WhitleyWilliams_Portfolio by Whitley Williams

pRAGUE MUSEUM OF CONTEMPORARY ART

whitley s. williams design 6.2 craig hoffman

ke´ e´ muzeum mu uz soucˇasne´

“A contemporary art museum located in the epicenter of the city’s New Town. Visually connecting traditional adjacent architecture, the museum activates it’s street corner and successfully links the main strip to its interior courtyard.”

PRAGUE | CZECH REPUBLIC OLD TO WN BR IDGE TO WER

VLTAVA RIVER

HOTEL

OLD TOWN PRAGUE SITE

LEGION BRIDGE

NEW TOWN PRAGUE

history

-Prague was founded in the later 9th century, and soon became the seat of Bohemian kings, some of whom ruled as emperors of the Holy Roman Empire. -Prague is separated into four districts: Old Town, Lesser Town, Hradčany & New Town. -Hradčany was established around 1320 and in 1338 the Old Town was established. -The city thrived under therule of Charles IV, who ordered the building of the New Town in the 14th century. -By the 14 th century, Charles IV was king, and Prague became one of Europe’s largest and wealthiest cities.

other facts: -i.2 million overall population -New Town population: 50,000 -Mix of boroque & contemporary architecture

SITE : wenceslas square

parking museum metro station

[NEW TOWN PRAGUE]

220’

4 3

SITE

94’

1 2 1.

PRAGUE MAIN STATION

NEW NATIONAL MUSEUM

WENCESLAS SQUARE

WENCESLAS SQUARE [SITE]

BUILDING height RESTRICTIONS:

site

-Height arrangement is defined by stipulating height levels pursuant to (2), specifying mandatory maximum and minimum regulated building height, or stipulating a minimum and maximum number of floors. -Height levels specify minimum and maximum regulated building height, and are stipulated as follows: a) level I 0 m – 6 m, b) level II 0 m – 9 m, c) level III 0 m – 12 m, d) level IV 9 m – 16 m, e) level V 12 m – 21 m, f) level VI 16 m – 26 m, g) level VII 21 m – 40 m, h) level VIII over 40 m; -The height range in an area can be stipulated by specifying one or more levels. The maximum regulated height is stipulated for individual levels over an entire delimited area, while the minimum regulated height only along building lines facing the street. -Along with specification of height regulation in the land-use or regulatory plan, it is possible to set conditions under which the maximum regulated height can be exceeded or the minimum regulated height is not reached, by specifying a specific place or type of building or general rules.

street view :jalta boutique hotel

street view: corner of site

adjacent amenities: Jalta boutique hotel Cold war musuem (below) hotel elysee prauge hotel grandium prague Dining retail other hotels metro stations apartments (residential)

process: CONCEPTUAL SKETCHING + MODELING

DESIGN

CONTEXT

PRAGUE MAIN STATION

NEW NATIONAL MUSEUM

WENCESLAS SQUARE

[SITE]

CONTEXT

structural figure ground

ground floor

FLOOR PLANS

LO AD ING ZO NE

ST OR AG E

FR EIG HT ELE V.

EX HIB ITIO N

ELE V.

FR EIG HT ELE V.

EX HIB ITIO N

ME N'S RR

[OP EN TO BEL OW ]

WO ME N'S

ELE C.

ME CH .

[OPEN TO BE LOW ]

EX HIB ITIO N

[OPEN TO BE LOW ]

EX HIB ITIO N

ME CH .

EX HIB ITIO N

ELE C.

ME CH .

EX HIB ITIO N

ELE C.

[OPEN TO BE LOW ]

WO ME N'S

EX HIB ITIO N

UP DN

[OP EN TO BEL OW ]

EX HIB ITIO N

ELE V.

WO ME N'S

ELE V.

ST OR AG E

EX HIB ITIO N

FR EIG HT ELE V.

ST OR AG E

EX HIB ITIO N

ELE V.

ST OR AG E

ELE V.

ST OR AG E

EX HIB ITIO N

CA FE

SE A TIN G

N SCALE: 1”= 20’-0”

OP EN TO BE LO W

EX HIB ITIO N

NO TA CC ES SIB LE

ME CH .

[SKYLIGHT]

EX HIB ITIO N

[OP EN TO BEL OW ]

FR EIG HT ELE V. OP E TO N BE LO W

KIT CH EN

WO ME N'S

WO ME N'S RR

ME N'S RR

ME ZZA NIN ES EA TIN G

RE STU RA NT SE ATI NG

ELE V.

