Portfolio of Yi Xu by xuyiportfolio

CO-EXISTENCE

YI XU Portfolio | Selected Works 2017-2020 Hunan University | Architecture Application For Architectural Design MArch, University College London Student Number:21089204

THE ARCHITECTURAL EVOLUTION IMAGE OF CHAOZONG HISTORICAL STREE FROM THE IMAGE OF CHANGSHA CITY SERIES

©YI XU

CO-EXSISTENCE

Destructive Conflict

Passive Co-existence

Active Co-existence

While much of the scholarly writing on co-existence has focused mainly on event conflicts, its basic tenets -- recognizing multiplicity, the worth of the 'Other,' and nonviolence -- are applicable in architecture.Active coexistence is what I am committed to exploring. In this type of coexistence, relationships are characterized by a recognition and respect for diversity and an active embrace of difference. I believe that the world is actually not static or chaotic, but it lacks clear expression, and there is no possibility of open and public sharing.I think architecture is to create a continuum of relations, reciprocities, and comprehensible communication with the latent world. Soliciting a wide array of questions about refugee, transculturalism, visibility, inclusion, and exclusion, the portfolio sheds light on the long-term social processes generated between architectural form and its context.How to balance the complexity of architecture and make it coexist with the context has always been my concern. Architecture of Co-existence offers a truly interdisciplinary perspective on a very timely subject: “Building pluralism” means designing for a respectful inclusion of different cultural needs, practices, and traditions.

CONTENTS REFUGEE DAILY

A SECTION DESCRIBING THE REFUGEE’S ESCAPE HISTORY

RIVER FRAME

THE RESPONSE TO URBAN LIFE AND NATURAL CONTEXT

ROOF STREET

NEIGHBORHOOD RELATIONSHIP ON THE FIFTH FACADE

CITY DNA

A CELEBRATION AND EXTENSION OF THE LIFE OF THE CITY

LIGHT UPON THE RUINS

'CROSSING THE RED SEA' & THE HISTORY OF THE FORT

THE IMAGE OF CHANGSHA CITY SERIES ARCHITECTURAL DRAWING &HITORICAL STREETS

REFUGEEDAILY REFUGEE DAILY LIBYA WEEKLY

———— Monday / December 27 / 2010 / No.000,001 ————

Publisher: Tripoli Refugee Press Editors: Yi Xu, Xun Ji, Yifan Xue Publish Time: 2020 Summer Site: Tripoli, Libya www.refugeedaily.com

01 REFUGEE DAILY A SECTION DESCRIBING THE REFUGEE’S ESCAPE HISTORY Academic Work, 2020 FALL Instructor:Lin Duoduo Site: Tripoli,Libya Team:Yi Xu,Yifan Xue,Xun Ji Contribution: Concept(65%), Research(60%), Diagram(50%), Modeling(45%), Rendering Drawing(50%)

Reminiscent of the form of newspaper, the miserable past of the refugees was recorded and restored. We also reconstructed the section of the ship according to the refugee’s suffering when they fled. The profile of ship comprises three parts: a factory where refugees are trafficked by smugglers, a detention center where they were illegally sent across the border, and a refugee camp where they were quarantined when they arrived in Europe. The history in which refugees' economic, political and cultural rights were deprived was described by means of metaphor. The first space displays the contradictions and tensions in the geographical landscape of capitalism. Neocolonialism civilizes and tamed the other under the surface, revealing the miserable exploitation of refugees. The second space, through Michel Foucault's archetypes of Discipline and Punish as well as Panopticon, demonstrates the brutal punishment and control imposed by the authorities on refugees. The third space, inspired by the The Truman Show, creates a scene where the pseudo happy refugee community performed as a propaganda culture and campaign tool for politicians in the third receiving country. In the whole process of the scheme, architectural design was more like a materialized practice of thinking. Narrative served as one of the most pivotal vehicle to define a refugee problem or even more, enabling me to comprehend the latent world from another perspective.

There is a fairy tale that the Libyan people compete to chant which called:Udea and her seven brothers. One day, the brothers set out and told their aunt that if their mother had a daughter, to wave a white handkerchief, and they would return at once;. It was a daughter, but the aunt wished to be rid of the boys, so she waved a sickle. The daughter, Udea, grew up not knowing about her brothers. One day, an older child taunted her for driving her brothers away, who were forever roaming the world; she questioned her mother and set out to find them. Her mother gave her a camel, some food, a cowrie shell about the camel's neck as a charm, an African and his wife to take care of her. On the second day, Barka told Udea to get off the camel so that his wife could ride in her place. The wife was close by and told Barka to leave Udea alone. Udea called out for her mother to no avail and Barka threw the girl to the ground. The wife climbed onto the camel and Udea walked on the ground, her bare feet cut up because of the stones on her path. Udea abandoned by them, she have no choice but to walk alone. One day, Udea passed a city, where they were told of the castle where the brothers lived. However, they accepted her without question. Her tears of joy left white marks on her face. One alarmed brother took a cloth and rubbed the mark until the pitch was gone. The brother asked her who had painted her skin black, to which she would not answer. She finally relented, describing the treatment she received during her travels. Here her new journey begins……

