16 minute read
Works in the Exhibition
WORKS IN THE EXHIBITION
DAVID WIESNER, JUROR American, born 1956 Spot: Robots, 2015 Watercolor on paper, 11 x 14 1/2 in.
Courtesy of the artist Spot: Cat World, 2015 Watercolor on paper, 10 3/4 x 14 1/2 in.
Courtesy of the artist
Above: Collar, 2018, by Betsey Batchelor (Courtesy of the artist); right: White Flag, 2017, by Betsey Batchelor (Courtesy of the artist) Spot: iOS mobile application, 2015 Watercolor on paper, 20 1/2 x 23 in.
Courtesy of the artist
Spot: iOS mobile application, 2015 Watercolor on paper, 19 1/2 x 22 in.
Courtesy of the artist
Spot: Bug Lab final drawing, 2015 Pencil on tracing paper, 11 x 14 in.
Courtesy of the artist
Spot: Bug Lab preliminary sketch, 2015 Pencil on tracing paper, 11 x 14 in.
Courtesy of the artist
JESSICA ABEL American, born 1969 Page 173 from the graphic novel Trish Trash: Rollergirl of Mars, 2018 Ink on Bristol board, 19 x 13 in.
Courtesy of the artist
Page 160 from the graphic novel Trish Trash: Rollergirl of Mars, 2018 Ink on Bristol board, 19 x 13 in.
Courtesy of the artist
Page 143 from the graphic novel Trish Trash: Rollergirl of Mars, 2018 Ink on Bristol board, 19 x 13 in.
Courtesy of the artist
ELIZA AUTH American, born 1951 Harry Potter’s Last Chapter, 2019 Oil on canvas, 30 x 24 in.
Courtesy of the artist
Left to right: My Studio, 2001, by Ed Bronstein (Courtesy of the Station Gallery, Greenville, DE); Burn: 41°55’35.7”N, 74°51’12.0”W, 2019, by Jeff Brown (Courtesy of the artist)
BETSEY BATCHELOR American, born 1952 Collar, 2018 Oil on canvas, 44 x 56 in.
Courtesy of the artist
White Flag, 2017 Gouache on board, 6 1/4 x 7 1/2 in.
Courtesy of the artist
ROBERT BECK American, born 1950 Blue Boy, 2019 Oil on canvas, 60 x 60 in.
Courtesy of Morpeth Contemporary, Hopewell, NJ
MATTHEW BORGEN American, born 1974 The Letter, 2020 Inkjet print on archival paper, 28 x 28 in.
Courtesy of the artist ED BRONSTEIN American, born 1944 My Studio, 2001 Oil on canvas, 30 x 30 in.
Courtesy of the Station Gallery, Greenville, DE
JEFF BROWN American, born 1959 Burn: 41°55’35.7”N, 74°51’12.0”W, 2019 Archival pigment print, 36 x 44 in.
Courtesy of the artist
Swim: Locust Street, 2020 Archival pigment print, 30 x 40 in.
Courtesy of the artist CHENLIN CAI Chinese, born 1984 Identity & Masks, 2015–16 Oil on transparent plexiglass, 28 x 38 in.
Courtesy of the artist
LYNNE CAMPBELL American, born 1967 Luck in Spring, 2020 Acrylic on wood, 11 x 11 in.
Courtesy of the artist
New Year (Black Cat), 2020 Acrylic on wood, 11 x 11 in.
Courtesy of the artist
Winter (Ginger Cat), 2020 Acrylic on wood, 10 x 10 in.
Courtesy of the artist
Luck in Spring, 2020, by Lynne Campbell (Courtesy of the artist)
Top to bottom: Lump, fall 2019, by Barrett Capistran (Courtesy of the artist); New Year (Black Cat), 2020, by Lynne Campbell (Courtesy of the artist)
My Pirate Life, 2017, by Lisa Conn (Courtesy of the artist)
BARRETT CAPISTRAN American, born 1996 Lump, fall 2019 Ink and gouache on paper, 9 x 12 in.
