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Yana Atanasova 2008 - 2014
Water as an active architectural element
9 months
The lake house Railway project
Landskrona’s new path
Addition for Museum of sketches
Gastronomy school
Imaginary house
A chair
Two-room apartment
Space study
Other work
Water sources are often perceived as something problematic when they come in contact with the built environment. On the other hand, water is considered an inspiration and important element in the architectural design. Should one take a step back from its power and influence or rather welcome it and take advantage of what it can bring. The project is an experiment of how much you can allow water to get into our built environment. How does space alter in close contact with water? How can one make the integration so natural that the water can become an active architectural element of a building? This is not a direct solution to a problem but a series of studies on water, its qualities and characteristics. The experiment is done on a site by the sea with a rather hostile water influence. This should be perceived rather as an advantage to investigate the thrill that takes place in such environments. In parallel with the theoretical questions, there is an attempt to solve the other problems that exist on the site and to further develop its potential. Integration in a landscape environment is not always easy when you want to keep the natural feeling as much as possible.
WATER AS AN ACTIVE ARCH. ELEMENT
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Scale 1:200
4
WATER AS AN ACTIVE ARCH. ELEMENT
semi-open space
wild water
open space
enclosed space
calm water Diagramatic plan
I started by trying to lead water into a built environment. It did not matter if it was a building or a public square, if it was in an urban situation or somewhere out in the countryside. The idea was to take it outside of any context and test the possibilities. I wanted to try different ways of letting the water reach the built part and work with leveling to create dynamic and give water different relations to the design. I decided to do series of studies using both model and sketch to experiment with the meeting of Water and Architecture. The hardest part was finding the right harmony between closed and open rooms. Important to note is that all pools and water channels created would be linked to a major natural source and the water would move freely in and out. Various rooms are created around the pools where they are perceived in different ways depending on the scale. Sometimes they are enclosed courtyards with intimate character and other times - open seating places close to and in the water. I mainly wanted to create three different layers of space as a kind of transition from the wild water (sea, lake, river...) to the more urban part. I tried to create interesting and unusual situations where one could experience both the natural and the built environment in a symbiosis. The contrasts were to be tested between the open rooms where water flows directly in and the more enclosed corridors where small canals would lead the water in a certain direction. One should be able to see it as a collage of spaces where the transition plays a major role - from intimate to social, from large to small.
Scale 1:200
WATER AS AN ACTIVE ARCH. ELEMENT
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Model studies
The first concept sketch
• spaces
• main axis
• bounderies
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WATER AS AN ACTIVE ARCH. ELEMENT
To continue the testing I went up in scale. The rooms created were not well defined. I let the walls glide away from their original positions in order to open up the space. There are series of pools that are connected with a channel that further connects to the sea. Rooms are created around the pools that are partly shaded and partly open to the sun. The spaces overlap each other so it can be perceived as a big room with various corners. Furthermore, there is a division in which quieter and more intimate rooms are turned towards the cliff and the more open spaces meet the waves and the ocean view. The water that connects the different parts would act as an activating and connecting element. The building has a role to tame the wild water coming in and transform it into calmer one. This is an attempt to civilize the wild and find the balance between what should change and what should be left as it is. The result would be, at best, a series of transitions between the tamed and the untamed. There is an interesting contrast between the organically shaped natural lines and the geometrically transformed rocks.
The peninsula In the Northern part of town, there is an incredible place where sky meets the sea. It is located 14 meters above the sea level. The cliff is dramatically deformed by the ocean's influence. Down there is a small lonely beach that gives the impression of being untouched for ages. There is a museum located right at the top. To approach it from the center is like visiting the town's temple. There is something very magical in this untouched environment where time has stopped. One can take the steep stairs to get down and look over the little beach. The peninsula is a very special place. Despite its desolated character there is much to see and experience. The influence of the sea has created interesting “spots� around the peninsula. Regardless of the steep cliffs the experience is incredible. The place is beautiful in its emptiness but it feels unused and deserted at times.
