on a weekly basis. The water seeped through the concrete slab where it was collected in handmade vessels on the floor below, creating a sound installation. So, the exhibitions tend to address the site in different ways without the site becoming the exhibition’s focus or subject. WW: Are there any specific ways that you personally want to see the space at The Power Station used in future exhibitions? RT: I’m interested in sound-based exhibitions in the future. “Drip Event” explored this possibility, but I am very curious to see sound prioritized as a singular element for an exhibition. Performance as a medium is not widely shown in the community of Dallas, but

I do believe there is an audience for it. We will continue to host performances to coincide with our programming with the hope that this form of cultural production can be understood on a level playing field with that of painting and sculpture. WW: You have an upcoming show with Karl Holmqvist, who’s known for his languagebased installations. We’ve heard a little about flashing images and strobe lighting being part of this exhibition “Tuff Love.” Can you talk a little bit about how this new show will be different from his other exhibitions? RT: “Tuff Love” will consist of two new largescale sculptures, a film, a book, and a live performance with Stefan Tcherepnin. The performance will be a cover of Throbbing Gristle’s song Discipline. Karl made a limitededition artist’s book with Studio Manuel Raeder that will be available for purchase at the opening and on our website. This will be the introduction of Karl’s work to the Dallas audience, so the goal wasn’t necessarily to make a “different” type of exhibition, but rather to represent the multi-faceted nature of Karl’s investigation of words and language.

Untitled (Four letter-word sculpture LUVV), 2015. Courtesy of The Power Station

INSIDER TIPS

Twelve of the world's finest art and luxury experts and supporters share their personal view on how to navigate Dallas Art Week and take advantage of the city's most exciting destinations.

TO BE CONFIRMED

Photo by Maxine Helfman

CHRISTEN WILSON Art Collector Instagram: @christenslayer VLM Studio, New York

NANCY ROGERS Philanthropist Instagram: @fancyncr

#HappyHour "Happy hour starts pretty early at our house, but if I’m out and about, here are some great places to go: Happiest Hour and Citizen in Uptown, Parker Barrows and Boulevardier in Bishop Arts, El Bolero in the Design District, Savor at Klyde Warren, Cane Rosso and Tanoshii Ramen in Deep Ellum, The Deck and HG Sply on Greenville, Meso Maya, which is conveniently located by the Perot Museum, and Midnight Rambler at The Joule—ask for Marco." #BestInDallas "We are truly blessed that Dallas has become an international art destination. The art fair brings over 90 art dealers and galleries together to exhibit their works. I suggest visitors take advantage of the various panels and discussions."

#HappyHour “When all else fails, there is the Grapevine Bar. An old, stay-true-to-its-roots, dark after-hours bar. The Round-Up Saloon is the place late at night to watch cute cowboys doing the two-step on a circular dance floor that resembles a skating rink. Finally, the Mansion Bar on Turtle Creek is an icon —old-school Dallas society hang out here. Throw in the out-of-towners staying in the hotel with the best martini in town and you have yourself the new ‘Dallas’ TV show." #BestInDallas “The best of the best, for me, is the Renzo Pianodesigned Nasher Sculpture Center. You can walk the galleries inside and then stroll outside through the sculpture garden and have lunch at the Nasher Cafe by Wolfgang Puck. For dinner, Tei-An: a quiet sushi/soba noodle/Japanese restaurant lead by chef and owner, Teiichi Sakurai, and run by Yosuke Fukuda. The staff and Zen-like bar make it a must. Make sure you order the white seaweed salad to start, and then go crazy with soba noodles.”

#TopArtSpot "I have a soft spot for Dallas Contemporary (featuring Dan Colen, Helmut Lang and Paola Pivi) and our friends Cindy and Howard Rachofsky’s personal collections at The Warehouse are not to be missed!"

#TopArtSpot "Howard Rachofsky’s The Warehouse and the Dallas Cowboys Stadium Art Tour with Phil Whitfield. The stadium is filled with amazing contemporary art, and the food and drinks are as big as the two HD LED video displays that hang from the dome, which are 160 feet wide and 72 feet tall—the largest in the world.”

#MyDallasTreat "God knows we love to eat in Dallas and there are many places to choose from! Here are some of my favorites: FT33 for American fusion, TeiAn and Uchi for Japanese, Shinsei and Nobu for Asian fusion, Le Bilboquet for weekend brunch, Grange Hall and Forty Five Ten for fabulous lunch and shopping experiences, Souk for Mediterranean, Abacus for eclectic global fare, Nick & Sam’s and Al Biernat's for steaks, Sissy’s for true southern fare, Rodeo Goat for hangover food, Mesero and Javier’s for Tex-Mex."

#MyDallasTreat “My friend Ken Weber owns Vintage Martini and stocks racks of Oscar de la Renta, Dior, Chanel, Valentino, and really cool, unique pieces with no labels. Forty Five Ten carries all the best designers. It’s also the best boutique in town for men, and a fantastic lunch spot. Highland Park Village is the first outdoor shopping mall ever built in America. A place where real shoppers can cruise, with some of the best restaurants, and a plush historical movie theater built in 1931."

Courtesy of Ken Downing

KEN DOWNING Fashion Director and Senior VP of Neiman Marcus Instagram: @kendowningnm

Photo by Ezra Petronio

SUE GRAGG Founder and CEO of Sue Gragg Precious Jewels Instagram: @suegragg

#HappyHour "I adore Grange Hall for lunch during the week! Le Bilboquet and Bistro 31 are our Sunday landing spot for brunch! When we are craving a delicious and consistent meal, we always land at Hillstone. Tei-An and Nobu are our go-tos for Japanese cuisine." #BestInDallas "The Dallas Museum of Art should not be missed. The Goss-Michael Foundation, leading collectors of British art, was one of the first to introduce contemporary art to Dallas. Also, Peter Doroshenko, director of Dallas Contemporary, has mastered the job of putting The Dallas Contemporary on the map by intertwining art with fashion, and creating a whole new audience of young collectors. Dallas has grown by leaps and bounds in the art arena. People that never collected contemporary art are now diving in!" #TopArtSpot "Every single event from start to finish of the Dallas Art Fair is exciting. The city is very much alive at this time!" #MyDallasTreat "A caviar lunch at Grange Hall is a 'must.' Go spend some money at Highland Park Village, but buy your jewels at Sue Gragg, which is across the street from HPV. Then, end your day at the Mansion Bar, with a late night drink!"

#HappyHour "Bishop Arts is the place to see and be seen, located in the re-loved Dallas Oak Cliff neighborhood. Boulevardier and Lucia are my favorite spots when my crazy schedule finds me in Dallas." #BestInDallas "No visit to Dallas is complete without a trip to the legendary Neiman Marcus Flagship Downtown— the newly renovated shoe salon is sensational! Enjoy lunch in the Zodiac, get up close and personal with the most superlative, edited selection of fine fashion in the couture salon on the second floor. Enjoy a morning stroll through the historic Fair Park, the site of the 1936 Texas Centennial Exposition. Fair Park boasts the largest collection of Art Deco architecture, art, and sculpture in the world. A true Texas gem in the heart of Dallas." #TopArtSpot “Ray and Patsy Nasher left the city of Dallas a great gift. Not only ahead of its time, NorthPark Center revolutionized the Dallas shopping experience, and Nasher also left his stunning sculpture collection for the city to enjoy within the walls of The Nasher Sculpture Center. The intimate garden and Renzo Piano Gallery are must-sees! Dallas’ sister city, Fort Worth, boasts the brilliant Tadao Ando-designed Modern Art Museum of Fort Worth. The Tadao Ando concrete structure is as stunning as the collection housed within. This is a not-to-miss museum!" #MyDallasTreat "I am a self-proclaimed art addict and an incurable collector of contemporary works, but I am also an enormous fan of the work of Mother Nature. Enjoy an afternoon at the Dallas Arboretum and Botanical Garden, and see some of Mother Nature’s true treasures."

