PORT FOLIO
個人作品集
2017
王苡丞
2013
CONTE NTS PO RO F T L I O
自我簡介
G RA D U A T I O N PRO J E C T
畢業製作
PO ST E R D E SI G N
海報設計
L A YO U T D E SI G N
編輯設計
PA C K A G E D E SI G N
包裝設計
A D V E RT I SI N G D E SI G N
廣告設計
MU MULLTTI ME I MEDDI A IA
多媒體類
I L L U ST RA T I O N S
插畫設計
PHOT OG RA PHY
攝 影
01
P O ROF TL I O
學歷
EDUCATION
2013 國立豐原高中美術班 2015 國立高雄大學創意設計與建築學系 2017 國立高雄師範大學視覺設計學系
經歷
EXPERIENCE
2013 王品集團陶板屋外場服務生
王苡丞
2014 國立高雄大學土環創建聯合宿營隊輔
Yi C h e ng Wang
2015 大美無言藝術空間實習生 2017 國立高雄師範大學視覺設計系106級 畢製「動物悲歌」佳作
聯絡方式 CONTACT 專長
SKILL
+886 988 919 636 zonawang0927@gmail.com
Adobe Illustrator
https://www.facebook.com/zona.wang.58
Adobe Photoshop Adobe InDesign Adobe After Effects
關於我
ABOUT ME
1994 / 09 / 27 生，天秤座，台中人。
Adobe Premiere Pro Sketch
02
ABOUT
我今年畢業於國立高雄師範大學視覺設計學系，在轉學來這裡 之前，我念的是國立高雄大學創意設計與建築學系。在高大的 兩年之中我學到了金工方面的設計，但在大二的時候發現比起 工藝設計，我似乎更喜歡平面設計帶給我的感覺，一直無法忘 記當初在準備轉學考時的那股熱忱與滿腔的衝勁。我擅長插畫 以及編排還有攝影，希望進入社會後可以朝自己的專長更加精 進，發揮四年來所學的技巧。一直以來我覺得台灣的市容以及 美感教育不是那麼的進步以及美觀，我希望能夠藉由我們設計 師的力量來改善這個問題，從我們開始做改變，相信台灣總有 一天會成為更進步的國家。
03
G R AD UA TI ON
PR OJE CT
A NI MAL T RAG E D Y
04
王苡丞
涂孟嫺
|
共同製作
05
G R A D UATI ON
PR OJECT
動物悲歌 我們的主題概念是人類一切不當對待動物的行為。 長期以來我們忽視了給予動物平等的尊重，生活上很多行為都是為了滿足自身的需求來傷害動物。 於是我們想利用光柵的特性，將對比圖像結合，讓人立即頓悟、思考，保護動物是任何人都必需了解 和關注的責任。另外推出另一種表現形式，書籍。以翻頁的概念，說明透過翻頁能夠快速對比出真相 帶來的震撼。
在反轉光柵片時，動物位置不變，改變的是人類不當行為對待之後， 所造成的傷害模樣及人為環境。
創意拼圖 雙面拼圖，正面為彩色的，是動物原本生活的模樣，背面為黑白的，是人類不當對待的真相。 雷切拼圖，拼圖的畫面是由各種有意義的圖像所拼湊而成。
06
07
G R A D UATI ON
PR OJECT
騎乘大象看似是很吸引人的觀光活動，事實上卻是人類在虐待牠們賺取利益。
鵝的羽毛具有保持體溫、保護皮膚及防水的作用，但人類卻為求自身保暖殘忍拔毛，製作成一件件暖和的羽絨衣。
08
看似是猴子互相擁抱的溫暖畫面，但隨畫面一變，才發現其實人類是這場動物實驗的幕後使者。
老虎本來是棲息在大草原裡，但人類卻將牠訓練成跳火圈的表演者。
09
G R AD UATI ON
PR OJECT
10
水獺原本生活的河川是十分清澈乾淨的， 但人類破壞了牠們的棲息地，留下油汙及垃圾，導致牠們的死亡。
11
P O STER
周 怡 安
D ESI GN
12
曾 資 婷
2015
AUG/1 - AUG/30
EXHIBITION 台中市西屯區 惠文五街27號
No.27 Huiwen Sth St Xitun Dist. Taichung City 40756
Tel | (04)22588322
w
w
w
Fax | (04)22588330
.
d
m
w
e
.
c
o
m
.
