&tradition: Nordic furniture design by The Residents

1 True Colours LP1, LP2, LP4, LP5, LP6 & LP7, p. 68

3 Light Forest OD2, p. 75, Stool NA3, p. 67 Shuffle Table MH1, p. 68

5 Cloud Two Seater, p. 58 Cloud Pouf, p. 59

Cloud Two Seater, p. 58 Cloud Three Seater & Cloud Pouf, p. 59 Another Rug AP4, p. 70 Blown SW3, p. 76

In Between Chair SK2, p. 60 In Between Table SK3, p. 61 Copenhagen Pendant SC7, p. 81

t h e c o l l e ct i o n 1

B A C K TO THE F U T U R E 11

i n t ro d u c i n g l e x p ot t and T R U E COLO U R S 14

i n t ro d u c i n g l u ca n i c h e t t o a n d CLO U D S O F A 18

i n t ro d u c i n g o n t w e r p d u o and L i g h t F Or e s t 24

H ow w e p ro d u c e 43

manifest 44

The

d e s i g n e rs 55

p r o d u ct o v e rv i e w 57

&tradition

BAC K TO T H E FUTURE W h e n t h e i n t e r i o r i n s ta l l at i o n V i s i o n a o p e n e d to t h e p u b l i c o n a r i v e r b oat o n t h e R h i n e d u r i n g t h e C o lo g n e F u r n i t u r e Fa i r i n 1 9 6 8 , v i s i to r s w e r e ov e r w h e l m e d b y t h e v i s c e r a l s p e c tac l e p r e s e n t e d to t h e m .

This ground-breaking treatment of the inte rior as an art form lives on through photo graphs in the annals of design history, there was even an exhibition dedicated to it at the Vitra Design Museum in 2014, but certain elements have been lifted from this historical context and have had a life of their own. The Flower Pot lamp is such a design. Created through the interplay of two half spheres in spun metal and powdercoated in bright colours, it was an ultimate icon of 1960s pop culture. But the light has proved to have longevity/impact beyond its origins and today it’s one of &tradition’s flagship products. For a young company, founded in 2010, &tradition has a significant roster of influ ential Danish 20th century designers. Beside Panton, we count Danish modernists Arne Jacobsen and Flemming Lassen and Sydney opera house architect Jörn Utzon to our stable. They are designers that helped shape 20th century design culture and their legacy now live on through the incredibly avant garde products they created. Some of them are part of the &tradition catalogue,

such as the JU1 pendant by Utzon and the Mayor sofa by Lassen and Jacobsen and the Bellevue lamps by Jacobsen. While these designers have an undisputed reputation as Danish design history’s heavyweights the creative tension inherent to &tradition’s practice lies in the fact that we also give space to contemporary designers that help define future classics. For this we look beyond the Scandinavian design tradition and towards the practitioners that help influence the design climate of today. Here Spanish designer Jaime Hayon and Italian Luca Nichetto, as well as Danish architecture practice Space Copenhagen can be counted among the most significant names. Just like Jacobsen, Ützon and Panton created some very important spaces, emblematic of 20th century design, so does Hayon, Nichetto and Space Copenhagen in the 21st. The experimental restaurant Noma in Copen hagen was designed by Space Copenhagen and Hayon broke with 1990s minimalism when he presented his interiors for Bisazza for the Milan Furniture Fair in 2006. The biggest difference for &tradition is that with these designers there is scope for dialogue and together the designers and &tradition develop the products that will be future classics such as Hayon’s Catch chair or Space Copenhagen’s Fly sofa and armchair. Like Nichetto says “I make things with my DNA, and with the DNA of

Designed by Danish artist and architect Verner Panton for chemical corporation Bayer it wasn’t just a visual experience, but it also played with scents and sounds to full psychedelic effect. Each room on the boat was colour co-ordinated and the sensual shapes and plush textures clearly broke with the Danish tradition of blonde wood and natural materials that Panton was trained in.

While the impact of these designers can’t be denied, an important factor of &tradition’s success is to simultaneously serve as a platform for up-and-coming designers – to work with the not-yet world famous in order to create the future design stars of tomorrow. It’s a break that is crucial for many practitioners, where getting a piece into production can help kick-start a whole career.

It is often in the meeting with these designers that innovation and experimentation is lifted to the fore. As in the case of Swedish studio vit´s Marble Light – how do you make something as solid as marble and something as light as blown glass fit together in a commercially viable product? Or in the case of Lex Pott – how can you serially produce metal vases that change colour according to natural processes? As a brand we are able to experiment and develop these designs together with their inventors and like Nichetto says, reach the best results possible through a true collaboration. What really sets &tradition apart is that there is a real kinship between the old masters who were avant-garde in their time and contemporary designers, creating the ground-breaking icons of tomorrow. At &tradition it’s about the yet undefined, what’s yet to come. It’s about what comes before the ampersand, rather than after.

the company – and the best results come when there is 50% of each.”

& tra d i t i o n launches

TRUE COLOURS by

l e x p ot t 2015

“ W h at at t r ac t s m e to n at u r a l m at e r i a l s i s t h e i r r i c h h i sto r y,” s ay s d e s i g n e r L e x P ot t. “ Wo o d, sto n e a n d m e ta l h av e b e e n u s e d f o r c e n t u r i e s , b u t w h i l e t e c h n o lo g y i s c h a n g i n g a n d c u lt u r e i s c h a n g i n g , t h e s e m at e r i a l s a r e n ot.”

Often Pott starts on a project without knowing what the end result will be. Diptych, for example, zooms in on one particular Douglas Fir tree and explores how seasonal weather changes affect the tree’s colouring and annual rings. It resulted in a number of different objects, from a set of matches to a cabinet and a room divider, that were only discovered during the process itself. “What’s interesting about natural materials is that they aren’t on trend so they don’t run out of fashion,” he says. “They stay interesting much longer than a fashionable material.” Some of Pott’s processes never reach a practical outcome at all. As such, Pott is part of a generation of designers who comfortably bridge the gap between designer and artist. He can find himself working for a fashion brand one day, only to develop a design object or exhibit at an art gallery the next. “The reason I became a designer is that my parents are artists, he explains.

“I decided I wanted to be in the creative industry, but to work with things that have a function. But sometimes because my process is intuitive and experimental, the result isn’t a practical object, but a decorative piece or a sculpture.” Lately, Pott’s process-led research has led him towards the chemistry of colour. “When you look at the old roofs of churches, they become green over time as they oxidise, while steel always becomes brown. What’s interesting is that even when people see the green, they also know there is a different colour underneath. So the green says something more. It tells a story about time and its own creation too”. Pott’s investigation into the colours that materials produce naturally as they react to their environment resulted in the True Colour vases for &tradition. “It seemed like a limited palette at first,” he says. “And I tried a lot of colours that didn’t work. But the more I got into it, the more I saw different options. For example, two colours can mix, like pigments, into others. So looking forward I’d like to find out more about how colours physically mix and how they can be deconstructed, with light for example.” And so the experimentation which is a signature of Pott’s practice continues.

