INTERIOR DESIGN PORTFOLIO YASHVI DALAL 2013-2019
I have consolidated my theoretical knowledge with long and short-term internship experiences in Interior Design firms with different specialties. Efficient professional with 1+ years of experience and proven knowledge of space planning and 2D-3D drawings. Aiming to leverage skills to play the role of Interior designer. Date Of Birth
Languages
22nd November, 1995
English, Hindi, Gujarati
linkedin.com/in/yashvi-dalal-b75845125/
Nationality
References
Indian
Available on request
instagram.com/dalalyashvi/
PROFESSIONAL EXPERIENCE INTERN
YASHVI DALAL INTERIOR DESIGNER
CONTACT dalalyashvi@gmail.com +39-3279558541 Alzaia Naviglio Pavese 288, 20142, Milan, Italy(Temporary) 35-36 Shyamal Row house part- 3/A,Satellite, Ahmedabad, Gujarat(Permenant)
EDUCATION Scuola Politencnico di Design
Milan, Italy Masters of Interior Design
School of Environmental Design and Architecture, Navrachana University
Vadodara, India Bachelor of Design(Interior Design)
Studio Keyart, Milan, Italy/ September- November 2019
•Plan and design interior environments for residential spaces by using computer-aided drafting (CAD) and related software to produce drawings. •Render design ideas in order to make the client understand the space better. •Formulate a plan to be practical, aesthetic, and conducive to intended purposes. Arrangement Of fixtures, accessories, draperies, paint and wall coverings, artwork, furniture, and related items. •Estimate material requirements and costs, and present design to client for approval. Confer with the tutor to determine factors affecting planning interior environments, such as budget, architectural preferences, and purpose and function.
INTERN
Errol Reubens Associates (Architecture- Interior Design firm), Errol Reubens(CEPT), Ahmedabad/ June- October 2018
•Plan and design interior environments for interior spaces and use computer-aided drafting (CAD) and related software to produce construction documents of the same.
FREELANCE
Bedroom design of Shaily Thakore, Ahmedabad/ January- March 2018
•Freelance work of renovation and added furniture for an Indian client Mrs. Shaily Thakore. Worked till the final execution of the project.
TEAMWORK
SEDA, Navrachana University, Prof. Gurdev Singh(Dean), Vadodara/ May 2017 •Design, detailing and execution; Exhibition Space Design
INTERN
Suktrut (Interior Design firm), Amala Shah(NID), Ahmedabad/ May- June 2015 •Furniture and spatial designing
INTERN
Dilip Soni Architects(CEPT),Ahmedabad/ May- June 2015
PROFICIENCY SOFTWARES
Autodesk AutoCad Sketch up Rhinoceros Luxion Keyshot Climate Consultant Adobe Photoshop Adobe InDesign Microsoft Office
RELATIVE STUDY PROGRAM 2016
Jaislmer to study architecture of stone houses with mentor Architect Mohammed Ayaz Khan (visiting faculty at SEDA and CEPT), Ahmedabad and Vadodara, India
2015
Bamboo Workshop at Mandavi by Architect Hiten Chavda(visiting faculty at SEDA), ZED- BCIL, Vadodara, India
EXHIBITION 2017
Photographs were exhibited at the Faculty of Fine Arts, MSU by Photoract
2016
Academic projects of Residential Design, Retail Design and furniture design were exhibited in annual exhibition conducted by SEDA, Navrachana University
2016
Adaptive re-use design was exhibited of Museum for Indian classical music instruments and a performance area and to preserve culture and traditional values existing stepwell was kept intact, at Sevasi stepwell.
2015
First year spatial design work was exhibited in annual exhibition conducted by SEDA, Navrachana University
2014
Theatre set design project for a Marathi play was exhibited and discussed in annual exhibition conducted by SEDA, Navrachana University
Adobe Lightroom 3Ds Max V-ray Dialux Lumion
PUBLICATIONS MANUAL SKILLS Conceptualization Schematics Spatial Planning Sketching Rendering Manual drafting Model Making Design Research
20162017
Thesis: A study of Urban Interiority through Tea-drinking spaces in Baroda
INTERESTS Traveling, Photography, Swimming, Painting, Reading, Baking, DIY work, Pottery
CONTENTS
01
02 AMID
07 ACUTE
PERCEZIONE
08 FURNITURE DESIGN
03 PAUSE
09 ACADEMIC WORKING DRAWINGS
04 UNLATCHED GUCCI
10 OTHER WORKS
05
06 CORE
HIATUS
01
AMID
LOCATION Via Vincenzo Civerchio, 2, Milan
01
CAFE/ BAR AND RESTAURANT DESIGN Master’s Project
Semester 1 Prof. Andres Mahjoubian
Vehicular Access Atelier Courtyards in the areas
ARTS CLUB, CAFE AND EXHIBITION CENTRE Studio focuses on the centre with a space to display temporary exhibitions of contemporary art of national and international standing and for locally produced works. Two gallery spaces are to be provided allowing the artist to define the space. CafĂŠ/bar/ bistro with a middle- eastern character area is to be a dynamic, vibrant area which will serve visitors of centre, members and neighbourhood also non-visual arts audiences with seating provided plus mixed seating and standing in the bar area which opens out to the courtyard. Gallery shop is to be accessible the entrance and as well as connected to one of the area open to public.
