This is my very first architectural portfolio that includes selected undergraduate projects and most of the postgraduate projects that I've done in my five years of study at the University of Western Australia. It also includes some hand drawings, photographs of handmade architectural models and furniture, as well as architectural competitions that I've participated and won.
Contents Resume Cover Letter Letters of Recommendation 1) XL, Selected Postgraduate Work Hong Kong, Aerial Line Hang Zhou, Tieshahe Art District Milan, University Campus Center 2) S, Break Hand Drawings Architectural Models Furniture 3) M, Selected Undergraduate Work Mt. Barker, Winery + House Hampden Rd., Multi-purpose Studio 4) L, Break Architectural Competitions 5) L, Selected Postgraduate Work Perth, New Music Center Joondalup, Performing Arts Center Fremantle, Mixed-Use Complex
Aerial Hong Kong
Current Coastline 1887 Coastline
Narrative Architecture Yesterday I had a dream that I travelled to eight generations backwards in time, and I was able to see the world city as of today – Hong Kong as a fishing village, before all the horizontal and vertical developments began, in the next 200 years‌ Current Coastline
Time: Aug - Nov 2014 Year of study: 5th year, Master Project location: Hong Kong, China Professor: Kirill de Lancastre Jedenov Studio type: Independent research-based design Educational location: University of Western Australia, Perth, Australia
1887 Coastline
A city without ground A narrative of architecture_A study of Nigel Coates A blur highline_A study of Diller + Scofidio A site visit in person Aerial_A question on perspectives A master-research in progression A series of essays A list full of questions and interviews A future city without ground_but based on research and analysis
The design aims to interrogate the existing architectural typology in Hong Kong and consequently proposes suitable alternatives, rather than providing direct answers.
Functionality transformation G Floor
Perspective 1 and Stage 4: Relationship between nature and the built urban environment: eco-ideological architecture Perspective 2 and Stage 3: Environmental compression and social stress: mental-meditation architecture Perspective 3 and Stage 2: Community activities: human-scale architecture
1st Floor
2nd Floor
Perspective 4 and Stage 1: Heritage and urban renewal: transformational architecture Perspective future: A Volumetric city reunites human and nature once again through transportations
of ius d Ra
m 400
ideal walkable distan t is the ce i n le tha t he c r i c ur
3rd Floor
Rooftop
ban
en vir on m en 10
walking timing. G tes oo d
an
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urban envir on m e
Rad i us
the in
Central Market in abandoned state for over 10 years
Stage 4
Perspective 2
Stage 3
Perspective 3
Stage 1&2
Perspective 4
Stage future
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alking es w n ut
time. Best walkabi li t y dis tan ce .
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Central Police Station by Herzog & de Meuron
Perspective 1
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Former Police Married Quarter by Thoma Chow Architects
Section through proposal
Spatial Injustice
Purchase power imparity is stark in Central. Overpriced luxury brands in abundant display in lower floors of office skyscrapers in the northern part of Central (north of the area between Des Voeux Road Central and Queen’s Road Central) and at the same time street food stalls fill one after another curious “laneways” and residential towers are stuffed with various interesting retail stores and restaurants in the southern part of Central (south of the area between Des Voeux Road Central and Queen’s Road Central). The former ones rarely have customers. The fast-paced white-collars swarm through the air-conditioned elevated network infrastructures that connect most of the office and commercial buildings on the first or the second floor during lunch break, but hardly pay attention to these shops. On the contrary, the latter ones are full of visitors coming off the mid-level escalator and move through all the hidden lanes. However, this fact doesn’t even touch the
Essays
_extracted
Aerial Aeri a vie iew ww wiith itth h pro opo p sa s l th thro roug gh Hong Ho g Ko on ng Is sla and n
firm foundation of the Central Business Area in term of competing for profits, because in the misinterpreted meaning of the “Central Value”, Hong Kong is Central, the one and the same. Through accumulation of land banks that stresses a high evaluation strategy and a high handed operation, the power created under the “Central Value” turns every form of public life into consumption. Spatial justice in its most fundamental definitions is put under extraordinary stress in Central. In addition, the fragmented curious and playful activities in urban green and open spaces in Central hardly exist. These spaces are solely created in order to fulfill the required square meters of green space under urban planning policies. Whether it plays a success-
