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9 minute read
County increases impact fees for fire, police, parks
nents, service area and population, and fee comparison. Law enforcement is similar.
“Under Florida statutes, any increases in impact fees have to be done in phasing so there’s not sort of a gut punch to the industry,” Wilson said.
AMY QUESINBERRY COMMUNITY EDITOR
The Orange County Board of County Commissioners approved at its Tuesday, Jan. 10 meeting three ordinances designed to increase impact fees assessed on new development. The rates were raised for fire/rescue services, law enforcement, and parks and recreation.
The rate of increase depends on the type of dwelling or building. For instance, the impact fee for fire/rescue services rose from $339 to $346 for a single-family detached dwelling, the fee for law enforcement increased from $502 to $510, and the fee for parks and recreation went up from $1,785 to $2,246.
“It’s important for people to know that the impact fees that are assessed on new development is what is used to pay for the infrastructure required to accommodate the new develop- ment,” Orange County District 1 Commissioner Nicole Wilson said. “It’s a fee that is tagged onto the specific type of permit that is issued.”
The fees are assigned according to the type of development and the impact it has on the infrastructure — for example, a warehouse vs. an apartment complex.
“Those are all assessed differently,” Wilson said.
“For the Parks and Recreation Department, staff looks at aspects from service area and population, cost components, fee comparisons, facility inventory, level of service, demand component and, net impact of costs,” Wilson said. “It’s numbercrunching. They really are able to give it to us as, per population, there is where you are and where you need to be to continue the level of service.”
For fire/rescue, county staff looked at facility inventory, level of service, credit components, demand compo-
The county previously completed updates for transportation in 2020 and schools in 2021.
The commission is provided with a technical study every five years to ensure impact fees are based on the most current and localized data.
How This Affects Citizens
Wilson said the commission is looking at impact-fee incentives, as well, to encourage investors to create a variety of housing markets, including affordable housing. There currently is a crisis in the housing market, with rising sales and rental prices and a decrease in housing inventory.
“The update is closely tied to our efforts to increase affordable housing inventory by adding exemptions for accessory dwelling units (1,500 square feet or less) and exemptions for certified affordable housing units,” Wilson said.
“(The impact fees) were originally adopted in the 1980s as a way to require new development to pay a share of the infrastructure costs necessitated by its development,” she said. “They are a one-time fee on new development. The updated transportation impact fee went into effect on June 27, 2021.”
Orange County took inventory of its fire/rescue services and has 40 fire stations (owned, excludes four leased stations), three ancillary facilities, 380,000 square feet of building space on 94 acres of land, and $139.7 million worth of vehicles and equipment.
Law-enforcement inventory totaled 374,000 square feet of total building space, 147 acres of land, and $156 million in necessary vehicles and equipment.
Park acreage is divided into two classifications: activity-based and resource-based. This list includes 26 community parks, 21 specialty parks, six district parks and one regional park totaling 5,000 acres. That does not include Habitat parklands, smaller neighborhood and pocket parks, or parks located in municipalities.
The 26-member board of the West Orange Political Alliance has elected Michelle Strenth as its new chairwoman. Strenth previously served on the WOPA board as its vice chairwoman for the past two years.
Strenth is an executive with more than 15 years of experience in public policy and advocacy. She has provided thought leadership and worked to protect various companies’ legislative and regulatory initiatives as they are created with various legislative and municipal bodies. She ensures robust relationships are established with all elected officials, agency staff, industry associations and community leaders.
She has a degree in finance from East Tennessee State University and her MBA from the University of Central Florida. She is a graduate of Leadership Florida, Leadership Orlando Class 76, Leadership Winter Park Class 29 and former chair of the Winter Park Chamber of Commerce.
She is a former board member of the Frederick Leadership Initiative and the Children’s Home Society of Central Florida.
“Michelle’s vast experience in the healthcare arena, working closing with legislators and policymakers, and dealing with issues within the West Orange area will certainly benefit our efforts,” said Nick Asma, former WOPA chairman.
WHAT ARE IMPACT FEES?
Impact fees are one-time charges assessed on new development to help pay for public infrastructure required to accommodate the new development. Impact fees are generally charged at the issuance of a project’s building permit. For certain types of land uses, the impact fee ordinances allow payment to occur prior to the authorization of pre-power or issuance of a project’s certificate of occupancy. The total impact fee for a project is the sum of the school, law enforcement, fire, parks and transportation impact fees, as well as the water and sewer capital charges.
The rate is assessed according to the various impact fees and depending on the land-use types such as residential, nonresidential and commercial categories. This includes single-family, detached, duplex and mobile home; multi-family; hotel and motel; retirement housing; commercial, retail and assembly; office and institutional; industrial; educational; and storage.
Source: Orange County Government
ANDREA MUJICA STAFF WRITER
The Horizon West Theater Company will host its very first production of “The Wizard of Oz” at 6:30 p.m. Friday, Jan. 27, and Saturday, Jan. 28, in the Lakeview Middle School auditorium.