The Amsterdam-based designer, who gradu ated from Design Academy Eindhoven in 2009, takes natural materials as his starting point and turns them into contemporary products. Unlike most designers, Pott never sketches at any stage of the process. “I am really a maker,” he says. “If I have an idea I prefer to make it to figure out how I would like it to be.”

& tra d i t i o n launches

C L O U D S O FA by

lu ca n i c h e t to 2015

W h e n s u m m i n g u p h i s p r ac t i c e Lu c a N i c h e t to p r e f e r s to q u ot e l e g e n da r y I ta l i a n d e s i g n e r V i c o M ag i s t r e t t i : “ t h e d e s i g n e r i s t h e fat h e r o f t h e p r o d u c t a n d t h e c o m pa n y i s t h e m ot h e r .”

So far, this approach has served Nichetto well. Born in Venice, on Murano, he roamed the island’s famous glass factories as a child and stayed on in the city to study Art and Industrial Design at the University Insti tute of Architecture of Venice. He opened his own design studio, Nichetto & Partners, in 2006. Still a few years shy of 40, Nichetto is one of the most successful designers of his generation. He has studios in both Venice and Stockholm, and has collaborated with brands that span from legendary Italian manufacturers to innovative up-and-coming Scandinavian companies, &tradition amongst them. From small tabletop pieces, furniture and textiles to large architectural spaces; from the very traditional to the contemporary; from wood, brass, eco-felt and paper to glass, concrete and silicone; the work of Nichetto brings epithets such as varied, expansive and multidisciplinary to mind.

When asked to pinpoint the highlights of his working life so far, Nichetto mentions projects such as the glass vases he was commissioned to make for a family-run business in Murano in 2000, and which gave him his first break in design; and The Tales Pavilion in Beijing from 2013, which was the first time he worked on an architectural project. Typical of a designer whose practice is defined by searching for the new and unexplored, both projects represented firsts. Since 2011, Nichetto has divided his time between Italy and Sweden, challenging him to explore a new design culture. It is a change to which he has responded well. In a project like the Cloud sofa for &tradition, both his native and adopted design cultu res can be detected, perfectly summing up Nichetto at this point in his career. This idea of mixing and sharing is the core of Nichetto’s DNA as a designer. In recent years he has collaborated more and more, embarking on projects with, for example, Japanese designer Oki Sato and Russian fashion designer Yulia Yadryshnikova “For me, as a creative person, I think the future is in sharing,” says Nichetto. “It’s in being open and listening to other people with another experience and creating a network. I believe in the network, in colla boration, I think it is much more powerful than being alone.”

It’s a formula that Nichetto follows closely. “I like to think that to be a designer is not to be an artist, it is about finding a balance between my vision and the vision of the brand that I am working with,” he says. “I make things with my DNA and with the DNA of the company. The best results come when there is 50 per cent of each.”

& tra d i t i o n launches

L i g ht F O rest by

ontwerpduo 2015

I n t h e h a n d s o f D u tc h d e s i g n e r s O n t w e r p d u o t h e w h i m s y o f fa i r y ta l e s i s c o m b i n e d w i t h t h e f u n c t i o n a l wo r l d o f f u r n i t u r e d e s i g n .

Based in the same abandoned Philips facto ry as famous Dutch designer Piet Hein Eek, Ontwerpduo follows in the footsteps of conceptual practices such as Studio Job and Kiki van Eijk, who also emerged from the city’s vibrant creative scene. It is Beunders who ignites Ontwerpduo’s projects. She has never let go of her childhood obsession with secret worlds only accessible by children, and lets this fantasy run wild in her creative process. Beunders imagines an object that could be, rather than one that already exists. “As all children, we both lived with the idea that anything can be a toy, something to play with, and that all objects can be something else than what they look like to a grown up,” explains Wierink. “That meeting between the real and the unreal is very im portant for us as designers.”

Once a basic idea is in place, Wierink takes over the development of the product. In the Ontwerpduo workshop – a laboratorylike environment with modular storage on wheels that allows for projects of many different scales – he experiments with Beunders’s fantasy objects until they are not just feasible, but also fill a practical purpose. This means that even a piece such as What It Is It Isn’t, a mind-bending, swaying cabinet inspired by the warped visions of Alice in Wonderland, offers its owner perfectly adequate storage space. But while some of the pieces may seem whimsical, a product like Light Forest also poses a clever solution to the ever-occurring problem of electrical points not being found in convenient places. “It is poetic and functional at the same time,” says Beunders, perfectly reflecting the studio’s philosophy. Despite its industrial aesthetic (the “branches” are made from extruded aluminium tubes), Light Forest was originally inspired by the peace and stillness found in the old forests of Europe. “We have cycled all over Europe, to the Sahara-like deserts of inland Spain and to the parts of the Schwarzwald that are like rain-forests,” says Wierink. “If you venture off the beaten track, you can spend a lot of time without seeing other people. It gives you perspective. It is like being in a fairytale.”

The Eindhoven-based studio was set up by Tineke Beunders and Nathan Wierink in 2008 after they graduated from Design Academy Eindhoven. Since then, they have created furniture such as Marbelous, a wooden table with fully functioning kugelbahns or marble runs in place of conven tional table legs; Birdcage, a dangling armchair hung from the ceiling for humans to nest in; and now Light Forest, a series of lights that crawl across walls and ceilings for &tradition.

ho w we p ro d uce

W E C H A LL E N G E CO N V E N T I O N TO C RE ATE O B J E CT S TH AT R E T H I N K H OW W E U S E M AT E R I A L S A ND M A N U F ACT U R I N G T EC H N I Q U E S . W E F I N D B E A U TY I N O B J E CT S TH AT CA N B E C R EATE D B Y T H E LAT ES T I N D U S T R I A L P RO C E S S ES A S W E L L A S T H O S E T H AT M A I N TA I N T E C HN I Q U E S T H AT HAV E E VO LV E D OV E R A LO N G T IM E . W E P U S H M AT E R I A L S TO T H E L I M I T O F T H E IR POT E N T I A L AN D R E CO N S I 足D E R HOW T H E Y A R E P RO C E S S ED TO C RE AT E A N E W A E S T H ET I C .

W E S T R IV E F O R T I M EL E S S B E A U TY A N D Q U A L I TY T HAT I S B O R N O U T O F T RA DI T I O N A N D R E VO LU TI O N .

craft m eets art. fu n ct i o n m eets for m . m ater i al m eets p ote n t i al . th i s i s our n or d i c tra d i t i o n a n d her i tag e . & tra d i t i o n a i m s to br i d g e these values to co n te m p orary d es i g n , resha p i n g , re d ef i n i n g a n d re i n v e n t i n g m ater i als , tech n i q ues a n d for m s . w e res p ect n ature that p rov i d es our raw m ater i als a n d w e bel i e v e i n d es i g n that i s m a d e to last.