ful role of connecting people with nature again or not doesn’t even matter. The upholstered artificial natural scenes are created to pretend a sense of desperate attempting to reconstitute some form of natural experience which seems to be no longer available in the built urban environment. The high land value has determined the destination of maximization of development opportunities, resulting in a progressive encroachment of green spaces in Hong Kong. The remaining open green space consists of pocket parks, green roundabouts and flower shops at the corner of the streets, with their miniature size, isolated trees and hard paving. Mediating against these shrinking green spaces, numerous health orientated businesses have been set up in the developed areas such as medicinal shops, beauty salons, exercise gyms and fresh fruit juice stands. The dominance of the profitable commercial spaces controlled by the powerful and the rich create an illusion of the phenomenal convenience in a form of special transport infrastructures, replacing the much needed open green spaces. Neither the stuffed individual shops nor restaurants in the space that is squeezed out from residential buildings have the choice to value the open green spaces greater than their own survival, under the pressure of the monopoly of the rich and the powerful. As a result, Central is full of attractions, opportunities, interesting excitements and traffic in various ways, but still fails to create a sense of community or a node and pause for a deep breath. Together, these spatial injustices create an obvious sense of irony in relation to human life. In pursuit of real estate profit, the human body has been torn apart finding only comfort in the media image of its integrity projected on the walls.
Section through Hong Kong Island
I: Hi, please introduce yourself first. RH.W: Hi, my name is Ruohui Wang. I’m 23 years old. I’m from Beijing, China. I am a PhD student at the Chinese University of Hong Kong in New Territories and I’ve just finished my first year now. I: As a PhD student, do you have a job or means to get paid? RH.W: Yes I have studentship of about 14K HKD per month. It’s like doing research while getting paid for, and I’m a part time tutor at the university as well. I: How long do you work every day? RH.W: The actual work time is about 8 hours every day on weekdays. But I usually stay in the lab from morning till late night. So it’s actually more than 8 hours. I: And what do you do at work? How do you like it? Is it stressful? RH.W: Even though I’m getting paid, I’m still a student. I think it is fine for me. I do my research in the lab. Most of the time I read papers, books, and doing programing in the lab. My research is focused on computer science and everyone in the lab has a designated space and computer. My supervisor isn’t giving too much pressure on me but sometimes I’m stressed because the result isn’t good or the productivity is low. I: Does it affect you much when you are stressed? RH.W: Yes I find it’s harder to fall in asleep or have good rest. Actually before I came to Hong Kong, I already have some problems in sleeping. I feel it’s becoming worse in Hong Kong. But there are other factors as well, such as the bed is not very comfortable. It’s the smallest bed I’ve ever slept in, but it’s normal in Hong Kong since there isn’t much space in one’s living place. The weather is also a factor. It’s too hot and humid. I: Many people in Hong Kong like to go hiking or road trips on the weekends. According to the statistics, there are over 42% of lands are designated as country parks, and most of them are on the hills. RH.W: There are a lot of green space in the middle of Hong Kong Island, Kowloon and New Territory but I don’t go to country parks or go hiking or road trips on the weekends. I: Do you think these country parks can be regarded as open green public space for the people in Hong Kong? RH.W: Yes. To me an open green public space is a place that is quiet and without too many people. Everyone should find a relatively private space for themselves easily. Yes, like parks or similar places. I: A place where you can breathe fresh air, or at least fresh-