2 3 6 8 ,
; - 2 (
The site This hidden beach is like the museum's secret backyard. It is covered with small stones that have been thrown out of the sea, which makes the place a less popular one for visitors on vacation. Those who go there choose rather to stay on the flat rocks right at the waterfront. This is the exact place that caught my attention. Not many people find this place but those who do are always curious to walk down and enjoy the peaceful view. Many photographers spend a lot of time there waiting to take a perfect shot of the sunset. The site is located in the tranquil bay of the town so it is barely disturbed by anything. It is easy to imagine that you are not in the town anymore. The sea has worked its magic with the rocks and created small, room-like places. The site is oriented towards the west so you can enjoy the sunshine during the afternoon until it disappears behind the horizon in the late evening. The winds blow mostly from the North but the place is well protected in the arms of the landscape.
museum
stony beach
old church
housing
TOWNS EDGE
17 WATER AS AN ACTIVE ARCH. ELEMENT 7
Program Before
The museum at the top of the peninsula is the inspiration for the function of my design. In a way the project is a continuation of the function of the museum
After
Initially I thought the project would be an outdoor museum as an addition to the current one. Because of the hostile environment down at the beach and the small space available it was almost impossible to exhibit something. The alternative would be to have a museum of water experience where every room plays a different role.
Site plan - Scale 1:2000
Museet
Marine park Right from the beginning I had perceived the place as the museum's secret courtyard so it was only natural to think about the newly built area as the museum’s adjoining park. This idea transformed the open-air building into a Marine park. In addition there is a cafeteria in the excavated space in the rock that serves both the museum and the Marine Park.
Sketching process
Movement on the site
Step 1 - volume study
Step 2 - volume study
Step 3 - different levels
Step 4 - space study
Step 6 - harmonic relations
Step 5 - water penetration
Step 7 - almost final plan
I tried to imagine how one would approach the site and explore it. It was like thinking about a house with transparent walls. One would follow the landscape as much as possible. The flat rocks have three separate parts that can be reached in different ways. I wanted to build around those areas and into the rock floor to reach the water in a better way. The sea had already started deforming the stone so the right decision was to use that and develop it further. I tested with volumes to see which organization worked the best. The spaces would be on different levels both to be protected from the water and to create dynamics. I would use the pools as a starting point and build around them. I also wanted to have small courtyards so the place feels intimate regardless of its open character. Two directions were chosen in relation to the landscape lines that would help orientate the building.
Model development It was impossible to work with the site without the larger context around because every line of the landscape had a major role. Therefore it was easiest to use the model building as a way to investigate. Through testing I got to find the correct harmony in dimension and direction. The building was to blend into the landscape so I had limitations in height and square meters. Furthermore during the development the project spread a little higher in the landscape to become better integrated into the whole by having parts of it dug into the rock. The spaces were quite small but it would be compensated by their intersection with the other rooms. The water goes into the two courtyards created between walls and higher ground. The heights of the building parts also vary to create rhythm and dynamics. In addition to the built part and the excavated one, the project intended to include a more comfortable way of reaching the place through the landscape. The stairs that are cut into the rock follow the natural curves so that one can enjoy the view and experience even the transitional spaces. WATER AS AN ACTIVE ARCH. ELEMENT
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Section CC - Scale 1:100
Section DD / Northern facade- Skala 1:200
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WATER AS AN ACTIVE ARCH. ELEMENT
Space The rooms have a very free character. Some parts are oriented towards the rock wall and are perceived as "indoors." The others that look out towards the sea are perceived as "outdoors" instead. This way the building is divided into a part that meets the waves, the wild water and another part that is surrounded by calm water. I see the courtyards as the nuclei of the whole Marine Park. These are the places where the still water is concentrated, making them the calmest points. The Marine Park is a recreational place where you can enjoy the water's closeness and presence. You can pick up a coffee from the cafe at the top of the cliff and go down to drink and chat with friends or just contemplate the sea. The location will be attractive to both those who live there and those who just come for a visit.
courtyard
outdoors indoors
courtyard
Plan (Marine Park) - Scale 1:200
WATER AS AN ACTIVE ARCH. ELEMENT 11
wood reinforced concrete iron bar concrete volcanic rock wood(oak)
B
D C
Scale 1:60
A
A
B
Section AA (south view) - Scale 1:100
C D
Section BB (north view) - Scale 1:200
The restaurant is built for several reasons. It has a servicing function for both the museum and the new Marine Park. It would attract people to the site even in winter. In addition it acts as a middle ground on the way down towards the beach. It gets extremely hot in the summer and it would have been a great advantage to be able to hide deep inside the rocks.