Photo by Teresa Rafidi

JAY SHINN Artist Instagram: @jay_shinn_art

#HappyHour "Breakfast & brunch at Oddfellows in Oak Cliff’s Bishop Arts District for great coffee and comfort foods. Just one of their biscuits is something special. R+D in Preston Center for the Newporter salad, and of course al fresco dining in Trinity Groves on the other side of the Calatrava Bridge from downtown."

Photo by John Cain Sargent

KIMBERLY SCHLEGEL WHITMAN Author Instagram: @kimberlywhitman

#HappyHour “I am a Grange Hall lunch and Le Bilboquet dinner addict, but when I am craving Italian food, nothing but Nonna will do." #BestInDallas "One of the best parts of our city is that so many of our cultural treasures are all lined up on one street! You can walk through the arts district and see the work of some the world's best architects from I.M. Pei to Renzo Piano."

#BestInDallas "The exceptional Renzo Piano-designed Nasher Sculpture Center is not to be missed, and the Trammell & Margaret Crow Collection of Asian Art across the street is a beautiful museum." #TopArtSpot "Opening night of the art fair is always great. Galleries like Lennon-Weinberg, New York, and Louise Alexander Gallery, Porto Cervo, Italy are standouts for me. The Friday night opening of NeonAsia at the Crow Collection will also be interesting." #MyDallasTreat "I would not miss visiting the Dallas Arboretum this time of year, especially beautiful on White Rock Lake."

#TopArtSpot "NorthPark Center is a treat! Not only is there world-class shopping and great restaurants, but the entire center is filled with some of the finest art."

#MyDallasTreat "Experience the AT&T Stadium. Sorry that we don’t have any NFL games on during the art fair, but inquire about a tour of the art collection there. It is quite a sight!"

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Courtesy of Olya Sinitsyna

OLYA SINITSYNA Former Gymnast Instagram: @olyasinitsyna

#HappyHour "I would definitely recommend going to Fearing's Restaurant for a nice dinner. In 2009, it was rated the #1 Hotel Restaurant in the country by Zagat. The most popular dish is their steak and chicken-fried lobster, and it’s to die for! And speaking of happy hour, my recent discovery was Madrina. A very unexpected combination of French and Mexican cuisine, the restaurant also features half prices during happy hour, and the handcrafted cocktails will not leave you disappointed!" #BestInDallas "Whenever my friends and family from Europe come for a visit, I take them to Perot Museum of Nature and Science. It's a very cognitive and entertaining place not only for kids, but for adults as well. With 11 permanent exhibits, you can experience the formation of thunder, different magnitudes of an earthquakes, and many more." #TopArtSpot "MTV RE:DEFINE Gala Dinner and Art Auction is benefiting Staying Alive Foundation and Dallas Contemporary. It is a very good cause dedicated to decreasing the spread of HIV/AIDS among young people. Secondly, the Eye Ball Celebration of Dallas Art Fair is the cocktail party to go to. Guests can mingle next to the 30-foot-tall eye sculpture by Tony Tasset. A great event where art, fashion, and nightlife come together." #MyDallasTreat "If you are an admirer of natural scenery, head over to the Dallas Arboretum. It is a great place to enjoy the outdoors, especially during spring, as it gets very hot in summer. The 66 acres of beautiful flowers and magnificent trees on White Rock Lake are absolutely gorgeous!"

Courtesy of Leon Benrimon

LEON BENRIMON Director of Modern and Contemporary Art for Heritage Auctions in New York Instagram: @bcontemporary

#HappyHour “Bolsa in the Bishop Arts District has a great happy hour with an unbelievable range of affordable drinks. Each week, the bartender creates a new specialty cocktail and they offer $5 drinks during week nights. Also, Midnight Rambler in The Joule hotel—I love the retro feeling of the Edison lightbulbs and intimate seating.” #BestInDallas "The annual voyeuristic Swiss Avenue home tour and the wild flowers in bloom around the Trinity River Audubon Center. Really anywhere you go in Dallas during the spring is the best. Off with the light winter jackets and and hello to patio brunches!" #TopArtSpot "If anything is happening at Beefhaus, that is where to be. It is pretty much right across the street from the fairgrounds and is run by the Art Beef collective. This is not the art of the Dallas Art Fair just yet, but it will be sometime soon." #MyDallasTreat "Back to The Joule to sit in the art-filled lobby by the Taschen bookstore and Weekend coffee shop—I could live at The Joule. I like to take a stroll over the Margaret Hunt Hill Bridge and treat myself to Kate Weiser Chocolate sweets and an espresso."

Courtesy of Heidi Dillon

HEIDI DILLON Television Producer, Talent Manager, Makeup Artist, and Drummer Instagram: @heididillon_hfd

#HappyHour "My girlfriends and I enjoy going out occasionally for what we affectionately refer to as 'drunch.' Drunch begins at 12:30 p.m and usually wraps around 6 or 7 p.m. My friends have what one might call big personalities, so after the third glass of champagne, the decibel level of our conversation raises dramatically. As a result, there may have been a couple of times that we were asked to leave. Bistro 31 is my group’s go-to place for lunch/ drunch/dinner/drinks because we are always made to feel welcome, the food is great, the vibe is always fun, and there are always people there who are louder than us.” #BestInDallas "My happy place in Dallas is the Arts District. There, you can stroll amongst buildings by Rem Koolhaas, I.M. Pei, Norman Foster, and Edward Larrabee Barnes. If forced to pick a favorite from the aforementioned architectural and cultural masterpieces, it would be the Renzo Pianodesigned Nasher Sculpture Center. A few years ago, I chaired a one-off event called New Year’s Eve at The Nasher. On that magical evening, guests sipped champagne and enjoyed sculptures by Rodin, Brancusi and Matisse, and then dined in a clear tent overlooking the gorgeous sculpture garden by landscape architect Peter Walker. We rang in the New Year dancing to the popular band Emerald City. I hope that one day The Nasher decides to throw another New Year’s Eve party!" #TopArtSpot "Out-of-towners should definitely take some time to shop while they are in Dallas. My personal favorites are Forty Five Ten, every single store at Highland Park Village, downtown Neiman Marcus (I call it the ‘mother store’), NorthPark and Galleria."

#MyDallasTreat "My son and I really enjoy having Saturday breakfast at Lucky’s Cafe on Oak Lawn. It is an old school/new school diner that has to-die-for biscuits."

Courtesy of Todd Fiscus ans Gonzalo Ceron

TODD FISCUS AND GONZALO CERÓN Founder and CEO of Todd Events and CEO and artistic director of Cerón Salon Instagram: @toddevents, @gceron

#HappyHour "Martinis and caviar at Nick & Sam's, Bistro 31 for easy dinner, Parigi—it's so delicious and classic, and Madrina for great cocktails." #BestInDallas "The Perot is always fun and a great addition to the skyline." #TopArtSpot "Laura Rathe Fine Art gallery. Such a sharp eye!" #MyDallasTreat "Lunch and shopping at Grange Hall—the most beautiful objets anywhere, a burger and fries from an off-site kitchen, and you can take a buzz through Avant Garden for a scent of beautiful flowers. Don’t forget to stop by Highland Park Village."

