Estate Asian, Fine Art and Antiques Auction by Lion and Unicorn

Auction Catalog Estate Asian, Fine Art and Antiques Auction

Auction Date: Thursday, Jun 13 2019

Bidding Starts: 10:00 AM EDT

Whitley’s Auctioneers 485 S. FEDERAL HWY Dania Beach, FL 33004

Phone: (954) 866-8044 Email: arron@whitleysauctioneers. com

Lot Thumbnail Number

Starting Low High Bid Estimate Estimate

Title

Description & Additional Description

CHINESE CARVED JADE FIGURAL GROUP, 3 IMMORTALS OF GOOD LIFE

3 Immortals with children, floral and architectural motifs, Ruyi Scepter, peaches of immortality, and other Chinese symbols. Green and other inclusions. A carved white jade group with green and other inclusions, depicting Fu, Lu, and Shou, the Chinese Immortals of Prosperity (Fu), Status (Lu), and Longevity (Shou), held to denote the attributes of a good life. Children, peaches of immortality and other allegorical motifs. This iconography dates to the Ming Dynasty (1368 1644), when the gods of the three stars (Sanxing) were first represented in human form.

600

1200

2000

CHINESE CARVED JADE MONUMENTAL FIGURAL GROUP, CARP FISH AND IMMORTALS

A monumental jade sculpture of a carved mythical fish escaping a large stylized net, carved water forms, ocean flora and fauna, Immortals with fish. Russet and other inclusions. A carved jade group with russet and other inclusions, depicting a large carp fish, an important motif in Chinese mythology. Carved water forms, ocean flora and fauna, Immortals with fish. The word for "fish", yu, is a soundalike for "abundance" and "affluence,” and the Chinese dragon is the leader of the fish clan.

1500

1800

2500

CHINESE CARVED JADE MONUMENTAL FIGURAL GROUP, LAUGHING BUDDHAS

2 carved jade laughing Buddhas with floral motifs and other symbols, including Ruyi and Buddha’s Hand. Weighs 100 lbs. A monumental carved white jade group with green inclusions, 2 laughing Buddhas surrounded by children, floral motifs, and other symbols. One Buddha holds a Ruyi, a curved decorative ceremonial scepter or talisman symbolizing power and good luck. The other Buddha holds a Buddha’s Hand citron fruit, a Chinese symbol of happiness, longevity and good luck and a traditional New Year’s gift.

5000

9000

12000

CHINESE CARVED JADE MONUMENTAL FIGURAL GROUP, 18 BUDDHAS

18 Buddhas with tiger, elephant and floral motifs and other symbols, including Ruyi and Buddha’s Hand. Wooden stand. Weighs 135 lbs. A monumental carved white jade group with green and russet inclusions, 17 laughing, recumbent, and dancing Buddhas surrounding one central Siamese Buddha, with a carved tiger, elephant, floral motifs, and other symbols of happiness, longevity and good luck. Presented on a carved wooden stand.

9000

12000

18000

PAIR OF CHINESE CARVED JADE PHEASANT BIRDS, WOODEN STANDS

Carved jade pheasants with green and other inclusions. Profuse floral decorations. Carved wooden stands. Weighs 70 lbs. each. Two large carved jade birds, modeled standing upon floral motifs with additional smaller jade birds. Green and other inclusions. Presented on decorative wooden stands. Pheasants are symbols of beauty and good fortune. Two grades of Imperial Chinese officials had a pheasant decoration to indicate their rank. It may also have represented the Empress.

9000

12000

15000

PAIR OF CHINESE CARVED JADE CROWING ROOSTERS, WOODEN STANDS

Carved jade roosters with green and other inclusions. Floral decorations. Carved wooden stands. Two large carved jade birds, modeled with motifs of grapes and additional smaller jade birds. Green and other inclusions. Presented on decorative wooden stands. The rooster of cockerel is honored in China, representing wisdom, courage, and loyalty. A crowing rooster symbolizes achievement. The Chinese word for rooster is a homophone (soundalike) for luck.

2000

3500

5000

3 Immortals with floral motifs, Ruyi Scepter, peaches of immortality, and He-He Er Xian, the Immortals of CHINESE CARVED Harmony and Union. Gray and other inclusions. A JADE monumental carved white jade group with gray and MONUMENTAL other inclusions, depicting Fu, Lu, and Shou, the Chinese FIGURAL GROUP, 3 Immortals of Prosperity (Fu), Status (Lu), and Longevity IMMORTALS OF (Shou), held to denote the attributes of a good life. This GOOD LIFE iconography dates to the Ming Dynasty (1368 1644), when the gods of the three stars (Sanxing) were first represented in human form.

9000

12000

15000

CHINESE CARVED JADE GUANYIN

A carved jade Guanyin, the Chinese Immortal of Mercy and Compassion, surrounded by floral decorations. Green inclusions.

900

1800

3000

PAIR OF CARVED JADE GUANYIN, WITH WOODEN STANDS

White celadon jade with dark green inclusions. Wooden stands. Weighs 2 lbs. 2 carved jade statues with dark green inclusions, representations of Guanyin, the Chinese Immortal spirit of Mercy and Compassion. Fitted reticulated triangular wooden stands.

200

400

800

CHINESE GLAZED Seated well modeled figures representing each of the PORCELAIN SET OF virtues of the Taoist philosophy. Dehua marks of creation 9 BLANC DE CHINE on some of the figures, hollow interior. IMMORTALS

500

1200

2500

HAND CARVED WOODEN FIGURE OF GUAN YIN

Chinese goddess of mercy; carved from a single solid block of wood.

200

500

900

CHINESE QING DYNASTY CLOISONNE ENAMEL BOX & COVER

Designed with Chinese famille rose motif and European subjects. Porcelain, hand painted imperial enamel with scene of European woman and child seated next to a window. Light turquoise interior. Qianlong mark to bottom. Includes custom made square wooden box.

4000

10000

15000

CHINESE CLOISONNE PLATE WITH FLORAL PATTERNS, RUSSET AND TURQUOISE

Floral designs outlined in gilt to interior, with gilt to edge. Turquoise bottom/exterior. A small cloisonne plate with profuse floral patterns in russet, brown, red, maroon, black and outlined in gilt to interior, with gilt to edge. Turquoise bottom/exterior with stylized flora in gilt. Cloisonne decorative work with enamel on a metal backing.

200

500

CHINESE Gilt edge, floral patterns with gilt outlining and brown CLOISONNE PLATE, and russet to plate center, turquoise with floral patterns TURQUOISE AND in gilt to bottom. RUSSET

100

200

GROUP OF 7 JAPANESE TEACUPS AND TEAPOT

Motifs of dragons and clouds with stylized patterns. Brass gilt throughout. Teapot: White earthenware on a round footed base with navy blue and brass gilt decoration throughout, with two dragons to each side on white backgrounds surrounded by clouds and numerous pink and robin’s egg blue smaller dragons throughout, as well as 11 stylized yellow dragons outlined in copper gilt to the rim. Brass rim to pot and lid, which has two stylized dragons in pink and robin’s egg blue and stylized pointed bronze finial with rich brown patina. Light green to base and interior. Teacups: Identical decorative schemes as teapot, with two dragons on each cup.

CHINESE CLOISONNE VASE

Beautiful floral design on black background. Intricate details, bright vivid colors on dark noir base

800

1000

CHINESE CLOISONNE VASE

Finely decorated with flowers on multi shade blue background.

300

500

PAIR OF LARGE CHINESE CLOISONNE BOWL, FU DOGS AND DRAGONS WITH FLORA

Turquoise background with Chinese guardian dragons and Fu Dogs on exterior and multiple levels of floral decorations on interior. A large cloisonne set of matching bowls with turquoise ground and four stylized Chinese guardian Dragons and Fu Dogs, two blue and two green, respectively, brass outline. Large blue floral decoration with patina outlining to base. Excellent cloisonne decorative enamel work.

100

400

800

Deep flambe ink decoration over Maori kauri wood. Inspired by the flambe and sung-glaze craze of the 1920's, this kauri-wood vase titled SUNRISE was exhibited at the 1925/26 New Zealand and South Seas International Exhibition. One of only 3 pieces of the style and make RARE WOODEN known to exist from the exhibition (a similar pair are SOUTH SEAS VASE, housed at the Te Papa Tongarewa Museum of New SUNRISE Zealand) and marked on bottom with title, date, and the exhibition initials. An extremely unique piece in style, composition and cultural rarity. Observe minor scuffing and dinging to surface finish throughout, consistent with age and handling. No restoration present.

500

1500

3000

PAIR OF CHINESE CLOISONNE VASES

Vitrified enamel over bronze, decorated with bouquets on both sides, exposed bronze rims.

300

500

PAIR OF LARGE CHINESE SILVER INLAY METAL WORKS BRONZE VASES

Pair of large Chinese silver inlay Metal Works Bronze vase This stunning pair of very large and very heavy bronze and silver inlay metal works vases from China are in incredibly great condition. To fiond one of thse is a gem but to find a pair is so much better. The inlay work all over the vases depict chinese figures and scenes, all this and beautifully carved lion head handles. These were obviously masterfully created by a talented artist of the times. Late 19th to early 20th century. Unsigned.

1500

3000

5000

100

400

600

CHINESE SEATED SMILING PORCELAIN BUDDHA

Republican period porcelain with marks underneath. Small touches of red, black and gold paint for face and body details. His modeled face comes to life with these small painted details and on his feet and chest.

300

600

1200

LARGE CHINESE PORCELAIN FIGURAL SMILING LAO TZU

Republican Period Chinese porcelain with cobalt blue, green, brown, and flesh decorations. Impressed marks. A large and striking Chinese porcelain figural study, with cobalt blue, green, brown, and flesh decorations, possibly depicting Lao Tzu, an ancient Chinese philosopher and writer, the reputed founder of philosophical Taoism, and a deity in religious Taoism and traditional Chinese religions. Impressed Chinese marks to base.

500

1500

3000

CHINESE BRONZE FENG SHUI GIRL STATUE

Chinese Feng Shui Bronze Figure of a Girl for Good Luck. Total weight approximately 1658.5 g.

300

500

JAPANESE /CHINESE GILT VASE

Urn shaped hand decorated vase with country scenes. Wheel spun construction, marked on the base.

100

CHINESE QING DYNASTY BLUE & WHITE FLORAL MOTIF VASE

Designed with floral, sea wave and plant patterns. Porcelain, double head ears in high relief to both sides of the vase. Qianlong mark to bottom. Includes custom made fabric box.

1000

2000

3000

PAIR OF CHINESE QING DYNASTY CLASH COLOR SMALL VASES

Designed with orange flowers and plant patterns. Porcelain, hand painted. Yongzhen mark to bottom. Includes custom made fabric box.

1000

2500

3500

CHINESE SONG DYNASTY GE KILN DOUBLE EAR VASE

Grayish blue stoneware with an intentionally crackled glaze. Base unmarked. Includes custom made wooden box.

3500

4000

8000

CHINESE QING DYNASTY FIVE CLAWED SMALL DRAGON PLATE

Blue underglaze white porcelain with 9 dragon motif. Interior and exterior decorated with cobalt blue dragon motif against scrolled background. The number nine is of extreme significance in Southeast Asian culture, and represents the number of heaven and is often associated with dragons. The plate depicts the nine sons of the dragon who are the mythological sons of the Dragon King. The dragons have five claws, as pieces made for nobility were depicted with five claws. Qianlong mark to bottom. Includes custom made square wooden box.

500

3000

5000

CHINESE QING DYNASTY BLUE & WHITE IRON RED SNUFF BOTTLE

Decorated scene with military figures in battle stance. Unmarked. Hand painted underglaze in blue and iron red colors. Circular chain like mark on bottom, blue underglaze.

1000

2000

3000

CHINESE MING DYNASTY BLUE & WHITE BIRD FEEDER

Decorated in underglaze blue & white porcelain with loop handle. Hand painted. Xuande mark and vertical blue lines at rim. Bottom designed with six petal relief flower.

1500

5000

6000

CHINESE FAMILLE ROSE IMMORTAL ARHATS SNUFF BOTTLE

Molded high relief porcelain decorated with 18 immortal figures. With attention to fine details, hand painted in famille rose enamels with gilt highlights. Depicting the Eighteen Arhats, the immortals, each riding an attributed mascot between clouds. The Eighteen Arhats is a Buddhist adept who has attained a state where reincarnation will no longer be necessary, and nirvana lies just ahead and often have supernatural powers. Heavy gilt to rim. Red Qianlong mark to bottom.

1000

3000

5000

CHINESE QING DYNASTY FIVE CLAWED DRAGON SNUFF BOTTLE

Includes coral stopper and metal spoon. Scene of two five-clawed dragons chasing the flaming pearl amidst clouds. Hand painted underglaze in red, blue and white porcelain. Qianlong mark to bottom.

1200

3500

4500

CHINESE BLUE AND WHITE PORCELAIN INK PAD WITH COVER

Scene of an immortal figure on a palm fan floating in the clouds. Hand painted underglaze in blue and white porcelain. Scroll designs along edge of dish and cover. Six character mark to bottom.

300

1500

2500

CHINESE QING DYNASTY FURNACE JUN GLAZED BRUSH WASHER

Melon shaped robin's egg glaze fitted on a hardwood stand. Unmarked. Opaque turquoise-blue glaze submersed overall with finely mottled dark purplish-blue. Robins egg glaze was used from the Yongzheng period until 19th century and is called furnace Jun in China, signifying that a connection was made with the Jun glazes of the Song Dynasty, and was fired in a kiln at a lower temperature than the porcelain itself.

200

1000

2000

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CHINESE QING DYNASTY BLUE & WHITE SMALL PEDESTAL VASE

Decorated with flowers and birds. Hand painted underglaze in blue and white porcelain. Marked to bottom.

250

1000

2000

CHINESE LATE QING DYNASTY Finely carved with figural garden scene, dragons. WHITE PORCELAIN Unmarked. SNUFF BOTTLE

250

2000

3000

CHINESE QING DYNASTY BLUE & WHITE MOON FLASK

Includes Jade stopper and spoon. Scene of deer in the forest with high relief medallions to both sides of the flask. Hand painted underglaze in blue and white porcelain. Kangxi marked to bottom.

1500

4000

5000

JAPANESE BROWN GLAZED SMALL VASE

Scene of seated Japanese figures. Stoneware experimental lavender and dark brown glaze. Japanese figures are hand painted in enamel with gilt. Unidentified circular mark to bottom of vase.

750

2000

3000

LOUVRE MUSEUM 1922 CATALOG: CHINESE CERAMICS, 42 COLOR

Chinese Ceramics from the Ming to Xing periods (16221911) Mottled light brown cardboard cover boards with blue and gilt titles to cover and side, laced closure. Text in French. 90 pp., 42 color, dozens of b/w plates. The second in a 2-volume series produced in 1921 for existing collections at the Louvre Museum. This Volume is LA CERAMIQUE CHINOISE DE LEPOQUE DE KANG-HI A NOS JOURS (1662-1911) Chinese Ceramics from the Time of K 'ang-Hi to the Present Day (1662-1911)," a January 1922 printing of that volume (the first volume dealt with ceramics from Han to Ming periods). Small format folios door in-4 with 84 full boards. Impressed motto EX LIBRIS AD LUCEM (from books to light) motto to back of boards.

100

300

BOOK: CHINESE PORCELAIN, VOLUME II, BY W. G. GULLAND

4th Ed. Green cover, gilt. 235 pp. Dozens of black/white plates. Fourth Edition. Green cloth coverboards with gilt decoration and titles to front and side cover, large central cover decoration of Chinese characters in gilt. 235 pp. Dozens of black and white plates, primarily from photographs, illustrating hundreds of objects, with illustrations of potter's marks within text. A fully illustrated handbook with technical explanations from the earliest known specimens of the art down to the contemporary period of the book's authorship (early 20th century). Gulland's pioneering work was the first to connect the decorative cycle which porcelain shares with painting, wood-block printing and other arts of the Middle Kingdom. This important and useful work also contains a glossary, chronological table, list of marks, and an extensive index. The author, William Giuseppe Gulland (d. 1906) spent most of his life as a merchant in the Far East, where he developed an interest in Chinese porcelain. A substantial selection of his collection was displayed at the Victoria & Albert in 1932.

100

300

900

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BURMESE BUDDIST KAMMAVACA PRAYER MANUSCRIPT

Nine gilt and laquer 'palm leaf pages' with gilt wood cover. Kammavaca is a Pali term describing an assemblage of passages from the Tipitaka, the Theravada Buddhist canon, that relate to ordination. Made from heavy cloth saturated with many layers of laquer, with gilt decoration and thick cinnabar lacquer 'tamarind seed' writing, expertly hand applied. Nine double sided pages have hole near one end to be bound together with cover, like a fan. Wooden top cover is washed in red with gilt decore. Wear and spalling to laquer consistent with age and use. Attributed to the 19th century.

500

1000

2000

Fabric lined Buddhist shrine of gilded wood with light; pedestal. Vintage solid wood construction covered in a tiered and profusely molded decor, antiqued in gold and inset with small glass or crystal stones, of numerous colors. Scrolled designs in a classical Burmese motif cover the surface, and a pair of reticulated cornices border the door and side windows. Along with the side windows, the door is glass paned, and it swings open with a knob for access to the interior. Door has a warded lock, with key. ORNATE BURMESE Interior bottom and back well-lined with a plush HPAYA-ZIN burgundy interior, highlighted by silver-stitched cordage. The shrine is a 3 piece tier, consisting of an equally decorated and broadly flared footed base, a slender middle layer with more molding and scalloping, and the shrine itself. Small versions of Hpaya-zin adorn almost all Burmese homes, often containing a statue of the Buddha and set into the eastern wall- this example is of an exceptional size and level of complex decoration. Some signs of restoration, wear consistent with age and use, spalling and kinking to cornices, paint, and door.

500

1200

2000

AFTER REMINGTON EQUESTRIAN BRONZE SCULPTURE

Title: "The Rattlesnake" after Frederic Remington. This classic and popular sculpture, attributed to Frederic Remington, was orginally created in 1905. This example is mounted on a dark grey marble base. The sculpture has aged patina toards the bottom, and a dark bronze patina on the body of the cowboy. It is often confused for the famous "Bucking Horse" scultpure.

1000

2000

3000

NATIVE AMERICAN TRIBAL HAND CARVED WOOD KACHINA MUDHEAD

Wood and clay carving in the likeness of Native Hopi spirit. Hand carved with wooden base and highly detailed. Wooden figure with mud clay head, depicting native spirit in the traditional Hopi religion. Carved by award winning Coyote Clan Hopi artist Silas Roy, Sr. (b. 1948), son of Hopi Pueblo carver Coolidge Roy, Sr. Certificate of Authenticity.

200

400

NATIVE AMERICAN TRIBAL HAND CARVED WOOD KACHINA

Bear Dancer, carved in the likeness of Native Hopi spirit. Hand carved with wooden base and highly detailed. Wooden figure depicting native spirit in the traditional Hopi religion. Artist signed and titles to base.

100

200

Carved wooden Katsina Kachina doll. Doll is depicted with NATIVE AMERICAN feathered headdress and horns; it carries whips in hands. HOPI BROAD FACE Figure is also known as Wuyak-kuita or the whipper. The KACHINA DOLL whippers played an important role in the Hopi Bean dance and other festivities.

100

200

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NATIVE AMERICAN HOPI MASTOP Cottonwood figure holding rabbit and stick in hands. KACHINA DOLL

100

200

NATIVE AMERICAN Cottonwood Kachina doll with animalistic head. Kachina HOPI FIRST MESA dolls are also known as Hopi Katsina figures that were KACHINA DOLL carved and made by Hopi people.

100

200

NATIVE AMERICAN HOPI SOYOKO WUHTI KACHINA DOLL

100

200

NATIVE AMERICAN Carved wooden figure of a Tewa maiden. Doll is depicted TEWA MAIDEN with ponytails and ceremonial wear. Maiden is dancing as KACHINA DOLL a part of a Hopi festival.

100

200

Carved wooden figure of Kwahu from the Hopi tribe. NATIVE AMERICAN Figure depicts Eagle Kachina doll dancing in decorative HOPI EAGLE attire with carved wings spread wide to resemble an KACHINA DOLL eagle's motion of flight. Kwahu appears in Kiva dances to imitate the steps of an eagle.

100

200

Carved wooden figure of Kwahu from the Hopi tribe. NATIVE AMERICAN Medium sized detailed wooden figure of Eagle Kachina HOPI EAGLE doll dancing with wings spread wide to resemble an KACHINA DOLL eagle's motion of flight. Kwahu dances to imitate the movements and cries of an eagle.

100

200

NATIVE AMERICAN Carved figure in green, black and red attire with a deer head. He carries two canes in his hands to represent his HOPI DEER front legs. The Deer Kachina is said to bring rain and KACHINA DOLL ensure that there is food for the future.

100

200

Carved wooden figure of an Ogre Woman. The figure depicts a woman with long hair and she carries a knife and a long crook. The Ogre women is known as the disciplinarian of the tribe and strikes fear into children.

NATIVE AMERICAN WOODEN CARVED SCULPTURE, BUFFALO SHAMAN

Carved in the likeness of Native American shaman in Buffalo furs. Navajo wood carving by Native American artist Robin Willeto. Signed and dated to base R WILLETO 98.

100

NATIVE AMERICAN TRIBAL HAND CARVED WOOD KACHINA

Artist signed, carved in the likeness of Native Hopi spirit. Left Handed Hunter, in the likeness of Native Hopi spirit. Hand carved with elaborated carved wooden base and highly detailed. Wooden figure depicting native spirit in the traditional Hopi religion. Artist signed in elaborate marks including arrow fletcher carved to base.

150

250

NATIVE AMERICAN TRIBAL HAND CARVED WOOD KACHINA

Artist signed, carved in the likeness of Native Hopi spirit. Hand carved with wooden base and highly detailed. Wooden figure depicting native spirit in the traditional Hopi religion. Artist signed M NAVASIE to base.

100

200

NATIVE AMERICAN HAND CARVED WOOD KACHINA WHITE BUFFALO

Wood hand carving in the likeness of Native Hopi spirit. Hand carved with wooden base and highly detailed. Wooden figure depicting native spirit in the traditional Hopi religion. Carved by award winning Coyote Clan Hopi artist Silas Roy, Sr. (b. 1948), son of Hopi Pueblo carver Coolidge Roy, Sr.

200

400

NATIVE AMERICAN HOPI SCREECH OWL KACHINA DOLL

Carved and hand painted cottonwood Kachina Motsko doll. Screech owl shown dancing on base in ceremonial attire; he can be found during the Kiva dances. The owl is known as the messenger and he gives warnings.

100

200

NATIVE AMERICAN Carved wooden figure of Letaiyo ,the yellow fox runner. HOPI YELLOW FOX Letaiyo is known as a runner but is depicted as a dancer KACHINA DOLL in a Soyohim dance in figure.

100

200

NATIVE AMERICAN BRONZE SHAMAN SCULPTURE, ARTIST SIGNED

100

200

300

Titled APACHE MOUNTAIN SPIRIT DANCER by artist Ralph E. Roybal. Limited edition, signed and dated bronze sculpture with additional metal elements, presented mounted on a wooden base with brass inscribed plate. Certificate of Authenticity.

NATIVE AMERICAN TRIBAL HAND CARVED WOOD KACHINA

100

200

NATIVE AMERICAN CLAY PORTRAIT DOLL, ARTIST SIGNED

Made from organic clay with other naturalistic materials. Presented on a decorative wooden basis, a portrait doll by Choctaw Apache artist Linda Duran, artist signed DURAN rear side of base.

150

250

PAIR OF NATIVE AMERICAN PLAINS INDIAN DOLLS

Created and signed by artist K.J. Ramos, includes stands. The dolls, developed by Kirby Justin Ramos- known by Plenty Horses- are of a female figure, ELK WOMAN, and older male, EAGLE BEAR. Both feature sculpted clay faces, natural hair and real cloth, and stand on wooden pole mounts for easy display. Plenty Horses work is enjoyed worldwide, and has contributed to the personal collections of actors Jack Palance and Harry Cary. A signed and dated certificate of authenticity is included, by way of R&R Collectables.

