Dendinger Portfolio 2024

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PORTFOLIO 2024

W ILLIA M D EN D IN G ER III A IA, N CA RB

S ELEC T ED W OR KS | A C A DEMI C A ND PR OF ES S I ONA L


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AIDS AWARENESS PIER GLITTER URBANISM 5

CAPPELLA OF QUEERNESS GLITTER URBANISM 11

RIDE LINCOLN CAMPUS TRANS IT HUB 17 Academic Professional

WAYNE EARLY LEARNING CENTER IM AGINATION PERS ONIFIED 23

GROSS CATHOLIC HIGH SCHOOL DUX E STO SCHOOL MASTERPLAN 29

LEXUS OF COLORADO SPRINGS THE P URSUIT OF P ERFE CTION 35

F&M BANK ENVIRONMENTAL GRAPHICS GROWING ROOTS, NOT BRANCHES 43

MENTAL HEALTH COMPLEX DOUGLAS COUNTY CORRECTIONS & COMMUNITY MENTAL HEALTH 49

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WILLIAM DENDINGER AIA, NCARB

SKILLS Revit AutoCAD Ske tchup Rhino Enscape Lumio n Photo sho p Illustrato r Inde sign

HONORS Licensed Architect in Nebraska | 2023 NCARB Certified | 2023 Exhibited Work: Roca London Gallery | 2021 Published Work: Drain Magazine | 2021 UNL Cunningham Thesis Award Finalist | 2021 UNL Future Practice Award | 2021 UNL Alpha Rho Chi Medal | 2021 NE Glass Assoc. Competition Gold Award | 2020 Exhibited Work: Joslyn Art Museum | 2019

CONTACT 402.681.4831 williamdendinger@gmail.com www.linkedin.com/in/william-dendinger3 @wmdendinger3 415 Leavenworth St. Apt 304, Omaha, NE 68102

SGH-Dri-Design Competition Bronze Award | 2019 Tau Sigma Delta Honor Society | 2018-2021 Exhibited Work: Krueger Gallery | 2018 & 2021

SPECIALITIES Proj ec t Design & Consultant Coordination Construc tion Docume nts Construc tion Adminstration Presentation Graphics Architec tural Visualisation Environmental Graphic Design

INTERESTS

ACTIVITIES

Fitne ss

AIA Member | 2023-Present

Trave l

AIA Associate Member | 2021-2023

Co o king

AIA NE Emerging Professionals Committee | 2021- 2023 Tau Sigma Delta Honors Society | 2018-2021 Delta Upsilon Fraternity | 2015-2019

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FUTURISTIC

EDUCATION BACHELORS OF SCIENCE IN ARCHITECTURE | PRODUCT DESIGN MINOR *Graduated with High Honors

MASTERS OF ARCHITECTURE University of Nebraska-Lincoln | 2021

WORK EXPERIENCE

SIGNIFICANCE

University of Nebraska-Lincoln | 2019

CARLSON WEST POVONDRA ARCHITECTS - 8 Years

Graduate Teaching Assistant | 2019 & 2021 Served as a Teaching Assistant during the Fall 2019 Semester for sophomore interior design studio and the Spring 2021 freshmen Design Make studio. Conducted engaging lectures and tutorials on diverse design topics and software skills, actively contributed to the development of studio projects, meticulously graded student work, and provided mentorship during projects and critiques.

UNL LEARNING COMMUNITIES - 3 Years Peer Mentor | 2016-2019 Served as a student peer mentor for 30 freshmen in UNL’s Responsible Design Learning Community, encompassing pre-architecture, pre-interior design, and prelandscape architecture majors. Spearheaded event planning initiatives to foster a sense of community, facilitating an environment conducive to both learning and career development. Conducted weekly study hours for tutoring, well-being check-ins, and ongoing mentor training throughout the academic year.

