PORTFOLIO 2024
W ILLIA M D EN D IN G ER III A IA, N CA RB
S ELEC T ED W OR KS | A C A DEMI C A ND PR OF ES S I ONA L
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AIDS AWARENESS PIER GLITTER URBANISM 5
CAPPELLA OF QUEERNESS GLITTER URBANISM 11
RIDE LINCOLN CAMPUS TRANS IT HUB 17 Academic Professional
WAYNE EARLY LEARNING CENTER IM AGINATION PERS ONIFIED 23
GROSS CATHOLIC HIGH SCHOOL DUX E STO SCHOOL MASTERPLAN 29
LEXUS OF COLORADO SPRINGS THE P URSUIT OF P ERFE CTION 35
F&M BANK ENVIRONMENTAL GRAPHICS GROWING ROOTS, NOT BRANCHES 43
MENTAL HEALTH COMPLEX DOUGLAS COUNTY CORRECTIONS & COMMUNITY MENTAL HEALTH 49
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WILLIAM DENDINGER AIA, NCARB
SKILLS Revit AutoCAD Ske tchup Rhino Enscape Lumio n Photo sho p Illustrato r Inde sign
HONORS Licensed Architect in Nebraska | 2023 NCARB Certified | 2023 Exhibited Work: Roca London Gallery | 2021 Published Work: Drain Magazine | 2021 UNL Cunningham Thesis Award Finalist | 2021 UNL Future Practice Award | 2021 UNL Alpha Rho Chi Medal | 2021 NE Glass Assoc. Competition Gold Award | 2020 Exhibited Work: Joslyn Art Museum | 2019
CONTACT 402.681.4831 williamdendinger@gmail.com www.linkedin.com/in/william-dendinger3 @wmdendinger3 415 Leavenworth St. Apt 304, Omaha, NE 68102
SGH-Dri-Design Competition Bronze Award | 2019 Tau Sigma Delta Honor Society | 2018-2021 Exhibited Work: Krueger Gallery | 2018 & 2021
SPECIALITIES Proj ec t Design & Consultant Coordination Construc tion Docume nts Construc tion Adminstration Presentation Graphics Architec tural Visualisation Environmental Graphic Design
INTERESTS
ACTIVITIES
Fitne ss
AIA Member | 2023-Present
Trave l
AIA Associate Member | 2021-2023
Co o king
AIA NE Emerging Professionals Committee | 2021- 2023 Tau Sigma Delta Honors Society | 2018-2021 Delta Upsilon Fraternity | 2015-2019
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FUTURISTIC
EDUCATION BACHELORS OF SCIENCE IN ARCHITECTURE | PRODUCT DESIGN MINOR *Graduated with High Honors
MASTERS OF ARCHITECTURE University of Nebraska-Lincoln | 2021
WORK EXPERIENCE
SIGNIFICANCE
University of Nebraska-Lincoln | 2019
CARLSON WEST POVONDRA ARCHITECTS - 8 Years
Graduate Teaching Assistant | 2019 & 2021 Served as a Teaching Assistant during the Fall 2019 Semester for sophomore interior design studio and the Spring 2021 freshmen Design Make studio. Conducted engaging lectures and tutorials on diverse design topics and software skills, actively contributed to the development of studio projects, meticulously graded student work, and provided mentorship during projects and critiques.
UNL LEARNING COMMUNITIES - 3 Years Peer Mentor | 2016-2019 Served as a student peer mentor for 30 freshmen in UNL’s Responsible Design Learning Community, encompassing pre-architecture, pre-interior design, and prelandscape architecture majors. Spearheaded event planning initiatives to foster a sense of community, facilitating an environment conducive to both learning and career development. Conducted weekly study hours for tutoring, well-being check-ins, and ongoing mentor training throughout the academic year.
