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pg.61-67
pg.68-69
pg.70-73
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Changi Roots Project The project is inspired from the changi tree and the spiral. Located at the waterfront, the project promotes view out at Pulau Ubin and the surrounding historical buildings such as the Changi Hospital, the old SIA swimming complex, old commando barracks.
It will be a observatory tower, with books and greenery along it’s side, allowing both predestrian and cyclist to stop and read history books at the many pit stops along the way up. Finally at the top is a cafe for a sip of coffee, then they could proceed then to the boardwalk through the use
of the lift. All in all the Changi Roots Project will be a landmark of Changi Point and to pay homage to the rich historical past of the place.
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SEPETIR TREE that once stood in changi point
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1ST STOREY walking up from boardwalk and cycling from Netheravon road
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SPIRAL RAMP allows for views and provide circulation
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SPIRAL RAMP UP for cyclists and walking up
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ROOF COVERS sheltering for people walking up and bookshelves
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LIBRARY along the ramp can help educate on the history
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CHANGI ROOTS project
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GREEN COVERS along the spiral and the replanting of the Changi tree
STRUCTURAL CORE holding up the spiral and transporting people up and down
3RD STOREY shortcut through the stairs from the 2 storey
4TH STOREY continuing into a cafe before taking the lift back to the boardwalk
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2ND STOREY walking and cycling up
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Surrounding Views From the observatory tower many historical buildings can be seen, the diagram below also measured the relative distance away from the tower.
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Y Autocad, Adobe acrobat CHANGI ROOTS WINSTON CHOI 1 STOREY PLAN 1:100 A1 25 JAN 2019 -
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Y CHANGI ROOTS WINSTON CHOI 3 STOREY PLAN 1:100 A1 25 JAN 2019 -
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Y CHANGI ROOTS WINSTON CHOI 4 STOREY PLAN 1:100 A1 25 JAN 2019 -
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3Ds Max, V-ray, Photoshop
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Pulau Ubin Living Lab Pulau Ubin is a small island located in the northeast of Singapore, it is one of the last rural area left with rich flora and fauna. Currently the island run on mainly eco-tourism with a some inhabitants left behind. The government plans to keep its rustic state while developing the area to conserve history and nature that will educate the public.
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My Vision for Pulau Ubin To revitalise the dying culture and heritage of Pulau Ubin through young local and foreign artists from all background to inhabit the place allowing they to practise in the natural setting and to have to venue to display works around the island. This way the island can be developed and the natural and heritage aspect can still be kept alive.
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Issues Identified The shrinking of the population on Pulau Ubin with many descendants leaving to stay in the main land, leading to the dying culture on Pulau Ubin. In Singapore young artist are finding it hard to make a living with the increase living cost. The handling of the trash from the island as they currently have to be shipped back to Singapore to be disposed.
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S LAND CIRCULATION The circulation in Pulau Ubin is limited, there is also bike trails, boardwalks and earth tracks.
TOPOGRAPHY The topography in Pulau Ubin is pretty hilly at the east and west side.
LAND USE Large portion of the land is used for campsite(brown). Residential area(orange), former quarries(light green). Current activities zones(dark green), religious area(red dot).
SOIL TYPE There are 3 types of soil, Rengan series made of igneous rock composite.(pink) Kranji series made of marine clay.(brown) Peng Seng series made of arenaceous sediment.(blue) The island is mostly cover in Kranji series soil. ENERGY SOURCE Diesel generator and solar power are currently the main source of electricity in the island. In the future there will be solar micro grid powering the island. (grey)
Hand-drawn, Photoshop
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HALL BLOCK a sheltered space facing the lake
INFORMATION CENTRE current HQ for the ubin living lab
OLD CHALETS abondon old chalets from the former celestial resort that will be removed. JETTY ACCESS AREAS access to ubin living lab from the two dock that have been disused.
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AMPHITHEATER Section of the amphitheater to listen to musical performances.
SEA ORGAN At the edge of the land, sound will be produce when the wind and wave hits the pipes.
BIKE RENTAL Bicycle renting services allowing visitor to travel around Pulau Ubin.
FOREST MEGAPHONE Resting structure for users to seat inside, amplifying the sound of the forest.
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LOCATION OF SITE The site of the project is located at the south-west side of the island.It was the former site of Celestial resort and now, Ubin Living Lab.
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ARTIST VILLAGES Many different artist villages can be found along the site for groups of artist living together.
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PENROSE STAIRS The Penrose stairs, where it increases in height at different steps, yet it feels connected going in rounds.
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ARTISTS COMMUNITIES The island will have several artist communities at the hill in the OBS side, at the beach in the NPCC campsite and in the site.
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WATERBODIES The site has large beautiful lake and the sea, which offers great views.
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ART INSTALLATIONS On the island there will be several area for art installations. At the quarries and at the disused fish farm.
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GREEN AREA The site is surrounded by large areas of greeneries.
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CIRCULATION The site will be easily accessible through the main road and footpath within.
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EXTENDED PENROSE STAIRS Extending the stairs creates a larger platform for activities to happen.
ADDITION OF TREE Adding a tree in the center creates a heirarchy where people wil be drawn to it.
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SENI MUZIK VILLAGE PROJECT The project is inspired from the penrose stairs from the movie inception. It is an optical illusion where the stairs appears to be going around without an end to it. I like to bring that effect to the artist that will stay there, so as to feel that they are connected to one another.
The site that i chosen for my artist village is near the sea that promotes views out and is further away from the roads. This creates a close-knitted place for the musical artist to practise in a calm and peaceful place. It will be 3 storey property with living quarters, studio space, toilets, BBQ areas and a beautiful
garden in the center that can be transform into a perormance place. There is also a jetty dock at the property.