UNO FACILITIES MANAGEMENT & PLANNING - 1 Year Student Intern | 2014-2015 Updated plans and generated detailed Revit models for existing facilities, strategically preparing them for future utilization. Orchestrated the design of minor-scale renovations and repairs, ensuring seamless project execution, and facilitated the process by obtaining comprehensive Construction Documents (CDs) and bids.

ACHIEVER

UNL COLLEGE OF ARCHITECTURE - 2 Years

STRATEGIC

Invaluable team member contributing to diverse projects from pre-design to construction administration. Expertise lies in providing design options, crafting detailed construction documents, and adeptly managing coordination with contractors and engineers. Proficient in generating presentation drawings, renderings, and immersive virtual reality environments across various sectors, including K-12 education, commercial office space, auto dealerships, and public safety/justice facilities.

COMPETITION

Licensed Architect | 2023 - Present Architectural Designer | 2021-2023 Design Intern | 2016-2021

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AIDS AWARENESS PIER G L I T T E R

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U B A N I S M


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STAGE ONE: ACUTE INFECTION

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AIDS AWARENESS PIER | GLITTER URBANISM Spring 2021 Thesis | Exhibited in Roca London Gallery’s Designing Out | UNL Cunningham Award Finalist

AIDS Awareness Pier, nestled in Chicago’s Belmont Harbor, intricately weaves together history and advocacy, paying homage to the vibrant queer space once known as Belmont Rocks. This visionary project seamlessly integrates permanent fixtures like concrete diving pillars, swimming areas, bars, and a bridge that links the harbor sides, connecting the legacy of Belmont Rocks with the upcoming AIDS Memorial Garden in Chicago. During the summer months, a temporary floating dock adorned with smaller red swimming platforms transforms the pier into a lively social hub, echoing the spirit of the Rocks. As the sun-soaked gatherings unfold, a subtle yet impactful narrative unfolds in the water. The red platforms, designed for recreation, dissolve and leave behind traces of sticky red dye on swimmers, boats, and the pier itself. What begins as a barely noticeable phenomenon escalates into a significant issue, mirroring the historical confusion and fear associated with the AIDS crisis. Panic ensues as the red dye spreads, eventually staining the entire harbor. This intentional transformation serves as a poignant protest piece, drawing attention to the AIDS crisis and commemorating the struggles faced by the LGBTQ community during a period of widespread ignorance and discrimination. The project transcends its physical presence, becoming a powerful symbol of advocacy. It highlights the historical mistreatment of those affected by AIDS, challenging societal prejudices that persisted during the crisis. Through this innovative blend of art, history, and activism, AIDS Awareness Pier stands as a compelling reminder that even today, there is much work to be done in fostering comprehensive awareness and understanding of HIV/AIDS.is.

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STAGE TWO: CLINICAL LATENCY

Globally, approximately 38 million individuals are living with

narrative of HIV/AIDS. As the float absorbs the dye, turning itself

the virus. Since its identification in 1984, HIV/AIDS has claimed

red, it serves as a tangible representation of the manageable and

the lives of over 35 million people, marking it as one of the

preventable aspects of the disease through safe practices and

most devastating pandemics in history. Despite this grim history,

medication. However, it also underscores the persistent existence

scientific advancements have revolutionized HIV treatment, legal

of the virus. As summer concludes, the clearing waters and the

protections have been established for those with HIV, and our

release of balloons from the net bridge become a poignant tribute.

understanding of the condition has significantly improved. Yet,

This final act, disappearing into the sky, honors the millions lost

a gap persists as many remain unaware of essential facts for

to this disease—a generation, including those who frequented

safeguarding themselves and others. Stigma and discrimination

the Belmont Rocks, often overlooked or forgotten. It stands as a

continue to plague those living with the condition.

powerful reminder of the profound impact of HIV/AIDS and the

The symbolic transformation of the float echoes the evolving

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collective memory of those affected by it.


