Prelude Volume 12 • Issue 3 • Feb - Mar 24 by West Michigan Symphony

West Michigan Symphony Season Magazine Volume 12 • Issue 3 • February – March 2024

THE SEASONS: REIMAGINED

FRIDAY • FEB 23 • 7:30 PM

ST. PATRICK'S DAY CELEBRATION WITH CHERISH THE LADIES FRIDAY • MAR 15 • 7:30 PM

Serving West Michigan with all your metal needs Holland • Muskegon • Manistee • Spring Lake

WHAT'S INSIDE

Artistic Staff

Scott Speck Music Director Angela Corbin WMS Debut & Premier Strings Director Lauren Garza Tune Up Program Manager & Lead Teaching Artist Beth Slimko WMS Children’s Choir Director Kristina Zeinstra Tune Up Teaching Artist

Administrative Staff

Andrew Buelow President/CEO Amanda Dykhouse Orchestra Librarian Megan James Marketing & Design Manager Karen Mueller O'Neill Vice President of Development & Marketing Maris Myers Patron Services Manager Gabe Slimko Vice President of Operations & Orchestra Sherrie Tower Finance & Facilities Manager Karen Vander Zanden Vice President of Community Learning & Engagement

Board of Directors

Message from the Music Director

Meet the WMS Principal Musicians

West Michigan Symphony Musicians

Message from the CEO

Welcome New Musicians

West Michigan Symphony Annual Fund

West Michigan Symphony Endowment

West Michigan Symphony Legacy Giving

The Seasons: Reimagined

St. Patrick's Day Celebration

Community Music Encounters

About West Michigan Symphony

Susan Cloutier Crain, Chairperson

Retired Executive Director, Disability Network

Amy Hosford, Vice Chairperson

MISSION

Kevin Even, Treasurer

West Michigan Symphony connects and enriches our diverse community through the transformative power of music. We fulfill this primarily through three core offerings:

General Manager, KN Literary Arts

Shareholder, Smith Haughey Rice & Roegge

Merica S. Dobry, Secretary Senior Council, Warner Norcross + Judd LLP

Melisa Baker

• Professional, live symphonic performances in a welcoming environment

Jan L. Deur

• Inspired small ensemble performances in an immersive live listening room

Larry Fife

• Learning activities that enrich the lives of children and adults through exploration, participation and performance

Human Resources Manager, Webb Chemical Service Corporation Retired CPA, Verizon Retired Infotainment Director, Siemens and Continental Automotive

Bob Garretson

CEO, Embark Financial Partners

Donna Joyce

Advancement Director, DOOR International

Kate Kesteloot Scarbrough

Retired Executive Director, Mediation & Restorative Services

Jason Olthoff

Vice President of Sales, Nichols

Emma Peterson

Director of Philanthropy, Trinity Health

Ryan Sterkenburg CTFA®, CISP®

Senior Wealth Administrator, West Shore Bank West Michigan Symphony is an Equal Opportunity Employer and provides programs and services without regard to race, color, religion, national origin, age, sex or disability. Programs are funded in part by a grant from the Michigan Council for Arts and Cultural Affairs with the generous support of the National Endowment for the Arts. Dates, artists and programs are subject to change. Cover art by Megan James

SEASON SPONSORS

are a catalyst for a musicVISION We infused West Michigan: leading, facilitating, connecting and collaborating with the community to stimulate cultural vibrancy, inclusivity and pride of place.

Find Us Online West Michigan Symphony Website: westmichigansymphony.org Facebook: facebook.com/wmsymphony Email: info@westmichigansymphony.org The Block Website: theblockwestmichigan.org Facebook: facebook.com/AtTheBlock Email: info@theblockwestmichigan.org MASTERWORKS MEDIA SPONSOR LUNCH N' LEARN SPONSOR

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MESSAGE FROM THE MUSIC DIRECTOR Dear Friends, When the whole world shut down in 2020 due to COVID, we were one of the first orchestras in the United States— and possibly even THE first—to relaunch performances via virtual means. While playing together again was incredibly joyous, it was strange performing on the stage of the Frauenthal without all of you in the audience. But as we played, we did our best to visualize you! We imagined our loyal WMS family, sitting in the audience, loving our music, sighing at the exquisite moments, laughing at the occasional musical joke, and even applauding wildly at the end. (What can I say....we have healthy imaginations.) And inspired by that kind of visualization, we were able to create virtual performances that amazed even us. When I look back at the old videos of our 2020-2021 season, I am still extraordinarily proud of what the West Michigan Symphony accomplished. Still, there were a few times that year, especially with some of our treasured guest artist friends, when all we said to ourselves, “Wow—I REALLY wish our audience could hear this live.” And so now we are making that happen. Over the next two months, we present an augmented version of two concerts where we wished for you. In February, CheeYun re-creates her stunning mashup of Vivaldi and Piazzolla favorites—and to that we add a further modern masterpiece by Osvaldo Golijov. And in March, the exuberant and hilarious Cherish the Ladies treat us to their awe-inspiring St. Patrick’s Day celebration, with a few new twists. It’s a joy for us to re-connect with our musical friends, and at the same time, to unleash the full vitality and grandeur of the music to a hall full of music lovers. We finally get to perform these concerts just as we envisioned them— with you. We’re glad you’re here!

Scott Speck Music Director Please see Scott Speck’s bio on page 32

VOLUME 12 • ISSUE 3 • FEBRUARY – MARCH 2024

MEET THE WMS PRINCIPAL MUSICIANS Our musicians are West Michigan’s cultural ambassadors and a key part of its creative capital. In addition to WMS, our players teach privately and at major Michigan universities, perform with other orchestras, and appear as recitalists and chamber musicians across the Midwest and beyond.

JESÚS LINÁREZ

GENE HAHN

Associate Concertmaster

Assistant Concertmaster

MARK PORTOLESE

CARMEN ABELSON

ARTURO ZIRALDO

IGOR CETKOVIC

Associate Principal – Cello

JONATHAN HOLDEN Principal – Clarinet

ADAM LIEBERT

AMANDA DYKHOUSE

REBECCA BOELZNER

Assistant Principal – Violin 1

Principal – Violin 2

Principal – Viola

Associate Principal – Viola

ALICIA GREGORIAN SAWYERS

CAMERON SLAUGH

ROBERT JOHNSON

JILL MARIE BROWN

ASAKO FURUOYA

CHLOE ROBBINS

PAUL CLIFTON-O’DONNELL

Associate Principal – Violin 2 Assistant Principal – Violin 2

Assistant Principal – Cello

Principal – Bassoon

RILEY LINDSEY

Principal – Tuba

JACIE ROBINSON

Concertmaster

Principal – Bass

Principal – Horn

LEO TAYLOR

Principal – Timpani

Principal – Flute

BILL BAXTRESSER

Principal – Trumpet

MATTHEW BECK

Principal – Percussion

WEST MICHIGAN SYMPHONY SEASON MAGAZINE

Principal – Cello

Principal – Oboe

EDWARD HICKMAN

Principal – Trombone

SYLVIA NORRIS Principal – Harp

WEST MICHIGAN SYMPHONY MUSICIANS Music Director

Viola

Arturo Ziraldo principal

Scott Speck

Sponsored by Susan Cloutier Crain

Stephanie Hovnanian Lisa Raschiatore bass clarinet Sponsored by Don & Kathy Dahlstrom matched by the Charles Stewart Mott Foundation

Bassoon

Chloe Robbins principal Sponsored by Shelia & Patrick Miller

Jason Kramer Sponsored by Eric & Merica Dobry

Horn

Paul Clifton-O’Donnell principal Jeffrey Lake Johnson Endowed Chair

Greg Bassett Lisa Honeycutt Sponsored by Allen & Sandy Beck

Leah Brockman Sponsored by Karen & John Wells

Trumpet

Bill Baxtresser principal Sponsored by Roger & Rebecca Tuuk

Ethan Adams

Trombone

Edward Hickman principal Sponsored by Stephen & Debra Jackson

Joe Radtke Sponsored by Laketown Family Dental

Carter Woosley bass trombone Sponsored by Joel & Linda Engel

Tuba

Riley Lindsey principal Sponsored by Dr. Chris Jansen-Yee

Timpani

Leo Taylor principal Douglas & Janet Hoch Endowed Chair

Percussion

Matthew Beck principal Sponsored by Jill Sanders

Jordan Berini Eric Jones Sponsored by Cornelia Holley & Sheryl Wescott

Harp

Sylvia Norris principal Sponsored by Paul & Karen Jackson

Music Librarian

Amanda Dykhouse

Musical Chairs: Sponsor a musician for the season. Endow for a lifetime. For more information, contact Andy Buelow at 231.726.3231 or abuelow@westmichigansymphony.org. VOLUME 12 • ISSUE 3 • FEBRUARY – MARCH 2024

MESSAGE FROM THE CEO “Let’s make music a right, not a privilege.” These words, spoken by the CEO of the Hawaii Youth Symphony during a recent meeting of the League of American Orchestras in Detroit, resonated deeply with me. It perfectly encapsulates the idea behind West Michigan Symphony’s Community Music Encounters. One of the goals of our Strategic Framework is to remove barriers that prevent access to music for all the community’s youth. That is particularly the idea behind Tune Up, WMS’s after-school partnership with Muskegon Public Schools. Asset limited, income constrained employed (ALICE) families often can’t afford private lessons or instrument rental fees. Driving children to a weekly offsite rehearsal may be impossible for a single parent working two jobs to make ends meet.

Saturday, March 23

TWO ! SHOWS presents

425 W. Western Avenue

Entertainment by

PowerDiva Productions

Thanks to the WMS community—of which you are a part—they are getting it. Here in the heart of Muskegon, more than 40 third, fourth and fifth grade students are learning to play the violin and viola under the skilled hands and watchful eyes of Lauren Garza and Kristina Zeinstra, our Tune Up teaching artists. Assisting them are two student interns from the Muskegon High School orchestra, Seth Bozik and Zuri Labenz.

Catered by

Kuntry Cookin’

a Drag Brunch Benefit for Muskegon Civic Theatre

Tune Up brings music right to their school and puts an instrument right in their hands.

Eight-top table reservation $480

Prices include box office fees

231.727.8001

Created by

A few weeks later, Seth and Zuri were part of a group from the high school that attended the January Masterworks concert at the Frauenthal, cheering on their teacher, James Alexander, as he performed in the cello section of West Michigan Symphony. The next night, James took them across the state for the Sphinx Connect award concert at Orchestra Hall in Detroit. Sphinx is an amazing organization dedicated to fostering and advancing the career path of Black and Latinx classical musicians. Together we watched and listened as three outstanding finalists competed for the coveted First Prize.