KIT CH EN STO RA GE

WA SH RO OM

EM PLO YE ER R

NO TA CC ES SIB LE

EX HIB ITIO N

[OPEN TO BE LOW ]

FLOOR PLANS

ME N'S RR

ELE V.

BA R

ELE C.

EX HIB ITIO N

SCALE: 1”= 20’-0”

INTERIOR VIEWS

L1: FROM ENTRY

L3: FROM ATRIUM

L2: FROM CAFE

L5: FROM RESTURANT EXIT

L3: FROM MAIN STAIR

GLASS BOX 102' - 0"

ROOF 92' - 0"

Level 5 74' - 0"

Level 4 56' - 0"

Level 3 38' - 0"

Level 2 18' - 6"

Level 1 0' - 0"

GLASS BOX 102' - 0"

ROOF 92' - 0"

Level 5 74' - 0"

Level 4 56' - 0"

Level 3 38' - 0"

Level 2 18' - 6"

Level 1 0' - 0"

wall detail :ventilated facade [strongfix fasteing system]

Mixed Hidden Longitudinal Fastening System

“The Strongfix system is a mixed hidden longitudinal fastening system (chemical and mechanical), which works by the compression exerted by the system on the back of the Neolith tile. These tiles are industrially mechanized in a longitudinal profile at the top and bottom of its backside with a double 45º groove in the shape of a dovetail where a couple of aluminum profiles are inserted and fixed with a MS adhesive putty in order to secure the Neolith tile. These metal profiles make up the hanging mechanism of the tiles and result very beneficial given that they are very easy to extract and replace.

GLASS BOX 102' - 0"

T.O. PARAPET 94' - 6" T.O. ROOF 92' - 0"

Level 5 74' - 0"

The system is composed by aluminum vertical profiles, supporting retaining brackets. Through the brackets it’s possible to install the aluminum “T” profiles totally flatness, thus correcting possible wall deviations of the facade to be coated. The panels are hand set to a horizontal supporting profile with a mechanical longitudinal fixation system composed by two aluminum profiles fixation. This aluminum set becomes indivisible given the mechanizing method of the tile and the fixing of the profiles. This system eliminates the risk of Neolith slabs becoming detached from the structure in case of breakage. This is the reason why this system is considered the safest in the market.Furthermore, the way in which the Neolith slabs are hung on the horizontal structure provides for perfect flatness and aesthetic finish. The Strongfix system also allows for easy extraction and replacement when needed.”

Level 4 56' - 0"

Level 3 38' - 0"

Level 2 18' - 6"

Level 1 0' - 0"

AXONOMETRIC EXPLODE SKYLIGHT

ROOFING

STRUCTURE

CIRCULATION

ENCLOSURE

EXTERIOR GLAZING

GROUND CIRCULATION

Building Code Analysis Classification: Assembly x x

BUILDING CODE

A3 (Museum/Exhibition) A2 (Restaurant)

22252.31sqft (5 stories of exhibition space) = @ 111,260sqft. 6567.75sqft (1 story of restaurant space) = @ 6,567sqft. TOTAL = 117,827sqft _________________________________________________________________________________________

L 34' - 0"

TABLE 1004.1.2 LOADING ZONE

MAXIMUM FLOOR AREA ALLOWANCES PER OCCUPANT

ELEV.

K 117,827/30 = 3927.57 total max occupants 30' - 0"

STORAGE

RESTURANT ENTRANCE/ WAITING AREA

111,260 sqft /30 = 3708.66 (max museum occupants)

UP FREIGHT ELEV.

MEN'S RR

30' - 0"

ELEV. WOMEN'S RR

6,567 sqft /30 = 218.9 (max restaurant occupants)

30' - 0" GIFT SHOP

30' - 0"

= 741.73 x 0.3 300' - 8 1/8"

ELEC.

1005.3.1 Stairways. The capacity, in inches, of means of egress stairways shall be calculated by multiplying the occupant load served by such stairways by a means of egress capacity factor of 0.3 inch (7.6 mm) per occupant. Where stairways serve more than one story, only the occupant load of each story considered individually shall be used in calculating the required capacity of the stairways serving that story.

E] BVO HT A IG L [SKY

MECH.