er air than what you can get from the CBD? RH.W: Yes. Breathe fresher air. I: Talking about the air. How do you find the weather in Hong Kong? Is there much of an environmental pollution? RH.W: Hong Kong is too humid for me. As for environmental pollution, I think Hong Kong is good actually, or at least, generally speaking, better than Beijing. I: Too many cars in Beijing? RH.W: Yes, and too many people. There is always going to be problems when a city is overcrowded. I: Do you own a car in Hong Kong? RH.W: No, because I can’t drive. I wouldn’t want one though. I heard that there is very limited parking space in Hong Kong and plus the public transport is very convenient in Hong Kong. I’d choose public transportation over owning a car any time in Hong Kong. I: I’ve noticed that many buildings, shopping malls, metro train stations and elevated walkways in Hong Kong have extremely low air conditioned temperature. It has caused illness to many travelers who are not used to it. What do you think about this? RH.W: I like it actually, especially when the temperature is above 30C˚ and the humidity is greater than 90%, which is quite normal in summer. Of course it will use a lot of energy but there isn’t many alternatives at the moment. An air conditioning system that is good for cooling and demoisturizing with efficiency is really needed. I think for most of these buildings the temperature should be set a bit higher than what it is now. I: Is the outdoor temperature all the same in Hong Kong? RH.W: The temperature in the mountain and under trees is cooler than the temperature in the city. If an introduction of some open green public space into the city can help solve this problem I’ll definitely support it because it’s natural and saves energy. But I think it’s too hard to change the climate in general. I: Have you heard of the term “Central Value”? RH.W: Yes I have. I think benefit is generally always what one pursues after all, but it shouldn’t be limited only in term of money. It needs to be something meaningful. So money driven and profit only is an ill value in my opinion. I: There doesn’t seem to be much of a choice when choosing to do activities in outdoor spaces in Hong Kong in general. Not many functional outdoor public space. RH.W: I agree. There isn’t much outdoor space in Hong Kong. People work in offices and shop in malls. Read
books and newspapers in bookstores and do fitness at indoor gyms. I think the indoor space is holding place for many of the activities that people do in Hong Kong. The other thing is the climate. It’s only suitable to stay outside from October till the end of December and a short period in spring. I prefer to do outdoor activities at these times. But for the hot and humid, the norm weather of Hong Kong, I’d rather stay inside. Again, there is enough good indoor space for all kinds of activities. I: Have you heard of the High Line in New York? (Followed by a short description) RH.W: This is the first time I’m hearing it. It’s creative and every city should have several similar things like it I think. A creative and beautiful design can always make people feel good. I like such a place but I think it can’t be just copied and pasted in Hong Kong because everywhere in Hong Kong the space is narrow and deep. There isn’t place for that kind of structure either. Maybe in Central or the new developed area where buildings have more space between them, in a different scale probably. I’d definitely go to places like that for leisure and recreation, or just simply relax. I: There is a lot of discussion about preserving historical buildings in places like Central and Kowloon currently and transform them into something completely new in term of functions and looks as well. We can call it the urban renewal. What is your thought on it? RH.W: Preserving historical building is important and transforming them into something new in a contemporary language, with new functions is brilliant. But from my point of view, what I really dislike is that there are too many dilapidated buildings in areas like Kowloon. They are usually buildings for living. They usually have existed for a long time but they do not have historical meaning or value and they are in old and bad conditions. I feel bad when I see them. So maybe it’s better to just pull down these buildings and redesign the whole area. Like the Kowloon Walled City, which has been demolished and replaced with a park. I: Thank you very much for your time today. It’s a great interview. I really enjoy it. Is there any last second thought? RH.W: Again, I’d like to stress on the bad condition of the outdoor space in Hong Kong. The space is narrow everywhere and with extremely tall and thin buildings around you. Yet the public transportation system is very well developed.
Interviews 30/09/2014 extracted_
“I THINK ARCHITECTURE IS NOT ABOUT CREATING A BEAUTIFUL FORM OR FASCINATING FAÇADE TO UPHOLSTER THE UNSATISFYING REALITY, BUT RATHER TO SPOT PROBLEMS AND TRY TO SOLVE THEM, IN AN ARCHITECTURAL WAY.”