Artificial Intelligence Conceived by Nancy Cassaro

Thomas Michael Allen, James Altuner, Mark Campbell, Nancy Cassaro, Patricia Cregan, Elizabeth Dennehy, Christopher Fracchiolla, Jack Fris, Kevin A. Leonidas, Mark Nassar, Larry Pellegrini, Susan Varon and Moira Wilson Originally Produced by

Joseph Corcoran in association with

April 12–20 Hilt Building

Andrew Buelow President/CEO abuelow@westmichigansymphony.org

Tickets $60

muskegoncivictheatre.org

Recently, I had the privilege of watching these youngsters— reinforced by Seth and Zuri—perform for an audience of their school peers and enthusiastic parents. The pride and happiness in their faces afterward as they raced into their parents’ arms was pure magic.

Celebrate that tonight. By being here, you are part of it too. Would you like to move in deeper? Contact me.

Doors open 30 minutes before each show.

Frauenthal Theater

But their children have a right to music, too.

It doesn’t matter who won. We were in a concert hall with thousands of people for whom the barriers that prevent access to music were completely gone. In that moment, I realized that all of us—Seth, Zuri, James, Lauren, Kristina, you and I—are part of a nationwide musical movement of shared hope and opportunity. It was a vision of everything we’re working for, individually and collectively—with every note, every lesson, every concert.

First Show: 11am Second Show: 3:30pm

2024

Artificial Intelligence Tony n’ Tina’s Wedding is presented by arrangement with Concord Theatricals on behalf of Samuel French, Inc. www.concordtheatricals.com

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WELCOME 2023/24 SEASON NEW MUSICIANS JESÚS LINÁREZ, CONCERTMASTER

Jesús started his music studies in Venezuela at the Vicente Emilio Sojo Music Conservatory and the Latin American Academy. He was a member of the Venezuelan orchestra organization El Sistema, upon which WMS’s Tune Up program is based. A finalist in the 2019 Skokie Valley Orchestra Concerto Competition, and a top prize winner in Roosevelt University’s 2020 Aeolian Classic Emerging Artist Competition, Jesús is currently a student of Almita Vamos at the Chicago College of Performing Arts.

ROBBIE HERBST, VIOLIN

Robbie began his studies at the age of five in New Orleans and holds degrees from Dartmouth College and the University of Colorado. He is a member of the Civic Orchestra of Chicago and the Southwest Michigan Symphony and has performed with the Louisiana Philharmonic and the Colorado and West Virginia symphonies. Robbie is a published and award-winning writer and an avid rock climber.

JANE MOCKUS, VIOLIN

A native of the Chicago area, Jane began her orchestral studies with the Midwest Young Artists Conservatory in Highwood, IL, before moving to Ann Arbor to attend the University of Michigan. In addition to WMS, she is a substitute violinist and violist with the Jackson, Holland, Lansing, and Adrian symphonies.

KAREN KRUMMEL, CELLO

Beginning cello in kindergarten at age four in London, Karen earned a Bachelor of Music degree from the University of Michigan and a Master of Music from the University of Illinois, followed by a year in residency at the Banff Centre. Previously Principal Cellist in the Sinfonia da Camera and the South Bend Symphony, Karen was a member of the Grand Rapids Symphony for 22 years and has taught cello at Calvin University since 1995.

GRACE MOCKUS, CELLO

Grace began musical studies in the suburbs of Chicago at the Midwest Young Artists Conservatory before relocating to Michigan to study at the University of Michigan. She has performed at numerous festivals, including Orford Musique and Bowdoin International Music Festival, as well as with the Detroit Symphony Orchestra, U. of M.'s University Symphony and Baroque Chamber Orchestras, and with an early music chamber group of her own creation.

ASAKO FURUOYA, OBOE

Top Prizewinner at the 2013 Yokohama International Music Competition, Asako holds a Bachelor of Music from the New England Conservatory and is currently pursuing her Master’s at Florida’s Lynn University. A frequent performer with the Miami Symphony, she has been invited to summer festivals such as National Orchestral Institute, Kent/Blossom Music, Interlochen Summer Arts Camp and Kusatsu International Music Academy.

WEST MICHIGAN SYMPHONY SEASON MAGAZINE

CAMERON SLAUGH, CELLO

In addition to their position with WMS, Cameron is a member of the Civic Orchestra of Chicago, Missouri Symphony and Orchestra Iowa. They have made appearances across the United States and Italy, sharing the stage with Riccardo Muti and the Chicago Symphony, the Colorado Symphony, Wynton Marsalis and Jazz at Lincoln Center, among others. Cameron is a founding teaching artist with the Apollo’s Fire Side by Side program, bringing beginning strings education to Chicago’s south side.

NATALIE FELDPAUSCH, OBOE

Natalie is in the final year of earning her Bachelor of Music in performance at GVSU. She has substituted as principal oboist for the Holland Symphony and has participated in the Ostrava Oboe Festival in the Czech Republic, and the Bay View Music Festival in Michigan, where she substituted as the oboist in the faculty woodwind quintet. She has won both the Kenneth G. Bloomquist Prize and the GVSU Concerto Competition. Natalie is an avid rock climber, coffee drinker and full-time aunt.

CHLOE ROBBINS, BASSOON

Chloe obtained her Bachelor of Music Performance at Indiana University, where she is currently pursuing a Performance Degree. While at IU she has performed with numerous local orchestras and chamber music groups. In addition to being an active performer, Chloe occasionally teaches music theory and private lessons.

ETHAN ADAMS, TRUMPET

A native of Arkansas and a freelance player in the Chicago area, Ethan has performed with the Evansville Philharmonic and the New World, Dubuque and Quad City symphonies. He founded the West End Brass in Nashville and was selected via competition to tour Germany and provide educational concerts and masterclasses while pursuing studies with members of the Berlin Philharmonic. Ethan received his Bachelor of Music from Vanderbilt University and his Master of Music from Northwestern University.

CARTER WOOSLEY, BASS TROMBONE

A native of Kentucky, Carter also holds positions with the Opera of the Ozarks in Arkansas, the Civic Orchestra of Chicago and the Bourbon & Brass Company. He holds a Master of Music from DePaul University and Bachelor of Music from the University of Louisville. His arrangements for brass have been performed by the Louisville Brass, Bourbon & Brass Co., Sideshow Brass, the U. of L. Trombone Ensemble and others.

RILEY LINDSEY, TUBA

Active throughout the Chicago area as musician and teacher, Riley is principal tuba of the Billings and Adrian symphonies and has appeared with the New Philharmonic, National Repertory Orchestra and the Battle Creek, Helena, Northwest Indiana and Stockton symphonies. In the course of all this he has had the opportunity to perform with soprano Anna-Maria Martinez, electric violin virtuoso Tracy Silverman, and comedy-rock legend “Weird Al” Yankovic.

VOLUME 12 • ISSUE 3 • FEBRUARY – MARCH 2024

West Michigan Symphony Annual Fund Your annual contributions to West Michigan Symphony help to sustain a vital community resource. Just over 60% of contributions to WMS come from individual patrons, with the remainder generated from corporate and foundation support. We extend our deepest appreciation to you for helping make WMS a cultural touchstone in our community. The listings below represent total pledges and gifts by each patron household from Dec 1, 2022 through Feb 1, 2024. This includes our Annual Fund, other special initiatives and events. In particular, we wish to express our gratitude to Mike and Kay Olthoff for their support of our November-December Matching Challenge campaign. We have given careful attention to ensure a complete and accurate list. Please notify us of any inaccuracies by calling 231.726.3231.

$10,000 and up Anonymous (2) Dr Mark D & Kristina M Clark Susan Cloutier Crain Jan & Laura Deur Pat & Julie Donahue Douglas & Janet Hoch Jeffrey Lake Johnson Clara Lang Mike & Kay Olthoff In memory of Fred Norris and Michael Soimar Brad & Kathleen Playford Jack & Becky Slimko Peter M Turner Roger & Rebecca Tuuk $5,000-$9,999 Anonymous George W & Lori Lynn Cannon III Mary Douville William & Mary Lou Eyke James & Susan Geisler Greg & Debi Hillebrand Nelson & Elizabeth Huldin Paul & Karen Jackson Stephen & Debra Jackson Buzz & Wendy Kersman Kate Kesteloot Scarbrough Daniel & Sheryl Kuznar Scott & Donna Lachniet Ryan & Emily Leestma Patrick & Sheila Miller Joanna Norris Steve & Deb Olsen Jill Sanders Sawyer Family Fund of CFFMC Sam Slaughter & Anne Lehker Dr Michael & Marijean Smith Scott Speck JoLee Wennersten Hazel Whittaker In memory of Clara Lang 10

$2,500-$4,999 Anonymous Krista Abbott Melisa Baker Pete & Sherry Brown Andy & Beth Buelow Darlene Collet Don & Kathy Dahlstrom In memory of Fred Norris, Matched by Charles Stewart Mott Foundation Deborah DeVoursney Larry & Lynette Fife David F Gerdes & Carolyn Smith-Gerdes Tilio Giacobassi Family Hon Kathy L Hoogstra & Dr Robert Hoogstra Amy & William Hosford Happy 90th Birthday to Marlene Greiner Charles & Vivian Johnson Barbara Kelso Chris McGuigan & Gary Neal Roger C Morgenstern Chris & Amy Olthoff Jason & Jamye Olthoff Frank & Emma Peterson Tom Schaub & Mary Price Laura Schultz Dr Alan Steinman Susan & Stephen Struck Liz & Tom Trzaska Jim & Linda Zolman $1,000-$2,499 Anonymous Thank you Susan Cloutier Crain Anonymous (2) Cindy Ackerman Charles Alstrom Allen & Sandy Beck Susan & Frank Bednarek Fund of the CFFMC Jane Blyth Janice Buck

Gordon & Mary Buitendorp Andrew Busard Michael Cerminaro & Connie Verhagen Bob & Charlotte Chessman Valerie Church-McHugh & Fred McHugh Colin Billingsley Amy Conn Tenny In memory of Jeff Conn Anne Dake Eric & Merica Dobry Marcia D'Oyly Rob & Cathleen Dubault Joel & Linda Engel Robert & Jackie Engel Kevin & Annette Even Brian & Gwen Fosse Evelyn Geile Mark & Jennifer Gross Carl & Sylvia Hansen Robert & Clara Harrell Bill Haug & Jane Curtis Larry & Lari Hines Bruce & Donna Hood Richard & Holly Hughes Pat Hunt Ed Hunt & Nancy McCarthy Wilda James Christian Jansen-Yee Joel & Kathleen Jarvis Pat Johnson Dick & Lynn Kamps Heather Kettler Rich & Nancy Klassen Pete & Mimi Kunz Paul & Patricia Ladas Mark & Karla Lange Estate of Joan Leder Tim & Lynette Lipan Jim & Mary Malek John & Jessie Martin Cindy Mazurek Mark & Bonnie Meengs Susan Meston KN Literary Arts On behalf of Amy Hosford Bonnie Olson Memorial Fund Denis & Barbara Potuznik Terry & Joy Puffer Susan Rehrer Gretchen & Randy Rhoades In memory of Fred Norris David Ruck John Saling & Diane Fischer Wietse & Melanie Schaafsma Josh & Amy Silvis Ryan & Kris Sterkenburg Drs David & Linda Taylor LJ Verplank Michael & Patricia Wade