Photo by Thom Jackson, The Photo Division

C HANDRA NORTH-BLAYLOCK Model Instagram: @bobodog70

Courtesy of Suzanne Droese

SUZANNE DROESE Principal of Droese Public Relations Instagram: @droesepr

#HappyHour "For lunch, my go-to spot is the T Room at Forty Five Ten. There is nothing better than their Pecan Crusted Chicken Salad, with a little dose of shopping for dessert! But when the sun goes down, my best bets are Bistrot 31 in Highland Park Village or Midnight Rambler for chic cocktails." #BestInDallas "Walk or drive by the old Statler-Hilton hotel—an iconic example of mid-twentieth century design. Praised in the late '50s as the first modern American hotel, it closed in 2001 and is currently in the midst of a renovation. Don’t miss a chance to see this former marvel, which is rich with so much history, because who truly knows what the remodel will bring. My favorite tidbits? This is where Tina Turner left Ike. And, the hotel’s four-day opening celebration included the Hiltonettes chorus girls performing in mink chaps and headdresses representing the “ingredients” of Dallas. Can you just imagine?" #TopArtSpot "Hands down, The Warehouse, which showcases the Rachofsky Collection. It contains contemporary works of painting, sculpture, video, photography, and installation in a flawless setting." #MyDallasTreat "For a special indulgence, try one of the signature facials or massages at the spa at The Joule hotel. It’s easy to lose track of time in this gorgeous subterranean spa! And, for hot days in Texas, I love Steel City Pops' popsicles for a cool treat."

#HappyHour "One of my favorite spots is downstairs at The Joule hotel in the Midnight Rambler. It is a sexy, cool bar with DJs who spin vinyl records, and the cocktails are to die for. Also, the historic Texas Theater—the site where JFK's suspected assassin, Lee Harvey Oswald, was apprehended. It boasts a fantastic schedule, where you might catch a film or a George Quartz-hosted sensory experience." #BestInDallas “Fair Park is a cultural and architectural gem not to be missed. Take a stroll through beautiful buildings with deco-period frescos designed by George Dahl in 1936, appreciate Texas history in the Hall of State, and paddle in a Swan boat. I think it is easy to see why Karl Lagerfeld chose it as the venue for his 2013 Arts and Metiers presentation. Take a drive down Swiss Avenue where you can behold over 200 homes on the Historic National Register that have been carefully preserved and restored.” #TopArtSpot "James Cope's AND NOW gallery. Housed in a bungalow in the Cedars, it hosts non-local contemporary artists. Nearby is Lee Harvey's, a great dive bar with fantastic burgers, fire pits, and live music. Also, hit artist Sam McCurdy's That That Gallery. Hopefully, you'll catch it hosting an afterparty—you'll leave enlightened." #MyDallasTreat "Not to be missed is a trip to Dolly Python. It is my favorite store in the world, and is impossible to describe. Give yourself enough time, and trust me, you won't be sorry. For my fellow vinyl friends, check out Josey Records. You can spend hours sifting through their limitless collection and listen to it on their turntables. When you are ready for some rest and rejuvenation after all of this, book yourself a treatment or two at the spa at The Joule. I have been fortunate to have visited some sweet spas over the years, but this place and its staff rivals them all—really."

DALLAS ART FAIR

This edition of Whitewaller showcases details on the Dallas Art Fair—including a selection of top exhibits, restaurants, bars, hotels, and tips from a selection of insiders—to guide you through Dallas Art Week.

NOW AVAILABLE ON iPHONE V i e w to p s to r i e s, p h oto s, i n te r v i e w s, a n d v i d e o s, w i t h c u s to m i z a b l e n oti f i c a ti o n s, b o o k m a r k s, a n d m o r e. T h e b e s t of a r t n e t N e w s a t th e to u c h of a f i n g e r. D ow n l o a d fo r f r e e a t a r t n t .c m /n e w s a p p

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DALLAS ART FAIR FASHION INDUSTRY GALLERY (F.I.G.) 1807 ROSS AVENUE, DALL AS, TX 75201 (214) 220 -1278

PUBLIC HOURS: FRIDAY, APRIL 15: 11 AM-7 PM SATURDAY, APRIL 16: 11 AM-7 PM SUNDAY, APRIL 17: 12 PM-6 PM

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General Admission: 1 day: Adult $25, Senior $20, Student $20* 3 days: Adult $50, Senior $40, Student $40* *Free: seniors (65+), military personnel, students, & children under 12.

Participating galleries

Staying cohesive while taking qualitative leaps forward, the eighth annual Dallas Art Fair continues to distinguish itself for its strong local focus on galleries connected to collectors, and institutions of Texas’ third city. Indeed, Dallas Art Fair has proven economically viable thanks to its abundance of affluent first generation Texan collectors, yet is continuously standing out for its vigorous relevance by swiftly drawing the country’s younger waves into its cultural renaissance. Ultimately, the event has morphed from a single fair into a broad-based week of programming that includes exhibitions, fundraisers, special events, and more. Highlights this year include The Dallas Museum of Art’s major solo exhibition of photography by Irving Penn and Dallas Contemporary’s celebration of Dan Colen, Paola Pivi, and reputed fashion designer turned visual artist, Helmut Lang.

Located in the Fashion Industry Gallery (F.I.G.) of the rejuvenated and expanding Art District, the fair combines a local feel with a significantly growing international eminence with brio. This year's turn will revolve around 95 galleries, 11 of which are from Dallas (against 9 last year), while 17 different countries will be represented, including: Tim Van Laere Gallery (Antwerp), Misako & Rosen (Tokyo), and Páramo (Guadalajara)—boasting 39 new participants. Prominent newcomers include Gallery Diet, Leila Heller Gallery, De Buck Gallery, Brand New Gallery, Taymour Grahne, Honor Fraser, David Kordansky Gallery, and Francois Ghebaly.

PATRON PASS: $500 All-access pass to Dallas Art Fair events, including : one hour early admission to the preview gala, exhibition openings, exclusive events, and more. PREVIEW GALA TICKET : $250 The dallas art fair preview gala will benefit the Dallas Museum of Art, Nasher Sculpture Center, and Dallas Contemporary. Visit dallasartfair.com for more info.

DIRECTOR’S TIPS: CHRIS BYRNE

Photo credit: Jeremiah Jhass/Dallas Cowboys

What are your top picks for this year? It just might have to be the entire schedule of events during Dallas Art Week, commencing with Wednesday evening's opening at the Power Station through the tour of the Dallas Cowboys Art Collection at AT&T Stadium on Sunday morning—a favorite amongst Dallas Art Fair exhibitors. For the past several years, we have been fortunate to coordinate our calendar with the local institutions' programming during the week. Why should people not miss this year's edition of the Dallas Art Fair? In my opinion, this is the biggest and best Dallas Art Fair to date. We've grown to include many international galleries alongside our national and local dealers. There's an exciting synergy happening between all of the exhibitors and the concurrent events going on in town. This time around, we look forward to: "Irving Penn: Beyond Beauty" at the Dallas Museum of Art; "Nasher 360: Agents, Advisors, Devils and Apostates"; "The New Art World"; Dallas Contemporary's reception for Dan Colen, Helmut Lang, and Paola Pivi; the Power Station's opening for Karl Holmqvist; and Paula Crown's immersive installation at the Goss-Michael Foundation.

MUSEUMS & PRIVATE COLLECTIONS

Dallas is home to top institutions, as well as private art collections, that show the best of contemporary art from around the country. Whitewaller shares the highlights on view this April.