“I had choreographed a couple of Horizon West Theater plays before, and when they asked me to direct, I really wanted to choose a show that could get as many kids involved as possible,” Wizard of Oz Director Kristi Hill said. “That was exactly what I was excited about, ‘The Wizard of Oz’ is written so you can do it with a small cast, but we were able to add dancers and add people to each of the numbers, so we kind of turned every small number into a big production to allow more kids to become involved and get featured in different ways.”
With 28 spots open during the audition process, the production provided availability for eight 4- to 6-year-olds who wished to audition and be a part of the play — the Horizon West Theater Shining Stars — and even had people on the waiting list.
Lilly Belle Lanese, 9, has been with the Horizon West Theater Company for two-and-one-half years. She auditioned for the roles of the Scarecrow, Dorothy and the Cowardly Lion. She will be portraying the Cowardly Lion this upcoming weekend.
“I am very excited to see how the audience reacts to me and my friends’ (acting),” she said. “(I’m excited) to being me and being the little lion that I am because … (everyone in ) the cast is so tall, and then all of the sudden, you have this little lion busting out these songs, and I feel the audience is going to be like, ‘She’s so tiny.’”
This is 11-year-old Eliana Iridarry’s second year as part of the theater cast, and she is loving portraying Dorothy on stage so far.
“I strove to be Dorothy,” she said. “One thing that’s unique (about Dorothy that I bring in) is my glasses.
Dorothy doesn’t wear glasses — and I also put a lot of energy into my lines.”
According to Eliana’s mom,
Crystal, the role of Dorothy has provided Eliana with an opportunity to learn how to open up and use her voice because of the hard work everyone in the theater puts in to help every child in the production.
“They have worked so hard with the children, teaching them and helping them get out of their shells,” Crystal said. “They are just a great team to be a part of; they really help the kids, and they are very positive.”
One of the unique twists Hill is most excited about presenting in this version of “The Wizard of Oz” is how whimsical it is.
“One of the things that really inspired me as director was the fact of taking it to a fantastical world that would allow us to exit our daily life and go into a fantasy,” she said.
“So that was part of my production design, I wanted everything in Kansas to be very linear and straight, but once we go to Oz, it is really like we went through the rabbit hole.”
Broadway Media, a mission-driven company that aspires to help those who want to become involved in the theater world at an affordable cost, offering screening projections, stage
About Horizon West Theater Company
Founded in 2018, the Horizon West Theater Company has one mission — “to connect our community by encouraging participation in all aspects of theatrical production, providing arts education and inspiring performing artists and volunteers to create quality theater arts.” screens, stage projections, among others, is providing the projections for the play.
The organization works as a nonprofit, and all who are part of it are volunteers who donate their time and efforts to creating theater magic. Currently, the productions at the company are pay for play, and the cost is $425 for all performances and rehearsals.
The Horizon West Theater Company currently has no home base, and is looking to set roots in the upcoming years in a place they can — in the future — call home, and offer theater performance opportunities for everyone in the community.
“Everything is bigger and rounder and fantastical,” Hill said. “So we really went on not trying to take a conventional take on everything, but we looked for the most whimsical way we can do this … almost like transporting into a different place — not just Oz — but a very specific Oz, where it’s lighthearted and very much like a cartoon, a whimsical version of ‘The Wizard of Oz.’”
A few key elements that make this play unique also include the fact that Dorothy notices herself going from sepia to color, Glinda wears a Maria Antoinette inspired gown with a pink wig, and the trees — or tree belles as they are called at the theater — wear hoop skirts.
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Rehearsing is always the hardest part, and getting the children to learn their parts also can be challenging. But, since the auditions took place
“If we are to build a better world, we must remember that the guiding principle is this — a policy of freedom for the individual is the only truly progressive policy.”
Friedrich Hayek “Road to Serfdom,” 1944
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last September and the roles were revealed, the cast has been practicing Thursdays and Saturdays every week for a couple of hours each day.
“The thing that’s most especial about these kids is that the majority are new cast performers,” Hill said.
“They are excited to learn; they are like little sponges. … (although) they may be young and new, with the costumes and the setting — and the projections from Broadway Media— we were able to put them in this professional quality production that they have gotten to embrace. They are eager to learn, ready to listen, and it’s been fun to see how young they are and watch them fall in love with theater.”
The set of the play would not be complete without all the volunteers that have spent hours building every prompt that is needed for decoration.
“We have an amazing production team,” Hill said. “This year, we realized we needed more volunteers. We introduced our new internship program, and we have two performance interns and one stage management intern. … No one involved in this production is getting compensated in any way, (all volunteers) have dedicated hundreds of hours every week, just because they love the kids and they love theater.”
Hill hopes the children come away from the experience with lessons that will service them throughout their lives and their acting careers.
“They have really worked together,” she said. “When they put in that effort and sacrifice, they were able to produce and create something amazing. And I see it even in our final rehearsals, leading up to (the performance), that energy and excitement, we’ve made something really special.”
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