P rspe Pe pe ect ctiv ve att 17t 7 h floo o r of the e pro ropo posa sa al
Tie Sha He Art District Considering the location of the site and its advantage of being historically important and the large number of human traffic daily, the design intents to improve the circulation and infrastructure of the existing site and introduce artistic, cultural and creative industry to help people understand Hangzhou in a more contemporary way. Based on the study of 798 in Beijing, M50 in Shanghai and Dafen Village in Shenzhen, the new Tie Sha He Art District will accommodate exhibition and performing centers, galleries, institutional and educational organizations and universities, artist studios and housings, anime and fashion related studios, public space for the community, the city and travelers – through the RED bridges, columns and platforms – a third city and alternative art center that is different to the old city center and the new CBD.
Inter-layer Vertical and Horizontal Vegetation and Shading 4th Layer Circulation and Program Platform 3rd Layer Circulation and Program Platform 2nd Layer Circulation and Program Platform 1st Layer Circulation Pedestrian and Cyclist Only Ground Floor Bridges Ground Floor Structure Grids Ground Floor Existing Buildings and Superimposed ‘Follies’ Ground Floor Circulation and Public Landscapes
Time: Jan - Feb 2014 Year of study: 5th year Project location: Hangzhou, China Professor: Romesh Goonewardene Studio type: Independent research-based design Educational locations: University of Western Australia, Perth, Australia; Zhejiang University and China Academy of Art, Hangzhou, China
Overpath
1 1. Art District Administration Buildings 2. Exhibition & Performance Business Centre 3. Anime/Arts Studios and Workshops, retails 4. ZJU and CAA and other Institutional Buildings 5. Artists’ Accommodation 6. Sculpture Gallery 7. Annual Pavilion Site
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Existing Overpath Circulation:
Pedestrian
Cyclist
Vehicle
30m Proposed Road Section
15m Proposed Road Section
15m Proposed East Side Canal Road Section
Proposed West Side Canal Road Section and Elevation
Kept Existing Historical Railway Warehouses, Offices, and Repair Factories
Proposed Structural Grid with possibility to extend to the surrounding neibourhood
New Infrastructure Sit on top of the Existing Buildings and Site
Proposed ‘Follies’ based on the Grid of the Existing; Hybrid New Architecture
Proposed Bridges, Circulations and Multi-purpose Platforms that Connect to All Sides
Superimposition of the Proposed and the Existing; New Ground Floor Circulation and Landscape
Result of the Old and the New; New Architecture Grows out of the Existing
Proposed Infrastructural, Structural, Programmatic, Functional Hybrid Alternative Architecture
Art District Phase 1 in the context of the Masterplan
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A di Au d tto orriium ex xp plo od de ed a ax xon onomet om met etri tri ric
Fiirs rst floo rst oor pl oor plan an
To Top op fl floo oo or pl plan an
Time me m e: Jan - Feb 20 2013 0 Year ar of o stud tud udy: d 4th th h year, y ar ar, rr,, Mas Ma asster er Pro Proj r e ec ect c loca oca cati tion: Mi M lan, an n, Italy n, ly ly Pro Prof o es es r: Marco esso M o Vit V tino no Stud ud dio o type: pe pe: e Indepen epe ep p dent d den rres re e ea earr h-ba earc h ba b s desi based esign es esi g Educ Edu ducatio a nal a loca al lo tion to :U tio Univer ive ve ersityy o off West s ern Aus Aust u ralia, a, Perth h, A Austra trr lia ttra lia; a P tec Po Poli tec te tecn e ico co o di Milan lan no,, Milan an, Italy a a al aly
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New student campus center and auditorium for Politecnico di Milano 4 The proposed building, landscape, and traffic organization all follow a simple yet the ultimate goal: to connect the two sides of the railway, to break the barrier. 1. Proposed new under-railway access 2. Proposed new train station 3. Proposed new auditorium 4. Proposed new student campus center 5. Proposed future development for commercial and research 6. Proposed landscape, theme park, square, and other public space 7. Proposed new location for recreational center