Area of Focus in relation to city
Metro Stop-Zara
Site Pictures
CONCEPT Form Evolution
Courtyard
Cascina
Spatial Zoning and Connectivity to the Courtyard
Transformation of Form Into Space Connectivity of roof and the node connecting all the buildings- courtyard is achieved by an intermediate space with light flushing from the top as well as the facade.
PUBLIC ENTRY
STORE
ENTRANCE/ COFFEE BAR
CAFÉ
Proposed Spatial Zoning
Existing Spatial Zoning
GARDEN GALLERY
Office Spaces
Atelier Space
Atelier Space
Cafe
Primary Entry
Artist Lounge
Secondary Entry
Public Entry Private Entry
ARTIST’S ENTRY
ARTIST’S LOUNGE
SPACE PLANNING DRAWINGS
‘Liminal’
‘Communal’
The hierarchy of the spaces flow in such a manner that you enter into a courtyard(open space) move to the patio built from glass which gives the feeling at the threshold of inside and outside and then move in to the store and then into the bar area(closed seating space) with a view of the courtyard.
SECTION AA’
BASEMENT PLAN
‘Cascio’
GROUND FLOOR PLAN
FIRST FLOOR PLAN
MATERIALITY OF THE FOCUSED AREA- CAFE/ BAR
NCS COLOUR MAPPING OF CHOSEN MATERIALS AND FINISHINGS
PROPOSED MATERIAL PALETTE 1
PIETRA PIETRA D’ISTRIA D’ISTRIA
4
MOSAIC MARBLE MOSAIC
NCS S 6020-Y50R
NSC S 8010-R90B
NSC S 0907-Y30R
NSC S 6020-G10Y
NSC S 2060-Y50R
NSC S 1040-Y10R
NSC S 0630-Y20R
3 2
5
TEAK PARQUET TEAK PARQUET
PLASTER PLASTER WITH STRAW WITH STRAW
BLACK BLACK MARQUINA MARBLE MARQUINA MARBLE
GROUND FLOOR CAFE’/BAR PLAN
FIRST FLOOR CAFE’/BAR PLAN
3
B B
EXISTING SPATIAL ZONING
B B
B B
B B
1
4 2
5
THE WHITE BOX THE WHITE BOX GROUND FLOOR PLAN
GROUND FLOOR PLAN
YASHVI DALAL YASHVI DALAL SHREEYA NANDHINI UDAYANAND SHREEYA NANDHINI UDAYANAND
THE WHITE BOX THE WHITE BOX GROUND FLOOR PLAN
GROUND FLOOR PLAN
YASHVI DALAL YASHVI DALAL SHREEYA NANDHINI UDAYANAND SHREEYA NANDHINI UDAYANAND
SECTIONAL ELEVATIONS OF CAFE/ BAR
SECTION BB’
SECTION CC’
SECTION EE’
SECTION FF’
SECTION EE’
THE WHITE BOX
LONGITUDINAL SECTION
YASHVI DALAL SHREEYA NANDHINI UDAYANAND
THE WHITE BOX
LONGITUDINAL SECTION
YASHVI DALAL SHREEYA NANDHINI UDAYANAND
LIGHTING DESIGN-DIALUX
GROUND FLOOR PLAN
FIRST FLOOR PLAN
02
PERCEZIONE
LOCATION Via Landolfo, 1, Milan
02
FASHION RETAIL DESIGN
MASTER’S PROJECT SEMESTER 2
Prof. Andrea Manfredi
FASHION RETAIL STORE FOR HANDBAGS Studio focuses on designing a retail store for fashion handbags brand from Tuscany- “The Bridge”, who works with naturally tanned Italian leather with precision. As an outcome the bags are classy elegant and designed for youth who believes in older craftsmen tradition as well as nomadic, slow life culture of today. Today the brand needs a kind of revolution that can get them customers of youth.
The site is located at one of the main shopping streets of the city.
The Bridge Store Road Networking Sforzo Castle
Site Pictures
CONCEPT Form Evolution
The orthogonal existing grid expresses a general idea of a stereotypical right angled space. Rotating the grid helps develop an entire new perception. Using two different grids and choosing the right spatial placement of modules of display. The sense of grid is enhanced by showing the grid on walls, ceilings and also on floor and use it as a structurally. Changing the perception of the product for modified target group of the brand: Brand since all these years has been perceived as stereotypical leather brand. The brand identity is unanchored to the new target group. Product as the main art and space as the art installation to focus the product. Changing perception of the product and not the space to focus details of the product from different directions and angles. Sharp angles, crisp edges, mirrored surfaces And pure geometric forms delineate areas for display.