WEST MICHIGAN SYMPHONY SEASON MAGAZINE

Karen & John Wells Melody & JR Whitby Judy Wilcox Ellie Williams Dr Roy Winegar & Ms Barbara Klingenmaier Marguerite & Kenneth Winter Jan Witt Tom & Jane Witt $500-$999 Anonymous In honor of Fred & Joanna Norris Anonymous Ross & Sandra Aden Darlene Alt Bruce & Paula Baker In memory of JoAnn Landman Herb & Anne Bevelhymer Brian & Jill Boersema Arthur & Marilyn Bolt Ron & Ann Marie Brown Ardy Bulthouse Kroes In memory of Rodger Kroes Curtis Chambers & Diana Wojton George & Deborah Chmelar Dr Donald & Nancy Crandall Mary Theodore Danigelis Chris Dean Deb & Chris Drake Amanda & Gregory Dykhouse Jean Enright Wallace & Jane Ewing Mark Foreman Charles & Lynn Freeman Ron Fritz Chip Furst Chuck & Jeanne Gembis Don Goodman Brennen & Rachel Gorman Kurt & Antoinette Hildwein Cornelia Holley Reedel & Rosie Holmes Jonathon & Wendy Hoogstra Donna Joyce Denise Kwiecien Joan La Mourie Brian Leibrandt Shelley Essebaggers Lewis Pat Locke Andy & Jill Maciejewski Charles & Kay Cater Matthews Paul & Winnie McNergney Perry & Deb Newson Eric & Jennifer Norris In memory of Fred Norris Richard & Katie Norton Dr Richard & Nancy Peters Roy & Britta Bujak Portenga Robert Pyka Mike & Char Ratchford Clyde & Beth Rinsema Dan & Sarah Rinsema Sybenga

Dr Gary & Pennie Robertson David Roodvoets John & Elaine Severson Mary Holmes Sorensen Tom & Nanci Stone Kim Suarez John & Mary Swanson John & Sue Sytsema Dr Ryan & Heather Terlouw Kathleen Torresen Richard & Marge Tourre Ed DeJong & Diane VanWesep Elinore Verplank (Norna) Sheryl Wescott Jane J Wright $100-$499 Anonymous (7) Anonymous In memory of Robert & JoAnn Landman Lionel & Contessa Alexander III Lee Anderson Margo Atwell Larry & Sandy Austin Barbara Bates-Lalick & Martin Lalick Thomas & Muriel Beattie In memory of Fred Norris Gary and Carol Beatty Sherry Albertie Becker Amy Bensinger David & Sue Bird William Black In memory of Fred Norris Jeanne Kuharivicz Bleich Aaron & Amy Bodbyl-Mast David & Karen Booth Dr Mary & Robert Boyer Bill & Sue Brookstra Michael & Joanna Buboltz Marie Bustin Ray & Theresa Chaplin Rudy & Pat Chmelar Richard & Gay Cole Robert & Diane Collier In memory of Fred Norris E Jane Connell & Steven W Rosen William & Carol Cross III Jessica Wolin & Frank Crownover David Culver Kurt & Cheryl Deford Dean Denman & Gale Ford In memory of Janie Denman Larry DeVoogd Greg & Judith DeWeerd David and Dortha DeWitt Joyce Downing In memory of Clara Lang Judy Draper Karen & Herb Driver Bruce & Esther Drukker Dennis & Barbara Dryer William & Donna Eckert James Edmonson VOLUME 12 • ISSUE 3 • FEBRUARY – MARCH 2024

Kath & Greg Edwards Bethann Egan & Len Lieffers Harold & Mary Englund Cork Farkas & Kathy Mauck Eugene Fethke Bobby Fisher Charles & Patti Fisher Carla Flanders Roberta Fleischmann Manley Ford Mr & Mrs Peter M Friar Bruce Froelich & Margot Haynes Paula DeGregorio & Frank Galante Marisol Garcia Linstrom Marjorie Gorajec Mary Anne Gorman Ann Gorter LaDon Gustafson Rev Jerry & Rev Susan Hagans Virginia Hague Jeff & Gail Hall Craig & Carolyn Hart In memory of Fred Norris Patricia Hesling Dan & Celeste Hibler Roberta Hilleary Gwen Hoffman Mary Anne & Thom Hornik Marcia Hovey-Wright & Ernie Boone Mary Ann Howe John & Jane Humphrey Nicholas Huryk Katherine & Kenneth Jacobs Ken James Robert & Susan Johnson Robert E. Johnson Natalie Johnson & Dana Pink In memory of Donna Little Lamar and Diane Jordan Connie Karry Francine Kieft Louie & Earlaine Kiel Randy & Debra Knapp Thomas Knight Meghann Kruse Children of James & Susan Geisler In honor of their parents on their 53rd Anniversary Jeff & Jody Lewis Lloyd & Mildred Lindland In memory of Fred Norris. A talented musician and champion of music. Dale Lowder Mark Luttenton William & Mary Macleod Sandy Majeski Deborah Margules Shirley McIntire John & Cindy McKinnon Mr and Mrs Graydon Megan Rich & Teresa Micheil Roger & Jane Missimer Amanda Moblo 11

$2,500-$4,999 Consumers Energy Fifth Third Bank Grand Valley State University Howmet Aerospace i'move Lake Michigan Credit Union Lorin Industries Mart Dock Corporation Mary C Payne Fund of the CFFMC PNC Bank Raymond James Scherdel Sales & Technology

John & Barbara Mullally Matt & Laurel Nease Kathryn L Neumann Susan and Tyler Newton In memory of Herb and Ellie Hoeker. Thanks for instilling in us appreciation for this kind of music. Carol Norris In honor of Fred and Joanna Norris David Olsen Garry & Charlotte Olson Henry & Mollie Osborn In memory of Fred Norris Richard A Pardini Gay C Petersen David & Beth Pickard Nick & Barb Pietrangelo Albert & Elizabeth Posthuma C Bruce & Shirley Privacky Rev William Randall David Redmond In memory of Donna Little Faye Redmond Robert & Sharon Remmerde In honor of Fred Norris, friend and multi-talented musician. Bruce & Mari Rice Christine & Marv Robere Kathy & Mike Rohlman Bob & Bobbi Sabine Duane & Susan Schecter Gwynne & Steve Schoff Pat & Ed Schroeder Lee & Sandra Schuitema Sue Schuiteman In memory of Clara Lang John Selmon Jocelyn Shaw & Doug Hannink Colleen & Joseph Skendzel Hayden Smith Helen & Jay Smith Joanie Smith Nancy Spargo In memory of Fred Norris. It is an honor to support the continued activities of the symphony he loved so dearly. Michael & Cindy Stevens James & Nancy Stier Eileen Stoffan Clifford & Lucia Storr George & Dottie Strabel Julie Stuberg Verne & Janet Sutherland Howard & Marilyn Swanson Marty & Heidi Sytsema Ann & Dan Tabor In memory of JoAnn Landman Judy Theune Sera Thompson In memory of Fred Norris George & Laura Thurlow Judith Tierney Scott Timmer

Charles & Susan Rogalla Tindall David & Mary Turbessi Brandon Turnbull Sandra Tyrrell In memory of Fred Norris Catherine & Chris Uganski Stephen & Valerie Vallier John Van Walsum Phillip VanderPol Nancy L Vanderwest Bill & Shirley Walther Matt & Cheryl Wansten Dan & Nancy Weller Jenny Wilkes Brewster & Mary Ellen Willcox Jonathan & Melissa Wilson Norman Young Robert & Joanne Zayko Lori Zeman Raimonds T Ziemelis Douglas & Jennifer Zwemer

WEST MICHIGAN SYMPHONY SEASON MAGAZINE

Corporate, Arts Council & Foundation Donors $10,000 and up City of Muskegon Community Foundation for Muskegon County Embark Financial Services Fremont Area Community Foundation Grand Haven Area Community Foundation Harbor Steel & Supply Corporation Hines Corporation Howmet Community Fund of the CFFMC Leonel L. & Mary Loder Fund Meijer Foundation Michigan Arts & Culture Council Smith Haughey Rice & Roegge Webb Chemical Service Corporation $5,000-$9,999 Adelaide Pointe Charles Stewart Mott Foundation DTE Energy Foundation Fund JSJ Foundation Fund Muskegon Community College RENK America Samuel L. Westerman Foundation Shoreline Insurance Agency, Inc. Smith Davis Morse Group The Gerber Foundation The Leonard Luxury Apartments Trinity Health Warner Norcross + Judd LLP West Shore Bank Women's Division Chamber of Commerce

$1,000-$2,499 Ann & Bud Eichmann Fund of the CFFMC Billie Klont Greinke Memorial Fund of the CFFMC Cofessco Hazekamp's Premier Foods Tyler Sales John L. Wheeler Memorial Scholarship Fund of the CFFMC Laketown Family Dental $500-$999 Shape Corporation Past Chairs Committee

The Past Chairs Committee provides ongoing guidance, advocacy and support to the WMS long after its members’ terms are completed. WMS thanks and honors these individuals for their generosity, collective wisdom and continuing leadership.

