2014-16 W.Leu Portfolio

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炎魔的數字試煉

P O R T F O L I O LEUNG Man Hin, Willis


COURSE: BERLIN, BERLIN.

TUTOR: DENNIS PRIOR

TYPE: STUDIO

YEAR: 2016

https://www.monash.edu/mada/ student-work/architecture/2016/ berlin-berlin

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Existing Site Plan

IN-TENT-CITY W. Leu Portfolio

T

his is a studio about ideas. In particular, we will concern ourselves with the transition from raw ideas to defined architectural propositions, from premonitions to material facts, from hunch to project. In search of a critical contemporary architecture each student will think widely, openly, and creatively to develop a clear and meaningful idea for their architecture, a singularity against which exigencies can be tested and evaluated. We will assume that an idea can take the form of architecture, and that architecture can itself be understood as an idea.

T

he above investigations will take place within the context ArchMedium’s international design competition for the new Berlin University Residences. Architectural design competitions have long been a fertile testing ground for the conception, testing, and representation of an ideas driven architecture, the results of which have often shaped the progression of our discipline. This stu-

dio will encourage students to continue this tradition and develop provocative and meaningful design propositions that both respond to and challenge the framework of the competition, and the trajectory of architecture more generally.

S

et in the rich and complex district of Kreuzberg by the River Spree, and more broadly within perhaps the most politically, geographically, and intellectually contested urban environment of recent history, a city shaped and torn apart by ideas, here the proposition that architecture might be more than a response to a predetermined set of conditions, more than a clever solution to a set of functional requirements is particularly apposite. Together we will argue for the critical agency of architecture as idea, idea as architecture. Existing Graffiti This imposing graffiti was a huge critic to the system and for its rotundity it acquired a lot of international fame.


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W. Leu Portfolio

Stunning Site Photo

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Site Despite this, the district has yet to generate social cohesion between local, youth and immigrants: there are still mental walls that have to be overthrown. The neighborhood has a lot of potential, but lacks housing and residences for the young people who are arriving to the neighborhood. There are no dorms or hostels. There is only a small hotel that does not cover the demand. Housing prices are rising and public spaces are needed. The site of the competition is located 300m from the metro station Schlesisches Tor. With about 10.000m2 the site is located in the corner of Curvystrasse Street and Schlesische Strasse Street, which is the main street of the neighborhood. On the opposite side of the streets, the short side, the site overlooks the Spree River and on the long side it has a great wall that had a very famous graffiti.


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Site context: Camp site location in Berlin The proposed urban camping is driven by existential experience, embracing the various levels of adventure associated with the condition of camping, from traveler to young family and students.

W. Leu Portfolio

In its form and program, urban camping celebrates the city as the natural human habitat in recognition that people has become more and more indifferent to each other and the relationship between neighbors has become less intimate, and is projected to be worse so, living in share.

Purchase price (For m2)

280€

166€

1500m2 3770€

Monthly Rent (Utility Prices Included)

78€

380€

Space Provided

475€ 2090€

Urban Campers - No Rent

• • •

All year long Safety More comfor

4000m2

• • •

Seasonal Nature Community

3300m2

• • •

All year long More comfort Water element

2000m2

• • •

50€/ Month for Utilities +10 Hours of Maintence within the Complex

• • •

Seasonal Short term Open space


Design Concept via camping tent anvalysis

Type

• • •

• • • • • • • • • • • •

Structure

Space

Setup

Square/ Rectanglar

Fabric + Poles

Rectanglar

Fabric + Poles

Square/ Rectanglar/ Circle

Fabric + Poles

Rectanglar

Poles to Fabric

Circle

Poles to Fabric

?

?

A. Dome Tent - 1 the first major evolution in camping tents free standing can be moved whilst erect weather conditions

B. Tunnel tents - 1 made by stretching fabric accross rigid rings to create a tunnel shape more spaces freestanding no sitting up

C. Geodesic tent - 1 the poles criss-cross over the surface, intersecting to form triangles stable dealing with extreme weather difficult to put up D. Ridge tent - 1 the roof slopes down from a central ridge poles easy to put up stunty head height is limited E. Bell tent - 2 a cone-shaped tent having a single central supoorting pole stable quick to pitch limited space

What is the future tent structure in urban?