UNO FACILITIES MANAGEMENT & PLANNING - 1 Year Student Intern | 2014-2015 Updated plans and generated detailed Revit models for existing facilities, strategically preparing them for future utilization. Orchestrated the design of minor-scale renovations and repairs, ensuring seamless project execution, and facilitated the process by obtaining comprehensive Construction Documents (CDs) and bids.
ACHIEVER
UNL COLLEGE OF ARCHITECTURE - 2 Years
STRATEGIC
Invaluable team member contributing to diverse projects from pre-design to construction administration. Expertise lies in providing design options, crafting detailed construction documents, and adeptly managing coordination with contractors and engineers. Proficient in generating presentation drawings, renderings, and immersive virtual reality environments across various sectors, including K-12 education, commercial office space, auto dealerships, and public safety/justice facilities.
COMPETITION
Licensed Architect | 2023 - Present Architectural Designer | 2021-2023 Design Intern | 2016-2021
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AIDS AWARENESS PIER G L I T T E R
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U B A N I S M
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STAGE ONE: ACUTE INFECTION
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AIDS AWARENESS PIER | GLITTER URBANISM Spring 2021 Thesis | Exhibited in Roca London Gallery’s Designing Out | UNL Cunningham Award Finalist
AIDS Awareness Pier, nestled in Chicago’s Belmont Harbor, intricately weaves together history and advocacy, paying homage to the vibrant queer space once known as Belmont Rocks. This visionary project seamlessly integrates permanent fixtures like concrete diving pillars, swimming areas, bars, and a bridge that links the harbor sides, connecting the legacy of Belmont Rocks with the upcoming AIDS Memorial Garden in Chicago. During the summer months, a temporary floating dock adorned with smaller red swimming platforms transforms the pier into a lively social hub, echoing the spirit of the Rocks. As the sun-soaked gatherings unfold, a subtle yet impactful narrative unfolds in the water. The red platforms, designed for recreation, dissolve and leave behind traces of sticky red dye on swimmers, boats, and the pier itself. What begins as a barely noticeable phenomenon escalates into a significant issue, mirroring the historical confusion and fear associated with the AIDS crisis. Panic ensues as the red dye spreads, eventually staining the entire harbor. This intentional transformation serves as a poignant protest piece, drawing attention to the AIDS crisis and commemorating the struggles faced by the LGBTQ community during a period of widespread ignorance and discrimination. The project transcends its physical presence, becoming a powerful symbol of advocacy. It highlights the historical mistreatment of those affected by AIDS, challenging societal prejudices that persisted during the crisis. Through this innovative blend of art, history, and activism, AIDS Awareness Pier stands as a compelling reminder that even today, there is much work to be done in fostering comprehensive awareness and understanding of HIV/AIDS.is.
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STAGE TWO: CLINICAL LATENCY
Globally, approximately 38 million individuals are living with
narrative of HIV/AIDS. As the float absorbs the dye, turning itself
the virus. Since its identification in 1984, HIV/AIDS has claimed
red, it serves as a tangible representation of the manageable and
the lives of over 35 million people, marking it as one of the
preventable aspects of the disease through safe practices and
most devastating pandemics in history. Despite this grim history,
medication. However, it also underscores the persistent existence
scientific advancements have revolutionized HIV treatment, legal
of the virus. As summer concludes, the clearing waters and the
protections have been established for those with HIV, and our
release of balloons from the net bridge become a poignant tribute.
understanding of the condition has significantly improved. Yet,
This final act, disappearing into the sky, honors the millions lost
a gap persists as many remain unaware of essential facts for
to this disease—a generation, including those who frequented
safeguarding themselves and others. Stigma and discrimination
the Belmont Rocks, often overlooked or forgotten. It stands as a
continue to plague those living with the condition.
powerful reminder of the profound impact of HIV/AIDS and the
The symbolic transformation of the float echoes the evolving
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collective memory of those affected by it.