Courtesy of the artist
LISA CONN American, born 1983 You Are the Moon Made of Cheese, 2017 Ink and watercolor on paper, 12 x 12 in.
Courtesy of the artist My Pirate Life, 2017 Ink and watercolor on paper, 12 x 12 in.
Courtesy of the artist
JOHN COSTANZA American, born 1924 NYP18 what’s going on out there #2?, 2017 Oil on canvas, 30 x 24 in.
Courtesy of the artist CHRIS COX American, born 1950 Standing Still, 2019 Oil on canvas, 24 x 48 in.
Courtesy of the artist
Weathering the Storm, 2019 Oil and cold wax on board, 12 x 24 in.
Courtesy of the artist
You Are the Moon Made of Cheese, 2017, by Lisa Conn (Courtesy of the artist)
MEGHAN COX American, born 1979 Self-Portrait, GO AWAY!, 2018 Oil on linen over panel, 40 x 32 in.
Courtesy of the artist
CORINNE DIETERLE American, born 1952 Spider in His Peaceable Kingdom, 2019 Oil on panel, 34 1/2 x 34 in. Courtesy of the artist
PAUL DUSOLD American, born 1963 The Judgment of Paris, 2019 Oil on canvas, 68 x 72 in.
Courtesy of the artist
MIKEL ELAM American, born 1964 Suits, 2020 Mixed media collage on wood panel, 18 x 36 in.
Courtesy of the artist CHARLES EMLEN American, born 1957 Gas Phase Orbiter, 2019 Welded steel, 31 x 22 x 22 in.
Courtesy of the Mutherland Collection
TRACY EVERLY American, born 1968 Secret Place, 2019 Oil on birch panel, 10 x 10 in.
Courtesy of the artist
Standing Still, 2019, by Chris Cox (Courtesy of the artist)
DREW FALCHETTA American, born 1982 Cinderella Trophy Room, 2018 Watercolor and ink on paper, digitally scanned and retouched, 12 3/8 x 8 1/4 in.
Courtesy of the artist and American Reading Company
3 Little Pigs Cover, 2018 Watercolor and ink on paper, digitally scanned and retouched, with hand-drawn digital lettering, 8 3/4 x 5 3/4 in.
Courtesy of the artist and American Reading Company
SADIE FRANCIS American, born 1981 A Constellation of Strange Victories, 2019 Foraged robin skeleton, brass insets, gold leaf, robin egg, tea leaves, soil, monarch chrysalis, Japanese anemone flowers, epoxy resin, shadowbox, 10 x 10 in.
Courtesy of the artist KIRBY FREDENDALL American, born 1966 Finding a Path 7, 2020 Oil on acid-etched tin, 14 x 12 in.
Courtesy of the artist
Finding a Path 8, 2020 Oil on acid-etched tin, 14 x 12 in.
Courtesy of the artist
RICHARD HARRINGTON American, born 1959 Bristol Coronet, 2019 Gouache on toned tan paper, 11 x 11 1/2 in.
Courtesy of the artist
ARTHUR HAYWOOD American, born 1990 A Cure, 2018 Oil on linen, 9 x 12 in.
Courtesy of the artist
Embark Discovery, 2018 Oil on linen, 17 x 30 in.
Courtesy of the artist DAINA HIGGINS American, born 1979 Roman’s Pizza (Day), 2018 Oil on panel, 24 x 30 in.
Courtesy of the artist
Roman’s Pizza (Night), 2018 Oil on panel, 24 x 30 in.
Courtesy of the artist
CHRISTOPHER HOUSTON American, born 1955 Wave Sequence I, 2020 Torn paper, 14 1/2 x 18 in.
Courtesy of the artist
MICHAEL KOWBUZ American, born 1966 Afternoon Window, 2019 Ink, watercolor, and gouache on Arches paper, 6 1/2 x 10 in.
Courtesy of the artist and Cerulean Arts Gallery, Philadelphia
Approaching, 2019 Ink, watercolor, and gouache on Arches paper, 6 1/2 x 10 1/2 in.