Landscape view - Scale 1:250
WATER AS AN ACTIVE ARCH. ELEMENT 13
WATER AS AN ACTIVE ARCH. ELEMENT 14
The lake house
4 months
Water as an active arch. element
Railway project
Landskrona’s new path
Addition for Museum of sketches
Gastronomy school
Imaginary house
A chair
Two-room apartment
Space study
Other work
Lund’s Campus area The Campus area of Lund is situated in the Northern part of the city. The density there is much lower than the one downtown. This leaves a lot of open unused spaces and makes the overall atmosphere less lively. New density is required in order to create a better environment. This includes cutting off or changing the direction of some of the roads. To make the activities less spread out, the introduction of a new meeting point(”Square”) is of great importance. The artificially created ponds in the area are not fully used or at least not in the right way. With water and greenery the potential is already there.
Students’ center Department of mathematics Department of electroscience and technology
LTH Campus area Situation nowadays
The new Square situation
THE LAKE HOUSE
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The new Square and Students’ center addition
Initial sketch of the Students’ center and its new part
Openness and secludedness outdoors
Two important spaces of focus
Intention of the new building coming out and wrapping up
The new building being introduced is a continuation of the existing Students’ center. The choise is due to a desire to use the potential of the lake but also broaden the functions and the area of usage of the already quite popular students’ gathering place. The addition is to strech over the lake, make contact with the new Square and five more space for student activities. The model shows how the grid of the bearing system of the existing building is laying the grounds of the new one, integrating with the landscape.
A
BB
CC
Reading area
D
D
CC
D D
AA
BB
First floor - Scale
THE LAKE HOUSE
1:400
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A
N
B C
Reading area
D
Cafe
A B
Nowadays students are usually going through Students’ center or around it, in order to continue down North, towards the city center. I am giving them a new passage, on the Western side of the building, along the lake, which is much more logical and pleasant. There are two important axes the one following the passage going North-South and the other, connecting the new square directly with the building in West-East direction. The second passage is crucial for the building as it brings you through different kinds of environment - outdoors, indoors, in a corridor, in a room, by the water, by the building...
THE LAKE HOUSE
D
Ground floor
A
B C Reading area Computer hall Lecture hall
D Cafe
A 19
C
C B
Basement - Scale
1:400
Section C-C
The lowered space next to the street serves both as an entrance point for the building but also as a place for an open-air cafe. The pillar system gives the possibility of a more open floor organisation.That’s why it is hard to define the different levels as floors. There are stairs and a path partly following the building’s facade to bring you down to the lake. This way even if you don’t enter the building you can still enjoy the water’s closeness and feel the safety of the building around you. The materials used are concrete and brick. The concrete is to face the water and the brick facade, on the other side facing the Square, functions rather as a wall to walk along. The roof shaping of the building is working in harmony with the already existing instalation at the lake called “Falling water”... The part of the new building closest to the lake is works as a light filter for the deeper areas of the space. The inspiration came from the popular concept “Brises soleil” of Le Corbusier. The building takes in a lot of light from South where it is most open. The more closed side is facing North and the Square.
