Wesley Gross Portfolio

Page 1

PORTFOLIO WESLEY GROSS

ARCHITECTURE PHOTOGR APHY


Wesley Gross

EDUCATION

253 Prescott Ave, Toronto, Ontario wgross05@gmail.com 816.885.0404

Master of Architecture

Kansas State University; Manhattan, Kansas, USA; Fall 2009 - Spring 2014

Study Abroad

Czech Technical Institute; Prague, Czech Republic; Spring 2013

The Pembroke Hill School; Kansas City, Missouri, USA; - Spring 2009

High School WORK EXPERIENCE Global Prints

Travelling poster salesman; all over Vermont and upstate New York; Summer 2014

Weigel Architecture Library

Assistant librarian; KSU, Manhattan, Kansas; January - May 2014

Helix Architecture + Design

Intern architect; Kansas City, Missouri, USA; Summer 2013

The Salvation Army

Bell ringer; Manhattan, Kansas; Winter, 2012

The Dusty Bookshelf

Employee; Manhattan, Kansas; Fall 2010 - Summer 2012

Black Bamboo

Employee; Kansas City, Missouri; Summer 2008 - Fall 2010

NOTABLE ACCOMPLISHMENTS Heintzelman Competition Nomination

The 5th year design competition for individual work One of three projects chosen by peers and professors

Co-editor for Oz Journal

One of two editors for Oz 36: Complexity Staff member for Oz 35: Public Interest Design Staff member for Oz 34: Infrastructure

Thomas A Tyler Photography Competition

Best in Show for “Hull” First Place in B+W for “Hull” First place in Landscape for “Barenschutzklamm” Awarded $500 scholarship December 2013

Flint Hills Human Rights Exhibition

Displayed “Soviet Color Study”; Manhattan, Kansas; December 2013

Attended and completed SEED Public Interest Design workshop; Kansas City, Missouri; October 2013

Won the “Cyber Disconnect” vignette; November 2012

SEED Certified SocioDesign Foundation Competition Eagle Scout (Boy Scouts of America)

Attained the rank of Eagle Scout with Troop 50; Kansas City, Missouri; October 2008

SKILLS

Proficient with

Revit, AutoCAD, Rhino 3D, Photoshop, InDesign, Illustrator, Pen + paper

3dsMax, Grasshopper, Exacto blades

Experienced with



54RIVER STREET Reimagining highway development in Eureka, Kansas


SMALL TOWN STUDIO


Reimagining the Commercial Strip

MAIN STREET

AMBIGUOUS BLOCKS

RESIDENTIAL SWATH

WESTERN GATEWAY

The Small Town Studio, a fifth year thesis studio, has spent the year working in Eureka, Kansas, a small town in the southern Flint Hills. The town of 2500 is emblematic of many of the rural farming communities that have been slowly dieing since World War 2. Our task has been to identify and rectify the causes of this slow death. My area of study has been the commercial strip along Highway 54 as it passes through town. Cheap, low density commercial strips can be found along the edges of almost every American town and city, and the ubiquity of these conditions is what attracted me to the area.

54ADAMS HOUSING

RIVER STREET MARKET


COMMERCIAL STRIP

EASTERN SUBURBS

EASTERN GATEWAY

My project spans a number of scales. Initial analysis of the in-town stretch of highway led to a set of design guidelines for businesses looking to develop a site. Two architectural projects, the River Street Market and the 54Adams community housing project, aim to demonstrate what healthy development can look like in the most blighted area of the strip. This structure - an umbrella analysis/proposition under which sits two “case study� projects - was very well received in critiques. My project was chosen to represent my studio in the prestigious 5th year Heintzelmann competition.


Communal Courtyard While the street facades feature several small windows, the units open to the courtyard with an eight foot curtain wall. The courtyard provides a space for recreation, socializing, and barbecuing against a wooded backdrop. With five individual units, the community of 54Adams is small, and with a pleasant common area, can be tight-knit. The courtyard invites residents to come together, and the inner, partially glazed facades forces a certain level of intimacy and mutual trust among the residents.

Courtyard Section


54Adams One of the many problems afflicting small rural communities has been colloquially termed the “brain drain”. Young, educated talent leaves town, never to return. The 54Adams housing complex offers contemporary living, with the intent of enticing young people to return to their hometown. The 54ADAMS housing project is designed to introduce a new type to the existing housing stock in Eureka. As the town attempts to entice younger people to move and work in town, smaller contemporary housing options can offer an alternative, communal quality of life. The apartment units work with four core tenets: a communal, courtyard orientation, a non-confrontational form based on the archetypical “housing” form (square + pediment), an interior armature that provides necessary shelving and furniture, and a single, lofted interior volume.