STAGE THREE: AQUIRED IMMUNODEFICIENCY SYNDROME

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CAPPELLA OF QUEERNESS G L I T T E R

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U R B A N I S M


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G othic Tracery Ae ria l P lan

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CAPPELLA OF QUEERNESS | GLITTER URBANISM Spring 2021 Thesis | Published in Drain Magazine’s Queerfacture | UNL Cunningham Award Finalist

The relationship between the Catholic Church and the

position on gay marriage, stating its inability to bless same-sex

LGBTQ+ community has been marked by controversy. The

unions. The message, conveyed by the Vatican’s Congregation

intricate history and current perspectives of the Church

for the Doctrine of the Faith and approved by Pope Francis,

raise questions about equality and the rationale behind

deems any form of blessing acknowledging such unions as

anti-LGBTQ+ rhetoric, including the condemnation of same-

illicit, asserting that God cannot bless sin.

sex marriages. Examining the conflict between the Church

An open-air chapel is annexed to the side of Our Lady of Mt.

and Chicago’s LGBTQ+ community in the 1980s, this project

Caramel Church, a gothic revival church in Chicago. It honors

explores Catholic viewpoints and the limits of sacred space.

the nuns who defied the Church’s stance on homosexuality and

The conceptual design of the Cappella of Queerness serves as

played a role in passing anti-discrimination laws in the 1980s.

an architectural solution to current same-sex marriage issues.

While mirroring gothic elements of Our Lady of Mt. Caramel,

It also commemorates clergy members who supported the

the chapel abstracts these components by playing with

LGBTQ+ community’s fight for equal rights against influential

shapes, scales, and symbolic elements. Stained glass windows

figures in Chicago’s government and the Church. This design

depicting saints rumored to be LGBTQ add another layer of

reveals queer space as an act of creating and appropriating

queerness. The chapel provocatively questions the Catholic

space, challenging traditional building typologies.

Church’s stance on same-sex marriage by exploring whether

In March 2021, the Vatican reasserted the Catholic Church’s

a space outside the church allows for such ceremonies to exist.

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In designing this chapel, I sampled architectural elements of

narratives, forming an ephemeral sense which may be close enough

Gothic churches, religious iconography, and Catholic rituals to then

to classify it as a holy space. What makes a space holy may be in the

re-appropriate them into a queer space. This mimicry and twisting

same realm of what makes a space queer. There is no clearly defined

of Catholic architectural elements were equally important in the

answer for either typology, yet it is something that we as occupants of

representation of the chapel. The design was created using 3D

space can simply feel and understand. The open-air chapel is readily

modeling software to accurately model gothic elements from various

accessible to the public. As one enters through the flower gardens

images and sketches then wildly distort them. Each of the architectural

of the churchyard, they encounter the highly ornamented structure

drawings appears as a hand-drawn plan, elevation, or section to the

clinging to the side of its imposing host. The light limestone and

untrained viewer. In reality, these hand-drawn looks were a simple

marble of the chapel glisten in the daylight and create a sense of age

manipulation in the modeling software combined with Photoshop

within the structure as if it has always been a part of the history of

work. The text and decorative borders around certain images were

the church. Climbing the playfully shaped stairs and entering into the

sampled from illuminated manuscripts using Photoshop. Finally, the

chapel’s antechamber, one might pause in this small, shaded enclave.

last step in this technique was to use scale figures Photoshopped

From above, a ray of light pierces through the antechamber’s oculus.

from the same illuminated manuscripts or other religious artworks.

