Xi, Wang
lO nl
y
Above Light a conversation with Toru Takemitsu (2006)
Fo r
Pe ru sa
for orchestra
XiWang Music Publisher Dallas, TX
Xi, Wang
lO nl
y
Above Light a conversation with Toru Takemitsu (2006)
Fo r
Pe ru sa
for orchestra
The world premier was performed by the Minnesota Orchestra, under the direction of Osmo V채nsk채, at the Orchestra Hall, in Minneapolis, on 26 October 2007.
XiWang Music Publisher Dallas, TX
Program notes: The elegance and colorfulness of Takemitsu’s imaginary soundscapes drew my deep love and admiration. The style of my compositions is quite different from Takemitsu’s. However, I believe the beauty of music is its diversity and the coexistence of difference. I see struggles in my life, so do my music. And I love both of them! There are two fundamental components in Above Light. The first material—a delicate melodic phrase played by piano, flute and harp, opens this piece. It reminisces and is a tribute to Takemitsu’s music. It is soon interrupted by the second material—heavy strokes from percussions and a dark, low, sustained note played by bass instruments. These two contrastive materials are juxtaposed several times, and are developed in length and density each time. Later there comes an attempt to combine all the materials vertically. The first material—a lyrical melodic contour is now played by piccolo and violins at the high register, producing a mist to shroud the rest of the orchestra. The other materials sweep in gradually, but violently conflict with the first. The orchestra reaches its saturation and is taken over by the massive sound from percussions. After reaching the forceful drum climax, the music collapses onto one long note played by violins at the extremely high register. It leads to a short recapitulation of the first material, with an aloof reminiscence of Takemitsu’s music. Xi Wang
4 Horns in F 3 Trumpets in C 3 Trombones 1 Tuba
Pe ru sa
1 Piccolo 2 Flutes 2 Oboes 1 English horn 2 Clarinets in Bb/A 1 Bass clarinet 2 Bassoons 1 Contrabassoon
lO nl
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Instrumentation
Fo r
4 Timpani 3 Percussion players: 1st percussion: 3 congas, xylophone, vibraphone (share with the 2nd percussion), marimba (share with the 2nd percussion), chimes, suspended cymbal. 2nd percussion: bass drum, vibraphone, log drum, crotale, marimba (share with the 1st percussion), tam-tam (share with the 3rd percussion) 3rd percussion: 5 tom-toms, whip, 5 wood blocks, tam-tam (share with the 2nd percussion), suspended cymbal. Harp Piano/Celesta Violin I Violin II Viola Cello Double bass Score is written in C as sounding except piccolo, contra bassoon, celesta, crotale and double bass.
duration circa 9 minutes
Above Light
Score in C
a conversation with Toru Takemitsu Xi, Wang (2006)
q=ca.56
Piccolo
p
Clarinet 2 in Bb
Bass Clarinet in Bb
Oboe 1
Oboe 2
English Horn
Clarinet 1 in Bb
Bassoon 1
Bassoon 2
Contrabassoon
Horn 1, 3 in F Horn 2,4 in F
p
pp
p
pp
con sord.
con sord.
Tuba
Percussion 1
Vibraphone
Piano/ Celesta
mp 3
pp
pp
pp
pp
pp
pp pp
pp
pp
p
p
p
p
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p
p
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3 3 mf 3
Violoncello
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p
pp
div.
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Viola
pp
div.
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p
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p
mp
p
div.
p
q=ca. 63
pp
Violin I
Contrabass
pp
Violin II
mp
D C Bb, E F G A p
p
p
Piano
q=88
Pe ru sa
Fo r
Harp
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Percussion 3
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Percussion 2
Timpani
Trumpet 2 in C
Bass Trombone
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Trombone 2
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Trumpet 1 in C
Trombone 1
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Trumpet 3 in C
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Flute 2
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Flute 1
Bass drum
Suspended cymbal (low pitch)
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© 2006 by Xi Wang
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Xi Above Light
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Fl. 2
Ob. 1
Ob. 2
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Xi Above Light
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Xi Above Light
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Xi Above Light
7
52 Fl. 1 6
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Xi Above Light
55
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Xi Above Light
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62
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Cl. 2
B. Cl.
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Xi Above Light
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70
Ob. 1
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Xi Above Light
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75 F q=108 Perc. 2
Perc. 3
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Ob. 2
Perc. 1
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Pno./Cel.