A series of study through building typologies in Milan and esp. Lambrate area and a series of study through the historical development of Milan, plus its future development direction guided the design process thoroughly and rigorously, from the beginning of a personal understanding of the city and its environment, to the struggle of realizing a harmonious solution to the site and an obsession of building forms, the idea has finally become clear, that no matter what, it’s the first priority and importance to “link” people from two sides of the railway, not by assuming an architectural form will solve such a problem, but to actually create space for public access and design the building around it. The railway gives a perfect “local condition”, which is unique in this area. To design site specifically is to consider all aspects within the context. Therefore the linear form of the railway is taken to be opened up under a comparatively light traffic track, and directly connect the “gap” between the railways, as well as the communities at the two sides. All other design decisions are worked around this linear concept, a thin corridor under the rail track and a linear building next to it, and the whole site is integrated in a linear landscape. For this project, less is more, in terms of the “linear concept”. It harmonizes the relationship between history and contemporary, between heaviness and lightness, between “local” and International; yet most importantly, between the two sides of the railway. Lo L ong ngit ngit itud itud diin nal sec cti tion on nal pe errspec sp pec ective v ve
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Sect Se ctio io iona ona nal al Pe Pers r pe ect c iv ve
Re R efe ere renc ce pl plan a an
Se ect ctio ona nal Pe Pers sp pe ectiv ive
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Hand drawings
1200mm full length
Invisible house
Architectural Models
Furniture Design Karri + Jarrah
The site is located in Mt Barker, Western Australia – a place that is covered with farm lands, grass and trees on both sides of Hay River. The project is to provide a winery along with a house on site for monitoring and resting for the owner who owns a large grape field and a wine business. Drawn to the natural landscape and the tranquility of the site, the design infuses the house onto the winery and at the mean time separate the industrial life and the private life of the owner.
Time: Mar - Jun 2012 Year of study: 3rd year, Undergraduate Project location: Mt Barker, Australia Professor: Marco Vittino Studio type: Independent design Educational location: University of Western Australia, Perth, Australia
Mt Barker winery and house Site plan aerial view
Plan winery storage
Looking downhill at the house and winery
Looking uphill at the house and winery
Winery office looking downhill
Hampden Road multi-purpose studio Time m : Ma M r - Jun 2012 Year of study: 3rd year, Undergraduate Project location: Nedlands, Australia Professor: Paul Wakelam Studio type: Independent design and docu ument m ation Educational nal loca nal l tion: University of Western Australia, Perth, Australia
The site’s location is at the corner of Hampden Road and Gordon Street, right next to the University of Western Australia Architecture Campus. The area is under City of Nedlands’ building code, and most of the buildings in this area are residential houses with a strip of light retails and office blocks. The project creates a social and creative hub for the students and the local communities and is highly transparent and accessible both visually and physically. It also provides extra studio space for the adjacent architecture campus’ students and teaching staff, and add more diversity in the residential houses dominated precinct.
Perspective to studio
Top floor studio space
Double-volume exhibition space
Fuzhou University Biochemistry Faculty Building Competition First Prize Scheduled to be built and completed in 2015
University of Western Australia Tavern Competition (Shortlisted) Hand-drawn panel photo
Design Concept The design concept wraps around the term “family and children”. Child is a family’s future and is what makes a young family happy. Everything in their eyes is different to what adults see, with a different eye level, a different perspective, and a different and innocent mind. To make the growing-up memorable for the child, low level fences are continuously wrapped around the whole site, to protect them from the “world outside”. Small hand-shaped cutouts that are created from the child’s own hands allow him/her to see through the fence and look at the “world outside”. Not only does the fence act as a fence only, it also is the garage cover, the entrance gate to the family, the “foundation” of the additional second storey (cast into the wall that rises two storey tall in the north), and clothes hangers (integrated function in the north near the new laundry room) and shading device. The hand-shaped cutout is also applied in the living and dining area to create subtle light change in the day and at night, which can be both appreciated inside and outside the house. The additional second storey is cantilevered out and then supported by a swing that also comes from part of the fence. Long stepseating-stairs are added in the front of the house to make it pedestrian-friendly (most of the old corridor fence is still kept).