45 True Colours LP3, p. 68

47 Marble Light SV1, SV2, SV3, SV4 & SV5, p. 71-73

Light Forest OD1, p. 75

Fly Chair SC1, Fly Sofa SC2 & Fly Table SC5, p. 63-65 Mass Light NA5, p. 83

Fly Sofa SC3, Fly Table SC5, p. 64-65 Marble Light SV7, p. 74

51 In Between Table SK3, p. 61

Mayor Sofa AJ5, Catch Chair JH1 p. xx

Another Rug AP2, p. 69 Mass Light NA5, p. 83 Hoof Table SW1, p. 66

Mayor Sofa AJ5, p. 61 Catch Chair JH1, p. 62

Shuffle Table MH1, p. 68

We co n n ect w i th the ol d m asters w h i le g i v i n g s pace to n e w d es i g n ers to d ef i n e future class i cs . We see a k i n sh i p bet w ee n the ol d m asters w ho w ere ava n t- g ar d e i n the i r t i m e a n d d es i g n ers of to day creat i n g the g rou n d - break i n g i co n s of to m orro w.

A l l T h e Way T o Par i s A r n e J a c o bs e n B e n ja m i n Hub e rt F l e m m i n g Lass e n J a i m e Hayo n J Ă¸ r n U tz o n l e x pot t l u ca n i c h e t t o M i a Ha m b o r g N o r m A r c h i t e ct s ontwerpduo Sami Kallio Samuel Wilkinson Sofie Refer S pa c e C o p e n h a g e n Studio Vit V e r n e r Pa n t o n V i ct o r V e t t e r l e i n

Pro d uct ov erv i e w

2015

C lou d o n e seater

C lou d t w o S eater

LN1

BY Lu ca N i c h e t t o 2015

Product category Materials Dimensions (cm/in) Stock items

LN2

BY Lu ca N i c h e t t o 2015

Lounge chair Plywood frame. Solid wood and steel base with no-zag springs. CMHR and feather pillows. Powder coated solid steel legs. Kvadrat by Raf Simons fabric upholstery. H: 75cm/29.5in, D: 84cm/33in, L: 100cm/39.3in, Seat height: 40cm/15.7in. Black Blue – Sunniva 2 192 & RAL 5004. Vulcano Red – Sunniva 2 662 & RAL 3007. Desert Stone – Sunniva 2 717 & RAL 7044. Ivory White – Sunniva 2 811 & RAL 1013.

Product category Materials Dimensions (cm/in) Stock items

Sofa Plywood frame. Solid wood and steel base with no-zag springs. CMHR and feather pillows. Powder coated solid steel legs. Kvadrat by Raf Simons fabric upholstery. H: 75cm/29.5in, D: 84cm/33in, L: 168cm/66in, Seat height: 40cm/15.7in. Black Blue – Sunniva 2 192 & RAL 5004. Vulcano Red – Sunniva 2 662 & RAL 3007. Desert Stone – Sunniva 2 717 & RAL 7044. Ivory White – Sunniva 2 811 & RAL 1013.

75cm / 29.5in

100cm / 39.3in

168cm / 66in

C lou d Pouf LN3

Lu ca N i c h e t t o 2015 BY

BY Lu ca N i c h e t t o 2015

Product category Materials Dimensions (cm/in) Stock items

Sofa Plywood frame. Solid wood and steel base with no-zag springs. CMHR and feather pillows. Powder coated solid steel legs. Kvadrat by Raf Simons fabric upholstery. H: 75cm/29.5in, D: 84cm/33in, L: 220cm/86.5in, Seat height: 40cm/15.7in. Black Blue – Sunniva 2 192 & RAL 5004. Vulcano Red – Sunniva 2 662 & RAL 3007. Desert Stone – Sunniva 2 717 & RAL 7044. Ivory White – Sunniva 2 811 & RAL 1013.

Product category

Pouf

Materials

Plywood base with CMHR and feather pillow. Powder coated solid steel legs. Kvadrat by Raf

Simons fabric upholstery.

Dimensions (cm/in) H: 40cm/15.7in, D: 72cm/28.3in, L: 78cm/30.7in, Stock items

Seat height: 40cm/15.7in. Black Blue – Sunniva 2 192 & RAL 5004. Vulcano Red – Sunniva 2 662 & RAL 3007. Desert Stone – Sunniva 2 717 & RAL 7044. Ivory White – Sunniva 2 811 & RAL 1013. Blue Stardust – Pilot 792 & RAL 3007. Red Stardust – Pilot 582 & RAL 5004. Blue Tweed – Sonar 2 773 & RAL 5004.

40cm / 15.7in

75cm / 29.5in

220cm / 86.5in

LN4

78cm / 30.7in

C lou d three S eater

IN B E T W E E N

S K1

Sami Kallio 2013

SK2

Sami Kallio 2013

Product category

Chair with armrest

Materials

Solid wood and formpressed veneer.

Dimensions (cm/in) H: 77cm/30.3in, W: 58cm/22.8in, D: 54cm/21.2in

Armrest height: 70cm/27.6in,

Seating height: 45cm/17.7in.

Colours

White oiled oak, Smoked oiled oak, Stained

black ash (RAL 9005).

Product category Materials Dimensions (cm/in) Stock items 6-8 wks. lead-time

Chair with armrest Solid wood and formpressed veneer. The chair comes with a full upholstered seat. H: 77cm/30.3in, W: 58cm/22.8in, D: 54cm/21.2in. Armrest height: 70cm/27.6in, Seating height: 45cm/17.7in. White oiled oak / Balder 3 132, Sunniva 2 422, Smoked oiled oak / Sunniva 2 242, Balder 3 692. Black stained ash / Balder 3 192, Balder 3 782 White oiled oak / Cognac Silk leather and Black stained ash / Black Silk aniline leather. Other fabrics / leathers available upon request.

70cm / 27.6in

77cm / 30.3in

54cm / 21.2in

58cm / 22.8in

54cm / 21.2in

58cm / 22.8in

M AYO R S O FA

SK3 & SK4

Sami Kallio 2014

A r n e J a c o bs e n & F l e m m i n g Lass e n 1939

Product category Materials Dimensions (cm/in) Colours

Dining table Solid oak. SK3: Ø: 90cm/35.4in, H: 73cm/28.7in. SK4: Ø: 120cm/47.2in, H: 73cm/28.7in. White oiled oak, Smoked oiled oak, Black stained oak (RAL 9005).

Product category Materials Dimensions (cm/in) Stock items 8-10 wks. lead-time

Sofa Solid oak base, internal solid wood frame, CMHR foam, Kvadrat by Raf Simons fabric or CA-MO leather upholstery. H: 82cm/32.3in, D: 62cm/24.4in, L: 200cm/78.7in, Seating height: 44cm/17.3in. White oiled oak / Sunniva 2 422, Balder 3 132. Smoked oiled oak / Sunniva 2 242, Balder 3 692. Black lacquered oak / Balder 3 192, Balder 3 782. Oiled or Black lacquered oak / Silk aniline leather. Other fabrics / leathers available upon request.