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Vln. II
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Xi Above Light
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79 Picc.
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Xi Above Light
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Fl. 2
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6
6
mf
5
sfz
mp
6
6
3
6
3
3 3 3
ff
Tba.
Timp.
3
ff 3
3
3
3
3
ff
sfz
use Lightning Rods or hot Rods on the shell of log drum.
3
Xyl.
ff
3
3
3
3
3
3
3
3
3
3
3
ff
3
3
3
3
(half players use wood another half use bowhair)
Cb.
div. col legno battuto
3
3
3
3
3
ff
fp
f
use Lightning Rods or hot Rods on the shell of log drum.
ff
ff
ff
fp
fp
ff
fp
ff
3
3
3
3
sfz
div. col legno battuto
3 sfz
sfz
fp
3
3
3
3
3
ff
3
3
ff
3
3
3
5
ff 3
ff
fp
3
5
3 sfz (half players use wood, another half use bowhair)
(half players use wood, another half use bowhair)
fp
Bass drum
sub.
fp
f p
ff
f
3
ff
psub. 3
sfz
3
sfz
3
f
div. arco ord.
ff
col legno battuto div.
3
f
psub.
3
3
div.
ff 3
3
3
f
3
sfz
6
Log drum
3
6
sfz
5
ff
3
sfz sfz
ff
5
ff
3
sfz
mf
mf
ff
ff
5
mf
sfz
6
6
mf
ff
fp
mf
5
mf
sfz sfz
sfz
Bass drum
Vc.
sfz
5 Wood blocks
3
sfz
fp
3
Vla.
ff
3
Vln. II
fp
ff
Vln. I
sfz sfz
sfz
sfz
mf
Log drum
Pno./Cel.
mf
ff
Perc. 2
5
3
sfz
sfz sfz
5
p
Perc. 1
Perc. 3
p
sfz
Pe ru sa
B. Tbn.
3
sfz sfz
mf
ff
Cbsn.
3
ff 3
Bsn. 2
p
sfz
3
sfz
5
sfz
mf
Fo r
Bsn. 1
sfz sfz
6
sfz
f
mp
B. Cl.
f
mp
Cl. 2
sfz
sfz
sfz
f
6
sfz
sfz
f
sfz
sfz sfz
5
mp
Cl. 1
sfz
5
mf
6
sfz
mp
Eng. Hn.
sfz
Ob. 2
y
83
lO nl
Picc.
13
3
3
3
div.
3
arco ord. div.
ff
fp
3
ff
fp
Xi Above Light
14
7
Fl. 2
f
5
6
f
sfz
5
sfz
Ob. 2
Eng. Hn.
f
6
Cl. 1
Cl. 2
Hn. 1, 3
fp
ff
fp
ff
fp
sfz
f
C Tpt. 3
Tbn. 1
B. Tbn.
ff
Perc. 3
Pno./Cel.
Vln. I
f
Vla.
3
3
unis. arco ord. 3
f
Cb.
fp
ff
fp
3
3
ff
sfz
3
ff
fp
div.
3
ff
fp
sfz
5
sfz
fp
ff
fp
ff
fp
sfz
ff
6
sfz
ff
ff
fp
ff
fp
ff
ff
fp
ff
fp
ff
ff
fp
fp
fp
ff
fp
ff
fp
ff
fp
ff
fp
ff
fp
ff
fp
ff
fp
fp
fp
fp
ff
fp
f
3
3
3
3
3
3
sfz
ff
fp
3
fp
3
3
3
3
ff
3
3
3
3
3
fp
ff
fp
3
ff
3
ff
3
fp
fp
ff
fp
sfz
fp
f
6
3
3
fp
f
fp
ff
col legno battuto (half players usediv. wood, another half use bowhair)
3
f
3
f
ff
fp
fp
6
f
ff
fp
sfz
3
3
fp
fp
3
3
ff
fp
f
5
ff
fp
ff
f
ff
3
fp
f
3
3
fp
fp
ff
3
fp
ff
sfz
7
ff
sfz
fp
3
5 Wood blocks
Vln. II
Vc.