01|

HISTORY GEOGRAPHY SITE LOCATION

|NEWS

REFUGEE DAILY ———— Monday / December 27 / 2010 / No.000,001 ————

LIBYA WEEKLY

INSIDE The site location History of the refugees Refugee in Africa

HISTORY OF REFUGEES

2000BC

Returning Home to Ithaca

THE ODYSSEY

The last part of the Trojan Horse war, after 20 long years, brings home Odysseus, the hero of the shipwreck. On his way back to Greece, God punishes him, puts him through all kinds of hardships, and he ends up with his wife, his friends and his family dead, and he comes home alone.

0-500AD NOAH'S ARK

The story of the Hebrew Bible Genesis, a large ship built on God's instructions, is originally described as a square vessel, but many of the images are depicted as approximate ship-shaped vessels, built to allow Noah and his family, as well as the world's various land creatures to escape a god-made flood disaster, records that It took decades for Noah's Ark to be built

1500-1700AD Hobbes LEVIATHAN OR THE MATTER

The whole book of Livitan is divided into four parts, namely, "On Man", "On the State", "On the Christian State" and "On the Dark Kingdom". It was written at the time of the English Civil War. In this book Hobbes presents his views on the social foundations and the legitimacy of government. In human nature, some people may be stronger or smarter than others, but none will be strong or smart enough to die in violence. When threatened with death, a man in a natural state must do everything in his power to protect himself. Hobbes believed that protecting himself from violent death was the highest necessity of mankind, and that power came from necessity.

1860-1880AD

Illegal Immigration

FROM AFRICA

Slave traders sailed from Europe to Africa 20,000,000+refugees

The Atlantic slave trade, or transatlantic slave trade. It refers to a trade in the Transatlantic region that provided the people of the African continent as cheap labour to the colonies of the American continent during the 16th and 19th centuries (some believe it as early as the 15th century and into the 20th century). Slaves came mainly from West and Central Africa, where blacks were captured by Europeans through trade or attacks, kidnappings and other means to the American continent.

1000BC

“ARGO” of Easun The Argobai, a duo of Greek mythology, was built with the help of Athena by Greek hero dao such as Iason. It can accommodate fifty oarsmans and take the shipbuilder's name and name it "Argo", which means "light ship". The heroes took this boat to obtain gold wool. The ship has since been burned down as a sacrifice to Athena. That's where the South Boat Seat

1500-1700AD

Tommaso Campanella

CIVITAS SOLIS

Comparnella virtualized a conversation between a Genoa navigator and a pilgrimage guest house, depicting a new ideal society that was unknown to the world and based on principles fundamentally different from the social systems of Italy and Western Europe at the time. Sun City is located on a hill at the equator, the size of a city, there is no private property, no exploitation, labor for all, production and consumption by the four leaders known as "shaped scholars" "power" "wisdom" and "love", with institutional organization arrangements, products distributed according to the needs of citizens, children raised by the

1700-1800AD Hieronymus Bosch

THE SHIP OF FOOLS Fool ship is medieval literature and social life in the disposal of the insanity of special tools, people will be mad people aboard, letting it drift in foucault's madness and civilization book, a madman originally did not become one of important condition, crazy people wandering across Europe, their image through a variety of literary works has become the symbol of the mysterious wisdom, crazy people often say that the key words and modern leprosarium became a lunatic asylum, people with crazy people a big shutter, and relentlessly quiet place crazy people, this is not evidence of human reason, it is another kind of madness

FROM EUROPE

After the end of the First World War, the defeated Germany was in turmoil and serious social, political and economic crises occurred, which also forced many Germans to emigrate to other countries for a long time in the first World War. Due to the active participation of the United States, the social unrest and political crisis in Germany intensified early after the defeat ended in

1960-1980AD Regugees

FROM VIETNAM

30,000+refugees shipping to china

Between 1978 and the early 1980s, more than 200,000 Vietnamese refugees poured into China's borders as a result of the Vietnam War. China's local government accepts all refugees unconditionally, and all of them are provided free of charge by the government. According to statistics, by the end of 1978, China had accepted a total of 265,000 Vietnamese refugees to seek refuge in China.