SPACE PLANNING DRAWINGS
‘Perception’
‘Illusion’
‘Dynamic’
Service areas
Luggage display
ACCESSORY DISPLAY
LUGGAGE DISPLAY
Display Shelves
Accessory display
AXONOMETRIC VIEW
ENTRY
Entry
PLAN
GROUND LEVEL PLAN
CASH DESK
Cash desk
SHELVES
Exclusive display
GROUND LEVEL PLAN SCALE 1:75
SECTION AA’
GROUND LEVEL PLAN SCALE 1:75
SECTION BB’
CUSTOM FURNITURES
FUNCTION:
FUNCTION:
MATERIAL:
MATERIAL:
GENERAL DIMENSION:
GENERAL DIMENSION:
Accessory display unit
Glass
1440mm X 550mm X
Cash desk
Mirror, Wood
1440mm X 550mm
FUNCTION: Bag display
MATERIAL: Plexy glass
GENERAL DIMENSION:
350mm X 2400mm
03
PAUSE
LOCATION Kevdabaug, Vadodara, Gujarat 390001, India
03
THEATRE DESIGN
Site for stage design consists of a templea tank surrounded by many dense urban settlements. Located in the vicinity of the Khanderao market, the Talav- Lake can be approached from multiple routes. Various accesses are through a residential area, a commercial zone and a temple compound. The permanent steps and temporary stage construction is taken as an important feature of the design proposal.
Bachelor’s Project Semester 8
Prof. Sunita Dalvi(Urban Designer)
THEATRE STAGE AND PLAY SEQUENCE DESIGN Studio is based on Vijay Tendulkar’s Marathi play ‘Ghashiram Kotwal’. From direction to drama and music, play took its own ‘point of departure’. While adding the context of Baroda city and the rich history of Maratha rule, studio takes opportunity to translate text into spatial construction of events. The lake’s connection with the temple is taken as proposed settling within the settling within the city for stage design for play. Psychology of physical spaces is taken as an extension for design concept of the studio.
Temple Road Networking Siddhanath LakeLocation
Site Pictures
CONCEPT- Theatre In Everyday Life Inference of Pol Houses and Sevasi Stepwell, Vadodara
In the everyday life, when you take a pause that is the time when you realize sense the situation you were in and it also gives you further predictions. To sense the situation, while being in the situation, we have to take a pause-ln everyday life cases like pol houses- when you are walking and take a pause, you get to observe some people stationary on their otlas- plinths and “Varandas�. To control pause-a variable of place is to make alterations the fabrics of facts, allowing to subtract or add and not just the flow in space, but also alter and erase events- It allows — one to get connected to alternate realities, even altering our way of pursuing reality.
Stepwell and kund both have same purpose to ensure the water during periods of drought and both are built according to the human scale and proportions. Once you are inside the stepwell, there is a sense of dislocation from the outer city, where there is powerplay of light and shadows and junctions which focus on the telescopic views, which is a major pause from the rush of everyday life within the city. Within this pause there are further pause junctions which generate multiple nodes of focus. While walking down towards the water, water remains the main node of focus and the perspective created by the structure of the stepwell becomes secondary node of focus. While resting on the landings or climbing up, you get the gap wherein you get to observe the space you were part of because of the shadows and the angle of vision. Stepwell has its own social, cultural and religious importance within itself because of the emergence of acts and the decorations in it. Stepwell creates a kind of spiritual backdrop because of the acts of ritual bathing and prayers. It is a pause within the city, so it also becomes the social gathering space.
CONCEPT- Theatre In Everyday Life Inference of Ghats of Banaras
When experiencing the ghats of Banaras on foot, our senses capture the close proximics but the visual elements are obstructed. While observing the ghats by boat away from the rush of the city, one has the opportunity to see the elements of pause and movement inwhich you were moving inside. Movement takes place from urban transportation centres to the ghats, from adjoining streets to the ghats, and between the ghats and movement and pause on a ghat.
The doorway provides the sense of direction towards the focal point because of its scale which acts as an axis. Movement direction is aligned by axis which also depends on the undefined nodes - pauses and the defined nodes -start/end points for an action/events.
Plan Design Evolution through inferences
Allowing streets of the city to come to these points from these access pathways with reference to the site. These points are the junction wherein the pause takes place. Manipulation of pauses- alteration of reality leads to further experiences or predictions of the events and situations. Axis leads to the focal points in between as levels-events and the spaces created by the axis so it’s also an organizing element. Axis generates further ordered pauses.