Section B-B - Scale
THE LAKE HOUSE
1:200
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Facade/Section Facade/Section D-D D-D Scale Scale 1:400 1:400
Section A-A - Scale THE LAKE HOUSE
1:500
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Railway project
4 months
Water as an active arch. element
The lake house
Landskrona’s new path
Addition for Museum of sketches
Gastronomy school
Imaginary house
A chair
Two-room apartment
Space study
Other work
The railway of Lund The area of focus in this project is the one along the railway. It has been considered a border ever since it was built in the past and divides even more whatever is happening on both sides of it. What plays a huge role in here is the importance of the Kloster Church, the square (Bantorget) and the turning road. In the old times of Lund there was a clear axis connecting Kloster Church with the very famous Cathedral in the center. Nowadays the church is left aside and feels almost invisible. The square is mainly just a place of passing by and not so much of a gathering one. This is among all due to its closeness to the railway and to the turning road which cuts it in a strange angle. The intention is to integrate all these spaces and to bring together the two side of the railway. This new connection should be rather visual and mental than a physical one. Nevertheless, a building is designed right at the turning point, defining it. The geometry of the road is being straightened a bit to change the radius of the turn and hopefully make the cars reduce the speed. There are hopes that the road would feel less dangerous both for cyclists and for pedestrians crossing. Old pictures of the railway
Train station
Kloster kyrkan Center
Bantorget Grand hotel
RAILWAY PROJECT
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Concept and Process
Part of the design of the building was to have a high tower which would work in harmony with the skyline of Lund and give the opportunity of looking around from a higher point. The program is a Cultural house but it can have multifunctional use. The concept of the building revolves around it connecting with the area on different levels (as shown on the diagram to the right). The highest point will give a spectacular overview of Lund, the very down part will connect and intregrate the square with its greenery and the rest would be a connection with the railway itself. Another important thing to think about is the visual connection with the church from different angles. The intention is to put it in the spotlight and pay respect to it. Crucial is also the path along the railway and there are therefore two axes to think about - the one following the railway and the perpendicular one crossing it.
Concept
Early model
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RAILWAY PROJECT
D
A
C
Resting space
Recreation area
Common hall
C
Exhibition pavilions
B Reading area
B
N
A D
First floor - Scale 1:400
The road going under the railway is being broadened just as much as to provide a safe entrance for the new building and thus giving more space for pedestrians and cyclists. There is a series of ramps going up, making their way between the building to the right and the exhibition pavilions to the left. The common hall has an open organisation of the space with different functions at the different levels. An outside passage in East-West direction divides the building in two, giving it a welcoming feeling. There is a small courtyard together with a cafeteria in the Southern part of the building which can function as a calm place amidst the hustle and bustle around. Inspiration for the building was taken from Venice with its bridges, narrow streets, hidden alleys and mystical courtyards.
Common hall
Lecture hall
Courtyard
Cafe
N Offices
Ground floor -
Scale 1:200
There is a new wall going along the railway which functions as a part of the building but also as protection from the passing trains. The openings in the wall give the feeling of being on a train yourself. The idea is to experience the railway by being close to it but still in a safe place. The building is a lot about movement - around , through and over it. The main point was to try to take away the barriers but still go through exciting streets and passages reaching from one point to another. Being at different levels really gives the sence of owning, understanding the place and feeling comfortable in it.
Section CC
- Scale
1:200
Section DD
RAILWAY PROJECT
- Scale
1:200
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The high building gives rooms for cultural activities on a smaller scale. You can rent a room for an amount of hours or just go to the highest point and have an overview of Lund. The intention was that it should feel as light as possible and not be massive and block the view. The garden in the Northern part of the building, situated right next to the main road but still protected from it, is a place to escape from the busyness of the traffic. It should furthermore be a continuation of the green area of the Square next to it. One has the possibility to cross the road at the level of the railway, following it further down to the South. Floors 1, 4, 7
Floors 2, 5, 8
Floors 3, 6
Section AA -
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RAILWAY PROJECT
Scale 1:200
Section BB
- Scale
Section BB (close up) - Scale
RAILWAY PROJECT
1:600
1:200
30
Movement lower level Movement upper level
RAILWAY PROJECT
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Landskrona’s new path
Water as an active arch. element
The lake house Railway project Addition for Museum of sketches
Gastronomy school
Imaginary house
A chair
Two-room apartment
Space study
Other work
4 months
The city of Landskrona, situated on the Western coast of Skane, Sweden has a slightly problematic urban system caused by necessities of the past when the city was a victim of the war between Sweden and Denmark.
The Citadel of Landskrona
Due to its many borders (mental and physical) with the city center, The Citadel has become a more of a secluded island with very few visitors, even though it is supposed to be the heart of the city. The city stretches towards North and South, just enveloping the Citadel without ever really intergrating it. The Northern part of the town is even more cut out from the rest and that is where I decided to put my focus.
