An Artful Life
My parents always loved contemporary art and design, and began collecting very early in their marriage. In 1968, we flew as a young family from Israel to Copenhagen, where they purchased a home full of cutting-edge Danish contemporary furniture for our new lives in Philadelphia. In the early 1970s my mother received a master’s degree in Aesthetics from the University of Pennsylvania, attended the Barnes Foundation’s 2-year program in art appreciation, and began painting with Sam Feinstein, himself a student of Hans Hofmann (two other important teachers my mother studied with were painter Tom Gaughan and sculptor Leon Sitarchuk). All of these experiences shaped her and my father’s tastes and an early passion for abstraction. By the 1980s she began welding, and with that 3-D works increasingly entered their collection as well.
There were multiple layers to their collecting— first, Dina’s own work set the stage. Then, Philadelphia artists were added to the mix. Over the years, nationally and internationally recognized artists entered the collection, including many of Dina’s personal art heroes like Louise Nevelson, Anthony Caro and Mark di Suvero. Finally, art and objects from their extensive travels—African masks,
Indonesian Batak wands, Japanese scrolls etc. were added to the mix. Dina was a good sport as over the years her works were removed from display one byone and replaced with their latest acquisitions.
They had a few guidelines to making purchases: First, they both had to love it (which Jerry later said was a bad rule, as Dina’s taste was more adventurous, and they missed out on some great pieces). Second, they always balanced supporting Philadelphia artists with looking further afield. They loved the opportunity to meet the artists they collected and over the years visited the studios of Arnaldo Pomodoro, Mark di Suvero, Peter Voulkos, Bernar Venet and others. And while not dogmatic, they were often drawn to ceramics and glass art, sculpture in general, women and male artists equally, and once they moved to Gladwyne in the 1990s, to a black/white/grey color palette. Abstraction was always a given, with the artist’s hand often in evidence.
In 2014, Dina passed away from ovarian cancer. The next year our family started the Dina Wind Art Foundation, to both continue sharing her art and maintain her and Jerry’s commitment to empower women artists, build community, and support arts education. As President of the foundation, I am honored that a portion of this sale will go towards our mission. And as a son of these passionate creators and collectors, my life has been fundamentally shaped by their artistic worldview.
John Wind Artist Founder, Designer John Wind Jewelry President, Dina Wind Art Foundationopposite Jerry & Dina Wind
above Dina Wind and Arnaldo Pomodoro’s Sfera con sfera (lot 109); Louise Nevelson Mirror-Shadow V (lot 106) in the Wind’s home
100
FRIEDEL DZUBAS 1915–1994
Henge
1985 | Magna acrylic on canvas 40 h × 40 w in (102 × 102 cm)
Signed, titled, dated and inscribed to verso ‘Dzubas 1985 Acrylic on canvas (magna magna) Henge’.
EXHIBITED: Friedel Dzubas: New Paintings, 5 – 28 March 1987, André Emmerich Gallery, New York
PROVENANCE: André Emmerich Gallery, New York
Acquired from the previous in 1987, Collection of Dina and Jerry Wind
$ 50,000 – 70,000
101
Untitled 1984 | mixed media
1936
33 h × 46 w × 20 d in (84 × 117 × 51 cm)
PROVENANCE: The Artist | Private Collection, Santa Monica
L.A. Louver, Venice, CA | Acquired from the previous in 2006, Collection of Dina and Jerry Wind
$ 80,000 – 120,000
FRANK STELLA b.
102
JUN KANEKO b.
Untitled (Dango)
1942
2000 | glazed stoneware 86 h × 28 w × 17 d in (218 × 71 × 43 cm)
A monumental example of this form. Incised signature and date to underside ‘Kaneko 2k’.
LITERATURE: Jun Kaneko, Peterson, ppg. 192–195
EXHIBITED: Jun Kaneko: Monumental New Works, 6 – 29 October 2000, William Traver Gallery, Seattle
PROVENANCE: The Artist | William Traver Gallery, Seattle
Acquired from the previous in 2001, Collection of Dina and Jerry Wind
$ 50,000 – 70,000
BERNAR VENET
103
BERNAR VENET b. 1941
Three Indeterminate Lines
1993 | rolled steel
67 h × 90 w × 75 d in (170 × 229 × 191 cm)
This work is registered in the artist’s archives under inventory number bv93s12.
EXHIBITED: Bernar Venet: New Sculpture and Drawings, 4 November – 4 December 1993, André Emmerich Gallery, New York
PROVENANCE: The Artist | André Emmerich Gallery, New York
Acquired from the previous in 1995, Collection of Dina and Jerry Wind
$ 250,000 – 350,000
104
PETER VOULKOS 1924–2002
Mimbres
2000 | patinated bronze
68 h × 32 w × 30 d in (173 × 81 × 76 cm)
Molded signature, date and number to body ‘Voulkos 2K S-17 AP1’ with Mussi Artworks foundry mark. This work is an artist’s proof apart from the edition of 5 and is registered under the Voulkos & Co. catalog number CR485.S17-AP1-B.
PROVENANCE: Harvey/Meadows Gallery, Aspen | Acquired from the previous in 1995, Collection of Dina and Jerry Wind
$ 75,000 – 100,000
105
FRANK STELLA b. 1936
Lass of Glenshee
1985 | enameled metals
24 ¼ h × 17 ¼ w × 6 ½ d in (61 × 44 × 16 cm)
Incised signature, date, and numbered to verso ‘F. Stella 85 2/3’. This work is number 2 from the edition of 3.