SECTIONAL ELEVATIONS
Pause Point Arched Doorways (Inference: Shanivarwada, Pune)
Kund- Lake
Facade- Designed according
to the pause and movements in the play
04
UNLATCHED GUCCI
BRAND RESEARCH
04
CORPORATE OFFICE DESIGN Bachelor’s Project Semester 7
Prof. Percy Adil Pithawala
CORPORATE OFFICE DESIGN IN AN OLD PRESS BUILDING Gucci being one of the most desirable luxury fashion house of the world, essence of fashion is generated by creating a ramp for circulation. Spaces are divided in such a manner that ramp is visually or/and physically connected to all the departments. Moreover, the ramp can be used for the discussions and trial basis and also for circulation on daily basis. Open floor plan is adopted to serve the requirements of collaborative environment and work culture of the brand.
Product Attributes
Brand Attributes
• Sharpness • Quality • Minimalistic Design Elements • Border/ Frame • Use Of Metal- The Buckles in bags
• • • • • •
• Extensive Use of Black And White, Gold • Colour Blocking • Use of Gucci Pattern • Use of Italian Colours Red and Green • Use of Sustainable Material • Contemporary Design
Site Pictures (Government Printing Press, Vadodara)
Trendy Luxury Unique Design Quality Comfort Customization
Gucci is an Italian luxury brand of fashion and fine leather goods, part of the Gucci Group- Kering.Gucci is a world-famous symbol of quality that accompanies the elite, in everyday life and also on the red carpet. Brand Philosophy: Balance between tradition and innovation, past merges with the signs of future, empowering imagination.
CONCEPT Development of main design elements- The ramp, the bridge and the staircase for private events in basement Wearing Gucci generates a feeling of getting noted walking on a rampcarrying something very trendy and luxurious. The idea of multifunctional ramp which can be used while finalizing the design while discussing it there only, wherein there can be fashion pre-events can take place. Otherwise it can be used as a circulation path. While walking on the ramp, one will experience the different layers of trusses, windows and light coming from the roof.
Nodes
RAMP
BRIDGE
STAIRCASE
All main nodes of circulation elements adds dynamism to the static space. Anything happening on the ramp or bridge seeks the attention and creates the focal point it leads to improve the relationship in different spheres of activities. • Ramp is placed in an appropriate pocket created by current structure of the building and spaces are divided respecting the existing structure and the placement of the ramp. • Cut-out in the ground floor serves as an interactive and multi-functional circulation path, shoots, practice, discussions, open workspace and it adds visual connections among levels. All the breakout spaces opens up on the edge and get a view of basement . • Mezzanine floors are connected to each other with a bridge that opens to the cut-out connected to basement and it is visually connected to the ramp.
Link between Departments
SPACE PLANNING DRAWINGS
‘Multi-function-
‘Collaborative’
B’ 1. 2. 3. 4. 5. 6. 7. 8. 9. 10. 11. 12. 13. 14. 15.
SHOOT AREA AND FITTING ROOMS DESIGN AREA MAIN EVENT AREA- AMPHITHEATER CONFERENCE ROOM LOUNGE TRAINING AREA ADMINISTRATION AREA MEETING ROOM CAFETERIA COMMUNICATIONS AND IT CORPORATE RETAIL AND DESIGN GENERAL AND FACILITY MANAGEMENT PRODUCT DEVELOPMENT STRATEGY MANAGEMENT
‘Open Plan’
A
1
3
6
2 C’ D’
C D
5
4 B
’
BASEMENT PLAN
B’
8
B
A
5
15
A
16
12
8 10 14 C D
11
C’ D’
14
C D
C D
9
13
5 B
’
GROUND FLOOR PLAN
B
FIRST FLOOR PLAN
SECTIONAL ELEVATIONS
SECTION AA’
SECTION BB’
SECTIONAL ELEVATIONS
SECTION CC’
SECTION DD’
MATERIALITY OF CORPORATE OFFICE
MIDNIGHT MOON MARBLE BLACK ROSEWOOD VENEER
BRASS RODS
CARRARA MARBLE WHITE BLACK LEATHER
05
CORE
CONCEPT
05
EXHIBITION DESIGN
SPD
Master’s Project
DESIGN
Semester 2
Prof. Maurizio Scalzi
EXHIBITION SPACE DESIGN FOR SPD DESIGN SCHOOL Studio focuses on the exhibition space for SPD- Scuola Politecnica di Design’s 50-year anniversary celebration. Exhibition is consisted of work of all design disciplines under the school. School want to celebrate all journey and make future students and visitors understand school’s perspective for design by showcasing current students work physically and intellectually.
COLLECTION OF DESIGN DISCIPLINES
EXPANSION OF EACH IN VARIED DIRECTIONS AND DIFFERENT SCALES Concept Development
Imagining Design field as a cube
A cube with many segments as design field has various disciplines.
A cube with many segments as design field is branched out in various disciplines still connected to its core. All the disciplines are rooted to base- design.