fp
fp
ff
Bass drum
fp
Perc. 2
ff
Xyl.
fp
Timp. Perc. 1
ff
6
f
Fo r
sfz
sfz
fp
ff
ff
Tbn. 2
Tba.
3
Pe ru sa
C Tpt. 2
sfz
f
ff
C Tpt. 1
sfz
f
ff
3
f
f
ff
ff
sfz
sfz
ff
fp
ff
Hn. 2. 4
6
f
Bsn. 2
sfz
6
f
f
Bsn. 1
sfz
B. Cl.
sfz
5
f
sfz
f
6 sfz f
sfz
6
f
sfz
5
f
f
7
f
Ob. 1
Cbsn.
sfz
f
sfz
y
Fl. 1
sfz
f
lO nl
87 Picc.
sfz
fp
3
3
3
sfz
Xi Above Light
3
f
sfz
f
f
sfz
f
sfz
3
3
sfz
sfz
sfz
f
sfz
sfz
sfz
sfz sfz sfz
ff
fp
fp
Bass drum f
Xyl.
sfz
5 Wood blocks
div. 3
3
3
fp
sfz
sfz
ff
sfz
3
3
3
3
sfz
fp
sfz
3
3
3
sfz
3
6
6
sfz sfz sfz sfz 3 sfz
fp
3
3
3
3
sfz
3
3
3
sfz
sfz sfz sfz sfz sfz
ff
6
f
f 3
6
ff 6
ff
3
ff
ff
3
3
3 3 3
3
ff 6
3 3 3 ff
fp
sfz
Fo r
fp
Perc. 1
ff
fp
Pe ru sa
sfz
sfz To Cl. in Bb 3 sfz f To Cl. in Bb
sfz
f
3
fp
ff
f
fp
Vc. sfz Cb.
sfz
f
sfz
fp
ff
Vla.
f
sfz
fp
sfz
3
sfz
fp
ff
Vln. II
f
sfz
fp
Tbn. 2 ff B. Tbn. ff Tba. ff Timp.
Vln. I
3
fp
ff
Pno./Cel.
sfz
3
15
f
fp
ff
Perc. 3
f
sfz
f
3
G
sfz
Hn. 1, 3 ff Hn. 2. 4 ff C Tpt. 1
Perc. 2
sfz
3
fp
ff
Tbn. 1
f
sfz
3
f
ff
C Tpt. 3
f
f
Bsn. 2 ff Cbsn.
C Tpt. 2
sfz
sfz
ff
Bsn. 1
f
f
B. Cl.
sfz
sfz
f
Cl. 2
f
ff
Cl. 1
sfz
f
Eng. Hn.
f
sfz
3
Ob. 2
f
f
Ob. 1
f
sfz
sfz
f
Fl. 2
y
Fl. 1
lO nl
90
Picc.
Xi Above Light
16
Cbsn.
ff
Timp.
Perc. 2
6
6
mp
mf
pp
mp
pp
mp
pp
f
f
f
f
div.
p
3
p
5
Bass drum
f
mp
mp
p
f
pp
3
p
mp
pp
mf
3
Vln. I Cb.
3
Tba.
B. Tbn.
f
Tbn. 2
f
3
f Hn. 2. 4 f 3 Tbn. 1
3
f
mp
y
Bsn. 2
Fo r
Bsn. 1
H
lO nl
93
Pe ru sa
Picc.
p
pp
unis.
pp
p
f
pp
mf
Xi Above Light
Ob. 1
Ob. 2
Eng. Hn.
f
f
f
3
sub.
Cl. 2
B. Cl.
fp
Bsn. 1
3 mp
f
f
C Tpt. 3
Tbn. 1
3
3
sub.