120cm / 47.2in

82cm / 32.3in

73cm / 28.7in

90cm / 35.4in

AJ5

200cm / 78.7in

IN B E T W E E N

CAT C H C H A I R

JH1

J A IME H AYON 2013

JH2

J A IME H AYON 2014

Product category Chair with armrest Materials Molded PU foam, CMHR foam, oak legs, Kvadrat by Raf Simons fabrics or CA-MO leather upholstery. Dimensions (cm/in) H: 90cm/35.4in, D: 58cm/22.8in, W: 58cm/22.8in, Armrest height: 68cm/26.8in, Seating height: 45cm/17.7in. Stock items White oiled oak / Sunniva 2 422, Sunniva 2 242. Black lacquered oak / Balder 3 692, Balder 3 192. Balder 3 792. 6-8 wks. lead-time Oiled or Lacquered oak / Silk aniline leather. Other fabrics / leathers available upon request.

Product category Chair with armrest Materials Molded PU foam, CMHR foam, aluminium swivel base, Kvadrat by Raf Simons fabrics or CA-MO leather upholstery. Dimensions (cm/in) H: 90cm/35.4in, D: 58cm/22.8in, W: 58cm/22.8in, Armrest height: 68cm/26.8in, Seating height: 45cm/17.7in. 6-8 wks.lead-time Polished aluminium swivel / Sunniva 2 422, Sunniva 2 242, Pilot 582, Pilot 972, Pilot 792, Silk aniline leather. Black aluminium swivel / Balder 3 692, Balder 3 192, Balder 3 792, Silk aniline leather. Other fabrics / leathers available upon request.

58cm / 22.8in

90cm / 35.4in

58cm / 22.8in

F ly S ofa

SC1

S pa c e C o p e n h a g e n 2013

SC2

S pa c e C o p e n h a g e n 2013

Product category Lounge chair Materials Oak frame and base. CMHR foam and feather pillows. Fabric upholstery. Dimensions (cm/in) H: 70cm/27.6in, D: 80cm/31.5in, L: 87cm/34.3in, Seating height: 40cm/15.7in. Stock items White oiled oak / Chivasso Hot Madison (CH1249/094). Smoked oiled oak / Chivasso Hot Madison (CH1249/093). 8-10 wks. lead-time Smoked oiled oak / Harald 2 182. Other fabrics available upon request.

Product category Sofa Materials Oak frame and base. CMHR foam and feather pillows. Fabric upholstery. Dimensions (cm/in) H: 70cm/27.6in x D: 80cm/31.5in, L: 162cm/63.8in. Seating height: 40cm/15.7in. Stock items White oiled oak / Chivasso Hot Madison (CH1249/094). Smoked oiled oak / Chivasso Hot Madison (CH1249/093). 8-10 wks. lead-time Smoked oiled oak / Harald 2 182. Other fabrics available upon request.

70cm / 27.6in

87cm / 34.3in

162cm / 63.8in

F LY C H A I R

F ly sofa

SC3

F ly p ouf

BY S pa c e C o p e n h a g e n 2013

Product category Sofa with side tables Materials Oak frame and base. CMHR foam and feather pillows. Fabric upholstery. Dimensions (cm/in) H: 70cm/27.6in x D: 80cm/31.5in, L: 240cm/94.5in. Seating height: 40cm/15.7in. Stock items White oiled oak / Chivasso Hot Madison (CH1249/094). Smoked oiled oak / Chivasso Hot Madison (CH1249/093). 8-10 wks. lead-time Smoked oiled oak / Harald 2 182. Other fabrics available upon request.

BY S pa c e C o p e n h a g e n 2014

Product category Pouf Materials Oak base. CMHR foam and feather pillows. Fabric upholstery. Dimensions (cm/in) H: 40cm/15.7in x D: 80cm/31.5in, L: 80cm/31.5in. Seating height: 40cm/15.7in. Stock items White oiled oak / Chivasso Hot Madison (CH1249/094). Smoked oiled oak / Chivasso Hot Madison (CH1249/093). 8-10 wks. lead-time Smoked oiled oak / Harald 2 182. Other fabrics available upon request.

80cm / 31.5in

40cm / 15.7in

70cm / 27.6in

240cm / 94.5in

SC9

80cm / 31.5in

F LY TA B L E

SC4

BY S pa c e C o p e n h a g e n 2013

S pa c e C o p e n h a g e n 2013 BY

Product category Materials Dimensions (cm/in) Colours

Lounge table Oak base with marble table top. H: 26cm/10.2in x D: 80cm/31.5in, L: 80cm/31.5in. White oiled oak base with honed Bianco Carrara marble table top or smoked oiled oak base with polished Nero Marquina marble table top.

Lounge table Oak base with marble table top. H: 26cm/10.2in x D: 60cm/23.6in, L: 120cm/47.2in. White oiled oak base with honed Bianco Carrara marble table top or smoked oiled oak base with polished Nero Marquina marble table top.

60cm / 23.6in

80cm / 31.5in

Product category Materials Dimensions (cm/in) Colours

26cm / 10.2in

80cm / 31.5in

26cm / 10.2in

80cm / 31.5in

SC5

120cm / 47.2in

F LY TA B L E

H oof Table

TA B L E

SW1 & SW2

Samuel Wilkinson 2012

NO R M . ar c h i t e ct s 2011

Product category Materials Dimensions (cm/in) Colours

Coffee table Solid oak with a brushed surface. Ø: 90cm/35.4in x H: 40cm/15.7in. Ø: 50cm/19.7in x H: 50cm/19.7in. Ø90cm: Solid smoked oiled oak, Solid black stained oak (RAL 9005). Ø50cm: Solid black stained oak (RAL 9005), Solid smoked oiled oak, Solid white oiled oak.

Dining table Powdercoated steel structure and sand blasted solid oak legs with table top in either ash veneer, laminate or solid oak. H: 75cm/29.5in x D: 90cm/35.4in x L: 200cm/78.7in. Black powdercoated steel with black stained oak legs and black stained ash veneer table top. White powdercoated steel with natural oak legs and white laminate table top. Black powder coated steel with smoked oiled oak legs and table top.

Ø: 90cm / 35.4in

75cm / 29.5in

40cm / 15.7in

50cm / 19.7in

Ø: 50cm / 19.7in

NA2

90cm / 35.4in

200cm / 78.7in

BA R S TO O L

NA3

NO R M. ar c h i t e ct s 2011

Product category Materials Dimensions (cm/in) Colours

NA4

Stool Powdercoated steel and sandblasted solid oak. H: 46cm/18.1in x D: 45cm/17.7in x W: 50cm/19.7in. Natural oak with white powdercoated steel (RAL 9016), Black stained oak with black powdercoated steel (RAL 9005).

Product category Materials Dimensions (cm/in) Colours

Bar stool Powdercoated steel and sandblasted solid oak. H: 73cm/28.7in x D: 45 cm/17.7in x W: 50cm/19.7in. Natural oak with white powdercoated steel (RAL 9016), Black stained oak with black powdercoated steel (RAL 9005).