SIGHTINGS: MAI-THU PERRET March 12 – July 17

Dallas Arts District nashersculpturecenter.org

Mai-Thu Perret, Les guérillères I, 2016, figure in steel, wire, papier-mâché, acrylic paint, gouache, synthetic hair, silicon, glass, cotton, and polyester fabric, bronze, polyester resin and steel base, 74 3/8 x 19 1/2 x 17 3/4 in. (190 x 50 x 45 cm). Courtesy the artist and David Kordansky Gallery, Los Angeles. Photo: Annik Wetter © Mai-Thu Perret. The Sightings series is generously sponsored by Lara and Stephen Harrison. Sightings: Mai-Thu Perret is supported by the Swiss Arts Council Pro Helvetia and FABA Fundación Almine y Bernard Ruiz-Picasso para el Arte.

Aston Martin of Dallas is the official car of the Nasher Sculpture Center.

THE GOSS-MICHAEL FOUNDATION 1405 TURTLE CREEK BOULEVARD, DALL AS, TX 75207 (214) 696- 0555

PUBLIC HOURS MONDAY-FRIDAY: 10 AM-4 PM

W W W.G-MF.ORG

PAULA CROWN: BEARINGS DOWN

APRIL 7 - MAY 19

Paula Crown, BEARINGS DOWN 1 (Detail). Courtesy of PAHC / studio Chicago

After a successful career working in investment firms, Paula Crown decided to follow her desire to be an artist and pursue an MFA, which she completed in 2012, at the School of the Art Institute of Chicago. Her first museum show took place the following year at Dallas Contemporary: “Inside My Head: A Contemporary Self-Portrait,” which featured animated MRI scans of her brain. In 2015 she created a site specific installation in Miami’s Design District called "TRANSPOSITION: Over Many Miles," fabricated by Theaster Gates Studio and the Design Apprenticeship Program at the University of Chicago. She currently shows with Marlborough gallery, where her recent solo show "The Sublime and the Center: Dimensions of Landscape" consisted of drawings rendered in 3D through high-res scanning in a variety of materials like bronze, marble, and glass. This spring, the artist debuts "Bearings Down"—an aesthetically striking and visuallycharged immersive installation at the Goss-Michael Foundation in Dallas. The work on view is a harmonic blend of mark-making, sound, and performance. The work is based on landscape drawings that have been magnified, rotated in space into a three-dimensional image, and etched on glass. The exhibition will also include a multi-channel video that captures the sounds and visual affects of glass being smashed by ball bearings. The artist describes the show as a "navigation of space and time—it's about finding our bearings within our human existence."

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Paula Crown, BEARINGS DOWN 1 (Detail). Courtesy of PAHC / studio Chicago

NASHER SCULPTURE CENTER 2001 FLORA STREET, DALL AS, TX 75201 (214) 242-5100

PUBLIC HOURS TUESDAY-SUNDAY: 11 AM-5 PM

W W W.NASHERSCULPTURECENTER.ORG

MAI-THU PERRET: SIGHTINGS MARCH 12 - JULY 17

Mai-Thu Perret, This secret–so rarely met even in ten thousand ages– I will not tell, I will not tell, 2015. Courtesy of Nasher Sculpture Center

The Nasher Sculpture Center presents a glimpse into Swiss artist Mai-Thu Perret's utopian fantasy with the first exhibition of its "Sightings" series. Perret combines fictional artifacts, texts, and armed lifesized figures to captivatingly portray New Ponderosa, her fictional feminist artist commune, drawing inspiration from Modernism and female soldiers in Rojava, Syria.

DORIS SALCEDO: PLEGARIA MUDA FEBRUARY 27 - APRIL 17

Doris Saceldo, Plegaria Muda 2008-10. Photo: Patrizia Tocci. Courtesy of Nasher Sculpture Center

The Nasher Sculpture Center will honor its Nasher Prize laureate, Doris Salcedo, through the exhibition "Plegaria Muda"—a large scale installation developed from Salcedo’s research into gang violence in Los Angeles. Like much of her oeuvre, it is a politically charged piece that wrestles with issues of socioeconomic stratification, violence, and individual significance.

ANN VERONICA JANSSENS FEBRUARY 27 - APRIL 17

Ann Veronica Janssens, Blue, Red and Yellow, 2001. Courtesy of the artist and 1301PE, Los Angeles. Photo: Kevin Todora, courtesy of Nasher Sculpture Center

The Nasher Sculpture Center is hosting Belgian artist Ann Veronica Janssens' first solo museum presentation in the U.S. Best known as a light artist, Janssens works with spotlights, projections, fog, and other materials to create experiences that heighten viewers’ perceptions, and provoke “situations of dazzlement,” vertigo, and even exhaustion that can bring us to threshold states of altered consciousness.

TALLEY DUNN GALLERY 5020 TRACY STREET, DALL AS, TX 75205 (214) 521-9898

PUBLIC HOURS TUESDAY-SATURDAY: 11 AM-5 PM

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NATASHA BOWDOIN: SPELBOKEN

APRIL 1 - MAY 14

Natasha Bowdoin, Garden Plot (detail), 2013. Photo by Marc Newton. Courtesy of Talley Dunn Gallery

Talley Dunn Gallery is showing Natasha Bowdoin’s “Spelboken,” featuring Bowdoin’s largest work to date, Garden Plot—an ever-evolving installation that incorporates outsized flowers and looping tendrils of text sprawling across the gallery’s primary wall. Transcribed largely from Ralph Waldo Emerson’s essay Nature, the piece embodies the changeable role that the natural world plays in our imagination.

LINDA RIDGWAY: THE SOUND OF TREES APRIL 1 - MAY 14

Talley Dunn Gallery will host Linda Ridgway’s “The Sound of Trees,” in which the Texan artist manipulates molten bronze and applies carefully considered patinas to create seemingly fragile and ethereal objects. Her eclectic pieces convey an appreciation and reflection on the subjects of nature, femininity, memory, and tradition.

Linda Ridgway, Voile, 2015. Photo by Teresa Rafidi. Courtesy of Talley Dunn Gallery

THE WAREHOUSE 14105 INWOOD ROAD, FARMERS BRANCH, TX 75244 (214) 442-2875 THEWAREHOUSEDALL AS.ORG

PUBLIC HOURS ALL VISITS ARE BY APPOINTMENT. ADMISSION IS FREE OF CHARGE. TO SCHEDULE A VISIT: CAITLIN OVERTON, CAITLIN@RACHOVSKYHOUSE.ORG. FOR MORE INFORMATION VISIT THE WAREHOUSE WEBSITE

IDENTITY REVISITED FEB 24 - WINTER 2016

Pierre Huyghe, La déraison, 2014. Courtesy of The Rachofsky Collection

On display at The Warehouse, “Identity Revisited” examines personal and cultural notions of identity in contemporary art through a variety of media, addressing issues of history, gender, race, childhood, mortality, and memory. International artists, spanning several generations, are showcasing recent paintings, installations, and sculptures. Recent acquisitions include Rosemarie Trockel’s wool painting from 1987, Mark Bradford’s video installation, sculptures by Pierre Huyghe and Janine Antoni, and more. The exhibition draws works from The Rachofsky Collection, the Collection of Amy and Vernon Faulconer, the Dallas Museum of Art, George Michael, the Collection of Robert and Marguerite Hoffman, The Rose Collection, and Sharon and Michael Young.