N LANDSKRONA’S NEW PATH
33
Creative school for children The Citadel area of Landskrona needs to be charged with more life. One of the suggestions was to invite younger people there who would bring new atmosphere and activities with them. The area is extremely beautiful, peaceful and a good source for creative process. An idea rose up of a school where children can learn disciplines such as Art, Craftsmanship, Acting... The Northern bastion was chosen for the purpose with its good position of opening up towards the afternoon sun towards the South and its feeling of protection due to its original form and purpose. The place provides an amazing view towards the Castle. The intention with the area is that little by little, different parts of the Citadel area would be activated, inviting directly or indirectly people from outside to enjoy the wonderful landscape.
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LANDSKRONA’S NEW PATH
A new connection between the Citadel area and the Northern part of the city is to be created. Two bridges will be built to make it possible to cross the moat. Northern Landskrona
The outer layers of the moat will be further linked by opening up the water flow which will make the connection even more visual and natural. This is furthermore a connection that existed in the past when the geometry of the moat system was slightly different before certain parts were filled in. The path would go through the Alotment area where people from the city are growing different kinds of greenery. A thin channel of water will further on lead this path towards the Northern bastion and the Citadel. The new passage will be activated by creating a market along the way where people can sell and buy groceries.
Alotment area Section AA -
Northern Bastion
Scale 1:500
A
A
Citadel’s North-Eastern area
- Scale
1:2000
Alotment area
- Scale
1:1000
KITCHEN YARD DINING AREA STAFF AREA PLAY / INTERACTION HALL
COMMON ROOM
GROUP ROOM
SMALL INTERACTION AREA
D
GROUP ROOM
YARD
COMMON ROOM
GROUP ROOM
YARD
E
EXHIBITION AREA
E
COMMON ROOM
D STAFF AREA
CAFE
EXHIBITION / MULTIFUNCTIONAL SPACE
Floor plan 36
LANDSKRONA’S NEW PATH
Scale 1:500
The school is digged in and nests inside the bastion. One can still walk on top of the bastion. The inner area between the buildings is left open, functioning as a playground for the children. The building is reasonably low to fit the scale of the children. A variety is created by making certain rooms bigger with up-lifted roofs to get in more light and integrate the open area in the middle.
C
B
B
N
C Scale 1:2000
Section BB
- Scale
1:800
Section CC
- Scale
1:400
LANDSKRONA’S NEW PATH
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1. Mark 2. Filterduk 3. Betong 4. Fuktspärr 5. Isolering 6. Betong
1. Asfalttakskikt 2. Råspont 3. Luftspalt 4. Vindskydd 5. Värmeisolering 6. Ångspärr 7. Glespanel 8. Invändig beklädnad
The interior space is quite simply organised and very open. Some of the rooms are deeper than others. There are shafts for light from above in certain areas of the building in order to avoid darkness in the very deep areas. The slight variety in the levels intends to create the notions of different spaces in the same room. The varying floor material is supposed to stregthen that feeling even more. The main materials being used are raw concrete and wood.
1. Mark 2. Geotextil 3. Makadam 4. Fuktspärr 5. Isolering 6. Isolering 7. Betong 8. Isolering 9. Betong
Technical section
Scale 1:100
Section DD
- Scale
Section EE -
1:100
Scale 1:200
Creating spaces as pockets in the bastion which opens the ground out and up.
The corridor moves on the inner side connecting all the rooms
The first original sketch model - shows the main concept of how a broken geometrical line cuts the refine smooth character of the landscape. There is the importance of the contrast between the straight and the organic. The shape of the bastion is to be kept and the building should try to, as much as possible, only nest in it.
Final model
All rooms oriented towards the inner yard
View from the Northern bastion’s open space towards the beautiful Castle to the South.