STAGE THREE: AQUIRED IMMUNODEFICIENCY SYNDROME
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CAPPELLA OF QUEERNESS G L I T T E R
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U R B A N I S M
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G othic Tracery Ae ria l P lan
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CAPPELLA OF QUEERNESS | GLITTER URBANISM Spring 2021 Thesis | Published in Drain Magazine’s Queerfacture | UNL Cunningham Award Finalist
The relationship between the Catholic Church and the
position on gay marriage, stating its inability to bless same-sex
LGBTQ+ community has been marked by controversy. The
unions. The message, conveyed by the Vatican’s Congregation
intricate history and current perspectives of the Church
for the Doctrine of the Faith and approved by Pope Francis,
raise questions about equality and the rationale behind
deems any form of blessing acknowledging such unions as
anti-LGBTQ+ rhetoric, including the condemnation of same-
illicit, asserting that God cannot bless sin.
sex marriages. Examining the conflict between the Church
An open-air chapel is annexed to the side of Our Lady of Mt.
and Chicago’s LGBTQ+ community in the 1980s, this project
Caramel Church, a gothic revival church in Chicago. It honors
explores Catholic viewpoints and the limits of sacred space.
the nuns who defied the Church’s stance on homosexuality and
The conceptual design of the Cappella of Queerness serves as
played a role in passing anti-discrimination laws in the 1980s.
an architectural solution to current same-sex marriage issues.
While mirroring gothic elements of Our Lady of Mt. Caramel,
It also commemorates clergy members who supported the
the chapel abstracts these components by playing with
LGBTQ+ community’s fight for equal rights against influential
shapes, scales, and symbolic elements. Stained glass windows
figures in Chicago’s government and the Church. This design
depicting saints rumored to be LGBTQ add another layer of
reveals queer space as an act of creating and appropriating
queerness. The chapel provocatively questions the Catholic
space, challenging traditional building typologies.
Church’s stance on same-sex marriage by exploring whether
In March 2021, the Vatican reasserted the Catholic Church’s
a space outside the church allows for such ceremonies to exist.
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In designing this chapel, I sampled architectural elements of
narratives, forming an ephemeral sense which may be close enough
Gothic churches, religious iconography, and Catholic rituals to then
to classify it as a holy space. What makes a space holy may be in the
re-appropriate them into a queer space. This mimicry and twisting
same realm of what makes a space queer. There is no clearly defined
of Catholic architectural elements were equally important in the
answer for either typology, yet it is something that we as occupants of
representation of the chapel. The design was created using 3D
space can simply feel and understand. The open-air chapel is readily
modeling software to accurately model gothic elements from various
accessible to the public. As one enters through the flower gardens
images and sketches then wildly distort them. Each of the architectural
of the churchyard, they encounter the highly ornamented structure
drawings appears as a hand-drawn plan, elevation, or section to the
clinging to the side of its imposing host. The light limestone and
untrained viewer. In reality, these hand-drawn looks were a simple
marble of the chapel glisten in the daylight and create a sense of age
manipulation in the modeling software combined with Photoshop
within the structure as if it has always been a part of the history of
work. The text and decorative borders around certain images were
the church. Climbing the playfully shaped stairs and entering into the
sampled from illuminated manuscripts using Photoshop. Finally, the
chapel’s antechamber, one might pause in this small, shaded enclave.
last step in this technique was to use scale figures Photoshopped
From above, a ray of light pierces through the antechamber’s oculus.
from the same illuminated manuscripts or other religious artworks.