“愚人船”是中世纪文学和社会生活中处置精神错乱者的特殊工具，人们将疯人送上船，任其漂流。在福柯的《疯癫与文明》书中，原本疯癫并没有成为区分人的重要条件，疯人们游荡在欧洲各地，他们的形象通过各种文学作品成为了神秘智慧的象征，疯人经常可以说出关键的话语。而近代的麻风病院成了疯人院，人们随之对疯人实行大禁闭，并且无情地静置疯人，这并不是人类理性的明证，恰恰是另一种疯癫的表征。

FROM VIETNAM

Indo-Chinese refugees in China refer to refugees taken in by the Chinese government during the Indo-in crisis, the vast majority of whom are from Vietnam, only a small number from Laos and Cambodia, and the vast majority are Chinese or ethnic Chinese, and only a small number are Vietnamese.

to America

《利维坦》全书分为四部分，分别为“ 论人”、“论国家”、“论基督教国家”、“ 论黑暗王国”。该书写于英国内战进行之时。在这书中霍布斯陈述他对社会基础与政府合法性的看法。在人类的自然状态下，有一些人可能比别人更强壮或更聪明，但没有一个会强壮到或聪明到不怕在暴力下死亡。当受到死亡威胁时，在自然状态下的人必然会尽一切所能来保护他自己。霍布斯认为保护自己免于暴力死亡就是人类最高的必要，而权力就是来自于必要。

Fool ship is medieval literature and social life in the disposal of the insanity of special tools, people will be mad people aboard, letting it drift in foucault's madness and civilization book, a madman originally did not become one of important condition, crazy people wandering across Europe, their image through a variety of literary works has become the symbol of the mysterious wisdom, crazy people often say that the key words and modern leprosarium became a lunatic asylum, people with crazy people a big shutter, and

1880-1900AD Illegal Immigration

1920-1940AD 1940-1960AD Jewish shipping Illegal Immigration

康帕内拉虚拟了一名热那亚的航海家和朝圣招待所管理的对话，描绘了一个不为世人所知、按照根本不同于当时意大利和西欧各国社会制度的原则建立起来的新型理想社会。太阳城位于赤道的一座小山上，面积和一座城市相仿，这里没有私有财产，没有剥削，人人劳动，生产和消费由被称为“ 形而上学者”“威力”“智慧”和“爱”的四位领导人所管理，有机构统一组织安排，产品按公民需要分配，儿童由国家抚养和教育，教育与生产相联系[1]。

Israeli submarines sank a ship loaded with refugees in the waters of Lebanon

SITE LOCATION Tripoli is the capital of Libya, the capital of Tripoli district, the political, economic and cultural center of the count r y, a n d t h e l a rg e s t i n t e r n a t i o n a l m e t ro p o l i s i n L i bya . The base is located between Tripoli’s Green Square and the coastal port.The site has a distinct historical value, with The Romans, Vandals, Byzantines, Arabs, Spaniards, Turks, Italians and British successively occupying Tripoli, and green Square became a place for people to march in the turbulent situation in Tripoli after the fall of The Gaddafi regime.

FROM EUROPE

After World War II, the anti-Semitic forces in American society gradually weakened. On the one hand, the atrocities of persecution and massacre of Jews in Nazi Germany were widely condemned, aroused sympathy and support for Jews, and anti-Semitic racist forces in American society became increasingly unpopular; For various reasons, some U.S. government leaders have also adopted a supportive and rallying attitude towards Jews, such as the earlier Wilson and later Presidents Roosevelt and Truman, who not only supported the Zionist movement and the establishment of the State of Israel internationally, but also used some Jews in important positions in domestic politics. So, since the war, Jews have evolved into one of the most influential minorities in American society.

第二次世界大戰後，美國社會中的反猶勢力逐漸減弱。一方面納粹德國迫害和屠殺猶太人的暴行受到了普遍的譴責，激起了人們對猶太人的同情和支持，美國社會中的反猶種族主義勢力越來越不得人心；另一方面，猶太人經過努力奮鬥，開始在美國社會中紮下根來，影響越來越大，各個領域中都出現了一些傑出的代表人物。一些美國政府領導人出於各種原因，也對猶太人採取了支持和拉攏的態度，如較早的威爾遜和後來的羅斯福、杜魯門等幾位總統，不僅在國際上支持猶太復國主義運動和以色列國的建立，在國內政治中也起用了一些猶太人擔任重要職務。所以，戰後以來，猶太人逐漸發展為美國社會中最有影響的一個少數民族。

2000-2020AD 80,000,000+ Refugees

FROM LIBYA

The European refugee crisis refers to the surge of refugees or economic migrants from the Middle East, especially from Libya, through the Mediterranean to seek residency in EU countries since the Arab Spring broke out at the end of 2010.