Tim Arter Pete Brown Marcia D’Oyly David Gerdes Holly Hughes David Hogan Pat Hunt G Thomas Johnson Wendy Kersman Clara Lang Deb Newson Kay Olthoff Mike Olthoff Sylvia Precious Chip Sawyer Ann Tabor Peter Turner Jane Wright

Block Underwriters Consumers Energy Grand Valley State University Lake Michigan Credit Union Lorin Industries Michael & Kimberly Martin (Endowed) Muskegon Community College Steve & Deb Olsen Mike & Kay Olthoff Mary Price & Tom Schaub Scherdel Sales & Technology Shoreline Insurance Agency Jack & Becky Slimko Smith, Haughey, Rice and Roegge Trinity Health Tyler Sales Warner Norcross + Judd LLP

7 Unique Dining Locations Along the Lakeshore Locally Owned & Operated

Lake hi Mic gan

Pub One Eleven, 111 W. Colby, Whitehall Red Rooster Tavern, 2998 N. Scenic Dr. Full Moon Diner & Saloon, 3408 Whitehall Rd. No Name Saloon & Grill, 609 W. Western Ave. Dockside Donuts, 1950 Lakeshore Dr. Marine Tap Room, 1983 Lakeshore Dr. Cherokee Restaurant, 1971 W. Sherman Blvd.

www.hometownhospitalitygroup.com VOLUME 12 • ISSUE 3 • FEBRUARY – MARCH 2024

WEST MICHIGAN SYMPHONY ENDOWMENT Now in its 84th Season, WMS is dedicated to building a music-infused West Michigan, providing professional concerts in a welcoming environment and learning opportunities that enrich the lives of both children and adults. The Endowment, along with robust annual giving, provides a stable funding base that supports this cause. WMS’s Endowment is held in two funds at the Community Foundation for Muskegon County (CFFMC), as well as in a third fund established at the Grand Haven Area Community Foundation (GHACF). Established in 1992, the CFFMC Secure the Spirit fund reported a fair market value of $573,958 on June 30, 2023. Established in 2020, the CFFMC Play Your Part fund reported $1,844,706 on the same date. The GHACF Play Your Part fund, established in 2021, was at $95,890. The corpus of each fund is owned, managed and directed by these foundations, whose staff and trustees determine the timing and amount of distributions—normally an annual amount equal to 4% of the average balance over the previous 16 quarters. Foundation staff handles all administrative details and investment responsibilities, freeing WMS leadership and staff to focus on mission delivery.

Play Your Part Campaign West Michigan Symphony’s $5 million Play Your Part Campaign has two primary objectives. The first is to bring the Endowment to a level that will generate 15% of the annual budget, thereby providing a stable revenue model for the future. The second is to establish a five-year, $600,000 startup fund for Tune Up, a new string orchestra program for underserved students who currently lack access to such instruction. This program launched in fall 2022 in Muskegon Public Schools. For more information, please see page 28. At the end of September 2023, campaign leadership reported more than $3,968,167 in gifts and pledges. We thank all those who have given generously to the campaign to date, and invite you to consider “playing a part” in WMS’s future. Whether through an outright gift or a designation in your will and trusts, your support will ensure continuity and future growth of WMS’s artistic and community footprint. To learn more, please contact Andy Buelow at 231.726.3231 or abuelow@westmichigansymphony.org.

Honorary Chairs

Operation Chairs

Larry & Lari Hines Robert & Wendy Kersman Fred & Joanna Norris Mike & Kay Olthoff Peter Turner & Jean Enright

Jan Deur Kay Olthoff

Cabinet Members Sherry Becker Jon & Jane Blyth Pete & Sherry Brown Ryan Bryker Susan Cloutier Crain Anne Dake

Kevin Even Bill Eyke Jim & Susan Geisler Dave Gerdes Kimberly L. Hammond Paul & Karen Jackson

Roger Morgenstern Steve & Deb Olsen Susan Rehrer Tom Schaub & Mary Price Dr Alan Steinman

Marilyn Andersen Troy Bell Bernie & Cathy Berntson Pat Donahue Steve Gawron Judy Hayner Amy Heisser

Brad Hilleary Todd Jacobs Clara Lang Cindy Larsen Gary Nelund Dale Nesbary Frank & Emma Peterson

Asaline Scott John Severson Dan & Ann Tabor Rebecca Veltman Walter Watt

WEST MICHIGAN SYMPHONY SEASON MAGAZINE

Endorsement Council

Maestro: $250,000 and up Michael & Kay Olthoff Larry & Lari Hines Jeffrey Lake Johnson

F Martin & Dorothy A Johnson Fund of the GHACF Paul C Johnson Fund of the CFFMC Fred & Joanna Norris Greg & Shelley Olson Susan Rehrer Robbins Road Animal Clinic Dr Alan Steinman John & Mary Swanson Liz & Tom Trzaska matched by RENK America Peter M Turner Webb Chemical Judy Wilcox

Premiere: $100,000-$249,999 Community Foundation for Muskegon County (CFFMC) Douglas & Janet Hoch Robert & Wendy Kersman Scott & Donna Lachniet Crescendo: $50,000-$99,999 Bernie & Cathy Berntson Jon & Jane Blyth Mary Theodore Danigelis Jan & Laura Deur Pat & Julie Donahue Mark & Christine Fazakerley Mrs Carol Folkert Grand Haven Area Community Foundation (GHACF) Howmet Aerospace Dan & Sheryl Kuznar Meijer Foundation Patrick O’Leary Foundation Steve & Deb Olsen Jack & Becky Slimko Warner Norcross + Judd LLP Symphony: $25,000-$49,999 Pete & Sherry Brown Orville & Susan Cloutier-Crain Don & Kathy Dahlstrom matched by Charles Stewart Mott Fund Rob & Cathleen Dubault Eagle Alloy William & Mary Lou Eyke Fifth Third Bank Paul & Karen Jackson John & Jessie Martin Monica Morse Dr Richard & Nancy Peters Tom Schaub & Mary Price Concerto: $15,000-$24,999 Marilyn Andersen Allen & Sandy Beck Jackie Engel, CFP James & Susan Geisler Kimberly & Michael Martin matched by Bank of America Stephen & Susan Struck Roger & Rebecca Tuuk Prelude: $10,000-$14,999 Anonymous Andy & Beth Buelow G&L Hot Dogs The Gerber Foundation David Gerdes & Carolyn Smith-Gerdes Stephen & Debra Jackson

Overture: $5,000-$9,999 Anonymous BDO Bill Baldridge Sherry Albertie Becker Frank & Susan Bednarek George & Lori Lynn Cannon Cofessco Fire Protection Consumers Energy Dr Donald & Nancy Crandall Anne & Allan Dake Kevin & Annette Even Mary Anne Gorman Judith Hayner & Charlene Romanosky Greg & Debi Hillebrand Pat Hunt Bari Johnson Tom & Pat Johnson Dick & Lynn Kamps Ray & Betsy Komray Clara Lang Mark & Bonnie Meengs Frank & Emma Peterson Bruce & Marilyn Reichardt Suzanne Richards & Lee Burlison Kurt Rosen Dr F Remington & Ginny Sprague John & Sue Sytsema Dan & Ann Tabor Don & Jane Tjarksen LJ Verplank Webb Chemical Kathy West in memory of David Alan West Sonata: $1,000-$4,999 Anonymous (3) Cynthia Ackerman Christine Adams Charles & Gloria Alstrom Margo Atwell Bank of America Charitable Foundation Jack & Marilyn Brown Ryan & Katie Bryker Ardy Bulthouse Kroes in honor of Amanda Dykhouse Robert & Charlotte Chessman Dr & Mrs Paul Christie Dr Mark D & Kristina M Clark Darlene Collet

VOLUME 12 • ISSUE 3 • FEBRUARY – MARCH 2024

Core Realty Partners Kurt & Cheryl Deford Jean Enright Charles & Lynn Freeman Evelyn Geile Michael Gluhanich Mr & Mrs Bill Hendrick Cornelia Holley Keith & Mary Kay Hopkins Hugh & Barbara Hornstein Richard & Holly Hughes Ed Hunt & Nancy McCarthy Joel & Kathleen Jarvis Heather Kettler Bruce & Mary Krueger Peter Kurdziel Michael Martin Cindy Mazurek Chris McGuigan & Gary Neal Susan Meston Roger & Jane Missimer Roger & Michelle Morgenstern in memory of Richard & Nancy Morgenstern Scott & Janee’ Musselman Gary Nelund & Angie Wasserman-Nelund matched by State Farm Insurance Dr Dale & Connie Nesbary Steve & Kathy Parker Gary & Beth Post Denis & Barbara Potuznik RENK America David & Georganna Rice David Roodvoets John & Marilyn Ruck John Saling & Diane Fischer Jill Sanders Chip & Susan Sawyer Duane & Susan Schecter Laura Schultz John & Elaine Severson Jocelyn Shaw & Doug Hannink Shoreline Insurance Agency Michael & Corina Soimar Scott Speck in honor of the WMS Musicians Ted & Judy Stojak Suarez/Polakis Family Marty & Heidi Sytsema Bryce & Marti Tallant Carol Parker Thompson Peter & Judy Theune Judy Tierney Evan & Rachel Ufer David & Laura Valk Karen & John Wells JR Whitby Eleanor Williams Dr Roy Winegar & Ms Barbara Klingenmaier Jan Witt Jane Wright Robert & Joanne Zayko Environmental Fund of the CFFMC Douglas & Jennifer Zwemer 15

Introit: Up to $999 Anonymous (4) Larry & Sandra Austin Susan A Bissell Memorial Fund Charles Black in honor of Fred & Joanna Norris Gary & Rhonda Bogner Dana & Claudia Bryant Jerry & Marcia Brichan Benjamin Christian on behalf of Tina Horigan E Jane Connell & Steven W Rosen Calvin Deur Harold & Mary Englund Eugene Fethke Martha Ferriby Tilio Giacobassi Family Erica Gillard Harvey & Maraleigh Heyer Ellen Hanichen Gwen Hoffman Doug & Judy Hostetler Mary Ann Howe Kristi Klomp Randy & Debra Knapp Pete & Mimi Kunz Cindy Larsen Joeseph & Barbara Legatz Charles Matthews & Kay Cater Matthews

Patrick & Sheila Miller Barb & John Mullally Kathryn Neumann Perry & Deb Newson Amy Norris & MJ Towle in honor of Fred & Joanna Norris James & Ruth Olthoff Thomas Pascoe Janet Payne William & Gay Peterson Linda Quaine Rev William Randall Mike & Char Ratchford Stephen & Susan Salisbury Schieholz/Hogan Fund of the CFFMC Sally Schwartz Asaline Scott Joanie Smith Howard & Marilyn Swanson Warren Tibbitts Richard & Marge Tourre Mary Towner Nancy & Gerritt Vanderwest Rebecca Veltman Duane & Laurie Wright Raimonds T Ziemelis Jim & Linda Zolman

WEST MICHIGAN SYMPHONY SEASON MAGAZINE

Tune Up Donors: $5,000 and up Cathy & Bernie Berntson Fund of CFFMC Jon & Jane Blyth Orville Crain & Susan Cloutier Crain Community Foundation for Muskegon County (CFFMC) Mary Theodore Danigelis Jan & Laura Deur Mark & Christine Fazakerley Fifth Third Bank Gerber Foundation Harbor Steel & Supply Corporation Hines Corporation Dr Douglas E & Janet P Hoch Howmet Aerospace Foundation Dick & Lynn Kamps Robert & Wendy Kersman Dan & Sheryl Kuznar Scott & Donna Lachniet Meijer Foundation Patrick J O’Leary & Karen Yamasaki Steve & Deb Olsen Mike & Kay Olthoff Jack & Becky Slimko Stephen & Susan Struck