Stepping out into the main chapel, a symphony of fountains greets

The figures are medieval depictions of saints, clergy, and angels as a

prayerful visitors while sunlight glistens off the intricate metalworking

final way of faking the holiness of this design. By depicting this work

of the copper dome above. The white stone around the chapel comes

as an aged Gothic design, as if found in an illuminated manuscript,

to life as the stained glass windows fill the space with color. Finally,

it conveys that the LGBTQ+ community has been entwined with

as one exits and walks along the gravel path through the arcade of

religion throughout history. The Church may denounce and ignore the

buttresses, the symbols and Latin inscriptions of the nuns’ story wrap

LGBTQ+ community, but it can no longer retain this stance.

the arches. This tiny piece of stone, metal, and glass becomes a sacred

While the Catholic Church and LGBTQ+ community condemn each other, the Cappella of Queerness offers a sacred space for any user. It may not be officially blessed, and could be seen as sacrilegious by

15 some, but the Cappella offers architectural elements, symbolism and

space, not from the decree of clergymen, but from those who occupy it and the narratives shared within it


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RIDE LINCOLN C A M P U S

T R A N S I T

H U B

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RIDE LINCOLN | CAMPUS TRANSIT HUB Spring 2019 | SGH Dri-Design Award Finalist

V i ew from 10th & Q St

In ter i or Gard ens & Sk ydom es

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The intersection at 10th & Q St in downtown Lincoln serves as an

contributing to the well-being of hub occupants.

underutilized campus parking lot, presenting a prime opportunity

In tandem with our transit-focused design, we developed a detailed

for development. Envisioning a dynamic transit hub in line with the

architectural model of downtown Lincoln. This model served as

campus masterplan, my partner, Ali Siverhus, and I meticulously

a visual tool to communicate proposed changes within the urban

designed a comprehensive space. Situated along key bus routes

context. Complementing this, a structural skeletal model showcased

and 10th St, our design prioritizes circulation flows, integrating bus

not only the aesthetic elements but also underscored the engineering

lanes, bike storage, and ride-sharing lanes to create a seamless

and structural integrity of our design. Securing the 3rd position in the

connection between the campus and the city. Internally, the hub

2019 SGH Dri-Design competition, our project embodies efficiency,

facilitates intuitive movement, with open public spaces, restaurants,

sustainability, and meticulous representation within the urban and

and dedicated study areas.

structural context. My responsibilities spanned collaborative work,

Our commitment to sustainability is evident through the incorporation

modeling, rendering, drafting construction details, laser cutter file

of vegetation. The undulating roof, adorned with skydomes, bathes

management, and active participation in constructing both the

the interior gardens in natural light and supports greenery, fostering

downtown architectural model and the structural skeletal model.

a biophilic environment. The lush roof garden enhances biodiversity,

Green Roo f Render & Wall Se ct io n

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B i rd ’s Eye View o f Skele tal Mo de l in Site Mode l

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P l a za View o f Skeleta l Mo del in Site Mo de l

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WAYNE EARLY LEARNING CENTER IMAGINATION PERSONIFIED

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WAYNE EARLY LEARNING CENTER | IMAGINATION PERSONIFIED Ca r l so n Wes t Povo nd r a A rch it ect s

E nt r y Co mmo ns c a n fo r VR S ce ne ne S can

Med i a C enter

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S ca c a n fo r VR S ce ne ne


As one of the lead designers and a project architect for

a dynamic, imaginative space aimed at nurturing the boundless

the Wayne ELC, which is currently under construction, my

potential of every child in Wayne, NE. The design incorporates

role revolved around one question, “how do we personify

modern elements, vibrant colors, and interactive spaces to

imagination?” Collaborating closely with a multidisciplinary

inspire learning. To enhance the imaginative atmosphere,

team, I helped guided the design process from concept to

dichoric glass film is strategically employed on the clerestory

execution, and currently in construction administration,

windows above the flexible “idea spaces” between classrooms.

ensuring the seamless integration of creativity, functionality,

This innovative use of materials refracts and reflects light,

and student security. Client engagement is integral to my

casting dynamic and ever-changing colors through these areas.

responsibilities, involving a thorough understanding of their

It offers a symbolic representation of the diverse and evolving

needs, translating them into tangible design elements. I provide

nature of imagination, creating an inspiring visual spectacle to

leadership in coordinating with engineers, interior designers,

engage both students and educators. Combined with an eco-

and construction teams helping the project manager in his

friendly heavy timber structure, this imaginative touch further

resposibilites to ensure adherence to timelines and budget

elevates the ELC, turning it into a dynamic space that not only

constraints.

meets design excellence standards but also fosters a unique

This innovative early learning center is not just a school, but

and ever-evolving environment for the young minds of Wayne.