LANDSKRONA’S NEW PATH
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Addition for Museum of sketches
Water as an active arch. element
The lake house Railway project
Landskrona’s new path
Gastronomy school
Imaginary house
A chair
Two-room apartment
Space study
Other work
4 months
A whole new Museum of sketches An old city as Lund has its own structure and organization. There are several important routes going through the city, but those we had chosen to focus on are the ones that make the link between the city center and the Campus area. The site that I was working on is covering the place in front of the current Sketch Museum but includes in its functions even The Bishop park and the park in front of the University Library. UB park(as it is called) is an incredible place with its ancient and gigantic trees reaching up to 15-20 meters in height and creates a natural roof over the entire park. Nevertheless, this place is mainly just a passage. Bishop Park on the other hand is a little off and feels even more private. An important objective of the project is to create a new passage that goes along The Language and Literature Center, continues towards the Bishop's House and Bishop's Park, and is then connected with Sandgatan that goes down to the main University Building. The area around UB park is full of life in certain parts and packed with too much tranquility in others. The idea is to activate some areas and make others a bit calmer in order to create some sort of balance and integrate the area with the city center and even further. The basic concept of my project is to create a peacefull oasis in the busy area around.
University Library (UB)
Language and Literature Centre The UB Park
Museum of the Sketches
Bishop’s house
The Old Surgery
Bishop’s park
North University Building
ADDITION FOR MUSEUM OF SKETCHES
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B
C
Bar
Cafe
Inner Yard
Inner Yard
A
C1
Exhibition hall Exhibition hall
Cafe
A1
Inner Yard B1
Exhibition hall
Garden
Entrance/ reception/ shop
North
Ground floor - Scale 42
ADDITION FOR MUSEUM OF SKETCHES
1:400
I have chosen to design an addition to the Museum of Sketches that would have some mixed features. The Museum has always felt too private and even after being rebuilt few years ago, it still fails to attract more people. My idea is to pull the museum's contents from the inside out and make it a little more accessible to the eye. This would act as some sort of "teaser" when passing by. At the same time, the exhibition features will interlace with the space for cafeteria, which will cause the building to be used by the general public and not only by those interested in art. The cafeteria can also be used as a reading area for students with its wonderful view of the green "sea" that UB park's trees create during spring and summer time.
Section A-A1-
Scale 1:100
ADDITION FOR MUSEUM OF SKETCHES
43
Section C-C1 - Scale 1:400
Section B-B1 - Scale 1:200
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ADDITION FOR MUSEUM OF SKETCHES
The new addition will furthermore be connected to Biskopsanexet(the long building next to Bishop's house) which helps using Bishop's park as an exhibition space for the statues which are now located in UB park and have more or less lost its importance and status. The new building will wind around a sequence of courtyards starting from the North and ending at Bishop’s Park. One will have the possibility to choose and take either the vibrant new street down towards Sandgatan or come in through the courtyards, pass through gates and end up in the tranquility of the Bishop's Park with its outdoor cafeteria. Biskopsanexet will be transformed into the new entrance to the Museum of Sketches by moving the reception there.
Northern facade
Southern facade
- Scale 1:200
ADDITION FOR MUSEUM OF SKETCHES
45
Diagrams The building itself is a sequence of closed and open spaces to create excitement and dynamics during the walk through the museum. Inspiration has been the Louisiana Museum in Denmark, where the visually open rooms give an outdoor feeling. Another element that should be mentioned is the large roof that is a mixture of wood and tent material, which cover almost the entire building and creates open, bright rooms underneath. The roof also symbolize the continuation of the “green roof� of UB park. A kind of border will be made between UB park and the new addition in the form of concrete walls with different orientation rather to create excitement and generate curiosity than for limitation.