WEST West Michigan Symphony MICHIGAN Legacy Giving Circle SYMPHONY

Dedicated to the Memory of

Jeffrey Lake Johnson

It Takes just one note to Start a Symphony

With a planned gift to West Michigan Symphony, you can continue to support the Orchestra even after your passing. Planned giving is simply creating a plan to make a gift. You don’t need to be wealthy to make an impact—you just need to make a plan. The easiest way to make a planned gift is through a charitable bequest, where you designate in your will or trust the assets that you wish to gift to WMS upon your death. A bequest is not all or nothing; you can leave either a percentage of your total estate value, a specific asset (such as part of an investment portfolio), a specified amount of money, or the remaining assets in your estate after all your other requests have been satisfied. You can also make a planned gift by designating the WMS as a beneficiary of your retirement or IRA account, or your life insurance. You can also specify how you would like your gift used by designating it toward music education, the Endowment, or “wherever it is needed.” Even a single note, when combined with others, can become a symphony. Any gift you wish to make, now or in the future, can grow into something more impactful over time with the right planning. Imagine the impact if every member of this audience designated even 1% of their estate to WMS! Creating a planned gift is a wonderful way to leave a legacy, provide future funding, and ensure that WMS continues to delight, teach and entertain audiences in the future. Talk with your estate plan attorney about your options. We welcome your questions. Please reach out to Andy Buelow at 231.726.3231, or visit our website at westmichigansymphony. org. We would be happy to provide sample language to include in your estate plan documents, explore your ideas about your plan, or simply connect. And if you do make a planned gift, or have already done so, please consider letting us know so that we can thank you!

Announcing the Jeffrey Lake Johnson Principal Horn Chair Thank You As Well To Our Newest Legacy Giving Circle Members: Jan & Laura Deur Pat & Julie Donahue Bob & Bobbi Sabine

We all encounter people who leave an indelible mark on the lives of those they touch. Jeffrey Lake Johnson (July 23, 1950 - January 18, 2022) was one of those individuals. Jeff was a loving and steadfast brother and uncle, a great friend, a man of strong political persuasions with a keen wit and great sense of humor, a supporter of nature and the arts, a connoisseur of language, and an excellent musician. In character with his quiet and generous ways, he left a meaningful bequest to the West Michigan Symphony, as well as two other local institutions, to support the cultural enrichment of the area. Born and raised in Muskegon, Jeff grew up surrounded by music and his love for it would become a major thread in the fabric of his life. His choice of the French horn at an early age led to a career that would bring him to every corner of the U.S., as well as parts of Asia. After graduating from Mona Shores High School in 1968, he continued his education at Alma College and then the University of Michigan where he earned a master’s degree in music. During the span of his long career, he served for six years as a member of the United States Marine Band and free-lanced with symphonic organizations in Washington D.C. for several years before spending two decades touring with the Broadway shows 42nd Street, Cats, and Les Miserables. In 2007, he landed in Las Vegas, Nevada where he became part of the music community playing in the shows such as The Producers, Spamalot, Showstoppers, The Lion King, Phantom of the Opera, and Wicked. Highlights of his time in the music business included the honor of playing behind superstars Barbra Streisand, Andrea Bocelli, and The Who. Although most of his working life was spent in the broader world, when his schedule allowed, Jeff chose to return again and again to his much-loved home state where he played regularly with the Grand Rapids and Traverse symphonies, as well as right here in Muskegon with the West Michigan Symphony. Jeff cared deeply for West Michigan — its people, environment, and culture. He believed strongly in the transformative power of music as well as the importance of having access to it right where you live. Of all the many worthy institutions and places he could have chosen for his estate giving, he wanted to make a difference in his hometown — the place that nurtured and developed his interests and character. His gift to the Symphony will endow two chairs — the principal French horn chair in his name and another chair to be announced in the coming months. His generosity will also provide support to the West Michigan Symphony Tune Up program. Jeff's surviving siblings Jennifer Grow, Tim Johnson, and Amy McEwen, are honored to help see Jeff's gifts come to fruition and they join his friends and former colleagues in gratitude for a life well lived. Thank you, Jeff, for all you gave us. We will continue to draw inspiration from your quiet generosity and your commitment to making a difference in the lives of others.

VOLUME 12 • ISSUE 3 • FEBRUARY – MARCH 2024

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La Bohème April 19 & 20, 2024 DeVos Performance Hall VOLUME 12 • ISSUE 3 • FEBRUARY – MARCH 2024

operagr.org 19

MASTERWORKS.3

THE SEASONS: REIMAGINED

FRIDAY FEBRUARY 23 7:30 PM SCOTT SPECK CONDUCTOR CHEE-YUN VIOLIN

Osvaldo Golijov (b. 1960) Last Round Antonio Vivaldi (1678-1741) La Primavera (Spring), from The Four Seasons Allegro Largo Allegro

SPONSORS CONCERT

Friends of Chee-Yun MEDIA

Astor Piazzolla (1921-1992) Verano porteño (Summer), from The Four Seasons of Buenos Aires Antonio Vivaldi L’estate (Summer), from The Four Seasons Allegro non molto Adagio e piano Presto e forte Astor Piazzolla Otoño porteño (Autumn), from The Four Seasons of Buenos Aires INTERMISSION Antonio Vivaldi L’autunno (Autumn), from The Four Seasons Allegro Adagio molto Allegro Astor Piazzolla Invierno porteño (Winter), from The Four Seasons of Buenos Aires

LUNCH N' LEARN

SEASON

Antonio Vivaldi L’inverno (Winter), from The Four Seasons Allegro non molto Largo Allegro Astor Piazzolla Primavera porteña (Spring), from The Four Seasons of Buenos Aires Loop and Infrared Systems in place for the hearing impaired. Please inquire with an usher for use of this system. Please silence all cell phones and other electronic devices. The use of cameras and recording devices during the performance is strictly prohibited.

WEST MICHIGAN SYMPHONY SEASON MAGAZINE

A MESSAGE FROM CONCERT SPONSORS Friends of Chee-Yun

Chee-Yun Violinist Chee-Yun’s flawless technique, dazzling tone, and compelling artistry have enraptured audiences on five continents. Charming, charismatic, and deeply passionate about her art, Chee-Yun continues to carve a unique place for herself in the ever-evolving world of classical music. Chee-Yun has performed with many of the world’s foremost orchestras and conductors. Orchestral highlights include her tours of the United States with the San Francisco Symphony under Michael Tilson Thomas and Japan with the NHK Symphony, a concert with the Seoul Philharmonic conducted by Myung-Whun Chung that was broadcast on national television, and a benefit for UNESCO with the Orchestra of St. Luke’s at Avery Fisher Hall. Chee-Yun has performed with such distinguished conductors as Jaap van Zweden, Manfred Honeck, Hans Graf, James DePriest, Jesús López-Cobos, Krzysztof Penderecki, Neeme Järvi, and many others. She has appeared with the Toronto, Pittsburgh, Dallas, Atlanta, and National symphony orchestras, as well as with the Saint Paul and Los Angeles Chamber Orchestras. A champion of contemporary music, Chee-Yun has performed Christopher Theofanidis’ Violin Concerto conducted by David Alan Miller as part of the Albany Symphony’s American Festival, in addition to performing Kevin Puts’ Violin Concerto with the Fort Worth Symphony Orchestra. As a recitalist, Chee-Yun has performed in many major U.S. cities, including New York, Chicago, Washington, Los Angeles, San Francisco, and Atlanta. Career highlights include appearances at the Kennedy Center’s “Salute to Slava” gala honoring Mstislav Rostropovich; a tour of Japan with the Mostly Mozart Festival; a performance with Michael Tilson Thomas in the inaugural season of Carnegie Hall’s Zankel Hall; and the U.S. premiere of Penderecki’s Sonata No. 2 with pianist Barry Douglas. In 2016, Chee-Yun performed as a guest artist for the Secretary General at the United Nations in celebration of Korea’s National Foundation Day and the 25th anniversary of South Korea joining the UN.

You don’t have to be a corporation or a company to sponsor a concert. Years ago, WMS benefactors Bill and Mary Lou Eyke pioneered the practice of inviting fellow music lovers to contribute annually toward the sponsorship of a concert on the WMS season. The group gets together for dinner, often attended by the conductor and guest artist as well. It’s a special way to build fellowship and community around the shared joy of music. The “Friends of Chee-Yun” sponsor cohort, hosted by Jan and Laura Deur, includes all the donors listed on the stage screen before you. WMS thanks Jan and Laura and all of these generous donors who are making tonight’s concert possible. If you’d like to explore a similar opportunity, speak to a member of the Board or staff, or call us at 231.726.3231.

Chee-Yun has received exceptional acclaim as a recording artist. Her releases on the Denon label include Mendelssohn’s E-minor Violin Concerto, Vieuxtemps’ Violin Concerto No. 5, Lalo’s Symphonie Espagnole and Saint-Saëns’ Violin Concerto No. 3 with the London Philharmonic under the direction of Maestro Lopez-Cobos. Two compilation discs, Vocalise d'amour and The Very Best of Chee-Yun, feature highlights of Chee-Yun’s earlier recordings. In 2008, Decca/Korea released Serenata Notturno, an album of light classics that went platinum within six months of its release. Chee-Yun’s first public performance at age eight took place in her native Seoul after she won the Grand Prize of the Korean Times Competition. At 13, she came to the United States and was invited to perform Vieuxtemps’ Concerto No. 5 in a Young People’s Concert with the New York Philharmonic. Two years later, she appeared as soloist with the New York String Orchestra under Alexander Schneider at Carnegie Hall and the Kennedy Center. In 1989, she won the Young Concert Artists International Auditions, and a year later she became the recipient of the prestigious Avery Fisher Career Grant. In Korea, Chee-Yun studied with Nam Yun Kim. In the United States, she has worked with Dorothy DeLay, Hyo Kang, Daniel Phillips, and Felix Galimir (chamber music) at The Juilliard School. In addition to her active performance and recording schedule, Chee-Yun is a dedicated and enthusiastic educator. She gives master classes around the world and has held several teaching posts at notable music schools and universities. Chee-Yun plays a violin made by Francesco Ruggieri in 1669. It is rumored to have been buried with a previous owner for 200 years and has been profiled by the Washington Post.