Courtyard Rendering


Site Plan

Interior Armature For many young people, the idea of buying a dining room table or an armoire is as restrictive as buying a house. In a tight apartment plan, even modestly sized furniture can feel overwhelming. An armature of built in shelving, a desk, and a dining table eases this dilemma. Beyond providing the necessary furniture and program elements, the shelving is able to spatially separate the kitchen from the dining and living space while retaining sight lines and the feeling of continuous space. While the exterior of the units is kept relatively plain, the wood interior armature serves as the visual interest and compelling parti of the project.

Southern Elevation


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View from parking lot


River Street Market Eureka sits on rich, fertile ground, surrounded by farm and ranch land; yet there is little opportunity for residents to buy the product of the land. The River Street Market, a project proposed by Larry and Susan Cook, aims to confront public conceptions of physical and economic health, and by renovating an abandoned gas station according to the design guidelines I created, address the visual blight of the commercial zone surrounding the site. The design can be broken into three phases to be developed as the business proves itself to be economically viable: _Gutting the gas station to its CMU structure and installing the new facade, made from reclaimed barnwood. _The creation of the front porch, a common vernacular typology and important liminal space. _The development of the out building into a cafe, and the construction of the overhead shading that defines the outdoor patio space. The River Street Market, through its design and goods, has the potential to transform Eureka, providing nutritious food, a local investment, and good placemaking to the community.

Existing structure


HIGHWAY 54/RIVER STREET Site Plan

Southern Elevation


At the end of the year, the Small Town Studio presented the entirety of its work in a book, Design for the Campestral. The 200+ page publication was a gratifying culmination to a years worth of hard work. With my experience working on the Oz Journal, I played a leading role in the design and publication of the book. Alongside my thesis work, I provided the graphics and photographs for the cover and leading pages.

Porch render

Section to the West


Manhattan, Kansas Pop. 52,281


Madison, Kansas Pop. 701


SystemAir ::

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Helix Architecture + Design

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5'-11" B1

GENERAL NOTES - FLOOR PLAN

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3'-6"

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6'-7"

6'-7"

6'-7"

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6'-7"

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EQ.

DIM FROM END OF FIXTURE TO ASSOCIATED STRINGERS TO BE EQUAL ON BOTH ENDS, TYP.

1'-0"

ONE (1) 4'-0" T5 LIGHT FIXTURE

1'-0" 8'-0"

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1'-0"

TYP.

EQ.

EQ.

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LINEAR DIRECT / INDIRECT LIGHTING, CENTERED IN ROOM, RE: ELECTRICAL

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3' 8" x 7' CUSTOM PALLETS UNDER 8" STUDS SUSPENDED FROM DECK

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4'-0" LONG LINEAR PENDANT FIXTURES, RE: ELECTRICAL

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6" CAN LIGHTS RECESSED INTO CEILING, CENTERED ON CEILING TILE

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16" COMMERCIAL HIGHBAY LIGHT FIXTURE, RE: ELECTRICAL

EQ

James C. Tomlinson Architect Kansas 3273

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MEP BGR Engineers 908 Broadway, Suite 200 Kansas City, MO 64108 p. 816.842.2800 Audio Visual AVI Systems 3610 Buttonwood Drive Suite 200 Columbia, MO 65201

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p. 573.886.8936

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TYP.

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TYP.

STRINGER NUMBER 2

1'-6"

2'x2' ACOUSTIC CEILING TILES (095123)

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ALIGN

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EQ 1'-0"

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1'-0" EQ

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KEYED NOTES - REFLECTED CEILING PLAN

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Architecture + Design KS License No. XXXXXX 1629 Walnut Kansas City, Missouri 64108 p. 816 300 0300 helixkc.com

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20' - 0 1/2"

EQ

**EACH LIGHT FIXTURE IS ASSOCIATED WITH A STINGER NUMBER AND A SLOT NUMBER. SLOT NUMBER

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re: A101

1'-0"

8"

24'-11"

Enlarged Plan-Break

1/4" = 1'-0"

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4 PALLETS AT 7'-0" EACH = 28'-0"

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H05 8 PALLETS @ 3'-8" EACH = 29'-4"

ALL DIMENSIONS ARE TO FACE OF FINISH MATERIAL UNLESS OTHERWISE NOTED.