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MATERIALITY This project uses material located in the area and that are rustic in nature.
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DESIGN The design of the place uses stairs and is well ventilated with large openings, making it cost effective in the long run.
The design is of a open concept, where there is a large corridor linking the different levels together. This also allows views
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3Ds Max, V-ray, Photoshop
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Artist House 2 fits 4 single beds
Steel Column supporting the structure Artist House 1 fits 4 single beds
Seats facing the waterfront Outdoor dining, BBQ pit
Studio Space shared Toilet, Living room and Kitchen
Central Garden
Jetty
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SENI MUZIK VILLAGE PROJECT These are the chosen site for the landscaping portion of the site. There is 3 zones, the central garden, entrance garden and the waterfront garden I will be focusing on the central garden.
The 3 chosen landscaping sites will be well integrated with the surrounding environment and the Architecture of the building.
The landscaping project will focus on creating a space for musical artists and the general public.
The uniqueness of this garden is that it already have a vast area of natural borrowed landscape. As the site is located in Pulau Ubin.
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APSN Katong School To design a proposal of a multi-sensorial garden for APSN Katong School. Where students would have a meaningful interaction by feeling different materials, Plants and organisms which support the school’s science curriculum. The users of the garden are students ages 7-16. Diagnosed with autism spectrum disorder (ASD) or mild intellectual disability with a IQ level of 50-70.
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My Vision for the garden To create a multi-sensorial learning environment for students to study about natural and be responsible for it. The garden will be an extended arm of the classroom and will be shaded from the afternoon sun. Students can also look up to the plant system and study it. They can also grow their own plants as well.
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Issues Identified Colourful and unique design elements that are damaged and old. Rotting fruits from starfruit tree that attracts ants and insects.
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CAVE Inspired by the natural cave enclosure.
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ROOTS Inspired by the roots system.
TERRAIN Inspired by the terrain in the natural world.
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THE GROVE The project is inspired from nature. Caves, the roots of a tree and the terrain. The design resemble the natural elements and will help students to play and learn in the garden. There will a teaching area as a outdoor classroom, plants for the students to take care of and to
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learn about the different characterictics of it. They can also look at the fishes in the aquaponic and grow eatable vegetables too.
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CIRCULATION Overall the garden have both frontal and oblique approach to it. From the corridor, entrance and playground. Students are able to move around freely in this garden.
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SECTION AA section of the garden showing the aquaponics, plants area and green roof. It also shows the shelter covering.
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Plants area
Aquaponics and roots
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Group project: Muhd Danish, Ahmed Faris, Amanda Leong, Sarah Soo, Winston
History of Paul Rudolph Paul rudolph was an american architect. He was born on October 23, 1918. He had an early talent for painting and music. He was the chair of Yale University’s department of architecture for six years and known for his use of concrete and highly complex floor plans. He was exposed to the south american architecture when he travels with his father. His most notable work is the Yale Art and Architecture building
(A&A Building) a spatially complex concrete structure. History of Colonnade located in the city of Singapore, has a unique columnar structure of 27 layers of a complex distribution of blocks. The units are luxurious and spacious, with double-height living areas, deep inset terraces and cantilevered balconies. Rudolph referred to these replicable units as the “twentieth-century brick,”
a means of construction that would seemingly make construction of large scale buildings more feasible. However, as Rudolph came to find upon the time of construction, technical and financial reasons expelled the possibility of the prefabricated units. Instead, the Colonnade was built of pour-in-place concrete, which still successfully conveyed the appearance of his initial design goals.
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Double volume space with large windows
Interior space of the Colonnade with the column running through
Exterior facade of the Colonnade
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Load from the building is transfered to the larger columns through the transfer beam
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The concrete is mixed on site or transported to site and casted into it’s permanent location. PROS - Less maintenance cost - Less number of joints required in the structural system - More resistant to earthquakes or strong winds - Most suitable to be built on large-scale substructures CONS - More laborers required - Weather conditions affect the progress of casting work - Construction requires more time - Elements are not specifically designed to handle loads & stress - Difficulty in maintenance and quality control
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Beam under loads
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Tension being applied
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PROS - Less amount of steel is used for each member/section - Weight of section is less, which reduces the dead load of the structure. - Reduced amount of deflections in steel - Less time is required for construction - Reinforcing tendons are bendable and can come in different shapes CONS - It requires steel of high tensile strength and concrete of higher grades, which is costly for smaller scale works - It requires professional supervision - It requires additional special equipments such as jacks and high tensile cables - Total strength of concrete is not increased
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The building is arranged in a symmetrical pattern, with the pilotis arranged in a grid-like format/style. The lift shaft and shear walls help resist lateral and compressive forces
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The residential units are quite luxurious, however because of the design of colonnade many columns can be found inside of the unit.
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MAX GFA = Plot Ratio X Land Area GFA of The Colonnade - 21 X 302400 SqFt = 635 040 SqFt 1 house - 2800 SqFt Paul Rudolph designed in such a way that allows more space per household but does not affect the general GFA as GFA only includes the general land area and not the amount of space that is overlapped.
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Group project: Muhd Danish, Ahmed Faris, Koh Jing, Amirul, Winston LYON SATOLAS RAILWAY STATION Designed by famed architect santiago calatrava, the lyon satolas station uses Y cruciform to add support to the structure as it is a cantilevered beam. 7Y structure is supported by anchor bolts on the concrete base The roof arc creates a sense of symmetry of the building to stand.
The reason why the beams are on the exterior of the building, is to create a big hollow space in the middle of the building for respective programs.
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W A Y D Y 0 6 The windows panels are made out of glass.
The whole building structure is mainly made out of steel and concrete. The roof is made with aluminium cladding as its a lightweight material.
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