_________________________________________________________________________________________

SECTION 1005 MEANS OF EGRESS SIZING

3708.66/5 = 741.73 occupants per story (divided by number of stories = 5)

= 222.519”

TABLE 1006.3.1

30' - 0"

CHECK-OUT

[EXIT ONLY]

E 3 exits per story (for museum)

30' - 0"

COAT CHECK

MALE EMPLOYEE RR

FEMALE EMPLOYEE RR

MINIMUM NUMBER OF EXITS OR ACCESS TO EXITS PER STORY

1 exit (for restaurant)

KIOSK TICKETING

EMPLOYEE BREAK ROOM

_________________________________________________________________________________________

D ADMINISTRATION

TRANSITIONAL SPACE

ADMINISTRATION

30' - 0"

ENTRY

TICKETING

A-3d - Musuem

[TICKET LINES]

Auditoriums without permanent seating, art galleries, exhibition halls, museums, lecture halls, libraries, arcades and gymnasiums

3928/2 = 1,964 (each of male & female occupants)

26' - 8 1/8"

GENREAL WAITING AREA

MINIMUM NUMBER OF REQUIRED PLUMBING FIXTURES (See Sections 2902.1.1 and 2902.2)

EXIT

30' - 0"

ADMINISTRATION

[P] TABLE 2902.1

Male: 1 per 125 = 15.712 (16) urinals for building / 5 (#of floors)

34' - 2"

= 3 – 4 urinals per flor

94' - 2" 30' - 0"

Female: 1 per 65 = 30.21

30' - 0"

11' - 4 19/32"

22' - 9 13/32"

(30) water closets for building / 5 (# of floors) = 6 water closets per floor

A-2d - Restaurant

Restaurants, banquet halls and food courts 438/2 = 219 (each of male & female occupants) Male: 1 per 75 = 2.92 =3

SCALE: 1”= 20’-0”

Female: 1 per 75 = 2.92 =3

AN ARCHITECTS’ VACTION HOUSE

TOYO ITO

When looking through Ito’s body of work, numerous things grab the eye. His work always makes a statement and has prominence where he chooses to place his buildings. He has the ability to be dynamic without being overbearing and simplistic without being boring or unengaging. Throughout Japanese culture these same principles are seen and applied. Interacting with nature is also an important theme and Ito has a certain way of achieving this. When presented with the site before architect selection, I knew the search would be for someone of this culture for these specific reasons (paired with the program requirements to engage strongly with the pond). Clean line and clear visual explanation of what a building function is and how to maneuver through, simple and practical material selection to support and reinforce these principles/elements, this architects’ vacation home achieves this. SITE Entering the architects’ vacation home north of the property the paved road carries through and starts the process of experiencing the site and what is has to offer. The home cannot be seen from the main road as I wanted it to be private and somewhat secluded from traffic and the noise that comes with it (as a vacation home). Trees along the beginning of this road to the home are thinned allowing you to see into the forest while riding through and slowly builds back up until you reach the view of the pond. Trees then again begin to thin out and provide and surprises you with the view of the pond; the west side of vacation home in the background. Teasing guests as they continue to make way and preparing them for arrival to the home. The home being strategically placed along the east side of the pond was intentional as I wanted to engage heavily with it while simultaneously giving access to the adjacent canal east of the property. At the end of primary (linear) circulation of the home, a covered path to the boathouse continues the line and makes is clear what the final destination is on that side of the home. From the boathouse trails through the site provide paths to become more intimate with the site itself and what it has to offer. You can continue along a straight path to the shore or venture off through the forest along the pond and to the west side of the property. This path has thinning trees along it so you will not feel complete isolated and provides some sight lines to the shore south of the property. The final wing of the trail allows you to stroll along the shore itself and is the only amenity providing an experience to it.

BUILDING PLAN & CIRCULATION During the development of the plan for the architects’ vacation home, while working through schematics and the dedication of space, building zones started to “become” naturally. Coming to the conclusion that gathering/ intimate spaces should be separate from utilitarian and dining spaces, which should be separate from the building entry and the architects’ studio, was the result of numerous bubble diagrams, sketches and iteration of plan. Clear and simple circulation was the best option with this separation of the building functions into three main zones- to connect them literally and visually. This reinforces the simplistic nature/aesthetic of Japanese architecture and eliminates confusion of where to go when inside. Angular walls add interest within each space and allow guests to experience the feeling of squeezing and releasing, hiding and exposing- an added element of surprise as you travel through, but not overdone and not too exciting. The roof of each zone went through this same process. An increase of slope can be seen on each, sloping upward from primary circulation path and providing higher ceiling heights for the strategically placed spaces below and cut with similar angles to follow the building aesthetic and overall design.