PROVENANCE: Sotheby’s, New York, Contemporary Art, Part II, 18 November 1999, Lot 314 | Private Collection
Sotheby’s, New York, Contemporary Art, 14 May 2003, Lot 247 Collection of Dina and Jerry Wind
$ 15,000 – 20,000
LOUISE NEVELSON
106
LOUISE
NEVELSON
Mirror-Shadow V
1899–1988
1985 | wood painted black 105 ¼ h × 121 w × 27 ½ d in (267 × 307 × 70 cm)
LITERATURE: Louise Nevelson, Celant, pg. 341, pl. 528
EXHIBITED: Nevelson at 85, 23 February – 23 March 1985, Pace Gallery, New York
PROVENANCE: Pace Gallery, New York | Sotheby’s, New York, Contemporary Art, Part II, 20 November 1997, Lot 79 Collection of Dina and Jerry Wind
$ 300,000 – 500,000
107
BRYAN HUNT b. 1947
Arch Falls
1980–81 | cast bronze, limestone 95 h × 35 w × 45 d in (241 × 89 × 114 cm)
PROVENANCE: Blum Helman Gallery Inc., New York
Acquired from the previous in 1981 by Vera G. List | Sotheby’s, New York, Contemporary Art, Part II, 13 November 2003, Lot 139 Collection of Dina and Jerry Wind
$ 25,000 – 35,000
108
ELIZABETH MURRAY 1940–2007
Truth, Justice and the Comics #2
1990 | oil on canvas over shaped wood 46 h × 41 w × 4 d in (117 × 104 × 10 cm)
Signed, titled and dated to verso ‘#2 Truth, Justice and the Comics Elizabeth Murray Winter 1990’.
LITERATURE: Recent Work by Elizabeth Murray, Wexner Center for the Arts exhibition catalog, pg. 13
EXHIBITED: Recent Work by Elizabeth Murray, 1991 – 1992, Wexner Center for the Arts, Ohio State University, Columbus Disparities and Deformations: Our Grotesque: 5th International Biennial, 18 July 2004 – 9 January 2005, SITE Santa Fe
PROVENANCE: Paula Cooper Gallery, New York | Acquired from the previous in 1991, Private Collection | Sotheby’s, New York, Contemporary Art, Part II, 15 May 1998, Lot 200 Collection of Dina and Jerry Wind
$ 50,000 – 70,000
ARNALDO POMODORO
109
ARNALDO POMODORO b. 1926
Sfera con sfera
1995–97 | bronze
35 h × 31 ½ w × 31 ½ d in (89 × 80 × 80 cm)
Incised signature, date and number to base ‘Arnaldo Pomodoro
1995/97 p.a.’. This work is one of two artist’s proofs apart from the edition of 9 and is catalogued by the Fondazione Arnaldo Pomodoro with the archive number AP 716 and published in the online catalogue raisonné with the number 952. Sold with a certificate of archiving issued by the Fondazione Arnaldo Pomodoro. Work can be rotated on base.
LITERATURE: Arnaldo Pomodoro, Catalogo ragionato della scultura, Vol. II, Gualdoni, ppg. 730–731, no. 952 Fondazione Arnaldo Pomodoro: La collezione permanente, Vettese and Verzotti, pg. 82
PROVENANCE: Sotheby’s, New York, Contemporary Art, 11 May 2005, Lot 407 | Collection of Dina and Jerry Wind
$ 350,000 – 450,000
110
BETTY WOODMAN 1930–2018
Balustrade Relief Vase 77
1993 | glazed earthenware
70 h × 35 ½ w × 9 ½ d in (178 × 90 × 24 cm)
Work is composed of six elements. Impressed signature to edge of one element ‘Woodman’ and numbered to verso of four elements ‘77’.
LITERATURE: Betty Woodman, Koplos et al., ppg. 132–133, 137, 150–151 illustrate similar examples
PROVENANCE: Max Protetch Gallery, New York
Acquired from the previous in 1998, Collection of Dina and Jerry Wind
$ 35,000 – 55,000
111
O 2001 | rubber, tires, wood 55 h × 36 w × 47 d in (140 × 91 × 119 cm)
EXHIBITED: Group Sculpture Exhibition, 3 December 2001 – 4 January 2002, Marlborough Gallery, Inc., New York
PROVENANCE: The Artist | Marlborough Gallery, Inc., New York
Acquired from the previous in 2002, Collection of Dina and Jerry Wind
$ 50,000 – 70,000
CHAKAIA BOOKER b. 1953
112
TONY CRAGG b. 1949
Forminifera
1989 | cast and sand-blasted plaster
tallest: 15 ¾ h × 7 ½ w × 5 d in (40 × 19 × 13 cm)
shortest: 6 ¾ h × 3 ½ w × 2 d in (17 × 9 × 5 cm) Work is composed of forty-four elements.
LITERATURE: Tony Cragg, Celant, ppg. 166–67, pl. 69 illustrates related work
PROVENANCE: Marian Goodman Gallery, New York
Acquired from the previous in 1994, Collection of Dina and Jerry Wind
$ 50,000 – 70,000
113
MARK DI SUVERO b. 1933
Le noeud de la fortune (The Knot of Fortune)
1990 | steel, stainless steel plate
36 h × 41 w × 21 ½ d in (91 × 104 × 55 cm)
Work is kinetic.