Above, left to right: Spider in His Peaceable Kingdom, 2019, by Corinne Dieterle (Courtesy of the artist); Self-Portrait, GO AWAY!, 2018, by Meghan Cox (Courtesy of the artist)
JUNE YONG LEE South Korean, born 1978 Untitled, 2018 Archival pigment print, 13 1/4 x 20 in.
Courtesy of the artist
TOM LEONARD American, born 1955 Becoming Bach, 2016 Acrylic paint on illustration board, 12 x 24 in. From Becoming Bach (Roaring Brook Press, 2017)
Courtesy of the artist
MATT MADDEN American, born 1968 Page 69 from the graphic novel Ex Libris, 2020 Ink on Bristol board, 12 3/4 x 9 3/4 in.
Courtesy of the artist
Page 70 from the graphic novel Ex Libris, 2020 Ink on Bristol board, 12 3/4 x 9 3/4 in.
Courtesy of the artist Page 71 from the graphic novel Ex Libris, 2020 Ink on Bristol board, 12 3/4 x 9 3/4 in.
Courtesy of the artist
LAURA MADELEINE American Wedding, 2010 Batik painting on silk, 16 x 16 in.
Courtesy of the artist
JANICE MERENDINO American, born 1952 Centennial Avenue Morning, 2019 Ink and colored pencil on paper, 31 x 12 1/2 in.
Courtesy of the artist and Cerulean Arts Gallery, Philadelphia
NANCY BEA MILLER American, born 1963 Aftermath, 2010 Oil on linen, 8 x 10 in.
Courtesy of the artist ABRAHAM MURLEY Canadian-American, born 1975 The End of the World Monday Morning, 2016 Acrylic and gouache on linen, 22 1/2 x 29 1/2 in.
Courtesy of John and Ashley McGinnis
BETTINA NELSON American, born 1989 The extra kiss on Friday night, all the dogs at High-Line: (selfesteem, security, pride), 2020 Cloth, fabric, thread, and batting, 10 x 8 x 6 in. (closed); 10 x 16 x 3 in. (open)
Courtesy of the artist
TERESA NICOLO American, born 1955 You Can’t Hurry Love, 2020 Pastel on paper, 19 1/2 x 27 1/2 in.
Courtesy of the artist
Secret Place, 2019, by Tracy Everly (Courtesy of the artist)
Clockwise from top right: 3 Little Pigs Cover, 2018, by Drew Falchetta (Courtesy of the artist and American Reading Company); A Constellation of Strange Victories, 2019, by Sadie Francis (Courtesy of the artist); Cinderella Trophy Room, 2018, by Drew Falchetta (Courtesy of the artist and American Reading Company)
Above, left to right: Finding a Path 7, 2020, by Kirby Fredendall (Courtesy of the artist); Finding a Path 8, 2020, by Kirby Fredendall (Courtesy of the artist)
MATT PHELAN American, born 1970 From the book Little Robot Alone by Patricia MacLachlan and Emily MacLachlan Charest (Houghton Mifflin Harcourt, 2018) Pencil and watercolor on Arches cold-pressed paper, 11 x 21 1/2 in.
Courtesy of the artist
From the book Little Robot Alone by Patricia MacLachlan and Emily MacLachlan Charest (Houghton Mifflin Harcourt, 2018) Pencil and watercolor on Arches cold-pressed paper, 11 x 21 1/2 in.
Courtesy of the artist
PETER QUARRACINO American, born 1954 The Deep End, 2019 Oil on canvas, 16 x 20 in.
Courtesy of the artist and Church Street Gallery, West Chester, PA MARK RICE American, born 1980 One of the Art Buildings, 2019 Linocut print, 36 x 24 in.
Courtesy of the artist
One of the Literature Buildings, 2018 Linocut print, 36 x 24 in.
Courtesy of the artist
One of the Music Buildings, 2018 Linocut print, 36 x 24 in.
Courtesy of the artist
ADELYNE RIZZO American, born 1994 Kingdom, May 2019 Oil on canvas, 11 x 14 in.