CONCEPT Layout Development
BRANCHING OUT
EXPANSION CONNECTED TO CORE SUBDIVISIONS MERGE
SPD being a design institute, we assume as a design core that is divided into many segments. All the disciplines have expanded in different areas still all of them are interconnected in a certain way and are rooted to base- design.
Translating the idea into space, here diagram shows how a person who enters the SPD core exhibition are, will be able to see all disciplines at once and one can choose a path for himself/herself.
SPACE PLANNING DRAWINGS
EXSITING SERVICE ELEVATOR
‘Dynamic’
‘Connection’
‘Core’
PROJECTION ON WALL ABOUT THE SCHOOL'S HISTORY
EXSITING SERVICE ELEVATOR EMERGENCY EXIT
EMERGENCY EXIT
210 180
P3b PY
120 210
0.00 FFL
1660
1 1.9 0.300 FFL
0.450 FFL
0.600 FFL
RAISED FLOOR (SEE DETAIL ON DRAWING NO.1.12)
300
850
PROJECTION OF SCHOOL'S HISTORY
WALL WITH GRAPHIC ABOUT ALL THE DISCIPLINES OF DESIGN (SEE DETAILS ON DRAWING NO.1.10 )
GROUND FLOOR LEVEL PLAN SPLINTER TABLE
450
600
DRY WALL ADDED TO COVER THE SERVICE ELEVATOR
3 1.11
INTERACTIVE WALL WITH GRAPHICS OF CAR DESIGN ELEMENTS (SEE DETAILS ON DRAWING NO.14)
150
2 1.10
0.00 FFL
850
1250
3440
100
0.150 FFL
LONGITUDINAL SECTION 1
SPLINTER CHAIR
PROPOSED GROUND FLOOR PLAN FOR EXHIBITION SPACE FOR SPD FURNITURE LAYOUT
PLAN 1:100
P3b
210 180
SPD
YASHVI DALAL KRUTI JAIN AASHISH KUMAR
1.1
DRG. NO.
2370
PROPOSED EXHIBITION SPACE FOR SPD Longitudinal Section 1
SECTION 1:100
SPD
YASHVI DALAL KRUTI JAIN AASHISH KUMAR
4400
1 1.9
100
1660
4.00 FFL
150
300
600
2 1.10 3 1.11
WALL WITH GRAPHIC ABOUT ALL THE DISCIPLINES OF DESIGN
FIRST FLOOR LEVEL PLAN PROPOSED MEZZANINE FLOOR PLAN FOR EXHIBITION SPACE FOR SPD FURNITURE LAYOUT
450
850
2070
0.00 FFL
LONGITUDINAL SECTION 2 PLAN 1:100
SPD
YASHVI DALAL KRUTI JAIN AASHISH KUMAR
1.5
DRG. NO.
INTERACTIVE WALL WITH GRAPHICS OF CAR DESIGN ELEMENTS (SEE DETAILS ON DRAWING NO.14)
1.9
DRG. NO.
210 180
SPACE PLANNING DRAWINGS
PY 120 210
210 120
0,0
P1d
A6
100
A5
S7
0.30
0.45
0.60
1660
2900
0.15
2540
VISUAL DESIGN
INFORMAL SEATING
PRODUCT DESIGN
WORKSHOP/COLLABORA-
FOOD DESIGN
800
850
1100
2890 700 20
PROJECTION OF SCHOOL'S HISTORY
INDUSTRIAL DESIGN CAR DESIGN
210 180
RAISED FLOOR (SEE DETAIL ON DRAWING NO.)
PY 120 210
210 120
A6
CROSS SECTION 3
SECTION 1:100 SECTION 1:100
SPD
YASHVI DALAL KRUTI JAIN AASHISH KUMAR
A5
S7
PROPOSED EXHIBITION SPACE FOR SPD Cross Section
0,0
P1d
1.11
0.15
0.30
0.45
0.60
DRG. NO.
VISITORS CIRCULATION
INFORMAL SEATING
EVACUATION
WORKSHOP/COLLABORA-
210 180
P3b PY
210 180
P3b
120 210
800
5780
13580
I2
5390
8330
2370
2370
2140
3900
2830
1000
5040
0.00 FFL
3040
1500
2070
800
1200
2310
4400
300 3510 1520
1220 11630 8000
1 1.9
I4
800
4.00 FFL
1 1.9
2120
1410
4900
3160
1000
V
1000
0.600 FFL
800
1480
4780
3800
0.450 FFL
5990
0.300 FFL
2420
I3
3220
1900
2610
0.150 FFL
3230 8000
F1
F3
F4
F8
P2
P3
P1
1770
1770
1970
300
2 1.10
4410
2 1.10
3340
800
0.00 FFL
2070
1970
0.00 FFL
2300
I2
I3
I4
I5
I6
I7
F5
F6
F7
F8
P1
P2
P3
PROPOSED GROUND FLOOR PLAN FOR EXHIBITION SPACE FOR SPD WITH PRODUCT CODE
F1
P4
3 1.11
3 1.11
C1
C2
I5
I6
I7
I1
F7
F6
F2
F5
P4
P5
P3
AXONOMETRIC VIEW
I1
F2
P5
PLAN 1:100
SPD
F3
F4
C1
C2
YASHVI DALAL KRUTI JAIN AASHISH KUMAR
1.3
DRG. NO.