LITERATURE: Mark di Suvero, Open Secret: Sculpture 1990–1992, Gagosian Gallery in Association with Richard Bellamy, pg. 77
EXHIBITED: Mark di Suvero: Paris 1990, 6 September – 13 October 1990, Galerie de France, Paris
PROVENANCE: Oil & Steel Gallery, Long Island City, NY
Galerie de France, Paris | Acquired from the previous in 1990, Private Collection, Switzerland | Sotheby’s, New York, Contemporary Art, Part II, 9 May 1996, Lot 178 | Collection of Dina and Jerry Wind
$ 50,000 – 70,000
114
ANTHONY CARO 1924–2013
Medusa
1989 | steel
79 h × 46 w × 70 d in (201 × 117 × 178 cm)
LITERATURE: Caro, Wilkin, no. 28 Anthony Caro and TwentiethCentury Sculpture, Carradente, pg. 76 Aspects of Anthony Caro: Recent Sculpture 1981–89, Annely Juda Fine Art exhibition catalog, pg. 89
EXHIBITED: Knoedler & Co., London | Aspects of Anthony Caro: Recent Sculpture 1981–89, September – November 1989, Annely Juda Fine Art, London | Anthony Caro, 1992, Mercati Traianei, Rome
PROVENANCE: Annely Juda Fine Art, London | Sotheby’s, New York, Contemporary Art, Part II, 16 November 1995, Lot 317 Collection of Dina and Jerry Wind
$ 150,000 – 200,000
115
DOUG AND MIKE STARN b. 1961
Blot Out The Sun 1 1991 | Lysonnic inkjet diptych on Thai mulberry and tissue papers with wax encaustic and wax in artist’s frame 14 ½ h × 23 ¼ w × 1 ¾ d in (37 × 59 × 4 cm)
Signed and inscribed to verso ‘Doug and Mike Starn For Susie and Sam’. This work is an artist’s proof apart from the edition of 3 plus 1 artist’s proof.
PROVENANCE: The Artists | Gift from the previous in 1999, Collection of Maria Morris Hambourg | Sotheby’s, New York, Contemporary Art, 27 September 2010, Lot 175 Collection of Dina and Jerry Wind
$ 12,000 – 18,000
116
RICHARD STANKIEWICZ
1922–1983
Untitled
1981 | steel
31 h × 25 w × 15 d in (79 × 64 × 38 cm)
Impressed signature and date to lower edge ‘RS 1981’.
PROVENANCE: Makler Gallery, Philadelphia | Acquired from the previous in 1984, Private Collection | Christie’s, New York, Post War and Contemporary Art, 23 September 2003, Lot 33 | Collection of Dina and Jerry Wind
$ 15,000 – 25,000
117
PETER VOULKOS 1924–2002
Montoya
1995 | anagama-fired stoneware
46 h × 28 dia in (117 × 71 cm)
The present work was fired in Peter Callas’s anagama in Belvidere, New Jersey. Incised signature and date near base ‘Voulkos 95’. This work is registered under the Voulkos & Co. catalog number CR1200.0-W.
PROVENANCE: Acquired directly from the artist, Collection of Dina and Jerry Wind
$ 80,000 – 120,000
118
WILLIAM MORRIS b. 1957
Medicine Jar: Crow with Ear of Corn 2005 | hand-blown, vitrified and sculpted glass, steel base
28 h × 8 dia in (71 × 20 cm)
Etched signature and date to stopper ‘William Morris 2005’. This work is registered with the artist’s studio as number MJ1205.24.03.
PROVENANCE: Barry Friedman Ltd., New York
Acquired from the previous in 2006, Collection of Dina and Jerry Wind
$ 20,000 – 30,000
119
NANCY GRAVES 1940–1995
Cyme
1982 | bronze with polychrome patina
26 ¼ h × 25 w × 14 ½ d in (67 × 64 × 37 cm)
Incised signature, title and date to body ‘Cyme N.S. Graves 7 82’ with Tallix foundry mark.
LITERATURE: The Sculpture of Nancy Graves: A Catalogue
Raisonné, New York and Fort Worth, pg. 95, fig. 91 Houston Arts 6, First Quarter 1983, cover
EXHIBITED: Contemporary Arts Museum, Houston, 1982–83
The Berkshire Museum, Pittsfield, MA, 1983 (travelling exhibition)
Nancy Graves: Between Paintings and Sculpture, a Selection from the Eighties, 9 October – 1 November 1997, M. Knoedler & Co., New York
PROVENANCE: The Nancy Graves Foundation, New York
M. Knoedler & Co., New York | Acquired from the previous in 1997, Collection of Dina and Jerry Wind
$ 8,000 – 12,000
120
JOAN MIRÓ 1893–1983
Figure
1981/1983 | patinated bronze 23 ¼ h × 9 ¾ w × 9 ½ d in (59 × 25 × 24 cm)
Incised signature and number near base ‘Miró 1/5’ with Parellada Foundry mark. This work is number 1 from the edition of 5.
LITERATURE: Miró: Catalogue Raisonné, Sculptures: 1928–1982, Miró and Chapel, pg. 346, no. 372 Miró, comme un enchanteur, Frenaud, pg. 20
EXHIBITED: Miró: The Last Bronzes 1981–1983, 26 May – 20 June 1987, Pierre Matisse Gallery, New York
PROVENANCE: Pierre Matisse Gallery, New York
Thence by descent to Pierre-Noël Matisse | Christie’s, New York, Impressionist and Modern Art Day Sale, 10 May 2007, Lot 390 | Collection of Dina and Jerry Wind
$ 100,000 – 150,000
121
CHRISTOPHER WILMARTH 1943–1987
Insert myself within your story…
1982 | etched glass and bronze 25 ¼ h × 20 w × 8 ¾ d in (64 × 51 × 22 cm)
Incised signature and date to lower right and left edges ‘© 1982 Christopher Wilmarth Insert myself within your story...’. Signed, dated and inscribed to lower left ‘J4 455 Chris Wilmarth 1/25/82’.