200

600

800

NATIVE AMERICAN TRIBAL HANDMADE KACHINA MUDHEAD

A doll sculpture made in the likeness of a Native Hopi spirit. A doll modeled as a Koyemsi, or Mudhead Kachina, a clown seen in many Hopi ceremonies. According to Hopi lore, the Mudhead was the first being to emerge into this, the Fourth World of the Hopi. Depicted holding Native American hand drum.

100

200

TWO CYBIS LARGE PORCELAIN NATIVE AMERICAN Depicting characters from Longfellow's immortal Song of FIGURES, Hiawatha. HIAWATHA & MINNEHAHA

400

600

ROYAL WORCESTER FIGURINE, NATIVE AMERICAN INDIAN SQUAW

RW2909, designed and signed by artist F.M. Gertner. A Native American mother in traditional costume with a baby in the papoose on her back. Stamped to base ROYAL WORCESTER MADE IN ENGLAND.

200

300

ROYAL WORCESTER Model 2907. In feathered headdress and tribal attire. NATIVE AMERICAN Figure from the Worcester's Red Indian series. Worcester FIGURINE, INDIAN backstamp. CHIEF

150

Artisanal tribal design with natural materials and NATIVE AMERICAN decoration. The antiqued horn is hafted to a wooden HORN WAR CLUB handle with leather and resin. Brass tacks and wraps, along with a turkey feather tassel.

100

200

NATIVE AMERICAN TRIBAL TOMAHAWK HATCHET

A single-handed ax with a straight, leather encased shaft. Mid 20th century functioning replica with chrome tanned leather casing on shaft handle. Feather and beads with rawhide strip decorations. Cast metal hatchet head, unsharpened with wear.

100

200

American forged steel on a carved, decorated hafting. 3J maker's mark hammered into the forged blade, made by NATIVE AMERICAN American blacksmith Bruce Johan. Handle has been 3J HAND FORGED carved, wrapped in tooled, antiqued and painted leather, TOMAHAWK and inlaid with brass tacks in the Native American tradition. Includes a leather neck wrap and blade guard. A decorative but highly functional North American piece.

120

NATIVE AMERICAN Black lava glass blade hafted into a wooden handle. OBSIDIAN Artisanal tribal make, with leather thong wraps, bead and TOMAHAWK feather tassels, and a natural fur wrap.

100

200

Highly decorated Native American attributed art. The club is headed by two dark brown buffalo horns, hafted NATIVE AMERICAN on with leather. Handle is replete with extensive beading, BUFFALO HORN an attached medicine pouch, a medicine wheel, bone WAR CLUB conchos, feathers, brass tacks, shell cases and plaited leather. Excellent example of 20th century traditionalist Native American craftsmanship.

100

150

Native American tribal art craft. Tasseled leather NATIVE AMERICAN wrapped handle, with plaited neck wrapped in snake HORSE JAW WAR skin. Bone is authentic, carved, and adorned with horse AXE hair tassel. Shaft also decorated with turkey feathers and beads.

100

125

Brass-bladed tomahawk with brass bowl, wooden handle. Handle is hollow, and acts as the mouthpiece for the pipe. It is decorated in a sheet of small colored beads forming patterns, and strung with buckskin tassels with trade beads and brass ferrules. The heart cutout brass blade wood have been a common trade good in the 19th century. Original tomahawks of this style would have been brought to peace talks, and passed around as a show of good faith- if the talks went well, the hatchet was ceremonially buried, to confirm the peace. Hence the now common phrase "to bury the hatchet".

150

NATIVE AMErICAN BEADED TOMAHAWK PEACE PIPE

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NATIVE AMERICAN TRIBAL BOW AND ARROWS, WITH QUIVER

Made in traditional style from naturalistic materials. A hide bound Native American bow and quiver with three metal tipped arrow fletcher. Quiver is accentuated with a layer of rabbit or other fur, with decorative wild turkey feathers. Bow has fur and feather accents. Arrows measure 29.25"L.

200

600

1000

NATIVE AMERICAN TRIBAL MINIATURE WEAPONS SPEAR AND MACE

Made in traditional styles from naturalistic materials. Stone mace head with wooden shaft wrapped in suede strips, with horsehair, beads, and other decoration. Naturalistic stone spearhead with beads and other decoration.

100

200

NATIVE AMERICAN TRIBAL PLAINS STYLE SCALPING KNIFE

Reproduction by Sioux Mandan artist using traditional methods. Heavy cast metal blade with large wooden handle and decorative feathers and bells. Rich patination and rust applique. Certificate of Authenticity from popular Native American artist Bridget Eagle Feather.

200

300

A fringed Plains lance, with attached certificate.. The piece is tipped with rough-forged steel and fringed in buckskin lace, with a fire blackened shaft. The included certificate of artisanship notes that the flowing fringe NATIVE AMERICAN represented the power of the wind; the 24 strands, a PLAINS LANCE multiple of 4, the four grandfather directions for a surety of navigation on the hunt; and that the piece is part of the Elk Dreamer Collection, empowered by traditional elk medicine.

150

300

Forged steel point; beads, feather, fur and leather decor. This piece, attributed to 20th century native artisans, NATIVE AMERICAN features a wooden lodge-pole shaft, and is ringed in BEADED LANCE plaited leather thongs ending in blue and yellow trade beads, natural feathers, and fur.

100

200

Made in traditional styles from naturalistic materials. NATIVE AMERICAN Reproduction by Sioux Mandan artist using traditional methods. Deerskin, brass tacks, glass trade beads, with TRIBAL PLAINS STYLE LODGE POLE decorative wild turkey feathers and bells. Certificate of Authenticity from popular Native American artist Bridget Eagle Feather.

100

300

500

Handmade traditional stag horn piece. Native American NATIVE AMERICAN medicine staff made with three stag horn attachments bonded at the top and sides with a leather strap. CEREMONIAL Adorned with fur and bells, the staff also houses two MEDICINE STAFF medicine wheels which are wrapped with natural colored leather and adorned with bells, beads and dyed feathers.

150

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Reproduction ceremonial decorative and medicinal NATIVE AMERICAN armor. Formed by three hardened tanned rectangular leather pieces, decorated with carved horn, bells, TRIBAL LEATHER horsehair fringe trim, and colorful beads. Traditionally BREASTPLATE used for protection in battle and hunting, and in Native ARMOR dances and ceremonies. Worn over a bare chest in hot climates, and over a shirt in colder climates.

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Plains-style medicine shield made by Bridget Eagle NATIVE AMERICAN Feather. The 'Elk Dreamer' shield, made from painted deerskin, a rawhide disk, brass cores and glass trade MANDAN SIOUX beads, depicts an elk radiating love medicine, with the ELK LEATHER Black Hills pictured in the background. Comes with a SHIELD hand written and signed certificate of provenance from the acclaimed artist.

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Hardened tanned leather hand decorated with feathers NATIVE AMERICAN and metal. Traditional Native American style shield hand TRIBAL WHITE painted with white hand warrior symbol, with naturalistic PALM HIDE SHIELD white paint border. Bordered with unusual slate colored suede bound with matching colored twine.

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Buffalo hide shield with natural adornments. Anthony Hehman piece featuring heat shrunk leather, earth pigments, trade beads, wild feathers, sinew and a NATIVE AMERICAN medicine bag bundle. Hangs from a leather loop for WAR BONNET display. Along with wife Carol, a Yaqui tribeswoman, SHIELD Hehman frequently produced artisanal tribal pieces using traditional methods. Includes certificate of build materials from the artist.

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NATIVE AMERICAN Intricated carved wood handle, horsehair crest. Rawhide SOUTHWESTERN straps. Southwestern Pueblo art gourd rattle filled with TRIBAL ART rice. GOURD RATTLE

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Artisanal wood, leather and stone presentation piece. A polished river stone is hafted onto a stout, leatherNATIVE AMERICAN wrapped handle with stitched rawhide. Decorative wraps STONE WAR CLUB and brass tacks accent the handle, along with a fur wrapped ruffle around the neck. Hafting is solid, sturdy.

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NATIVE AMERICAN Traditionalist dance instrument with stag horn handle. RAWHIDE RATTLE

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Decorated traditionalist instrument by Zia Pueblo native artist. Gourd body painted with polychrome red, black, NATIVE AMERICAN and tan glyphs and figures, hafted onto a wooden handle. Accented with feather and leather thong. Artist Ralph GOURD RATTLE Aragon, of San Felipe Pueblo heritage and a member of the Zia Pueblo tribe by marriage, has signed the handle in his signature Kiva step style.

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LARGE NATIVE AMERICAN RAWHIDE RATTLE

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Traditionalist tribal art with natural materials. Artisanal NATIVE AMERICAN design with rawhide drum skins, wooden frame, and a RAWHIDE DRUM painted top depicting a glyphic animal form and patterned border.

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NATIVE AMERICAN TRIBAL TRADITIONAL PARFLECHE, SIGNED

Southern Ute traditional Parfleche by artist Austin Box. Signed and dated. Colored by hand, with hide tassels. Made by tribal elder and artist Austin Box, a traditional Native American rawhide container with hair removed, dried by stretching on a frame. Historically used as traditional regalia, as well as to contain maps, and hold social, spiritual, and symbolic meaning.

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Southern Ute traditional Native American Parfleche. Hide NATIVE AMERICAN tassels. A Native American buckskin container used as TRIBAL PARFLECHE traditional regalia, as well as to contain maps, and hold social, spiritual, and symbolic meaning.

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NATIVE AMERICAN Beaded leather bag, with hand painted central lizard. HAND MADE Colored beads, metal decorations. Leather tassels and TRIBAL MEDICINE ties, feathers. BAG

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Suede buckskin adorned with trade beads and bullet NATIVE AMERICAN casings. Traditionalist handmade craft with tassels and PLAINS-STYLE embellishments, originally meant to contain a travelers FLINT POUCH flint, steel, and tinder for fire making. Also known as a possibles bag.

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Traditionalist dance instrument with wooden handle. Rawhide rattle face and handle are decorated with paint, beads, rawhide wraps, bone conchos and feathers.

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Native American artisanal tapestry. Wooden construction NATIVE AMERICAN wrapped in all natural leather featuring six hanging WALL HANGING feather pieces, a braided leather strap, and a fringed slab TAPESTRY of leather painted with two decorative claws and red symbolic lightning bolt.

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NATIVE AMERICAN TRIBAL PLAINS Soft leather buckskin with Plains Indian beadwork, tassel BEADED LEATHER fringe. POUCH

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Hand carved and decorated totem pole statue, artist signed. Highly detailed with traditional symbols carved in NATIVE AMERICAN wood, decorated with raised stylized birds and other TRIBAL WOODEN figures. Signature by Funter Bay, Alaska artist J MICHAEL TOTEM POLE @NWA to base. Totem poles are a monumental type of SCULPTURE Northwest Coast art, consisting of poles, posts or pillars, carved with symbols or figures, usually made by indigenous peoples of the Pacific Northwest coast.

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NATIVE AMERICAN Vase with Acoma Pueblo stylized floral decorations. ACOMA PUEBLO White slip with naturalistic hand applied earth tone POTTERY VASE pigments. Ochre interior.

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NATIVE AMERICAN ARTIST SIGNED ACOMA PUEBLO POTTERY BOWL

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Native American Pueblo art pottery with glyph decoration. Attributed to the 1900s by collection SMALL TESUQUE documentation, and featuring signature design styles NATIVE AMERICAN favored by the native Tesuque Pueblo- exterior and INDIAN BOWL interior slip wash as a backdrop to glyphic and geometric interior and exterior design in black, with black rim. Solid terra cotta construction.

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Two-tone woven basket over a willow structure. In the NATIVE AMERICAN style commonly attributed to Apache make, with brown WOVEN BASKET and tan patterns, over a rigid foundation. Vintage native construction.

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A bowl, vase, or container with Acoma Pueblo decorations. Southwestern pottery handmade bowl, vase, or container with Pueblo decorations in stylized geometric patterns. Artist signed to base ACOMA N.M. BY D. PATRICIO.

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White slip with naturalistic hand applied earth tone NATIVE AMERICAN pigments. Southwestern pottery handmade dish, with TRIBAL PUEBLO central bird decoration and stylized floral patterns. In BIRD DISH Native American art, birds symbolize freedom and are messengers and symbols of change.

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A Native American woven bowl with geometric patterns. The Pima were known to produce intricately woven baskets over grass foundations, giving them a supple NATIVE AMERICAN frame and allowing for intricate designs. This piece is PIMA BOWL emblematic of that style and construction, with multicolored geometric line patterns in natural material woven throughout. Attributed to 20th century tribal artisans.

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Two-tone woven basket over a willow structure. In the NATIVE AMERICAN style commonly attributed to Apache make, with brown WOVEN OPEN and tan zig-zag geometric patterns, over a rigid willow BASKET foundation. Vintage native construction.

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SMALL NATIVE AMERICAN WOVEN BASKET

Two-tone woven basket over a willow structure. In the style commonly attributed to Apache make, with brown and tan line patterns, over a rigid willow foundation. Vintage native construction.

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Patterned woven olla basket over a grass structure. In the NATIVE AMERICAN style commonly attributed to Acoma make, with brown WOVEN BASKET horse glyphs over a tan base and a slightly flexible grass foundation. Vintage native construction.

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NATIVE AMERICAN Bowl with Acoma Pueblo stylized pattern decoration. TRIBAL ACOMA White slip with naturalistic hand applied earth tone PUEBLO POTTERY pigments. Ochre accent to base. BOWL

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NATIVE AMERICAN Hand decorated with geometric patterns and floral PUEBLO POTTERY designs. Traditional Southwestern bowl or pot in an Ancient Pueblo or Anasazi style, with stylized fish and CLAY BOWL other shapes, with cone designs to rim.

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NATIVE AMERICAN SMALL CERAMIC ACOMA OLLA BOWL

Early 20th century Native American bowl. Traditionalist white terra cotta, attributed to the Acoma Pueblo style. Ring construction, black exterior painted designs. Marked on the bottom ACOMA.

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Southwestern Adobe urn or vase, artist signed and dated. NATIVE AMERICAN Hand decorated with mottled earth tones and other PUEBLO POTTERY colors with beads in mosaic patterns around large CLAY VASE opening and decorative hanging beads to two sides.

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NATIVE AMERICAN PUEBLO POTTERY CLAY VASE OR CONTAINER

Southwestern Adobe vase, artist signed and dated. Hand decorated with raised decoration of a stylized bird, with rawhide strips, decorative beads, and a band of entwined plaited grass around the large vase shaped opening with two handles.

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NATIVE AMERICAN AUTHENTIC KEWA PUEBLO CERAMIC BOWL

Also known as Santo Domingo pottery, attributed to the 1900s. A medium sized bowl, featuring signature Santo Domingo Pueblo tribal decoration, with a plain interior and exterior glazing consisting of a lighter wash and dark black florid shapes and outlines.

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Native American Pueblo art pottery with glyph decoration. Attributed to the 1900s by collection NATIVE AMERICAN documentation, and featuring signature design styles SMALL TESUQUE favored by the native Tesuque Pueblo exterior ocher INDIAN FINGER colors offsetting glyphic and geometric interior design in BOWL polychrome black and white. Solid terra cotta construction.

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NATIVE AMERICAN Pottery vase container with geometric patterns in Pueblo TRIBAL PUEBLO style. Traditional Southwestern vase hand decorated with POTTERY VASE natural dyes and other colors in russet, brown and tan.

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NATIVE AMERICAN With Acoma Pueblo decorations. Motifs of birds in flight ACOMA PUEBLO with stylized mesas and geometric patterns. Russet, POTTERY BOWL brown, and other earth tones on white ground.

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Native American Pueblo art pottery with glyph decoration. Attributed to the 1900s by collection NATIVE AMERICAN documentation, and featuring signature design styles TESUQUE INDIAN favored by the native Tesuque Pueblo- exterior stone FINGER BOWL polished wash offsetting glyphic and geometric interior design in polychrome black and ocher. Solid terra cotta construction.

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NATIVE AMERICAN SANTO DOMINGO POTTERY GRAIN URN

Highly decorative two handled clay pot container for grain. Stylized geometric and floral patterns with russet decorations hand applied to base, top rim and side handles. A dried corn husk in fabric crowns this decorative container for grain or meal.

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NATIVE AMERICAN ACOMA PUEBLO POTTERY WEDDING VASE

Pottery vase with double neck openings, center handle. Early 20th century pottery in the 1,000-year-old Acoma tradition, made from dried clay strengthened with pulverized pottery shards, and shaped, painted, and fired. Motifs of geometric patterns and thunderbirds.

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NATIVE AMERICAN SANTO DOMINGO POTTERY BOWL, SIGNED

Handmade Southwestern pottery in traditional style. Produced by Fire Clan artist Paulita Pacheco (b. 1943), with motifs of water birds and stylized flora in hand coiled traditional Santo Domingo pottery. Artist signed to base.

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NATIVE AMERICAN Bowl with Acoma Pueblo stylized floral decorations. TRIBAL ACOMA White slip with naturalistic hand applied earth tone PUEBLO POTTERY pigments. Ochre interior. BOWL

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NATIVE AMERICAN Ceramic bowl from the Acoma Pueblo tribe. White slip vessel with traditionalist polychrome glyph decoration, SMALL ANTIQUE and textured rim. Marked on the bottom ACOMA. Some ACOMA OLLA surface ablation, common to this type of ceramic.

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NATIVE AMERICAN Highly decorative two handled clay vase. Southwestern ACOMA PUEBLO pottery handmade bowl, vase, or container with Acoma POTTERY VASE Pueblo decorations in stylized geometric patterns.

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NATIVE AMERICAN POTTERY STYLE DECORATIVE GOURD, SIGNED

A pottery inspired gourd with naturalistic designs Central silhouette image of a Native American warrior holding a spear, slumbering on horseback. Hand decorated and signed by artist DONNA FRANKLIN to base.

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Ceramic vessel attributed to Pueblo make. A white slip vessel with rag-washed ocher bottom and polychrome NATIVE AMERICAN decoration as favored by the Acoma Pueblo tribe. ANTIQUE ACOMA Twisted loop handles for use as a hanging water canteen CANTEEN complete the design. An artisanal craft piece dated to roughly 1930.

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NATIVE AMERICAN Hand decorated with geometric patterns and floral PUEBLO POTTERY designs. Traditional Southwestern bowl or pot with CLAY BOWL stylized flora and other shapes. Scalloped rim.

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NATIVE AMERICAN SOUTHWESTERN TRIBAL ART GOURD RATTLE

Hand painted and decorated in ochre red with natural dye symbols. Southwest gourd rattle with numerous symbols including fish, lizards, and geometric patterns in Native American designs. The rattle is hollow, allowing for beans, with an opening suitable for use with a stopper or as the item's base.

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NATIVE AMERICAN POTTERY STYLE DECORATIVE GOURD, SIGNED

Southwestern Adobe style gourd art, artist signed and dated. A pottery inspired decorated gourd with naturalistic designs, decorated with beads, twigs and feathers. Hand decorated, numbered and dated by artist JEANIE PRIDE to base.

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A Native American woven basket with geometric patterns. The Apache were famous for both their might in battle and artistry in design, and this Olla displays the NATIVE AMERICAN delicate weaving patterns and sturdy willow-rod APACHE OLLA construction associated with the tribe's work. BASKET Construction attributed to circa 1890 by Dr. Mark Sublette of the Medicine Man Gallery in 2009, as indicated by his signed certificate of authenticity, included with the artifact.

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NATIVE AMERICAN TRIBAL PUEBLO POTTERY PITCHER JUG

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Handmade with rag applied ochre red natural dye colorings. A Southwestern Pueblo clay pottery water pitcher jug with naturalistic and geometric design patterns.

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NATIVE AMERICAN Maricopa pottery jar with natural dyes in geometrical TRIBAL MARICOPA designs. Red clay hand colored in a naturalistic, primitive POTTERY JAR design of two stylized faces to either side.

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NATIVE AMERICAN ARTIST SIGNED ACOMA PUEBLO OWL STATUE

White slip with red ochre hand applied pigment to head and beak. Handmade Southwestern pottery art depicting an owl in flight. Artist signed to base. In Native American myth the owl is associated with the supernatural.

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NATIVE AMERICAN An original design inspired by ancient petroglyph cave SCULPTURAL ART art. Naturalistic styled decorative art ceramic with raised TRIBAL CARVING central Kachina spirit figure motif. PLAQUE

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NATIVE AMERICAN An original design inspired by ancient petroglyph cave SCULPTURAL ART art. Naturalistic styled decorative art ceramic with BUFFALO WALL impressed bison motifs. PLAQUE

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SMALL NATIVE AMERICAN THROW

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SMALL NATIVE AMERICAN RUG

Traditionalist woven rug with patterns and fringe. Orange base with blues, greens, and reds.

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SMALL NATIVE AMERICAN THROW RUG

Traditionalist woven piece with patterns and fringe. Red base with browns and blacks.

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SMALL NATIVE AMERICAN THROW RUG

Traditionalist woven piece with patterns and fringe. Pink base with rich turquoise, tan, and red patterns.

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PETITE NATIVE AMERICAN THROW RUG

Traditionalist woven piece with patterns and fringe. Tan base with brown and gray.

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PETITE NATIVE AMERICAN RUG

Traditionalist woven rug with patterns and fringe. Gray base with greens and reds.

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MEDIUM NATIVE AMERICAN BLANKET

Traditionalist woven blanket with patterns and fringe. Orange base with blues, greens, and reds.

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Traditionalist woven piece with patterns and fringe. Dark PETITE NATIVE AMERICAN THROW green base with polychrome pattern of a woman holding staffs.

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Traditionalist woven piece with patterns and fringe. MEDIUM NATIVE AMERICAN THROW Turquoise base with polychrome patterns and diamond glyphs.

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NATIVE AMERICAN Traditionalist woven blanket with patterns and fringe. BLANKET Ocher base with reds, tans, greens and yellow.

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By artist Howard Terpning. Wood frame and white linen matte. Titled PROUD MEN. Signed and numbered by the artist, a limited edition Giclee on canvas produced from NATIVE AMERICAN original oil painting. Incised brass plate. Certificate of FRAMED GICLEE Authenticity. As well as his highly acclaimed Western art, ON CANVAS, Terpning created the poster art for over 80 major films, PROUD MEN including Cleopatra, Doctor Zhivago, The Sound of Music, The Sand Pebbles, The Guns of Navarone, and the 1967 re-release of Gone with the Wind. 10.5"H x 11.5"W, pictured.

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By artist Howard Terpning. Wood frame and white linen matte. Sign Along the Trail. Signed and numbered by the artist, a limited edition Giclee on canvas produced from NATIVE AMERICAN original oil painting. Incised brass plate. Certificate of FRAMED GICLEE Authenticity. As well as his highly acclaimed Western art, ON CANVAS, SIGN Terpning created the poster art for over 80 major films, ALONG THE TRAIL including Cleopatra, Doctor Zhivago, The Sound of Music, The Sand Pebbles, The Guns of Navarone, and the 1967 re-release of Gone with the Wind. 10.5"H x 10.5"W, pictured.

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By artist Howard Terpning. Wood frame and white linen matte. Solitude. Signed and numbered by the artist, a limited edition Giclee on canvas produced from original oil painting. Incised brass plate. Certificate of NATIVE AMERICAN Authenticity. Signed and numbered by the artist, a FRAMED GICLEE limited edition Giclee on canvas produced from original ON CANVAS, oil painting. Incised brass plate. Certificate of SOLITUDE Authenticity. As well as his highly acclaimed Western art, Terpning created the poster art for over 80 major films, including Cleopatra, Doctor Zhivago, The Sound of Music, The Sand Pebbles, The Guns of Navarone, and the 1967 re-release of Gone with the Wind.

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By artist Howard Terpning. Wood frame and white linen matte. Hawk Feathers. Signed and numbered by the artist, a limited edition Giclee on canvas produced from NATIVE AMERICAN original oil painting. Incised brass plate. Certificate of FRAMED GICLEE Authenticity. As well as his highly acclaimed Western art, ON CANVAS, Terpning created the poster art for over 80 major films, HAWK FEATHERS including Cleopatra, Doctor Zhivago, The Sound of Music, The Sand Pebbles, The Guns of Navarone, and the 1967 re-release of Gone with the Wind. 8.5"H x 8.5"W, pictured.