t
w
新綠重重特展海報設計 大美無言藝術空間
2015
13
P O STER
D ESI GN
動物悲歌 主視覺海報 將光柵的元素結合到海報中，在人的圖像裡面隱約可以看見後方的動物， 一劃一劃的線條就像監牢一樣，象徵著人類控制，囚禁著牠們。
2017
14
15
P O STER
D ESI GN
網路霸凌海報 2015
隨著科技的發達，霸凌不會只有在現實生活中發生，連 在虛擬的網路世界裡，都充斥著網路霸凌。結合現在最 流行的臉書符號，象徵我們在網路世界裡無心的言論或 是行為，都有可能傷害到別人，提醒我們要三思而後行 人人都不該是那個霸凌者。
16
種族歧視海報 2015
無論是哪一個種族，我們舉手發言的權利都是一樣的。
17
L A YOUT
D ESI GN
18
自我簡介 PORTFOLIO
19
L A YOUT
D ESI GN
YICHENG YICHENG YICHENG YICHENG
1 2015
NAME CARD DESIGN
20
2
2015
NAME CARD DESIGN
WANG
21
L A YOUT
D ESI GN
22
23
L A YOUT
D ESI GN
編輯設計 世界建築雜誌編排設計
24
25
L A YOUT
D ESI GN
. o c ha no. http://ww
jp w.tbs.co.
43
/NIGEH
AJI_tbs/o
！ て し 出 元気 で妻が が雇 用 主 主演!夫 新垣結衣 す を 結婚 感情か!? いう契約 か､恋愛 従業員と 信頼関係 は の る れ 間に生ま る2人の
riginal/
勝 友だちと ろから、 初期のこ 結衣ちゃ ってない 垣 ま 新 決 は も マ化 ちゃん ！」 まだドラ 「みくり 点でしょ ィングで るなら百 キャステ ってくれ ラマ化 手に妄想 キーがや ド ッ で ガ ん ？ さ 「いや う？」 新垣結衣 き 、本当に んとかど 私の大好 いたので しかも、 。 せん。 に言って ったです か かありま し とのんき れ 楽しみし てもう う と も 、 は で き と さん 恥」 フ げ ッ 逃 タ と聞いた 「 略して られたス 立つ』、 作って来 だが役に な作品を げるは恥 ラマ『逃 ド 曜 火 TBS
26
05 Vol.23
SOLD OUT WELCOME!
Tucked away on an unmarked block of Itaewon on a winding back alley up a rather steep hill is a no-frills showroom with a line of Swedish and Japanese schoolgirls clamoring in front of the
27
L A YOUT
D ESI GN
The debut album from the unknown Blunt initially attracted little critical attention, and there were no published reviews from major UK music journals. His live performances, mainly in support of better known musicians, received somewhat mixed but generally favourable reviews. His lack of performing experience and inconsistent approach with audiences was commented upon, while his music was likened to that of Damien Rice and David Gray.
Candle in the Wind
James Blunt
d
James Blunt
J h
James Hillier Blount (born 22 February 1974 better known by his stage name James Blunt, is an English singer-songwriter and former reconnaissance officer for the British Army. He originally signed to EMI Music Publishing and is currently signed to Custard Records and Atlantic Records.Blunt rose to prominence in 2004 with the release of his debut studio album Back to Bedlam,
He was a reconnaissance officer in the Life Gua cavalry regiment of the British Army, and served NATO in the Kosovo War in 1999. He was aw an Honorary Doctorate for Music in 20 University of Bristol.Having been sponsored th university on an army bursary, Blunt was commit serve a minimum of four years in the armed force trained at the Royal Military Academy, Sandhu
28
E
ad s
Ca nd le
J
Jam in th es e Wi Blu nd nt
BLU
h
ards, a under warded 016 by hrough tted to es. He urst, in
James Blunt
26
b
e lunt es B Jam
ind eW t h t in n
Blu s e Jam
d Can
le
35
編輯設計
將文字搭配畫面的節奏，設計出具有美感的編排。
29
L A YOUT
D ESI GN
你好︒
Candle in the Wind
James Blunt
Candle in the Wind
James Blunt
The debut album from the unknown Blunt initially attracted little critical attention, and there were no published reviews from major UK music journals. His live performances, mainly in support of better known musicians, received somewhat mixed but
COLD Fix
The debut album from the unknown Blunt initially attracte little critical attention, and ther were no published reviews fro major UK music journals. His l performances, mainly in suppo of better known musicians, received somewhat mixed but generally favourable reviews. lack of performing experience and inconsistent approach wit audiences was commented up while his music was likened to that of Damien Rice and David
2017
Candle in the Wind