Id ea Space

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Use your phone camera to explore v irtual reality scenes!

Classs ro om Clas om

A Arr t Sp Spaace ce

A CM Parapet Det ail

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East El evatio n wit h Pre cast Pane l Co di n g

Re Rece cept p tii oonn

E x ter te rii o r

C l ere s to ry Roof Tr an s i t i o n D e tai l


GYM

PREP KITCHEN

OFFICE

WORK ROOM OFFICE

MOTHERS STORAGE

OFFICE

OFFICE NURSE OFFICE

CONF RECEPTION

MEDIA CENTER

1ST GRADE

KINDERGARTEN

1ST GRADE

KINDERGARTEN

IDEA SPACE

SMALL GROUP

STOR

1ST GRADE

SMALL GROUP KINDERGARTEN

1ST GRADE

KINDERGARTEN

2ND GRADE

STOR STORAGE

2ND GRADE

SPED

IDEA SPACE

SMALL GROUP 2ND GRADE

SMALL GROUP PRE-K

STORAGE

Prec a st Parap et & Heavy T imber C o n n e ction Det ail

2ND GRADE

PRE-K

CREATIVE IDEA SPACE

MUSIC

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DUX ESTO MA STERPLAN GROSS

CATHOLIC

HIGH

SCHOOL

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Dux Esto Masterplan | Gross Catholic High School Sp r ing 2 0 2 1 | T h esis | UN L Cunning h a m Awa rd Fina l is t The Gross Catholic High School Architectural Masterplan

In addition to these academic and administrative improvements,

project is a visionary undertaking that not only transforms the

the masterplan includes a dedicated fine arts addition that reflects

academic and administrative wings but also aligns with the school’s

the Marianist commitment to the holistic development of students.

commitment to promoting education in the Marianist tradition.

The renovated auditorium, new art room, and band room provide

The focus on the academic wing involves strategic renovations

state-of-the-art facilities for students to express their artistic

that aim to create an environment conducive to modern teaching

talents, aligning with the Marianist belief in the importance of

methodologies. The incorporation of flexible common spaces

educating the whole person. The student art gallery in a specially

dedicated to student groups will promote teamwork and creativity.

designed corridor serves as a testament to the vibrant artistic

These spaces will serve as hubs for intellectual exchange and

achievements of the school community, embodying the Marianist

encourage a dynamic learning culture.

spirit of recognizing and celebrating individual talents within a

Simultaneously, the

administrative wing will undergo renovations and additions to

supportive educational environment.

enhance circulation, ensuring a seamless and secure entrance.

The holistic approach of this masterplan seeks to create

Natural daylighting enhancements throughout both wings

a harmonious and inspiring environment where academic

symbolize the enlightenment and illumination that comes from

excellence and artistic creativity can thrive, shaping the future

embracing the Marianist tradition in education.

leaders and artists emerging from Gross Catholic High School.

31 A cad emic W in g Re n ova tion - Bio lo gy Lab


A dmin W i ng Re nova t i on - Alu m ni Loun ge & Be l l Tow e r Ad di t i on

Ac a de m i c W i n g Ren ova t i on - Hous e C o m m on s

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Fine A rts Win g Reno vat io n - Re nova te d Au di tor i u m

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Fine A rts Win g Addition - Ar t Roo m


PR OD U C TI ON

ART

GALLE RY COR RIDOR

AU D ITORI UM

BAN D

E N TR Y

F i ne Ar t s W i ng Add i t i on - G al le ry C o rri dor

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LEXUS OF COLORADO SPRINGS THE

P URSUIT

O F

P E RF E CTIO N

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LEXUS OF COLORADO SPRINGS | BAXTER AUTO GROUP Ca r l so n Wes t Povo nd r a A rch it ect s The facility’s design seamlessly adhered to Lexus’ corporate design standards

LED logo and biophilic elements, such as a bamboo planter and a green wall.

while strategically challenging certain elements to enhance its overall appeal.