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NATIVE AMERICAN TRIBAL FRAMED, SIGNED ART PRINT POSTER

Signed and numbered by American born artist J.D. Challenger. HOLDS THE VICTORY. Limited edition print produced from the original. In a decorative wood frame with a tan matte under glass. 25"H x 22.5"W, pictured.

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Limited Edition print with a feather by artist Gerry Biron. Titled ALLIES. Image is inspired by the photograph of VINTAGE PRINT Crow Dog, taken by Edward Curtis signed and numbered WITH FEATHER on the lower right. Edition 674/1000. The work is framed NATIVE AMERICAN and matted in a black metal frame with double matting in WARRIOR black and off white. The feather is an original North American Wild Turkey feather. Gerry Biron is an American contemporary realist artist from Vermont.

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NATIVE AMERICAN TRIBAL HISTORICAL PHOTOGRAPH

Geronimo with Feathered Headdress, at Fort Marion. Publicly displayed during the 2009 "Geronimo Remembered" exhibition, Tucson, AZ, USA. Presented in a black wooden frame bordered with a decorative matte, sepia toned. Certificate of Authenticity. 5.75"H x 4"W, pictured.

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NATIVE AMERICAN Tilted WISDOM OF THE SHAMAN signed and numbered LIMITED EDITION print. Framed in a light aged wood and double matted. PRINT BY J.D. 22"H x 21.5"L, pictured. CHALLENGER

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NATIVE AMERICAN PRINT JD CHALLENGER THE MESSENGER

Limited edition wooden framed Giclee print. Reproduction of a print by JD Challenger that depicts a Native American Indian wearing feathered headdress with a horse. Artist signature bottom right of piece. 23"H x 23.5"L, pictured.

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JD CHALLENGER EYES OF A NATION PRINT

Limited edition wooden framed Native American print. Hand signed by artist and numbered limited edition 23 /300. Piece captures Native American Indian warriors dressed in feathered headdresses and tribal print garments. 22"H x 28"L, pictured.

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JD CHALLENGER THE FINAL SOLUTION PRINT

Limited edition wooden framed Indian Market 1999 Giclee print. Piece depicts portrait of a Native American man with feather in hair and decorated garment. The flag of United States is also shown in the print. Print is from the Michael McCormick Gallery. 23"H x 32"L, pictured.

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JOHN PACE (19302006) NATIVE AMERICAN OIL PAINTING, SIGNED

An oil painting reflecting 3 seated Native Americans. John Pace (1930-2006) tones in the painting are neutrals and sepia tones. Framed in box frame in natural wood tones.

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Black and white photograph on canvas of Geronimo. An PHOTOGRAPH OF open edition, gallery wrapped photograph of Geronimo NATIVE AMERICAN on canvas. The borders of the gallery wrap are painted GERONIMO and finished in black.

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By artist Howard Terpning. Wood frame and white linen matte. Hope Springs Eternal (The Ghost Dance). Signed and numbered by the artist, a limited edition lithograph NATIVE AMERICAN produced from the original 1987 oil painting. In a decorative green mottled wood frame under glass. Brass TRIBAL FRAMED, SIGNED ART PRINT plate affixed. As well as his highly acclaimed Western art, Terpning created the poster art for over 80 major films, POSTER including Cleopatra, Doctor Zhivago, The Sound of Music, The Sand Pebbles, The Guns of Navarone, and the 1967 re-release of Gone with the Wind. 26"H x 36.5"W, pictured.

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By artist Howard Terpning. Wood frame and white linen matte. Scout Report. Signed and numbered by the artist, a limited edition lithograph produced from the original NATIVE AMERICAN 1988 oil painting. In a decorative wood frame with gold TRIBAL FRAMED, and red mottled border under glass. Brass plate affixed. SIGNED ART PRINT As well as his highly acclaimed Western art, Terpning POSTER created the poster art for over 80 major films, including Cleopatra, Doctor Zhivago, The Sound of Music, The Sand Pebbles, The Guns of Navarone, and the 1967 re-release of Gone with the Wind. 19"H x 28.5"W, pictured.

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NATIVE AMERICAN TRIBAL WAR BONNET HEADDRESS

Numbered limited edition presented in decorative wood box frame. A limited edition Native American war bonnet headdress produced in accordance with the 1940 Bald Eagle Act, using turkey feathers hand decorated to simulate eagle feathers.

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50 individual color trading cards with names and tribes listed. A reproduction of an iconic 1888 series celebrating Native American chiefs and tribal leaders of the American FRAMED NATIVE West, with their tribal affiliations listed to front and AMERICAN CHIEFS reproduced manufacturer information to the back of COMMEMORATIVE each card. Presented in a gilt bronze decorated wooden CARDS frame with a striking decorative matte. Brass plate affixed. The tobacco company of Allen & Ginter was founded in 1865. In 1890, it joined W. Duke & Sons and other companies to form American Tobacco Company.

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By artist Howard Terpning. Wood frame and white linen matte. Seeking Guidance from the Great Spirit. Signed and numbered by the artist, a limited edition Giclee on canvas produced from the original oil painting. Brass NATIVE AMERICAN plate affixed to frame. Certificate of Authenticity. As well TRIBAL GICLEE ON as his highly acclaimed Western art, Terpning created the CANVAS, SIGNED poster art for over 80 major films, including Cleopatra, Doctor Zhivago, The Sound of Music, The Sand Pebbles, The Guns of Navarone, and the 1967 re-release of Gone with the Wind. 27.5"H x 31.5"W, pictured.

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Wooden frame, in a white linen matte. Artist Howard Terpning. Medicine Shields of the Blackfoot. Signed and numbered by the artist, a limited edition Giclee on canvas NATIVE AMERICAN produced from original oil painting. Incised brass plate. TRIBAL GICLEE ON Presented in a wooden frame with decorative linen matte border. Certificate of Authenticity. As well as his highly CANVAS SIGNED acclaimed Western art, Terpning created the poster art NUMBERED for over 80 major films, including Cleopatra, Doctor Zhivago, The Sound of Music, The Sand Pebbles, The Guns of Navarone, and the 1967 re-release of Gone with the Wind. 21.5"H x 22.5"W, pictured.

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NATIVE AMERICAN TRIBAL HEADDRESS ROACH, LARGE BOX FRAME

Porcupine hair roach, traditional Native American male headdress. Early 20th century Native American apparel artifact with hand colored tail hair from porcupine; red coloration can signify a veteran of battle. Hide straps. Presented in a heavy wooden box frame with native decoration to outside border, and deep red decoration within.

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Wooden framed Indian Market Native American Giclee print. Native American Indian wearing blue and red JD CHALLENGER PROUD STAR PRINT feathered headdress with prestigiously decorated garment . Piece is from the Houshang and Associates Gallery. 23"W x 32"L, pictured.

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Wooden framed 1983 Mercado de Santa Fe Native AMADO M PENA JR INDIAN MARKET American print. Print depicts Native American Indians at a Santa Fe Market in New Mexico. Artist signature done EL TALLER PRINT at bottom right corner of print. 18"H x 22"W, pictured.

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CHEYENNE MEDICINE MAN BY CLYDE HERON POSTER

Wooden framed poster of a Native American Cheyenne Medicine man. The Cheyenne is known as a Native American tribe consisting the Northern and Southern Cheyenne. The Medicine Man was usually given the role of war chief or head warrior of the Cheyenne tribe. Signed lower right of poster. 25"H x 20"W, pictured.

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STEVEN LANG NEW SUN RISING NATIVE AMERICAN PRINT

Wooden framed poster of a Native American Indian playing drum. Limited edition piece numbered 15/400. Signed by artist on the lower right corner of the print. 23" H x 17"W, pictured.

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LIMITED EDITION OF A NATIVE AMERICAN BOY AND EAGLE

GUARDIAN EAGLE embossed and hand colored limited edition print. A beautiful silhouetted portrait of a Native American boy and his guardian eagle spirit. Double matted and framed in a wooden red mahogany stained frame. 12.5"H x 9.5"W, pictured.

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NATIVE AMERICAN TRIBAL FRAMED, SIGNED ART PRINT POSTER

By artist Howard Terpning. From original pencil sketch. The Warrior. Signed and numbered by the artist, a limited edition print produced from the original 1981 pencil drawing. In a decorative wood frame with a gray matte under glass. Brass plate affixed. Certificate of Authenticity. 22"H x 12.75"W, pictured.

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7 PHOTOGRAPHS OF NATIVE A custom frame of 7 antique photographic reproductions. AMERICAN INDIAN Framed in a soft white matting in walnut wood. GERONIMO

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By artist Howard Terpning. Wood frame and white linen matte. Dust of Many Pony Soldiers. Signed and numbered NATIVE AMERICAN by the artist, a limited edition lithographic print produced from original oil painting. Certificate of Authenticity. As TRIBAL FRAMED, SIGNED ART PRINT well as his highly acclaimed Western art, Terpning created the poster art for over 80 major films, including POSTER Cleopatra, Doctor Zhivago, The Sound of Music, The Sand Pebbles, The Guns of Navarone, and the 1967 re-release of Gone with the Wind. 20.5"H x 29"W, pictured .

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NATIVE AMERICAN TRIBAL FRAMED, SIGNED ART PRINT POSTER

We the People, Indian Market exhibition promotional art. A stylized rendering of the preamble to the U.S. Constitution with Native American motifs. Signed and dated by artist J.D. Challenger. Advertising art for 1995 Santa Fe, NM Native American exhibit.

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NATIVE AMERICAN TRIBAL FRAMED, SIGNED ART PRINT POSTER

Concha, Indian Market exhibition promotional art. A Native American man depicted in a mixture of traditional Western costuming, used as advertising art for 2004 Santa Fe, NM Native American exhibit. Signed and dated by artist J.D. Challenger.

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GROUP OF 5 IMAGES OF FAMOUS NATIVE AMERICANS

4 matching frames with collectible postcards & 1 custom artwork. Post card images in matching green frames include: Haschebab, Navajo, by Edward Curtis in 1904; Snake Dancer, Hopi tribe, by Edward Curtis, circa 1900; Apache Mother and Baby circa 1900 and Quanah Parker's Daughters by James Mooney circa 1891.

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A framed archival print from an original Randall negative. Benjamin Gurney Randall was a mining engineer and Taos resident in the late 1890's until his passing in 1934. An avid documentarian and skilled photographer, his work TAOS SILHOUETTE, features significant historical value in recording the last BY B.G. RANDALL days of the Old West to film. Print is a certified authentic enlargement by Cliff Mills, great grandson and trustee of Randall's original glass plate negatives, originally photographer circa 1915. Masked, framed in solid wood. Certification of origin and authenticity on rear.

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GROUP OF 6 5 photographic reproductions and 1 VHS collection. NATIVE AMERICAN Collection of VHS tapes is in the original suite box and COLLECTORS SUITE labeled Discovery Collector's Edition.

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A limited-series framed print of a Native American man. Dated 1987, BLOODMAN is a realist work featuring a boldly-featured man in traditional dress. The print is numbered (901 of 1250), masked, framed in oak-stained molding and contains a brass plate with title and artist NATIVE AMERICAN name. Terpning is a acclaimed Western artist, known BLOODMAN BY today for his award winning Native American scenes, and HOWARD a career which includes a Marine Corps Combat Artist TERPNING (1927 - ) Hall of Fame induction for his work during Viet Nam; the creation of iconic cinema posters for movies like THE GUNS OF NAVARONE, DOCTOR ZHIVAGO, and THE SOUND OF MUSIC; and frequently commanding over 1 million dollars at auction for his original work. 12"H x 9" W, pictured.

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By artist Howard Terpning. Wood frame and white linen matte. Transferring the Medicine Shield. Original oil from 1991. Signed and numbered by the artist, a limited NATIVE AMERICAN edition Giclee on canvas produced from original oil GICLEE ON painting. Incised brass plate. Presented in a wooden CANVAS, frame with decorative linen matte border. Certificate of TRANSFERRING Authenticity. As well as his highly acclaimed Western art, THE MEDICINE Terpning created the poster art for over 80 major films, SHIELD including Cleopatra, Doctor Zhivago, The Sound of Music, The Sand Pebbles, The Guns of Navarone, and the 1967 re-release of Gone with the Wind. 44"H x 29"W, pictured.

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NATIVE AMERICAN Reprint of Edward Curtis' 1908 Native American photograph. Wooden framed print of Medicine Crow, MEDICINE CROW Native American Indian member of the Crow tribe. Print PHOTOGRAPH information on back of frame. 8.5"W x 11.5"H, pictured.

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PHOTOGRAPH OF Black and white photograph on canvas of Geronimo. An NATIVE AMERICAN open edition, gallery wrapped photograph of Geronimo on canvas. The borders of the gallery wrap are painted GERONIMO and finished in black.

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FREDERIC REMINGTON ORIGINAL WARNING SHOTS PRINT

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1973 restrike print pulled from original 1887 carved wood block. Print depicts Native American Indians on galloping horses in war during the American frontier period. Signed by Remington within the print. Includes artist and art information on the back of print and Certificate of Authenticity. 10"W x 14"H, pictured.

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KARL BODMER BLACKFOOT INDIAN ON HORSEBACK PRINT

Black ornate framed print with engraved professional color. Print depicts Native American Indian riding on a galloping horse. The Blackfeet Indians were also known as Niitsitapi. Archival print from Graham's American Monthly Magazine of Literature and Art. Lot includes art information. 10"H x 6"W, pictured.

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Photograph of Native American Indian War Chief, Rain in NATIVE AMERICAN the Face. Sepia toned, reproduction of a circa 1900 CHIEF VINTAGE photograph of the Indian War Chief Rain in the Face, in a PHOTOGRAPH dark walnut stained beveled, wood frame. 14"H x 11"L, pictured.

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Photograph of Native American Shoshini Tribe Chief, NATIVE AMERICAN Washakie Sepia toned, reproduction of a circa 1890 CHIEF VINTAGE photograph of the Shoshoni Tribe Chief, Washakie, in a PHOTOGRAPH dark walnut stained beveled wood frame. 14"H x 9.25"L, pictured.

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NATIVE AMERICAN PHOTOGRAPH OF GERONIMO AND APACHE TRIBESMEN

Black and white photograph of Geronimo on a horse. A reproduction of a circa 1886 photograph of Geronimo and other tribesmen on horseback, in a dark walnut stained wood frame. 9.75"H x 14"L pictured.

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B.G. RANDALL PHOTOGRAPH, GIVEAWAY DANCE

Framed print made from B. G. Randall's original photograph . Photograph depicts Native American Indians dancing, originally taken by B.G. Randall c. 1905 in Taos , New Mexico. Lot is in wooden frame and includes a Certificate of Authenticity signed by photographer's great-grandson, Cliff Mills. 4"L x 6"H, pictured.

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Z.S. LIANG NATIVE AMERICAN OGLALA WARRIOR GICLEE PRINT

Wooden framed Giclee print of Z.S. Liang's oil painting. Print depicts Native American Indian, Oglala Warrior in feathered headdress. Print has been personally approved by artist and has been signed. Giclee print was published by The Greenwich Workshop, Inc. in 2008. Lot includes a Certificate of authenticity and a 4 x 6 photo of the piece. 6.5"L x 8"H, pictured.

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By artist Howard Terpning. Holy Man of the Blackfoot. Signed and numbered by the artist, a limited edition Giclee on canvas produced from original oil painting. NATIVE AMERICAN Incised brass plate. Presented in a wooden frame with FRAMED GICLEE decorative linen matte border. Certificate of Authenticity. ON CANVAS, HOLY As well as his highly acclaimed Western art, Terpning MAN OF THE created the poster art for over 80 major films, including BLACKFOOT Cleopatra, Doctor Zhivago, The Sound of Music, The Sand Pebbles, The Guns of Navarone, and the 1967 re-release of Gone with the Wind. 32"H x 23.75"W, pictured.

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NATIVE AMERICAN LIMITED EDITION ART SIGNED BY ARTIST

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Drybrush watercolor depicting highly detailed Hopi Pueblo scene. Framed Southwestern Pueblo Indian art with artist signature and handwritten serial number. Presented in a wooden frame with a decorative matte birder. Certificate of Authenticity attached. 3.5"H x 5.5" W, pictured.

NATIVE AMERICAN TRIBAL SHAMAN WAR MEDICINE BEAR SHIELD

Presented in a wooden box frame with Native geometric patterns. An authentically designed replica Native American war medicine shield with central ochre red bear design and other Southwestern motifs, with feathers and beads. Signed and dated by artist Shoshone Yokut.

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J. WELLS CHAMPNEY 1878 INDIAN SCHOOL DRAWINGS

Issue of two half page drawings from the Harpers Weekly paper. Wooden framed May 11, 1878 feature of illustrations of Indian School at Fort Marion, St. Augustine, Florida, done by J. Wells Champney. Drawings depict an "Archery Practice" scene and "The School In The Chapel" scene. Harpers Weekly was an American political magazine based in New York. 6.5"L x 9"H, pictured.

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A limited-series framed print of a Native American man. Dated 1997, UNDEFEATED is a realist work featuring a Plain Native man with spear, in front of his horse. The print is numbered (472 of 950), signed, and framed in oakNATIVE AMERICAN stained molding. Terpning is a acclaimed Western artist, known today for his award winning Native American UNDEFEATED BY scenes, and a career which includes a Marine Corps HOWARD Combat Artist Hall of Fame induction for his work during TERPNING (1927 - ) Viet Nam; the creation of iconic cinema posters for movies like THE GUNS OF NAVARONE, DOCTOR ZHIVAGO, and THE SOUND OF MUSIC; and frequently commanding over 1 million dollars at auction for his original work. 12" L X 15H", pictured.

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A limited-series framed canvas print of horse and rider. Printed on textured canvas circa 1997, and signed by the artist. Number 64 of a limited 550 print run. The frame, in antiqued wood, contains a brass plate with the artist's NATIVE AMERICAN name and title. An acclaimed American Western AS ONE BY historical artist, Riley's work hangs in permanent KENNETH RILEY collections in the White House, Smithsonian Institution, (1919 - 2015) National Cowboy and Western Heritage Museum, and many galleries worldwide. His evocative style is on display in this piece, presenting an adorned Native American and his trusted mount, both decked in face paint and tassels. 13"H x 14.25"L, pictured.

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Picture Title: A Winchester and a Remington Falling Block. Taken from an original 1905 photograph of three Native NATIVE AMERICAN Americans, by 19th-20th century New Mexico FRAMED photographic journalist B. G. (Benjamin Gurneey) Randall, PHOTOGRAPH, B. reproduced by his great-grandson, photographer Cliff G. RANDALL Mills. Wooden frame, presented in a decorative matte border. 4.25"H x 6.25"W, pictured.

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Made from a large tail feather and decorative CLASSICAL NATIVE adornments. Trimmed and adorned with feathers, painted leather thong and concho, as well as beads. The AMERICAN HEADDRESS ROACH roach, a type of Native American headdress frequently worn by chiefs and warriors, would often be accented by the addition of a decorated roach feather.

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Pacific Northwest artisanal design with feathers. Made from porous reclaimed bone with a pumice-stone NATIVE AMERICAN texture, painted, carved and bored out. A smaller twin CARVED BONE mask in polished bone is mounted to the forehead, and MASK both are encircled in feathers. A cord is strung along the back for hanging. Of a style consistent with the Native Inuit and Alaskan Native tribes, with traditional materials.

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Tan with an unusual slate color with russet accents from NATIVE AMERICAN age. Navajo leather ceremonial mask with hide fringe, NAVAJO MEDICINE feathers, beads, and horse hair crest. Worn during important ceremonies by the Yei-be-chai, the masked CEREMONIAL dancer and Medicine Man who wears it to impersonate LEATHER MASK the Yei, the divine spirits of traditional Navajo religion. 24"L with fringe.

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NATIVE AMERICAN Plated metal with geometric symbol designs, decorated TRIBAL METAL with beads. Horsehair, feathers, and metallic elements. SHIELD NECKLACE Leather suede ties. Artist signature incised to back.

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Traditionalist tribal design with natural materials. Twelve NATIVE AMERICAN American buffalo teeth on a leather thong, broken up by BUFFALO TOOTH wood and brass beads, with an antique bone pendant NECKLACE inset with a bead. Twelve- and numbers divisible by 4North American tribes.

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Natural materials and beads with gilt sterling pendant. NATIVE AMERICAN Pendant is marked STERLING and maker's stamped on BEADED NECKLACE back- in the form of a stylized feather. Includes bone beads and a leather thong.

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NATIVE AMERICAN Leather, turquoise, feathers and bells in a traditionalist MEDICINE style. NECKLACE

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Handmade beaded Native American pendant. Western native American pendant adorned with natural bone NATIVE AMERICAN elements on a beaded strap. The hanging neck pendant BEADED NECKLACE features four hanging beaded tassels with a matching bone middle followed by pucca shell ends.

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Long pipe made with natural materials. The slender pipe, in the style of Plains tribal ceremonial art, is wrapped in NATIVE AMERICAN stitched rawhide, with a horn bowl and mouth piece. A BEADED PEACE ring of colored beads highlights the center. Brass tacks, PIPE bone conchos, seed beads, feathers, horse hair and brass . 22 caliber casings adorn its length. Marked on the bottom NAVAJO.

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Antique silver setting in rounded lozenge shape, engraved. Twelve polished turquoise cabochons are NAVAJO SILVER inset, and the back has a roller locked pin for use as a AND TURQOISE NATIVE AMERICAN broach or pin. Hand working and finishing throughout, in the Native American tribal tradition. Includes a Certificate PIN of Authenticity dating the piece to circa 1930 and Navajo make, from the Medicine Man Gallery of Tucson/Santa Fe.

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Concentric rings of delicate turquoise cabochons in silver. Setting of silver shows fine detail, with delicately beaded NATIVE AMERICAN intaglio work and twisted silver accents surrounding NAVAJO CLUSTER concentric layers. Construction attributed to the 1950s. PIN Rear has a cross pin and latch as well as necklace loop silver-soldered in place.

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NATIVE AMERICAN Embellished with beads and round mirrors. South BEADED LEATHER Western style Native American beaded waist belt with five round mirror affixed with leather hide and red beads, WAIST BELT cotton lining on belt backing and, leather ties.

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OIL ON CANVAS, STREET VIOLINIST, Gilt framed, mounted on board. Artist signed. Victorian ARTIST K. KALINSKI costume.

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AUSTRIAN TONALIST PAINTING, DANCERS, OIL ON BOARD

Two dancers in motion, one possibly Loie Fuller, in deep tonalism shadow. Signed by the artist, AP LAURENS. Unique backing board.

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BRASS FRAMED MINIATURE PAINTING OF A LADY

Empire/Neoclassical style dress of young lady on bone sheet painted in fine coloring and details. Classical leaf motif with filet concave gold metal brass frame backing and easel support

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SET OF FRAMED MINIATURE PORTRAITS DATED

Wide plank patinated wood gilt filet frame of two gentlemen in fine dress dated 1829 and 1830. Two mitered corner matching frames, Some what primitive in rendering but facial detail is expressed but the that dignified stoic countenance which is characteristic of portrait paining of the era is evident. Dated signed 1829 and 1830. Done in similar fashion and most likely same artist and a family connection due to resemblance. One is whose hand is slightly hidden in waistcoat is a common stance for the day to denote calm leadership and Masonic ties. Possibly brothers or other fraternal connection Dimension of painting #1 - 3"H x 2.5", painting #2 - 2.3/8""H x 1.75"W.

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GROUP OF TWO FRAMED MINIATURE PORTRAITS, FRAMED AND SIGNED BY ARTIST JOHANN HEINRICH SCHRAMM

Signed and dated. Wooden frames with gilt and floral decorations. Two early 19th century miniatures, female subjects in styles evoking the Romantic period in which these were painted. Signed and dated J SCHRAMM PAINTED 1834, for Johann Heinrich Schramm (18101865), Austrian portrait artist whose subjects included Prince Wilhelm Friedrich Karl of the Netherlands, and Cosima Wagner, daughter of composer Franz Liszt and wife of composer Richard Wagner. Presented in wooden frames with carved floral decorations and gilt.