D. ALL GYP. BOARD WALLS TO HAVE 3/4" FRY REGLET REVEAL (DETAIL A04/A651) AT WALL BASE UNLESS OTHERWISE NOTED.

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ALIGN W/ GLASS BELOW W/ 5" SPACING

3'-3"

B3

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B3

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A03

B1 I

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C. ALL NEW INTERIOR WALLS SHALL BE TYPE "B1" UNLESS NOTED OTHERWISE.

8 PALLETS @ 3'-8" EACH = 29'-4"

A602

EQ

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7'-2"

A601

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EXISTING CONSTRUCTION SHOWN GRAPHICALLY WITH SCREENED LINE TO REMAIN. PREPARE SURFACES TO RECEIVE NEW CONSTRUCTION OR FINISHES.

P1

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SINGLE BASIN UNDERMOUNT SINK

A.

TYP.

EQ.

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NOTCH STRINGER TO ACCEPT FIXTURE SO THAT BOTTOM OF T5 FIXTURE IS FLUSH WITH PALLET, TYP. (SEE: H11/A651)

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Reflected Ceiling Plan

1/8" = 1'-0"

re: A251

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29'-4"

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South Wall West Wall Finish Finish

Ceiling Finish

PAINT (099100) COLOR TO MATCH: SW7004; SNOWBOUND

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Hospitality 103

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Hallway 104

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B1 B1 B1 B1 B1 EX EX EX

DP1/P1 P1 P1 --P1 EX EX EX

WP1 DP1 P1 P1 P1 EX EX EX

DP1/P1 DP1 --P1 P1 EX EX EX

P1 P1 DP1/P1 WP1 P1 EX EX EX

WP1 ACT P1 P1 P1 EX EX EX

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CC1/CT1 CT1 CC1 CC1 CC1 EX EX EX

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B1

3'-6"

A251 F3

F3

Men 107

3' 8" x 7' CUSTOM PALLETS EA. SIDE OF 8" STUDS (064023)

Women 106

Break 105

H05 A101 B1

HAWORTH ENCLOSE PARTITION SYSTEM (102219)

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MARKERBOARD PANELS (101100)

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WALL MOUNTED LCD TELEVISION - OWNER PROVIDED, OWNER INSTALLED

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ABOVE EXISTING CMU WALL, EXTEND 5/8" GYP GD OVER 3 5/8" STUDS, TO DECK ABOVE - ALIGN WITH FURRING BELOW

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Office 108

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EXTEND EXISTING GYP BD WALL TO DECK ABOVE

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PROVIDE RUBBER WALL BASE ON WAREHOUSE SIDE OF WALL (096513)

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RELOCATE EXISTING WALL MOUNTED COOLING UNIT TO SOUTH WALL OF OFFICE, PROVIDE SUPPORT AS NEEDED

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CONSTRUCTION DOCUMENTS Revisions: B

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B3

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Drawn: ::

ACOUSTICAL CEILING TILE (095123) ARMSTRONG; ULTIMA TEGULAR; 24"x24" SUPRAFINE XL 9/16" SUSPENSION SYSTEM

WP1

H08 A651

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3"

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First Floor 101 Training Room 102 Conference Room 103 Hospitality 104 Hallway 105 Break 106 Women 107 Men 108 Office

RESILIEINT BASE (096513)

PAINT: P1

6 PANELS @ 3'-0" EA.

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FINISH SCHEDULE Base North Wall East Wall Finish Finish Finish

Floor Finish

CONCRETE FINISHING (033500) CARPET TILE (096813) INTERFACE;SUPERFLOR; GREY #609008 3/4" REVEAL BASE, RE: A04/A651

CEILING: ACT

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EXISTING ELECTRICAL PANELS TO REMAIN, BUILD NEW WALL AROUND PANELS, PAINT PANELS TO MATCH WALL. PANELS NOT TO PROTRUDE FROM WALL MORE THAN 3"

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CT1

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EXISTING TO REMAIN

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5'-7 1/4"

A601

FINISH LEGEND

F3 A11

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A251

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RB1

A10

A601

A08 A601

Conference Room 102

3'-0"

C01

ALIGN

24'-11"

8 PANELS @ 3'-1" EA.

re: A251

35'-11"

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Pallet Ceiling Lighting Layout Plan

1/4" = 1'-0"

A01

A601

Training Room 101

A4

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CENTERED ON COLUMN

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6 PANELS @ 3'-1" EA.