1978年至上世纪80年代初期，因为中越战争产生的20余万名越南难民潮水般涌入中国边境。中国地方政府对所有难民都无条件接收，这些一无所有的难民，吃穿住用全部由政府无偿提供。据有关统计，到1978年底为止，中国一共接受了26.5 万名越南难民到中国避难。

在华印支难民，是指在印度支那难民危机中由中国政府收留的难民，绝大多数为来自越南，仅有少量来自老挝和柬埔寨，而且绝大多数是华人或华裔，仅少量为越南京族。

T h e M e d i t e r ra n e a n h a s t h re e m a j o r ro u t e s o f m i g ra t i o n o f re f u g e e s a n d a s y l u m - s e e k e rs i n t o E u ro p e. T h e M e d i t e r ra n e a n ro u t e r u n s f ro m N o r t h A fr i c a , m a i n l y L i b y a , t o I t a l y. T h e E a s t e r n M e d i t e r r a n e a n ro u t e f ro m Tu r k e y t o G re e c e . T h e w e s t e r n M e d i t e r r a n e a n ro u t e r u n s f ro m M o ro c c o t o S p a i n a n d , b e c a u s e i t i s c h e a p e r t o c ro s s t h e d e s e r t , p e o p l e o f t e n u s e Tr i p o l i a s a s t a g i n g p o s t t o s m u g g l e t h e m s e l ve s i n t o E u ro p e . .

02|

SMUGGLER’S FACTOR ECONOMIC EXPLOITE

|NEWS

REFUGEE DAILY ———— Monday / December 27 / 2010 / No.000,001 ————

INSIDE Migration route of refugees Refugees into the factory

LIBYA WEEKLY

ESCAPE ROUTE

People flee their homes since the war began. During their fleeing process, they beard the hot desert climate of southern Africa.In order to stay alive, they are forced to exchange money with the smugglers to redeem themselves from their control. Due to the squeeze of the snake's head , they have to work in the sweatshop for several years. During this period, the refugees were mostly subjected to capital exploitation by the smugglers.

SMUGGLER'S FACTORY —— Economic Exploitation

In the design, a screening mechanism is set up at the entrance, metaphoring refugees' miserable experience during their fleeing process. When they enter the factory, they are forced to receive vocational education and manage to pass the vocational exam, otherwise they will go to prison and die.The refugees who pass through rent a container in the factory, which will inflate because of thousands of refugees' entry. The refugees need to trade labor in a trading center in order to buy themselves out of the factory. With the increasingly difficult trade, many have fallen down the drain to their deaths.

03|

PRISON POLITICAL EXPLOITE

|NEWS

REFUGEE DAILY ———— Monday / December 27 / 2010 / No.000,001 ————

INSIDE Migration route of refugees Refugees being educated

LIBYA WEEKLY

ESCAPE ROUTE

After leaving the factory , which belongs to the Snakehead, the refugees cho se to flee. However, most of them were detained by the Libyan government's run coast guard. In the detention center, they were imprisoned and exploited for t heir personal freedom. During this period, the refugees were mostly subjected to political exploitation by the smugglers.

DETENTION CENTE —— Political Exploitation

The second space, through Michel Foucault’s archetypes of Discipline and Punish as well as Panopticon, demonstrates the brutal punishment and control imposed by the authorities on refugees.In detail, the power entrenched in the center of architecture is passed Three ways have completed the reshaping of people, they are normalizing judgment,hierarchical observation,inspection.

04|

MODEL COMMUNICATE CULTURAL EXPLOITE

|NEWS

REFUGEE DAILY ———— Monday / December 27 / 2010 / No.000,001 ————

LIBYA WEEKLY

INSIDE Migration route of refugees The model refugee camps The media to be shown

ESCAPE ROUTE

Some refugees eventually escaped from the detention centre, successfully fleeing to Europe. In European Customs centres, some were sent back, some were detained, only a small number of people entered the European refugee camps, in which contains numerous media exposure. The media express their humanitarian spirit, or make use of the refugees to get votes. In this period, the refugees were mostly subjected to cultural exploitation by the mainstream media.

REFUGEE CAMPS —— Cultural Exploitation

In this part of the design, the entrance is a screening mechanism that is a metaphor of the European customs and the EU government agencies. In the middle there is a model community where will be shown to attract the media to report. However, the major of refugees live in slums beneath model communities. Every time the media enter, they are forced to the model community from the slums for media filming.

05|

UDEA FINDING HER BROTHERS

|NEWS

REFUGEE DAILY ———— Monday / December 27 / 2010 / No.000,001 ————

LIBYA WEEKLY

" New garbage coming!!! "

" Sweatshop!!"

Leave don't come back!

They are crazy!!

I can come over this

Who whats some new beds

My brothers here!!