VOLUME 12 • ISSUE 3 • FEBRUARY – MARCH 2024

Osvaldo Golijov (1960 - ) Last Round

Antonio Vivaldi (1678-1741) The Four Seasons

Born in Argentina to an Eastern European Jewish family, composer Osvaldo Golijov had a diverse musical upbringing. Growing up, he was surrounded by the sounds of chamber music, Jewish liturgical and Klezmer music, and the tango nuevo of Astor Piazzolla. In 1983, the aspiring composer moved to Israel to continue his musical training, then to Pennsylvania where he studied under composer George Crumb. Since 1991, he has been on faculty in the department of music at the College of Holy Cross in Worcester, Massachusetts.

Italian Baroque composer Antonio Vivaldi wrote more than 500 concertos, yet today most people know only four of them. Everyone knows his The Four Seasons, even if they don’t think they do. After being forgotten for 200 years, this now ubiquitous work resurfaced around 1950, just in time for the invention of the long-playing record. The LP carried the four concertos to listeners all over the world as it became one of the most frequently recorded works of classical music. Seventy years later, it is still ingrained in Western culture, sounding in movies, advertisements, as on-hold music, and at dentists’ offices.

The impact of a childhood surrounded by the music of Piazzolla never diminished. Piazzolla’s tango nuevo blended the popular Argentine urban dance — derived (debatably) from song and dance styles of either African, Spanish or Caribbean descent — with classical and jazz elements such as counterpoint, chromaticism and dissonance. Though his tango compositions initially met with resistance in Argentina, Piazzolla later became revered as the “savior of tango.” When Golijov heard of the tango master’s death, he began composing a lament that would become the second movement of Last Round. Golijov writes, “Astor Piazzolla, the last great tango composer, was at the peak of his creativity when a stroke killed him in 1992. He left us, in the words of the old tango, ‘without saying good bye’, and that day the musical face of Buenos Aires was abruptly frozen.” In 1996, Golijov returned to this music, adding a preceding contrasting movement to create Last Round. The twomovement piece in nine string parts is a tribute to Piazzolla, his tango, and his instrument, the bandoneon: a button accordion without keyboard that was a staple of tango ensembles. Golijov writes: “The title is borrowed from a short story on boxing by Julio Cortázar, the metaphor for an imaginary chance for Piazzolla’s spirit to fight one more time (he used to get into fistfights throughout his life). The piece is conceived as an idealized bandoneon. The first movement represents the act of a violent compression of the instrument and the second a final, seemingly endless opening sigh (it is actually a fantasy over the refrain of the song My Beloved Buenos Aires, composed by the legendary Carlos Gardel in the 1930s). But Last Round is also a sublimated tango dance. Two quartets confront each other, separated by the focal bass, with violins and violas standing up as in the traditional tango orchestras. The bows fly in the air as inverted legs in crisscrossed choreography, always attracting and repelling each other, always in danger of clashing, always avoiding it with the immutability that can only be acquired by transforming hot passion into pure pattern.” 22

Vivaldi wrote hundreds of concertos because his employer demanded them. From 1703 to 1715 Vivaldi was employed at the Ospedale della Pietà (Devout Hospital of Mercy) in Venice. The Pietà was an orphanage that housed the illegitimate children of Venice’s noblemen. Vivaldi’s duties there included teaching string instruments, performing, directing ensembles, and composing for Catholic liturgies. These liturgies were so elaborate that they were practically concerts of choral and instrumental music, and were an important part of the social calendars of Vienna’s nobility. By the time Vivaldi composed The Four Seasons in the early 1720s, he was no longer employed at the Pietà but was traveling, staging his own operas and working at various courts around Europe. Yet the Pietà had asked him to continue to send concertos, at the rate of at least two per month, for performance by their orchestra. Each of The Four Seasons’ three-movement concertos is accompanied by a three-part sonnet — possibly written by the composer himself — that clearly describes what each movement attempts to depict. Vivaldi also sprinkled verbal cues throughout the score so that the musicians would know exactly what they were meant to represent. For example, the violas in the second movement of “Spring” are instructed that they should sound like a barking dog. And the violin soloist in the first movement of “Autumn” is reminded that he is playing the role of a stumbling drunkard at a harvest dance. “Spring” begins with the flitting sounds of birds, interrupted in the middle of the first movement by a furious thunderstorm. In the second movement, Vivaldi has the solo violin play a slow, quiet melody to depict a sleeping shepherd. Accompanying the soloist are the orchestral violins sounding like a babbling brook and the viola playing a two-note motive meant to sound like the “woof-woof” of the shepherd’s vigilant dog. The final movement of “Spring” is a dance in the countryside, complete with drones in the low strings to imitate the sound of a bagpipe.

WEST MICHIGAN SYMPHONY SEASON MAGAZINE

For the first movement of “Summer,” the soloist creates the distinct birdsongs of a cuckoo, turtle dove, and goldfinch, while thunderstorms approach from the distance. The second movement is again a mid-day nap, this time accompanied by the buzz of insects. Vivaldi unleashes a furious storm in the third movement. Vivaldi begins “Autumn” with a peasant dance. The solo violin sounds as if he has had too much to drink, stumbling around the party with quickly descending lines. The drunken revelers fall asleep for the slow second movement, where the harpsichord plays along with muted strings. Once rested, the partiers are ready for a hunt in the third movement. Listen for the rhythm of prancing horses, the sound of barking dogs, and the quick rattle of gunfire. “Winter” brings shivering violin trills and the chattering of teeth illustrated by trembling dissonant chords in the first movement. The rushing notes of the solo violin sound like the whipping winter wind. The second movement evokes cozy huddling by the fire while the sound of ice falling outside is achieved by pizzicato violins. In the third movement, Vivaldi illustrates carefully walking — and then slipping on — ice with descending scales.

Astor Piazzolla (1921-1992) The Four Seasons of Buenos Aires Arranged by Leonid Desyatnikov Argentine composer Astor Piazzolla was born in Mar del Plata — a small resort town south of Buenos Aires — but spent most of his childhood and adolescence in New York City. When Piazzolla was eight years old, his father happened upon a bandoneon — a button accordion used as a solo instrument in tango — at a pawn shop. Piazzolla picked up the instrument quickly and within three years had composed his first tango. In 1934, Piazzolla met the tango composer and Argentine cultural icon Carlos Bardel. During Bardel’s trips to New York, Piazzolla acted as his tour guide and translator and occasionally performed with Bardel’s tango orchestra. Gardel encouraged Piazzolla and his family to return to Argentina so that the young Piazzolla could pursue his passion for tango. Piazzolla’s family returned to Mar del Plata in 1936 and two years later, the young musician set off on his own for Buenos Aires. He joined the band of one of the great tango composers, Anibal Troilo, playing bandoneon and arranging music. In 1941, Piazzolla began studying with the Argentine classical composer Alberto Ginastera, from whom he learned the music of Stravinsky, Bartók and Ravel. In 1953, the

Buenos Aires Philharmonic Orchestra performed Piazzolla’s Buenos Aires Symphony in Three Movements. At the end of the concert, a fight broke out among audience members, some of whom were offended by the inclusion of two bandoneons within a traditional symphony orchestra. Despite the controversy, this piece won Piazzolla a grant to study in Paris with the famous composition teacher Nadia Boulanger. Upon his arrival in Paris, Piazzolla tried to paint himself as a purely classical composer, hiding his roots in tango and his talents at the bandoneon. However, once Boulanger discovered his gift, she convinced him that his destiny was to reinvent tango. After a year of study, the composer returned to Buenos Aires, founded his own tango ensemble and began to create the musical style that would become known as tango nuevo. This style—which incorporates classical elements like counterpoint, dissonance, extended forms and jazz elements—was controversial in Argentina: it was too complicated and could not be danced to. Yet over the following decades, as Piazzolla traveled Europe and North America performing, recording, and composing, he gained an international following. By the end of his life, Argentina embraced the composer and his new style, crediting him with revitalizing tango. Piazzolla’s Cuatro Estaciones Porteñas, or The Four Seasons of Buenos Aires, was conceived neither as a tribute to Vivaldi nor as a piece of orchestral music. It is a set of four tango compositions written individually between 1965 and 1970 for performance by Piazzolla’s tango quintet of violin, piano, electric guitar, bass, and bandoneon. In 1996, Russian composer Leonid Desyatnikov arranged — or more accurately, recomposed — these four pieces into a work that would mirror Vivaldi’s Seasons. He scored the new work for solo violin with string orchestra. And he converted each season into a three-section movement to reflect the structure of Vivaldi’s model. Desyatnikov incorporated several quotations from Vivaldi’s ubiquitous work. In doing so, he took into consideration the opposing seasons of the Northern and Southern Hemispheres. So, during Piazzolla’s “Summer” tango, you will hear Vivaldi’s whipping wind and chattering teeth. And conversely, Piazzolla’s “Winter” tango includes Vivaldi’s summer thunderstorm. The opening of Vivaldi’s “Spring” is quoted in Piazzolla’s “Autumn,” while his Autumn hunt sounds during the “Spring” tango.

VOLUME 12 • ISSUE 3 • FEBRUARY – MARCH 2024

Notes by Sarah A Ruddy, Ph. D.

POPS.3

St. Patrick’s Day Celebration with Cherish the Ladies FRIDAY MARCH 15 7:30 PM ANDREW KOEHLER GUEST CONDUCTOR CHERISH THE LADIES

Program to be announced from the stage. There will be an intermission. Joanie Madden, Flute, Whistles, Harmony Vocals Mary Coogan, Guitar Mirella Murray, Accordion Nollaig Casey, Fiddle Kate Purcell, Lead Vocals, Guitar Gabriel Donohue, Piano David Geaney, Dancer Noel Spillane, Dancer Tyler Schwartz, Dancer

SPONSORS CONCERT

SEASON Loop and Infrared Systems in place for the hearing impaired. Please inquire with an usher for use of this system. Please silence all cell phones and other electronic devices. The use of cameras and recording devices during the performance is strictly prohibited.

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A MESSAGE FROM CONCERT SPONSOR Smith Haughey Rice & Roegge Smith Haughey Rice & Roegge is a long-time supporter of the Muskegon community, its institutions, its people, and its future. Our professionals have been active members of the Muskegon community for over 40 years. It’s more than where we practice law. It’s where we—as individuals and families—live and invest our time, talents and experience. We strive to make our community a better place for everyone. Smith Haughey is proud to support the West Michigan Symphony and is grateful for its commitment to connecting and enriching our community. We thank you for joining us and hope you enjoy tonight’s performance.