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OIL PAINTING BY ARTIST HENRY JONES THADDEUS, PORTRAIT OF MARY GARRETT MICHELL, 1885

Gilt framed portrait of woman, seascape background. Artist signed and dated. A large gilt-framed oil painting portrait signed and dated 1885 by artist HENRY JONES THADDEUS (1859 1929), of MARY GARRETT MICHELL (d. April 8, 1921) of Yorkshire, England. Stylized seascape background. Mary was the daughter of Rev. William Thomas Garrett of Crakehalls, York, the Anglican Vicar of East Witton, whose family claimed descent from Sir William Garrett, Lord Mayor of London in 1555. In 1850, Rev. Garrett married Anne Horsfall (d. 1894), member of a prominent Yorkshire family. They had four children, of whom Mary was the youngest. In 1875, Mary Garrett married John Michell (1847-1878), the son of John Michell the Elder, J.P. (justice of the peace; 1819-1896), Magistrate and Deputy Lieutenant of Durham County. The Michells were the landlords of Forcett Hall, an ancient English manor first granted as a gift by William the Conqueror. John Michell the Younger, Mary s husband, had a promising start as a member of Yorkshire s landed gentry: he was appointed Justice of the Peace like his crown officer father, before dying tragically only three years after his marriage, in 1878. At the time she sat for this painting, the young Mary was already seven years a widow. Their home, Forcett Hall originally an Elizabethan house was redesigned in 1740 in the Palladian style by architect Daniel Garrett (possibly an ancestor of Mary). It was owned by the Shuttleworth family from the 16th century until 1785, when Robert Shuttleworth sold the estate to Frances Michell and her son, Charles, ancestor of Mary s husband. The artist, Henry Jones Thaddeus (1859 1929), was a realist and portrait painter born and trained in County Cork, Ireland. Born Henry Thaddeus Jones in 1859, he entered the Cork School of Art when he was ten years old. There he studied under the genre painter James Brenan. Thaddeus won the Taylor Prize in 1878 enabling him to go to London, and then again in 1879, which allowed him to continue his studies in Paris at the Acad mie Julian. His first major painting Le retour du braconnier ("The Wounded Poacher," 1881), now in the National Gallery of Ireland was hung "on the line" (at eye-level) at the Paris Salon of 1881. While in Brittany, he painted several pictures in the port of Concarneau. But it was as a portraitist that Thaddeus made his lasting reputation. His first success in this genre were portraits of the Duke and Duchess of Teck (relatives of the future Queen Mary), which were shown at the Royal Academy in 1884. The Tecks provided him with introductions to other influential sitters. Thaddeus received two portrait commissions from Pope Pius X (and possibly an earlier one for a portrait of Pope Leo XIII in 1885/86). A Fellow of the Royal Geographical Society, he traveled widely, including to Egypt in 1889 where he painted the Khedive; this portrait was subsequently presented to Queen Victoria at Windsor Castle. He also traveled to Australia. His autobiography, Recollections of a Court Painter, may have been written during time in California. In his later years he settled in the Isle of Wight and died there at Ryde in 1929. Decades after his death, art historian Julian Campbell became interested in the artist, and assembled an exhibition of Irish Impressionists in 1984 at the National Gallery of Ireland that included examples of Jones s work.

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LANDSCAPE OIL PAINTING BY FREDERICK JOHN MULHAUPT

New England lanscape oil painting by John Mulhaupt. FREDERICK JOHN MULHAUPT (1871-1938) was a well known American Impressionist painter. His work found national acclaim and recognition through his exhibitions at the Salmagundi Club in New York City, the Boston North Shore Art Association, the National Academy of Design, the Pennsylvania Academy of Fine Arts and the Art Institute of Chicago.

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OIL PAINTING BY LOUIS BETTS OF ELIZABETH NORTON

An American Impressionist oil painting by Louis Betts (1873-1961) A portrait of Elizabeth Norton, co-founder of the Norton Museum of Art, by artist Louis Betts, graduate of the Pennsylvania Academy of Fine Arts (1894) and member of the National Academy of Design (1915). His work is part of the permanent collection of the Chicago Art Institute, The Indianapolis Museum of Art, The Morris Museum of Art, the Richmond Art Museum and U.S. Senate Art Collection. About the Norton Museum: Founded in 1941 by Ralph Hubbard Norton (1875-1953) and his wife, Elizabeth Calhoun Norton (1881-1947). Norton headed Acme Steel Company in Chicago. He and his wife held a sizable collection of paintings and sculpture.

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OIL PAINTING BY ELLEN PYLE (18761936)

Oil on canvas laid to board, signed Ellen Pyle on lower left and inscribed on the verso PAINTED BY / ELLEN PYLE / IN U.S.A. This artwork appeared on the March 1934 cover of Parents' magazine. Record Sale for Ellen Pyle: A Saturday Evening Post Cover Oil/board, 28 x 22 in Hammer price: $ 32,500 Price including buyer's premium: $ 40,625 Estimate: $ 8,000 - $ 12,000 Sotheby's, 03 Oct 2013 New York NY, United States AMERICAN PAINTINGS DRAWINGS & SCULTPURE Lot number 162 Illustrated on page 90 of the catalog. About Ellen Pyle: Child portrait artist, she married H. Pyle's brother Walter in 1904. She returned to illustrating after her husband's death in 1919, doing covers for The Saturday Evening Post.

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OIL ON CANVAS, JAPANESE ART DECO, WOMAN IN CHILDS POSE

Bold fauvist colors in a deco display of rubenesque woman. Gilt molded floater frame. Marked to rear, 1948, with additional artist signature, and stamped seal- see photos for detail.

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OIL ON CANVAS, MODERN IMPRESSIONIST SEACOAST

By H. Ubertali. Bordered by soft pink edges, California coast. Ubertali has been represented at Wally Findlay galleries, as well as a number of prominent West Palm galleries and events.

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CONTEMPORARY OIL PAINTING BY DAN POOLE

Large, contemporary oil painting by American artist Dan Poole. WOMAN WATCHING A REGATTA. A contemporary seascape painting by the award winning American Artist Dan Pool (b.1941) of a woman looking out towards to sea. Signed by the artist, lower left and on the Verso.

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CONTEMPORARY ABSTRACT OIL PAINTING BY TOMOKO SUPAK

Artist: Tomoko Supak (b. 1941) - Contemporary Oil Painting Original contemporary abstract oil painting depicts artist's interpretation of scenes from Gone with the Wind. Painting is rich in green, red, blue, and flesh tones. Framed in .5"W gold tone metal frame. Signed by the artist, lower right. Image: 49"H x 36.5"W

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LARGE CUBIST OIL PAINTING INSPIRED BY PICASSO

Artist: Tomoko Supak (b. 1941) - Contemporary Oil Painting Original contemporary cubist oil painting depicts large carefree woman outdoors blowing dandelion seeds while birds enjoy a bird bath behind her. Painting is framed with black rounded, lacquered frame with linen liner and gold filigree. Signed by the artist, lower right. Image: 48"H x 65"W

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CONTEMPORARY OIL PAINTING INSPIRED BY PICASSO

Artist: Tomoko Supak (b. 1941) - Contemporary Oil Painting Original contemporary cubist oil painting of sitting woman in blue dress. Bamboo in the background fuses the artists Japanese heritage into the painting. Painting is framed with black rounded, lacquered frame with linen liner and gold filigree. Signed by the artist, lower right.

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CONTEMPORARY OIL PAINTING OF JAPANESE GEISHA

Artist: Tomoko Supak (b. 1941) - Contemporary Oil Painting Contemporary, gallery wrapped, oil painting of a Japanese geisha wearing a colorful kimono in a tea house. Unframed. Signed by the artist, lower right.

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CONTEMPORARY Artist: Sam Perry - Contemporary Abstract Oil Painting ABSTRACT Original abstract landscape oil painting depicting the REALISM PAINTING ground and a blue green sky. Unframed.

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ORIGINAL ROMERO BRITTO ABSOLUT VODKA BOTTLE

Absolut Vodka bottle with silver highlights, filled with paint and painted on exterior by Brazilian pop artist Romero Britto (b. 1963), whose work combines elements of cubism, pop art and graffiti painting, utilizing bold patterns and vibrant colors.

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ORIGINAL ROMERO BRITTO ABSOLUT VODKA BOTTLE

Absolut Vodka bottle with pink highlights, filled with paint and painted on exterior by Brazilian pop artist Romero Britto (b. 1963), whose work combines elements of cubism, pop art and graffiti painting, utilizing bold patterns and vibrant colors.

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CONTEMPORARY WATERCOLOR PAINTING

Artist: Merrick Wheeler - Contemporary watercolor painting Original watercolor painting titled PINDERS ON THE WATERWAY, depicting the Jupiter, FL inlet during the late 19th century/early 20th century. Framed in 1 inch grey frame and double matted. Matting shows some discoloration, and there are a few chips in the glass. Image size: 13.25"H x 17.25"W

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CONTEMPORARY WATERCOLOR PAINTING

Artist: Richard Frank - Contemporary watercolor painting. Contemporary watercolor painting titled DARK RAPTURE depicts a surreal landscape of mountains and several bodies of water, with an owl and a lily in the foreground. 1"W x 2.25"D rounded wood frame has a few chips and other imperfections, it is missing the joining piece for the bottom right corner. Can be purchase and shipped with or without the frame. Signed and dated by the artist, lower left. Image: 42"H x 32.25"W

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PETER MAX DISNEY COMMEMORATIVE SERIGRAPH PRINT

Disney commemorative, DONALD DUCK, a unique variation, mixed media work from Peter Max. Donald Duck, in a museum framed with custom painted fillet. Signed and numbered by the artist. Print size is 16" H x 14" W

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PETER MAX DISNEY COMMEMORATIVE SERIGRAPH PRINT

Disney commemorative, SNOW WITE, a unique variation, mixed media work from Peter Max. Snow White , in a museum framed with custom painted fillet. Signed and numbered by the artist. Print size is 16" H x 14" W

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PETER MAX DISNEY COMMEMORATIVE SERIGRAPH PRINT

Disney commemorative, MICKEY MOUSE, a unique variation, mixed media work from Peter Max. Mickey Mouse , in a museum framed with custom painted fillet. Print size is 16" H x 14" W

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PETER MAX DISNEY COMMEMORATIVE SERIGRAPH PRINT

Disney commemorative ,GOOFY, A unique variation, mixed media work from Peter Max. Disney commemorative. GOOFY , in a museum framed with custom painted fillet. Signed and numbered by the artist. Print size is 16" H x 14" W

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WATERCOLOR HUNT SCENE ON PAPER, CHARLES SIMPSON

Watercolor painting hunt scene "The Belvoir at Sproxton." By Charles Walter Simpson R.I, R.O.I. (British 1885-1971) Simpson's works were exhibited at the Royal Academy, Victoria and Albert Museum in London, and are in a large number of private collections. In 1924 he made sketches at the rodeo held at Wembley, from which he produced a book, El Rodeo. Double matted.

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FRAMED ORIENTALIST OIL Scene from the Persian desert, with belly dancer. Oil on BY MIGUEL MONTANER (1860- board. Gilded frame. 1940)

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PEITRA DURA MARBLE SCENE Expertly inlaid and polished, colored marble image. FROM A BALCONY, Frame of gilded wood. FRAMED

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OIL PAINTING BY AMERCAN ARTIST JAMES CARLIN B. 1906

1940's Modern Realist painting by American artist James Carlin Oil on Panel "The Bathhouse" by James Carlin (American, 1909/10-2005), painted in 1940. Frame and painting are excellent condition. Beautiful impasto and texture in the brush and palette work.

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CONTEMPORARY ABSTRACT PAINTING

Contemporary oil on paper painting A P. Allen, Abstract painting with gold, white, brown, and gray tones. Work has some creasing which adds texture. Framed in 1"W x . 5"D good color wood frame and triple matted. Signed and dated by the artist, lower left. Image: 8.5"H x 8.5"W

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BARBIZON LANDSCAPE OIL PAINTING BY A. KAUFMANN

Oil on canvas painting by Adolf Kaufmann (1848-1916). A classic Barbizon School landscape, dated 1890 on the lower left, and signed by the artist. Some crackling on the canvas, consistent with age. The frame is a solid wood frame with gold leaf throughout. The frame is 5" W x 2.5" D. Image size is 38.5" H x 28" W

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CONTEMPORARY ACRYLIC LANDSCAPE DIPTYCH

Sepia toned landscape diptych. SWAMP GROUP #3, a sepia toned diptych by M. E. Wheeler depicting two landscapes with swamps. Framed in .5"W x .5"D gold and silver toned wood frame .Frame has some minor dents on the edges. Each image measures 3.5"H x 4.75"W

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2 MONOTONE CONTEMPORARY WATERCOLOR PAINTINGS OF PERU

A cityscape scene, painted en Plein Air by Saul Fernandez. Framed and matted in a soft blue, with a hard wood frame. Signed and Titled CALLE CORREO on the upper left, verso.

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ISABEL RODRIGUEZ Original pencil drawing of a flower by Cuban artist who JARDINES (CUBAN, used the pseudonym Casiguaya. Signed and dated lower B.1964) DRAWING left.

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LARGE 20TH CENTURY ABSTRACT PAINTING

Late 20th century abstract watercolor painting Abstract watercolor painting. Title: RIDING ENGLISH IN ARGENTINA by Peter Kitchell (b. 1950). Signed and dated in pecil by the artist bottom center. Overall good condition with no obvious defects. Unframed. Signed and titled on reverse.

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LARGE CONTEMPORARY ABSTRACT ACRYLIC PAINTING

Contemporary abstract acrylic painting Large abstract , acrylic on canvas, with an impression of the sun. Gallery Wrap mounting. Unframed. Overall good condition. Unsigned.

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LARGE CONTEMPORARY MINAMALIST OIL PAINTING

Contemporary seascape minimalist oil painting Large minimalist painting titled SEA TREASURE, by Miriam Newman depicts a conch shell on a tranquil ocean beach. Overall good condition, the .25"W painted wood frame shows some wear of the paint. Signed by the artist, front lower left. Also, signed, dated, and titled on the verso. Image: 60"H x 60"W

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13TH CENTURY TURKISH CAIRO SEBIL FOUNTAIN

Islamic artifact associated with water and prayer. Solid marble. Piece produced during the height of the Ottoman empire.

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LARGE TERRACOTTA NUDE SCULTURE C. 1960

Large Terracotta Nude Sculpture-C. !960 This mid Century modern nude sculpture is made in Terracotta and is set on a wood base. A great sculpture for the mid mod home. Signed-Unknown artist

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CARVED BLACK BASALT HUNTING SCULPTURE, BUFFALO AND LIONS

Large, solid stone sculpture in dramatic high relief.

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D’ARGENTA SILVER PLATED SCULPTURE TIGER MOM AND CUBS

A study of a tigress and her cubs. Silver plate over copper and other materials. An impressively large silver plated sculpture created by Latin American artist Ricardo del Rio. One of a limited edition of 500. Weight: 89 pounds.

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MEISSEN PORCELAIN FIGURATIVE ALLEGORICAL SCULPTURE, CAPTURING OF INFANT LIKE TRITON WITH MAIDENS

Sizable grouping of four allegorical figures depicting a Greek tale, brilliantly hand decorated and glazed. A large Meissen porcelain allegorical scene showing four mythic figures, Expertly modeled of two female partly clothed maidens capturing a baby mer-creature ("triton") and a fellow child in their net. Motifs of fish, clamshells, ocean waves, plant life, and other sea imagery are evocative of the nautical depths. Detailed faces and incredible shading and hand coloring. Marked Meissen, founded c. 1708, were the originators of European hard-paste porcelain. Gilt trim to base. Marked on underside.

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GOLDSCHEIDER ART DECO THE ARABIAN DANCER

Large figure of a woman dancing with a scarf. Figure of The Arabian Dancer in a purple costume with purple floral scarf on a small white oval base. Printed factory marks and impressed model number 6063.

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PORCELAIN SCHWARZBURGER FIGURE OF DANCING JESTER

White glazed articulated decorated figure in curved pose signed by Otto Kramer. Famous and rare porcelain company, purple and rust colored edged costume female figure holding a mirror looking upwards, impressed makes underneath.

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Stone sculpture of a Canadian goose in flight. CANADIAN GOOSE by W.A. Cameron is a carved stone sculpture CANADA GOOSE depicting a Canadian goose in flight. The dark stone STONE SCULPTURE goose is mounted on a gray stone base, which has a brass signature plaque. Overall good condition - there are a few small scratches near the bird's beak.

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Carved oblong marble sculpture. Modern abstract style carved white marble sculpture features smooth rounded edges and an oblong shape. Overall good condition sculpture and base have no damage. Marble and wood base are separable. Sculpture: 12"W x 5"W x 12.75"H Base: 6"W x 5.75"D x 4"H

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ABSTRACT MARBLE SCULPTURE

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Exquisitely detailed cupid as mischievous grinning child with wings, quiver and bow Great detail given to all parts of this figures from the feathers of the wings to this hands and small intricate heart. The artist, Carl Kauba BRONZE CUPID ON was born in Vienna in 1865 and died in 1922. Although he MARBLE BASE signed "Carl", or "C". Son of an Austrian shoemaker, Carl SINGED C. KAUBA never visited America himself but was inspired by the romantic stories by the German, Carl May and many photographers. He was a successful business man and an artist. Total weight with base 878 grams

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RARE LIMOGES ENAMEL-ONBRONZE FLORAL SCULPTURE

Delicate curves of white, pale yellow, with glass applique France Limoges Signed on underside.

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ERNST NEIZVESTNY BRONZE SCULPTURE

Large bronze statue Hermaphrodite (also known as Lovers) by Ernst Neizvestny (Russian-American, 19252016), created in 1988, numbered 3 from a limited edition of 9, signed to the base. Ernst Iosifovich Neizvestny was a Russian-American sculptor, painter, graphic artist, and art philosopher. He emigrated to the U. S. in 1976 and lived and worked in New York City. Playwright Arthur Miller described Neizvestny as an "expression of [Russia], of its soul, language, and spirit," and the "philosophical conscience of his country." American artist Alexander Calder told Neizvestny, "All my life, I create the world of children, and you create the world of man." [New York City Tribune, March 29, 1988.] The only auction record for a sculpture from Hermaphrodite edition is October 7, 2008 Sotheby's New York Lot 162 sold for $16,250 which was more then double the maximum estimate.

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Cast bronze, presented on red marble base. Jean-Pierre ART DECO BRONZE Morante (1882-1960) was a sculptor who primarily cast SCULPTURE, SEMI figures of dancers in bronze. This piece is signed in the NUDE cast.

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BRONZE SCULPTURE OF DANCER BY DAVID HEUNEGARDT (1924-2010)

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A bronze sculpture by famed Los Angeles Artist David Heunegardt entitled "Pause the Motion" Impressionistic in style and manner, this sculpture work captures the grace and energy of the dancer's athletic body, poised for his next movement. The sinewy musculature of the dancer is rendered in the traditional male dancer belt practice wear.

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PAUL HERZEL (GERMANAMERICAN, 18761956) BRONZE

Paul Herzel (German-American, 1876-1956) Bronze Statue of a Pirate with a Sword and Knives on his Chest. Signed on the back of the base.

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A. GAUDEZ (FRENCH, 18451902) BRONZE FIGURE

Adrien Etienne Gaudez (French, 1845-1902) Bronze Statue of a Man Carrying a Basket. Signed on the base.

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EMMANUEL Emmanuel Villanis (French, 1858-1914) Bronze Sculpture VILLANIS (FRENCH, Nubian Slave Market of a Nude Woman with Removable 1858-1914) NUDE Skirt. Signed on the side of the base. BRONZE

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BRUNO LUNA Bruno Luna (Mexican, b.1963) Contemporary Bronze (MEXICAN, b.1963) Sculpture in Botero Style of a Lady Playing Tennis. Signed BRONZE TENNIS and numbered on the base. PLAYER

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BRUNO LUNA Bruno Luna (Mexican, b.1963) Contemporary Bronze (MEXICAN, b.1963) Figure in Botero Style of a Lady in Rocking Chair with a BRONZE Bouquet of Flowers in her Hands. Signed on the side. SCULPTURE

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RARE LARGESCALE A. DUBUCAND BRONZE STATUE, THE HUNTER

Orientalist masterpiece of Mongolian hunter astride horse, with greyhounds. Alfred Dubucand (1828-1894) was a French-born animalier sculptor, particularly known for his scenic groupings, high degree of realism, and motifs in the orientalist style. He studied under the famed Antoine-Louis Barye, before becoming a master of the animalist movement in his own right. Revered for his large bronzes in the lost-wax method, his work is highly respected today. Piece is marked with the iconic "DUBUCAND" on front left, and a foundry stamping number on rear left.

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SILVER BRONZE PHEASANT ON MARBLE BASE

Silvered Bronze Pheasant on Green Marbled Base A beautifully created late 19th early 20th century well detailed silvered bronze pheasant situated on top of a green marble base.

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SOLID BRONZE Americana. Bust modeled in headdress, with 2 arrows FIRST NATION BUST OF CHIEFTAIN twined by snake at breast. Basalt dark marble base.

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DUTCHESS ADELLE D'AFFRY MARCELLO LARGE BRONZE

Duchess Adelle D'Affry Marcello Bronze-Man/Monkey A magnificent large example of this famous Swiss Bronze Sculptor, the Duchess Adele D'Affry MARCELLO (18361879). The detailed face of the man and the monkey on his shoulder make this bronze especially desirable to any collector. A beautiful and whimsical example created by this artist of the 19th century. Signed . The Duchess was married to Carlo Colonna, Duke of Castiglione-Altibrandi. She created her first successful composition, La Belle Helene in 1860.

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F. BARBEDIENNE FOUNDRY BRONZE PLAQUE SET ON A WOOD BASE

F. Barbedienne Foundry bronze plaque on wood base This quality Bronze plaque depicts a mother and children and is in fine condition. Signed F. (Ferdinand-1810-1892) Barbedienne for the foundry. FRAME SIZE IS H-21' W 15", PLAQUES IS H-17" AND W-IS 11.5". Signed.

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2 MONUMENTAL SOLID BRONZE BEAUX ARTS FIREPLACE ANDIRONS

French Neoclassical design. Rich brown russet antique patination. Group of 2; four footed; a large central urn with lions' heads and reticulated scroll handles, concave sided base with profuse raised designs including flora and garlands. WEIGHT: 19 lbs.

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EARLY 20TH CENTURY ART NOUVEAU BRONZE CLOCK, AFTER STANISLAUS CZAPEQUE

A table top clock case made in bronze, figure of a man ringing a bell. The figure and bell are in high relief. The clock is believed to inspired by the Art Nouveau Artist Czapeque. Top of mallet is missing from hand of the figure. Also missing clock hands. Reference: Model 2600 found on page 59 in the book Goldscheider- A Catalogue of Selected Models. The Latin description translates I CALL THE LIVING, I MOURN THE DEAD, I BREAK THE LIGHTNING BOLTS.

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GROUP OF FIVE RUSSIAN BRONZE RELIGIOUS ICONS

Patinated. Various sizes, depicting Eastern Orthodox hagiography. A group of five bronze Eastern Orthodox religious icons, depicting various saints, symbols, and hagiography of the Eastern Orthodox faiths. Exemplary pieces with varying patinas.

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LARGE CONTEMPORARY ART PRINT by RUFFINO TAMAYO

A Work on Paper in Mixogrpah Media by Ruffino Tamayo (1899-1991) Art print depicts a black hand and forearm wearing a watch or bracelet. Signed by the artist, lower left. Hand numbered 67/100 bottom left. Overall good condition - glass has a small crack, lower left. Image: 47"H x 31.25"W

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MARC CHAGALL (1887-1985) LITHOGRAPH TITLED LE BOUQUET

Signed, lower right in pencil, and numbered lower left. 240/500. Unframed. Marc Zakharovich Chagall (18871985) was a Russian-born Jewish artist whose deep faith displayed itself across his body of work. In addition to Old Testament themes, Russian village life was a common favorite subject. His dreamy, vividly-colored pieces caused him to be associated with the Surrealists (a charge he vigorously denied). Besides painting, Chagall's huge output included book illustration, set and costume design, murals, lithography and a number of truly amazing stained glass windows.

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FRAMED AQUATINT ETCHING, AME ERRANTE (WANDERING SOUL), BY ANDRE MASSON

Limited edition aquatint etching, blue and white on vellum. Presented in a black frame with matte and border. Signed and numbered by Andre Masson (18961987), French painter, sculptor, illustrator, designer and writer, known for landscapes, waterfalls, and works inspired by the elemental forces of nature. Private collection. Certificate of Authenticity.