Thomas Schütte, Vater Staat (Father State), 2010. Photo by Kevin Todora. Courtesy of The Warehouse

DALLAS MUSEUM OF ART 1717 NORTH HARWOOD STREET, DALL AS, TX 75201 (214) 922-1200 W W W.DMA .ORG

PUBLIC HOURS TUESDAY-WEDNESDAY: 11 AM-5 PM THURSDAY: 11 AM - 9 PM FRIDAY: 11 AM-12 AM SATURDAY-SUNDAY: 11 AM-5 PM

IRVING PENN: BEYOND BEAUTY

APRIL 15 - AUGUST 14

"Beyond Beauty" is the first retrospective of Penn’s world-renowned photography within the past twenty years. Organized by the Smithsonian American Art Museum, this exhibition showcases over 140 photographs of Penn's—both seen and unseen. With images of iconic fashion, celebrity portraits, and still life shots once featured in Vogue, this exhibition takes over the Dallas Museum of Art like never before. The museum also features three discussions regarding this exhibition on April 15 and May 12 with Merry Foresta, Tracy Achor Hayes, Laura Wilson, and Natasha Derrickson.

DALLAS CONTEMPORARY 161 GL ASS STREET, DALL AS, TX 75207 (214) 821-2522

PUBLIC HOURS TUESDAY-SATURDAY: 11 AM-6 PM SUNDAY: 12 PM-5 PM

W W W.DALL ASCONTEMPORARY.ORG

HELMUT LANG: BURRY

APRIL 16 - AUGUST 2016

Helmut Lang, Installation view, 2015. Courtesy Sperone Westwater, New York

Austrian artist Helmut Lang’s diverse multimedia sculptures are some of today’s most wanted pieces in the contemporary art world. Apart of his artistic exhibition at Dallas Contemporary, Lang presents bedlike sculptures and large, dense panels that will lean against the gallery wall. Made of combined materials like sheepskin, resin, and pigment in unorthodox ways, these sculptures defy the origin of the materials themselves, and offer new creations for both the repurposed materials, and the viewer.

PAOLA PIVI: MA’AM APRIL 16 - AUGUST 2016

Italian artist Paola Pivi, now based in New Delhi, India, presents imaginative works in a range of media including film, sculptures, and photographs. Her fanciful, life-size polar bear pieces are made of colorful feathers, and her playful photographs of animals in unexpected places burst with bright color and provoke the viewer’s imagination. In the iconic images, we see a variety of animals in out-of-place circumstances, such as a donkey floating in a rowboat, and a pair of zebras in an arctic tundra. Untitled (airplane) is an upside down G-9 airplane that premiered at the Venice Biennale in 1999 and here fills one of the gallery spaces. Lastly, we see a film called I wish I was fish—a few goldfish, in their fishbowls, strapped into airplane seat belts, preparing for an adventure.

DAN COLEN: OIL PAINTING APRIL 16 - AUGUST 2016

For American artist Dan Colen’s exhibition, his first conceptual survey, Dallas Contemporary is featuring works dating back to 2001, and including pieces from many of the major series he has completed. This is the first time that he will be showing preparatory sketches from his studio, giving new insight into his private practice. Colen will also showcase a collection of trash paintings—detritus once found in his Brooklyn studio is used on canvas with paint to create interesting contemporary pieces.

Paola Pivi, To be Titled, 2016. Photograph: Guillaume Ziccarelli. Courtesy of Dallas Contemporary

CONDUIT GALLERY 1626 HI LINE DRIVE, DALL AS, TX 75207 (214) 939- 0064

PUBLIC HOURS TUESDAY-SATURDAY: 10 AM-5 PM

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JENNIE OTTINGER: SPOILERS APRIL 2 - MAY 7

Jennie Ottinger, Lolita, 2016. Courtesy of Conduit Gallery

Conduit Gallery will present the third solo exhibition of Jennie Ottinger’s “Spoilers.” Since 2011, the San Francisco-based artist has delved into the world of classic literature through her notable series, "Read the Classics,” which is composed of faux book covers that offer obscenely condensed summaries.

JUAN FONTANIVE: COLORTHINGS APRIL 2 - MAY 7

ROSALYN BODYCOMB: TRANCE APRIL 2 - MAY 7

Juan Fontanive is returning to Dallas Art Fair at Conduit Gallery, and this time, with a solo show. The New York-based sculptors' work in “Colorthings” reflects a dual interest in the rhythmic pulse of the natural world and the modern era’s invention of the moving image.

Rosalyn Bodycomb, Insomniac V, 2016. Courtesy of Conduit Gallery

Rosalyn Bodycomb’s third solo show at Conduit Gallery, "Trance," presents the first exhibition in Texas of three monumental paintings created by Bodycomb through a John Simon Guggenheim Memorial Foundation Grant from 2007. Her work, characterized by hyperrealistic images of places carefully observed, captures the deep intricacies of the natural world, beckoning us to imagine our way in. Juan Fontanive, Untitled, 2016. Courtesy of Conduit Gallery

THE POWER STATION 3816 COMMERCE STREET, DALL AS, TX 75226 (214) 827- 0163

PUBLIC HOURS TUESDAY-SUNDAY: 11 AM-5 PM

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KARL HOLMQVIST: TUFF LOVE APRIL 13 - JUNE 17

Karl Holmqvist, TUFF LOVE. Courtesy of The Power Station

In The Power Station's industrial space, selected works by Karl Holmqvist are expected to shine in "TUFF LOVE." The Swedish artist blends poetry and pop music through composed cut-ups, and debuts two new large-scale sculptures, a short film, a live performance, and a new artist's book. The two steel sculptures spell out the exhibition's title, and the short film documents the sculptures' fabrication. For the live performance, Holmqvist will further highlight Power Station's industrial space by staging a performance of Throbbing Gristle's Discipline with Stefan Tcherepninâ&#x20AC;&#x201D;an electronic composer and performer in New York. The new book, designed in collaboration with Studio Manuel in Berlin, contains 192 handwritten drawings that repeat the exhibition's title in the graffitied form of a record album cover.

RESTAURANTS & BARS

Dallas' top restaurants can be found throughout the city, so that no matter where you are, the finest cuisine is at your fingertips.

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ORAL REPRESENTATIONS CANNOT BE RELIED UPON AS CORRECTLY STATING THE REPRESENTATIONS OF THE DEVELOPER. FOR CORRECT REPRESENTATIONS, MAKE REFERENCE TO THIS BROCHURE AND TO THE DOCUMENTS REQUIRED BY SECTION 718.503, FLORIDA STATUTES, TO BE FURNISHED BY A DEVELOPER TO A BUYER OR LESSEE. This offering is made only by the prospectus for the condominium and no statement should be relied upon if not made in the prospectus. These materials are not intended to be an offer to sell, or solicitation to buy a unit in the condominium. Such an offering shall only be made pursuant to the prospectus (offering circular) for the condominium and no statements should be relied upon unless made in the prospectus or in the applicable purchase agreement. In no event shall any solicitation, offer or sale of a unit in the condominium be made in, or to residents of, any state or country in which such activity would be unlawful. All plans, features and amenities depicted herein are based upon preliminary development plans, and are subject to change without notice in the manner provided in the offering documents. No guarantees or representations whatsoever are made that any plans, features, amenities or facilities will be provided or, if provided, will be of the same type, size, location or nature as depicted or described herein. This project is being developed by 700 Miami Partners LLC, a Delaware limited liability company, which was formed solely for such purpose. Two Roads Development LLC, a Florida limited liability company (“Two Roads”), is affiliated with this entity, but is not the developer of this project.