The simplified and contrasting material palette pays homage to modern Asian

With a focus on optimizing the customer experience, meticulous attention

design concepts.

was devoted to the spatial layering, design of customer touchpoints, and the selection of materials.

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During the project, we introduced subtle nods to Colorado’s captivating geography through carefully crafted wall panels and other design elements.

Deviating from the standard material palette outlined in Lexus’ corporate

These thoughtful additions aimed to connect the facility with the surrounding

standards, we recognized the need for a contemporary touch. Our

landscape, creating a harmonious blend between the interior space

collaboration involved choosing lighter wood tones paired with white and

and the unique features of Colorado’s environment. As the one of the

black quartz surfaces, resulting in a sleek and modern ambiance. In a tribute

project architects, I seamlessly translated design concepts into detailed

to Lexus’ Japanese heritage, we incorporated the traditional Japanese wood

construction documents and provided hands-on oversight during the

burning technique, sho-shugi-ban, for the wood slat wall in the customer

construction phase. My role ensured precise execution, fostering effective

lounge. This distinctive feature was complemented by an oversized Lexus

communication between design intent and project realization.


Sho wroo m & C u s to mer Lo un ge

S e rvi ce A dvi s or s

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1"

WACT-1 CEILING; SEE RCP.

1"

LED TAPE LIGHT AT ALL EDGES OF LEXUS LOGO. SEE ELEC.

WD-2 TRIM AT PERIMETER OF GB CLOUD, SEE RCP GB CEILING CLOUD; SEE RCP AND DETAILS

ACT CEILING AS SCHED

1/2" INTEGRAL BACKER 1 1/4" SLAT

1 3/4" WDP-1 ASSEMBLY

DIRECTION OF WDP-1 SLATS MAY VARY; SEE ELEVATION 9 / A3.2 2 3/8" 1 3/4"

1"

LED TAPE LIGHT AT ALL EDGES OF LEXUS LOGO. SEE ELEC.

4 1/8"

TO CREATE LEXUS 'LOGO' FEATURE USING VARIATION OF DEPTH OF WDP-1 PANELS. SEE WDP-1 FEATURE WALL ELEVATION

WDP-2 (SHOWN WITH LIGHT ORANGE INFILL) CUT INTO LEXUS LOGO. SEE 9 / A3.2

8" METAL STUD

TO CREATE LEXUS 'LOGO' FEATURE USING VARIATION OF DEPTH OF WDP-1 PANELS. SEE WDP-1 FEATURE WALL ELEVATION

WDP-1 PANEL ASSEMBLY (SHOWN WITH BLUE INFILL); WDP-1 ASSEMBLY INCLUDES SLATS FACTORY-ATTACHED TO 1/2" THICK PLYWD BACKER PANEL. SLATS AND BACKER PREFINISHED. 5/8" PLYWD AT METAL STUD FRAMING. WDP-1 PANELS TO ATTACH TO 5/8" PLYWD. 1 1/4"

24 _____

6"

KERF BACK

1/2"

A3.2

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WB-3 BELOW WDP-1 FEATURE WALL; HEIGHT TO COORDINATE WITH WB-1 AT ADJACENT WALLS

Sho u Sugi Ban Lo go Wa ll - Se ctio n

Jam b D e t ai l a t G l azi ng


S h ou S u gi Ba n Logo Wa ll - El e v a t i on

Wa ll Bas e Det ail

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Future Land De velo pme n t - O ver all Site

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Serv ice A d viso rs


Acous t i c Wa ll Pa ne l - P i ke s Pe a k To po gra ph i c E tc h i ng D e t a i l