How can I walk through...

Catch the girl!

That's great!

INSIDE The section The way Udea finding her brothers

Refugees are rebuilding there new lives!!

That's another fairy tale

06|

ADERTISEMENT THE FILM

|BACK PAGE

REFUGEE DAILY ———— Monday / December 27 / 2010 / No.000,001 ————

LIBYA WEEKLY

INSIDE The end of the story A film of the story and the reviews.

Charlotte London Evening Top Critic

Kevin Times Top Critic

Jail and the boat scenes, at the beginning and end, may be a tad implausible, not to mention the end of the story. But the middle section, mostly move cameras on the factory and the model community of the boat, is breathtaking, topical, hilarious, tender and brutal.

The swelling migrant crisis in Libya gets a human face in this frequently harrowing Oscar-nominated drama from the director. The non-professional child actor stars as Udea, a protective and foul-mouthed urchin from the slums of Libya who, as the film opens, is suing his neglectful parents for bringing him into this cruel world.

Peter Guardian Top Critic It’s a much angrier, tougher - and sometimes funnier - film than you might imagine from its cloying opening premise.

Bilge Village Voice Top Critic

Tomris Ebert.com Top Critic These pains somehow don’t feel exploitative or gratuitous-there is a nuanced matter-of-factness even in Udea’s empathy that prevents it to ever become pity.

Despite an awkwardly didactic climax, the results are grueling and powerful.

Adam D News Top Critic

Matthew San Diego Reader Top Critic

I’ve seen amusement park goddesses stripped naked, washed blood-stained clothes, and heard rumors that Spider-Man has become a cockroach. Just know that beauty will become ugly, purity will become dirty and smelly, heroes are all over the world, but there is nothing they can do. Give virginity to the world, pierce the ugliness with a dagger, sue your parents by prosecution, and laugh and mock fate. Zane gave the baby to the man, only to learn that he could not protect anyone. He stood on the corner of the dilapidated street, as if life had come to an end.

A film that explicitly argues against the war into the world under difficult circumstances while relying for its narrative hook and dramatic effect on the heroism and resilience of a child finding her brother under difficult circumstances and foul-mouthed urchin from the refugee camps who, as the film opens, is suing his neglectful brothers for bringing her into this cruel world.

02 RIVER FRAME THE RESPONSE TO URBAN LIFE AND NATURAL CONTEXT Co-working space architecture competitions,, 2020 FALL Instructor:Yiqi Song Site: Nanâ&#x20AC;&#x2122;an District, Chongqing Team:Yi Xu,Xiangping Zhang Contribution: Concept(80%), Research(50%), Diagram(60%), Modeling(90%), Technical drawings(60%),Renderings(100%)

The site is located in Nanâ&#x20AC;&#x2122;an District, Chongqing city. With the government intervention of the development of areas along the Yangtze River, more and more commercial buildings and complexes are under construction to promote local economy, while the cultural architecture is ignored by public. Therefore, the starting point of the design came from the urban research. We summarized the conclusion of the research, aiming to build an office building owning cultural and educational activities to meet the public needs of this area and make it a centre for gathering different people, connecting infrastructures in the neighbourhood and facilities nearby. Besides, we also captured the essence of natural surroundings, and put forward the building that not only fulfills the role itself, but recreate the river view to be the participant in their context. A lot of geometry elements were used to achieve this goal. In the end, we managed to make the building become a frame which reshapes the river view and act as the link between the city and nature.

Culture

Living quarter

Residence

Landmark

INTERIOR COURTYARD

Commerce

MAPPING

Greens

GENERAL LAYOUT

Business distict Other areas

To make full advantage of the river view, according to the site analysis, the frame is eroded into the building. By creating different geometry holes matching the respective volumes on the facades, the borderless scenery now turns to be pieces with various frames, offering people inside the building vivid experience to enjoy the river view. The whole building is standing on the riverside as a filter to reshape the view.

RESHAPE THE VIEW

Three Systems

Varied heghits

Modified volumes

Trim with geometries

Art & Culture

Entertaiment

PROGRAM

Reshaping Process

Private

Public

Private

T he whole building is divided into three par ts horizontally with different goals and the publicity is expressed in the middle part to the greatest extent as it provides multiple possibilities for interaction between the programs. There is also flexible circulation in the middle part to connect office and study center on both sides. In terms of functional allocation in the ver tical direction, some cultural activities are located on the lower f loors to provide this area with diverse cultural life, while more entertainment activities are embedded in the higher volumes.