LITERATURE: Christopher Wilmarth: Light and Gravity, Madoff, pg. 96, pl. 109 Christopher Wilmarth: Works from 1961–1984, Hirschl & Adler Modern exhibition catalog, no. 22
EXHIBITED: Christopher Wilmarth: Works from 1961–1984, 17 March – 19 April 1984, Hirschl & Adler Modern, New York
PROVENANCE: Hirschl & Adler Modern, New York | Acquired from the previous in 1984, Collection of Mary Schiller Myers and Louis S. Myers | Sotheby’s, New York, Contemporary Art Day Auction, 12 November 2009, Lot 156 | Collection of Dina and Jerry Wind
$ 40,000 – 60,000
122
YAACOV DORCHIN b. 1946
Untitled 2 1999 | iron
19 ½ h × 13 w × 9 d in (50 × 33 × 23 cm)
Signed and dated to verso ‘Dorchin 99’.
PROVENANCE: Nelly Arman Gallery, Tel Aviv
Acquired from the previous in 2002, Collection of Dina and Jerry Wind
$ 6,000 – 8,000
123
YAACOV DORCHIN b. 1946
Untitled 3
2002 | iron
21 ½ h × 16 w × 11 d in (55 × 41 × 28 cm)
Signed and dated to verso ‘Dorchin 2002’.
PROVENANCE: Nelly Arman Gallery, Tel Aviv
Acquired from the previous in 2002, Collection of Dina and Jerry Wind
$ 6,000 – 8,000
124
YAACOV DORCHIN b. 1946
Untitled 1
2000 | iron
21 h × 26 w × 12 ¾ d in (53 × 66 × 32 cm)
Signed and dated to verso ‘Dorchin 2000’.
PROVENANCE: Nelly Arman Gallery, Tel Aviv
Acquired from the previous in 2002, Collection of Dina and Jerry Wind
$ 7,000 – 9,000
125
PETER VOULKOS 1924–2002
Untitled (Plate)
1995 | anagama-fired stoneware with pass-throughs and slashes
21 ½ dia × 5 d in (55 × 13 cm)
The present work was fired in Peter Callas’s anagama in Belvidere, NJ.
Signed and dated to verso ‘Voulkos 95’.
PROVENANCE: Acquired directly from the artist,
Collection of Dina and Jerry Wind
$ 7,000 – 10,000
126
BETTY WOODMAN 1930–2018
De Stijl Pillow Pitcher
1997 | glazed earthenware
22 h × 26 w × 23 d in (56 × 66 × 58 cm)
Impressed signature to base of handle ‘Woodman’.
LITERATURE: Betty Woodman, Koplos et al., ppg. 88–89 illustrate similar examples
PROVENANCE: Max Protetch Gallery, New York
Acquired from the previous in 1998, Collection of Dina and Jerry Wind
$ 30,000 – 40,000
127
DALE CHIHULY b. 1941
Red Persian Set with Black Lip Wraps 1989 | hand-blown glass
11 ¾ h × 35 ½ w × 31 ¼ d in (30 × 90 × 79 cm)
Set is composed of thirteen elements. Etched signature and date to underside of second smallest element ‘Chihuly 89’. This work is registered with Chihuly Studio as number 455p.90.13.
PROVENANCE: Sotheby’s, New York, Contemporary Works of Art, 14 March 1992, Lot 54 | Collection of Dina and Jerry Wind $ 15,000 – 20,000
128
WILLIAM MORRIS b. 1957
Artifact: Still Life
1991 | hand-blown glass
13 h × 19 ¼ w × 13 d in (33 × 49 × 33 cm)
Work is composed of four elements. Etched signature and date to base of each element ‘William Morris 91’ or ‘William Morris 1991’.
PROVENANCE: The Artist | Heller Gallery, New York
Acquired from the previous in 1994, Collection of Dina and Jerry Wind
$ 12,000 – 18,000
129
PETER VOULKOS 1924–2002
Untitled (Plate)
1995 | anagama-fired stoneware with pass-throughs and slashes 22 dia × 5 ¼ d in (56 × 13 cm)
The present work was fired in Peter Callas’s anagama in Belvidere, NJ. Signed and dated to verso ‘Voulkos 95’.
PROVENANCE: Acquired directly from the artist, Collection of Dina and Jerry Wind
$ 7,000 – 10,000
130
ROBERT LOBE b. 1945
Untitled
1982 | etched and molded aluminum
89 h × 67 w × 16 d in (226 × 170 × 41 cm)
Incised signature and date to lower left edge ‘Bob Lobe 1982’.
PROVENANCE: Blum Helman Gallery, New York | Estate of Chester A. Frank | Christie’s, New York, Contemporary Art, 4 June 1998, Lot 238 | Acquired from the previous, Collection of Dina and Jerry Wind
$ 2,000 – 3,000
131
TONY CRAGG b. 1949
Fruit Bottles (in six parts)
1989 | patinated bronze
largest: 19 h × 64 w × 19 d in (48 × 163 × 48 cm)
smallest: 25 h × 28 w × 32 d in (64 × 71 × 81 cm) This work is one of two individually unique versions.
LITERATURE: Tony Cragg, Celant, ppg. 162–163, pl. 94
Tony Cragg, Galleria Civica d’Arte Contemporanea exhibition catalog, ppg. 96–97, no. 19
EXHIBITED: Tony Cragg, May – July 1994, Galleria Civica d’Arte Contemporanea, Trento
PROVENANCE: Lisson Gallery, London | Acquired from the previous in 1989, Collection of Beatrice and Philip Gersh Sotheby’s, New York, Contemporary Art Day Auction, 10 May 2012, Lot 567 | Collection of Dina and Jerry Wind
$ 100,000 – 150,000
132
WILLIAM TUCKER b.