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FRAMED COLOR LITHOGRAPH, MELANCHOLIC DONKEY LITHOGRAPH II, BY JOAN MIRO

Limited edition lithograph in color on wove Arches paper by Joan Miro i Ferra (1893-1983), Spanish painter, sculptor and ceramicist. Presented in a black frame with matte and border. Featured on Pp. 28-32 of Joan Miro Lithographs Volume III, 1964-1969. Private collection. Certificate of Authenticity available.

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ANDRE MASSON (1896-1987) AQUATINT PRINT

Title: "Caprice Vegetale". Aquatint on Arches paper from an edition of 50. Certificate of Authenticity available.

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Offset lithographic poster printed in colors. From the AFTER DAVID 1973 ARTCURIAL EXHIBITION, on wove, signed in pencil, HOCKNEY EXHIBTION POSTER published by Mourlot, Paris, with their blindstamp, the full sheet.

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ROBERT NATKIN ABSTRACT LITHOGRAPH

20th Century abstract lithograph By Robert Natkin. UNTITLED lithograph by Robert Natkin ( b. 1930 d. 2010). Overall good condition, some minor scuffing on the bottom right of the frame. Signed by the artist, lower right. Labeled as A.P. (Artist's Proof) 002 on back of frame. Image: 30"H x 22"W

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Limited Edition, Fine Art Photograph by Allan Jenkins. A limited, painterly Archival Pigment Photograph Print. SPANISH STILL LIFE From the Series "Flora." Inspired by and in the style of BOUQUET Flemish Still Life painters. Private Collection, PHOTOGRAPH BY acquired directly from the Artist. Unframed. Signed, ALLAN JENKINS numbered and titled on the verso. Whitley's Auctioneers can provide framing options through the Artist's studio after acquisition or ship the work unframed.

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PARROT TULIP BOUQUET PHOTOGRAPH BY ALLAN JENKINS

Limited Edition, Fine Art Photograph by Allan Jenkins. A limited, painterly Archival Pigment Photograph Print. From the Series "Flora." Inspired by and in the style of Flemish Still Life painters. Private Collection, acquired directly from the Artist. Unframed. Signed, numbered and titled on the verso. Whitley's Auctioneers can assist with framing options after acquisition or ship the work unframed.

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BOUQUET WITH QUAIL EGGS PHOTOGRAPH BY ALLAN JENKINS

Limited Edition, Fine Art Photograph by Allan Jenkins. A limited, painterly Archival Pigment Photograph Print. From the Series "Flora." Inspired by and in the style of Flemish Still Life painters. Private Collection, acquired directly from the Artist. Unframed. Signed, numbered and titled on the verso. Whitley's Auctioneers can provide framing options after acquisition or ship the work unframed.

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FINE ART PHOTOGRAPH, FREDERICK FORSYTH BY ALISTAIR MORRISON

Celebrity Portrait Photograph by Alistair Morrison. Fredrick Forsyth, London 1989 Title: FREDERICK FORSYTH, LONDON 1989 Image: 18" x 18" Alistair Morrison verification stamp on lower right corner. Title, date, edition on verso. Signed on verso. Edition number: 19 /25

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FINE ART PHOTOGRAPH, DONALD SUTHERLAND, BY ALISTAIR MORRISON

Celebrity Photograph Donald Sutherland, London by Alistair Morrison Title: DONALD SUTHERLAND LONDON, 1994 Image: 18" inches x 18" inches Includes Alistair Morrison verification stamp. Title, date, edition on verso. Signed on verso. Edition Number: 12/25

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VINTAGE BETTE DAVIS PHOTOGRAPH BY ALISTAIR MORRISON

Vintage Silver Gelatin Photograph of Bette Davis. A unique, vintage Silver Gelatin photograph shot by Alistair Morrison of Bette Davis in London, 1987. The artist recounts the photo shoot in her hotel suite well and recalls that Bette Davis, upon reviewing the proofs, asked the young photographer how many images he needed. He replied "6 Ma'am." Bette Davis proceeded to take scissors to the images she did not approve of and granted Mr. Morrison his 6 images for the article to be published. This is the only official photograph printed from the collection. Signed and Titled on the verso. Framed in black wood and Matted.

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VINTAGE MICKEY ROURKE PORTRAIT PHOTOGRAPH BY ALISTAIR MORRISON, LONDON 1989

Limited Edition, vintage, silver gelatin photograph of Mickey Rourke by Alistair Morrison Vintage MICKEY ROURKE London 1989, Silver Gelatin Print Includes Alistair Morrison verification stamp on front. Title, date, and edition on verso. Signed on verso. Edition Number 20 of 25

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LIMITED EDITION PHOTOGRAPH OF GEORGE HARRISON BY ALISTAIR MORRISON

Archival Pigment Print Photograph of George Harrison. Taken in London, 1988. This image is also part of the Primary Collection of the National Portrait Gallery in London. Matted and Framed. Signed on the Verso.

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VINTAGE CHRISTIAN LACROIX PHOTOGRAPH BY ALISTAIR MORRISON

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Vintage celebrity photograph of Christian Lacroix. A private moment in the studio with French fashion designer, Christian Lacroix. Framed and matted in black wood. Silver Gelatin Photograph. Alistair Morrison verification stamp on lower right corner. Title, date, edition on verso. Signed on verso. Private Collection.

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HYPERREALIST SIGNED SERIGRAPH PRINT ON CANVAS BY ALEXANDER CHEN

Title: "I Love New York" Serigraph on canvas, framed. Unique variation, hand signed and hand embellished. Private collection. Certificate of Authenticity available. View of the Statue of Liberty on Liberty Island in New York Harbor, by Alexander Chen (b. 1952), Chinese American hyper-realist artist whose work is inspired by the world’s great cities and sights.

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ANATOLE KRASNYANSKY, SIGNED SERIGRAPH ON ARCHES PAPER

Titled "Blue Swan". Figurative Surrealism. Signed, lower left, numbered on the right. Private collection. Certificate of Authenticity available. Serigraph in color on wove paper, framed. From the artist’s proof edition of 50, annotated EA and numbered by Ukrainian American artist Anatole Krasnyansky (b. 1930), famed for his pioneering work in texture, structure and surrealism with influences of cubism.

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FRAMED LIMITED EDITION PRINT, BY THE CHEDDAR RIVER MILFORD, MALCOLM WARR

Serigraph, screen print. Framed and presented in a decorative matte with border and trim. By New Zealand graphic artist Malcolm Warr (b. 1939). Signed and numbered.

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FRAMED LIMITED EDITION PRINT, DESERT LACE, BY SHIRLEY JEANE

Giclee print framed in black wood and presented in a terracotta, linen matte with border and trim. Reproduction of an original painting printed with archival pigments on watercolor paper. Includes Certificate of Authenticity signed by American artist Shirley Jeane.

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FRAMED CIBACHROME Framed Cibachrome photograph of Angel Arch in PRINT, ANGEL Canyonlands National Park, Moab, UT by American ARCH, BY MICHAEL photographer artist, Michael Fatali (b. 1965). FATALI

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LARGE FRAMED COLOR LITHOGRAPH PRINT, HONG KONG, BY MARCEL MOULY

Limited edition lithograph. Wooden frame, with gilt decoration. Presented in a white matte with border and trim. Impressionistic Fauvism signed and numbered by French abstract artist Marcel Mouly (1918-2008) on wove Arches paper. Private collection. Certificate of Authenticity available.

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FRAMED COLOR LITHOGRAPH PRINT, FLEURS ET PICHET, BY MARCEL MOULY

Limited edition lithograph. Presented in a black frame with matte and border. Impressionistic Fauvism signed and numbered by French abstract artist Marcel Mouly (1918-2008) on wove Arches paper. Private collection. Certificate of Authenticity available.

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FRAMED COLOR LITHOGRAPH PRINT, LE TROIS VOILIERS, BY MARCEL MOULY

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FRAMED COLOR LITHOGRAPH PRINT, MEXICAINS ET MEXICAINES, BY MARCEL MOULY

Limited edition lithograph. Presented in a wooden frame with gilt, matte and border. Impressionistic Fauvism signed and numbered by French abstract artist Marcel Mouly (1918-2008) on wove Arches paper. Private collection. Certificate of Authenticity.

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FRAMED COLOR LITHOGRAPH PRINT, L’ESCALE, BY MARCEL MOULY

Limited edition lithograph in color. Presented in a black frame with matte and border. Impressionistic Fauvism signed and numbered by French abstract artist Marcel Mouly (1918-2008) on BFK Rives paper. Private collection. Certificate of Authenticity.

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LARGE FRAMED COLOR LITHOGRAPH PRINT, LA GRANDE GUITARE BLANCHE, BY MARCEL MOULY

Limited edition lithograph in color with embossing on wove Arches paper. Presented in a black frame with matte and border. Impressionistic Fauvism signed and numbered by French abstract artist Marcel Mouly (19182008). Private collection. Certificate of Authenticity.

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LARGE FRAMED COLOR SERIGRAPH PRINT, REFLET, BY KOZO INOUE

Limited edition serigraph in color. Presented in a black frame with black matte and border. Signed and numbered by Japanese artist Kozo Inoue (b. 1937), known for his environmental art using silkscreens to create Surrealistic works underlined by a strong note of Minimalism. Private collection. Certificate of Authenticity.

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LARGE FRAMED COLOR GICLEE PRINT, PLAY IT AGAIN, BY ALFRED GOCKEL

Limited edition Giclee with hand drawn remarque in color on canvas. Presented in a wooden frame with decorative matte and border. Signed and numbered by German artist Alfred Alexander Gockel (b. 1952), known for his modern art lithographs and serigraphs and his expressive use of rich, primary colors. Private collection. Certificate of Authenticity.

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GROUP OF 3 BLACK AND WHITE FRAMED LITHOGRAPHS, NEW YORK CITY SCENES

1. Grand Central 2. New York 3. New York City Library. Gold metal frames. Signed by American artist Delbart Duchein (b. 1942), known for his Manhattan cityscapes blending natural forms and man-made structures. Private collection. Certificate of Authenticity.

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FRAMED COLOR LITHOGRAPH, LA MUSICIENNE, BY MARCEL MOULY

Limited edition lithograph in color on wove Arches paper. Presented in a black frame with matte and border. Impressionistic Fauvism signed and numbered by French abstract artist Marcel Mouly (1918-2008). Private collection. Certificate of Authenticity.

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FRAMED COLOR SERIGRAPH, FISHING, BY SHLOMO ALTER

Limited edition serigraph in color on wove Arches paper. Presented in a black frame with matte and border. Signed and numbered by Shlomo Alter (b. 1936), Romanian Impressionistic style painter, whose work is typified by a soft impressionist palette, subtle color variations and delicate details. Private collection. Certificate of Authenticity.

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FRAMED COLOR SERIGRAPH, BLUE VASE, BY SHLOMO ALTER

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FRAMED COLOR LITHOGRAPH, LES CARGOS (THE CARGO SHIPS), BY MARCEL MOULY

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FRAMED COLOR SERIGRAPH, BOUQUET IN THE DARK, BY ALEXANDER WISSOTSKY

Limited edition serigraph in color on wove Arches paper. Presented in a black frame with matte and border. Signed and numbered by Alexander Wissotzky, the artistic pen name jointly used by Crimean-born husband and wife Alexander Galtchansky (1959-2008) and Tanya Wissotzky (1959-2006), who collaborated together. Private collection. Certificate of Authenticity.

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INDUSTRIAL ART, FRAMED MUSEUM POSTER, REPRODUCTION AFTER FRANCIS CRISS

Reproduction of an important piece of Depression Impressionist art by Francis Criss (1901-1973), a mural of the Williamsburg Housing Project, Brooklyn, NY (1937). In an Art Deco style gold metal frame. The original painting was transferred from the Newark Museum to the National Museum of American Art, Smithsonian Institution. This poster print created to mark the transfer, 1966.

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LARGE IGOR TULPANOV LITHOGRAPH

Colorful contemporary lithograph of woman and cat Vibrantly colored framed lithograph by Russian artist Igor Tulpanov (b. 1939) depicts a nude woman in a flowing blanket with a cat on her lap during an ocean sunset. Framed in 3.25"W x 1.25"D gold color wood frame. Overall good condition - frame has minor damage, top right. Image: 54"H x 39.5"W

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LARGE IGOR TULPANOV LITHOGRAPH

Surreal contemporary lithograph portrait Contemporary lithograph titled VITALISM by Russian artist Igor Tul' Panov (b. 1939) depicts a surreal portrait of a woman. Framed in a 3.25"W x 1.5"D gold color wood frame with white matting and gold filigree Overall good condition. Print is plate signed and dated, as well as hand signed and numbered 2/44. Image: 40"H x 32"W

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LARGE IGOR TULPANOV LITHOGRAPH

Surreal contemporary lithograph portrait Pastel hued surreal portrait of a female European monarch by Russian artist Igor Tulpanov (b. 1939) with the title ONE EARTH, ONE GOD, ONE EMPIRE. Framed in 3.25"W x 1.25"D gold color wood frame. Overall good condition - there is some discoloration on the frame, lower left. Print includes the artists initials and date, lower right. Image: 54"H x 39.5"W

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Artist: Signed but unknown. Late 19th/early 20th century etching Late 19th century/early 20th century oil etching depicting a man deep in thought in his library. Framed in LATE 19TH/EARLY newer gold tone wood frame with black matting and gold 20TH CENTURY OIL filigree. Some minor damage to the frame in multiple ETCHING spots, and some scratching on the mat and filigree. Signed lower right by the artist and numbered lower left, 126/295. Image: 11.5" H x 15.25" W

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Bernard Charoy (French, born 1931) limited edition lithograph numbered 9/250 lower left, pencil signed BERNARD CHAROY lower right. Many works by the artist have been sold at (FRENCH, b.1931) auction, including "Jardin en Mediterranee" sold at LITHOGRAPH Ravenel, Taipei "Modern & Contemporary Art" in 2017 for $29,985.

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Contemporary serigraph of tourists at Federal Hall on Wall St Large vibrantly color serigraph by Susan Pear Meisel (b. 1947) depicts a busy street in front of Federal Hall on Wall St with many children releasing balloons. Overall good condition. Framed in 1"Wx1.5"D rounded wood frame. Signed by the artist, lower right. Titled SUB TREASURY lower center. Numbered 121/300 lower left. Image: 29"H x 41"W

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LARGE CONTEMPORARY WALL ST SERIGRAPH PRINT

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Contemporary serigraph of Delmonico's restaurant in Manhattan. Large colorful serigraph by Susan Pear Meisel LARGE (b. 1947) depicts people queuing outside Delmonico's CONTEMPORARY restaurant in lower Manhattan. Overall good condition. SERIGRAPH PRINT Framed in 1"Wx1.5"D rounded wood frame. Signed by DELMONICO'S NYC the artist, lower right. Titled DELMONICO lower center. Numbered 121/300 lower left. Image: 41"H x 27"W

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SIGNED FLORIDA HIGHWAYMEN PRINT

Florida Highwaymen exhibition poster, signed by 7 artists Print of POINCIANA CURVE by A.J. Brown along with text about the history of the Florida Highwaymen and a charity event at the Lighthouse Art Center in Jupiter, FL. Print is signed by Issac Knight, Roy McLendon, Sr., Jimmy Stovall, Roy McLendon, Jr., Ray McLendon, Johnny Stovall, and A.J. Brown. Image: 10.75"H x 16.75"W

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AINSLIE ROBERTS MID 20TH CENTURY ART PRINT

Art print depicting Australian magpie birds. THE SCORCHING OF THE BIRDS print by Ainslie Roberts (Australian, b. 1911 - d. 1993) depicts several birds amongst an orange fiery background. Overall good condition, some wear on the frame edges and two scratches on the frame, center bottom. Framed in .75"W x .5"D black wood frame. Signed and dated by the artist, lower right. Titled, lower left. Image: 19.5"H x 26.5"W

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FRAMED WILL MOSES FOLK ART PRINT

Folk art print of a 19th century American winter scene. Framed print of a 19th century winter scene in rural New York. Overall good condition, frame is slightly chipped on bottom right corner. Image: 13.5"H x 18"W

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AINSLIE ROBERTS MID 20TH CENTURY ART PRINT

Art print depicting a flower and Aboriginal hunter. WARATAH AND THE BLIND HUNTER print by Ainslie Roberts (Australian, b. 1911 - d. 1993) depicts an Aboriginal hunter embracing a waratah flower. Overall good condition, some wear on the frame edges and scratching on the bottom front of the frame. Some slight discoloration on the matting, bottom right. Framed in .75" W x .5"D black wood frame. Signed and dated by the artist, lower right. Titled, lower left. Image: 19.5"H x 26.5" W

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FRAMED BANANA TREE ART PRINT

Art print depicting banana tree. Art print by Mary Beth Zeitz depicts a banana tree and details its leaves, fruit, and flower. Framed in 2" textured gold color wood frame with double matting and black filigree. Overall good condition, frame has some slight discoloration center right. Image: 24"H x 16"W

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19TH CENTURY FRANZ HANFSTAENGL LITHOGRAPH

19th century German lithograph portrait. Lithograph depicts an older Germanic woman in a hat by Bavarian artist Franz Hanfstaengl (1804-1877). Embossed F HANFSTAENGL MUNICH, lower left. Overall good condition - .5"W black and gold color wood frame shows wear from age. Image: 9.25"H x 8.25"W

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19TH CENTURY JEAN-LOUIS ERNEST MEISSONIER ETCHING

19th century French etching. THE HALT BAR INN ARCHITECTURE MEN by Jean-Louis Ernest Meissonier (1815-1891) depicts two men drinking on their horses in front of an inn. Overall good condition - frame shows some wear consistent with age. Print is plate signed and dated by the artist, lower right. There is another signature in pencil, lower right. A. Fa.... (illegible). Image: 14"H x 11"W

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REINTHAL & NEWMAN CIRCA 1920 LITHOGRAPH

Circa 1920 lithograph of a woman with headscarf. LADY IN YELLOW, published by Reinthal & Newman. Framed in . 75"W x .5"D black and gold color wood frame. In overall good condition - frame shows some wear consistent with age. Print is numbered 5664, titled lower left, and signed by the artist lower right.

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RARE COLLECTION OF ASPEN MAGAZINE VOL. #1-#6

Complete contents of all 6 prime issues, including a complete Andy Warhol issue. Aspen was a multimedia magazine published on an irregular schedule by Phyllis Johnson from 1965 to 1971. Described by its publisher as "the first three-dimensional magazine," each issue came in a customized box or folder filled with materials in a variety of formats, including booklets, "flexidisc" phonograph recordings, posters, postcards and reels of super-8 movie film. Many of the leading figures in contemporary North American and British art and cultural criticism were editors, designers or contributors to Aspen- Issue #3 was designed by Andy Warhol and David Dalton, and is housed in a box with graphics based on the packaging of "Fab" laundry detergent. Among its contents were a flip-book based on Warhol's film Kiss, and Jack Smith's film Buzzards Over Bagdad, a flexidisc by John Cale of the Velvet Underground, and a "ticket book" with excerpts of papers delivered at the Berkeley conference on LSD by Timothy Leary. Issue #4, designed by Quentin Fiore, showcased the ideas of the Canadian cultural theorist Marshall McLuhan. Highlights of subsequent issues include critical essays by Roland Barthes and Susan Sontag; a multi-part cardboard sculpture by Tony Smith; sound recordings with accompanying printed scores by John Cage, Morton Feldman and La Monte Young; films by Robert Rauschenberg and Hans Richter, and more. Truly an extraordinary- and extraordinarily rare- piece of 1960's pop art and entertainment, Aspen Magazine dripped with class, sophistication, counterculture, and outlandish creative freedom, well ahead of its time. This collection is one of the few examples to arrive at auction in such a complete form, showcasing the core 6-issue run of the publication before it began to only release sporadically for the next 3 years under a different format.

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RESTING LADY PENCIL DRAWING BY PAUL CORNOYER

Resting Lady pencil sketch by Paul Cornoyer(1864-1923) was drawn by Paul Cornoyer(1864-1923) on paper. Signed "Paul Cornoyer on the bottom right).Gilded frame. Drawing height:13"; width:8.5".Frame height:18.5",frame width:14"

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Mixed media "Tunnel" by Oleg Sokolov. Disconnected letters make a phrase "Upside Down Boy" in Russian. OLEG SOKOLOV Signed, dated and titeled in cyrillic lower left. Bears a (RUSSIAN, 1919stamp and original paper label from Soviet Union Gallery 1990) COLLAGE ON "Raduga" in Odessa, Ukrain, on reverse. Oleg Sokolov was BOARD an artist, poet and dissident whos works were sold at various auctions includind MacDougall, London, UK and Shapiro, New York, USA.

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PORTFOLIO 29pc STAINED GLASS CHURCH WINDOW PAINTINGS

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Clad in brass, glass, TV Comics hand drawn B. Titcombe art. One of the last broadsheet publications of the UK's TV Comics, these signed 1978 Holiday Special paste-ups star the wily antics of Hanna-Barbera's classic duo Tom & Jerry. Featuring the original line art and ink of Bill FOUR LARGE Titcombe (Andy Capp, Scooby-Doo), they include handFRAMED ORIGINAL penciled gutter notes, layout suggestions, paste-over SIGNED TOM & speech bubbles, and authentic corrections- vibrant ink JERRY PANELS color, strong lines, and dramatic visual narration typify these excellent and near-mint examples of comic production and graphic art from the Bronze Age of comics. Matted and framed in professional brushed brass and glass frames of progressive sizes.

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Grouping of religious sketches by various artists. Including seventeen studies by Eugene Yoors (Belgian, 1879-1975), three by Ernest Jean Gaudin (French, 18791954), one by Raymond De Vita, Adelaide E. Briggs and others signed illegibly or unsigned.

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LITHOGRAPH A vintage lithograph, after Dali, signed and dated 1965 on PRINT ATTRIBUTED the plate. Pencil numbered 56/150, signed LR in pencil. TO SALVADOR DALI

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CONTEMPORARY FLORAL LITHOGRAPH

Artist: John Powell (b. 1930) - Floral lithograph with horses Contemporary lithograph depicts an interior scene full of vibrantly colored flowers, pottery, and furniture with a pair of horses in the background. 2.25" gold color frame and glass are in overall good condition. Signed by the artist, lower right. Numbered lower left, 287/300. Image: 25"H x 33.25"W

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B.W. LEADER (BRITISH, 18311923) LITHOGRAPH BEFORE THE STORM

A large color lithograph of Benjamin Williams Leader's oil painting, painted in 1901. Depicts a pastoral scene before a storm. Presented in a linen matte, and custom dark wood frame. Signed in plate lower left.

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A large gilt framed engraved color print, depicting Rotten Row in London's Hyde Park which, during the 18th and 19th centuries, was a fashionable place for upper class Londoners to be seen riding. A large gilt framed engraved color print, Rotten Row by G. H. Thomas, in The Exhibition of the Royal Academy, originally published as a ENGRAVED RIDING newspaper centerfold in The Illustrated London News on PRINT ROTTEN May 17, 1862, depicting Rotten Row in London's Hyde ROW G. H. Park which, during the 18th and 19th centuries, was a THOMAS 1862 fashionable place for upper thru class Londoners to be seen horse riding. The artist, G.H. (George Housman) Thomas (1824-1868), was an English engraver, illustrator and painter. In 1848, he obtained a commission from the U.S. government to design banknotes. After his death, a collection of his works was exhibited, and his sketches and studies were sold at Christies in July 1872.

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THE HOUSE OF COMMONS TEA ON THE TERRACE, published September 2, 1893, depicting members of Parliament's lower house enjoying tea with ladies at the ANTIQUE 19th Palace of Westminster in London. The artist, Lucien Davis, CENTURY (1860-1941) was a member of the Royal Institute of ENGRAVING FROM Painters in Watercolors. The printer, R Taylor & Co LONDON NEWS (printmaker; 1872-1901), was a London engraving firm. MAGAZINE The Illustrated London News, first published in 1842, was the worlds first illustrated weekly news magazine. Presented with a linen matte in a gilt wood frame.

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After DENDY SADLER (BRITISH, 1854-1923) ENGRAVING

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Marriage by Registrar, created by artist Walter Dendy Sadler (1854-1923) as a commentary on the unsentimental legal aspects of marriage in late 19th century England. Engraved by W. H. Boucher (18421906). In 1933 print was produced for the New York Graphic Society.