I1
I2
I3
I4
I5
I6
I7
F5
F6
F7
F8
P1
P2
P3
PROPOSED MEZZANINE FLOOR PLAN FOR EXHIBITION SPACE FOR SPD WITH PRODUCT CODE
F1
P4
F2
P5
PLAN 1:100
SPD
F3
F4
C1
C2
YASHVI DALAL KRUTI JAIN AASHISH KUMAR
1.7
DRG. NO.
06
HIATUS
CONCEPT DEVELOPMENT
06
EXCAVATED LIBRARY
Needs of Design IDEA OF EXCAVATION
WHY IT HAS BECOME NECESSARY TO TAKE A PAUSE ?
MASTER’S PROJECT SEMESTER 2
Prof. Maurizio Scalzi
MONOTONOUS
EXCAVATION IN TRIENNALE GARDEN TO GENERATE A LIBRARY AND CAFE
DESIGNING VOIDS
EVERYDAY
RIGID
STANDARD ROUTINE
SCOOPING OUT RUSH
SCOPE OF DEDUCTION
FUNCTIONS IN NEGATIVE SPACES
Essence of space design
The semi- formal library space is located in rear end of La Triennale. The space touches the lush green edge of Parco Sempione. Garden of La Triennale di Milano has the conception of using various forms and materials to emphasis the idea of working outdoors and relax.
To have a coffee
RELAXATION
To read- library To talk To sit Experience nature
PAUSE SPACE TO THINKOBSERVE
FREE- FLOWING PERSONAL
BREAK
CONCEPT Form Evolution
LOCATION Via Landolfo, 1, Milan
SPACE PLANNING DRAWINGS
MINUS 1 FLOOR LEVEL PLAN
MINUS 3 FLOOR LEVEL PLAN
‘Pause’
‘Dynamic’
MINUS 2 FLOOR LEVEL PLAN
‘Primitive’
SPACE PLANNING DRAWINGS
‘Pause’
‘Dynamic’
‘Primitive’
LONGITUDINAL SECTION 1
LONGITUDINAL SECTION 2
CROSS SECTION 3
CROSS SECTION 4
07
ACUTE
LOCATION Ozone, Dr. Vikram Sarabhai Road, Vadodara
07
KNIFE RETAIL DESIGN Bachelor’s Project Semester 6
Prof. Shalini Amin, Hetal Shah
RETAIL STORE AND WORKSHOP SPACE DESIGN Echo of customers reviews and choices about knives are dissolved in brand values to generate more precise and accurate blade of knives. Moreover, meticulous process of proportionate mixture of metals adds value to it. The overlap of metals is taken forward as a concept and the spaces are divided according to the projections of polygon and segregation of knives. The polygon is punctured in such a manner that creates connections between spaces but the frames of the polygon remain intact. Space for workshop is allotted in the center of the shop to generate more live environment for the retail shop.
Site Picture Important Buildings around Road Networking Store Residential Buildings Commercial Buildings
CONCEPT Form Evolution Planes are created by the intersection of two grids, which depicts the precise blade of the knife, which is achieved from proportionate mix of metals and tempering. The grids depict different metals and the merging of grids depicts the proportionate mix of metals.
Taking this diagram to the third dimension, two grids are separated and placed in such a manner that the vertical axis remains constant while altering the distance between two on the horizontal axis wherein endpoints of the or the grid are projected on tilted grid’s end points that creates the surfaces of the polygon.
Matrix
In Sun path DiagramLarge amount of sunlight enters the shop in morning hours.
In Wind DiagramSouth-west to north-east winds flow almost throughout the year. But due to glass facade and no other openings, wind does not affect the interior aspects of the shop.
SPACE PLANNING DRAWINGS
‘Dynamic’
‘Linear’
‘Abstract’
PLAN
LONGITUDINAL SECTION- CC’
CROSS SECTION- AA’
CROSS SECTION- BB’
FRONT ELEVATION
LONGITUDINAL SECTION- DD’
HVAC PLAN
KNIFE STAND RENDER
08
FURNITURE DESIGN Bachelor’s Projects Semester 4, 7
ESCAPER’S BLISS FUNCTIONS:
• Perfect combination of right angles, diagonals with curved flexi plywood • Ergonomically designed • Less structural members
PLAN
SIDE ELEVATION
GRADIENT FUNCTIONS:
• Individual use of all four tables with different materials that makes the space more interesting.