1935
Our Leader
1998 | patinated bronze
15 ½ h × 13 ¼ w × 12 d in (39 × 34 × 30 cm)
Molded signature and number near base ‘WT 2/6’. This work is number 2 from the edition of 6
EXHIBITED: William Tucker: Sleep of Reason, 9 March – 21 April 2001, Locks Gallery, Philadelphia
PROVENANCE: Locks Gallery, Philadelphia
Acquired from the previous in 2001, Collection of Dina and Jerry Wind
$ 4,000 – 6,000
133
ALBERT PALEY b. 1944
Sideboard
1991 | forged and fabricated steel with a blackened finish, glass 36 h × 54 w × 17 ½ d in (91 × 137 × 44 cm)
Impressed signature and date near top of base ‘© Albert Paley 1991’. This work is from the edition of 13 unique examples and is registered in the Paley Studio Archives as number DT 1989 02.
LITERATURE: The Art of Albert Paley: Iron, Bronze, Steel, Lucie-Smith, pg. 203, no. 311
PROVENANCE: The Artist | Snyderman Gallery, Philadelphia
Acquired from the previous in 1991, Collection of Dina and Jerry Wind
$ 9,000 – 12,000
134
BEATRICE WOOD 1893–1998
Exceptional chalice
c. 1985 | lustre-glazed earthenware 12 ½ h × 7 dia in (32 × 18 cm)
Chalice features eight handles. Slip signature and number to underside ‘Beato BWTF #291’.
LITERATURE: Beatrice Wood: A Centennial Tribute, Naumann (ed.), unpaginated illustrates similar example
PROVENANCE: Garth Clark Gallery, New York
Acquired from the previous in 1995, Collection of Dina and Jerry Wind
$ 6,000 – 9,000
135
JON ISHERWOOD b. 1960
Lovers, Dancers, Partners 1996–97 | fox hill granite
95 ½ h × 56 w × 47 d in (243 × 142 × 119 cm)
PROVENANCE: Acquired directly from the artist, Collection of Dina and Jerry Wind
$ 6,000 – 8,000
136
DALE CHIHULY b. 1941
Orange Macchia Set with Green Lip Wraps
1986 | hand-blown glass
10 ¾ h × 25 ½ w × 20 ¼ d in (27 × 65 × 51 cm)
Set is composed of five elements. Etched signature and date to underside of largest element ‘Chihuly 1986’.
PROVENANCE: Charles Cowles Gallery, New York
Acquired from the previous in 1986, Collection of Dina and Jerry Wind
$ 10,000 – 15,000
137
NANCY GRAVES 1940–1995
Discoid
1982 | bronze with polychrome patina
31 h × 40 w × 40 d in (78 × 102 × 102 cm)
Signed, titled and dated to lower left ‘Discoid N.S. Graves 7 82’ with Tallix foundry mark.
LITERATURE: The Sculpture of Nancy Graves: A Catalogue
Raisonné, New York and Fort Worth, ppg. 96–97, fig. 92 Vogue, January 1983, pg. 222
EXHIBITED: M. Knoedler & Co., Inc., 1982, New York
PROVENANCE: M. Knoedler & Co., Inc., New York
Rita and Toby Schreiber | Christie’s, New York, Post War and Contemporary Art, 23 September 2003, Lot 179 Collection of Dina and Jerry Wind
$ 10,000 – 15,000
138
JON
Oracle
1994–95 | fox hill granite
1960
59 ½ h × 30 w × 26 d in (151 × 76 × 66 cm)
PROVENANCE: Acquired directly from the artist, Collection of Dina and Jerry Wind
$ 6,000 – 8,000
ISHERWOOD b.
139
CLAES OLDENBURG
1929–2022
Broken Button
1981 | dyed and molded paper, screenprint in colors on mat board and wood
16 ¼ h × 14 ¼ w × 6 ¼ d in (41 × 36 × 16 cm)
Signed, dated and numbered to lower corners ‘CO 81 89/100’ with stamped mark. This work is number 89 from the edition of 100 fabricated by Bummy-Hass Paper with screenprinting by Maurel Studios, New York and published by Multiples, Inc., New York.
LITERATURE: Axsom/Platzker 175
PROVENANCE: Institute of Contemporary Art University of Pennsylvania, Philadelphia | Gift from the previous in 1981, Collection of Dina and Jerry Wind
$ 3,000 – 5,000
140
ANDREA GILL b. 1948
Night and Day
2007 | glazed and slip-decorated earthenware
28 h × 20 w × 17 d in (71 × 51 × 43 cm)
A monumental example of the artist’s work.
PROVENANCE: Harvey/Meadows Gallery, Aspen
Acquired from the previous in 2008, Collection of Dina and Jerry Wind
$ 3,000 – 5,000
141
PAUL CHALEFF b. 1947
Cog
1993 | glazed stoneware
21 h × 29 ¼ w × 29 ¼ d in (53 × 74 × 74 cm)
Incised signature and date to underside ‘Chaleff 1993’.
PROVENANCE: The Artist | Snyderman Gallery, Philadelphia
Acquired from the previous in 1994, Collection of Dina and Jerry Wind
$ 2,000 – 3,000
142
PAUL CHALEFF b. 1947
Cauldron
1993 | glazed stoneware
19 ½ h × 38 w × 38 d in (50 × 97 × 97 cm)
Incised signature and date to underside ‘Chaleff 93’.