Pno./Cel.
Vln. I
mp fp
Vla.
3
Vc.
ff
3
f 3 3
div.
p
p
p
f
ff
ff
ff
p
f
p
f
p
f
p
p
f
p
p
f
f
p
mp
pp
mf
f
unis. marcato
unis.
p
3
div.
marcato ff
3
mf
ff
ff
marcato
p
mf
f
f
div.
ff
ff
3
f
3
Cb.
Db C Bb, Eb F Gb Ab
arco ord.
f
mp
3
mf
Vln. II
f
3
f
mp
fp
3
3
f
f
f
f
3
Bass drum
Hp.
Perc. 1
f
3
mp
Marimba
Perc. 2
mp sub.
f
Timp.
Fo r
C Tpt. 2
f
3
f
C Tpt. 1
f
3 Bsn. 2 f mpsub. 3 Hn. 1, 3
Hn. 2. 4
f
mf
f
p
3
f
f
3
f
3 mp sub. Clarinet in Bb
mf
fp
p
3
f
3
f
mp
pp
f
f
fp 3
mf
f
fp
3
Clarinet in Bb
Cl. 1
3
lO nl
Fl. 2
3 3 ff 3 3 ff mp
mf
Fl. 1
Pe ru sa
Picc.
17
y
106
Xi Above Light
18
117
Picc.
pp
Eng. Hn.
Cl.
Cl.
B. Cl.
Fl. 1
Bsn. 1
mp
f
mp
f
ff fp
Bsn. 2
C Tpt. 1
sfp
Perc. 2
ff
3
f
con sord.
5
3
f
ff fp
sfz
pp
ff
mf
sfz
ff
Vla.
con sord.
ff fp
5
Vln. II
pp
pp
Cb.
3
ff
Vln. I
Vc.
ff
ff
Tam-tam Bass drum
ff
T.-t.
Fo r
Timp.
Pe ru sa
B. Tbn.
C Tpt. 3
Tba.
ff fp
con sord.
f
C Tpt. 2
lO nl
Cbsn.
y
ff fp
ff fp
Xi Above Light
19
125
Eng. Hn.
Cl.
Cl.
B. Cl.
Bsn. 1
Bsn. 2
Cbsn.
mp
f
Fl. 1
Timp.
Perc. 2
Vln. I
Bass drum
ff fp
sfz
sfz
sfz
sfz
sfz
sfz
ff fp
ff fp
ff
ff fp
ff
3
sfz
sfz
sfz
sfz
Bass drum
sfz
sfz
f
mf
sfz
sfz
sfz
ff fp
f
sfz
sfz
ff fp
sfz
ff fp
ff fp
f
mp
Vla.
5
pad on
3
Cb.
Vln. II
Vc.
mf
5
ff fp
ff fp
5
ff fp
ff fp
f
Fo r
B. Tbn.
Tba.
3 3 3
ff fp
con sord. 3
f
f
f
mf
3
con sord.
f
mf
3
con sord. C Tpt. 3
ff fp
f
ff fp
C Tpt. 1 C Tpt. 2
ff fp
y
3
lO nl
Pe ru sa
Picc.
ff fp
ff fp
(half players use wood, another half use bowhair)
sfz
sfz
col legno battuto div.
sfz
Xi Above Light
20
132
Picc.
B. Cl.
Bsn. 1
3
III
IV
senza sord.
senza sord. `
Hp.
Pno./Cel.
sfz
ff
f
f
sfz
sfz
sfz
sfz
sfz
ffp
ffp
ffp
sfz
ffp
fp
fp
sfz
sfz
sfz
sfz
sfz
f
Vla.
Vc.
sfz
sfz
l.v.
3
sfz
l.v. f
sfz
ff
Vln. II
sfz
sfz
sfz
ff
sfz
sfz
Vln. I
Cb.