S e rvi ce Advi s ors Po rta l - Logo Di s t rac t i o n Gr ap h ic

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FARMERS & MERCHANTS BANK GROWING ROOTS, NOT BRANCHES

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Distraction Gra ph ic Ele vatio n

His to rica l Do cume n ts Gra ph ic

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WRAP CORN ER

WRAP CORN ER

Pattern Un it - Se cur ity Co de Abstr a ct i o n


Up p er Lounge

FARMERS & MERCHANTS BANK | ENVIRONMENTAL GRAPHICS Ca r l so n Wes t Povo nd r a A rch it ect s

Farmers & Merchants Bank, a cherised family-owned institution

evolution through a graphic timeline, encapsulating its founding, key

situated in Ashland, NE’s historic downtown district, boasts a rich

dates, and major financial milestones. The upper lounge ingeniously

140-year legacy. While the exterior facade has faithfully preserved its

incorporates historic documents, check fonts, signatures, stamps, and

original character, the interior has undergone several renovations, the

even bank robbery rewards, weaving the bank’s rich history inot the

last in 1981.

space. The glass office fronts enhance the lobby with borrowed natural

CWP’s new renovation aimed at modernizing the bank, infusing

light, complemented with a privacy film derived from an abstracted

it with natrual light while preserving its historic charm. Demolishing

check security code, subtly paying homage to the banking legacy. This

the apartments and tenant space on upper floors allowed for an

thoughtful fusion of modern aesthetics and and historical narrative

expanded, brighter interior. I took charge of creating captivating

not only revitalizes Farmers & Merchants Bank but also create a

environmental graphics that narrate the bank’s journey over the years

welcoming space that honors its legacy, ensuring a harmonious blend

with a contemporary touch. The boardroom showcases the bank’s

of tradition and innovation for years to come.

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Bo ard Ro o m


WRAP CORN ER

B oard Ro om Gr aphic Time line

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MENTAL HEALTH COMPLEX DOUGLAS COUNTY CORRECTIONS & COMMUNITY MENTAL HEALTH

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MENTAL HEALTH COMPLEX | COMMUNITY & CORRECTIONS Ca r l so n Wes t Povo d r a A rch it ect s | HD R CWP undertook a comprehensive initiative, responding to the imperative for enhanced

intricate operational requirements, such as sightlines, anti-ligature spaces, and addressing

community mental health and acute correctional mental health services in Douglas County.

medical and maximum security needs. The unique challenges presented by the downtown

Our proposal strategically examined the co-location of a new community mental health facility

site, surrounded by four existing additions to the jail, led to the elevation of our addition over

and an extension to the existing Douglas County Corrections Center. Following our proposal, the

the existing parking lot, ensuring secure access to the vehicular sallyport for inmate intake and

Commissioners approved the use of ARPA funds to initiate the design phase for the corrections

integration with multiple existing levels.

addition, while awaiting a decision on the community mental health facility. As the prime

Currently in the design development phase, our approach focuses on fostering a positive

architect, CWP collaborated with HDR to design the $33 million addition, incorporating 44 high

therapeutic environment for inmates. This is achieved through the integration of healing

acuity cells and 42 low acuity dormitory beds. Given its role as a justice facility, the design tackles

gardens, blue rooms, biophilic elements, and strategic maximization of daylighting—elements

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designed to contribute to a holistic and supportive atmosphere within the facility.


Ne w C om m un i ty Me n t a l Hea lt h Fa ci l i ty & C or re c ti on s Add it i on i n Bac kgroun d

C om mu n it y Me nt a l He a lt h - Hi gh Ac uit y D ayro om

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C o rrections Menta l He alth A ddition - Ea s t Fa c ad e

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C o rrections Addition - E/ W Sec tio nal Pro gra m s


C or rec t i on s Ad di ti on - N / S S e ct i ona l Pro gra m s

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T H A N K S WILLIAM M. DENDINGER III


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