PROVENANCE: The Artist | Snyderman Gallery, Philadelphia
Acquired from the previous in 1994, Collection of Dina and Jerry Wind
$ 2,000 – 3,000
143
PAUL CHALEFF b. 1947
Cone
1993 | glazed stoneware
28 ½ h × 30 w × 44 d in (72 × 76 × 112 cm)
PROVENANCE: The Artist | Snyderman Gallery, Philadelphia
Acquired from the previous in 1994, Collection of Dina and Jerry Wind
$ 2,000 – 3,000
144
SUSAN ROTHENBERG 1945–2020
Spinning
1986 | lithograph in colors on HMP Koller handmade off-white paper 39 ¼ h × 30 ¾ w in (99 × 78 cm)
Signed, dated and numbered to lower right ‘S. Rothenberg 86 32/38’ with publisher’s blindstamp. This work is number 32 from the edition of 38 printed by James Reid and Serge Lozingot and published by Gemini G.E.L., Los Angeles.
LITERATURE: Gemini 1281
PROVENANCE: Sotheby’s, New York, Contemporary Prints, 17 November 1990, Lot 1118 | Collection of Dina and Jerry Wind
$ 700 – 900
ANDREA GILL b. 1948
Yorgan
2006 | glazed and slip-decorated earthenware
27 ½ h × 18 w × 15 d in (70 × 46 × 38 cm)
A monumental example of the artist’s work. Signed and dated to base ‘S. Gill 2006’.
PROVENANCE: Harvey/Meadows Gallery, Aspen
Acquired from the previous in 2008, Collection of Dina and Jerry Wind
$ 3,000 – 5,000
146
BENNETT BEAN b. 1941
Wing
1993 | pit-fired, painted, and gilt earthenware
9 h × 39 w × 6 d in (23 × 99 × 15 cm)
Work is composed of four elements and can be displayed from both sides. Numbered to underside of each element ‘1 A’, ‘2 A’, ‘3 A’, ‘4 A’ with directional arrows.
PROVENANCE: Acquired directly from the artist in 2010, Collection of Dina and Jerry Wind
$ 4,000 – 6,000
147
UTAGAWA KUNISADA AND UTAGAWA TOYOKUNI
Two works
c. 1820 | woodblock print in colors
sight (each): 13 ¾ h × 28 ¾ w in (35 × 73 cm)
Lot is comprised of Shunshoku Yakata no kotobuki (New Year Felicitations at the Palace) by Utagawa Kunisada (1786-1895) and Imayō hanabi (Modern Day Fireworks) by Utagawa Toyokuni (1769-1825).
$ 600 – 800
148
CHINESE
Gongshi (scholar’s rock)
red Taihu stone
97 h × 40 w × 36 d in (246 × 102 × 91 cm)
PROVENANCE: Acquired in Shanghai, Collection of Dina and Jerry Wind
$ 5,000 – 7,000
149
OSAMI TANAKA b.
1952
Untitled 1994 | wax, wood, steel 47 ½ h × 39 w × 10 ¼ d in (120 × 99 × 26 cm)
PROVENANCE: Stephen Haller Gallery, New York
Acquired from the previous in 1999, Collection of Dina and Jerry Wind
$ 1,500 – 2,000
150
ALEŠ VAŠÍČEK b. 1947
Topaz Prism
2003 | cast and polished glass 43 ½ h × 7 w × 6 ½ d in (110 × 18 × 17 cm)
Etched signature and date to upper edge ‘Aleš Vašíček 2003’.
PROVENANCE: Heller Gallery, New York
Acquired from the previous in 2004, Collection of Dina and Jerry Wind
$ 2,500 – 3,500
151
ROBERT ZAKANITCH b. 1935
Fat Black
1983 | oil on canvas
37 ¼ h × 89 ¼ w in (94 × 226 cm)
Signed, titled and dated to verso ‘Robert Zakanitch 83 Fat Black’.
PROVENANCE: Robert Miller Gallery, New York | Sotheby’s, New York, Arcade Paintings, 30 June 2004, Lot 548
Collection of Dina and Jerry Wind
$ 3,000 – 5,000
152
ENIO IOMMI 1926–2013
Observation
1987 | stainless steel, marble, painted wood 23 h × 26 ½ w × 20 d in (58 × 67 × 51 cm)
Impressed signature and date to base ‘Iommi 87’.
LITERATURE: Enio Iommi, Galería del Retiro exhibition catalog, inside cover
EXHIBITED: Enio Iommi, 1987, Galería del Retiro, Buenos Aires | Enio Iommi, 1987, Contemporary Sculpture Center, Tokyo Contemporary Sculpture Center, Osaka
PROVENANCE: Sotheby’s, New York, Arcade Modern and Contemporary Paintings, 12 October 1991, Lot 213 Collection of Dina and Jerry Wind $ 2,000 – 3,000
DINA WIND
“Wind’s sculpture is powerful yet humble, tough yet tender, lyrical yet blunt. Her assemblages show us the importance of art for making sense out of the confusion of life and its artifacts in the late twentieth century. Her work shows us how the ordinary can be sublime. It tells us that a thing does not have to be perfect to be used perfectly. Instead of seeing life as a progression towards decay, she reverses the aging process and finds new life for old and tired discards. Her welded metal poems in space make order out of chaos and demonstrate that the power of visual communication can be greater than words.”