73cm / 28.7in

46cm / 18.1in

45cm / 17.7in

Ă&#x2DC;45 cm / 17.7in

S TO O L

S H U F F L E TA B L E

MH1

T rue C olours

M i a Ha m b o r g B la c k e d i t i o n by P e t e r Ha g e n 2010

L e x Pot t 2013

Product category Materials Dimensions (cm/in) Colours

Side Table PU Lacquered MDF, polished marble, PU lacqured solid beech, Solid oiled oak. Ø: 45cm/17.7in x H: 69cm/27.2in. Black lacquered wood and polished Nero Marquina marble or Multicolour.

Product category Materials Dimensions (cm/in)

Vases Brass, Aluminium, Copper, Steel. Ø: 10cm/3.9in x H: 14cm/5.5in. Ø: 10cm/3.9in x H: 20cm/7.9in. Ø: 10cm/3.9in x H: 24cm/9.4in. Ø: 8cm/3.1in x H:20cm/7.9in. Ø: 8cm/3.1in x H:18cm/7.1in. Ø: 8cm/3.1in x H: 10cm/3.9in. Ø: 6,5cm/2.6in x H: 16cm/6.3in.

Colours

Blue brass, White aluminium, Terracotta brass, Green copper, Brown steel, Black brass.

Ø: 8cm / 3.1in

H: 16cm / 6.3in

Ø: 8cm / 3.1in

H: 10cm / 3.9in

Ø: 10cm / 3.9in

H: 18cm / 7.1in

Ø: 10cm / 3.9in

H: 20cm / 7.9in

H: 24cm / 9.4in

Ø: 10cm / 3.9in

H: 20cm / 7.9in

H: 14cm / 5.5in

69cm / 27.2in

Ø: 45cm / 17.7in

L P 1 – L P 7

Ø:6.5cm / 2.6in

a n other ru g

AP1

A l l t h e way t o par i s 2014

Product category Materials Dimensions (cm/in) Colours

Rug Handwoven kelim rug made from carefully selected natural materials. 80% pure New Zealand wool, 20% cotton. W: 90cm/35.4in x L: 140cm/55.1in. Green Jade, Red Volcano, Blue Thunder, Yellow Amber.

Product category Materials Dimensions (cm/in) Colours

Rug Handwoven kelim rug made from carefully selected natural materials. 80% pure New Zealand wool, 20% cotton. W: 90cm/35.4in x L: 240cm/94.5in. Green Jade, Red Volcano, Blue Thunder, Yellow Amber.

90cm / 35.4in

140cm / 55.1in

AP2

240cm / 94.5in

a n other ru g

AP3

A l l t h e way t o par i s 2014

Product category Materials Dimensions (cm/in) Colours

Rug Handwoven kelim rug made from carefully selected natural materials. 80% pure New Zealand wool, 20% cotton. W: 170cm/66.9in x L: 240cm/94.5in. Green Jade, Red Volcano, Blue Thunder, Yellow Amber.

Product category Materials Dimensions (cm/in) Colours

Rug Handwoven kelim rug made from carefully selected natural materials. 80% pure New Zealand wool, 20% cotton. W: 200cm/78.7in x L: 300cm/118.1in. Green Jade, Red Volcano, Blue Thunder, Yellow Amber.

200cm / 78.7in

170cm / 66.9in

240cm / 94.5in

A P4

300cm / 118.1in

Marble l i g ht

M A R B L E L IG H T

SV1

studio vit 2014

Product category Materials Dimensions (cm/in) Light source

Pendant White Bianco Carrara marble and clear mouth blown borosilicate glass with 4 meter white fabric cord. Marble: Ø: 11,5cm/4.5in, H: 7cm/2.7in. Glass: Ø: 8cm/3.1in. G9 Max 25 Watt. This luminaire is compatible with bulbs of the energy classes: B - E. This luminaire is sold with a bulb of the energy class: D.

90˚

150

60˚

200 250 45˚

45˚

300

Pendant White Bianco Carrara marble and clear mouth blown borosilicate glass with 4 meter white fabric cord. Marble: Ø: 8cm/3.1in, H: 10cm/3.9in. Glass: Ø: 13cm/5.1in. G9 Max 25 Watt. This luminaire is compatible with bulbs of the energy classes: B - E. This luminaire is sold with a bulb of the energy class: D.

90˚

75˚

100 150

60˚

200 250 45˚

45˚

300

Marble: 10cm / 3.9in

75˚

100

Marble: 7cm / 2.7in

75˚

Product category Materials Dimensions (cm/in) Light source

90˚

60˚

sv2

cd/klm 30˚

C0,0-C180,0

15˚

0˚ C90,0-C270,0

15˚

30˚

Marble: Ø: 11,5cm / 4.5in, Glass: Ø: 8cm / 3.1in

C0,0-C180,0

15˚

0˚ C90,0-C270,0

15˚

30˚

Marble: Ø: 8cm / 3.1in, Glass: Ø: 13cm / 5.1in

cd/klm

Marble l i g ht

SV3

by studio vit 2014

Product category Materials Dimensions (cm/in) Light source

studio vit 2014 by

Pendant White Bianco Carrara marble and clear mouth blown borosilicate glass with 4 meter white fabric cord. Marble: Ø: 7cm/2.7in, H: 5cm/1.9. Glass: Ø: 8cm/3.1in. G9 Max 25 Watt. This luminaire is compatible with bulbs of the energy classes: B - E. This luminaire is sold with a bulb of the energy class: D.

90˚

150

60˚

200 250 45˚

45˚

300

Pendant White Bianco Carrara marble and clear mouth blown borosilicate glass with 4 meter white fabric cord. Marble: Ø: 9cm/3.5in, H: 6cm/2.3in. Glass: Ø: 11cm/4.3in. G9 Max 25 Watt. This luminaire is compatible with bulbs of the energy classes: B - E. This luminaire is sold with a bulb of the energy class: D.

cd/klm

90˚

75˚

100 150

60˚

200

Marble: 17 cm

75˚

100

Product category Materials Dimensions (cm/in) Light source

90˚

Marble: 5cm / 1.9.in

75˚

60˚

S V4

250 45˚

45˚

300 cd/klm

30˚ C0,0-C180,0

15˚

0˚ C90,0-C270,0

15˚

30˚

Marble: Ø: 7cm / 2.7in, Glass: Ø: 8cm / 3.1in

C0,0-C180,0

15˚

0˚ C90,0-C270,0

15˚

30˚

Marble: Ø: 9cm / 3.5in, Glass: Ø: 11cm / 4.3in

M A R B L E L IG H T

Marble l i g ht

SV5

studio vit 2014

Product category Materials Dimensions (cm/in) Light source

Pendant White Bianco Carrara marble and clear mouth blown borosilicate glass with 4 meter white fabric cord. Marble: Ø: 5cm/1.9in, H: 16cm/6.3in. Glass: Ø: 16cm/6.3in. G9 Max 25 Watt. This luminaire is compatible with bulbs of the energy classes: B - E. This luminaire is sold with a bulb of the energy class: D.