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FLOOR: CC1

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A08 A651

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WOOD PALLET (064023)

A251

COUNTER TOP: SS1 SOLID SURFACE (064023): SILESTONE - CEMENTO SPA PARTITION: DP1 DEMOUNTABLE PARTITION (102219) HAYWORTH; ENCLOSE SYSTEM

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10048 Industrial Blvd Lenexa, KS 66215

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SYSTEMAIR

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4 PALLETS AT 7'-0" EACH = 28'-0"

TWO (2) 4'-0" T5 LIGHT FIXTURES MOUNTED END TO END

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BK Checked:

BG

Project No. 13028.00 Date: 01.14.2014

Floor Plans

A101

Copyright © 2014 Helix


While interning at Helix, I worked on a project to create a meeting area and showroom on the factory floor of a HVAC company. The project was well suited to my brief time there, as I was able to see it through all stages of development. I attended client meetings and site visits, and was solely responsible for the Revit model and drawings. ::

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B.O. Joists 23'-5"

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8x8x5/16" STEEL TUBE WELDED TO COLUMN 3-5/8" METAL STUD

CL 1'-1"

WP1 (064023)

8"x4"x5/16" STEEL TUBE 16GA TRACK 2 - #10 SCREWS @ 16"

4"

8" METAL STUD

1'-9 7/8"

#10 WIRE CONNECTION AT JOIST PANEL POINTS

2" BLACK ACOUSTIC BOARD (072100)

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#10 WIRE 8" METAL STUD L1x1x16GA CLIP ANGLE

3/16"

BLACK ACOUSTIC PANEL (072100) #10 WIRE @ TUBE 32" O.C. CONT. 2x1x16GA STEEL TUBE @ 4'-0" HORIZ. WP1 (064023)

8"

32" MAXIMUM D08

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A651

3 #10 SCREWS @ EA. STUD 5"

14GA TRACK TO interior walls 10'-0"

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T.O. Pallet Ceiling 21'-1 1/4" ::

2"x2"x1/4" STEEL ANGLE ACT (095123)

ATTACHED AT STUD W/ 1/4" THROUGH BOLTS @ 12 O.C., TYP.

3-5/8" METAL STUDS 5/8" GYP BOARD

James C. Tomlinson Architect Kansas 3273

WP1 (064023)

HAYWORTH ENCLOSE (102219)

2" BLACK ACOUSTIC BOARD (072100), FASTEN WITH SCREWS AND FENDER WASHERS, TYP. 8" METAL STUD

EXISTING 8"x8" COLUMN H

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1'-10"

LIGHT FIXTURE, RE: ELECTRICAL RECESSED IN PALLET (RE: RCP)

1'-10"

H04

Detail @ Conf Room

H08

Plan Detail @ Pallet Wall

H11

Section Detail @ Pallet Ceiling

1 1/2" = 1'-0"

re: A251

1 1/2" = 1'-0"

re: A101

1 1/2" = 1'-0"

re: A251

MEP BGR Engineers 908 Broadway, Suite 200 Kansas City, MO 64108 p. 816.842.2800

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8" 16GA METAL STUD @ 16" O.C.

Architecture + Design KS License No. XXXXXX 1629 Walnut Kansas City, Missouri 64108 p. 816 300 0300 helixkc.com

Audio Visual AVI Systems 3610 Buttonwood Drive Suite 200 Columbia, MO 65201

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G #10 WIRE CONNECTION @ JOIST PANEL POINTS #10 WIRE

8" METAL STUD

#10 WIRE @ TUBE 32" O.C.

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T.O. Pallet Ceiling 21'-1 1/4"

T.O. Pallet Ceiling 21'-1 1/4"

2'-9"

L1x1x16GA CLIP ANGLE

16 GA TRACK W? # 10 SCREWS @ 16" O.C.

TWO (2) 8" METAL STUDS

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CONT. 2x1x16GA STEEL TUBE @ 4'-0" HORIZ.

8" 18GA METAL STUD @ 22" O.C.

WP1 (064023)

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4x8 STEEL TUBE BEYOND

BLACK ACOUSTIC BOARD (072100)

8" METAL STUD

WP1 (064023)

WP1 (064023) E

p. 573.886.8936

B.O. Joists 23'-5"

BLACK ACOUSTIC BOARD (072100) 8" 18GA METAL STUD @ 22" O.C.