Exquisite Corpse
Perth Culture Center New Music Project
1. WA State Gallery 2. WA State Library 3. New WA State Theatre 4. WA Natural History Museum 5. Perth International Contemporary Arts
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Perth Culture Centre consists of the WA (Western Australia) State Gallery, WA State Library, WA Natural History Museum, PICA (Perth International Contemporary Arts) and the New WA State Theatre. The site is known for the historic fabrics but doesn’t lack contemporary architecture. The New Music Project aims to re-define and re-interpret Music. Music Library, Gallery, New Music Theatre and Hotel are needed. The design concept acknowledges and respects the historical value of the existing fabrics, and hope to re-activate the “quieter” side of the site with more exciting public accesses and programs. As a result, Exquisite Corpse becomes the inspiration for the design. Tim Time T im im me e: Ma Mar ar - Jun Jun n 20 2013 01 01 Year Y Ye Yea ear ea ear a of of stud stud udyy:: 4th th year, year, earr, r, Mas Ma Ma aster ter er er Thus, The New Music Project grows like a tree. The Old holds the trunk of the existing; the Prroj Proj P ro r ect ec ct loca loc oc tion oca ocation tio tion: i : No ion Northb hb bridg dg ge e,, Aust Au Aus Au ust ssttrrali ral alil a al a Prof P rof rro o esso ess e es s r:: Brad ss d Lad Lady L ad d man man ma a New parts in two ways: one that flourishes on the top of the existing; and the other one Stu Stud S St tud tu udio o type yp ype: pe e Ind Ind dep epe epen p den dent d ent n des design sign gn g Edu Educ E du duc u atio io ional ona nal loc loca oca o c ttion ca ion: on n: Un niver ve sityy of ver of W We West Wes ess e est e errn ern rn Aust Au Aus A u us ust strali st strali ra ral alilia, al a ia a,, Perth erttth h, A Au us stra ttra rallia ia a reach its hands to the roots of the history.
Aerial view to the site
Exquisite Corpse
Building as Tree – growing out of the site; on top of the existing
Looking upward at the library on top of new music roof top lawn on the ground floor
Axonometric diagrams of the site’s existing and proposed buildings
Gallery
(on top of existing gallery archive and office building)
Library
(next to existing gallery archive and office building)
Gallery Archive and Office Building
New music
(underground of existing car park on ground floor)
Western Australia State Gallery
Hotel (on top of existing police court)
Police Court Building
Looking to the city after sunset in the library
West elevation of the site
North elevation of the site
South elevation of the site
Gallery interior with outdoor sculpture garden
East section of the site
Indian Ocean
Time: Aug - Nov 2013 013 Year of study: y: 4th 4 year, Mas M ter Project locatio ion on o n: Joondalup, Austra ralia Professor: Jenni niie Officer Studio type: Independent design (real competition brief) Educational location: Un niver iv sity of Western Australia, Perth, Australia; ive
Joondalup Performing Arts and Cultural Center Joondalup is a horizontal city. Its most valuable asset is nature itself. Sky, cloud, trees and vegetation, water, both natural and artificial. The concept is to preserve the site as much as possible by proposing to elevate the ground up by 12 meters and maintain the vegetation on the ground. Tall trees will be transferred to the park in the North in array to welcome visitors to the entrance of the theatre, which is also in the north. A 2-level underground car park is opened by a void that penetrate through the whole building at different levels. By doing so light and ventilation is introduced into both the building and the car park. Meanwhile a partial symmetry appears as if the ground became the water surface and both reflect and make the building (Flying-Box) float in the air. On the Flying-Box level, a 360 degree panorama view is available for the people to appreciate Joondalup’s beauty. On the ground floor public space is maximized. Activities like sports, outdoor performance, relaxation, markets, outdoor recreations and many others are encouraged to all ages of people. The theatre will finally be the identity of Joondalup, not by its architectural form, but by what it celebrates and brings to the community - a livable, natural, HORIZONTAL city.