Constuction system legend Interlocking system - 1 Umbrella system - 2

?

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• • • •

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W. Leu Portfolio

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Urban Camping Illustration

Urban Camping Tower Elevation & Side Elevation

Urban Camping Tower What should be built in such a specific neighborhood with rich history and alternative society? Do we really need another static housing complex in a time when requirements and technology are evolving with increasing speed? Isn’t there more than enough creative people in Kreuzberg to be able to design their living their own way?

t Associated with the condition of camping,

from traveler to young family and students.

In its form and program, urban camping celebrates the city as the natural human habitat in recognition that people has become more and more indifferent to each other and the relationship between neighbors has become less intimate, and is projected to be worse so, living in share.


W. Leu Portfolio

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Public space

Privacy space

Gas supply Water supply Partition panel

Sharing lifestyle u Concealed storage

Each unit has its own panel isolated from common corridor, creating a private spaces for each resident. Meanwhile, the social benefits of sharing, such as social interaction, group activities or performance of common tasks, may develop among residents particularly among travelers/ students who room together for several days/years. The big size and wide configuration of the kitchen encourage joint cooking or household dinging/ gathering. Tent Unit Axo and Spacing Distribution


Form development

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The boundaries between the inside and outside are so strong they remove any possible link losing the opportunity to enrich both spaces reciprocally.

Can we enlarge the boundary? We believe in a potentially habitable space halfway between being private and pubic, a space that is able to take you from home to street.

Typical Floor Plans at Different level

The design is based on the increase of thesr spaces full of opportunties, managing right there parameters such as variability, transitoriness and community both at home and in public space.

The problem ends up being part of the solution, whilst repeating modules that concentrate privacy and basic needs for any user, completed and related afterwards with the outside by those intermediate, adjacent light spaces.

W. Leu Portfolio

Part plan

Relationship between Privancy in unit and Public in corridor

Access staircase & Couple/ Family Unit

Single

6F

4F

2F

Bedroom Layout

Void inbetween (without Occupancy)


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Site Plan with Occupancy


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1:100 Details 01 400 x 225mm steel truss system

08

Gas supply point

02

1100mm (h.) horiztonial steel balustrade

09

Electrical socket

03

18mm thick tongue and grooe chipboard walking surface

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Water supply point

04

19mm plaster boarvd

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Gas supply pipes

05

Re-envtrvanvt steel deck composite slab

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Water supply pipes

06

Single skin 12.5mm thick plasterboard suspended ceiling

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Electrical wiring

07

75mm expanded poltstrene insulation


1

2

Lifestyle illustration 1. Co-Living in High Intensity

2. Integrated living

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COURSE: STEALTH INTENSITY

TUTOR: ALYSIA BENNETT

TYPE: STUDIO

YEAR: 2016

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W

HARF EDUCATION & MARKET

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harf Education & Market aims to facilitate a mixed-use program by occupying primary school and goods market at center of docklands stretching across the central pier, which is currently underutilized. this project acts as a catalyst to encourage visitors to explore and move between the southern and northern Docklands areas.

T

he programs are located along the wharf edge to maintain visual and physical connection for public to the wharf edge. The program was recessed into the wharf platform. Ramp at either end of the sunken programs is raised or dropped depending on the access requirement of the programs. At its wharf level, there is seating, bike parking and food trucks giving an extra function along the promenade.

D

uring school hours, the recessed programmed rooms are created by large pivoting panel that form the walls and house the equipment. Recessed sliding panels can be closed also be closed during bad weather.

D

uring market time, evenings and weekends. The panels are closed creating slots for market stalls. Lockers are built into the wall for market stall owner storage, the school undercover area and outdoor space are also used for market stalls organized in a car boot arrangement.

https://www.monash.edu/mada/student-work/architecture/2016/stealth-intensity


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Site Surrounding

Melbourne Star Observation Wheel

Selected location

W. Leu Portfolio

Waterfront City Alumbra Marvel Stadium

Southern Cross Station Library at The Doc Central Business District

Scales of Enquiry The master plan has considered the site in the context of three scales or ‘zones of influence’ which guide the way in which the site is positioned; ‘City Scale’, which considers the role of Docklands within the context of greater Melbourne and beyond. ‘Precinct Scale’, which concentrates on the connectivity to/from and relationships with the surrounding Melbourne CBD and Melbourne Docklands areas. ‘Site Scale’, which focuses on issues of functionality, scale, use, activation and experience within Harbour Esplanade itself.and physical connection to the harbour from cbd.