Stepping out into the main chapel, a symphony of fountains greets
The figures are medieval depictions of saints, clergy, and angels as a
prayerful visitors while sunlight glistens off the intricate metalworking
final way of faking the holiness of this design. By depicting this work
of the copper dome above. The white stone around the chapel comes
as an aged Gothic design, as if found in an illuminated manuscript,
to life as the stained glass windows fill the space with color. Finally,
it conveys that the LGBTQ+ community has been entwined with
as one exits and walks along the gravel path through the arcade of
religion throughout history. The Church may denounce and ignore the
buttresses, the symbols and Latin inscriptions of the nuns’ story wrap
LGBTQ+ community, but it can no longer retain this stance.
the arches. This tiny piece of stone, metal, and glass becomes a sacred
While the Catholic Church and LGBTQ+ community condemn each other, the Cappella of Queerness offers a sacred space for any user. It may not be officially blessed, and could be seen as sacrilegious by
15 some, but the Cappella offers architectural elements, symbolism and
space, not from the decree of clergymen, but from those who occupy it and the narratives shared within it
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RIDE LINCOLN C A M P U S
T R A N S I T
H U B
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RIDE LINCOLN | CAMPUS TRANSIT HUB Spring 2019 | SGH Dri-Design Award Finalist
V i ew from 10th & Q St
In ter i or Gard ens & Sk ydom es
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The intersection at 10th & Q St in downtown Lincoln serves as an
contributing to the well-being of hub occupants.
underutilized campus parking lot, presenting a prime opportunity
In tandem with our transit-focused design, we developed a detailed
for development. Envisioning a dynamic transit hub in line with the
architectural model of downtown Lincoln. This model served as
campus masterplan, my partner, Ali Siverhus, and I meticulously
a visual tool to communicate proposed changes within the urban
designed a comprehensive space. Situated along key bus routes
context. Complementing this, a structural skeletal model showcased
and 10th St, our design prioritizes circulation flows, integrating bus
not only the aesthetic elements but also underscored the engineering
lanes, bike storage, and ride-sharing lanes to create a seamless
and structural integrity of our design. Securing the 3rd position in the
connection between the campus and the city. Internally, the hub
2019 SGH Dri-Design competition, our project embodies efficiency,
facilitates intuitive movement, with open public spaces, restaurants,
sustainability, and meticulous representation within the urban and
and dedicated study areas.
structural context. My responsibilities spanned collaborative work,
Our commitment to sustainability is evident through the incorporation
modeling, rendering, drafting construction details, laser cutter file
of vegetation. The undulating roof, adorned with skydomes, bathes
management, and active participation in constructing both the
the interior gardens in natural light and supports greenery, fostering
downtown architectural model and the structural skeletal model.
a biophilic environment. The lush roof garden enhances biodiversity,
Green Roo f Render & Wall Se ct io n
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B i rd ’s Eye View o f Skele tal Mo de l in Site Mode l
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P l a za View o f Skeleta l Mo del in Site Mo de l
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WAYNE EARLY LEARNING CENTER IMAGINATION PERSONIFIED
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WAYNE EARLY LEARNING CENTER | IMAGINATION PERSONIFIED Ca r l so n Wes t Povo nd r a A rch it ect s
E nt r y Co mmo ns c a n fo r VR S ce ne ne S can
Med i a C enter
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S ca c a n fo r VR S ce ne ne
As one of the lead designers and a project architect for
a dynamic, imaginative space aimed at nurturing the boundless
the Wayne ELC, which is currently under construction, my
potential of every child in Wayne, NE. The design incorporates
role revolved around one question, “how do we personify
modern elements, vibrant colors, and interactive spaces to
imagination?” Collaborating closely with a multidisciplinary
inspire learning. To enhance the imaginative atmosphere,
team, I helped guided the design process from concept to
dichoric glass film is strategically employed on the clerestory
execution, and currently in construction administration,
windows above the flexible “idea spaces” between classrooms.
ensuring the seamless integration of creativity, functionality,
This innovative use of materials refracts and reflects light,
and student security. Client engagement is integral to my
casting dynamic and ever-changing colors through these areas.
responsibilities, involving a thorough understanding of their
It offers a symbolic representation of the diverse and evolving
needs, translating them into tangible design elements. I provide
nature of imagination, creating an inspiring visual spectacle to
leadership in coordinating with engineers, interior designers,
engage both students and educators. Combined with an eco-
and construction teams helping the project manager in his
friendly heavy timber structure, this imaginative touch further
resposibilites to ensure adherence to timelines and budget
elevates the ELC, turning it into a dynamic space that not only
constraints.
meets design excellence standards but also fosters a unique
This innovative early learning center is not just a school, but
and ever-evolving environment for the young minds of Wayne.