Sequence of spaces: outer space
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ADDITION FOR MUSEUM OF SKETCHES
inner space
Sequence of inner and outer yards
Movement: inside Bar
outside
Bar
Sketch model
Gastronomy school Water as an active arch. element The lake house Railway project
Landskrona’s new path
Addition for Museum of sketches
Gastronomy school
Imaginary house
A chair
Two-room apartment
Space study
Other work
4 weeks
Gastronomy school
Restaurant
B
B1 Common space
Kitchen
Reception Cafe
Bakery shop
A
A1
Offices
The aim of the project was to create a sustainably justified building. The main focus is on social sustainability. A gastronomy school is going to be attractive for young people to come to Torekov. At the same time it is going to create possibilities for interesting kind of activities for all the inhabitants of the town. The school is further going to make the connection between the two open areas(squares) that are likely to spring in future – the one in front of the big grocery shop ICA and the other - close to the Factory to the South-West. The first floor will be available for everybody. It will have its own restaurant, Cafe and even a Bakery. There will be a small greenhouse on the last floor where people can grow plants that aren’t being cultivated in the area and are available through the whole year. The concept of the form of the building arose because of the three different, in chracter, sides the site is looking towards. The first floor is private available for all the inhabitants of the village. The main school areas are on the top two floors for the students’ general use but a notion of a connection with the master kitchen of the restaurant downstairs is cruial for the whole planning.
First floor plan
Site plan
Section A - A1 - Scale
1:200
GASTRONOMY SCHOOL
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Students’ kitchen Studying area
Studying area
Library Students’ kitchen
Studying area
Computer hall Lecture hall Studying area
Second floor plan Library
Lecture hall
Greenhouse Relaxation area
Third floor plan - Scale 1:200 50
GASTRONOMY SCHOOL
The materials used in the building are limestone and wood as to follow the tradition of natural materials from the rest of the town where stone is the main building material. Furthermore wood was added in order to give a feeling of lightness to the otherwise quite crafty stone building. A big window was placed in the lecture hall facing west where the sea is situated. The master kitchen on the ground floor is of a contemporary style being totally open towards the restaurant/dining area next to it making a big performance for the visitors. Eastern elevation
Western elevation
ICA
Gas station
Section B - B1 - Scale
GASTRONOMY SCHOOL
1:200
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Imaginary house
Water as an active arch. element The lake house Railway project
Landskrona’s new path
Addition for Museum of sketches
Gastronomy school
A chair
Two-room apartment
Space study
Other work
3 weeks
Sketch models
This imaginary house is part of a project called “Imagination project�. At first, one was supposed to come up with an imaginary character, then build a house for this character and in the end design and build a chair in full scale. The house started out looking rather as a pavilion, quite open and public.The inspiration was of course nature and I thought it was rather interesting to explore the structure of a leaf as the outlines of a floor plan.
IMAGINARY HOUSE
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B
Terrace Kitchen
Western elevation
A
Bathroom
A1
Lobby Sitting room
Bedroom
Dining area
Floor plan
B1
Eastevrn elevation
Section A-A1 54
IMAGINARY HOUSE
Section B-B1 - Scale
1:100
After a further development it became something quite different from the original model. Here the focus is on two axes that are dividing the house into two parts - public and private one. The house is situated in the water standing on pillars so it would feel as if a leaf is floating freely. There was an intention of making the plan so that one is led through the house with the help of the building elements and the furniture.
IMAGINARY HOUSE
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A chair Water as an active arch. element The lake house Railway project
Landskrona’s new path
Addition for Museum of sketches
Gastronomy school
Imaginary house
Two-room apartment
Space study
Other work
3 weeks
-QEKMRI E GLEMV
SKETCHES
CURVES
METAL
WOOD
WEAVING NATURE
The final stage of the “Imagination project” was a chair that was an inspiration of nature. The idea was to combine material coming directly from nature and another one that is manipulated by man. The organic steel part is supposed to represent plants that are coming out of the trunk. The process of building it was very exciting as it was turning more into a sculpture than a construction. zSince the trunk was directly taken from the woods it was still wet while the process of working with it. I decided to take that rather as an advantage than a drawback. With time the wood will continue drying out and it will change its appearance. What came out in the end was kind of a “living chair” which is to continue transforming itself.