James Blunt The debut album from the unknown Blunt initially attracted little critical attention, and there were no published reviews from major UK music journals. His live per for mances, mainly in support of better known musicians,
Wild sun
Candle in the W
James Blunt The debut album from the unknown Blunt initially attracted little critical attention, and there were no
30
James Blunt
DPLAY
In 2005, Blunt performed 90 live shows, mainly across the UK and Europe, and supported Jason Mraz in a North American tour. The "Back to Bedlam World Tour" started off in January 2006, covering cities in Europe, the UK,
2007 Day Dream
ed re om live ort
t
His e th pon, o d
t
編輯設計 將文字搭配畫面的節奏，設計出具有美感的編排。
世界から猫が消えたなら
Wind
匹 1 の猫 と 共 に 暮 ら す
男 性 郵 便 配 達 員が主
人 公 。著 者 の川 村 が 、
幼い 頃 に 飼っていた 猫
験 と 大 人 に なってか ら
が突 然 姿 を 消 した 体
携 帯 電 話 をな くした 体
験 、そ れ ぞ れの時 に 感
じ たこ と か ら 着 想 を 得
て 、構 想 に 約 年 1 、執 筆
末に完 成 した 。
に 約 半 年 が 費 や さ れた
02
31
L A YOUT
D ESI GN
32
愚人快樂 ｜ 說謊 ｜ 想你點菸 利用文字設計的編排， 讓畫面增添立體的空間感及層次。
EGGS
33
L A YOUT
D ESI GN
DRIVE
(2011)
Rip Van Winkle, set off on his mysterious day trip n ot far from this spot. When you hear thunder in the disance, it’s hard not to think of it being, imagined. I n t he fir s t hu nd r ed a nd t hir t y s o nnet s , Sha k es pea r e t o hu mo r o u s t o ne o f lo v e t o t ell t he imper fec t , t o br ea k t he my t h o f t he per fec t lo v er . The w ho le po em t o t he d ev elo pment o f Sha k es pea r e' s u niqu e r hy ming s t y le: t hr ee lines plu s t he end o f t he line o f t he t w o lines o f t he s ent enc e, j u mp r hy me. This r hy me ma k es t he r hy me o f t he r ec it a t io n mo r e v a r ied , c ha ng ing t he r hy t hm o f t he la w s o met imes , a nd in t he fina l s ent enc e t o a t u r ning po int , a ft er ma t h o f r ippling w a v es , w o r t hy o f t heg eniu s o f s c r ibe t he a ppea r a nc e o f lo v e a s t he ma in a x is , t he beg inning o f t he fir s t s ent enc e, s a id t he lo v er ' s ey es lik e t he s u n, t hen a d d ed t ha t her lips a r e no t a s r ed a s c o r a l. This s eems a bit u nplea s a nt , lo v e po em is no t t o pr a is e t he bea u t ifu l lo v e a nd w r it e it ? H o w t o start
A
ft er w a t c hing t he " s u ns et c a r G o d " , I feel v er y
ex c it ed , I lo v e t his film' s s ec o nd , a lt ho u g h it ' s no t fa s t - pa c ed , v io lent s c enes is d iffic u lt t o s it , lo v e d r a ma w it h t o o mu c h P o w er fu lly mela nc ho ly B u t w hen I s t ep o u t o f t he t hea t er , hea d melo n c o u ld no t s t o p t o r ec a ll t he film' s plo t a nd s c r een. R y a n G o s ling ha s t hr ee d iffer ent o c c u pa t io ns , u s u a lly a bla c k s mit h in t he g a r a g e, a nd o c c a s io na lly a nd pa r t - t ime a s a s t a r d o m o f H o lly w o o d mo v ie s t a r s , t o help t hem per fo r m s u per bly in t he o v er t u r ned s c enes ; t her e is
Amanda Seyfried On my way to interview Amanda Seyfried, two Manhattan and two worlds away, there's a qu foothills of the Catskill Mountains called Ridge.
an
id ent it y
is
" c o llu s io n"
P er s o nnel,
w it h
s u per b
d r iv ing s k ills t o help t he ba nd it s fr o m t he s c ene t o es c a pe. The d r iv er is a lo nely per s o n, d o no t w o r k , d o no t help big s t a r s Shu a s hu a i, d o no t hid e a nd s eek w it h t he po lic e w hen t he hid e a nd s eek , he a lw a y s a per s o n
qu iet ly
liv ing . U nt il
he
k new
nex t
door
neig hbo r I r ene a nd her s o n B enic io , life beg a n t o c
h
a
n
g
e
.