Id ea Space
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Use your phone camera to explore v irtual reality scenes!
Classs ro om Clas om
A Arr t Sp Spaace ce
A CM Parapet Det ail
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East El evatio n wit h Pre cast Pane l Co di n g
Re Rece cept p tii oonn
E x ter te rii o r
C l ere s to ry Roof Tr an s i t i o n D e tai l
GYM
PREP KITCHEN
OFFICE
WORK ROOM OFFICE
MOTHERS STORAGE
OFFICE
OFFICE NURSE OFFICE
CONF RECEPTION
MEDIA CENTER
1ST GRADE
KINDERGARTEN
1ST GRADE
KINDERGARTEN
IDEA SPACE
SMALL GROUP
STOR
1ST GRADE
SMALL GROUP KINDERGARTEN
1ST GRADE
KINDERGARTEN
2ND GRADE
STOR STORAGE
2ND GRADE
SPED
IDEA SPACE
SMALL GROUP 2ND GRADE
SMALL GROUP PRE-K
STORAGE
Prec a st Parap et & Heavy T imber C o n n e ction Det ail
2ND GRADE
PRE-K
CREATIVE IDEA SPACE
MUSIC
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DUX ESTO MA STERPLAN GROSS
CATHOLIC
HIGH
SCHOOL
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Dux Esto Masterplan | Gross Catholic High School Sp r ing 2 0 2 1 | T h esis | UN L Cunning h a m Awa rd Fina l is t The Gross Catholic High School Architectural Masterplan
In addition to these academic and administrative improvements,
project is a visionary undertaking that not only transforms the
the masterplan includes a dedicated fine arts addition that reflects
academic and administrative wings but also aligns with the school’s
the Marianist commitment to the holistic development of students.
commitment to promoting education in the Marianist tradition.
The renovated auditorium, new art room, and band room provide
The focus on the academic wing involves strategic renovations
state-of-the-art facilities for students to express their artistic
that aim to create an environment conducive to modern teaching
talents, aligning with the Marianist belief in the importance of
methodologies. The incorporation of flexible common spaces
educating the whole person. The student art gallery in a specially
dedicated to student groups will promote teamwork and creativity.
designed corridor serves as a testament to the vibrant artistic
These spaces will serve as hubs for intellectual exchange and
achievements of the school community, embodying the Marianist
encourage a dynamic learning culture.
spirit of recognizing and celebrating individual talents within a
Simultaneously, the
administrative wing will undergo renovations and additions to
supportive educational environment.
enhance circulation, ensuring a seamless and secure entrance.
The holistic approach of this masterplan seeks to create
Natural daylighting enhancements throughout both wings
a harmonious and inspiring environment where academic
symbolize the enlightenment and illumination that comes from
excellence and artistic creativity can thrive, shaping the future
embracing the Marianist tradition in education.
leaders and artists emerging from Gross Catholic High School.
31 A cad emic W in g Re n ova tion - Bio lo gy Lab
A dmin W i ng Re nova t i on - Alu m ni Loun ge & Be l l Tow e r Ad di t i on
Ac a de m i c W i n g Ren ova t i on - Hous e C o m m on s
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Fine A rts Win g Reno vat io n - Re nova te d Au di tor i u m
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Fine A rts Win g Addition - Ar t Roo m
PR OD U C TI ON
ART
GALLE RY COR RIDOR
AU D ITORI UM
BAN D
E N TR Y
F i ne Ar t s W i ng Add i t i on - G al le ry C o rri dor
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LEXUS OF COLORADO SPRINGS THE
P URSUIT
O F
P E RF E CTIO N
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LEXUS OF COLORADO SPRINGS | BAXTER AUTO GROUP Ca r l so n Wes t Povo nd r a A rch it ect s The facility’s design seamlessly adhered to Lexus’ corporate design standards
LED logo and biophilic elements, such as a bamboo planter and a green wall.
while strategically challenging certain elements to enhance its overall appeal.