Fo r
Perc. 2
sfz
fp
sfz
Timp.
fp
sfz
Pe ru sa
sfz
Tba.
sfz
B. Tbn.
sfz
ffp
C Tpt. 3
sfz
sfz
ffp
C Tpt. 1
ff
sfz
Hn. 2. 4
sfz
Bsn. 2
y
Cl.
3
ff
Cl.
Hn. 1, 3
Eng. Hn.
Cbsn.
lO nl
Fl. 1
sfz
sfz
sfz
sfz
sfz
Xi Above Light
21
139
Picc. ff
Ob. 2
Cl.
B. Cl.
sfz sfz
sfz sfz
sfz sfz
Tbn. 1
Tbn. 2
sfz
sfz sfz
Vln. I ff
Vla.
Vc.
Cb.
sfz
sfz
Ob.2
ff
sfz
fp
ff
sfz
ffp
sfz
ffp
fp
sfz
sfz
sfz
sfz
ff
sfz
sfz
Xyl.
f
sfz sfz sfz
ff
fp
fp
fp
sfz
sfz
f fp
ff
sfz
sfz sfz
fp
f fp
sfz
sfz
sfz
sfz
f
sfz
f fp
I
sfz
fff
f fp
sfz sfz
sfz
sfz
f fp
ff
sfz
f
f
fp
sfz sfz sfz
sfz
sfz
f
sfz
ff
senza sord.
sfz
sfz
f
fp
f
f
ff ff
ff ff
ffp
sfz
sfz
sfz sfz sfz sfz sfz sfz
sfz sfz
f
f
f
ff
fp
sfz
ff ffp
f
sfz sfz
ff
sfz
Vln. II
ff
fp
sfz sfz
sfz
f
sfz
Pno./Cel.
fp
fp ff
sfz sfz
sfz
sfz
Bass drum
Perc. 2
ff
sfz sfz
Timp. T.-t. sfz
sfz
Fo r
sfz Tba.
sfz
B. Tbn.
Hp.
I
sfz
C Tpt. 3
Hn. 1, 3
C Tpt. 2
sfz
C Tpt. 1
Bsn. 2 sfz Cbsn.
Hn. 2. 4
Bsn. 1
ff
Cl.
fp
Eng. Hn.
y
Ob. 1
Pe ru sa
Fl. 2
lO nl
Fl. 1
arco ord. f sfz fp
Xi Above Light
Ob. 1
Ob. 2 Eng. Hn.
Cl.
Cl.
Bsn. 1
Bsn. 2
Cbsn.
B. Cl.
3
fp
f
f
fp
ffp
fp
fp
fp
fp
Xyl. Perc. 1 Timp.
ff
ffp
ff ff
ff
f
fp
f
fp
fp
Vln. I Vln. II
fp
fp
f
fp
ffp
ffp
fp
ff
fp
fp
fp
fp
ff ffp
ffp
ff
fp
fp
fp
fp
f
f
ffp
f
f
fp
ff
fp
fp
f
f
ffp
ffp
f
ffp
fp
f
fp
fp
ff
fp
f
ff
ffp
Vc. Cb.
Vla.
ff
f
Bass drum Perc. 2 sfz sfz sfz 5 Tom-toms Perc. 3 mf
Pno./Cel.
f
ffp
f
ffp
ffp
f
f
ffp
fp
f
fp
fp
fp
fp
fp
fp
ffp
fp
f
f
ffp
ff
fp
fp
f
fp
f
ffp
fp
fp
Fo r
B. Tbn.
ff
Tbn. 2
ffp
Tbn. 1
Tba.
2
C Tpt. 3
ff
C Tpt. 2
ffp
C Tpt. 1
f
Hn. 1, 3
Hn. 2. 4
y
lO nl
146 ff Fl. 1 Fl. 2
Picc.
Pe ru sa
22
f
f
sfz
f
fp
f
Xi Above Light
23
Fl. 2
Ob. 1
Ob. 2
Cl.
Cl.
B. Cl.
f
f
fp
Bsn. 1
fp
f
Bsn. 2
fp
f
fp
Cbsn.