GROUND FLOOR PLAN

TOWARDS RIVER

VIEW PLATEFORM

HIGH AISLE

1.Study Centre 2.Reception 3.Cafe 4.Viewing bridge 5.Sitting area 6.View Platform

STRUCTURAL AXONOMETRIC DIAGRAM

CIRCULATION DIAGRAM

THIRD FLOOR PLAN

Steel Truss

FIFTH FLOOR PLAN Steel Cable

SEVENTH FLOOR PLAN

EIGHTH FLOOR PLAN

RC System

Core Core

Roaming Route

Quick Arrival

SECTION PERSPECTIVE DEAWING

1 DETAIL

2 DETAIL

3 DETAIL

Detail 1

Detail 2

Detail 3

03 ROOF STREET NEIGHBORHOOD RELATIONSHIP ON THE FIFTH FACADE TUD Urban Future Smart Density WorkShop, 2019 Winter Instructor:Dr Aksel Ersoy Site: Lao Ximen,Shanghai Individual Work

In the TUD URBAN FUTURE SMART DENSITY X SHANGHAI workshop led by Professor Aksel, the Lilong community has a history of nearly a hundred years. The population is extremely crowded, the environment has become more and more messy, and the residents have become selfish and lack communication with each other. I found that if we think about community issues from another perspective of the community-the fifth aspect, everything would become different. Utilize the abandoned rooftops of the houses in the community as outdoor leisure spaces shared by residents, and connect them with some indoor public spaces with some aerial corridors, so that many people can rest here and enjoy the beautiful scenery. Can communicate more. When community residents approve of my design, I am convinced that there is more than one side of the world. At night, after f inishing the day's work, people retur n to the dwelling unit.Under the action of light,More people wil choose to get out of the private space and enter the public space, Such a shared community,people have more opportunities to get from stranger to acquaintance. It is said that for these young entrepreneurs,not only provide cheap housing, but also help them to expand their social circle, Form a family life with entrepreneurial partners in the community. Make this urban village community ,be a source of vitality for the city.

STATUS QUO

NATURAL PROGRESSION OF THE URBAN AREA A longtang ( 弄堂 lòngtáng, Shanghainese: longtang) is a lane in Shanghai and, by extension, a community centred on a lane or several interconnected lanes.It is sometimes called lilong ( 里弄 ); the latter name incorporates the -li suffix often used in the name of residential developments in the late 19th and early 20th centuries. The Shanghai longdang is loosely equivalent to the hutong of Beijing. As with the term hutong, the Shanghai longdang can either refers to the lanes that the houses face onto, or a group of houses connected by the lane.

1920S Comfortable

1990 Middle

2020 Crowded

Building foot print: 6,988 ㎡ Floor Area:11,879 ㎡ Floor Area Ratio:1.36

Number of Households:388 Number of Residents:2,330 Coverage Ratio:0.8

Building foot print: 7,424 ㎡ Total Area:13,363 ㎡ Floor Area Ratio:1.53

Number of Households:560 Number of Residents:2,340 Coverage Ratio:0.85

Building foot print:7,949 ㎡ Total Area:18,282 ㎡ Floor Area Ratio:2.09

Number of Households:913 Number of Residents:3,654 Coverage Ratio:0.91

SITE ANALYSIS

Noise level

REDEFINING DAILY ACTIVITIES

Privary level

Commercialiced

GENERATION OF DESIGN

Public Space

NODE DESIGN POOR LIVING CONDITON

TRAFFIC CHAOS

CULTURE

VIEW

COMMUNICATION

HIGH POPULALATION DENSITY

AGING SERIOUSLY

PARTY

SPORT

PLANTING

ENTRANCE

UNREASONABLE RECONSTRUCTION DENSITY

INSUFFICIENT SUNLIGHT

PARTY

PICNIC

SPORT

HELIOTHERAPY

LACK OF PUBLIC SPACE

CATERING

CHAT

BUILDING RENOVATION BEFORE

BEFORE

BEAM

AFTER

ROOF

AFTER PLATE

BEAM

STEEL WALL

PROBLEM

2ND FLOOR

PROBLEM

STRUCTURAL INCLINATION LEAVE UNUSED

RECONSTRUCTION AND DESTRUCTION HISTORIC BUILDINGS

DESIGN

STRUCTURAL INCLINATION COMMUNITY CULTURAL CENTER

TEAHOUSE RESTORATION AND RESTORATION

Throughout the plan, we have a design to put dare new elements while accentuate its form of architecture that remains from ancient times. We believe the concept of such that a given space and the old ones look better “architectural intervention”.

WALL

GALLERY

The building has been in existence for 200 years. It was once a teahouse and is now a historic building. Once the residents enjoyed drinking tea, chatting and holding activities here. But then he was rented out as a hotel. The building is very strange to be transformed by its owner, and it is badly damaged. Residents are eager to restore his original appearance, and hope to come back to drink tea and chat.

