Structures of Light Yanuo Qu a1679606
Table of Content Stage 1 Site Analysis
Site Plan --------------------------------------- 1 Access & Movement --------------------- 2 Elevations ------------------------------------- 3 3D Views -------------------------------------- 5 Ambient Light ------------------------------- 6 Shade & Shadow -------------------------- 7 Socila & Culture ---------------------------- 8
Case Study ---------------------------- 9
Site Plan
1
Scale 1:1000
Access & Movement
2
Elevations Engineering and Maths Sciences
3
Barr Smith Library
4
A
3D Views Aerial Views
Ground Views
5
Ambient Light Daytime
Nighttime
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Shade & Shadow Summer 9:00am
Summer 12:00pm
Summer 15:00p
Winter 9:00am
Winter 12:00pm
Winter 15:00p
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pm
pm
Social & Culture Providing world-class and purpose-built teaching, learning and research facilities, the $100m nine-level Ingkarni Wardli building is home to the Faculty of Engineering, Computer and Mathematical Sciences.The Kaurna name, meaning 'place of learning or enquiry' recognises the special relationship the University shares with the Kaurna people.
The Barr Smith Library is the main library of the University of Adelaide, located in the centre of the North Terrace campus. The Barr Smith Library owes its name to the Barr Smith family, a pioneer family in South Australia and benefactors to the University of Adelaide over many decades. In 1899 the University Council resolved that its library should bear the name "The Barr Smith Library". The University of Adelaide Press also occupy part of the Barr Smith Library.
These facilities include glass development and processing, optical fibre fabrication, laser and device development, luminescence dating, environmental genomics, photonic sensor development, and synthetic, surface and bio-chemistry and offices to co-locate IPAS researchers and students from a broad range of scientific disciplines.
The Australian School of Petroleum (ASP) is a world-class centre for petroleum education, training and research. It is one of only a few institutions in the world offering fully integrated teaching and research programs in the disciplines of petroleum geoscience, engineering and management (reflecting the way industry works). Thus, unlike schools that are based on a single discipline serving many industry sectors, we are a multi-disciplinary school serving a single sector.
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Luminosity Linguistic Definitions Luminosity can be easily understand by the relationship of lights and shadow. In astronomy, luminosity is the amount of electromagnetic energy a body radiates per unit of time. It is most frequently measured in two forms: visual (visible light only) and bolometric (total radiant energy). Leeza SOHO, construction 2017, Beijing, China
Philosophical meanings Luminosity can have so many meanings to different people who have different point of views. It can be light, it can be an illuminant body, and it can be radiant body. All different luminosities contain different kind of lights. In my point of view, I think luminosity is more like what we see, what we can see from our eyes that is the object’s reflection. Because of light, we are able to see things and feel things physical and emotional, and the light is come from millions trillions of luminosities. We can’t send and receive messages without light. Luminosity helps mankind to ascend the knowledge of the universe.
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Pharco Science Center, 20
Dongdaemum Design Plaza
005, Wolfsburg, Germany
a, 2013, Seoul, South Korea
Luminous Strips Zaha Hadid's explorations with abstract Luminosity is one of the most imporpaintings have led to several graphical tant elements in architecture. It is easily interpretations of lighting and luminarto be understood like the lights and ies. In order to interweave the surroundthe relationship between sunshine and ing landscape with her new structures, darkness. The masterly applying of the Zaha analyzed abstracted urban translight will give a fantastic visual effect and port patterns and transformed them breathtaking feelings. The examples of into luminaries’ patterns. At Strasthe masterly applying of the luminosity bourg's Hoenheim-Nord Terminus and are the projects of Zaha Hadid. Zaha Car Park (2001), she became fascinated Hadid's projects are remarkable not by the white road markings and cononly for her innovative way of hanverted them into white linear diffuse dling tangible materials but also for her luminaries—either integrated as strips imagination regarding the medium of in the concrete roof or as tilted poles for light. Her theories of fragmentation and the car parking spaces. fluidity are now well-known design techniques which enabled her form-finding. However, her advances in using light to render her architecture have often been neglected—even though they became an essential element in revealing and interpreting her architecture. Light closes the gap between architecture and our perception. We sense forms and materials with our eyes not directly but through the reflected light. Zaha Hadid’s use of light might appear graphical at first sight with her light lines. Nevertheless, the grand dame operated very skillfully to enhance her architectural imagination. Luminous lines—either as luminaries or windows—characterize her early work, whereas luminous fields Guangzhou Opera House, 2010, Guangzhou, China and a play of brilliance emerged later.
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MeaningS in architecture The relationship between windows and ceilings The Phaeno Science Centre (Wolfsburg, 2005) was a decisive turning point in Zaha’s lighting imagination. The windows and luminaries in the building’s surface share the same form, creating a holistic design approach and thus moving on from Zaha’s earlier period of lines and sharp corners. The elevated concrete structure generates a large shaded area, with the view to daylight on one side intensifies the impression of a dark void. As a counterpoint, diffuse ceiling luminaries intervene in the dim atmosphere. The diagonal building structure has been translated into rhombus-shaped windows for the façade. In contrast to earlier projects with sharp edges, Zaha’s forms here took on curved shapes, marking a transition to fluid designs. In order to form a coherent exterior surface, the rhombus contour has also been applied to the underside of the elevated museum. Thereby the visitors perceive a holistic formal approach encompassing both daylight and artificial lighting.