Hn. 1, 3
f
C Tpt. 2
C Tpt. 3
fp
fp
fp
fp
fp
B. Tbn.
fp
Tba.
fp
fp
Xyl. Perc. 1 Timp.
Bass drum
Perc. 2
sfz
Tom-toms
Perc. 3
Pno./Cel.
Vln. I Vln. II
Vla.
fp
fp f
fp
sfz
sfz
p ff p
p
fp
f
fp
f
fp
f
fp
f
fp
ff p
ff
ff
ff
p
ff
p
ff
5
fp
fp
p
3
fp
f
fp
f
fp
3
fp
ff
sfz
f
fp
f
f
fp
f
fp
f
fp
f
fp
ff
ff
ff p
3
f
p
ff
p
f
ff p
fp
f
fp
f
fp
ff p
fp
mf
sfz
sfz
f
p
5
fp
ff
fp
fp
p
f
fp
ff
fp
fp
ff p
p
ff p
ff
fp
fp
fp
f
f
fp
3
fp
fp
f
ff p
ff p
ff
ff p
ff p
3
Cb. Vc.
fp
fp
fp
f
fp
ff p
fp
fp
fp
fp
fp
Tbn. 2
fp
ff
Tbn. 1
ff
ffp
Fo r
C Tpt. 1
ffp
ffp
ffp
ff
ffp
ffp
Hn. 2. 4
fp
ffp
ffp
fp
fp
fp
Eng. Hn.
y
Fl. 1
3
lO nl
Picc.
Pe ru sa
151
3
ff
ff
f
ff
ff
fp
Xi Above Light
Fl. 1
Fl. 2
Ob. 1
Ob. 2
Eng. Hn.
Cl.
B. Cl.
Bsn. 1
Bsn. 2
Cbsn.
C Tpt. 3
Tba.
3
ff
Pno./Cel.
f
p
Bass drum
sfz
ff
ff ff p
ff
Vla. Vc. Cb. f
ff
p
f
ff
3
p
fp
fp
fp
f
ff
sfp
ff
sfp
p
ff
3
f
fp
ff
sfp
f
sfp
ff
sfp
ff
sfp
ff
sfp
ff
sfp
sfp
p
f
sfp
p
sfp
fp
ff
3
p
ff p
p
sfp
ff
fp
5
ff p
p
f
ff
ff
ff p
ff
sfp
5
fp
ff
3
p
ff
ff
ff
ff p
5
fp
sfp
p
ff sfp ff p
5
ff
ff
p
sfp
ff p
p
ff
ff p
3
p
Vln. II
fp
f
fp
f
5
fp
Vln. I
fp
fp
f
fp
ff p
Tom-toms
Perc. 3
fp
Timp. Xyl Perc. 1 Perc. 2
ff p
5
ff p
Fo r
B. Tbn.
f
Tbn. 2
f
Tbn. 1
f
C Tpt. 2
f
ff
C Tpt. 1
Hn. 1, 3 p Hn. 2. 4
Cl.
y
Picc.
lO nl
155
Pe ru sa
24
ff
sfp
Xi Above Light
Fl. 2
Ob. 1
Ob. 2
Cl.
Cl.
B. Cl.
Bsn. 1
Bsn. 2
Hn. 1, 3
ff
C Tpt. 1
C Tpt. 2
C Tpt. 3
Tbn. 2 B. Tbn.
Tba.
ff
sfp
ff
sfp
ff
sfp
ff
sfp
sfp
ff
sfp
sfp
ff
5
3
ff
sfp
sfp
ff
Bass drum
ff
Tom-toms
Pno./Cel. Vln. I fff Vln. II
Vla.
Vc.