I r ene a nd B enic io w ho ha v e nev er fo u nd t he d r iv er o f t he bla nd ha ppy , bu t u nfo r t u na t ely t he t w o lo v e ha s no t y et blo s s o med , I r ene w a s held in pr is o n, M r . St a nd a r d ha s been s er v ing his s ent enc e t o r et u r n ho me. O ne
day,
a s s a u lt ed
by
t he two
d r iv er ev il
saw
St a nd a r d
hu s ba nd s ,
a nd
was a ft er
qu es t io ning , he lea r ned t ha t St a nd a r d o w ed d ebt ( pr o t ec t io n mo ney ) in t he pr is o n, a nd t hr ea t ened t o r et a lia t e a g a ins t a pa w ns ho p. O t her w is e, he a nd he O f t he fa mily lo o k g o o d . F o r I r ene a nd B enic io ' s s a fet y , t he d r iv er d ec id ed t o help, he a nd t he
S
eyfried, who bought a house here a few years ago, begins to tick off its virtues as if she works for the local chamber of commerce: “There’s a little strip mall. But it’s a cute strip mall. There’s a Dunkin’ Donuts, a reflexology place. Even the grocery store is special. It’s the classic small-town grocery. There’s a lot of local things happening. And then I go to the farm stand. Everything you get is absolutely local. But I also have a garden. Kale. Romaine. I just planted blueberries last year. Tomatoes aren’t out yet.” A long conversation about pickling ensues with the waitress, and Seyfried listens intently, studiously, as if there will be a quiz. For a smart woman who decided not to go to college, her curiosity seems boundless. Like many actresses, she is that familiar combination of autodidact and blank slate. When she talks, she might sometimes contradict herself, circle back to amend an old statement, or shoot off on a tangent. There is a certain w i d e - e y e d
On my way to interview Amanda Seyfried, two hours north of Manhattan and two worlds away, there's a quiet hamlet in the foothills of the Catskill Mountains called Stone Ridge. The names of the country roads—Sawkill, Cottekill, Shivertown—seem to be lifted right out of a Washington Irving story. In fact, the writer’s most famous character, Rip Van Winkle, set off on his mysterious day trip not far from this spot. When you hear thunder in the distance, it’s hard not to think of it being, as Irving imagined, made by the ghosts of Henry Hudson and his loyal men, those poor lost souls playing ninepins in the mountains. M. Night Shyamalan would be comfortable here; it’s a landscape of supernatural legends. Today, the deep green hills and sleepy hollows are dotted with aboveground pools, tractor-tire flower planters, whirligigs, and wind chimes. And everywhere you look—along the roadsides, in the pastures and abandoned lots—you see acres of the wildflower Queen Anne’s lace, its slender stalks capped with whorls of antique white and a tiny red dot in the m i d d l e , where, the story goes, a needle pricked Her R o y a l Highness at her sewing table. Listed as a “noxious weed” by the United States Department of Agriculture, it is, to many eyes, including my own,
u nd er w o r ld bu lk a g r eement : " I c a n help y o u d o a v o t e, a ft er t he ev ent mu s t be a c a nc ella t io n o f t he s c o r es bet w een y o u a nd St a nd a r d . " W it ho u t c a r efu l c o ns id er a t io n o f t he r o bber y , t his is ea s y t o ha v e v a r ia bles . The o r ig ina l d r iv er s o nly t o help s o lv e a t r o u ble, c a n no t t hink o f t he fina l bu t pu t t heir liv es a r e o u t g a mble, a r o bber y c a s e, w ill inv o lv e ho w t he
Today, the deep green hills and sleepy hollows are dotted with aboveground pools, tractor-tire flower planters, whirligigs, and wind chimes. And everywhere you look—along the roadsides, in the pastures and abandoned lots—you see acres of the wildflower Queen Anne’s lace, its slender stalks capped with whorls of antique white and a tiny red dot in the middle, where, the story goes, a needle pricked Her Royal Highness at her sewing table. Listed as a “noxious weed” by the United States Department of Agriculture, it is, to many eyes, including my own, an all-American beauty: deceptively hardy, slightly wild, homespun. Lovely, but the opposite of This is one of the places that the actress Amanda Seyfried calls home. We’re meeting at a no-frills roadside café filled with boisterous local folks enjoying the lunchtime rush. A table on the porch outside is a bit more private and quiet, though the rural peace and birdsong are regularly overwhelmed by the roar ofToday, the deep green hills and sleepy hollows are dotted with aboveground pools, tractor-tire flower planters, whirligigs, and wind chimes. And everywhere you look—along the roadsides, in the pastures and abandoned lots—you see acres of the wildflower Queen Anne’s lace, its slender stalks capped with whorls of antique white and a tiny red dot in the middle, where, the story goes, a needle pricked Her Royal Highness at her sewing table. Listed as a “noxious weed” by the United States Department of Agriculture, it is, to many eyes, including my own, an all-American beauty: deceptively hardy, slightly wild, homespun.