Cherish the Ladies The New York Times calls their music “passionate, tender, and rambunctious” and The Washington Post praises their “astonishing array of virtuosity.” For over 37 years, Irish-American Cherish the Ladies has won the hearts of audiences worldwide with their rousing blend of traditional music, captivating vocals, and propulsive step dancing. The Grammy-nominated supergroup—whom conductor Keith Lockhart called “energetic, fun and innately musical”—has shared the stage with leading symphonies across the United States in performances that “blow the roof off” and “set the world on fire.” “Cherish the Ladies is an exquisite experience,” said Music Director Scott Speck, who collaborated with the ensemble previously with the Mobile Symphony. “These women make great music— and they are hilarious at the same time.” Under the leadership of Joanie Madden, 2021 National Heritage Fellowship Award winner and All-Ireland flute and whistle champion, the current lineup includes accordionist Mirella Murray, fiddler Nollaig Casey, guitarist Mary Coogan, vocalist Kate Purcell, and keyboardist Gabriel Donohue. Five time World Champion David Geaney; Great Britain Champion and Riverdance alumnus Noel Spillane; and World Champion Tyler Schwartz will add their magical footwork to the performances. Recognized as the BBC’s Best Musical Group of the Year and Top North American Celtic Group at the Irish Music Awards, Cherish the Ladies has collaborated with such musicians as Vince Gill, Nanci Griffith, Pete Seeger, The Clancy Brothers, the Chieftains, Don Henley and Arlo Guthrie, among others.

Joanie Madden Joanie Madden was born in New York of Irish parents and raised in a musical household where she was exposed to the finest Irish traditional music listening to her father and his friends play music at family gatherings and social events. She began taking lessons from legendary flutist and National Heritage Award winner Jack Coen, and within a few short years she had achieved great success winning the world championship in Irish music on both the concert flute and tin whistle. During that time, Joanie also became the first American to win the coveted Senior All-Ireland Championship on the whistle. Madden has sold over 500,000 solo albums and has performed on over 200 recordings, including three Grammywinning albums running the gamut from Pete Seeger and Sinéad O’Connor to the Boston Pops. Throughout her musical career, she has amassed a plethora of awards and citations. Her merits include being the youngest member inducted into both the Irish-American Musicians Hall of Fame and the Comhaltas Ceoltoiri Hall of Fame. Irish America Magazine selected her twice as one of the Top 100 Irish-Americans in the United States and she was also named Traditional Musician of the Year by the Irish Voice newspaper.

VOLUME 12 • ISSUE 3 • FEBRUARY – MARCH 2024

greater Kalamazoo’s finest professional musicians. The group’s premiere performance was hailed as “…exceptional under his baton” by the Kalamazoo Gazette. Through these ensembles, he has collaborated with leading artists such as Danielle Belen, Aaron Dworkin, Alon Goldstein, Zlatomir Fung, Rachel Barton Pine, Amit Peled and Midori.

Andrew Koehler Andrew Koehler is currently the music director of the Kalamazoo Philharmonia, which he leads as part of his position as a professor of music at Kalamazoo College. His innovative and thoughtful programming there has been honored with the American Prize Vytautas Marijosius Memorial Award in Orchestral Programming. He holds concurrent posts as music director of the Kalamazoo Junior Symphony Orchestra, one of the nation’s oldest youth orchestras, and as the cover conductor and recurring guest conductor of the West Michigan Symphony. He also organizes and conducts concerts with the Arcato Chamber Ensemble, which he founded and which is made up of

He is active as a guest conductor close to home and throughout the world. In past seasons, he has appeared with the Grand Rapids Symphony Orchestra musicians; with the Lyatoshynsky Chamber Orchestra in Kyiv, Ukraine; the Ruse Philharmonic in Bulgaria; the St. Cloud Symphony in Minnesota; the Festival South Chamber Orchestra in Mississippi; and the Moldovan National Youth Orchestra. Born in Philadelphia to Ukrainian parents, Andrew began his musical studies on the violin at the age of five. He is a graduate of Yale College, where he completed a B.A. in Music and German Studies (graduating with honors and distinction in both majors). He holds a certificate in conducting from the Universität für Musik und Darstellende Kunst in Vienna, where he studied for two years as a Fulbright scholar, as well as a Masters degree from Northwestern University. He makes his home in Kalamazoo, MI, with his wife Sorina, originally from Moldova, and their son, Theo.

WEST MICHIGAN SYMPHONY SEASON MAGAZINE

Merrill is proud to support the West Michigan Symphony. The Smith-Davis-Morse Group Merrill Private Wealth Management 110 North Wacker Drive Suite 1900 Chicago, IL 60606

John Q Smith Senior Vice President Private Wealth Advisor 312.325.2615

pwa.ml.com/sdmgroup

Merrill Lynch, Pierce, Fenner & Smith Incorporated (also referred to as “MLPF&S” or “Merrill”) makes available certain investment products sponsored, managed, distributed or provided by companies that are affiliates of Bank of America Corporation (“BofA Corp.”). MLPF&S is a registered broker-dealer, registered investment adviser, Member SIPC and a wholly owned subsidiary of BofA Corp. Merrill Private Wealth Management is a division of MLPF&S that offers a broad array of personalized wealth management products and services. Investment products:

Are Not FDIC Insured

Are Not Bank Guaranteed

May Lose Value

VOLUME 12 • ISSUE 3 • FEBRUARY – MARCH 2024

MAP5272720 | AD-10-23-0270 | 470944PM-0123 | 10/2023

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COMMUNITY

MUSIC ENCOUNTERS WEST MICHIGAN SYMPHONY

CLICK CLACK MOOSIC Based on books by Doreen Cronin and Betsy Lewin, this series introduces children ages 3-8 to instrumental music in a storybook format. A host/ narrator introduces the small ensemble of WMS musicians, teaches the children about musical concepts, and then reads the story aloud— accompanied by music written for the series. Let us know if you are Interested in bringing CCM to your area!

Debut Strings introduces beginning and intermediate students to large ensemble performance through challenging and diverse repertoire. Students in Debut Strings have one to two years of experience. Premier Strings is for intermediate to advanced string players who have previously participated in Debut Strings.

WEST MICHIGAN SYMPHONY

CHILDREN’S CHOIR Audition-based for children ages 8-13, WMS Children’s Choir performs in its own concerts, collaboratively with Debut and Premier Strings, and on stage with the Symphony during Home for the Holidays and the spring Link Up concerts.

WEST WEST MICHIGAN MICHIGAN SYMPHONY SYMPHONY SEASON SEASON MAGAZINE MAGAZINE

WEST MICHIGAN SYMPHONY

LINK UP

Beginning its 20th season, this free beginner music education program— a collaboration with Carnegie Hall—pairs WMS with 50 area schools in six West Michigan counties. Students in grades 3-5 learn to play music on the recorder and gain an understanding of orchestral repertoire. They benefit from regular contact with classroom visits from Music Mentors from the Orchestra. The program culminates with an interactive concert at the Frauenthal Center during which students perform on recorders along with the Symphony.

WEST MICHIGAN SYMPHONY

TUNE UP

Our newest learning program, launched in 2022, Tune Up brings free string instruments and instruction from qualified teaching artists to Muskegon Public School students as part of the afterschool CCLC Impact program. Tune Up expanded in 2023-2024 to include all Muskegon Public Elementary Schools and the Middle School reaching over 40 students in support of music education.

WEST MICHIGAN SYMPHONY

LUNCH ‘N LEARN

These free noon hour events, hosted by Music Director Scott Speck, are held in The Block on Wednesdays prior to each Masterworks concert. Guests enjoy a delicious lunch and learn about the music on the upcoming concert. Everyone is invited, including those who already have tickets to the concert, those who are curious and want to learn more, downtown community businesses, and area residents.

WEST MICHIGAN SYMPHONY

WATCH MUSKEGON PLAY In 2020, WMS collaborated with Muskegon Rotary to bring all-weather outdoor musical instruments to Muskegon parks and neighborhoods. These durable sound sculptures enhance outdoor community spaces throughout Muskegon and Muskegon Heights. Please visit our website for details.

VOLUME 12 • ISSUE 3 • FEBRUARY – MARCH 2024

I see music as fluid architecture -Joni Mitchell

For all of your real estate needs, call Tom...

Knight or Day! Tom Knight • 616-850-8398 326 N. Beacon Blvd., Grand Haven MI 49417

WEST MICHIGAN SYMPHONY SEASON MAGAZINE

INSPIRING WHAT’S

WEST MICHIGAN SYMPHONY

COMMUNITY

MUSIC

ENCOUNTERS

Spring Sings and Strings Concert Featuring WMS Children's Choir, Debut & Premier Strings

March 16 at 6 pm Frauenthal Theater Owners Carol Beatty, Greg Kroeze

For Grand Valley students, next is creativity and opportunity. Next unites and connects us. It shapes the spaces in which we work, live, and play. It is a commitment to progress. Next is where minds are free to imagine what could be. At GVSU, next is now. And whatever’s next for you, we will help inspire you to get there.

gvsu.edu

Shades and Blinds Draperies and Valances Design and Installation

860 W Broadway Ave

Downtown Roosevelt Park

For tickets visit

WESTMICHIGANSYMPHONY.ORG

VOLUME 12 • ISSUE 3 • FEBRUARY – MARCH 2024

Mon-Fri 9:00-5:00 and by Appointment QuigleyDraperies.com

QuigleyDraperies@Yahoo.com

231 755 3248

ABOUT WEST MICHIGAN SYMPHONY

MUSIC DIRECTOR SCOTT SPECK

An anchor cultural organization headquartered in Muskegon, WMS is a resident performing group at the Frauenthal Center, where its eight-concert season is the most visible part of a larger artistic enterprise of far-reaching community benefit. Founded in 1939, today’s WMS is comprised of professional musicians of the highest caliber playing challenging repertoire and presenting some of the world’s most acclaimed guest artists. WMS concerts and education events bring 16,500 people— more than 30% of whom are children and students—downtown annually, making it the largest performing arts organization on the West Shore. Audiences come from throughout Muskegon, Ottawa, Kent, Oceana and surrounding counties.

Scott Speck became Music Director of the West Michigan Symphony in 2002. Since then he is proud to have helped the WMS enter the ranks of the nation's finest regional orchestras.

Mission

In past seasons Scott Speck has conducted at London’s Royal Opera House at Covent Garden, the Paris Opera, New York's Lincoln Center, Chicago’s Symphony Center, Washington’s Kennedy Center, San Francisco’s War Memorial Opera House, and the Los Angeles Music Center. He has led numerous performances with the symphony orchestras of Chicago, Houston, Baltimore, Paris, Moscow, Shanghai, Beijing, Vancouver, Romania, Slovakia, Buffalo, Columbus, Louisville, New Orleans, Oregon, Rochester, Florida, and Virginia, among many others.