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A large gilt framed color print, THE MARRIAGE CEREMONY IN THE CHAPEL ROYAL, ST JAMES'S, by artist Thomas Walter Wilson (1851-1912), depicting the royal wedding of Prince George, Duke of York (the future King George V), and Princess Mary of Teck, who were married in the Chapel on July 6, 1893. Artist signed Walter Wilson, R.I. (Royal Institute). A large gilt thru framed engraved color print, THE MARRIAGE CEREMONY IN THE CHAPEL ROYAL, ST JAMES'S, by artist Thomas Walter Wilson (1851-1912), originally published in the Supplement to The Illustrated London News on July 10, 1893, depicting ENGRAVED PRINT the royal wedding of Prince George, Duke of York (the THE MARRIAGE future King George V), and Princess Mary of Teck, who CEREMONY IN THE were married in the Chapel on July 6, 1893. The shy royal CHAPEL couple is depicted in formal dress, while many contemporary British notables, including Queen Victoria and the Prince of Wales (the future King Edward VII), stand witness. It was reported that on the morning of their wedding, George accidentally caught sight of his fiance down a long corridor of Buckingham Palace; he proceeded to make a low and courtly bow, a gesture Princess Mary never forgot. According to an 1893 issue of the Dubuque Daily Herald, the Chapel Royal was beautifully adorned with palms, flowers, and carpeted with crimson for the royal wedding. Artist signed [Thomas] Walter Wilson, R.I. (Royal Institute).

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MAX COWPER (BRITISH, 18601911) SOCIETY'S RACING PICNIC LUNCH

A large gilt framed color print, SOCIETY'S RACING PICNIC LUNCH UNDER THE TREES AT GOODWOOD, originally published in 1906, depicting aristocrats and festivities at the annual summer Goodwood horserace. The print includes a short description of the race and its patrons.

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ENGRAVED RACING PRINT, THE DERBY DAY, 1871

A large gilt framed color print depicting early morning on Epsom Downs racecourse in Surrey, England, best known for hosting the Derby Stakes, the United Kingdom's premier thoroughbred horse race. A large gilt framed engraved color print originally published in The Illustrated London News in 1871, depicting early morning on Epsom Downs racecourse in Surrey, England, best known for hosting the Derby Stakes, the United Kingdoms premier thoroughbred horse race. In 1779, the Earl of Derby organized a race for his friends. The word Derby has since become a byword for thoroughbred racing. Artist signed initials A.H., possibly Arthur Hughes (1832-1915), Londonborn member of the Pre-Raphaelites, a group of English artists founded in 1848 to reform art through a return to 15th century Italian techniques.

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ENGRAVED RACING PRINT INTERNATIONAL HORSERACE AT LONGCHAMPS

A gilt framed color print originally published in 1863, depicting The Great International Horserace at Longchamps, Paris, France. The first race at Longchamp was held in 1857, in front of a massive crowd that included the French Emperor Napoleon III. A gilt framed engraved color print originally published in The Illustrated London News Volume XLIII, on June 13, 1863, depicting The Great International Horserace at Longchamps, Paris, France, illustration from the magazine. The Longchamp Racecourse (French: Hippodrome de Longchamp) in the Bois de Boulogne in Paris, France is famous for its interlaced tracks and challenging course. The first race run at Longchamp was held on April 27, 1857, in front of a massive crowd that included the French Emperor Napoleon III. Several prominent artists have painted racing scenes at Longchamp including Edouard Manet in 1867 and Edgar Degas in 1871. The Illustrated London News, first published in 1842, was the world's first illustrated weekly news magazine.

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LARGE ENGRAVED PRINT, THE QUEEN'S VISIT TO LEEDS 1858

A framed color print originally published in the British publication York's. Nine color panels depict scenes related to the 1858 royal visit of Queen Victoria. An engraved color print, THE QUEEN'S VISIT TO LEEDS, originally published as Page 295 in the British publication York's. Nine color panels depict scenes related to the 1858 royal visit of Queen Victoria (r. 1837-1901), during which she knighted the town mayor and officially opened Leeds Town Hall.

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PAIR OF ANTIQUE ENGRAVINGS FROM ILLUSTRATED LONDON NEWS

1) THE LONDON STOCK EXCHANGE - WELL KNOWN FACES IN THE LONDON CONSOL MARKET: published in 1891. Depicts late 19th century London captains of finance, who are named in the margins, trading in consols, a kind of British government annuity; 2) PILLARS OF THE CITY, A SCENE ON EXCHANGE: published ca. 1890. Depicts London's Victorian foreign exchange bankers, listed by name, including Baron Rothschild. Artist William Lockhart Bogle (1860-1950).

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2 VICTORIAN ENGRAVED PRINTS, THE MIDDLE TEMPLE LONDON

Two striking wood gilt thru framed color Victorian engraved prints, depicting scenes from London's Middle Temple, one of the Inns of Court for English barristers: I. AN OASIS IN THE DESERT: FOUNTAIN-COURT, THE TEMPLE, HENRY WALLIS, 1876, after an original 1876 engraving, depicting Fountain Court, which was described by Charles Dickens. Dimensions: 32W x 26L gilt framed; II. PICTURESQUE LONDON-THE MIDDLE TEMPLE HALL AND GARDENS, after an original engraving by H.W. Brewer and E.K. Johnson, RWS, depicting barristers and guests to the Middle Temple. Dimensions: 31W x 25L gilt framed

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Two color prints depicting scenes of royal parks in London: I. SUNDAY MORNING IN KENSINGTON GARDENS, AFTER THE SERVICE AT CHRISTS CHURCH, LANCASTER GATE, DRAWN BY ARTHUR HOPKINS, Victorians at leisure in Kensington, which was regarded as trendy because of its private nature. Dimensions: 30W x 24L framed; II. IN THE ROW, HYDE PARK, depicting Hyde Park's Rotten Row, a fashionable place for upper class Victorians to be seen riding. Richard Caton Woodville Jr. (1856-1927) was one of the most prolific battle scene painters of the late 19th and early 20th-centuries. Dimensions: 31W x 24L framed 2 VICTORIAN Two color prints, produced for The Illustrated London ENGRAVED news, depicting scenes of royal parks in London: I. PRINTS, ROYAL SUNDAY MORNING IN KENSINGTON GARDENS, AFTER PARKS OF LONDON THE SERVICE AT CHRISTS CHURCH, LANCASTER GATE, DRAWN BY ARTHUR HOPKINS, depicting Victorians at their leisure in the royal park. Kensington was long regarded as smart because of its private nature but Victorians considered Hyde Park to be more fashionable. Dimensions: 30W x 24L framed. II. IN THE ROW, HYDE PARK, depicting Hyde Park's Rotten Row, a fashionable place for upper thru class Victorians to be seen horse riding. Richard Caton Woodville Jr. (1856-1927), was best known as one of the most prolific painters of battle scenes of the late 19th and early 20th-centuries. Dimensions: 31W x 24L framed

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A highly detailed black and white nautical print in a striking dark wooden frame, after an original 1885 copperplate engraving by W. Wellstood, from a painting by Julian Oliver Davidson (1853-1894). Signed and marked PAINTED BY J.O. DAVIDSON. ENGRAVED BY W. WELLSTOOD. A highly detailed black and white nautical print in a striking dark wooden frame, after an original 1885 copperplate engraving by W. Wellstood, from a ENGRAVED painting by Julian Oliver Davidson (1853-1894). Born in NAUTICAL PRINT A Maryland, Davidson's compositions, palette, and style WINNING YACHT J. were influenced by the Dutch marine school, while his O. DAVIDSON inclusion of small figurative scenes reflects the influence of the English school Davidson completed an impressive series of paintings depicting the major naval battles in the War of 1812. According to the contemporary 19thcentury art critic Fredrick Hopkins Smith, Davidson displayed more knowledge of early American shipping than did any other artist of the period. Signed and marked PAINTED BY J.O. DAVIDSON. ENGRAVED BY W. WELLSTOOD.

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Two color prints originally published in the series Tombleson's Views of the Thames and Medway (18331834). William Tombleson (1795-ca. 1846) was an English topographical and architecture artist, illustrator, copper and steel engraver, writer and printmaker. In the 1830's, his topographical drawings of the River Rhine in 2 VICTORIAN Germany, and of the rivers Thames and Medway in ENGRAVED England were published as engraved prints and books. I. PRINTS, WILLIAM NOR thru E LIGHTS, depicting shipping at the mouth of TOMBLESON, 1834 the Thames. A central riverboat and its crew in rough waters, the view set in an elaborate foliate border. Marginalia is written in English, French, and German; II. CHELSEA HOSPITAL, MIDDLESEX, depicting the hospital from across the Thames, with sailing craft on the river and a boating mishap in progress. An intricately engraved decorative border features military symbols.

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A framed color print originally published 1855, depicting the Siege of Sevastopol, one of the classic sieges in military history and the final episode in the Crimean War. Decorated with motifs of soldiers digging trenches in the snow, with a distant view of Sevastopol, during the winter of 1854/55. The artist, William Simpson (18231899), was a noted war correspondent and painter. A framed color print originally published on March 20, 1855, depicting the Siege of Sevastopol (English, WILLIAM SIMPSON Sebastopol), fought from October 1854 September 1855 (BRITISH, 1823during the Crimean War by the allied armies of Britain, 1899) ORIGINAL France, and the Ottoman Empire, against the Imperial CRIMEAN WAR Russian Army. One of the classic sieges in military history, LITHOGRAPH the Allied victory was the final episode in the Crimean War. Decorated with motifs of soldiers digging trenches in the snow, with a distant view of Sevastopol, during the winter of 1854/55. The artist, William Simpson (1823 thru 1899), was a noted war correspondent and painter. Various printers marks, including PAUL & DOMINIC COLNAGHI & CO., PUBLISHERS TO HER MAJESTY QUEEN VICTORIA, and DAY & SON, LITHOGRAPHERS TO THE QUEEN. Some original printing spots on the lower part of the print.

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VICTORIAN ENGRAVED PRINT, LONDON SKETCHES REGENT CIRCUS

A framed hand colored print, LONDON SKETCHES REGENT CIRCUS, OXFORD STREET, DURING THE SEASON, published in 1875 depicting Regent Circus, Oxford Street, a major road in the West End of London and Europe's busiest shopping street. Motifs of horses, carriages, city architecture and commercial shoppers. Signed by artist, G. Durand (1832-1896). Presented in an antique linen matte with gilt piping and ornate custom wood gilt frame. A framed engraved hand colored print, LONDON SKETCHES - REGENT CIRCUS, OXFORD STREET, DURING THE SEASON, originally published as a centerfold in the July 17, 1875 issue of The Graphic, depicting Regent Circus, Oxford Street (now known as Oxford Circus), a major road in the City of Westminster in the West End of London and Europes busiest shopping street. It features motifs of horses, carriages, city architecture and commercial shoppers. Signed by the artist, G. Durand, for Godefroy Durand (1832-1896), a draughtsman and wood engraver whose prolific works appeared in The Graphic, a British weekly illustrated newspaper, first published on December 4, 1869 by William Luson. The influence of The Graphic within the art world was immense: its admirers included Vincent van Gogh. Text from the reverse pages in the original newsprint can be seen. Presented in an antique linen matte with gilt piping and ornate custom wood gilt frame.

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ANTIQUE FASHION DRAWING SKETCH PENCIL AND INK SIGNED

Dated 1921, numbered 266 and signed by the artist KossuTh. In an Art Nouveau style, a woman in a dark gray flapper's dress with plume fan, seated on a blue cushioned settee.

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JOHN FLAXMAN (BRITISH, 17551826) ENGRAVING ILIAD HOMER

Illustration to Homer's Iliad "The Embassy to Achilles". Plate 14.

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An original antique print depicting the west view inside the Great Hall in London's Guildhall. Produced ca. 1880 for an edition of Original Views of London As It Is, the 1842 lithograph series by Thomas Shotter Boys (18031874), English painter who enjoyed many admirers, including the French King Louis-Phillippe. Presented in an antique linen matte and custom wood frame. An original antique print depicting the west view inside the Great Hall in London's Guildhall, as seen in 1842. The flat ceiling, following the Great Fire of 1666, was a distinctive feature. The entrance is seen on the left and the exit VICTORIAN stairs are on the right. Produced ca. 1880 for an edition ENGRAVED PRINT, of Original Views of London As It Is, the 1842 lithograph THE GUILDHALL, T. series by Thomas Shotter Boys (1803-1874), English S. BOYS watercolor painter and lithographer who enjoyed many influential admirers, including the French King LouisPhillippe, who sent the artist a ring. Boys published Original Views of London As It Is, drawn and lithographed by himself. Guildhall has been used as a town hall for several hundred years and is still the ceremonial and administrative center of the City of London. The term Guildhall refers both to the whole building and to its main room, a medieval great hall. The building is traditionally referred to as Guildhall, never the Guildhall. Presented in an antique linen matte and custom wood frame.

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VICTORIAN ENGRAVED PRINT, THE CUSTOM HOUSE, T.S. BOYS

An original antique print depicting THE CUSTOM HOUSE from Original Views of London As It Is by the artist and lithographer Thomas Shotter Boys. From a ca. 1880 lithograph made after the 1842 original. The Custom House, on the north bank of the Thames in the City of London, was used for collection of customs duties. Presented in an antique linen matte with gilt trim and custom wood frame. An original antique print depicting THE CUSTOM HOUSE from Original Views of London As It Is by the artist and lithographer Thomas Shotter Boys. From a ca. 1880 lithograph made after the 1842 original. The Custom House, on the north bank of the Thames in the City of London, was formerly used for the collection of customs duties. The building was constructed in 1718. Boys (1803-1874) was a member of the Institute of Painters in Watercolors, and of several foreign artistic societies. Presented in an antique linen matte with gilt trim and custom wood frame.

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AFTER THOMAS SHOTTER BOYS (BRITISH, 18031874)

Vintage print, THE BANK, LOOKING TOWARDS THE MANSION HOUSE, after Original Views of London 1842, by artist and lithographer Thomas Shotter Boys. Depicts The Mansion House which was the official residence of the Lord Mayor of London. Presented in a linen matte with gilt trim and custom wood frame.

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VICTORIAN ENGRAVED PRINT ST. JAMES'S PALACE T.S. BOYS

An original antique print, ST. JAMES'S PALACE, depicting the senior royal palace in the United Kingdom. One of only two surviving palaces owned by Henry VIII. From Original Views of London As It Is by artist and lithographer Thomas Shotter Boys. Presented in an antique linen matte with gilt trim and custom wood frame. An original antique print, ST. JAMES'S PALACE, a view of the north front from Cleveland Row, depicting the main entrance of St James's Palace in Pall Mall. Located in Westminster, St James's Palace is the most senior royal palace in the United Kingdom. Built by King Henry VIII on the site of a leper hospital, it is along with Hampton Court Palace, one of only two surviving palaces of the many owned by Henry VIII. From Original Views of London As It Is, by the artist and lithographer Thomas Shotter Boys. A ca. 1880 lithograph made after the 1842 original. Boys (1803-1874) garnered enormous prestige from this and his earlier work, Picturesque Views in Paris, Ghent... (1839). The accuracy of his portraits of buildings and his skill in the composition has seldom been bettered (Mallalieu, Dictionary of British Watercolor Artists, p.38). Presented in an antique linen matte with gilt trim and custom wood frame.

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ART DECO PRINT, NOTRE DAME FROM THE ILE DE LA CITE

Depicting Paris, the Cathedral of Notre Dame on the Ile de la Cite as seen upstream. The medieval cathedral is one of the finest examples of French Gothic architecture. The ile de la Cite is a natural island in the Seine within of Paris, where the medieval city was founded.

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LIMITED EDITION BRITISH VILLAGE ENGRAVED PRINT SIGNED

A color print from a limited edition series, depicting an English village. A central gothic church spire is surrounded by a narrow street and buildings, terminating in a small wooded park. Artist signed in a stylized hand, with a signature that appears to read FMM HN-C -21. Presented with a striking brown and creme matte in a custom gilt wood frame. A color print from a limited edition series, depicting an English village, with architecture and scenery reminiscent of the Cotswolds in south-central England, containing the Cotswold Hills, a range of rolling hills which rise from the meadows of the upper Thames to an escarpment, known as the Cotswold Edge, above the Severn Valley and Evesham Vale. A central gothic church spire is surrounded by a narrow street and buildings, terminating in a small wooded park. The Cotswolds, which encompasses Gloucestershire, Oxfordshire, Warwickshire, Wiltshire, and Worcestershire, is famous for its golden colored Cotswold stone that is quarried. Its predominantly rural landscape contains stone thru built villages, historical towns, and stately homes and gardens. Artist signed in a stylized hand, with a signature that appears to read FMM HN-C -21. Presented with a striking brown and creme matte in a custom gilt wood frame.

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ANTIQUE ENGLISH ENGRAVING THE EARLY BREAKFAST

An original large antique monochromatic print produced in 1877 from an earlier ca. 1800 engraving. Entitled and inscribed THE EARLY BREAKFAST. LONDON, PUBLISHED DEC. 27TH 1877 BY L. BRALL & SONS, 38 HART STREET, BLOOMSBURY, W.C. Depicting a crowd of travelers and servants seated and milling about the common room of an English inn, ca. 1820. Excellent details in the facial expressions of each person illustrated, depicted from a variety of early 19th century walks of British life. L. Brall & Sons was a Victorian publishing firm, owned by Louis Brall and his son, W.H. (and possibly his daughter, Ada, too), founded in 1866 and recorded as entering bankruptcy in 1892. Presented in a linen matte with gilt trim, and custom dark wood frame.

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VINTAGE GICLEE GREENWICH PARK OBSERVATORY

Vintage print in custom made frame. The view from Greenwich Park, one of the Royal Parks and one of the largest single green spaces in London, with the Queens House and the wings of the former Royal Hospital School, founded in 1712 by Royal Charter, in the background, the Royal Greenwich Observatory, at left, overlooking the River Thames.

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ENGRAVING 19thC ILLUSTRATED LONDON NEWS MAGAZINE

A framed color engraving from the Illustrated London News published September,16 1876, titled THE VILLAGE LAWYER BY C. SCHLOESSER. FROM THE LATE ROYAL ACADEMY EXHIBITION. Depicting a man holding a quill pen, reviewing papers with his client. Presented in a linen matte with decorative gilt trim, and custom wood frame.

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ENGRAVED HISTORIC PRINT, THE TICHBORNE TRIAL, 1874

A large color print, THE TICHBORNE TRIAL, THE BEGINNING OF THE END, by artist Valentine Walter Bromley. It depicts the courtroom during the Tichborne trial, a legal cause celebre that captivated Victorian England in the 1860s and 1870s. Presented with an antique linen matte in a dark wood and silvered gilt with floral pattern frame. Artist signed V.W. Bromley. A large engraved color print, THE TICHBORNE TRIAL, THE BEGINNING OF THE END, originally published in the January 31, 1874 edition of The Illustrated London News, by artist Valentine Walter Bromley. It depicts the courtroom, with judges, barristers, witnesses and members of the jury during the Tichborne trial, a legal cause celebre that captivated Victorian England in the 1860's and 1870's. It concerned the claims by an individual, usually referred to historically as the Claimant, to be the missing heir to the British Tichborne baronetcy. He failed to convince the courts, was convicted of perjury and served a long prison sentence. Artist signed V.W. Bromley. Valentine Walter Bromley (1848-1877), was the frequent art correspondent for The Illustrated London News and worked as a book thru illustrator. He died unexpectedly after undertaking an important series of illustrations of Shakespeare and the Bible. Presented with an antique linen matte in a dark wood and silvered gilt with floral pattern frame.

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ANTIQUE ENGLISH ILLUSTRATION ENGRAVING

Engraved color print, THE NEW AQUARIUM AND WINTER AND SUMMER GARDEN, WESTMINSTER published in The Illustrated London News in 1876.

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Five wood framed color prints depicting individuals and scenes of Victorian Britain's Parliament. I. THE SPEAKER OF THE HOUSE OF COMMONS, depicting Sir Charles Shaw-Lefevre (1794-1888) in the robes of his high office. Artist Alexander Blaikley. Dimensions: 18W x 23.5L framed. Normal wear. 1857. II. MR. DISRAELI INTRODUCING THE REFORM BILL, depicting British Prime Minister Benjamin Disraeli (1804-1881) advocating for the 1867 Reform Act. Dimensions: 18W x 15.5L framed. Normal wear. Ca. 1867. III. A VIEW OF THE HOUSE OF COMMONS, depicting the British parliamentary body in 1741/1742. Dimensions: 18W x 15.5L framed. Some wear to frame. Ca. 1860. IV. THE REPORTERS GALLERY, HOUSE OF COMMONS, depicting the press gallery in the British parliamentary chambers. Dimensions: 21.5W x 17.5L framed. Some cracking and wear to frame. 1882. V. A VIEW OF THE HOUSE OF PEERS. THE KING SITTING ON THE THRONE, THE COMMONS ATTENDING HIM, from an original copper engraving in William Maitland's History of London, depicting the House of Lords during the reign of King George II (r. 1727-1760). Five wood framed color prints depicting individuals and scenes of Victorian Britains Parliament. I. THE SPEAKER OF THE HOUSE OF 5 ENGRAVED COMMONS, from the February 7, 1857 edition of The PRINTS *PARTIAL Illustrated London News, depicting Sir Charles Shaw thru SALE, REWRITE /RELOT CATALOG* Lefevre (1794-1888), the second longest serving Speaker of the House of Commons (1839-1857), in the robes of his high office. Artist Alexander Blaikley. Dimensions: 18W x 23.5L framed. Normal wear. 1857. II. MR. DISRAELI INTRODUCING THE REFORM BILL, depicting British Prime Minister Benjamin Disraeli (1804-1881) before the House of Commons advocating for the 1867 Reform Act, which gave the voting franchise to working urban males in England and Wales. Dimensions: 18W x 15.5L framed. Normal wear. Ca. 1867. III. A VIEW OF THE HOUSE OF COMMONS, depicting the British parliamentary body in 1741/1742, with Sir Robert Walpole, Britain's first Prime Minister, speaking. Artist Benjamin Cole (1695-1766). Dimensions: 18W x 15.5L framed. Some wear to frame. Ca. 1860. IV. THE REPORTERS GALLERY, HOUSE OF COMMONS, a colorized print depicting the press gallery in the British parliamentary chambers, from The Illustrated London News, February 18, 1882. Dimensions: 21.5W x 17.5L framed. Some cracking and wear to frame. 1882. V. A VIEW OF THE HOUSE OF PEERS. THE KING SITTING ON THE THRONE, THE COMMONS ATTENDING HIM, from an original copper engraving in William Maitland's History of London, depicting the House of Lords during the reign of King George II (r. 1727-1760).

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19thC ENGRAVINGS FROM ILLUSTRATED L0NDON NEWS

Antique pages published in The Illustrated London News, the world's first illustrated weekly news magazine.THE LUNGS OF LONDON - HYDE PARK, 1890, a double page centerfold depicting six panel scenes from Hyde Park, the largest Royal Park near Buckingham Palace.

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WALTER DENDY SADLER (BRITISH, 1854-1923) ETCHING BY JAMES DOBIE

Antique 19th century etching THE NEW WILL, EVERYTHING TO MY WIFE ABSOLUTELY by artist Walter Dendy Sadler (1854-1923), etched by James Dobie. It depicts a presumably newlywed couple reviewing the terms of the husbands will with a skeptical barrister. The work of Dendy Sadler was exhibited at the Royal Academy from 1873 through the 1890's. His subjects were usually set in the late 18th or early 19th-centuries with sentimental, romantic and humorous themes. Several of his paintings are in museum collections. Presented in a linen matte with gilt trim, and custom wood frame.

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A Charles Vyse earthenware figure, produced in 1928. An allegorical group depicting a dark-haired elfin boy, CHARLES VYSE ART leaping over the shoulders of a crouching satyr (Pan), DECO FIGURE LA holding a lamb. The satyrs fur is painted in earth tone FOLIE BERGERE hues, and the green mound base is filled with clutches of colorful, hand painted flora. Stamped to base C. VYSE CHELSEA 1928.

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A Charles Vyse earthenware figure, produced in 1927. An CHARLES VYSE ART allegorical group depicting a young boy dressed in a DECO FIGURE THE Grecian tunic, with a colorful, long-tailed macaw seated MACAW on his shoulder, and a spectacularly decorated lynx beside him. Stamped to base CV CHELSEA 1927.