90˚

75˚

150

60˚

200 250 45˚

45˚

300

Product category Materials Dimensions (cm/in) Light source

Table lamp White Bianco Carrara marble and clear mouth blown borosilicate glass with 2 meter white fabric cord with dimmer. Marble: Ø: 7cm/2.7in, H: 5cm/1.9in. Glass: Ø: 16cm/6.3in. G9 Max 25 Watt. This luminaire is compatible with bulbs of the energy classes: B - E. This luminaire is sold with a bulb of the energy class: D.

300

45˚

250 200 60˚

60˚

150 100

75˚

90˚

Marble: 5cm / 1.9in

100

Marble: 16cm / 6.3in

90˚

60˚

S V6

cd/klm 30˚

C0,0-C180,0

15˚

0˚ C90,0-C270,0

15˚

75˚

30˚

Marble: Ø: 5cm / 1.9in, Glass: Ø: 16cm / 6.3in

C0,0-C180,0

60˚ 45˚ 30˚ 15˚ 0˚ 15˚ 30˚ 45˚ 60˚ C90,0-C270,0

75˚

Marble: Ø: 7cm / 2.7in, Glass: Ø: 16cm / 6.3in

cd/klm

M A R B L E L IG H T

sv7

A rray

S o f i e R e f e r, J ako b S ta e r a n d J e s p e r Ko n g s h au g 2011

studio vit 2014

Product category Materials Dimensions (cm/in) Light source

J K1

Pendant (SV2) with marble floor weight and 10 meter cable. White bianco carrara marble with 10 meter white fabric cord fitted with G9 lamp holder. The floor weight is delivered with a white metal hook for ceiling installation and a self-assembly CE plug. Marble: Ø: 20cm/7.8in, H: 8cm/3.1in. G9 Max 25 Watt. This luminaire is compatible with bulbs of the energy classes: B - E. This luminaire is sold with a bulb of the energy class: D.

Product category Materials Dimensions (cm/in) Colours: Light source

Chandelier Lacquered aluminium, acrylic diffuser, silicon cord. Canopy: H: 55cm/21.7in x D: 26cm/10.2in x L: 5cm/1.9in. Total max length 250cm/98.4in. Black, White. 8 x built-in 2,5 Watt LED - 3000 Kelvin. The luminaire is compatible with bulbs of the energy classes: A++ - A. The built-in LEDs cannot be changed in this luminaire.

90˚

75˚

500

Marble: 8cm / 3.1in

10 m

250cm / 98.4in

75˚

750

60˚

1000 1250 45˚

45˚ cd/klm 30˚

Ø: 20cm / 7.8in

C0,0-C180,0

15˚

0˚ C90,0-C270,0

15˚

30˚

55cm / 21.7in

L i g ht F orest

od1

L i g ht F orest Ontwerpduo 2010

Ontwerpduo 2010

Product category Materials Dimensions (cm/in) Colors Light source

Ceiling light Lacquered copper, aluminium and ABS. Conf.1: W: 100cm/39.4in x D: 100cm/39.4in. Conf.2: W: 125cm/49.2in x D: 120cm/47.2in. Conf.3: W: 145cm/57.1in x D: 75cm/29.5in. Conf.4: W: 100cm/39.4in x D: 75cm/29.5in. Slightly textured matt forest green. 3 x E27 Max 40 Watt. The luminaire is compatible with bulbs of the energy classes: A++ - E . Bulb is not included.

90˚

75˚

Product category Materials Dimensions (cm/in) Colors Light source

90˚

75˚

Wall light Lacquered copper, aluminium, ABS, 3 meter clear pvc cord with CE plug. Conf.1: H: 120cm/47.2in x W: 70cm/27.6in. Conf.2: H: 95cm/37.4in x W: 150cm/59.1in. Slightly textured matt forest green. 3 x E27 Max 40 Watt. The luminaire is compatible with bulbs of the energy classes: A++ - E. Bulb is not included.

90˚

75˚

120

60˚

od2

60˚

120

60˚

160

60˚

160

200

45˚

45˚ cd/klm

30˚ C0,0-C180,0

15˚

0˚ C90,0-C270,0

15˚

30˚

30˚ C0,0-C180,0

15˚

0˚

15˚

30˚

C90,0-C270,0

cd/klm

45˚

B L O WN

Ice C ha n d el i er

SW3

Samuel Wilkinson 2014

Sofie Refer 2006

Product category Materials Dimensions (cm/in) Colours Light source

Pendant Mouth-blown glass, powdercoated metal suspension, coated wire, 4 meter fabric cord. Ø: 28cm/11in, H: 28cm/11in. Silver lustre glass with black textile cord, Blasted white glass with white textile cord. E27 Max 100 Watt. The luminaire is compatible with bulbs of the energy classes: A++ - E.

Bulb is not included.

120˚

100

Product category Materials Dimensions (cm/in) Colours Light source

90˚

75˚

60˚

C0,0-C180,0

30˚

15˚

0˚

C90,0-C270,0

15˚

30˚

28cm / 11in

90˚

105˚

90˚

75˚

60˚

45˚

60˚ 45˚

28cm / 11in

180cm / 70.8in

45˚

120˚

80 105˚

Chandelier Mouth-blown glass and anodised aluminium with clear PVC cord. Ø: 38.0cm/14.9in L: 180cm/70.8in. Clear glass with anodized aluminium. Silver lustre glass with black anodized aluminium. Gold lustre glass with gold anodized aluminium. 9 x G4 Max 10 Watt. The luminaire is compatible with bulbs of the energy class: C. The luminaire is sold with a bulb of the energy class: C.

C0,0-C180,0

30˚

15˚

0˚

15˚

C90,0-C270,0

30˚

45˚

Ø: 38.0cm / 14.9in

MEGA BULB

SR1

Sofie Refer 2001

Sofie Refer 2006

Product category Materials Dimensions (cm/in) Cord Colours Light source

120˚

Pendant Mouth blown glass with 3 meter cord and porcelain lamp holder. H: 16.3cm/6.4in x Ø:11cm/4.3in. Clear PVC cord, Black fabric cord, Red fabric cord. E27 Max 60 Watt. The luminaire is compatible with bulbs of the energy classes: A++ - E. Bulb is not included.

120˚

Product category Materials Dimensions (cm/in) Cord Colours Colours Light source 120˚

90˚

75˚

60˚

C0,0-C180,0

15˚

0˚

15˚

C90,0-C270,0

30˚

105˚

90˚

75˚

60˚

45˚

60˚ 45˚

Ø:11cm / 4.3in

23cm / 9in

90˚

16.3cm / 6.4in

105˚

30˚

120˚

45˚

Pendant Mouth blown glass with 3 meter cord and porcelain lamp holder. H: 23cm/9in x Ø:18cm/7.1in. Clear PVC cord, Black fabric cord, Red fabric cord. Clear glass with clear PVC cord, Clear glass with black fabric cord, Clear glass with red fabric cord, Silver lustre glass with black fabric cord, Gold lustre glass with white fabric cord. E27 Max 60 Watt. The luminaire is compatible with bulbs of the energy classes: A++ - E. Bulb is not included.