West Michigan Symphony connects and enriches our diverse community through the transformative power of music. We fulfill this primarily through three core offerings: •P rofessional, live symphonic performances in a welcoming environment • I nspired small ensemble performances in an immersive live listening room • Learning activities that enrich the lives of children and adults through exploration, participation and performance

Statement Of Diversity, Equity & Inclusion West Michigan Symphony is committed to building an organization that fosters diversity, equity and inclusion. We acknowledge and celebrate the 19th century European cultural heritage from which the symphony orchestra arises. At the same time, we believe the art form is renewed and enlivened by embracing multifarious cultures and influences. We will continually explore ways to reflect plurality, inclusivity and curiosity in our artistic programming. We commit to inviting under-represented ethnic groups into an ongoing, active dialogue so that we can learn, grow, and change, making the Symphony a place where everyone feels invited and accepted. In our Board, staff and volunteer base, we will work for greater inclusivity, thereby reflecting the rich diversity of the West Michigan community. We will strive to reflect these values throughout our organization.

Scott also holds positions as music director of the Joffrey Ballet, Chicago Philharmonic and Mobile Symphony. He previously held positions as conductor of the San Francisco Ballet; music advisor and conductor of the Honolulu Symphony; and associate conductor of the Los Angeles Opera. During a tour of Asia he was named principal guest conductor of the China Film Philharmonic in Beijing. He was also invited to the White House as music director of the Washington Ballet.

Speck is co-author of the world’s best-selling books on classical music for a popular audience: Classical Music for Dummies, Opera for Dummies, and Ballet for Dummies. He has been a regular commentator on National Public Radio, the BBC, the Australian Broadcasting Corporation and Voice of Russia, broadcast throughout the world. Born in Boston, Scott Speck is a Fulbright Scholar, a summa cum laude graduate of Yale University, and an Aspen Conducting Fellow. He is fluent in English, German and French, has a diploma in Italian, speaks Spanish and has a reading knowledge of Russian. Web: scottspeck.org; Twitter: ScottSpeck1 Facebook: facebook.com/ConductorScottSpeck

WEST MICHIGAN SYMPHONY SEASON MAGAZINE

CONCERTS AT THE BLOCK

MUSKEGON ARTS & CULTURE COALITION

WMS’s Listening Room for the Musically Curious, The Block, is an innovative performance venue featuring a mixture of jazz, crossover-folk, and classical chamber concerts. Since its opening in 2013, The Block has become a vibrant downtown gathering space that sparks curiosity, inspiration and fellowship through the shared experience of uncommon live music and educational programs. Audiences have found the venue a refreshing alternative—to the formality of a concert hall on one hand, the clamor of a brewpub on the other. The Block is also a gathering place for various nonprofit, musical and community groups. Recent users have included Black Business Expo, GVSU Piano Chamber Series, Greater Muskegon Economic Development, Lakeshore Art Festival, Muskegon Rotary, the Poppen Foundation, Third Coast Trombone Retreat, Tux ‘n Chucks, and Young Black Professionals, to name a few.

WMS is a founding member of the Muskegon Arts & Cultural Coalition (MACC), whose purpose is to advocate for and educate the community on the significant economic and quality of life impact of the arts and cultural sector. Muskegon County is home to a wide range of institutions offering exceptional arts and culture experiences that reflect and celebrate our diverse community. The arts have been key to the revitalization of our region for decades, and they remain pivotal in the post-COVID recovery economy. A recent study by Visit Muskegon found that cultural institutions and festivals contributed more than $56.48 million annually to Muskegon County’s economy. According to the Creative State Michigan Report, the Arts accounted for $2.5 billion in state tourism revenues—more than professional sporting events, golf, boating and sailing, hunting and fishing, hiking and biking combined.

For rental information, call 231.726.3231

VOLUME 12 • ISSUE 3 • FEBRUARY – MARCH 2024

Just released!

WEST MICHIGAN SYMPHONY

SUBSCRIPTIONS NOW ON SALE!

24/25 SEASON A Tribute to The Beatles: Classical Mystery Tour

Tchaikovsky Winter Dreams

Ravel & Gershwin

American Diva with Shayna Steele

Home for the Holidays

Dvořák Cello Concerto

Mozart & Beethoven

American Landscapes

WESTMICHIGANSYMPHONY.ORG

Rhapsody in Blue

WEST MICHIGAN SYMPHONY

may 10

Frauenthal Theater

Our season finale delivers high-energy, fast moving and notto-be missed works, topped off by pianist Aldo López-Gavilán’s brilliant rendition of Gershwin’s beloved Rhapsody in Blue. Bernstein

Symphonic Dances from West Side Story Marquez Danzon no. 2 Guido López-Gavilán Guaguancó Gershwin Rhapsody in Blue

CONCERT SPONSOR

WMS Around the World Apr 19

Part II

Frauenthal Theater

Experience new sounds and rediscover familiar favorites on this musical journey around the globe traversing Italy, Spain, Norway, Germany and more. An all-orchestral program celebrates your talented WMS musicians—front and center. Smetana Copland Rimsky-Korsakov and more!

The Moldau Quiet City Capriccio Espagnol

CONCERT SPONSOR

WEST MICHIGAN SYMPHONY

BY WE ST M ICHIGAN SYM P H ONY

23/24 SEASON

Immersive Listening Room for the Musically Curious CONCERTS BEGIN AT 7:30 PM

Chee-Yun

Classical Violin • Sat • Feb 24 The night after her appearance with WMS, violinist Chee-Yun presents some of the most virtuosic and beautiful violin works ever composed and/or inspired by women.

BLKBOK

Contemporary Piano • Fri • Mar 8 BLKBOK’s high-energy style seeks to entertain with a live piano based performance that is culturally reflective and encourages dialogue.

Bobby Floyd Trio Jazz Trio • Sat • Apr 13

Grammy-nominee and jazz legend Bobby Floyd’s unique feel has led to appearances with artists including Arturo Sandoval, Byron Stripling and Ray Charles.

Aldo López-Gavilán Classical Piano • Sat • May 11

The Cuban closes out the WMS’s season with Gershwin’s Rhapsody in Blue. The next night, he brings a collection of original compositions to The Block.

Arturo and Friends

Classical Chamber • Fri • May 17 Violist Arturo Ziraldo presents a new take on the “Best of the String Quartet.” This convention-busting concert links movements of famous and little known works.

Alexis Lombre Quintet Jazz Quintet • Sat • Jun 1

231.726.3231 theblockwestmichigan.org

The true essence of Alexis Lombre’s music is not just about what you hear but how music makes you feel. Her musical mission is to keep the ‘Soul’ in music alive.

ADVERTISERS Aquastar Cruises/The Mart Dock. . . . . . . . . . . . . . . . . . . . . . . . . 7 & 36

Muskegon Arts & Cultural Coalition. . . . . . . . . . . . . . . . . . . . . . . . . 33

Beth Buelow Event Photography . . . . . . . . . . . . . . . . . . . . . . . . . . . 26

Muskegon Museum of Art. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 30

Beth Buelow Fine Art Photography. . . . . . . . . . . . . . . . . . . . . . . . . 13

Parkland Properties. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7

Blue Lake Public Radio . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2 Community Music Encounters. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 28 Embark Financial Partners. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2 Frauenthal Center. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 18

Opera Grand Rapids. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 19 Quigley Draperies. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 31 Raymond James . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 16 RENK America . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 18

Grand Valley State University . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 31 Greenridge Realty – Tom Knight . . . . . . . . . . . . . . . . . . . . . . . . . . . . 30 Harbor Steel. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Inside front cover Hearthstone Bistro. . . . . . . . . . . . . . . . . . . . . . . . . . . Inside back cover Hometown Hospitality. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 13

Season Sponsor. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Back cover Smith Haughey Rice & Roegge . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 19 Sytsema Funeral Homes. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2 The Block 2023/24 Season. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 35

Lakeshore Museum Center. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7

The Leonard Luxury Apartments. . . . . . . . . . . . . . . . . . . . . . . . . . . . 31

Merrill Lynch/Bank of America. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 27

Warner Norcross + Judd LLP. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 27

Muskegon Civic Theatre. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6

West Michigan Symphony 2024/25 Season . . . . . . . . . . . . . . . . . 34

WEST MICHIGAN SYMPHONY

Enjoy these new pre- & post-concert experiences!

Summer Solstice Sunset Cruise with your WMS

Hearthstone’s Symphony Café

June 20, 2024 8-10 pm

Help raise funds for WMS learning and community initiatives with this two-hour private party cruise. Mix and mingle with WMS musicians and fans while enjoying the natural beauty of West Michigan. Includes cash bar, live musical entertainment and small bites, catered by The Hearthstone Bistro. $65 per person. Tickets here >>> bit.ly/WMSCruise

Experience this pre-concert dinner experience curated by Executive Chef Nick Tushek. This provides an opportunity to arrive to the concert hall early, beat the last-minute parking rush, and enjoy a relaxing, exquisitely prepared three-course dinner in the elegant ambiance of the Frau Lounge. Lean more here >>> bit.ly/3sY79ID

Desserts & Snacks from The Book Nook Sweet and savory items will be available for purchase after each concert in the Frau Lounge.

WEST MICHIGAN SYMPHONY SEASON MAGAZINE

VOLUME 12 • ISSUE 3 • FEBRUARY – MARCH 2024

WEST MICHIGAN SYMPHONY

WMS is the largest presenter of live music in Muskegon County, offering more than 30 events annually at the Frauenthal, The Block and elsewhere for audiences of all ages

Dear Friends, There’s more to the West Michigan Symphony than meets the eye... and even the ear. What you see before you is truly a miracle: a community resource nurtured and grown over the past 80 years and sustained through the dedication and love of the entire community. WMS brings together the finest musicians and guest artists from across the country and touches the hearts and souls of listeners of all ages. We are proud to sponsor the 2023/24 Season. Enjoy the performance!

Mike & Kay Olthoff

2023/24 Season Sponsors

WMS impacts more than 6,000 area youth from five West Michigan counties through its music education programs

Music Director Scott Speck also conducts the Joffrey Ballet, Chicago Philharmonic and Mobile Symphony

Tune Up provides free string instruments and free after school instruction at all Muskegon Public Elementary schools and Muskegon Middle School.

The Orchestra prepares Masterworks performances in just 3-4 evening rehearsals, Pops in 1-2 rehearsals 38

WEST MICHIGAN SYMPHONY SEASON MAGAZINE