PLAN
SIDE ELEVATION
ELEMENTS OF TABLE
ANGLE FASTENER FUNCTIONS:
• Adjustable seat by anchor fastner to achieve a perfect angle for everyone • Footrest
PLAN
SIDE ELEVATION
CONCEPT Design Evoluation through inferences
MULTI-FUNCTIONAL EXTENSION TABLE FOR POTTER’S WHEEL-CLAY WORKSHOP Bachelor’s Project Semester 8
Prof. Jaymin Panchasara
RETAIL STORE AND WORKSHOP SPACE DESIGN The project intends to design a furniture for clay workshop. Possibilities of making the task easier for user while working in the workshop are explored by visiting various pottery clubs. Extension table for the Potter’s wheel, while studying the ergonomics at first and making everything accessible for the user. Here are some design and material exploration as an outcome of visits to the workshop meant for clay and ceramic work one at an institutional level and another of a professional level. Furniture here was a surface to work on and open storage cum display units. Thinner drawer unit for storing tools is notable.
PLAN VIEW
Study the issues and requirements by a potter, while working on the wheel. Listed requirements -
Thread roll Space for keeping modeling tools Space for freshly made pots Space for extra clay Fresh water bowl Waste clay bag
The extension allows potter to sit comfortably for longer period of time, while all the important tools are handy. Concluded design contains -a waste bin hole which is accessible via shutter. -for extra clay surface depression to keep modelling clay -Thread holder -Plastic wrap stand
Materials -For structure Chip-boards tor drawers S.S. Channels in drawers -Sternly metal base thread stand -Plastic Ovate bin The extension is portable, easy to clean and hence user friendly.
09 ACADEMIC WORKING DRAWINGS Bachelor’s Projects Semester 6
457
152
64
12
1105
892
12
732 675
4 G
D
A
REF. SHEET NO.02
K
REF. SHEET NO.02
19
E
F
REF. SHEET NO.02
19
19
208
389
520
50 40
1010
520
1038
19
560
19
360
520
I
552
H
HAFELE PULL-OUT BASKET UNIT 235mm WIDE SILVER 547_05_725
J
REF. SHEET NO.02
HAFELE TELESCOPIC CHANNEL SILVER 500mm 30kg
311_42_501
SALICE 165°
30
SCALE - 1:1
HAFELE PULL-OUT BASKET UNIT 520mm WIDE SILVER 547_06_875
549
757
FISHER AND PAYKEL DOUBLE PYROLYTIC BUILT-IN OVEN
550
CORNER DETAIL-FASCIA AT CORNER CHANNEL SCREWED TO PLYWOOD DETAIL - A
SCALE - 1:1
FISHER AND PAYKEL DOUBLE DISHWASHER 600mm FREESTANDING
329.07.609
CORNER DETAIL-FASCIA AT CORNER CHANNEL SCREWED TO PLYWOOD DETAIL - A
19
520
END VERTICAL SUPPORT PLYWOOD 19mm DUCO PAINT CRYSTAL WHITE 03-6520
4
422_87_905
SILVER
HAFELE WASTE BIN SILVER BOTTOM SCREWED CHANNEL BEHIND HINGED DOOR
549
520
11
7
30
METALLA MINI A 95 ° G 4-6 INTERNAL
430
HAFELE CONCEALED HINGE 40
A'
HAFELE PULL-OUT BASKET UNIT 520mm WIDE SILVER 547_06_875
HAFELE CONCEALED HINGE
REF. SHEET NO.02
19
550
19
19
549
CORNER UNIT 2 CAROUSEL SHELVES SILVER COLOUR LAQUERED 541_55_743
19
130
19
595
GROOVE-7mm - IN DRAWER FASCIA PLYWOOD 19mm DUCO PAINT CRYSTAL WHITE 03-6520
B'
40
B
19
SCALE - 1:5 100
19
549
L
PLYWOOD 19mm DUCO PAINT CRYSTAL WHITE 03-6520
747
520
BRACKET SECTION SCALE - 1:2
32
551
30
40
BRACKET 580mm 250kg EVEN LOAD DISTRIBUTION TOP AND SIDE MOUNTING 287_45_477
c 19
19
BRACKET 580mm 250kg EVEN LOAD DISTRIBUTION TOP AND SIDE MOUNTING 287_45_477