Cb.
ff
p
p
5
fp
3
f
ff
sfp
sfp
fp
f
fp
ff
sfp
sfp
sfp
sfp
ff p
ff
ff
sfp
sfp
ff
sfp
ff
sfp
sfp
p ff
5
ff
sfp
ff
sfp
ff
sfp
ff
ff
sfp
ff
p
5
ff ff p
p
sfp
ff
sfp
ff
sfp
sfp
sfp
fp
3
p
ff
ff
ff
f
ff
sfp
3
ff
5
fp
f
ff p
ff p
p
fp
sfp
ff p
p
3
sfp
p
ff p
ff
ff
ff
sfp
ff
ff
ff
ff
div. div. ff
sfp
ff
ff
p
sfp
ff p
5
ff
ff
3
sfp
ff p
ff
sfp
p
ff
p ff
ff
ff p
ff
ff p
fp
Xyl. Perc. 1
ff
f
ff ff p
Timp.
Perc. 2
ff
sfp
p
f
ff
Tbn. 1
ff
Hn. 2. 4
Perc. 3
Eng. Hn.
Cbsn.
y
fff
lO nl
Fl. 1
Pe ru sa
Fo r
Picc.
25
158
fp
ff
sfp
ff
sfp
Xi Above Light
161
Picc.
Fl. 1
Ob. 1
Ob. 2
Eng. Hn.
Cl.
Cl.
B. Cl.
Fl. 2
sfp
ff
ff
sfp
ff
ff
ff
sfp
sfp
3
sfp
ff
ff
sfp
ff
sfp
ff
sfp
ff
sfp
ff
sfp
ff
sfp
Bsn. 2
ff
sfp
ff
sfp
ff
sfp
ff
sfp
ff
sfp
ff
sfp
ff
sfp
ff
ff
sfp
ff
ff
C Tpt. 1
C Tpt. 2
C Tpt. 3
Tbn. 1
f
5
3
B. Tbn.
Tba.
ff
Perc. 1
Bass drum
Perc. 2
ff
fp
Pno./Cel.
Vla.
sfp
3
p
fp
p
ff
f
5
ff
sfp
ff
sfp
sfp
ff
sfp
sfp
Vc. Cb.
ff
sfp
ff
sfp
fp
ff
ff
sfp
ff
sfz
ff
sfp
fp
S. Cymble
p
p
ff p
sfp
ff
3
sfp
p
sfp
ff
sfp
p
pp
5
ff
sfp
fp
ff
ff p
f
ff
5
3
fp
f
p
3
ff
ff
ff
ff p
ff
fp
sfz
p
ff
ff p
5
sfz
sfp
ff p
ff p
p
sfp
ff
p
f
3
p
sfp
p ff
ff
ff p
ff
fp
ff
ff
sfp
f
ff
sfp
Xyl.
p
ff
ff
5
Vln. I Vln. II
p
Tom-toms
Perc. 3
ff
ff
ff
f
Tbn. 2
Timp.
p
ff
ff p
p
sfp
sfp
ff p
p
ff
Hn. 2. 4
y
Hn. 1, 3
lO nl
Pe ru sa
Cbsn.
sfp
Bsn. 1
Fo r
26
f
3
ff
sfp
ff
sfp
Xi Above Light
J
27
164
Picc.
Fl. 1
Fl. 2
Ob. 1
Ob. 2
Eng. Hn.
Cl.
Cl.
B. Cl.
ff
Bsn. 1
ff
Bsn. 2
ff
Cbsn.
ff ff ff
C Tpt. 2
C Tpt. 3
Tbn. 1
ff B. Tbn. ff Tba. ff
Tbn. 2
lO nl
ff ff Hn. 2. 4 ff C Tpt. 1 Hn. 1, 3
y
ff ff
Pe ru sa
ff
Fo r
Timp.
fp
Perc. 1
Conga stick
p
Perc. 2
Bass drum f
Tom-toms
Perc. 3
Pno./Cel.
p
ffp
free bowing Vln. I Vln. II
ffff sempre
Vla. fff Vc. fff Cb. fff
fff
Xi Above Light
28
K
169
Timp.
ffff
Perc. 1
Perc. 2
Perc. 3
ffff
ffff
ffff
Vln. I
ppp
mp
ppp
Molto rit.
mf
Pe ru sa
pp
Piano
mf
Fo r
Pno./Cel.
q=ca.63
lO nl
176
Picc.
L
y
Vln. I
mp
l.v.
mp
pp