Courtesy of Kim and Mike King KATE SAMWORTH American, born 1967 Second Line, 2020 Scratchboard, 16 x 20 in.
Courtesy of LeMieux Galleries
Summoning Foxes, 2021 Scratchboard, 12 x 9 in.
Private Collection
JUDY SCHACHNER American, born 1951 Stretchy McHandsome, 2019 From Stretchy McHandsome Acrylics, gouache, and colored pencil on paper, 11 x 12 in.
Courtesy of the artist
Cloud Ponies, 2017 From Sarabella’s Thinking Cap Acrylics, gouache, and colored pencil on paper, 9 1/2 x 17 in.
Courtesy of the artist
Above: A Cure, 2018, by Arthur Haywood (Courtesy of the artist); left: Bristol Coronet, 2019, by Richard Harrington (Courtesy of the artist)
Top to bottom: Roman’s Pizza (Day), 2018, by Daina Higgins (Courtesy of the artist); Roman’s Pizza (Night), 2018, by Daina Higgins (Courtesy of the artist) STUART SHILS American, born 1954 Touch and Look Up, 2020 Wood, graphite, mirror, paper and paint, 59 x 16 x 16 in.
Courtesy of the artist
KRISTA SVALBONAS American, born 1977 Ansbach 2, 2018 Layered laser-cut pigment print, 12 x 21 in.
Courtesy of the artist and Klompching Gallery, NY
ALEXANDRA TYNG American, born 1954 The Letter A, 2016 Oil on linen, 42 x 46 in.
Courtesy of the artist and Dowling Walsh Gallery
LOUISE VINUEZA American, born 1959 A Passing, 2019 Oil on panel, 10 x 10 in.
Courtesy of the artist
A Passing, 2019 Oil on panel, 10 x 10 in.
Courtesy of the artist
A Passing, 2019 Oil on panel, 10 x 10 in.
Courtesy of the artist
A Passing, 2019 Oil on panel, 10 x 10 in.
Courtesy of the artist
HANNA VOGEL American, born 1986 Elsewhere, 2017 Site-specific installation: steel wire, abaca and cotton paper pulp, pigment, rust, sealant; dimensions variable
Courtesy of the artist JULIA WAY American, born 1975 Subconscious Wandering II, 2018 Watercolor on paper, 11 x 14 in.
Courtesy of the artist
Subconscious Wandering IV, 2018 Watercolor on paper, 11 x 14 in.
Afternoon Window, 2019, by Michael Kowbuz (Courtesy of the artist and Cerulean Arts Gallery, Philadelphia)
Courtesy of the artist
Above: Approaching, 2019, by Michael Kowbuz (Private Collection); right: Becoming Bach, 2016, from Becoming Bach, by Tom Leonard (Courtesy of the artist)
Clockwise from top right: Untitled, 2018, by June Yong Lee (Courtesy of the artist); Aftermath, 2010, by Nancy Bea Miller (Courtesy of the artist); Centennial Avenue Morning, 2019, by Janice Merendino (Courtesy of the artist and Cerulean Arts Gallery, Philadelphia)
You Can’t Hurry Love, 2020, by Teresa Nicolo (Courtesy of the artist)
Spot: iOS mobile application, 2015, by David Wiesner (Courtesy of the artist)
The extra kiss on Friday night, all the dogs at High-Line: (self-esteem, security, pride), 2020, by Bettina Nelson (Courtesy of the artist)
WORKS FROM WOODMERE’S COLLECTION
ROB MATTHEWS American, born 1974 Knoxville Girl: The Walk, 2007 Graphite on paper, 8 1/4 x 10 in.
Knoxville Girl: The Walk, 2007 Graphite on paper, 8 1/4 x 6 in.
Knoxville Girl: The Threat, 2007 Graphite on paper, 8 1/4 x 6 1/4 in.
Knoxville Girl: The Threat, 2007 Graphite on paper, 8 1/4 x 6 1/8 in.
Knoxville Girl: Murder, 2007 Graphite on paper, 8 1/4 x 6 in.