Existing site photo


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History

W. Leu Portfolio

Map of Melbourne City capturing West Melbourne Swamp, 1864

History of Docklands

Image descrviptions 01 Lithograph of the area in 1889 looking west from the Hoddle Grid, showing the progress at Victoria Dock and the domination of the area by the rail yards and sheds of the Spencer Street station complex. 02 Left: Victoria Dock, 1925. 03 Right: Victoria Dock with visiting Unites States naval vessels, 1925. 04 The Docklands port in 2013.


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The Site Today

Darling Harbour

Circular Quay

Victoria Harbour

0K 32

390m

60K m2

m2

90m

160K m2 265m

50m

210m

160m

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185m

Site Circulation

Views

Existing Stormwater

Open Space

Heritage

Pedestrian Circulation

Bicycle Circulation

Vehicular Circulation

Public Transport

The Harbour Comparsion Victoria Harbour is a remarkably large body of open water. Scale comparisons undertaken during the master plan process demonstrate that the area of the Harbour is approximately 320,000 sq m; or roughly two times larger than the body of water found in Circular Quay, Sydney or more than five times larger than that of Darling Harbour, Sydney. As Sydney has a well established water transportation network, it is useful to position Victoria Harbour in relation to these two prominent Sydney locations, to understand its potential to perform a similar role for Melbourne; the city’s major boating and water transportation hub, in the medium to long term future. The adjacent diagrams demonstrate that the southern basin of Victoria Harbour is nearly equal in width to the ferry terminal area of Circular Quay in Sydney and that it may be capable ofaccommodating between four and five similarly scaled finger wharfs, suitable for the mooring and manoeuvring of large watercraft.


Legend Industries which used the Dockland circulation from mass trvansports

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Sightseeing

Transports

Arts

Retails Sports

W. Leu Portfolio

Sightseeing

F&B

Sightseeing + F&B

Transports Library Greenery Sports

Site facilities

Greenery

Context In the 1990s Docklands commenced a new life of regeneration to create an extension of the Melbourne CBD. Now in its second decade of regeneration, Docklands has realised a series of micro-boroughs surrounding Harbour Esplanade. New Quay, Digital Harbour, Victoria Harbour, Central Pier and Batman’s Hill have all achieved a sense of vibrancy in their own right, however Harbour Esplanade has remained somewhat stagnant over this period. The eastern side of the ninety-meter wide boulevard has been reconstructed, articulating tram, vehicular, bicycle and pedestrian movements. A significant allee of native pines is establishing. However the remaining sixty-metre wide zone from the roadway to the water’s edge remains in a somewhat unkempt state, offering little public amenity. As the connective artery between the sub-precincts of Docklands, Harbour Esplanade must now begin to fulfil its role as the precinct’s primary public space.


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Stealth statics: Materiality of Flooring

Shape of Material Several parks and places use the tactic of rough and narrow shaping as a ploy to keep humans off the space. These mounds insist on keeping dults of them and children nd them as a challenge they want to ake on. This differs from vegetation as obstacles because it can be occupied by adults. The most vivid example to these ounds would be the one in Docklands Park opposite Kangan Institute. The zero steepness of the faces of flooring make them easy to walk. This tactic is useful to creates guilding as well as visual connection because of their flatness.

Promenade and activity The final tactic used in the Docklands as a way to control human movement has to be how a promenade spaces is complimented by an activity; whether playground, public art or simply a bench. Although this tactic is heavily reliant on the placing of an activity on the side, it is important to realise how a simple activity discourages a person to use the space, especially when placing something more interesting on its side. Prominent examples of this would have to be Monument Park and Buluk Park, parks accompanied by public art and playground. Humans are invited to occupy the art and playground therefore not interacting with the promenade spaces.

Vegetation as obstacle There are patches of gardens scattered around Docklands, all of which visually appear different but abide by the same policy; obstacles that do not allow for a person to access the vegetation that sits behind the forward proposed obstacle-like nature. As an observation, only kids and dogs ran over and climbed on to the spaces, whether that was shaped spaces or unappealing ground treatment, with adults standing afar and watching over. Adults sat on the peripheral space that encased the vegetation. As a tactic, the placing on vegetation within something can change the way humans use the space around and within.

