Architecture Portfolio Full_Selected Works_2019_William Jury

Page 1

ARCHITECTURE PORTFOLIO

WILLIAM JURY

Selected Works 2014 - 2018


Content: 00

Curriculum Vitae

03-04

01

Runway Mode, Final Year

07-12

02

Vertex, Final Year

13-18

03

Al-Majd Canopy, Fourth Year

19-24

04

Towering Urbanism, Fourth Year

25-28

05

Adapt Apartments, Third Year

29-34

06

Other Works

37-38

07

Model

41-42

08

Sketch + Paint

45-46


Hello,

I am a recent graduate of architecture from the University of Adelaide. This portfolio is a selection of recent work in my masters degree and concludes with some additional work and skills.

My personal time is spent on key interests such as aviation and modelling as well as sketching. I have a quiet personality but excel in a creative group space.

During my studies I have developed software skills such as AutoCAD and Rhino as well as representation skills. My time at university has only accelerated my passion for architecture as well as time management and teamwork skills.

I believe that I am a good and confident candidate that has a lot of motivation and passion for my work. Thank you for your time and consideration. Kind Regards, 02


Academics:

WILLIAM JURY Graduate of Architecture

2017-2018

M.Arch (6.1 GPA), University Of Adelaide, Australia.

2014-2018

B.Arch (5.5 GPA), University Of Adelaide, Australia.

2008-2013

Senior School: Graduated with IB Diploma. Doha British School and Qatar Canadian School, Qatar.

2000-2008

Junior School: Prince Alfred College, Adelaide, Australia.

Experience: Sept 2017

JPE Design Studio, Work Experience.

Feb 2018

Studio Nine Architects, Work Experience.

Contact:

Exhibitions:

Tel: +61 481 091 538 E-mail: william.kej@gmail.com Address: 44 Mary Street, Unley SA 5061 Australia

2016-2017 University of Adelaide, ALL-IN Exhibitions.

Proficiency:

2017

RMIT Design Hub Plaza, Participation.

Photoshop InDesign Illustrator Rhino Maxwell Render Blender Render AutoCAD SketchUP Revit

2018

Paduli Monument, Runner Up.

Model Making Drawing/ Painting English Russian

Dec 2018

University of Adelaide, Final Year Exhibition.

Competitions:

Interests: General: Aviation, Railways, Modelling, Architecture, Art, Languages, Travel, Cricket, Football. Architecture: High Tech, Modernism, Vernacular, Kinetic.

International: Russian Language, Moscow State University, Russia (December 2018). Russian Language, University of Adelaide (2016-2018). Citizen of Australia and Germany. Can live and work in the European Union. Lived in Qatar for 5 years. Travelled to Russia, Qatar, Australia, Germany, United Kingdom, Spain, Austria, Switzerland, Belgium, Netherlands, New Zealand, Indonesia, Singapore, Malaysia.


References: Mirai Morita - Lecturer, University of Adelaide E-mail: mirai.morita@adelaide.edu.au A.Prof. Julian Worrall - Lecturer, University of Tasmania Tel: +61 474 055 078 E-mail: julianworrall@gmail.com Prof. George Zillante - Lecturer, University of Adelaide E-mail: george.zillante@adelaide.edu.au Anna Nikolskaya - Language Teacher, PCE University of Adelaide Tel: +61 415 928 427 E-mail: jbcolau@gmail.com



ACADEMIC WORK



01 RUNWAY MODE Final Project: Rhino/ Illustrator/ Indesign/ Maxwell

The story of runway mode begins with my passion for aviation. This obsession comes in many forms, from an aircrafts aesthetics and mechanics to the magic of lift and the performance of a flight. When thinking about the best way to present this passion through architecture, the idea of a performance developed. A performance of the assembly process. Due to the location of the inner city site and small size, it was decided to focus on celebrating helicopter production with a cycle.

This cycle would be a performance for public interaction that would assemble and disassemble the H160 helicopter by Airbus. After researching this assembly process, the idea developed to design other performances. Incorporating a mix of new programs such as a fashion show, concert and wedding, designed around the helicopter cycle not only changed the buildings focus to a performance hub, but created a much more interesting combination of ways to use the interior spaces.

08



Form was generated in parallel with program, however many of the first iterations where site focused such as on sight lines and sun paths. As the program grew, so did the building. Initial forms generated did not fit with the program so a new way of thinking

was approached, to draw a section over the existing design and extrude the important parts of the design that worked to let the building decide what form it wanted to take with program as opposed to designing a form and trying to push program into it.