60 105˚

SR2

C0,0-C180,0

30˚

15˚

0˚

15˚

C90,0-C270,0

30˚

45˚

Ø:18cm / 7.1in

BULB

B elle v ue floor

B elle v ue table

AJ2

A r n e J a c o bs e n 1929

AJ3

A r n e J a c o bs e n 1929

Product category

Floor lamp

Product category

Table lamp

Materials

Lacquered aluminium shade with steel tubes and

Materials

Lacquered aluminium shade with steel tubes and

cast iron base, 2 meter fabric cord.

Dimensions (cm/in) Base: Ø: 27.3cm/10.7in. Lamp: D: 60cm/23.6in x

Dimensions (cm/in) Base: Ø: 19.5cm/7.7in. Lamp: D: 58cm/22.8in x

H: 112cm/44.1in.

H: 51.4cm/20.2in.

Colours

White, Matt Black.

Colours

White, Matt Black.

Light source

E27 Max 60 Watt. The luminaire is compatible

Light source

E27 Max 60 Watt. The luminaire is compatible

with bulbs of the energy classes: A++ - E.

Bulb is not included.

90˚

75˚

80 120

60˚

160

75˚

80 120

60˚

51.4cm / 20.2in

112cm / 44.1in

75˚

90˚

60˚

160

200

45˚

45˚ cd/klm

30˚ C0,0-C180,0

15˚

0˚ C90,0-C270,0

15˚

30˚

Base: Ø: 27.3cm / 10.7in Lamp: D: 60cm / 23.6in

C0,0-C180,0

15˚

0˚ C90,0-C270,0

15˚

30˚

Base: Ø: 19.5cm / 7.7in. Lamp: D: 58cm / 22.8in

BELLEVUE

S PINNING L IG H T

AJ4

BY B e n ja m i n Hub e rt 2010

A r n e J a c o bs e n 1929 BY

Product category Materials Dimensions (cm/in) Colours: Light source

Wall lamp Lacquered aluminium shade with steel tubes and cast iron base, 2 meter fabric cord. Wall Mount: Ø: 8.5cm/3.3in. Lamp: D: 42cm/16.5in x W: 19.5cm/7.7in x H: 33.7cm/13.3in White, Matt Black. E27 Max 60 Watt. The luminaire is compatible with bulbs of the energy classes: A++ - E. Bulb is not included.

90˚

Product category Materials Dimensions (cm/in) Colours Light source

Pendant Lacquered aluminium with 4 meter PVC cord. H: 45cm/17.7in x Ø: 25cm/9.8in. White, Black, Dark matt grey. E27 Max 60 Watt. The luminaire is compatible with bulbs of the energy classes: A++ - E.

Bulb is not included.

90˚

75˚

90˚

75˚

33.7cm / 13.3in

120

60˚

45cm / 17.7in

75˚

BH1

60˚

160 200 45˚

45˚

120

60˚

160 200 45˚

45˚ cd/klm

30˚ C0,0-C180,0

15˚

0˚ C90,0-C270,0

15˚

30˚

42cm / 16.5in

C0-C180

15˚

0˚ C90-C270

15˚

30˚

Ø: 25cm / 9.8in

cd/klm

S PINNING L IG H T

C O P E N H AG E N P E NDA N T S C 6

BH2

B e n ja m i n Hub e rt 2010 BY

Product category Materials Dimensions (cm/in) Colours Light source

Pendant Lacquered aluminium with 4 meter PVC cord. Ø: 40cm/15.7in x H: 34cm/13.4in. White, Black, Dark matt grey. E27 Max 60 Watt. The luminaire is compatible with bulbs of the energy classes: A++ - E.

Bulb is not included.

90˚

Lacquered steel shade with plated steel

suspension, 4 meter fabric cord.

Colours

Matt blush, Matt moss, Matt slate, Matt black,

Matt white.

Light source

G9 Max 40 Watt. The luminaire is compatible

with bulbs of the energy classes: B - E.

Bulb is not included.

90˚

75˚

60˚

200

90˚

75˚

25cm / 9.8in

150

Pendant

Materials

90˚

100 60˚

Product category

Dimensions (cm/in) Ø20cm/7.8in, H: 25cm/9.8in.

34cm / 13.4in

75˚

BY S pa c e C o p e n h a g e n 2014

40 60

60˚

250

100

45˚

cd/klm

cd/klm 30˚

C0-C180

15˚

0˚ C90-C270

15˚

30˚

Ø: 40cm / 15.7in

C0,0-C180,0

15˚

0˚ C90,0-C270,0

15˚

30˚

Ø20cm / 7.8in

C O P E N H AG E N P E NDA N T S C 7

C O P E N H AG E N P E NDA N T S C 8

BY S pa c e C o p e n h a g e n 2014

Product category

Pendant

Product category

Pendant

Materials

Lacquered metal shade with plated metal

Materials

Lacquered aluminum shade with plated steel

suspension, 4 meter fabric cord.

suspension, 6 meter fabric cord with safety wire.

Dimensions (cm/in) Ø35cm/13.8in, H: 40cm/15.7in.

Dimensions (cm/in) Ø60cm/23.6in, H: 53cm/20.7in.

Colours

Matt black, Matt white .

Colours

Matt Black.

Light source

E27 Max 100 Watt. The luminaire is compatible

Light source

E27 Max 150 Watt. The luminaire is compatible

with bulbs of the energy classes: A++ - E.

Bulb is not included.

90˚

60˚

75˚

60˚

120 160

45˚

90˚

75˚

60˚

120 160

45˚

cd/klm 30˚

C0,0-C180,0

15˚

0˚ C90,0-C270,0

15˚

30˚

Ø35cm / 13.8in

C0,0-C180,0

15˚

0˚ C90,0-C270,0

15˚

30˚

Ø60cm / 23.6in

cd/klm

53cm / 20.7in

90˚

40cm / 15.7in

75˚

90˚

U T Z O N L A MP

TO PA N

JU1

VP6

V e r n e r Pa n t o n 1959

J ø r n U tz o n 1947

Product category Materials

Pendant Chromed or lacquered metal, 3 meter fabric cord

Product category

Pendant

Materials

Lacquered aluminium with 3 meter fabric cord.

Dimensions (cm/in) Colours Light source

Ø: 22cm/8.7in x H: 23cm/9.1in. White lacquered steel with white fabric cord, Chromed steel with white fabric cord, Lacquered copper with black fabric cord. E27 Max 60 Watt. The luminaire is compatible with bulbs of the energy classes: A++ - E.

Dimensions (cm/in) Ø: 21cm/8.3in x H: 19cm/7.5in.

Bulb is not included.

90˚

60˚

Black, Matt/brushed aluminium, Black/gold.

Light source

E27 Max 40 Watt, The luminaire is compatible

with bulbs of the energy classes: A++ - E,

Bulb is not included.