SUBJECT

TEAHOUSE 16

AXONOMETRIC DRAWING

BIG STEPS

COFFEE HOUSE

SUN ROOM

SUNBATH CORRIDOR

PLAY AREA

EXHIBITION HALL

COMMUNITY LIBRARY

SUNBATH CORRIDOR

TRAFFIC CORE

OUTDOOR TERRACE

SIDEWALK CAFE

TEA HOUSE

SIDEWALK CAFE

OUTDOOR THEATRE

FREEDOM TRAIL

COFFEE HOUSE

PLAN & SECTION 0

-0.150

A A 6 4 +6.000

±3.000

+7.500 ±3.000 +6.000

12 9

+6.000

+7.500

+7.000

+6.000 +6.000

±0.000 2

8 3 +5.850 +6.000 -0.150

1 11

1 GYM 2 SUN ROOM 3 LIBRARY 4 OUTDOOR TEA 5 TEA HOUSE 6 SQUARE 7 BRIDGE 8 BATHHOUSE 9 EXHIBITION 10 CAFÉ 11 SUNBATH 12 PLAY AREA

04 CITY DNA A CITY WITHIN A CITY Academic Work, 2019 Winter Instructor:XiaoMing Chen Site: Xiaoxiang Road,Changsha,China Individual Work

The idea behind CITY DNA is to extend city life along the building in a dramatic circling motion from bottom to top. This building not only designed a public square and a high-rise urban balcony on its ground floor, but even its top-level space is open to the public. The public activities are distributed from bottom to top along the pixelated stairs of the entire building, returning the entire building to public. Architecture has a strong sense of the city and the public, and has become an active participant in urban public activities. The central idea of the whole plan is to use a spiral DNA chain to connect the platform, terrace and corridor space with green plants as a whole. With its visual impact, CITY DNA endows the city currency environment with the simplicity and power of the new courage, and the two-design system of Xie Qun/Da Yi IJIteaching shows the human settlements in the building through open design. The spiral terraces and podium buildings on the tower turn the urban surface to the natural landscape surface, forming an outdoor natural hillside, providing a social space network, and providing various dining and leisure facilities. The square and the architectural cube are connected to the city and nature. The space is closely connected. This group of multi-level vibrant public squares will become a meeting place, a planned and spontaneous cultural activity place, and a scenic resort for urban residents.

SITE

EXPLODED VIEW

-CHANGSHA, CHINA

RIVER SKY BAR

BRIDGE BEST WOREST

SITE

OFFICE TOWER

BALCONY

METRO LINE

BUSINESS CENTER

STANDARD FLOOR

STATION

Xiaoxiang

Middle Ro

ROOF GARDEN

FORM

SUSTAINABILITY

FUNCTION CULTURE

CINEMA

1.URBAN PUBLICITY - SUNKEN

1.WIND ENVIRONMENT - TWIST

3DSTALLS BRIDGE

SHOP

ART PLAZA 2. SUNSHADE - TWIST

3.CITY VISION - PROTRUSION

2.NATURE CHAIN - SPIRALING

3PASSIVE MEASURES - DSF

Open office

Administration

Closed office

Locbby

Restaurant

Store

Parking

Fun area

Equipment

Core

Supermarket

SERVICES

SECTION & CONSTRUCTION DETAILS

MODEL 1:100

Natural Anodized Aluminum Mullion Low-e Insulated Vision Glass Stainless Steel Spandrel Panel

Stainless Steel Panel

DOUBLE WALL SYSTEM

Tempered Laminated Insulating glass Foam Bar Special Glue for Aquarium Glass Structure Double-sided Tape EPDM Cushion Sika Gum

WATERPROOF CONSTRUCTION DRAWING OF GLASS ROOF

RENDERING

A Series of Cascading Indoor/Outdoor Terraces That Evoke The Shifting Protrusions of a Mountain Landscape

04 LIGHT UPON THE RUINS 'CROSSING THE RED SEA' & THE HISTORY OF THE FORT ArkxSite architecture competitions, 2020 Summer Instructor:Dan Li Site: The â&#x20AC;&#x2DC;Vera Cruz da Figueiraâ&#x20AC;&#x2122; Fortress, Algarve, Portugal Individual Work

Connecting Crossing the Red Sea and the history of the fort ruins, the secluded Temple is designed to enhance a meditative experience of solitude while stimulating the senses through the elements of light, matter and water in an intimate journey to immerse oneself into silence and profound tranquility.