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ITALIAN OR FRENCH NEOCLASSICAL PORCELAIN GROUP FIGURINE

Hand painted with gilt decoration. Modeled in a Neoclassical style, two Renaissance style lovers walking along a rough rocky path. Stamped to base in blue with additional impressed marks.

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368

SABINO OPALESCENT ART DECO FIGURNE LADY AND DOVES

Glass figure of a lady kneeling and holding dove in hands. Sculpture molded out of opalescent crystal.

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369

SABINO OPALESCENT ANIMAL FIGURINE LE BOULANT

Figure of a dove molded out of opalesecent crystal. Marked on base, SABINO, PARIS.

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An allegorical group figurine, Salammbo and Matho. White bisque. Inspired by the 1862 historical novel by THEODORE Gustave Flaubert, Salammbo, set during the Punic Wars RIVIERE SEVRES between Rome and Carthage. It depicts Salammbo, the ART NOUVEAU daughter of Hamilcar, the Carthaginian general and PORCELAIN FIGURE father of Hannibal. Impressed artist signature from French sculptor Theodore Riviere (1857-1912). Impressed SEVRES and other marks.

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371

NYMPHENBURG FIGURE, HUNTING DOG

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Blanc de chine porcelain sculpture of mastiff on the prowl. Stamped on bottom NYMPHENBURG, and impressed with beehive, 5, and 161, hand-scribed.

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EARLY STAFFORDSHIRE Decorated in the minimalist glazing of late 18th century FIGURE OF SEATED English porcelain. LADY IN DRESS

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373

ROYAL DOULTON PORCELAIN FIGURINE JACK BULLDOG

Figure model D007, special desk appearance in Skyfall 007.

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374

ROYAL COPENHAGEN LARGE FIGURINE, BOY ON STONE

Royal Copenhagen porcelain figurine 1659, titled "Boy on Stone." Manufacturer's stamp and artist's initials to underside. Modeled by Danish sculptor Christian Thomsen (1860–1921), one of the most influential royal Danish sculptors of the 20th century.

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SABINO OPALESCENT ANIMAL FIGURINE BRANCH OF BIRDS

Figure of large branch of birds molded out of opalescent crystal. Four birds sitting on branch while one sits on base. Marked on base, SABINO, PARIS. Lot has cards with manufacturers information.

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376

WIENER WERKSTATTE MAJOLICA CHILD WITH DUCK FIGURINE

Ceramic figure of a little boy holding a duck under his arm. Warm yellow firing and glaze over child study, duck is evenly fired in white and orange coloring.

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ZSOLNAY PECS Ceramic figure of a girl holding a rose in Hungarian FIGURINE GIRL IN traditional costume. Marked Zsolnay Made in Hungary to TRADITIONAL underside of base. Ornate painting and gold gilding. HUNGARIAN DRESS

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378

KPM BERLIN FIGURE DAPHNE

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Large white porcelain figure of a nude woman reclining on oval base.

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Fearsome hare with gold, red, and black detail; French porcelain, designed by Sandoz. Marked A LOS EDOUARD SANDOZ MANDARINES, part of an advertising-wear series. GILT RABBIT JAR, Edouard Marcel Sandoz (1881-1971) was a Swiss T. HAVILAND animalier sculptor. His best known works are depictions LIMOGES of foxes, rabbits, and cats, in bronze, ceramic, and stone. Also marked on bottom DEPOSE THEODOR HAVILAND LIMOGES FRANCE COPYRIGHT.

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THEODORE HAVILAND LIMOGES PIERROT CLOWN LIDDED DECANTER, SIGNED BY EDOUARD MARCEL SANDOZ

White porcelain with removable head, artist signature to base. A very rare Art Deco decanter modeled as a Pierrot, or sad clown, possibly inspired by the early 20th century tenor, Enrico Caruso, Signed by Edouard Marcel Sandoz (1881-1971), Swiss animal sculptor and painter, for Theodore Haviland Limoges. Glazed white porcelain with gilt decorations, and removeable head. Stamped to base THEODORE HAVILAND LIMOGES FRANCE COPYRIGHT DEPOSE, and artist signature to base.

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381

ROSENTHAL GOLDEN FU DOG ON DISH

Expressive, gilded, mythical beast on cream colored china dish. Marked on bottom ROSENTHAL, impressed on bottom 37.

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382

ART DECO THEODORE HAVILAND LIMOGES CAT CREAMER, SIGNED BY EDOUARD MARCEL SANDOZ

White porcelain with removable head, artist signature to base. A very rare Art Deco creamer modeled as an Egyptian style cat, signed by Edouard Marcel Sandoz (1881-1971), Swiss animal sculptor and painter, for Theodore Haviland Limoges. Glazed white porcelain with black and pink decorations, and removeable head. Stamped to base THEODORE HAVILAND LIMOGES FRANCE COPYRIGHT DEPOSE, and artist signature to base.

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383

GREEK CERAMIC VASE 24K GOLD NEOFITOU KERAMIK

Finely painted with flowers on both sides and 24k gold accents. Marked on the bottom.

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384

PROTOTYPE ART Jugendstil ceramic with rich green raised decor. Rare NOUVEAU VASE BY study by acclaimed artist. Marked on the bottom, along MAX LAEUGER, C. with hand-scribed number 19. 1905

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385

SET OF 11 CLAMSHELL CUT GLASS DESSERT TRAYS

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Faceted serving dishes in a matched set, signed by the artist.

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LOETZ PAPILLON DOUBLE GOURD VASE

Loetz Papillon decor Double Gourd Form Vase Nice example of this Loetz Papillon decor double gourd shaped vase in a dark green with iridescent finish. Unsigned.

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387

ROYAL COPENHAGEN 3pc FLORAL PORCELAIN VASE & PLATES

Grouping of 3 Royal Copenhagen pieces: Fajance plates and a vase. Finely painted with flowers and blackberries. Marked on the bottom, model number 288 2289. And two miniature scenery plates from Frederiksborg Slot series.

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SEVRES ART DECO SIGNED GINGER JAR WITH ORANGE /MUSTARD/BLACK DECORATION

The famous Serves porcelain factory Art Deco styled vase on Ginger jar with lid Base color of deep mustard with and overlay of black outline and orange flower pattern. Singed by artist Paul Millet

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389

PORCELAIN ROSENTHAL COVERED GINGER JAR BY ROSARY

Scrolling gilt under decoration white body and lid with leaf flower pattern.in cobalt.

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390

OVAL CENTERPIECE BASKET WITH HANDLE MODELED PUTTI AND GRAPES

Marked glazed large open handled basket with colored rim, Bacchus infants and swags of grapes decoration. Marked underneath with impressed blue crown with shield underneath and a banner, numbered. Also impressed in clay numbered 1164, Made in Germany.

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EGYPTIAN REVIVAL BRIGHTLY All over vivid color Egyptian motifs on zig zag rim jar rim COLORED JAR with fitted lid on five pillar short columns WITH LID by HEUBACH

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WHITE PORCELAIN CENTERPIECE WITH BASE OF 4 PUTTI SUPPORTS

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All white glazed body two parts table decoration of large vase and base 4 small children supports. Signed K. Tutter The fitted vase form separates from the base to make it easy to move, store and work with.

PAIR OF BRIGHT FISH VASES BY THEODORE HAVILAND, LIMOGES

Pair of white glazed body with yellow and black decoration of fish with tails upturned to create vase. Marked on underside Theodore Haviland, Limoges, France copyright. Impressed with artist mark and stamped THEODORE HAVILAND, LIMOGES FRANCE IMPORT. Edouard-Marcel Sandoz (1881-1971) was a Swiss animal sculptor and painter, famed for his skills throughout multiple mediums.

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PAIR OF GILT FLORAL COMPOTES, ATTRIBUTED TO MEISSEN

Pair of Floral openwork reticulated compotes attributed to Meissen Set of marked by crossed swords in blue glazed which is associated with the international known porcelain manufacturer Meissen. Gilt reticulated framework with crenelated edge creates the upper portion and walls of the dish. A floral spay is central base of dish with large screw bolt to attach to the separate piece base. White porcelain with various colored hand painted flowers and gilded square base. A possible old repair per the consignor but unable to confirm.

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KELLER & GUERIN LUNEVILLE POTTERY PITCHER

Keller & Guerin Luneville Pottery Picher This pottery pitcher by Keller and Guerin, with the Luneville faience pottery mark dating from 1880 forward with the KG mark is beautifully decorated in blue to green slip and enhanced with a gold accenting.

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A LARGE SIGNED SEVRES OPENWORK RETICULATED COMPOTE

A large signed Sevres openwork reticulated compote This large signed Sevres red mark openwork compote is decorated on white porcelain with various colored flower bouquets. Possibly Napoleonic period. A possible old repair per the consignor but unable to confirm.

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397

NAPOLEAN MINIATURE PORTRAITNATURAL MATERIAL STAND

Miniature Portrait of Napoleon Bonaparte on Natural Material Miniature Portrait of Napoleon Bonaparte. Hand painted on natural material.Ca late 19th century.Height: 10 inches.Width:3.5 inches

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Monumental Majolica vase, body in Neoclassical Renaissance style. Painted decoration of Greco-Roman style figures at recreation, motifs of flora including trees, ITALIAN MAJOLICA grapes, fauna including a goat, and stylized handles PEDESTAL VASE modeled as four coiled snakes. Winged cherub and flora to circular base. Potters mark to underside of base (blue coronet crown over stylized letter M). Attributed to New York State Governor's Mansion.

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GERMAN ART NOUVEAU ROESLER DARMSTADT CHARGER PLATE

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A late 19th century white floral earthenware plate and stand. Gilt trim with pink and green flora. Decorative wooden stand. Some dark marks from firing. Stamped to crenellated base ROESLER DARMSTADT.

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Central highly detailed needlepoint embroidery of flora. An unusual decorative plateau for a vase or urn on six MOSAIC AND brass knobs, with a brass circular framed border and EMBROIDERY VASE handles of connected brass rondels inlaid with colored OR URN PLATEAU glass in motifs of floral and other decorative shapes, and central needlepoint embroidery in red, purple, green, orange, and other colors.

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Glazed detailed display cup hand painted portrait of maiden carrying basket with a castle in the background. EARLY BERLIN KPM Gilt interior of cup with ornate gold symmetrical detail in HAND PAINTED gold on swan neck handle side of cup - grape and leaves MAIDEN ON A CUP pattern. Young female in hat on opposite side. Some wear to gilding from loving use. Marked with Berlin mark to underside.

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SCHIERHOLZ GERMAN PORCELAIN URN VASE WITH CHERUBS, LID

A German porcelain vase, decorative lid, profuse flora and gilt. Embellished with extensive floral encrusted garlands and putti cherub figures perched on each side. A hand painted floral bouquet decorates the front and back, and the entire piece is further enhanced with a matching base and finial. Profuse gilt decoration. Stamped to base with Double Blue Cross mark for C.G. Schierholz & Sohn, established in 1816 and famed for production of fine porcelain vases, compotes, and figural items in the style of Meissen. Impressed mark 2631.

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RARE ROYAL DOULTON ART NOUVEAU VASE, M.E. THOMPSON

Limited c. 1910 series in subtle beige and blue, by famed artist. Known particularly for her Art Nouveau faience focused on sylvan glades and fairy figures, Thompson also produced a small number of raised floral pieces with flowing, minimalist flair- and received numerous awards during her prolific career for her noteworthy style. Impressed ROYAL DOULTON warrant and printed DOULTON LAMBETH ENGLAND to bottom; signed by Thompson.

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E.R. WILKES ART NOUVEAU NEW SPECTRIA FLAMBE GLAZE VASE

Stoneware vase with crystalline mottled red, russet flambe glaze. Additional dark and gilt colored depths. The artist, Edward R. Wilkes, was among the pioneers of the re-creation of deep flambe glazes along with Bernard Moore, with whom he worked. Inscribed E.R. WILKES NEW SPECTRIA with impressed numeral 20 to base.

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VIENIESE ENAMEL AND SILVER BOAT ON WHEELS

Viennese enamel and silver boat on wheels This all over decorated enamel scene Viennese enamel and silver boat is quite spectacular. The enamel scenes are on the sides, top, underneath and inside the body of this silver shaped boat. Enamel flags on top and fine silver wire hold the sails tom the boat. A truly magnificent work of art from the late 19th Century. The boats silver wheels actually turn.

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A monumental art glass in Berluze Persian long necked shape. Frosted purple "sticks vase" with flattened ovoid DAUM NANCY ART blown and moulded body with a tall, slender cylindrical NOUVEAU FRENCH neck. Produced by the brothers Auguste and Antonin MONUMENTAL Daum in Nancy, France in cameo style with multiple BERLUZE VASE layers of glass carved to achieve a design in low relief. Etched signature to base. Drilled to center bottom of base for adapting to use as a lamp.

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ROYAL DOULTON MATADOR AND BULL HN2324 BY PEGGY DAVIES

The Royal Doulton Matador and Bull, designed by Peggy Davies, was introduced in 1964. It depicts a daring matador waving his muleta, or cape, as a ferocious bull charges. The figure is part of Royal Doulton's Prestige Collection. These large and intricate figurines take up to twelve months to produce.

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408

ROYAL DOULTON DICKENSWARE TONY WELLER LIDDED TEAPOT D 6016

Dark green coat, red waistcoat, white bow tie with blue dots. A rare Royal Doulton teapot, depicting a character from Charles Dickens popular 1836 serialized novel The Pickwick Papers: Tony Weller, a talkative coach drive and the father of Mr. Pickwick's valet. Modeled with dark green coat, red waistcoat, white bow tie with blue dots. Stamped to base ROYAL DOULTON ENGLAND, TONY WELLER, other marks.

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409

TRIO OF MURANO GLASS GLOBE SCULPTURES, HOLLOWFORM

Red accented piercings; freeform Italian style. Procured in the 1960's.

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410

SIGNED ENAMEL J. BETOURNE LIMOGES 5POINTED CENTERPIECE

Artist signed by Jean Betourne, considered one of the world's foremost enamelists, a spectacular interior lustre of deep cobalt blue, with accents of green, purple, and yellow, and bordered in speckled gray, cream, and brown, and white to center, over metal, with lustrous purple with gilt highlights to exterior. Green felt to base.

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411

AMBER GLASS OVAL MINIATURE VASE

Heavy weight, translucent C.1930's iridescent Augregne location France sea cost.

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412

MID CENTURY MODERN CARD SUITS DECANTER AND 4 CORDIALS

Faceted, stoppered decanter and faceted glasses, emblazoned with the 4 suits.

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JOBLING'S OPALIQUE FIRE CONE PATTERN PLATE

Frankhauser-designed pressed medium plate. Hand engraved marks. A 1930's design from Joblings glass, a premiere maker of fine glassware and art glass in the first half of the 20th century. Joblings introduced their iridescent OPALIQUE line and commissioned Frankhauser of Paris to provide cutting edge artistic molds for pressing. Joblings is considered the finest fire-polished glass ever produced in England. Marked on underside JOBLINGS OPALIQUE in hand graving, and REDG NO. 777133.

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STOPPERED BOHEMIAN GLASS DECANTER

Small aquamarine vessel with facets and interior lampworked decor. Ground stopper and cut decoration includes small floral panoply within.

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FRENCH ART NOUVEAU GLASS VASE

Deep relief molded vase marked VERLYS FRANCE to base.

416

PALATIAL BOHEMIAN BRILLIANT CUT CRYSTAL APOTHECARY SHAPE JAR WITH LID

Tour de force majestic cut glass craftsmanship multiple exquisite patterns executed on body/lid. Sectioned vertically and horizontally in a coordinated fashion of profuse variety of Hobstar designs, intricate cut cross hatching and intersecting patterns and lines. Signed on side by artists. Created in Eastern Europe from the cadre of highest esteemed regional artisans.

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SET OF 15 ROSENTHAL VERSACE MEDUSA CHAMPAGNE FLUTES

Medusa Lumiere Amber produced from the finest crystal. Hand blown, with frosted signature Medusa head. Marked ROSENTHAL and VERSACE to base.

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418

GLASS SCULTPTURE, GARDEN OF EDEN

Etched design of Adam, Eve, serpent and tree of life. Approximate weight 9lbs.

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ETLING OPALESCENT ART DECO GLASS DISH AND COVER

Designed with strawberries and leaves molding. Bottom base marked ETLING FRANCE 272.

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ETLING OF FRANCE Opalescent glass with high relief floral molding. Marked ART NOUVEAU ETLING 210 FRANCE. GLASS BOWL

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R. LALIQUE PALMS CIRCULAR VASE

Clear frosted glass vase with palm leaves encircling design. R. Lalique marked on base.

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RUSSIAN POLY CHROME PAINTED ICON ON CURVED WOOD PLAQUE

Cyrillic lettering on top, with Orthodox depictions of the Christ cycle in various colors. Mortised slots in back, possibly for hanging. Lettering also carved into back, illegible.

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423

CUT GLASS BLACK EDGE CORDIAL SET Clear glass with black top rim, base and lid and 6 small WITH DECANTER matching glasses AND 6 CORDIALS

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LARGE INLAYED BLACK LACQUER BOX

Large inlayed Black Lacquered box Here is a large black lacquered Japanese inlay box with multiple inlayed dyed mother of pearl butterflies in various sizes. These butterflies are on the top and sided. One butterfly on the side is missing one inlayed wing. A wonderful late 19th early 20th century box. Unsigned-Void inside.

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MEERSCHAUM CARVED PIPE: CAVALIER HEAD, FELT LINED CASE

Carved with the head, hat and plume of a Landsknecht cavalier. A hand carved Meerschaum pipe, modeled as the head of a German landsknecht cavalier, with plumed hat. Black stem. Red felt-lined case, custom-fitted to pipe. Brass fitting. Working metal clasp.

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J. SOMMER CARVED MEERSCHAUM PIPE BOWL: HAND & EGG, CASE

Carved as a hand in a military sleeve holding an egg. Amber stem. A hand carved Meerschaum pipe, with the bowl and shank modeled as a hand wearing a military dress uniform-style sleeve holding an egg-shaped bowl, with separate amber stem. Felt-lined case, embossed within J. SOMMER FRERES, 13 & 15 PASSAGE DES PRINCES, PARIS, MEDAILLES D'OR 1876 & 1889, AUX CARRIERES D'ECUME, and other marks. Brass clasp. Founded in 1860 (as Viney, Sommer et Hamm), J. Sommer produced hand carved pipes until approximately 1938. Meerschaum (German, "sea foam") is made from the mineral sepiolite.

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PAIR OF VILLEROY & BOCH CRYSTAL CANDLESTICKS

Delicately shaped. Scalloped tops, bases. Manufacturer stamp base An exquisite pair of crystal candlesticks with scalloped tops and bases, produced c. 1970 by Villeroy & Boch, manufacturers of ceramics and fine glass since 1748.

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428

PAIR OF WATERFORD CRYSTAL CANDELABRA'S

Pair of Waterford Crystal Candelabra's A beautiful sparkling pair of Waterford Crystal Candelabra's. Finding one is one thing but to find an original pair if even better. These break down into several components for easy and safe storage.

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429

ANTIQUE PERSIAN BRONZE TRAVELLING INKWELL DIVIT

Bronze traveling writer's tool, with silver inlay. Both hinged lids close tight. Arabic, Islamic calligraphy inscribed in silver inlay. Total weight approximately 692 g.

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RARE SILVER TURKISH TRAVELLING INKWELL DIVIT

Ottoman Empire hallmarked with sultan's tughra mark of the era. Hinged inkwell locks with tiny latch. Finely made and rather unique silver version of the more common bronze tool- delicate engraving and molding throughout. Total weight approximately 249 g.

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431

GORHAM HALLMARKED SILVER TEA CADDY WITH LID

Early art nouveau style tea vessel, tight fitting lid. Marked on bottom. 181 grams silver weight.

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432

PAIR OF ENGLISH STERLING SAUCE TUREENS MADE FOR VISCOUNT SYDNEY

Lobed concave lids with restrained ornamentation engraved with Coat du Arms of Thomas Townshend. Hallmarked in England, as London-make, and makerstruck by the famed Thomas Heming, Principal Gold and Silversmith to King George III; date letter for 1764 on both tureens. The lids are engraved with stag and crown, and the bodies with a substantial coat of arms associated of Thomas Townshend, 1st Viscount Sydney. Family motto in engraved- DROIT ET AVANT. Sydney, Australia was given its name in his honor. Other marks include matched 3 and 4 match numbering, A hound standing over 6 grapeshot artfully engraved in a different style and technique on both bottoms. Many pieces by Heming are held in the Royal Collection to this day. Total weight of silver approx. 34.7 Troy.

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433

PAIR OF ORFEVRERIE GALLIA SILVER PLATE WATER PITCHERS

Hallmarked to base. Hinged lids. Four stylized feet. Clamshell finial. Classical style raised floral designs throughout body.

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434

ANTIQUE HALLMARKED SILVER PERSIAN OIL DECANTER

Raised floral decorations to sides, spout and top. A Persian hallmarked silver oil decanter with large raised floral decorations to both sides and etched floral and other decorations to the sides of pourer and spout. Arabic scripture hallmark. 361 grams.

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SILVER SOMMELIER TASTEVIN WINE TASTING CUP

Designs of grapes and leaves to sides, hallmarked to base. Ornamental animal handle. A French hallmarked silver tastevin (pron. TATT-vin) wine tasting cup. Produced in the 19th century with 18th century French coin mounted in the cup center. Coin stamped LUD. XV D G FR ET NAV REX ( Louis XV, By the Grace of God, King of France and Navarre ). 107 grams.

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436

LARGE WMF SILVERED BRONZE SCULPTED CANDLESTICK

Large WMF silvered bronze sculptural candlestick Large WMF silvered bronze sculpture has 4 removable lite holders that branch out beyond center to create candelabra formation. A canopy of realistic palm trees with multiple fronds and small fawn resides on rocky outcrop. Signed on base and highlighted in red. This ornamental visual feast is remarkable as statement of wealth to adore fashionable Victorian dinning table its sculptural diversity of forms that would be the pride of any upper middle class . It is also and the British Industrial economy of being able to produce a huge array of specialized items custom created for their clients easily. thru banquet table that would.

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Lids have removable handles. Gifted to members of British Royal family in 1891. Inscribed and dated FROM WINDSOR, ETON & NEIGHBORHOOD. TO THEIR ROYAL HIGHNESSES THE PRINCE & PRINCESS CHRISTIAN OF SCHLESWIG HOLSTEIN ON THE OCASSION OF THEIR LOT OF 4 STERLING SILVER WEDDING, 5TH JULY 1891. Hallmarks indicate SILVER ROYAL London-make sterling, dated 1891, an early piece from WEDDING GIFT artists Walter and John Barnard. Prince Christian was the ENTREES son in law to Queen Victoria, having married her third daughter Helena in 1866. This set, numbered 1 through 4, and splendidly decorated in solid silver, was a 25th anniversary gift from the Royal Family at large. Total approximate weight of silver: 7250 grams

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MATCHED PAIR OF Tiered and tapered, with intricate and profuse floral ORNATE STERLING intaglio and engraving. Russian hallmarks dated 1859, SILVER CANDLE maker's marked Rabinovich. Total weight of silver 40 Troy. STICKS

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SOUTH AMERICAN BRAZILIAN SILVER CANDLESTICK OF FEMALE & CAMEL

Square base with column rising to camel at feet of female virtuous figure holding taper holder, Four paw feet with several layers of decoration rising to centered ornamental shaft. Miniature kneeling camel sits at foot of draped female holding in right arm olive branch and in the left arm outstretched supporting taper holder in flower form with a urn and oversized rim bobeche. South American hallmark from Brazil on base 2.08 Troy Oz.