Knoxville Girl: Murder, 2007 Graphite on paper, 8 1/4 x 6 1/8 in.
Knoxville Girl: The Final Blow, 2007 Graphite on paper, 8 1/4 x 6 in.
Knoxville Girl: The Final Blow, 2007 Graphite on paper, 8 1/4 x 6 3/4 in. Knoxville Girl: The Spoils, 2007 Graphite on paper, 8 1/4 x 6 in.
Knoxville Girl: The Spoils, 2007 Graphite on paper, 8 1/4 x 10 in.
Knoxville Girl: Odds and Evens, 2007 Graphite on paper, 8 1/4 x 6 1/4 in.
Knoxville Girl: Approval, 2007 Graphite on paper, 8 1/4 x 8 1/2 in.
Knoxville Girl: Retrieval, 2007 Graphite on paper, 8 1/4 x 8 1/8 in.
Knoxville Girl: The Deposition, 2007 Graphite on paper, 8 1/4 x 9 7/8 in.
Knoxville Girl: The Walk Home, 2007 Graphite on paper, 8 1/4 x 10 in.
Knoxville Girl: The Revelation, 2007 Graphite on paper, 8 1/4 x 6 3/4 in. Knoxville Girl: The Revelation, 2007 Graphite on paper, 8 1/4 x 10 3/4 in.
Knoxville Girl: The Mark, 2007 Graphite on paper, 8 1/4 x 10 in.
Knoxville Girl: Disposal, 2007 Graphite on paper, 8 1/4 x 11 1/4 in.
Knoxville Girl: The Spring, 2007 Graphite on paper, 8 1/4 x 10 in.
Knoxville Girl: The Park, 2007 Graphite on paper, 12 x 20 1/2 in
Gift of the artist and Rebecca Kerlin in honor of Joe Yohlin, 2020
Clockwise from top left: The Deep End, 2019, by Peter Quarracino (Courtesy of the artist and Church Street Gallery, West Chester, PA); One of the Art Buildings, 2019, by Mark Rice (Courtesy of the artist); Wedding, 2010, by Laura Madeleine (Courtesy of the artist)
Above, left to right: One of the Literature Buildings, 2018, by Mark Rice (Courtesy of the artist); One of the Music Buildings, 2018, by Mark Rice (Courtesy of the artist)
From the book Little Robot Alone by Patricia MacLachlan and Emily MacLachlan Charest, 2018, by Matt Phelan (Courtesy of the artist)
Subconscious Wandering II, 2018, by Julia Way (Courtesy of the artist) Subconscious Wandering IV, 2018, by Julia Way (Courtesy of the artist)
Cloud Ponies, 2017, from Sarabella’s Thinking Cap, by Judy Schachner (Courtesy of the artist)
Clockwise from top: Ansbach 2, 2018, by Krista Svalbonas (Courtesy of the artist and Klompching Gallery, NY); Touch and Look Up, 2020, by Stuart Shils (Courtesy of the artist); The Letter A, 2016, by Alexandra Tyng (Courtesy of the artist and Dowling Walsh Gallery)
Clockwise from top left: A Passing, 2019; A Passing, 2019; A Passing, 2019; A Passing, 2019, by Louise Vinueza (Courtesy of the artist)
Spot: Bug Lab preliminary sketch, 2015, by David Wiesner (Courtesy of the artist)
Spot: Bug Lab final drawing, 2015, by David Wiesner (Courtesy of the artist)
54 WOODMERE ART MUSEUM
Woodmere Art Museum receives state arts funding support through a grant from the Pennsylvania Council on the Arts, a state agency funded by the Commonwealth of Pennsylvania and the National Endowment for the Arts, a federal agency.
Support provided in part by The Philadelphia Cultural Fund.
© 2021 Woodmere Art Museum. All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means without written permission of the publisher.
Catalogue designed by Christina Warhola and edited by Gretchen Dykstra.
Front cover: The Deep End, 2019, by Peter Quarracino (Courtesy of the artist and Church Street Gallery, West Chester, PA)
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