The simplified and contrasting material palette pays homage to modern Asian
With a focus on optimizing the customer experience, meticulous attention
design concepts.
was devoted to the spatial layering, design of customer touchpoints, and the selection of materials.
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During the project, we introduced subtle nods to Colorado’s captivating geography through carefully crafted wall panels and other design elements.
Deviating from the standard material palette outlined in Lexus’ corporate
These thoughtful additions aimed to connect the facility with the surrounding
standards, we recognized the need for a contemporary touch. Our
landscape, creating a harmonious blend between the interior space
collaboration involved choosing lighter wood tones paired with white and
and the unique features of Colorado’s environment. As the one of the
black quartz surfaces, resulting in a sleek and modern ambiance. In a tribute
project architects, I seamlessly translated design concepts into detailed
to Lexus’ Japanese heritage, we incorporated the traditional Japanese wood
construction documents and provided hands-on oversight during the
burning technique, sho-shugi-ban, for the wood slat wall in the customer
construction phase. My role ensured precise execution, fostering effective
lounge. This distinctive feature was complemented by an oversized Lexus
communication between design intent and project realization.
Sho wroo m & C u s to mer Lo un ge
S e rvi ce A dvi s or s
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1"
WACT-1 CEILING; SEE RCP.
1"
LED TAPE LIGHT AT ALL EDGES OF LEXUS LOGO. SEE ELEC.
WD-2 TRIM AT PERIMETER OF GB CLOUD, SEE RCP GB CEILING CLOUD; SEE RCP AND DETAILS
ACT CEILING AS SCHED
1/2" INTEGRAL BACKER 1 1/4" SLAT
1 3/4" WDP-1 ASSEMBLY
DIRECTION OF WDP-1 SLATS MAY VARY; SEE ELEVATION 9 / A3.2 2 3/8" 1 3/4"
1"
LED TAPE LIGHT AT ALL EDGES OF LEXUS LOGO. SEE ELEC.
4 1/8"
TO CREATE LEXUS 'LOGO' FEATURE USING VARIATION OF DEPTH OF WDP-1 PANELS. SEE WDP-1 FEATURE WALL ELEVATION
WDP-2 (SHOWN WITH LIGHT ORANGE INFILL) CUT INTO LEXUS LOGO. SEE 9 / A3.2
8" METAL STUD
TO CREATE LEXUS 'LOGO' FEATURE USING VARIATION OF DEPTH OF WDP-1 PANELS. SEE WDP-1 FEATURE WALL ELEVATION
WDP-1 PANEL ASSEMBLY (SHOWN WITH BLUE INFILL); WDP-1 ASSEMBLY INCLUDES SLATS FACTORY-ATTACHED TO 1/2" THICK PLYWD BACKER PANEL. SLATS AND BACKER PREFINISHED. 5/8" PLYWD AT METAL STUD FRAMING. WDP-1 PANELS TO ATTACH TO 5/8" PLYWD. 1 1/4"
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6"
KERF BACK
1/2"
A3.2
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WB-3 BELOW WDP-1 FEATURE WALL; HEIGHT TO COORDINATE WITH WB-1 AT ADJACENT WALLS
Sho u Sugi Ban Lo go Wa ll - Se ctio n
Jam b D e t ai l a t G l azi ng
S h ou S u gi Ba n Logo Wa ll - El e v a t i on
Wa ll Bas e Det ail
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Future Land De velo pme n t - O ver all Site
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Serv ice A d viso rs
Acous t i c Wa ll Pa ne l - P i ke s Pe a k To po gra ph i c E tc h i ng D e t a i l
S e rvi ce Advi s ors Po rta l - Logo Di s t rac t i o n Gr ap h ic
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FARMERS & MERCHANTS BANK GROWING ROOTS, NOT BRANCHES
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Distraction Gra ph ic Ele vatio n
His to rica l Do cume n ts Gra ph ic
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WRAP CORN ER
WRAP CORN ER
Pattern Un it - Se cur ity Co de Abstr a ct i o n
Up p er Lounge
FARMERS & MERCHANTS BANK | ENVIRONMENTAL GRAPHICS Ca r l so n Wes t Povo nd r a A rch it ect s
Farmers & Merchants Bank, a cherised family-owned institution
evolution through a graphic timeline, encapsulating its founding, key
situated in Ashland, NE’s historic downtown district, boasts a rich
dates, and major financial milestones. The upper lounge ingeniously
140-year legacy. While the exterior facade has faithfully preserved its
incorporates historic documents, check fonts, signatures, stamps, and
original character, the interior has undergone several renovations, the
even bank robbery rewards, weaving the bank’s rich history inot the
last in 1981.