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A tall handled Gorham Sterling flower Basket This tall Gorham Sterling flower basket is marked with the A TALL HANDLED Gorham 20th Century mark along with the pattern GORHAM number A9694. The handle and top of the basket body STERLING FLOWER have pierced openwork and the sides are engraved BASKET decoration of floral garlands. A beautifully decorated and useful accent piece for any home today. 531 Grams of silver

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A TALL HANDLED JOSEPH SEYMOUR STERLING BASKETJS & CO. MARK

A tall Handled Joseph Seymour Sterling Basket-JS & Co. Mark Up for auction is this large sterling silver flower basket or trophy by the silver company of Joseph Seymour. It is marked J.S. & Co. Sterling 1665. 1028 Grams of silver

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442

VERY UNUSUAL EARLY SILVER HOT WATER CARAFE

Possibly Persian silver carafe water heater This listing is for a very unusual and cool hot water carafe, possibly from Persia. Dating to the 18th century and in fine condition. The wood base is probably a later addition for decorative purposes as it most likely sat on a burner to heat the cylindrical silver tubes. The water would be poured in at the top where the top crown gets removed and replaced once the tubes were filled, then the water inside would be heated and then poured out through a spout on the right side. Quite an unusual Silver T'pot wouldn't you agree.

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Magnificent all Sterling George Adams Fish utensil set-18 PCS A very ornate figural handled group of 8 each (fork, knife) plus 2 larger serving spoons. Even the knife blades are sterling hallmarked which is a little more unusual. The MAGNIFICENT ALL knife, fork and serving spoon handles in high relief work STERLING GEORGE with a draped figural bearded man or god, or even an ADAMS Apostle atop a pedestal. The silver is enhanced with a HALLMARKED FISH light gold wash and all are in nice condition with only UTENSIL SET minor age related wear, one tong to one fork chipped.. English hallmark, London, George Adams, London ca 1870-1871. This is quite an incredible set of 18 pcs. Fork 8 1/4" long, Knife 8 9/16" long, , serving spoon 7 9/16" long. Approximate weight of all the silver is 1162g.

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BEAUTIFUL SET OF STERLING HALLMARKED DEMITASSE SPOONS

Set of 8, each hallmarked and each very ornate. This set of 8 hallmarked Demitasses spoons are made similarly to the sterling fish set in this same auction, however there is a draped women or goddess atop a pedestal rather than a man. The hallmark is also different which suggests companies in England at the time made things similar to each other but not always exactly the same. The spoons have a light gold wash to the silver and are in fine condition with only age related wear. Demitasse spoon measures 4 5/8" long. Approximate weight of all the silver is 193g.

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445

COMMEMORATIVE SILVER SPOON FROM 1900 PARIS EXHIBITION

Giftware from the iconic Exhibition of 1900 in Paris, France. It depicts the Danish Pavilion on the bottom and the Pope (Leo XII) on the handle. Hallmarked on bottom, and assayed 925 silver. Total weight of silver approximately 1.1 Troy.

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446

RARE 1809 FRENCH SILVER HALLMARKED SAUCER

First-Empire era French silver smithing, with hand-graved swan handle. Approximate weight of metal, 18 Troy.

500

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441

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447

19TH CENTURY NEOCLASSICAL PORTICO CLOCK, PIGNERET

Inlaid mahogany, bronze, gold plate, and brass; running. Signed PIGNERET to bottom of base- a noted fabricant de pendules in Paris, and member of the horologists' guild circa 1840. Stylized heavy brass and gold plate compensation regulator pendulum with floral decoration. Brugeut hands, Silver-guilloche dial with black Roman numerals, surrounded by gilded ornamentation of floral scrolls. Pillars and base well appointed in two-tone marquetry inlay. Circular brass movement, spring driven, anchor escapement, count wheel hour striking mechanism with bell. Tested functional, including hour chime, for a sustained 3 minutes- cleaning and tuning for precision and regularity in order. Some use related wear, patina consistent with age, photographer for accuracy.

250

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1300

448

S. AMERICAN SPANISH COLONIAL HAND CHASED TURKEY INCENSE BURNER

Coin silver, expertly engraved and molded, clever and amusing hinged design. The sprung tail, a clever feature, wafts the scent of burning incense when allowed to shiver, mimicking the display of a wild turkey on the make. Approximate weight of metal, 26 Troy COIN silver.

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449

Loetz Cranberry Mirrored Dresser Box This Loetz dresser box is a little more unusual in respects to the Fact that LOETZ CRANBERRY the mirror is permanently attached to an arm on the DRESSER BOX IN glass so that when turned up it rests on the top of the CRANBERRY COLOR glass so one could use it while the powder section of the glass base was open. Beautiful color and design. Dimpled sides. Unsigned.

350

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450

GERMAN ART NOUVEAU KRUPS PORCELAIN BRASS KITCHEN SCALE

Cast metal with brass fixtures, decorated white porcelain base. A kitchen scale manufactured by Krups, founded in 1846, a German kitchen and household appliance manufacturer. Raised letters 5 KG. SCALE and raised stamp KRUPS ROSERVAL. D.R.G.M. The acronym D.R.G.M. stands for Deutsches Reichsgebrauchsmuster, a designation for registering a products design or function in Germany, used between 1891 and 1952. Wooden case with brass locking mechanism, containing 10 cast metal balancing weights for the scale.

100

451

PAIR OF TALL Pair of tall Brass Church or Altar Candlesticks A pair of tall SOLID BRASS solid brass church or altar candlesticks. These make a CHURCH OR ALTAR great accent in any room. 19th c. CANDLESTICKS

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452

SOLID BRASS CANDLESTICK HOLDER

Five taper design with helical stems and round base.

453

SOLID BRASS TRILIGHT CANDLESTICK BY JOSEF FRANK

Midcentury Swedish design and make, from Scenskt Tenn.

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454

GERMAN ART NOUVEAU 9 PIECE EARTHENWARE KITCHEN SET

A late 19th century white floral earthenware kitchen set. 1 Max Roesler Rodach Square Container Bowl, stamped to side SODA 4.25W x 4.25L x 4.25H; 1 RVR Roesler Soda Square Footed Container Bowl circa 1894-1910 Made in Rodach, Bavaria. The Mark RVR is the family crest derived from the name Roesler. 4.25W X 4.25L X 4.25H; 1 Max Roesler Rodach Nudelin (Noodles) Square lidded container 4.25W x 4.25L x 7.75H; 1 Max Roesler Rodach Grunkern (Green Kernel, or grain) Square lidded container 4.25W x 4.25L x 7.75H; 1 Max Roesler Rodach Gries (Grits, flour, corn, etc.) Square lidded container 4.25 W x 4.25L x 7.75H; 1 Max Roesler Rodach Reis (Rice, flour, etc.) Square lidded container 4.25W x 4.25L x 7.75 H; 1 Max Roesler Rodach Gerste (Barley, flour, spices, etc.) Square lidded container 4.25W x 4.25L x 7.75H; 1 Max Roesler Rodach Topflappen (Panholder, potholder and oven cloth holder.) Wall mounted container 3W x 5.75L x 7H; 1 Max Roesler Rodach Recipe Holder Wall mounted. Broken piece inside. 3.5W x 5L x 3.75H

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455

GERMAN ART NOUVEAU Stylized hexagonal shape, side cooling holes. Brass lid ROESLER handle. Stamped to base. PORCELAIN AND WOOD BREAD BOX

100

456

Art Nouveau wooden photo album, raised brass scrolled lettering. A rare and unusual wooden photo album with raised brass scrolled Art Nouveau lettering with the word ALBUM in exquisite Art Nouveau detailing. Outer page edges maintain a good showing of decorative gold gilt. VICTORIAN PHOTO Original decorative brass clasp with hardware complete ALBUM and in perfect working order. Solid binding in good condition that supports the pages as it should. The outer spine and back cover are layered in original Victorian red velvet. Includes 60 original black & white and sepia Victorian photos.

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457

R. LALIQUE ART DECO EMERALD GLASS ACACIA VASE

Green molded glass with a relieved leaf pattern. Elongated ovoid body. Underside with cut signature R. Lalique.

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458

9kt GOLD BOOKMARKER AND PENCIL

9kt Gold bookmarker w/Diamond & Ruby enhanced pencil insert This is a very unusual 9kt gold bookmarker with am inserted diamond chipped end surrounding a small ruby cabochon along with ruby insets. Total 18 small rubies, 10 small diamonds and 1 small ruby cabochon. The removable pencil is 2 3/4" long. Approximately 19.5g.

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459

ONYX BEAD & 18K GOLD NECKLACE W /18K GOLD & OVAL ONYX DIAMOND PENDANT. TWO GOLD ONYX EARRINGS

Onyx beads w/18K gold spacer & a oval 18K gold medallion with diamonds around onyx center, oval is 20mm. Length 20" Two tone onyx 18K Gold earrings A lovely classic round bead black onyx color necklace, length 20" Earrings are by Trio.

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460

Saint Honore model includes original Cartier soft leather CARTIER VINTAGE cases. Eyeglasses in 22kt gold-plated frames with EYEGLASSES & prescription oval lens. Sunglasses in platinum and 22kt SUNGLASSES 51-20 gold plated frames with prescription brown oval lens.

125

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461

BEAUTIFUL SILVER GILT & ENAMEL FIGURAL PIN

Beautiful gilt silver enamel figural pin This listing is for a silver gilt and emaux peints (hand painted) enamel pin of a women in an outdoor scene. The shape of the pin is oblong and bordered in seed pearls. A beautiful example of fine French enamel work from the 19th century. This pin is the mate to another lot in this auction, try and acquire them both so you can have the set. Approximate weight of silver is 13.4g.

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BEAUTIFUL SILVER GILT & ENAMEL FIGURAL PIN

Beautiful gilt silver enamel figural pin This listing is for a silver gilt and emaux peints (hand painted) enamel pin of a man in an outdoor scene. The shape of the pin is oblong and bordered in seed pearls. A beautiful example of fine French enamel work from the 19th century. This pin is the mate to another lot in this auction, try and acquire them both so you can have the set. Approximate weight of silver is 13.7g.

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463

AGASSIZ 14KT GOLD AND ENAMEL WATCH WITH GOLD /ENAMEL CHAIN

Agassiz 14KT Gold and enamel Watch and Chain 15 jewel. A beautiful ladies 15 jewel or better Lever escapement pocket watch by Agassiz from about 1890. The front cover is enhanced with a beautiful Limoges foil enamel figural ladies head. The 14kt chain is also enhanced with a rectangular Limoges foil enamel ladies head and the same is true at the clasp. A quite unusual ladies pocket watch and chain. In working order at the time of this listing, not sure of accuracy. Whitley's auctioneers does not guarantee the working order of any mechanical instrument or watch. 17" long top to bottom of chain and watch. Watch is 1 3/8" diameter. Approximate weight of gold with movement is 61.25g.

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464

14KT GOLD ANTIQUE LOGNETTE WITH DIAMOND CHIP CENTER

14kt Gold Antique Lorgnette with Diamond chip center A beautifully executed ladies antique diamond enhanced Pair of lorgnette glasses in 14 kt gold repousse and enamel accent. Press the button on the side and out flips a pair of eyeglasses for better reading. Fold them up and insert them back into the holder for secure keeping. Monogramed on back. Approximate weight of gold is 32g.

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465

SCOTTISH STERLING PENDANT/PIN WITH JEWELED HEART

Scottish Sterling Pendant/Pin with jeweled heart on pierced globe This beautifully created 19th c. Scottish sterling pendant/pin is enhanced with a gilded heart within a heart and accented with colored stones/glass to imitate emeralds and rubies. Approximate weight of sterling is 11g.

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466

(kt Gold Bar pin Victorian bracelet with Garnets and 9KT GOLD BAR PIN Pearls Here is a beautiful bracelet made from 8 Victorian VICTORIAN PERIOD bar pins, many enhanced with pearls and some further BRACELET enhanced with small garnets. A wonderful example of the Victorian period. Approximate weight of gold is 39g.

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462

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467

US "CAPTURED CAVALRY" SABER

US Cavalry style saber decked in Native American tribal decor. Impressive piece sporting a bright steel scabbard, steel blade, brass basket guard and hilt, and leather wrapped handle. Steel and brass have liberal antiquing and patina. Scabbard is adorned with leather sash, Calvary-style brass buttons, cloth, fur, and beaded tassels. Mixed media artisanal tribal piece. Saber is removable from scabbard. No markings.

468

FRENCH MILITARY 70 CALIBER FLINTLOCK CONVERSION GUN

French Military 70 Caliber Flint lock conversion gun Here is an opportunity to own a piece of history with this 1833 Flint Lock to percussion conversion 70 caliber gun. The original from 1820 and then converted in 1833. Great condition.

469

PAIR OF SOUTH AMERICAN Large spiked rondels, slots for tie-down straps. Engraved GAUCHO SPURS IN over with scroll work. BRASS

470

SOLID SILVER PAIR OF SOUTH AMERICAN GAUCHO SPURS

Incised pair with intaglio Mayan serpents, button and buckle hangers, rope chain. In the traditional gaucho style, with medium sized, 11 point rowels flanked by silver rollers. Rope chains close with rosette decorated clip. Approximate weight of silver 19 Troy.

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471

PAIR OF ANTIQUE ENGRAVED IRON VAQUERO SPURS

Small rowel Southwestern style spurs with hinged button fasteners. Engraved throughout.

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TAHAN INLAYED GAME PEARL MONEY CHIP BOX

French Tahan signed inlayed box with pearl money chips This signed French Tahan inlayed box is filled inside with many beautifully polished and pigmented money chips in numerous denominations including $100 and $500. The box needs some repair to the lifting inlay and there are numerous scratches to the wood. The chips are in fine condition with no chips or cracks detected. We have valued this box for the chips, the box is an extra add on to enjoy.

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800

RARE 18TH C. RELIGIOUS PAINTED SCENE BAROMETER

Rare 18th C. Painted scene and gilded framed Barometer Rare 18th C. Painted scene and gilded framed Barometer and thermometer. The experts in the field of Barometers told us they had never seen a religious Barometer before, which makes this one quite and unusual find. Whitley's Auctioneers does not guarantee the working order of any mechanical working clock, barometer or other such devices. This Barometer appears to be in need of a cleaning and adjustment to the mechanism. This is a real find indeed.

750

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472

473

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1200

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474

VERY RARE 1200 AD MONK MUSIC SHEET

Very rare 1200 AD Monk music sheet framed between glass. Not too many of these have survived in such great condition. This 1200AD Monk Sheet music page on Vellum is framed in a more modern 2 piece glass with brass frame border. The red and black pigments used in making this rare piece have retained a lot of its color vibrancy. It is said that the red pigment used came from crushed cinnabar. A manuscript page in the same manner was sold at Sotheby's in the mid 1970's for a record price of over $100,000.00. There are certainly not many comparable to this very rare piece of history.

475

ENGRAVED AND CHASED SILVER JUDAICA KIDDISH CUP

Hand chased and engraved, urn-form shape. Marked on the bottom. Hallmarked 84, with Persian assay marks. Total weight of silver approximately 3.4 Troy.

476

JUDAICA ANTIQUE YAD WITH HIDDEN Engraved decor- hand unscrews, potentially for the insertion of a scroll or talisman. INTERIOR

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477

JUDAICA ANTIQUE SILVER YAD WITH GLOVED POINTER, HALLMARKED

Rounded end with central ring and upright pointer finger. Balloon end. Hallmarked, silver throughout, on this classically formed piece of essential Jewish article. Total weight approximately 67.5 g.

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478

JUDAICA ANTIQUE WOOD, BONE, SILVERED YAD TORAH POINTER

Turned wooden shaft and turned bone finial with silvered, ringed pointer hand.

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479

ANTIQUE HALLMARKED SILVER JUDAICA YAD

Balloon ended Yad, comfortable in the hand, with a center rondel.

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480

ANTIQUE SOLID SILVER JUDAICA YAD WITH CROWN END

Intricate filigree crown at end, tapering to the traditional Yad pointer. Hallmarked on hand. Hallmark from AustroHungary, circa mid 19th c., 0.800 silver. Total weight of silver approximately 1 Troy.

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481

ANTIQUE SILVER MENORAH

Late 19th century Judaica piece, with swiveling candle holders. Remaining hallmark of 13 along base. Total weight of metal 22 Troy.

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482

ITSU MADE FINNISH MIDCENTURY MODERN DESK LAMP

Classic, solid brass design by mid-century designer, Euro plug. White enamel on underside of reflector.

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100000

100

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600

18TH CENTURY THOMAS MOORE LONGCASE CLOCK

18th century Japanned longcase clock. 18th century longcase clock made by famous Suffolk, England clockmaker Thomas Moore features an arched wood top with carved columns and Japanned trunk door depicting various scenes of Asian life. The clock face has Roman and Arabic numerals and a date display, a dragon and floral design on the spandrels, and is marked Tho. Moore Ipswich. The clock is tested and functional.

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484

ORNATE ANTIQUE CURIO GOLD CABINET

Glass lined cabinet in rich gold with full length moulding. Curios stands on four turned legs, with faceted 3/4 length glass sidewalls bordered in twist and floral moulding, and features bottom panels with a large high relief sprig motif. Top is double crowned, and door is affixed with a faceted oval glass window and additonal moulding. A key locks the door, and is included. Two removable glass shelves divide the cabinet into 3 effective tiers. Solid wood and nail construction, with over-moulding alown the crowns. Some corner wear from age and use. Finish shows age related wear. Internal space measures 54"H x 24"W x 13"D.

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485

BELGIUM BRASS Contemporary gold tone open display case / glass ETAGERE shelving unit. Original sticker "Made in Belgium" on the BOOKCASE WITH 5 top shelve. GLASS SHELVES

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486

CHINESE CARVED ROSEWOOD WRITING TABLE

Reduced legs. Exceptional apron work below the tabletop. A rosewood writing table, with reduced legs to accommodate pillow-seating. Exceptional apron work craftsmanship below the tabletop.

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487

CHINESE WOOD TEA STAND WITH STRETCHERS

Rich deep original wood finish tea/plant stand with open stylized fret and lower stretchers Veneer inlay table top and constructed in traditional Chinese wood working techniques.

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488

SET OF 2 WOODEN CHINESE STOOLS Matching set of two stools, extensive decorative carving WITH BLACK work throughout. MARBLE TOPS

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489

CHINESE WOODEN A high backed wooden chair with arms and large Chinese HAT' ARMCHAIR characters on the back splat.

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483

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Early Monumental Queen Anne styled piece with gilt moulding. Legs and main frame are carved from pieced white alabaster marble, including carved floral bud and vine carving encircling the serpentine legs. Deeply SOLID MARBLE moulded scrolling aprons to front and sides. Additional ROCOCO CONSOLE fluted molding drapes the legs themselves, intertwined TABLE with carved marble florets and gilded. Top is a black jet marble inlaid with intricate white marble scrollwork, floral motifs, a central flowered urn flanked by cornucopia filled with arrangements. Age and use related wear throughout.

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491

CONTEMPORARY TABLE WOOD & KID LEATHER HAND PAINTED

Picasso style modern table with kid-leather hand painted top.

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492

LA CERAMIQUE CHINOISE, BY J.P. VAN GOIDSENHOVEN

Chinese Ceramics Under The Tsing. 312 pp., dozens b/w plates. Chinese Ceramics Under The Tsing, 1644-1851. Blue cloth coverboards with gilt titles to side cover. 312 pp. including dozens of black and white plates, as well as descriptions and potters marks. Limited edition.

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BOOK: L'ART EN CHINE ET AU JAPON, BY ERNEST F. FENELLOSA

Green cloth cover, gilt. 336 pp. Dozens of black/white plates. Art in China and Japan. Green cloth coverboards with gilt decoration and titles to front and side cover, large central floral decoration in gilt. 336 pp. Dozens of black and white plates, primarily from photographs. Text in French. Ernest Francisco Fenollosa (1853-1908) was an American art historian of Japanese art, and professor of philosophy at Tokyo Imperial University who did much to preserve traditional Japanese art.

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494

LA CERAMIQUE CHINOISE, BY ERNEST GRANDIDIER

Text in French. Dozens of illustrations, color and b/w plates. Marbleized green, russet, and gilt cloth coverboards with leather binding and gilt titles to side cover, gilt edge to top. 232 pages + 42 plates. Heliogravures by Dujardin, reproducing one hundred and twenty-four pieces from the author's collection. Full title: La Ceramique Chinoise Porcelaine Orientale. Description of specimens of the various periods in chronological order. The author, Ernest Grandidier (1833-1912) was a French industrialist, naturalist and art collector.

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495

LEATHER BOUND JUDAICA BOOK, METAL CLASP

Text in Hebrew. Metal locking mechanism, one clasp missing. Red leather covers with gilt decoration. Monogram to covers. Gilt edge. 1 black and white front illustration.

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496

LEATHER BOUND JUDAICA BOOK

Text in Hebrew. Red leather covers with gilt decoration to covers.

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493

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497

An original 18th century directory of then-current information. The Fourth Edition of an important historical THE MODERN work by the English historical and geographical writer GAZETTEER BY Thomas Salmon (16791767), who in 173940 accompanied THOMAS SALMON, the future First Lord of the Admiralty George Anson on 1757 his voyage around the world. Sectioned into four books: I. Geography; II. Geo-Political Concerns; III. Industry and Practices; and IV. Genealogies.

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498

Ornate gold color wood frame Louis XIV style frame feautures raised edges, detail scrolling, and center-andLOUIS XIV STYLE corner floral ornaments. Modern construction. Overall WOOD ART FRAME good condition - frame has two small chips on the bottom. The frame is 4" thick and 2.75" deep. Fits 21.5"H x 31"W image.

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499

GREY WOOD ART FRAME

Wood frame with scalloping and floral embellishments This frame is of newer construction and contains elements of classical style including center and corner cartouches. Frame is 4"W x 1.75"D. It does not have a hanging wire or bracket. Fits 20"H x 24"W image.

500

LOT OF 3 IDENTICAL WOOD ART FRAMES

3 clay red color wood frames with gold spiral detail Each frame has minor chipping, primarily on the raised gold spiral detail, but no structural damage. Fits 30"H x 24"W or 24"H x 30"W image. Frames do not have hanging wire or bracket installed.

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501

Wood art frame with raised scrolling Late 20th/early 21st century gold tone frame. In overall good condition. GOLD COLOR Frame has some green coloration at the four corner WOOD ART FRAME seams. Fits 20" x 16" image. Hanging bracket installed in portrait mode but could be switched to landscape.

100

502

Rectangular gold color wood art frame 2"W x 1.5"D gold color wood art frame. Overall good condition, has minor GOLD COLOR chipping. Fits 30" x 24" art. Frame does not have a WOOD ART FRAME hanging wire or bracket installed, can be used in portrait or landscape orientation.

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503

Rectangular gold color wood art frame. Frame fits 28"H x GOLD COLOR 22"W image. Overall good condition with a few minor WOOD ART FRAME chips in the wood. Hanging wire installed in portrait orientation.

100

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504

Louis XIV inspired gold tone wood art frame 5"W x 2"D wood art frame has Louis XIV style corner and center LOUIS XIV cartouches in a floral design, geometric filigree, and INSPIRED GOLD matching gold color fillet. Frame has a brass plaque COLOR WOOD ART installed at the bottom center, inscribed ITZCHAK TARKAY FRAME B. 1935. A hanging wire is installed in portrait orientation. Overall good condition - frame has some cracks in the corner cartouches. Fits 24"H x 20"W art.

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505

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506

Large ornate gold tone wood art frame 5.75"W x 2.75"D heavy wood art frame features a lamb's tongue outer LARGE GOLD edge, raised carved floral design, and floral fillet. Overall COLOR WOOD ART good condition - some of the corners show a small FRAME amount of excess glue. A hanging wire is installed in portrait orientation, however one of the ends is unscrewed. Fits 28"H x 23.5"W art.

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507

Ornate gold tone wood art frame 4.25" W x 1.75"D wood art frame has an ornate design with a textured floral design with corner cartouches, riveted design filigree, GOLD COLOR and simulated wood grain fillet. Frame has a brass plaque WOOD ART FRAME installed at the bottom center, inscribed ITZCHAK TARKAY B. 1935. A hanging wire is installed in portrait orientation. Overall good condition with no obvious defects. Fits 24"H x 20"W art.

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508

Ornate gold tone wood art frame 4.75"W x 2.5"D wood art frame features a raised feather design on the outer edge, a ribbed slope, lamb's toungue-like filigree, and GOLD COLOR textured wood fillet. Frame has a brass plaque installed WOOD ART FRAME at the bottom center, inscribed ITZCHAK TARKAY B. 1935. A hanging wire is installed in portrait orientation, but the wire needs to be replaced. Frame is in overall good condition with no obvious defects. Fits 24"H x 20"W art.

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