10



Helicopter

Fashion

Concert

Wedding

The final form consists of opposites in aesthetics with hard and soft forms that reflect the programs inside, for example the hard plates reflecting the mechanical production line as well as a soft kinetic membrane faรงade,

reflecting the fashion show. These forms allow the building itself to perform as well, moving around the program requirements such as roof plates opening to allow for helicopter circulation.

12



02 VERTEX APARTMENTS Studio Arch: Rhino/ Illustrator/ Indesign/ AutoCAD/ Blender

Vertex is a design response to the project brief, which was to design a mixed-use apartment building that would also be used as a medical and retail precinct for the north-western area of the Adelaide CBD, but also take into account themes of Attunement. A theme of orientation was chosen to be focused on. Located next to the historic Newmarket Hotel, the design process began with the idea of a building that reflected and respected its surroundings.

The design process began with an extrusion up to a height of 73 metres and split in half. Half of the site was then pushed back, giving two separate buildings. The taller tower was then split again on its faรงade and pushed in to represent the angles and meeting points of North Terrace and Port Road. This also created an interesting form that was interpreted as a paper fold motif that was also carried onto the faรงade shutter design.

14


2 Bed 1 Bed

2 Bed 1 Bed

3 Bed

1 Bed


When thinking of interior spatial qualities, three main desired moods to create feeling from design helped to form tactile and lighting. These were elation, intrigue and place. Sketches then helped to inform the design decisions of these spaces.

The aim was to create a tactile building that not only considers orientation but also sets the tone for contemplation and positive thoughts. The distribution of programs in the building is separated into two main sections of public and above, private spaces.

16


GG

FF

EE

DD

CC

BB

33168 8588

6944

5355

5292

WALL TYPE LEGEND

6989

WT01 |

CSR 90mm Partition Wall to U/side of Slab

WT02 |

CSR 200mm Partition Wall to U/side of Slab

/Roof Sheet

6A

/Roof Sheet Pre-Cast Reinforced Concrete Sheer Wall Panel 200mm

WT04 |

Double Brick Wall 250mm /Brick 76x230x110mm

5250

WT03 |

5A WINDOW TYPE LEGEND S1 08

6170

W01 |

Double Glazing 6mm Curtain Wall w/Aluminium Frame

BATH 1 1402.03

56.500 FFL

4A

DOOR TYPE LEGEND

6642

29471

BATH 1 D 03

D 03 WT04

D 03

D 03

3A

BED 1

KITCHEN/LOUNGE

56.500 FFL

56.500 FFL

1406.04 WT04

5779

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BED 2

D 03

1406.01

56.500 FFL D 01

1406.05

56.500 FFL

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56.500 FFL

D 01

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56.500 FFL

STAIR A

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DN

UP

UP

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WT03

1405.03

56.500 FFL

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1A

PD4 15

D 05

Single Fire Rated Emergency Door w/Series Panic Exit Device

D06 |

Double Fire Rated Emergency Door w/Series Panic Exit Device

PD1 06

KITCHEN/LOUNGE

UNIT 1404

1404.02

56.500 FFL

WT01

D 02

1404.03

56.500 FFL

WT03

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AWS Double Hinged Commercial Window Door w/ Aluminium Light Frame 900mm

D05 |

WT02

1404.01

BATH 1

D 05

SERVICES SERVICES

AWS 831 Series Top Hung Bi-Fold Door System / Frame 1000mm

D04 |

D 03

56.500 FFL

ENTRY

D 01

Hardwood Flush Sliding Door Twinwheel 2000mm

D03 |

WT04

BED 1

1403.04

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D 05

Hardwood Flush VEX Panel Door 900mm

D02 |

S2 10

D 02

56.500 FFL

D 05

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UNIT 1403

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56.500 FFL

WT01

D 01

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KITCHEN/LOUNGE

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SERVICE LIFT

UNIT 1405

56.500 FFL

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56.500 FFL

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ENTRY

1403.03

1406.03

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BATH 1

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56.500 FFL

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56.500 FFL

56.500 FFL

14.00

56.500 FFL

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D 01

D 01

1401.01

56.500 FFL

WT02

56.500 FFL

KITCHEN/LOUNGE

1402.01

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KITCHEN/ LOUNGE

D 02

56.500 FFL

LIFT LOBBY

WT01

WT02

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D 02

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56.500 FFL

UNIT 1401

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56.500 FFL

D 03

1402.05

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56.500 FFL

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KITCHEN/LOUNGE

1401.03

D 03

D 03

D 03

W 01

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1404.04

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W 01

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56.500 FFL

W 01

S1 08

Consultant:

Project:

STUDIO ARCHITECTURE Date:

H

G

11/06/18

4101

APARTMENT FLOOR PLAN

Address:

F

Scale:

E 12 NORTH TERRACE 7661

7439

WILLIAM JURY

05 Drawing no:

D 1:200 @ A3

41182

8391

Drawn By:

Sheet no:

Drawing Title:

VERTEX / MIXED-USE

C

05

6796

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6347

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G.16

0.00 FFL

-0.200 FFL

WT04

WT01 WT02

D 03

WT02

D 03

D 03

DOOR TYPE LEGEND D01 |

Hardwood Flush VEX Panel Door 900mm

D02 |

Hardwood Flush Sliding Door Twinwheel 2000mm

D03 |

AWS 831 Series Top Hung Bi-Fold Door System / Frame 1000mm

D04 |

AWS Double Hinged Commercial Window Door w/ Aluminium Light Frame 900mm

D05 |

Single Fire Rated Emergency Door w/Series Panic Exit Device

D06 |

Double Fire Rated Emergency Door w/Series Panic Exit Device

WT02

5557

D 05

RESTAURANT G.22

D 03

WT04

KITCHEN

WC

-0.200 FFL

-0.200 FFL

G.23

WT01

-0.200 FFL

S2 10

0.00 FFL

G.25

WT02

WT01 D 05

WT02

WT01 D 05

LIFT LOBBY

WT02

DELIVERY ROOM

7385

STORAGE

-0.200 FFL

-0.200 FFL

0.00 FFL WT02 WT02

SERVICE LIFT

WT03

G.27

G.26

D 05

D 04 WT02

WT03 D 05

WT04

G.28

KITCHEN G.29

0.00 FFL

RESTAURANT D 03

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G.30

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G.32

0.00 FFL

G.31

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WT02

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DELIVERY BAY

WT02

D 05

FIRE PUMP/SERVICE ROOM

-0.200 FFL

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D 06

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SERVICES SERVICES

STAFF ROOM WT02

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2

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Consultant:

STUDIO ARCHITECTURE

Project:

VERTEX / MIXED-USE Address:

Date:

11/06/18

12 NORTH TERRACE

Drawing Title:

Drawn By:

Sheet no:

GROUND FLOOR PLAN

03 Drawing no:

Scale:

1:200 @ A3

WILLIAM JURY Student no:

03

Double Glazing 6mm Curtain Wall w/Aluminium Frame

D 03

G.13

-0.200 FFL

RESTAURANT -0.315 FFL

4

W01 |

RETAIL

-0.200 FFL

WT04

Double Brick Wall 250mm /Brick 76x230x110mm

WINDOW TYPE LEGEND

-0.200 FFL

D 05

WT04 | D 03

D 03

D 03

G.17

Pre-Cast Reinforced Concrete Sheer Wall Panel 200mm

WT04

D 03

KITCHEN

WT03 | WT04

D 03

D 03

WT02 D 05 WT02

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/Roof Sheet

D 04 W 01

D 03

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CSR 200mm Partition Wall to U/side of Slab

WT04

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G.18

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KITCHEN

RESTAURANT

CSR 90mm Partition Wall to U/side of Slab

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D 03

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NEWMARKET STREET

5

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RETAIL

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D 03

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SERVICES

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a1667263

1018

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Student no:

B A

a1667263


NORTH

A podium medical centre separate from the main tower was important because it helps to keep this separation but also respects the north terrace street wall. Retail space is located

on the ground floor, with medical zones above. A roof terrace garden is a place for reflection but also begins the towers “folding� form of a slope and cantilever.

18



03 AL-MAJD CANOPY Studio Cultures: Rhino/ Illustrator/ Indesign/ Photoshop/ AutoCAD

For Studio Cultures, research was undertaken on a building of cultural significance. I chose The King Fahd Stadium in Riyadh, Saudi Arabia. It is located in a hot and arid inland desert climate where temperatures can be extreme. The stadium was completed in 1987 and was designed by Ian Fraser, John Roberts & Partners who collaborated on the project for the 68,000 seat venue to hold athletics and football matches.