space. The glass office fronts enhance the lobby with borrowed natural
CWP’s new renovation aimed at modernizing the bank, infusing
light, complemented with a privacy film derived from an abstracted
it with natrual light while preserving its historic charm. Demolishing
check security code, subtly paying homage to the banking legacy. This
the apartments and tenant space on upper floors allowed for an
thoughtful fusion of modern aesthetics and and historical narrative
expanded, brighter interior. I took charge of creating captivating
not only revitalizes Farmers & Merchants Bank but also create a
environmental graphics that narrate the bank’s journey over the years
welcoming space that honors its legacy, ensuring a harmonious blend
with a contemporary touch. The boardroom showcases the bank’s
of tradition and innovation for years to come.
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Bo ard Ro o m
WRAP CORN ER
B oard Ro om Gr aphic Time line
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MENTAL HEALTH COMPLEX DOUGLAS COUNTY CORRECTIONS & COMMUNITY MENTAL HEALTH
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MENTAL HEALTH COMPLEX | COMMUNITY & CORRECTIONS Ca r l so n Wes t Povo d r a A rch it ect s | HD R CWP undertook a comprehensive initiative, responding to the imperative for enhanced
intricate operational requirements, such as sightlines, anti-ligature spaces, and addressing
community mental health and acute correctional mental health services in Douglas County.
medical and maximum security needs. The unique challenges presented by the downtown
Our proposal strategically examined the co-location of a new community mental health facility
site, surrounded by four existing additions to the jail, led to the elevation of our addition over
and an extension to the existing Douglas County Corrections Center. Following our proposal, the
the existing parking lot, ensuring secure access to the vehicular sallyport for inmate intake and
Commissioners approved the use of ARPA funds to initiate the design phase for the corrections
integration with multiple existing levels.
addition, while awaiting a decision on the community mental health facility. As the prime
Currently in the design development phase, our approach focuses on fostering a positive
architect, CWP collaborated with HDR to design the $33 million addition, incorporating 44 high
therapeutic environment for inmates. This is achieved through the integration of healing
acuity cells and 42 low acuity dormitory beds. Given its role as a justice facility, the design tackles
gardens, blue rooms, biophilic elements, and strategic maximization of daylighting—elements
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designed to contribute to a holistic and supportive atmosphere within the facility.
Ne w C om m un i ty Me n t a l Hea lt h Fa ci l i ty & C or re c ti on s Add it i on i n Bac kgroun d
C om mu n it y Me nt a l He a lt h - Hi gh Ac uit y D ayro om
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C o rrections Menta l He alth A ddition - Ea s t Fa c ad e
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C o rrections Addition - E/ W Sec tio nal Pro gra m s
C or rec t i on s Ad di ti on - N / S S e ct i ona l Pro gra m s
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T H A N K S WILLIAM M. DENDINGER III