Sherry Lansing Rewriting Hollywood By: Denise Benson Thanks to Sherry Lansing, a long line of female executives have moved behind the camera in the film industry over the last two decades.
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herry’s keen intelligence, confidence in her intuition and sense of self paved the way for some of the biggest names like Elizabeth Gabbler, President of Fox; Donna Langley, Chairman of Universal Pictures; and, Ava DuVernay, an independent filmmaker. Sherry broke the proverbial glass ceiling in 1980, after she was named the first female President of 20th Century Fox Studios. Her path to the top as Chairman of a major movie studio in 1992 was an unlikely one, given her parents who refused to let her take acting classes in college. They insisted she study only those subjects that would help her support herself. No slouch in the brainpower department, Sherry respected their wishes and graduated from Northwestern University in 1966 with a Bachelor of Science degree in Mathematics, English and Teaching. Determined to give acting a try, Sherry didn’t give up that easily and pursued her dream even after she married a doctor and they moved to Los Angeles for his residency. During the day, Sherry taught math at a school in inner-city Watts and at night she’d go on auditions hoping to land an acting job. It wasn’t long before she was doing commercials for shampoos and various products alongside unknown actresses at the time, like Farrah Fawcett. With her statuesque figure and blue eyes, this
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brunette beauty soon was cast in Rio Lobo with none other than John Wayne. Of course, Sherry was the first to admit that she was not a good actress. She was insecure and felt uncomfortable pretending to be someone else. While on the set, she noticed others who were not actors and explored other related jobs. This translated into an opportunity one day while Sherry was working on the movie Loving. A producer took note of her input on script changes and admired her intelligence. Sherry landed her first non-acting job as a script reader, earning $5 a script. Sherry was thrilled, and loved reading scripts and writing the synopsis for them. It was a chance to provide her opinion on a story’s audience appeal and also a welcomed escape from the anxiety she felt while acting. Sherry worked diligently in this role and soon joined script meetings, where her suggestions garnered noticed. Three years later, in 1975, Sherry was named head of the script department at MGM. It was the first time she experienced discrimination, when she realized she was not being paid as much as the men doing similar work. Inquiring about the salary discrepancy, Sherry was told her status as a single person without a family meant she didn’t merit a raise. Lansing admits, that she swallowed this inequality at the