BUILDING ORGANIZATION (FUNCTIONAL ZONES) The home is divided into three building parts, each zone dedicated to specific functions for its guests and primary resident.

Zone 1, nearest to the canal, is how guests enter into the home. The home owner has the ability to park in the covered garage, while guests are to park in the adjacent spaces that are uncovered. The sidewalk then leads them through and down the primary entry to the home. A partition wall secludes and separates you from the views of the parked vehicles and prepares you to experience the entryway. Once inside you are exposed to a mixed use open gallery and hallway that clearly illustrates what your options are to maneuver through the home. Taking the hallway to its end, through dining and to where the sleeping quarters lie, or a short trip through the gallery to experience a covered trail to an on-site boathouse. With exposure to the open gallery, the architect’s studio is located to the south facing the forest. An engaging view is the result; this also conveniently allows the moving and replacing of displayed artwork and the option for the architect to give guests a more intimate experience within the space where his work is generated. The studio also allows access the homes southern private deck area.

Zone 2, the center building zone is more utilitarian the rest. Here guests are experiencing an open kitchen layout with views across the dining room that gives another engaging view into the forest. This reinforces the feeling of the kitchen being, “the heart of the home” – why? Because of the feeling of being located in the literal center of the building and the views provided by being located there while being able to eat and enjoy your meal. This kitchen has also serves as a secondary building entry. Directly west and in between zone 2 and 3, is a private patio/ garden area. The integration of nature is a prominent concept presented through the scheme/ project because of cultural inspiration of the architect’s ethnic background. The homes laundry/ pantry area is tucked behind the kitchen and sway from the spaces that provide more of an experience within this zone.

Zone 3, is the sleeping and lounge area of the home. Once past the hallway from the dining and kitchen area, you are released into a grand open space. The living room with its high ceiling and a slightly submerged floor provides the option for experiencing the space two different ways. Visually you are drawn directly to the living room, as it provides a satisfying view of the pond as well as the largest view of the forest to the south of the home. The view of the forest remains unobstructed through the homes library- a short book shelf separates the two spaces and establishes each spaces function. Here is a secondary display/ gallery raised slightly above the ground level of the hallway, as a method to highlight what the architect chooses to display here; the architects “finest” artwork can be exhibited here. The master bedroom is at the very end of the hallway that takes you to all to all of the rooms, giving the architect the most space and privacy, furthest away from the living room space. The master bedroom is the only bedroom with access to the deck west of the home, illustrating a hierarchy of dedicated space to who permanently resides there and is provided with a private master bathroom. Engaging views of the pond from the room are provided as well. Guests reside in the room nearest the living room and its bathroom serves as public for all guests and for someone staying overnight.

AN ARCHITECT’S VACATION HOUSE [CONCEPT DEVELOPMENT]

PROCESS. [SPACE PLANNING]

TALLAHASSEE FLEA MARKET [ARCHITECTURAL DESIGN]

FLORIDA EVERGLADES

OBSERVATION TOWER 9

5 4 3 2 1

'20

0' 16

'20

/4"

0" '20

'20

'19

A B

North Elevation 1/8" = 1'-0"

T.O. Steel 25' - 0"

Level 3 20' - 0"

Level 2 10' - 0"

Level 1 0' - 0"

Ground -3' - 0"

Below Grade -20' - 0"

South Elevation 1/8" = 1'-0"

9 T.O. Steel 25' - 0" Level 3 20' - 0" Level 2 10' - 0" Level 1 0' - 0" Ground -3' - 0" Below Grade -20' - 0"

East Elevation 1/32" = 1'-0"

1 T.O. Steel 25' - 0" Level 3 20' - 0" Level 2 10' - 0" Level 1 0' - 0" Ground -3' - 0" Below Grade -20' - 0"

West Elevation 1/32" = 1'-0"

T.O. Steel 25' - 0" Level 3 20' - 0"

Level 2 10' - 0"

Level 1 0' - 0" Ground -3' - 0"

Below Grade -20' - 0"

Section 3/64" = 1'-0"

LEVELViEW31

LEVEL 3 ViEW 2

iNTERiOR ViEW 3

SiTE ViEW 4