AMERICANO Everything about this authentic Italian hotspot pops—from its vibrant, whimsical interior to its delectable, innovative dishes. Plywood paneling, neon wall art, and the tessellated bar creates a trendy, contemporary vibe, complemented with an outdoor patio to enjoy a warm Texas evening. Americano insists on originality with its dishes, presenting guests with shaved cauliflower salads and pumpkin blossom pizzas, while offering delicious takes on old favorites as well. Favorites include the butternut squash tortellini, house made meatballs, and parmesan-topped arancini. Adjacent to The Joule hotel, Americano casually boasts a whimsical, inviting design inspired by 1960s Italian cinema. Topped off with personable wait staff and free valet service, Americano is a high-class restaurant in a high-class hotel.

$$ 1530 MAIN STREET, DALLAS, TX 75201 (214) 261-4600 W W W. AMERICANODALL AS.COM MONDAY-THURSDAY: 11 AM-11 PM, FRIDAY-SATURDAY: 11 AM-12 AM, SUNDAY: 11 AM-10 PM

PERRY'S STEAKHOUSE & GRILLE Dimmed lights, sweet jazz, and elegant gold decor creates a romantic atmosphere at this luxury steakhouse. With an outdoor fireside patio and original cocktails like the “Oolong Whiskey Spice,” Perry’s Steakhouse & Grille offers a captivating presentation for every dish.

$$$ 2000 MCKINNEY AVENUE #100, DALLAS, TX 75201 (214) 855-5151 W W W.PERRYSSTEAKHOUSE.COM MONDAY-THURSDAY: 11 AM-10 PM FRIDAY: 11 AM-11 PM SATURDAY: 4 PM-11 PM SUN: 4 PM-9 PM

HIBISCUS This novelty steakhouse features rustic decor, fresh and innovative cocktails, and first-rate meats—rabbit agnolotti, red snapper, and akaushi strip are all favorites at Hibiscus.

$$$ 2927 NORTH HENDERSON AVENUE, DALLAS, TX 75206 (214) 827-2927 W W W.HIBISCUSDALL AS.COM MONDAY-THURSDAY: 5 PM-10 PM FRIDAY-SATURDAY: 5 PM-11 PM

AL BIERNAT'S

THE PORCH

This high-end steakhouse, trimmed with sports jerseys and memorabilia on the walls, treats its patrons with a heated patio, 650 wine selections, and an array of unusual meats like quail, buffalo, and duckrabbit sausages.

With a rustic, hardwood interior and an inviting outdoor patio, The Porch creates a comfortable atmosphere, pampering its patrons with creamy Southern cuisine and fresh, fruity cocktails.

$$$ 4217 OAK LAWN AVENUE, DALLAS, TX 75219 (214) 219-2201

$$ 2912 NORTH HENDERSON AVENUE, DALLAS, TX 75206 (214) 828-2916

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LUNCH : DINNER: SUNDAY SUNDAY

MONDAY-FRIDAY: 11:30 AM-2:30 PM MONDAY-SATURDAY: 5:30 PM-10 PM BRUNCH: 11 AM-2:30 PM DINNER: 5:30 PM-9 PM

MONDAY-THURSDAY: 11 AM-10 PM FRIDAY-SATURDAY: 11 AM-11 PM SUNDAY: 10:30 AM-10 PM

CBD PROVISIONS Adjacent to The Joule Hotel, this trendy American brasserie features a warm, rustic, and social atmosphere, with old brick walls, glass hanging lights, and vintage hardwood floors. Developed and operated by Raised Palate Restaurants, CBD Provisions offers three meals a day, with delicious, original entrées on every menu. Choice dishes include the rich chicken liver mousse, the country pâté bánh mi, and the restaurant's signature dish: Berkshire pig head carnitas, showcasing an entire sow's head fried to savory perfection. With melt-in-your-mouth desserts to polish off every meal, like sweet potato bread pudding with snickerdoodle ice cream, CBD Provisions will leave you stuffed and still wanting more.

$$$ 1530 MAIN STREET, DALLAS, TX 75201 (214) 261-4500 W W W.CBDPROVISIONS.COM MONDAY-THURSDAY: 7 AM-10 PM, FRIDAY-SATURDAY: 7 AM-11 PM, SUNDAY: 7 AM-9 PM

THE MANSION RESTAURANT

THE MANSION BAR

An atmosphere of spacious intimacy characterizes this fivestar Dallas hotspot, featuring renowned service and friendly staff, veranda dining with a view, and haute American cuisine with original Dallas flair.

The Mansion is a sophisticated establishment inside of the Rosewood Hotels, and is known to many as an “experience” rather than just a bar or a restaurant. Lined with cognac-colored leather walls, the bar provides an intimate atmosphere of wood, rich leather and suede seats, and low lights. Traditional and contemporary art is seen leading guests throughout the spaces—and dark wood, grand fireplaces, stained glass, and sculptures await them. The cocktail menu features modern and classic vintage drinks, as well as Mansion Bar originals like the Mansion G&T served with the Mansion’s house-made seasonal tonic and a hand-cut ice diamond. Live entertainment is also a weekly feature at the Mansion Bar.

$$$ 2821 TURTLE CREEK BOULEVARD, DALLAS, TX 75219 (214) 443-4747 W W W.ROSEWOODHOTELS.COM MONDAY-FRIDAY: 6:30 AM-10:30 AM, 11:30 AM-2 PM MONDAY-THURSDAY: 6 PM-10 PM FRIDAY-SATURDAY: 6 PM-10:30 PM SATURDAY-SUNDAY: 7 AM-10:30 AM SATURDAY-SUNDAY BRUNCH: 11:30 AM-2 PM SUNDAY: 6 PM-9:30 PM

W W W.ROSEWOODHOTELS.COM SUNDAY-THURSDAY: 3 PM-11 PM FRIDAY-SATURDAY: 3 PM-2 AM

VICTOR TANGOS

DRAGONFLY

Executive Chef Kirstyn Brewer leads this high-energy gastropub known to Dallas’ social scene with savory dishes and signature cocktails. Enjoy the large space and sit at a hightop table, the long bar, or one of the many different booths for a relaxing night out.

Dragonfly, located inside of Hotel ZaZa, is a modern American kitchen that shines with style, art, and new-age charm. The large white space shows a full bar, a dark wood ceiling, single-stranded light bulbs in clusters, contemporary and historic imagery as framed art, and a variety of snazzy dinner dishes.

$$ 3001 NORTH HENDERSON AVENUE, DALLAS, TX 75206 (214) 252-8595

$$$ 2821 TURTLE CREEK BOULEVARD, DALLAS, TX 75219 (214) 443-4747

$$$ 2332 LEONARD STREET, DALLAS, TEXAS 75201 (214) 550-9500

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MONDAY-SATURDAY: 5 PM-12 AM

DAILY: 6:30 AM-12 AM

MIDNIGHT RAMBLER Located at The Joule Hotel, the Midnight Rambler is a quaint cocktail bar open until 2 a.m. daily. Specialty cocktail favorites include the Velvet Goldmine, Rocks Off, and Machete Supreme. Midnight Rambler offers a full bar with stools, a few small tables, and a leather couch seating area, decorated with charming Dallas details like light tile floors, wooden ceilings, and dim lights.

$ 1530 MAIN STREET, DALLAS, TX 75201 (214) 261-4601 W W W.MIDNIGHTRAMBLERBAR.COM MONDAY-SUNDAY: 5 PM-2 AM

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LIBRARY BAR

THE WOOLWORTH

Named “the top place” to sip cocktails, beer, or wine by the Wall Street Journal, The Library boasts a full piano bar, and a new classic menu by Executive Chef Patrick McElroy. This popular bar boasts a social crowd of young professionals, a lively after-work atmosphere, and frequently, talented jazz singers. Among specialty appetizers to share, new favorites include the Heirloom Tomato Napoleon and the Crab Cannoli, while cocktails like the Apple Pie and Root Beer Float Martini truly shine.