The most predominant element of the stadium is the tensile ‘tent’ inspired roof. The vernacular tradition was important in the considered design concept for the Al Majd Canopy extension. This was an obvious choice for a extension because of the lack of main public entrance and amenities such as food. The concept would feature seating areas, a prayer area, cafes and ticket boxes as well as a ground floor food court and football museum.

20



Many iterations were undertaken to reach a concept that complimented the existing design, while providing a distinct extension that broke up the form of the fabric roof structure and bringing the stadium into the future. Most concepts focused around creating a ‘mini’ tensile roof structure that reflected the larger stadium.

This was because it was felt that the stadium’s iconic form should be celebrated rather than changed. It was then decided to change the canopy into a steel structure, imitating the tensile stadium. This steel structure would be made up of a pattern of hexagons, a motif used throughout the origional stadium design.

22



This meshed structure hexagons was chosen to relate back to the hexagon motif details in the original design but also a traditional arabian screen that merged with a futuristic kinetic design. Inside the hexagonal frame, PTFE Membranes where designed to be kinetic and respond to the sun and individual needs of the stadiums users.

Each membrane is designed to fit into its own hexagonal case with a motor system to move the membranes from a closed to open position, constantly changing the internal space of the stadium. This constant link with the outside as well as kinetic design, brings the stadium into the future as well as creates unique spaces within.

24



04TOWERING URBANISM Studio Urbanism: Rhino/ Illustrator/ Indesign/ Photoshop

Located on the intersection of North Terrace and East Terrace, the site of the old Royal Adelaide Hospital is in a prime position for development. Studio Urbanism looked into combining communication infrastructures with architecture in an urban environment. This created an interesting proposition: to design a communications tower that changes the way we look at the term ‘urbanism’.

Towering Urbanism refers to the aim of the project, which is to create a new urban realm for the heart of the city, but creating this in the vertical. Communication infrastructures can come in many forms such as that of telecommunications and radio but also visual communication. The design of a tower contains all these elements due to its height.

26



The British high tech movement inspired the form generation of the tower and by putting the structure on the outside in the way of three main ‘pillars’ as opposed to a traditional tower core; a larger and open plan could be achieved. This meant more versatility and space for the various programs inside. These programs include a viewing area, media centre and museum of telecoms to name a few.

A smaller podium building below was designed to house a retail space but also acts as a grassed rood for screen viewing of events. In all areas, the tower wants to celebrate both the structure of a tall building for Adelaide but also communications. Not only a landmark, the tower houses a new urban realm of life. One that is vertical.

28



05 ADAPT APARTMENTS Design Studio 5: Rhino/ Illustrator/ Indesign/ Photoshop/ AutoCAD/ Revit

Design Studio 5 incorporated all previously learnt skills to produce a proposal for a hybrid design of market and apartment space. The site is located on the corner of Angas and Pulteney street, in Adelaide, South Australia. The site offered a range of design opportunities but also limitations, surrounded by other residential buildings and two busy roads. The design began with a squared grid that was rotated 5 degrees every floor. This was to move away from a simple extrusion and give a more offset design which results in more floor space and a better consideration of natural light.

First two main towers, it was decided to cut a view path through to make four separate buildings so that surrounding residents would still have sight lines but also give better circulation within the site and re-activating an alleyway to the right of the site. The towers contain a mix of single and two bedroom studios with large sliding doors to create an open plan or close off, depending on the residents needs. All apartments contain large balcony space that can be adapted with a movable timber faรงade.

30



The design proposal “Adaptâ€? is a response to these points but also taking into consideration the current usage of the site: a market and carpark. This means apartments do not start until the first floor, leaving the ground floor open for a public plaza while incorporating permanent cafĂŠ and restaurant facilities. The design itself aims to highlight circulation and encourage adaptation.

A central plaza area is covered by a movable shading system which allows the market to be versatile and to incorporate a hybrid style, many market stalls are located on central balcony style terraces. All apartments are linked by walkways to elevators and fire stairs to give as much point access as possible and keep services in the lift core towers.