2000 571
30
A
3
520
30 HAFELE-LIEBHERR CS1660 RIGHT HINGED
1336
50
EURASIAN GRANITE WHITE
40 1777
1877
BRACKET 580mm 250kg EVEN LOAD DISTRIBUTION TOP AND SIDE MOUNTING 287_45_477
30
1065
BRACKET 580mm 250kg EVEN LOAD DISTRIBUTION TOP AND SIDE MOUNTING 287_45_477
REF. SHEET NO.02
1885
BACK VERTICAL SUPPORT PLYWOOD 30mm DUCO PAINT CRYSTAL WHITE 03-6520
100
11 580
FASCIA COVERING PARTITION PLYWOOD DETAIL - C SCALE - 1:1
M
134
1431
B
747
520
559
550
220
HAFELE-LIEBHERR CS1611 LEFT HINGED
183
23
HAFELE WIRE BASKET TO FASCIA CONNECTING PLATE SILVER
HAFELE PULL-OUT BASKET UNIT 520mm WIDE SILVER 547_06_875
2150
1065
HAFELE TELESCOPIC CHANNEL SILVER 500mm 30kg 422_87_905
30
457
N
92
30
HAFELE PULL-OUT BASKET UNIT 520mm WIDE SILVER 547_06_875
12 978
24 30
END VERTICAL SUPPORT PLYWOOD 19mm DUCO PAINT CRYSTAL WHITE 03-6520 L ANGLE SECTION 1.2mm THICK SCREWED TO BLOCKBOARD
SCREW LENGTH 12mm
Ø 7mm CORNER DETAIL-L ANGLE SCREWED TO CARCASSING BRACKET SCREWED TO THE BACK OF MAIN PLYWOOD DETAIL - B SCALE - 1:1 20
578 520
12
10
30
543
19
SCREW LENGTH 24mm Ø 7mm
12
7
22
14 7
20
7
7 20
HAFELE CONCEALED HINGE SALICE 165°
HAFELE TELESCOPIC CHANNEL SILVER 500mm 30kg
WORKING DRAWING
KITCHEN UNDER COUNTER PLAN SCALE - AS PER DRAWING ALL DIMENSIONS ARE IN MM
13
105 19
O
PLYWOOD 19mm DUCO PAINT CRYSTAL WHITE 03-6520
18 21
BRICKWALL
12
584
PLASTER
12
35
54
19
577 520
SCREW LENGTH 16mm Ø 7mm
19
SCALE - 1:10
54
329.07.609
422_87_905
CHALKBOARD PAINT ON PLYWOOD BLACK
16
14
341
19
30
GROOVE-7mm - IN DRAWER FASCIA PLYWOOD 19mm DUCO PAINT CRYSTAL WHITE 03-6520
GROOVE-7mm - IN DRAWER FASCIA PLYWOOD 19mm DUCO PAINT 3 CRYSTAL WHITE 03-6520
30
FIXING OF HINGE TO FASCIA DETAIL - D SCALE - 1:2
PLYWOOD 30mm DUCO PAINT CRYSTAL WHITE 03-6520
SHEET NO.
01
SCALE - 1:2
NAVRACHANA UNIVERSITY
YASHVI DALAL
SCHOOL OF ENVIRONMENT AND DESIGN
13192012
B. DESIGN - 3RD YEAR
DATE - 25-03-2016
SEMESTER - SIXTH
REMARK
BATCH - 2013-2014
N SIGN
2
10
OTHER WORKS
UNDER THE SUN VILLA 71 MASTER BEDROOM
ELLIOTT CHAISE LOUNGE
WORKDESK
TV CABINET WITH DESK
ARTWORK
SIDE TABLE BED
WARDROBE
WARDROBE
UNDER THE SUN VILLA 71 FAMILY LIVING ROOM
UNDER THE SUN VILLA 71 TERRACE
OUTDOOR SOFA
MOOD FOR TERRACE
OVERALL MOOD COFFEE TABLE POUF
OUTDOOR SOFA
TV CABINET OUTDOOR SHADOW SYSTEM SOFA
COFFEE TABLE
SOFA
UNDER THE SUN VILLA 80 FAMILY LIVING
UNDER THE SUN VILLA 80 KITCHEN AND DINING ROOM
COFFEE TABLE CERAMIC AND NATURAL WOOD
CERAMIC AND NATURAL WOOD DINING TABLE ALTERNATIVES
KITCHEN MOOD SOFA
TV CABINET
OUTDOOR SIDE TABLE WALL FINISH
POUF OUTDOOR COFFEE TABLE
STOOL
RESIN AND NATURAL WOOD
NATURAL WOOD
COLOUR PALETTE
INTERNSHIP WORK 2019 WITH STUDIO KEYART
INTERNSHIP WORK 2019 WITH STUDIO KEYART
INTERNSHIP WORK 2019 WITH STUDIO KEYART
SENSE LAB
SPACE PLANNING DRAWINGS
EXHIBITION SPACE DESIGN
Bachelor’s Project Semester 8
Dean. Gurdev Singh
EXHIBITION SPACE DESIGN The project intends to design an exhibition space for University to display projects of students on yearly basis. Otherwise this panelsvwill remain as pivot doors for students partitions as well.
PROCESS PICTURES
MISCELLANEOUS WORK
• Model- making development • Photography
and
concept
THANK YOU YASHVI DALAL
(M) +39-3279558541/ +91-9408140283 dalalyashvi@gmail.com