Black stone and white light Form a stubborn contrast The storm hits the shore The heroic shadow of the cannon As a recluse in the deep twilight Becomes a legend And turns silent No one mentions it Here once stood a fort Expected that one day The glory regained To reveal to the world its heart Look up and expect In the church people chant In memory of the hero's past That need to be kept As its being integrated Into a wandering twist ''

MAPPING

BACKGROUND

SPACE

SPACENARRATIVE LOGIC

Guerra da Restauração

Site Temple

The Song of Moses and Mirian

GENERATION OF SPACE

SITE PLAN

GROUND FLOOR PLAN

1 2

6 8 7

1.Site 2 . ' Ve ra C r u z d a F i g u e i ra ' Fortress ruins - 17th century 3. Pedestrian path 4. Rocky Escarpment / Cliff 5. Beach 6. Water 7. Atlantic Ocean

1. Pool 2. Revolving stairs 3. Preface hall 4. Groove 5. Historical corridor 6. Hall 7. Church 8. Sermon area 9. Ramp

ENTRANCE

HISTORICAL CORRIDOR

It used to be a fort of glory But I couldn't find it An entrance that emerges from the ground Where does it lead

There are inscriptions on the stone wall It tells a glorious history Has the fort been turned into a relic I feel like I'm going to meet i

INTERIOR OF THE CHURCH

EXIT

'' Black stone and white light

Form a stubborn contrast The storm hits the shore The heroic shadow of the cannon As a recluse in the deep twilight Becomes a legend And turns silent No one mentions it

Here once stood a fort Expected that one day The glory regained To reveal to the world its heart Look up and expect In the church people chant In memory of the hero's past That need to be kept As its being integrated Into a wandering twist ''

ANGLE ANALYSIS

MODEL & PHYSICAL ANALYSIS

PART OF SELECTION

The inclination angle of one side of the building is determined by the maximum annual sun height angle of 76 ° in the region, so as to ensure that the light can be obtained as much as possible.

Convex mirror Wall Cement Illumination surface Lowest direct light Light falling in the model The actual path of light The actual illumination surface Reflected water ripple Light falling in the building

According to the overall proportion of the local model, when the solar altitude angle is 30 ° in winter, through the use of convex mirror, the light will cover most of the area, and the indoor lighting will be greatly improved.

MANUAL MODEL 1:10

① ② ①

②

According to the overall p ro p o r t i o n o f t h e l o c a l model, the light will fall on the wall, and the indoor lighting is not good.

②

③ June 22, 1:00 p.m

④ ③

④

June 22, 3:00 p.m (Mass in the afternoon)

③

④ 28

05 THE IMAGE OF CHANGSHA CITY SERIES ARCHITECTURAL DRAWING The Image of Changsha City·Chaozong Historical Street (Processing)

&HITORICAL STREETS Professional Project,2017-2020 Instructor:Wei Wang,Jintian Yi Site:Changsha,China Main Team: Yi`an Zhou,Yi Xu Team Work

The urban picture book is an easy-to-understand medium because it could effectively promote the understanding and participation of the citizens by addressing the problems caused by the protection and renewal of historic districts and urban development. The book The image of Changsha City· Chaozong Historical Street is based on the urban study and spatial narrative methods. It integrates multiple disciplines on the basis of architecture, condensing our thinking on urban culture and urban issues, proffering an alternative perspective for the public to elucidate the city. In creation, we utilized UAV tilt photography scanning to restore the scene, quickly modeling the block information via SketchUp. We also deployed technologies such as 3D printing to make the book as tactile and vivid, while instilling our own feelings into the city simultaneously. The good news is that it will be published soon. "The image of Changsha City" series start from the memory of space, event and place. It is not only a record and inheritance of urban cultural life, but also a response to the future. Chaozong Historical Street and Skyscrapers From:P145 ©Yi Xu

CHAOZONG HISTORICAL STREET

MODEL

TUBE-SHAPED APARTMENT BUILDINGS A

JIURULI MANSION GROUP A

TUBE-SHAPED APARTMENT BUILDINGS B

JIURULI MANSION GROUP B

CHAO ZONG HISTORICAL STREET CHURCH

JINJIU ACTIVITY OLD SITE

QINGQUAN OMNIVOROUS SHOP

TAILOR SHOP

EXHIBITION MODEL

EXHIBITION

'TAIPING STREET NARRATIVE' EXHIBITION

Taiping Street is located in the south of the old city of Changsha, with a history of more than 2000 years. It is the most prosperous and representative cultural street in Changsha City. Through the precious resources of historical documents, picture books, old photos, models, images and other precious resources of Taiping Street, this exhibition breaks the traditional exhibition form and shows the 'past and present life' and cultural connotation of Taiping Street in an all-round way, and tries to provide an intuitive and comprehensive historical research for the public to understand and feel the unique charm of old Changsha.

TAIPING HISTORICAL STREET

Portfolio of Yi Xu

Articles inside

REFUGEE DAILY