Joon Jo onda dalu lup p La Lake ke
Sket Sk etch ches es
Indi In dian an O Oce cean an tto o Jo Joon onda dalu lup p La Lake ke
East elevation perspective
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Black Blac k bo box x th thea eate terr leve le vell
Black Blac k bo box x th thea eate terr leve le vell
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Lyri Ly ric c th thea eate terr le leve vell
Lyri Ly ric c th thea eate terr le leve vell
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Unde Un derg rgro roun und d ca carr pa park rk
Unde Un derg rgro roun und d ca carr pa park rk Builildi Bu ding ng a axo xono nome metr tric ic
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Perspective under “flying-box“
Unde Un derg rgro roun und d ca carr pa park rkss
“Fly “F lyin ingg-bo box” x” ttop op llev evel el p pla lan n
Seco Se cond nd flo oor or p pla lan n
Grou Gr ound nd flo oor or p pla lan n
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Flying-box level render
Lyric theater level render
Flying-box level render
Underground car park render
Sect Se ctio ion n AA & BB
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Flying-box level render
Lyric theater level render
Flying-box level render
Lyric theater level render
Sect Se ctio ion n DD
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E is Ex isti t ng ti g mas ste t rp rpla la lan an mode mo ode dell
Prrop P Prop opos po os sed d mas aste terp te rpla an mo m de del el
Heri He rita tage ge b bui uild ldin ing in g pl p an
Sk ket etch ch ch
Ex E xis isttiing ing g ma as ste terp rpla an m mo od de el
Prop Pr opo os sed ed maste as ste terp plla an m mo odel del de
Time T ime: Ma im ar - Jun 2014 014 1 14 Year ear ar of stud dy:: 5th 5th year, year ear, ar, ar r Mas r, Ma M as aster a tter err e Project Proj ect loca oca ca attion tii : Fr Freman eman em e man ntle, tle, e,, Au Austra ustralia lia Professo Prof essor: r: Nigel gel ge g e Wes el W tbro bro rook ook ok Studio Stud io type: type: Ind Indepen epen pen pe en e nd den dent ent n res nt esearc es earch h and and design design (de ec cons onstruc tru ruc rru uction uc uction tion on o no off competit comp etition ion brie brief) f) Educatio Educ ational nal loca location tion on n: U Un niver erssi er sit sity iity of West Western ern Aust s rali st ralia, a,, Perth ert er e rrth th t , Au Austra stralia lia
Frem Fr eman em an nttlle Ki King King gs Sq Square uare ua e Co om mpe ettiiti tion on De eco cons nstr truc tr uc cti tio on n: a c ciity withi itth hiiin n a ci city ty An A n arc chi hite hite tect c urre of of end ndle less le ess to ow wer ers s
Eastern entrance looking South
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Grou Gr ound nd flo oor or iinf nfor orma mati tion on c cen ente terr pl plan an
Firs Fi rstt floo oorr ci civi vic c ce cent nter er p pla lan n
Seco Se cond nd flo oor or c civ ivic ic c cen ente terr pl plan an
Aerial site perspective at night
Thir Th ird d floo oorr ci civi vic c of offi fice p pla lan n
Four Fo urth th flo oor or c civ ivic ic o offi ffic ce e pl plan an
Sevent Seve nth h floo oorr ci civi vic c of offi fice plan pl an
Fift Fi fth h floo oorr ci civi vic c of offi fice p pla lan n
Sixt Si xth h floo oorr ci civi vic c of offi fice p pla lan n
Eigh Ei ghth th flo oor or c civ ivic ic o offi ffic ce e pl plan an
View to church at night
View to bell tower in the day
Heri He rita tage ge p pla lan n
Heri He rita tage ge p pla lan n ba base sed d pa patt tter ern n fo forr cu cuto tout utss on o offi ffic ce e to towe wers rs’’ wa wallll
Civic center view to church
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Sect Se ctio ion n AA
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Perspective in underground library
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Sect Se ctio ion n CC