W. Leu Portfolio

Site and its surroundings


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Blocks massing disadvantage Create an messy block and destroy the visual connection to the wharf. 'LIFTING UP'

Massing strategy As the central pier acts as a main access route through docklands and a major entrance for visitors getting on and off trams, it is the first place people gain a visual and physical connection to the harbour from CBD.

'SUNKEN DOWN'

W. Leu Portfolio

STEALTH

Maintain Visual Connection for public to wharf edge and sunken programs

Massing model Scale 1:500

Retain Horizontal Plane of wharf's profile

Ramp of Either End can be raised or dropped depending on the access requirements


Page 21 Define iceberg Tip of the iceberg Waterline

Hidden body

01 01

Primary school & Market

Mon. - Fri. Sat. - Sun.

Food & drink market

Mon. - Fri. Sat. - Sun.

Primary school

Mon. - Fri. Sat. - Sun.

Arts & crafts market

Thurs. - Fri. Sat. - Sun.

7AM

8AM

Drop-off kids

9AM

10AM 11AM 12PM

02

1PM

Lunchtime

2PM

3PM

4PM

5PM

6PM

7PM

8PM

9PM

10PM 11PM 12PM

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6AM

Pick-up kids

02

Image description 01 Iceberg diagram 02 Programs time schedule showing the transationv between school and market 03

03 Initial design diagram


Plans with facilities

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A

B

A

B

Promenade Level

Sunken Level

W. Leu Portfolio

01 Art Classroom ④

02 Music Classroom

03 Playground 04 Lecture/ Performing Stage

05 Lavatories

Sunken Level 01 Market

02 Car Booth 03 Outdoor Car Booth

04 Viewing Deck 05 Lavatories

Cross Section A-A


Wharf Level

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W. Leu Portfolio

Sunken Level (School time)

School mode

Classroom A

Classroom B

Outdoor

Market mode

Sunken Level (Market time)

Cross Section B-B


W. Leu Portfolio

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Rendering


On the Wharf

Public rea lm a nd la ndscaping proposes t he construction of a number of elements which in combination provide for an improved public realm in context of the Master Plan’s vision and urban design principles. The public realm will focus on offering landscaping opportunities and improvements to pedestrian movement corridors both along the harbour edge and adjacent the Capital City Trail.

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W. Leu Portfolio

Built Form provides the opportunity for built form to act as an activator for Harbour Esplanade and to integrate seamlessly with and provide a contribution to the public realm.


COURSE: A GUIDE FOR SOME NEWER ARCHITECTURE

TUTOR: JAMES BOWMAN FLETCHER

TYPE: STUDIO

YEAR: 2015

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W. Leu Portfolio

LIGHT GRADIENT A

n investigation into newer architecture through the design of your own notion of ‘recreation centre’ located within inner-contemporary Melbourne. Throughout the semester a digital format Guide for Some Newer Architecture will be produced and publicly published incorporating your individual projects.

T

he studio will investigate the concepts and strategies of Sylvia Lavin’s ‘Newer Modernists’ their projects and their unique relationships with their predecessors.

F

indings and extracted strategies of these investigations will be summarised and deployed into your own projects. Extracted strategies will become projective strategies emphasising conceptual rigour and culminating in a defined outcome of architecture that is as relevant and significant as possible.

1 OVERARCHING TEXTS 1. Le Corbusier’s Towards A New Architecture 2.Sylvia Lavin’s Towards A Newer Architecture

2

https://www.monash.edu/mada/student-work/architecture/2015/a-guide-for-some-newer-architecture


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RELATIONAL PAIRS

Le Corbusier + Sylvia Lavin

Villa Savoye Notre Dame du Haut PROJECTS

Le Fresnoy Art Center

Villa Baizeau

Free Plan / The Parcours Horizontal Window / Artificial Light Piloti / Intricacy LENSES Free Facade / Free Skin Roof Garden / Urban Garden Machine for Living / Living Machine

OVERARCHING TEXTS

Sylvia Lavin’s Towards A Newer Architecture + Le Corbusier’s Towards A New Architecture

W. Leu Portfolio

Seattle Public Library


Villa Savoye

The Seattle Public Library, OMA

Villa Baizeau, Le Corbusier

The library’s various programs are intuitively arranged across five platforms and four flowing “in between” planes, which together dictate the building’s distinctive faceted shape, offering the city an inspiring building that is robust in both its elegance and its logic.