A CHAIR
59
Back side - Scale
1:4
Right side
Front side
Left side
Section - Scale
Detail - Scale
1:1
1:8
Two-room apartment Water as an active arch. element
The lake house Railway project
Landskrona’s new path
Addition for Museum of sketches
Gastronomy school
Imaginary house
A chair
Space study
Other work
3 weeks
Floor plan - scale 1:200 A
Bathroom
Bathroom Kitchen Kitchen
Common bedroom
B
Bedroom
Section A-A1
B1 Dining room/ living room
Living room
Before
Relaxation room
After
Section B-B1 A1
Students’ apartment The idea of the project was to transform a two-room apartment into a living space for students and fit as many people as we can. The function one was supposed to follow was “resting”, which would require that all the spaces were to be altered to serve the different needs of the inhabitants - from active to passive type of resting. The sleeping area was tightened to its limits in order to give more place for the more public part of the apartment. The sleeping compartments are quite narrow with the bed on top and space for a desk and shelves underneath. A big wardrobe divides the bedrooms from the sitting room next to it. TWO-ROOM APARTMENT
62
Space study
1 week
Water as an active arch. element
The lake house Railway project
Landskrona’s new path
Addition for Museum of sketches
Other work Gastronomy school
Imaginary house
A chair
Two-room apartment
“Obstacle or game”
“Cubistic forest”
“Rays of space”
Space studies This short excercise was an exploration of the possibilities of narrow space. The limitation was supposed to be a source of more creative ideas as it turned out in the end. We were to study and experiment with different ways of playing with light, space and movement in order to create a likeable environment on a limited territory. The short project was called “Think of it as a sandwich” where as a result in the end you were to have a small library of good ideas and options piled up together which were to help you when dealing with a real space of this kind. One was not suppose to limit himself with the thoughts and rules of a house or any kind of habitat but to freely place elements and create combinations until some kind of harmony was achieved. “Two-storey tree”
“Tunnel to somewhere”
“The roof which became a floor” SPACE STUDIES
64
Other work Water as an active arch. element
The lake house Railway project
Landskrona’s new path
Addition for Museum of sketches
Gastronomy school
Imaginary house
A chair
Two-room apartment
Space study
Creative recycling I have always liked working with my hands and coming up with creative ideas to try things I haven’t seen before. On the other side it is always interesting to get an inspiration and transform it in your own way. Making jewelry from random objects I had found used to be something to my liking. Later on I decided to move on to bigger items and challenge myself even further. I consider mirrors a source of a lot of inspiration since they tend to create the sense of additional space. The idea was to use old objects bought from a second hand shop or ones to be thrown away, “save” them and turn them into something more beautiful and useful. The coffee beans mirror was an idea I always wanted to try. It is very subtle and creates an interesting effect on the wall. The other, vintage mirror was a present for the wedding of a close friend so it carries a lot of symbolism and metaphor in itself apart from the romantic look of it.
Another idea I had was to reuse some of the architectural models I had done during university. Considering the immense time put into them it was a pitty to throw them away. So some landscaping models turned into original picture frames. The candle holder is made out of tuna cans but much to one’s surpirse you can totally forget about that fact once the candles are lit.
OTHER WORK
66
Picture frame from an old landscape model
School model of the BagsvĂŚrd Church in the outskirts of Copenhagen
67
OTHER WORK
Candle holder made out of tuna cans
House addition, Lomma I was asked to design an additional room to a house in Lomma, Sweden. The family has two children and the house doesn’t seem spacious enough for them anymore. They wanted to add a new bedroom with a working space within. There is a door-sized window in the living room that would be used as a door to the new bedroom. The longest wall of the room would be facing the neighboring house and according to the regulations it can only have small narrow windows in the upper part. There is a public path passing along that side of the house so it was important that the room looks inwards toward the yard in order to give it more privacy. The geometry of the room was rather limited and was following the borderline of the site. The addition is built so that it creates a small private corner spaces in front and behind the house. The project was almost 50 % about managing the organization of the furniture inside to be able to fit everything needed and still have the sense of a pleasant and spacious room. It is mentally divided in three parts – a corridor that connects to the living room (giving a transitional space between the more public and the rather private one); a bedroom area in the middle (well hidden from the outside); a working space divided with a shelf from the bedroom part and facing the yard through a big glass facade. The project is ongoing and is to be realized in the near future.
OTHER WORK
68
Scale 1:100
Scale 1:100
Scale 1:50 Scale 1:50 71
OTHER WORK
OTHER WORK
70
2008 - 2014