TO interior walls 10'-0"

E

WP1 (064023)

ACT (095123) 3-5/8" METAL STUDS 5/8" GYP BOARD

D08

Detail Elevation @ Pallet Wall

D11

Section Detail @ Top of Pallet Wall

1 1/2" = 1'-0"

re: A251

1 1/2" = 1'-0"

re: A651

1 1/2" = 1'-0"

re: A251

A 1'-1"

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Center Line of beam above

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ATTACH WITH 1/4" CARRIAGE STYLE THROUGH BOLTS AT 12" O.C.

CL

12 GA BENT STEEL, TYP. POWDERCOATED WHITE; MATCH SW7004, SNOWBOUND, TYP.

1'-0 3/16"

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1'-2"

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2"

3 1/2"

5"

6" CAN LIGHT RE: ELECTRICAL ACT (095123)

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CONSTRUCTION DOCUMENTS

SS1 (064023) 2'-1" 8" METAL STUD

SEE SHEET A001 - PARTITION TYPES FOR WALL CONSTRUCTION

B 2'-10"

FRY REGLET Z REVEAL DRMZ - 625-75

B

WP1 (064023) 1-1/4" POURED CONCRETE CURB

4"x8"x5/16" STEEL TUBE ABOVE

3 1/2"

3/4"

HAYWORTH ENCLOSE (102219) Drawn:

First Floor 0" 1 1/4"

First Floor 0"

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Revisions:

2" BLACK ACOUSTICAL PANEL (072100)

THREE (3) 8" METAL STUDS UP TO 10'-5" SUPPORTING TUBE STEEL ABOVE

2'-2"

4"

COLORED LACQUER FLUSH OVERLAY CABINETS (064023)

3"

First Floor 0" A

A

1'-4 1/4"

A01

Detail @ Break Room

A04

Detail @ Wall Base

A08

Plan Detail @ Conf Room

A11

Section Detail @ Base of Pallet Wall

1/2" = 1'-0"

re: A251

1 1/2" = 1'-0"

re: A601

3" = 1'-0"

re: A101

1 1/2" = 1'-0"

re: A251

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10048 Industrial Blvd Lenexa, KS 66215

Detail @ Conf Room Framing

SYSTEMAIR

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HAYWORTH ENCLOSE (102219)

D04

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BK Checked:

BG

Project No. 13028.00 Date: 01.14.2014

Interior Details

A651

Copyright © 2014 Helix


Deir Mar Musa Pilgrimage Center



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library meeting room entrance/reception artifact gallery

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storage/support exterior plaza apartments communal dining

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Section through meeting room


View from monastery path

Located in the arid mountains of Syria, over an hour from any major city, the Deir Mar Musa Monastery attracts pilgrims and tourists alike, though it lacks the proper accomodations for a longer visit. The pilgrimage center seeks to provide accomodation as well as education for visitors to the monastery. Program is split between the three components of the design: the northern building houses a library, a gallery, and a multipurpose space. The southern building provides five small apartments and a communal dining room for pilgrims looking to stay overnight. And lastly, the courtyard serves as an informal meeting space for the hike up to the monastery.

Southern Elevation

Eastern (entrance) Elevation



SocioDesign Foundation In my fourth year, my friend and peer, Michael Luczak, and I decided to enter a vignette competition through the SocioDesign Foundation. A small prompt was given each month, and the entries were judged according to their conceptual merit and clarity of presentation.

Tagged: The Inhabitable Graffiti Canvas - Submitted. Cyber Disconnect (next page) - Won 1st place. ($100)


Park Avenue Wood Panel Interior Plywood Substrate Reflective Re-Entrant Triangle Panels Wi-Fi Signal Rays Lead Paneling


e Disconnect Pavilion

The Park Avenue Disconnect Pavilion offers a space away from electronic distraction. The pavilion is clad in lead panelling, effectively blocking radio waves and WiFi signals, and the skylight is coated with indium tin oxide reflecting radiation. The complex revetment incorporates reentrant triangle geometry to deflect radio signals and dissipate their energy. Seagrams Plaza is an ideal installation venue, offering electronic respite for passersby.



PHOTOGRAPHY


Thomas A. Tyler Competition

Hull

Best in Show 1st place in “Black + White”


Barrenshutzklamm

1st place in “Landscape”


Soviet Color Study Bozi Dar, Milovice, Czech Republic Displayed in FHHRP Show




IamtheEarth

Fashion photography for designer Kate McKay One image used for billboard advertisement


The Barnes Foundation Williams and Tsien


The Nelson Atkins Museum Steven Holl




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