Villa Savoye and Villa Baizeau as an exemplar of Le Corbusier’s “five points” for new constructions, the villa is representative of the

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H

Horizontional window

orizontional Window

Horizontional windowv

VS

A W. Leu Portfolio

rtificval Light

Precedent Reserch Horizontal Window Artifical Light

Horizontal Window Artifical Light

Form Dark area/ Light barrier

Artifical Light

Natural Lighting and Wide View

Artifical light sources Light area

Opening

Openings

Projection Pieces , James Turrell A Turrell projection by projecting a single, controlled light beam from the opposite corner of . Projected light appears as a three-dimensional form.

Artifical light

Limited space

The Autonomous Structures, James Turrell

Skyspace and Ganzfeld, James Turrell

The purpose of these structure are to serve as an independent form that will allow the desert light, exposing the inside of the space; they just invented

Turrell Skypace is a specific chamber opening in the ceiling to the open air. Skyspaces can customize the autonomous


Site Findings

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Amazing Natural Lighting in Royal Park (Selected location) 01 Royal Park Paddock 02 A Closer Look 03 Close-up

Example of Artificial Lightingnewer for Newer Architeture by Sylvia Lavin

W. Leu Portfolio

Horizontal Window

Lighting Effect

Screen

Shadow/Dark

Openings

Artifical Lighting Dressing

Artificial Light

Lense Comparsion

04 Royal sunset

Architecuture Artifical

Horizontal window/ Artifical light An atmospheric luminance under a light control via openings, spaces or lighting devices.

Thesis Statement

Reality


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Royal Park Extent ▇▇▇▇▇ Royal Park boundary

W. Leu Portfolio

───── Access route

Axonometric drawing 01 Miscanvthus transformation 02 Rock climing sensor lighting 03 Skylight openings`


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Underground plan 01 Entrance 02 Bar area 03 Climbing wall 04 Cinema 05 Yoga studio

W. Leu Portfolio

▇▇▇▇▇▇▇▇ Access route

ADAPTATION IN CAVE The lighting gradient in cave further celebrating the natural and artificial lighting by cooperating mixed exercise facilities, like rock climbing, yoga and movie theater. Except the normal daytime park use, the social hub greatly add value at night in royal park. Section


Page 32 LAWN COVER PLAYGROUND CINEMA

PARK

ROCK CLIMBING CAFE BAR YOGA

Senser Lighting

Space

ROCK CLIMBING

CINEMA

YOGA

PARK 8

10

CAFE

12

14

16

BAR 18

20

22

24

Time 02

00 01

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02 03

Senser Rock Lighting Skylight openings

BUILDING COMPONMENT 00 Project program 01 Miscanvthus transformation 02 Rock climing sensor lighting 03 Skylight openings Legend ▇▇▇▇▇ Spiritual ▇▇▇▇▇ Physical ▇▇▇▇▇ Social ▇▇▇▇▇ Mind and body


1

2

1. In a Cave

2. Celebration of Light

W. Leu Portfolio

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COURSE: TRANSFORMATION

TUTOR: DANIĂ‹L VAN CLEEMPUT

TYPE: STUDIO

YEAR: 2015

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W. Leu Portfolio

LIBRARY TOWER T

he class starts as an investigation into a part of architectural history and theory to do with BRUTALISM to then shift into design.

T

he production of architecture is no longer a matter of new construction only. The Transformation and reprogramming of existing buildings becomes more and more an important issue touching onto sustainability.

L

ibraries have changed since the Monash library was build. Books have to share attention with other media and libraries have also the obligation to become a social hub.

T

here is an East and a West tower. Both will have to absorb extra library functions currently out of place in the existing building or not available. The two towers have to remain an integral part of the Library. Monash campus, Melbourne

https://www.monash.edu/mada/student-work/architecture/2015/transformations


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MONASH CAMPUS

W. Leu Portfolio

Seraching for transformation I was designing transformations to the Monash Caulfield Campus. What I observe : - Libraries have changed since the Monash library was build. Books have to share attention with other media and libraries have also the obligation to become a social hub. - There is an East and a West tower. Both will have to absorb extra library functions currently out of place in the existing building or not available. The two towers have to remain an integral part of the Library. Thus the two fire scape staircases are suitable for my entry point to existing.