90˚

75˚

60˚

120

90˚

75˚

19cm / 7.5in

Yellow, White, Orange, Red, Mint, Green, Turquoise,

90˚

23cm / 9.1in

75˚

Colours

40 60

60˚

80 100

45˚

160

45˚

120 cd/klm

30˚ C0-C180

15˚

0˚ C90-C270

15˚

30˚

Ø: 22cm / 8.7in

C0,0-C180,0

15˚

0˚ C90-C270

15˚

30˚

Ø: 21cm / 8.3in

M A S S L IG H T

NA5

NO R M . ar c h i t e ct s 2012

NO R M. ar c h i t e ct s 2012

Product category Pendant Materials Marble, brass or copper, white acid-etched opal glass, 4 meter black fabric cord. Mass Light can also be bought as a chandelier with a canopy for 9 pendants. Dimensions (cm/in) Ø: Ø12.6cm/5in x H18.3cm/7.2in. Light Source G9 Max 40 Watt. The luminaire is compatible with bulbs of the energy classes: B - E. The luminaire is sold with a bulb of the energy class: E.

Product category Materials Dimensions (cm/in) Light source per lamp Lamps included

120˚

105˚

C0-C180

15˚

0˚

C90-C270

15˚

30˚

105˚

75˚

60˚

75˚

30˚

90˚

45˚

120˚

90˚

60˚

Chandelier Marble stone, acid-etched opal glass, 4 meter fabric cord, lacquered steel canopy. Ø: 12,6/5in. H: 18,3cm./7,2in. 1 x G9 – max 40 Watt. 9 G9 Max 40 Watt. The luminaire is compatible with bulbs of the energy classes: B - E. The luminaire is sold with a bulb of the energy class: E.

60˚ 45˚

45˚

Ø12.6cm / 5in

Min 80cm Max 175cm

18.3cm / 7.2in

40 105˚

NA6

C0-C180

30˚

15˚

0˚

C90-C270

15˚

30˚

45˚

40cm Base: 16cm

M A S S L IG H T

F L O W E R P OT

VP1

V e r n e r Pa n t o n 1968

Product category Pendant Materials Lacquered metal with 3 meter fabric cord. Dimensions (cm/in) Ø: 23cm/9.1in x H: 16cm/6.3in. Colours Yellow, White, Orange, Red, Mint, Green, Turquoise, Black, Matt light grey, Matt white, Matt black, Lacquered copper, Lacquered brass, Polished stainless steelBrushed stainless steel, Chromed steel. Light source E27 Max 40 Watt. The luminaire is compatible with bulbs of the energy classes: A++ - E.

VP2

Product category Materials Dimensions (cm/in) Colours Light source

Pendant Lacquered metal with 3 meter fabric cord. Ø: 50cm/19.7in, H: 36cm/14.2in. Yellow, White, Red, Black. E27 Max 60 Watt. The luminaire is compatible with bulbs of the energy classes: A++ - E. Bulb is not included.

Bulb is not included.

90˚

75˚

50 75

60˚

100

90˚

75˚

60˚

36cm / 14.2in

90˚

16cm / 6.3in

75˚

90˚

60˚

120

125 45˚

45˚

160

150 cd/klm

cd/klm 30˚

C0-C180

15˚

0˚ C90-C270

15˚

30˚

Ø: 23cm / 9.1in

C0-C180

15˚

0˚ C90-C270

15˚

Ø: 23cm / 9.1in

30˚

Ø: 50cm / 19.7in

F L O W E R P OT

VP3

V e r n e r Pa n t o n 1969

V P4

V e r n e r Pa n t o n 1968

Product category Materials Cord Dimensions Colours Light source

Table lamp Lacquered steel with 2 meter clear PVC. Ø: 23cm/9.1in x H: 49cm/19.3in. Brushed stainless steel, Yellow, White, Orange, Red, Mint, Turquoise, Light matt grey, Black. E27 Max 40 Watt. The luminaire is compatible with bulbs of the energy classes: A++ - E.

Bulb is not included.

Product category Materials Dimensions (cm/in) Colours Light source

Pendant Lacquered steel with 2 meter fabric cord. Ø: 23cm/9.1in x H: 36cm/14.2in. Matt black, Matt white, Brass, Copper, Polished stainless steel. E 27 Max 40 Watt. The luminaire is compatible with bulbs of the energy classes: A++ - E. Bulb is not included.

90˚

75˚

60˚

160 45˚

45˚

200

75˚

60˚

45˚

cd/klm

60˚

120 45˚

160 cd/klm

30˚ C0-C180

15˚

0˚ C90-C270

15˚

30˚

23cm / 9.1in

C0-C180

15˚

0˚ C90-C270

15˚

30˚

23cm / 9.1in

H: 16cm / 6.3in

60˚

75˚

90˚

36cm / 14.2in

120

90˚

49cm / 19.3in

75˚

90˚

MI L K

TRASH ME

N A1

V i ct o r V e t t e r l e i n 2010

NO R M. ar c h i t e ct s 2010

Product category Materials Dimensions (cm/in) Colours Light source 120˚

Table lamp Mouth blown opal glass, solid ash legs, 2 meter fabric cord with dimmer. Ø: 20cm/7.9in x H: 25cm/9.8in. Untreated ash legs with white fabric cord, Untreated ash legs with black fabric cord, Black stained ash legs with black fabric cord, Smoked oiled ash legs with black fabric cord. G9 Max 40 Watt. The luminaire is compatible with bulbs of the energy classes: B - E. The luminaire is sold with a bulb of the energy class: E.

Product category Materials Dimensions (cm/in) Cord Colours Light Source:

Table lamp Paper pulp, 2 meter bordeaux fabric cord. H: 52.4cm/20.6in x L: 25.4cm/10in x W: 16.5cm/6.5in. Natural paper bordeaux fabric color. E27 Max 40 Watt. The luminaire is compatible with bulbs of the energy classes: A++ - E.

Bulb is not included.

120˚

75 60

105˚

25cm / 9.8in

90˚

75˚

60˚

90˚

75˚

60˚

75 45˚

52.4cm / 20.6in

105˚

V V1

45˚

100 cd/klm

45˚ C0,0-C180,0

30˚

15˚

0˚

15˚

C90,0-C270,0

30˚

45˚

30˚

20cm / 7.9in

C0,0-C180,0

15˚

0˚ C90,0-C270,0

15˚

30˚

25.4cm / 10in x 16.5cm / 6.5in

C o n c e p t a n d Cr e at i v e d i r e ct i o n All the Way to Paris P h o t o g ra p h y Casper Sejersen Federico Cedrone Petra Bindel Mikkel Rahr Mortensen S ty l i n g All the Way to Paris A RT p i e c e s Magnus Pettersen Texts Tack Studio Lonnie Johnsen Printed by Narayana Press &tradition PapirĂ¸en, Trangravsvej 24 DK-1436 Copenhagen K andtradition.com ÂŠ&tradition 2015