The Woolworth blends simple cuisines into in-house favorites through fresh ingredients and a variety of tasty dishes known to Dallas. Classics like tacos, burgers, and desserts come with a twist, and always an added flavor. With a large venue, including a full bar, booths, a library, and more, customers are also welcome to book private events. In this cozy, stylish bar, enjoy gluten free favorites like the Caprese Lollipops and Crab Nachos, or specialty drinks like the Pumpkin Spice or Smoke & Spice cocktails.

$$$ 3015 OAK LAWN AVENUE, DALLAS, TX 75219 (214) 224-3152

$$ 1520 ELM STREET, DALLAS, TX 75201 (214) 814-0588

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MONDAY-THURSDAY: 2 PM-1 AM FRIDAY: 2 PM-2 AM SATURDAY: 11 AM-2 AM SUNDAY: 2 PM-12 AM

HOTELS

Dallas' renowned hotels combine the cityâ&#x20AC;&#x2122;s unique southern hospitality with world-class amenities. At the epicenter of activity, many of these hotels are the setting for art events, as well as the resting place for celebrity and art visitors alike.

Coming in fall 2016, internationally acclaimed Nobu Hotel brings its unique style of fusion artistry to the eternally iconic EdenRoc Resort & Spa, setting a new standard of luxury in Miami Beach. nobuedenroc.com 67

THE JOULE

The revitalized 1920s neo- Gothic landmark building is set in the heart of Dallas’ central business district. With dramatic art installations, unique retail boutiques, a world-class spa, an infinity pool overseeing the city, as well as award-winning food and drinks, The Joule is seen as the cultural epicenter of downtown Dallas.

1530 MAIN STREET, DALL AS, TX 75201 (214) 748-1300 W W W.THEJOULEDALL AS.COM

HOTEL ZAZA

OMNI DALLAS HOTEL

Hotel Zaza’s Uptown Dallas location is a genuine Texan venue with bold design and charm. Each room has an inimitable quality with variants of old Spanish colonial décor combined with Texan and oriental influence. The pool deck has the intimate feel of an oasis, while the abundance of light bulbs dripping over the dinner tables leaves a sense of wonderment.

Located in the center of the revitalized district of Downtown Dallas, Omni Dallas Hotel is primarily known for its prominent sky bridge connecting to the Dallas Convention Center— a truly unique feature that adds to the more common features, like the pool deck, fitness center, and terraces. In the likes of Dallas Art Fair, the venue is strongly faithful to its local culture with guest rooms, meeting spaces, and restaurants, which all showcase creative pieces from local artists.

2332 LEONARD ST, DALL AS, TX 75201 (214) 468-8399

555 SOUTH L AMAR, DALL AS, TX 75202 (214) 744-6664

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ROSEWOOD MANSION

WARWICK MELROSE

The Rosewood Mansion on Dallas’ Turtle Creek is a scenic safe haven of intimacy with its beautifully preserved terraces and patios ornamented with exterior fireplaces. The Mansion’s restaurant’s “haute cuisine, Texas style,” shaped by regional flavors and ingredients, is well acknowledged as one of the best in the city, and is known as a unique lifetime experience.

The 1924 Uptown Dallas farmland establishment was designed by architect C.D. Hill to feature a classic Sullivanesque Chicago style of architecture—a steady testimony of state grandeur while the city continues to grow outside its doors. The Library, a luxe bar located inside of Warwick Melrose, is notorious for being one of America’s best seduction spots, as well as one of the city’s best piano bars.

2821 TURTLE CREEK BOULEVARD, DALLAS, TX 75219 (214) 559-2100

3015 OAK L AWN AVENUE, DALL AS, TX 75219 (214) 521-5151

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THE HIGHLAND

The Highland Dallas is a modern, upscale hotel just walking minutes away from the shops and restaurants at Mockingbird Station. With a full-service spa, fitness center, and outdoor infinity pool, the hotel also boasts an intimate steakhouse that serves fresh farm-to-table dishes daily. Be sure to ask about the restaurant's charcuterie boards and delectable cocktails, and if you're looking to stay in, enjoy speedy room service. The hotel's superb staff is readily available to assist in booking events and discussing special offers, and their local knowledge can guide you to some of the best social events in the city.

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5300 EAST MOCKINGBIRD L ANE, DALL AS, TEX AS 75206 (214) 520 -7969 W W W.THEHIGHL ANDDALL AS.COM

SHOPPING

Looking for the perfect party dress or black tie attire? Here are some of Dallas' finest shopping destinations that offer the most unique boutique and specialist shopping experiences in the city.

ART + DESIGN

HIGHLAND PARK VILLAGE 7 HIGHLAND PARK VILLAGE, DALLAS, TX 75205 (214) 443-9898 W W W.HPVILL AGE.COM MONDAY-WEDNESDAY: 10 AM-6 PM THURSDAY-SATURDAY 10 AM-8 PM LUXURY MALL

The legacy of Highland Park Village began in 1907. Year-by-year, the town center has continued to build with exciting movie theaters, retail stores, and restaurants. Since 2010, Dior, Diane Von Furstenberg, Alexander McQueen, Christian Louboutin, Stella McCartney, Rag & Bone, and Saint Laurent have opened stores. There is indoor parking, reputable restaurants like Marquee Grill & Bar and Bistro 31, and the oldest country club in Texas—Dallas Country Club.

FORTY FIVE TEN 4510 MCKINNEY AVENUE, DALLAS, TEXAS 75205 (214) 559-4510 W W W.FORT YFIVETEN.COM MONDAY-SATURDAY: 10 AM-6 PM HIGH-END LUXURY BOUTIQUE

Since 2000, Forty Five Ten has been a boutique destination, with a large store space inside of a historic building, and a central fountain courtyard. Top collections for men, women, and home décor can be found here, with famous clientele ranging from Oprah to Laura Bush, and from Gwyneth Paltrow to Erykah Badu. Their community involvement also shines, as they have an unwavering support for The Family Place, amfAR, and the Dallas Museum of Art.

TOM FORD

OUR STORES AKRIS . ALEXANDER McQUEEN . ALICE + OLIVIA . BALENCIAGA . BANDIER . BLUEMERCURY BRUNELLO CUCINELLI . CAROLINA HERRERA . CÉLINE . CHANEL . CHRISTIAN LOUBOUTIN DIANE VON FURSTENBERG . DIOR . DIOR BEAUTY . EMILY SUMMERS STUDIO 54 ERMENEGILDO ZEGNA . ESCADA . ETRO . FILSON . GIUSEPPE ZANOTTI . HADLEIGH’S HARRY WINSTON . HERMÈS . JAMES PERSE . JIMMY CHOO . LELA ROSE . LORO PIANA . MARKET RAG & BONE . RALPH LAUREN . SAINT LAURENT . SCOOP NYC . SHINOLA . ST. JOHN STELLA McCARTNEY . TOM FORD . TORY BURCH . VINCE . WILLIAM NOBLE RARE JEWELS PARTIAL LISTING TAX FREE SHOPPING REFUND LOCATION COMPLIMENTARY VALET PARKING AND PERSONAL SHOPPING . GIFT CARDS AVAILABLE AT MOCKINGBIRD LANE AND PRESTON ROAD HPVILLAGE.COM

NORTH PARK CENTER 8687 NORTH CENTRAL EXPRESSWAY, DALLAS, TX 75225 (214) 363-7441 W W W.NORTHPARKCENTER.COM MONDAY-SATURDAY: 10–9 PM SUNDAY: 12–6 PM LUXURY MALL

In the 1960s, North Park Center’s owner Raymond Nasher leased the 97-acre cotton field, and has ever since been building it up to what it is today. In 1965, it officially opened, and today, there are four store anchors: Neiman Marcus, Nordstrom, Macy’s, and Dillard’s. The center is visited by more than 26 million visitors each year, and has been named one of the “7 Retail Wonders of the Modern World” by Shopping Centers Today.