32


Sliding Door - 2 Panel 2150 (AUS): Type 1 Single - Steel Frame 1000 (AUS): 920 M_Single-Flush: 0813 813 x 2134mm M_Single-Flush: 0813 813 x 2134mm M_Single-Flush: 0762 762 x 2032mm Bathroom Sliding Door - 2 Panel 2150 (AUS): Type 1 SlidingBedroom Door - 2 Panel 2150 (AUS): Type 1 SlidingFire Door Stairs - 2 Panel 2150 (AUS): Type 1 M_Single-Flush: 0762 762 Laundry x 2032mm Living/ Kitchen M_Single-Flush: 0762 762 Living/16Kitchen x 2032mm M_Single-Flush: 0762 762 x 2032mm Lobby 2 92 M_Single-Flush: 0762 762 x 2032mm 100 Services Bedroom Bathroom M_Single-Flush: 0762 762 x 2032mm 18 17 M_Single-Flush: 0762 762 Laundry 2 x99 2032mm

2143

40

2040

51

Level 1

2

2

Bedroom

2032

51

2032

51

Level 1 16Bathroom

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51

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15 Level 1

91

Level 1

92

Level 1

93

MECHANICAL HVAC Level 1 94 5 DIAGRAM

24

Level 1

1

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Level 19 1 : 100

DRAWING TITLE

Width

95

2

Level 1

96

Level 1

97

x 2134mm M_Single-Flush: 0813 x 2134mm M_Single-Flush: 0762 x 2032mm Sliding Door - 2 Panel (AUS): Type 1 Sliding Door - 2 Panel (AUS): Type 1 Sliding Door - 2 Panel (AUS): Type 1 M_Single-Flush: 0762 x 2032mm M_Single-Flush: 0762 x 2032mm M_Single-Flush: 0762 x 2032mm Services M_Single-Flush:60762 x 2032mm M_Single-Flush: 0762 x 2032mm M_Single-Flush: 0762 x 2032mm Sliding Door - 2 Panel (AUS): Type 1 Sliding Door - 2 Panel (AUS): Type 1 Single - Steel Frame (AUS): 920 M_Single-Flush: 0813 x 2134mm M_Single-Flush: 0813 x 2134mm M_Single-Flush: 0762 x 2032mm Sliding Door - 2 Panel (AUS): Type 1 Sliding Door - 2 Panel (AUS): Type 1 Sliding Door - 2 Panel (AUS): Type 1 M_Single-Flush: 0762 x 2032mm M_Single-Flush: 0762 x 2032mm M_Single-Flush: 0762 x 2032mm M_Single-Flush: 0762 x 2032mm M_Single-Flush: 0762 x 2032mm M_Single-Flush: 0762 x 2032mm

CON 3 SHEET 2 2016 DRAWING NUMBER A102 5

Level 1

98

Level 1

99

Level 1

100

Grand total: 28

2

Height

F:\constructionFINALds5designassign3B.rvt

20

10

0

10

813

Thickness

2134

51

2134

51

2134

762

2032

51

2143

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762

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STUDENT NO.

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2

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27 2

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Bathroom

25

95

94

2

24

ELECTRICAL/ FIRE 3 DIAGRAM

9

4

5

2032 51 SCALE: 1 : 100

762

2032 30

40

50

Level 1

1

Level 1

2

Level 1

4

Level 1

5

Level 1

11

Level 1

12

Level 1

13

Level 1

16

Level 1

17

Level 1

18

Level 1

19

Level 1

20

Level 1

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Level 1

24

Level 1

25

Level 1

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Level 1

89

Level 1

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Level 1

91

Level 1

92

Level 1

93

Level 1

94

Level 1

95

Level 1

96

Level 1

97

Level 1

98

Level 1

99

Level 1

100

Grand total: 28

51 60

70

80

90

100mm

4

HYDRAULIC DIAGRAM

CONSTRUCTION III 2016

Assignment 3B

23

Living/ Kitchen

MECHANICAL HVAC 5 DIAGRAM

PROJECT TITLE

22

Laundry 2

7/06/2016 51 PM 7:36:20

STRUCTURAL DIAGRAM

DRAULIC DIAGRAM

93

Bedroom

21

97

51

2032

DATE:

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Bathroom 98

40

2150

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762

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Lobby

762

16

51

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2

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1

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2

51

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ELECTRICAL/ FIRE M_Single-Flush: 0813 813 x 2134mm 3 2DIAGRAM M_Single-Flush: 0813 813 1

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Level 1

2

Level

40 Kitchen Living/

6

2

2143

6

Door Schedule

2

40 40

2

2143 2143

Doo Level

2

51

2

2032

2

51 51

2

2134 2134

PROJECT TITLE

Assignment 3B

STUDENT NO. CON 3 SHEET 2 2016 DRAWING NUMBER A102

A1667263 7/06/2016

DRAWING TITLE

F:\constructionFINALds5designassign3B.rvt

20

10

0

10

DATE:

7:36:20 PM

SCALE: 1 : 100

20

30

40

50

60

70

80

90

100mm

Family a

M_Single-F x 2134mm M_Single-F x 2134mm M_Single-F x 2134mm M_Single-F x 2032mm Sliding Doo (AUS): Type Sliding Doo (AUS): Type Sliding Doo (AUS): Type M_Single-F x 2032mm M_Single-F x 2032mm M_Single-F x 2032mm M_Single-F x 2032mm M_Single-F x 2032mm M_Single-F x 2032mm Sliding Doo (AUS): Type Sliding Doo (AUS): Type Single - Ste (AUS): 920 M_Single-F x 2134mm M_Single-F x 2134mm M_Single-F x 2032mm Sliding Doo (AUS): Type Sliding Doo (AUS): Type Sliding Doo (AUS): Type M_Single-F x 2032mm M_Single-F x 2032mm M_Single-F x 2032mm M_Single-F x 2032mm M_Single-F x 2032mm M_Single-F x 2032mm


Bathroom

6

Bedroom

Le

Living/ Kitchen

Fire Stairs

Living/ Kitchen

Le

16

1 2

Laundry Bedroom

2

3 2

4

2

Laundry

2

11 2 Bedroom

2

Lobby

2

UP

4

21

90

36

A101

1

Le 2

Laundry

8

2

2

27 2

Bedroom

26

2

94

Le

Le

24

15

Le

Le

Living/ Kitchen

Living/ Kitchen

Le

Le

25

95

2

2

21 2

Le

22

23

2

11

13

Le

Laundry 2

Bathroom

2

Bathroom

12

89

5

93

Bedroom

2

Bedroom

96

20

Le

2

Bathroom 98

6

Le

7

97

2

Le

Le

20

Fire Stairs

5

Services

25

A101

2

Living/ Kitchen

24

8

14 2

Le

19

Le 2

Living/ Kitchen

Laundry

Le

17

Laundry 2

7

10

2

2

Le

18

2 2

19

12

17

Bathroom

9

99

2

Services

18

91

1

Laundry

2

2

Lobby

Le

92

Bedroom

2

16Bathroom

2

2

100 Bathroom

2

Living/ Kitchen

2

2

13

Le

Le

Le

9 1

1

2

3

4

Level 1

5

Le

Le

Le

Le

1 : 100

Le

Gr

Revit was also first taught in this studio and one of the many tasks was to model our design completely within this software. After structure was modelled, services such as hydraulics, electricals and pipes were added. Mechanical systems were also added along with HVAC and plant rooms.

2

These systems were then put into diagrams to show how they were placed within the building and connected to the mains. Documentation sets were then made, these consisted of tags for doors and windows as well as electrical points. Rooms were also colour coded to match a legend.

STRUCTURAL DIAGRAM

4

34

HYDRAULIC DIAGRAM



OTHER WORKS



Outside of university and in my spare time I enjoy sketching up ideas in my sketchbook and sometimes bringing them to life through digital representation softwares and renderers such as Blender and Maxwell for Rhino. These projects span from house ideas to commercial buildings.

External design competitions have also been a great experience to learn and put my ideas out into the real world. Projects have been small but putting work behind real concepts and presenting them has sparked my passion for this profession even more.

38



MODEL



Throughout architecture school and in some cases when growing up, models have always been important. I feel that they are the most important part of the design process, not just completed models but working models aswell. Growing up I always enjoyed making model cities out of lego and later card and balsa.

This extended to my interest in model railways and aviation. While studying in architecture school I developed skills in lasercutting MDF, which I used for many projects. I also developed skills in foam cutting which helped for working models as well as finished models of foam and card.

42



SKETCH + PAINT



An important past time has always been sketching and painting. Mostly landscapes or architecture, I would usually draw what inspired me which has always been an interest in Russian culture and architecture.

I enjoy oil painting as well as acrylic but also sketching with charcoal and pencil. Most of the works are from memory or places which I wanted to visit. Architecture is everywhere, so much so that I can’t imagine a world without it.

46


Thank you.

Tel: +61 481 091 538 E-mail: william.kej@gmail.com Address: 44 Mary Street, Unley, SA Australia, 5061

WILLIAM JURY

Graduate of Architecture


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