William R. Valerio, PhDThe Patricia Van Burgh Allison Director & CEO, Woodmere Art Museum
153
DINA WIND 1938–2014
Brooch #4
1988 | stainless steel
11 h × 13 ½ w × 19 d in (28 × 34 × 48 cm)
Incised signature and date to reverse ‘Dina Wind 1988’.
PROVENANCE: Collection of Dina and Jerry Wind
$ 2,000 – 3,000
154
DINA WIND 1938–2014
Virtual Kitchen #2
1996 | welded varnished steel, plastic, paint
10 h × 16 w × 10 d in (25 × 41 × 25 cm)
PROVENANCE: Collection of Dina and Jerry Wind
$ 1,500 – 2,500
155
DINA WIND 1938–2014
Cyclist (with Chain)
1996 | painted steel 28 ½ h × 19 w × 7 ½ d in (72 × 48 × 19 cm)
PROVENANCE: Collection of Dina and Jerry Wind
$ 3,000 – 5,000
156
CÉSAR (CÉSAR BALDACCINI) 1921–1998
Expansion au pot au lait
1989 | resin, stainless steel
5 ¼ h × 13 ¼ w × 10 d in (13 × 34 × 25 cm)
Incised signature and impressed number to handle ‘EA 14/25 Cesar’. This work is artist’s proof 14 of 25 apart from the edition of 150. This work is registered in the archives of Denyse Durand-Ruel under number 3795.
PROVENANCE: Galerie Ferrero, Nice
Acquired from the previous in 1991, Collection of Dina and Jerry Wind
$ 3,000 – 5,000
157
ROXY PAINE b. 1966
S2-P2-BK11 from Scumak No. 2 (Auto Sculpture Maker)
2006 | low density polyethylene
20 h × 20 ¼ w × 16 ½ d in (50 × 51 × 42 cm)
Incised title to underside ‘S2-P2-BK11’.
PROVENANCE: James Cohan Gallery, New York
Acquired from the previous in 2008, Collection of Dina and Jerry Wind
$ 4,000 – 6,000
158
WILLY HEEKS b. 1951
Ring
1997 | oil on canvas
44 h × 38 ¼ w in (112 × 97 cm)
Signed, titled and dated to verso ‘Ring Willy Heeks 1997’.
PROVENANCE: Larry Becker Contemporary Art, Philadelphia
Acquired from the previous in 1997, Collection of Dina and Jerry Wind
$ 2,000 – 3,000
159
TOBA BATAK
Tunggal Panaluan (shaman’s staff)
Borneo, early 20th century | wood, cotton, hair, iron 84 h × 10 ¼ w × 10 ¼ d in (213 × 26 × 26 cm)
PROVENANCE: Sotheby’s, New York, African & Oceanic Art, 19 November 1999, Lot 212 | Collection of Dina and Jerry Wind
$ 2,000 – 3,000
160
BERTIL VALLIEN b. 1938
Resting Head 3
1997 | Kosta Boda | sand-casted glass, metal
7 ½ h × 13 ½ w × 10 d in (19 × 34 × 25 cm)
Etched signature and number to lower edge ‘B. Vallien
Kosta Boda Unique 8 BVQUN 979047’. This work is unique.
PROVENANCE: The Artist | Heller Gallery, New York
Acquired from the previous in 1998, Collection of Dina and Jerry Wind
$ 4,000 – 6,000
161
STEVEN NOCELLA b. 1959
Untitled
1995 | limestone
26 h × 6 ½ w × 7 d in (66 × 17 × 18 cm)
Signed to underside ‘Nocella’.
PROVENANCE: Acquired directly from the artist, Collection of Dina and Jerry Wind
$ 1,000 – 1,500
162
ROBERT TURNER 1913–2005
Form IV
1989 | reduction-fired stoneware 12 ¾ h × 10 dia in (32 × 25 cm) Incised signature to underside ‘Turner’. This unique work is one from a series of four.
PROVENANCE: Donated by the artist and Helen Drutt Gallery, Philadelphia | Sotheby’s, New York, 20th Century Decorative Works of Art, 13 March 1998, Lot 73 | Collection of Dina and Jerry Wind
$ 3,000 – 4,000
163
RICHARD DIEBENKORN 1922–1993
Ochre
1983 | woodcut in colors on Mitsumata paper
image: 25 h × 37 ¾ w in (64 × 96 cm)
sheet: 27 ½ h × 38 ¼ w in (70 × 97 cm)
Signed, dated and numbered ‘134/200 RD83’ with publisher’s blindstamp. This work is number 134 from the edition of 200 published by Crown Point Press, San Francisco.
PROVENANCE: Sotheby’s, New York, 19th and 20th Century and Contemporary Prints, 2 November 1991, Lot 504 Collection of Dina and Jerry Wind
$ 15,000 – 25,000
164
BATAK
Tunggal Panaluan (shaman’s staffs), set of two New Guinea, early 20th century | wood, cotton, hair
81 h × 8 w × 8 d in (206 × 20 × 20 cm)
74 h × 8 w × 8 d in (188 × 20 × 20 cm)
PROVENANCE: Tayu Collection, Bali
Acquired from the previous in 1996, Collection of Dina and Jerry Wind
$ 800 – 1,200
165
GEORGE SEGAL 1924–2000
Girl for the Whitney Museum
1979 | cast resin relief
19 ½ h × 9 w × 7 ½ d in (49 × 23 × 19 cm)
Signed, dated, and numbered to verso ‘G Segal 79 40/75’. This work is number 40 from the edition of 75.