SMINK 1019 DRAGON STREET, DALLAS, TX 75207 (214) 350-0542 W W W.SMINKINC.COM MONDAY-FRIDAY: 10 AM-5 PM SATURDAY: 11 AM-4 PM HIGH-END FURNITURE STORE

Dedicated to art and design, Smink is a delightful purveyor of carefully curated home goods from famous designers and creators like Patricia Urquiola and Piero Lissoni. Smink’s vision of living includes an array of fine art—hand-blown glass, textiles, Tibetan rugs, photography, and paintings. Choose from a variety of art, tables, sofas, storage options, and outdoor cottages.

DE BOULLE DALLAS 6821 PRESTON ROAD, DALLAS, TX 75205 (214) 522-2400 W W W.DEBOULLE.COM

Denis and Karen Boulle opened de Boulle Diamond & Jewelry in 1983 to offer customers a collection of global fine jewelry, while providing impeccable service and a friendly environment. Elegance, quality, and long-term value are important facets of “The de Boulle Experience.” Tradition at de Boulle dates back to the 1700s, as family member André-Charles Boulle was a skilled Parisian artisan, once commissioned by Henry IV and Louis XV. Within the past 30 years, de Boulle has enhanced the reputation and traditional craftsmanship with their exquisite de Boulle Collection.

MONDAY-SATURDAY: 10 AM-6 PM HIGH-END JEWELRY AND WATCHES

NEIMAN MARCUS FLAGSHIP 1618 MAIN STREET, DALLAS, TX 75201 (214) 741-6911 W W W.NEIMANMARCUS.COM MONDAY-SATURDAY: 10 AM-6 PM LUXURY MALL

In 1907, the first Neiman Marcus store opened its doors in the heart of downtown Dallas, but unfortunately, just over five years later, was destroyed in a devastating fire. In 1914, the new location opened, and has since been providing exceptional quality in shopping and cuisine. With its legendary Zodiac restaurant, the only bridal salon in the Neiman Marcus chain, designer clothing, jewelry, shoes, accessories, and handbags, the store provides exclusive merchandise, superb value, and unparalleled customer service. Neiman Marcus' reputation within the Dallas community has earned the conglomorate retailer international recognition.

EVENTS

From exclusive parties to public gatherings, our special guide will help direct you to the very best events that are happening in celebration of Dallas Art Fair.

FRIDAY, APRIL 15

MORE ON THE WHITEWALLER APP

9AM

THE GOSS-MICHAEL FOUNDATION BREAKFAST WITH PAULA CROWN 9 AM -11 AM

THURSDAY, APRIL 14

The Goss Michael Foundation, 1405 Turtle Creek Boulevard, Dallas, TX 75207

6PM

Access: Premiere or patron pass holders

DALLAS ART FAIR PREVIEW GALA 6 PM -10 PM

The Goss-Michael Foundation invites Patron Pass holders to enjoy breakfast with Paula Crown, an artist and entrepreneur whose work focuses on exploring "the landscapes within the landscapes" through drawings, multimedia approaches, and installations.

Fashion Industry Gallery (F.I.G.), 1807 Ross Avenue, Dallas, TX 75201 Access: Patron Pass and ticket holders: www. dallasartfair.com/tickets Benefitting the Dallas Museum of Art, Nasher Sculpture Center, and Dallas Contemporary, the preview gala extends art patrons and top collectors an exclusive invitation to browse and purchase works before the fair opens to the public.

SATURDAY, APRIL 16

SUNDAY, APRIL 17

10AM

TEXAS TOUR OF THE DALLAS COWBOYS ART COLLECTION AT AT&T STADIUM WITH PAULA CROWN 10 AM -11 AM

2PM

"NASHER 360: AGENTS, ADVISORS, DEVILS AND APOSTATES: THE NEW ART WORLD" 2 PM Nasher Sculpture Center, 2001 Flora Street, Dallas, TX 75201

Dallas Cowboys AT&T Stadium, 1 AT&T Way, Arlington, TX 76011 Access: RSVP to rsvp@dallasaartfair.com or (214) 220-1278 to secure your reservation. Buses will depart from the Dallas Art Fair at 9:30 am Gene and Jerry Jones, owners of the Dallas Cowboys, invite Patron Pass holders to AT&T Stadium to explore their world-class collection of 58 contemporary artworks, which includes works by both emerging and established artists, and 16 site-specific installations.

Access: Complimentary with Dallas Art Fair pass. RSVP to 360RSVP@nashersculpturecenter.org Nasher Sculpture Center presents a panel of art world players, including collector and dealer, Stefan Simchowitz, and art advisor, Amy Cappellazzo, to discuss the shifting culture and attitudes surrounding the art market.

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3 1. Brian Bolke, Lisa Perry, Faisal Halum 2. Justine Ludwig, Hunter Braithwaite 3. Marlene Sughrue, Mike Rawlings, Micki Rawlings 4. Christen Wilson, Trinity Lewis 78

EVENTS - DALLAS ART FAIR WEEK 2015

5. Marvin Singleton, Lisa Singleton, Richard Eiseman 6. Marlene Sughrue, John Sughrue, Micki Rawlings 7. Tolga, Michael Nevin 8. Cindy Rachofsky 79

COVER CREDITS

DALLAS ART FAIR

Calvin Marcus, Martini Shirt (Hazeltine Cleaners), 2015, screen printing ink, sewn linen, wooden buttons, painted wire hanger, plastic, staple, receipt, 41 x 21 x 1 inches, photo by Lee Thompson, courtesy of David Kordansky Gallery, Los Angeles, CA.

DALLAS CONTEMPORARY

Dan Colen, Me, Jesus and the Children, 2001-2003, oil on plastic, 74 x 60 inches, courtesy of Astrup Fearnley Museet and the artist.

DALLAS COWBOYS ART COLLECTION AT AT&T STADIUM Anish Kapoor, Sky Mirror, photo courtesy of Jeremiah Jhass/Dallas Cowboys.

DALLAS MUSEUM OF ART

Rebecca Warren, Pas de Deux (Plaza Monument) (detail), 2016, hand-painted bronze on artist’s plinth, photo courtesy of Dallas Museum of Art.

FORTY FIVE TEN

Photo by Steve Wrubel, courtesy of Forty Five Ten.

NASHER SCULPTURE CENTER

Mai-Thu Perret, Figures, performance at Centre d’art Contemporain, Geneva, 2014, photo by Annik Wetter, courtesy of Nasher Sculpture Center.

THE GOSS-MICHAEL FOUNDATION

Marc Quinn, We Share our Chemistry with the Stars (CAS200), 2015, oil on canvas, 78 inches, © and courtesy of Marc Quinn studio.

THE JOULE

Roger Hiorns, Untitled, 2013, steel, engines, nylon, and copper sulphate 106 x 35 x 35 inches, courtesy of The Joule.

THE POWER STATION

Photo by Kevin Todora, courtesy of The Power Station.

THE WAREHOUSE

Thomas Schütte, Vater Staat (Father State), 2010, cast bronze, The Rose Collection and The Rachofsky Collection, photo by Kevin Todora, courtesy of The Warehouse.

Dallas New York Boston Bal Harbour Shops Palm Beach Atlanta Houston 877 700 1922 Explore the Akris Boutique at www.akris.ch

19 HIGHLAND PARK VILLAGE 214 647 5830 COMING SOON TO RIVER OAKS DISTRICT 82

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