Existing Library Exteral Staircae

Dn

Up


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Brutalism (thesis statement) 'Every language has its own collection of wise sayings. They offer advice about how to live and also transfer some und`erlying ideas, principles and values of a given culture.' Marilyn Monroe

Library Tower A Section

0.0

Dn

W. Leu Portfolio

0.0

Dn

Up

0.0

Dn

0.0

Library Tower A// 1/F - 3/F (from left to right)

Library Tower B

Library Tower A

Existing staircase

Elevation


Page 37 Transformations The production of architecture is no longer a matter of new construction only. The Transformation and reprogramming of existing buildings becomes more and more an important issue touching onto sustainability.

Library Tower B Section

0.0

Dn 0.0

0.0

Dn

Up Up

Dn Dn

Dn Dn 0.0

0.0

Library Tower B// 1/F - 3/F (from left to right)

Side Elevation

W. Leu Portfolio

Dn

Up Dn Dn 0.0


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F

W. Leu Portfolio

•L

FOODLANE //

TKO GATEWAY

Alteration and addition works at TKO Gateway (East Wing), Hau Tak Estate, Tseung Kwan O G/F, East Wing // Mar - Dec 2017 (Completed)

H

au Ta k Shopping Centre is a communit y shopping centre completed in 1993, comprising two 5-storey Commercial/Car Park Blocks (East Wing & West Wing), various open car parks and associated area in Hau Tak Estate. There are a total of 623 parking spaces and approximately 176,869 sq.ft IFA.

T

he Shopping Centre is surrounded by various private and public housing estated like Hau Tak Estate and Chung Ming Court. It is interconnected with East Point City by bridge.

L

ocated within Hau Tak Shopping Centre, Hau Tak Fresh Market has little improvement done since it was opened.


C

•P CHILDREN PLAYGROUND

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// TKO GATEWAY

Alteration and addition works at TKO Gateway (East Wing), Hau Tak Estate, Tseung Kwan O 1/F, East Wing // Sep - Dec 2018 (in progress)

T

W. Leu Portfolio

o Propose new AF to support the new children playground and advise exterior design of the playmat pattern.


MAXIMUM 500 100

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240

160

LED LIGHTING

VARIES

Ă50mm MATT BLACK S.S. TUBE (316) ON PLATE ON CONCRETE WALL

NEW ADDITIONAL FEATURE PANEL /METAL MESH ON FACADE

NEW CLADDING

W. Leu Portfolio

EXISTING CLADDING

O

•F•R OPEN FLAT ROOF // SHEUNG TAK PLAZA

MAIN CONTRACT FOR RENOVATION WORKS AT SHEUNG TAK PLAZA PHASE 2, TSEUNG KWAN O, TKOTL NO.98 1-3/F // Dec 2018-2019 (in progress)

S

heung Tak Plaza is a 4-storey commercial component of Sheung Tak Estate completed in 1998. Situated in between the cluster of sports facilities and major shopping malls, it is now re-positioned as a SPORTS-THEMED SHOPPING MALL to serve the local community as well as to further promote the sports culture and development of Tseung Kwan O. To comply with the new branding image proposed by Graphia, face-lifting to existing outdated facade is crucial to enhance the overall image and experience of the shopping mall.


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N

•C //

NAM CHEONG SHOPPING CENTRE PROJECT

DESCRIPTION 01

enovate the existing buildings into pleasant destinations of shopping, ma rket a nd F&B. 02

F

ully utilize the convenient locations of Fu Cheong Shopping C ent re as shoppi ng / dining hubs for visitors from surrounding residential developments. 03

C

onsolidate the visitor f low, improve circulation and connectivity. 04

R

ejuvenate the retail arcades by facelif ting the common facilities such as lighting, c e i l i n g a r r a n ge m e nt , floor finishing, provision for universal accessibility, and toilets. 05

R

econfigure the layout and shop partitions to meet the market demand. 06

W. Leu Portfolio

R


P O R T F O L I O Willis MAN Hin LEUNG

MASTER OF ARCHITECTURE (MARCH) A DMISSIONS 2 019 -2 0


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