LITERATURE: George Segal, Hunter, pg. 308
PROVENANCE: Sotheby’s, New York, Contemporary Prints, 17 November 1990, Lot 1143 | Collection of Dina and Jerry Wind
$ 2,000 – 3,000
166
PABLO PICASSO 1881–1973
Nature morte à la cuillère
1952 | white earthenware
2 h × 13 w × 13 ½ d in (5 × 33 × 34 cm)
Impressed studio mark to underside ‘Madoura Plein Feu Empreinte Originale de Picasso’ and numbered ‘22/100 E100’. Dated to lower edge ‘22.12.52.’. This work is number 22 from the edition of 100 produced by Madoura Pottery, Vallauris, France.
LITERATURE: Ramié 163
PROVENANCE: Christie’s, New York, Old Master, American and Modern Prints and Illustrated Books, 10 May 1995, Lot 623 Collection of Dina and Jerry Wind
$ 3,000 – 5,000
167
IGBO ARTIST
Mgbedike (Time of the Brave) Helmet mask
Nigeria, early 20th century | carved and pigmented wood 32 h × 17 w × 12 d in (81 × 43 × 30 cm)
PROVENANCE: Julius Carlebach, New York | Collection of Mr. and Mrs. Stanley Marcus | Christie’s, New York, Important Tribal Art, 5 May 1995, Lot 92 | Collection of Dina and Jerry Wind
$ 3,000 – 5,000
168
JIMMY LUEDERS 1927–1994
Energy Surface
1978 | acrylic on canvas
60 h × 54 w in (152 × 137 cm)
Signed and dated to lower center ‘Lueders 78’.
PROVENANCE: Marian Locks Gallery, Philadelphia
Acquired from the previous in 1979, Collection of Dina and Jerry Wind
$ 1,800 – 2,400
169
HAROLD KIMMELMAN 1923–2013
Firecracker
1976 | stainless steel
82 h × 40 w × 40 ½ d in (208 × 102 × 103 cm)
EXHIBITED: Paths to Abstract Art, 18 October 1998 – 3 January
1999, Woodmere Art Museum, Philadelphia
PROVENANCE: Acquired directly from the artist, Collection of Dina and Jerry Wind
$ 2,000 – 3,000
170
BATAK
Tunggal Panaluan (shaman’s staffs), set of two New Guinea, early 20th century | wood, cotton, hair, iron
85 h × 8 w × 8 d in (216 × 20 × 20 cm)
75 h × 8 w × 8 d in (191 × 20 × 20 cm)
PROVENANCE: Kadek Nadhi Antiques, Bali
Acquired from the previous in 1996, Collection of Dina and Jerry Wind
$ 800 – 1,200
171
ROB SIEMINSKI b. 1953
Tornado Spiral Pot with Pebbled Interior c. 1992 | ceramic and nails
12 ¾ h × 10 ¾ dia in (32 × 27 cm)
PROVENANCE: Acquired directly from the artist, Collection of Dina and Jerry Wind
$ 600 – 800
172
ELIZABETH MURRAY 1940–2007
Chair
1989–90 | etching and aquatint in colors
image: 8 h × 6 ½ w in (20 × 17 cm)
sheet: 17 ½ h × 13 ¾ w in (44 × 35 cm)
Signed, titled, dated and numbered to lower edge ‘12/35 Chair Elizabeth Murray 89-90’ with publisher’s blindstamp. This work is number 12 from the edition of 35 plus 5 artist’s proofs printed and published by Universal Limited Art Editions, Inc., Long Island, NY.
PROVENANCE: Friends of the Philadelphia Museum of Art Acquired from the previous in 1990, Collection of Dina and Jerry Wind
$ 400 – 600
173
ELIZABETH MURRAY 1940–2007
Hand-on-Head
1984 | lithograph in colors on paper
30 h × 22 w in (76 × 56 cm)
Signed, titled, dated and numbered to lower edge ‘AP 4/10
Hand-on-Head Elizabeth Murray 84’. This work is artist’s proof 4 of 10.
PROVENANCE: The Artist | A Shelter from the Storm: Artists for the Homeless of New York | Acquired from the previous in 1983, Collection of Dina and Jerry Wind
$ 600 – 800
174
ELIZABETH MURRAY 1940–2007
Down Dog
1988 | collaged lithograph in colors on Arches
41 ¼ h × 50 w in (105 × 127 cm)
Signed, titled, dated and numbered to verso ‘Elizabeth Murray Down Dog 25/65 1988’. This work is number 25 from the edition of 65 published by ULAE, West Islip, New York.
LITERATURE: Krakow 17
PROVENANCE: Sotheby’s, New York, 19th/20th Century and Contemporary Prints, 31 October 1991, Lot 674 Collection of Dina and Jerry Wind
$ 1,000 – 1,500
175
TONY CRAGG b. 1949
Six Bottles, State 1
1988 | aquatint with spit bite
image: 7 ¼ h × 12 ¾ w in (18 × 32 cm)
sheet: 17 ½ h × 21 ¾ w in (44 × 55 cm)
Signed, titled, dated and numbered to lower edge ‘20/25 Six Bottles, State 1 Tony Cragg 88’. This work is number 20 from the edition of 25 printed by Mark Callen and published by Crown Point Press, San Francisco.
PROVENANCE: Crown Point Press, San Francisco
Acquired from the previous in 1999, Collection of Dina and Jerry Wind
$ 400 – 600
176
ROB SIEMINSKI b. 1953
Eroded Pyramid Box
c. 1993 | ceramic and wood
59 ¼ h × 21 w × 18 d in (150 × 53 × 46 cm)
PROVENANCE: Rosenfeld Gallery, New York
Acquired from the previous in 1993, Collection of Dina and Jerry Wind
$ 1,000 – 1,500