t a lk ing
a bo u t
no t
per fec t ?
s imple
t w o - line
her
a ppea r a nc e
is
Shakespeare's s ent enc e
beg inning o f t he
po em
t he r ea d er w a k e
u p,
at
w ill
t he
wake
peo ple
immediately
u nd er s t a nd t ha t
t his
is
no t
t r a d it io na l
c
m
m
o
a o
n
r o ma nt ic
a nd lo v e
po ems , a nd c u r io u s . Then he d es c r ibed
t he s no w w hit e,
34
J
T
還 走
編輯設計 將文字搭配畫面的節奏，設計出具有美感的編排。
35
P A CKA GE D ESI GN
36
燈泡系列包裝設計 將燈泡圓弧的部分結合太空人的造型，改變燈泡以往傳統的包裝， 賦予它可愛活力的形象。
37
P A CKA GE D ESI GN 雞蛋包裝設計 ２０１６
EGGS
No.123 Nutrition Facts p e r 1 l a rg e e g g ( 5 3 g ) Calories
70
Fa t
5g 8%
C h o l e s te ro l
195mg
Sodium C a r b o h y d r a te
65mg 3% 1g 1%
F i b re
0g
P ro te i n
6g
EGGS h
e
a
l
t
h
y
No.123 Nutrition Facts p e r 1 l a rg e e g g ( 5 3 g ) Calories
70
Fa t
5g 8%
C h o l e s te ro l
195mg
Sodium C a r b o h y d r a te
65mg 3% 1g 1%
F i b re
0g
P ro te i n
6g
38
EGGS h
e
a
l
t
h
y
39
A D V ER TI SI NG D ESI GN
第二十六屆時報金犢獎
多喝水
系列稿01
往往大家對於男扮女裝的人都有種迷思「一個男生怎麼穿成這樣？」 「他好奇怪喔！」
「標新立異」 ，所以用跨性別者的概念，強調有了多喝水，我們可以勇敢做自己，與眾 不同有什麼關係。 我們跟別人沒有不一樣。
40
系列稿02
41
A D VER TI SI NG D ESI GN
GogoroS形象廣告 報紙稿
gogoros的特色是可以瞬間加速，極速衝勁。 所以我使用眨眼的瞬間速度 來比喻gogoros可以在一眨眼短短的時間之內進行瞬間加速。 廣告整體 使用低調的暗色系，呼應gogoros低調、安靜的特色。
42
來一客形象廣告 體育雜誌
針對會看體育雜誌的大學生做為我的目標族群，主打來一客推 出的鮮蝦魚板口味泡麵，清爽的口感讓你吃了猶如優游在水中
般享受。 就像來一客的標語： 「享受這一刻！來一客！」一樣。 第一 面雜誌以人類快樂的在水中游泳為意象，將透明片翻頁覆蓋上
去後，意為將人類比喻為鮮蝦，身歷其境感受到泡麵清新的滋味！
43
A D V ER TI SI NG D ESI GN
高師大轉學考招生廣告 作業用，無商業用途 高師視設的獨特銷售點是師生之間的相處都很融洽，和老師沒有距離感。
所以引用了古代孔子和他最要好的學生子路的關係，來表示高師視設師生之間的親密情感。
44
洗鞋匠形象廣告 作業用，無商業用途 運用誇飾的手法，形容洗鞋匠將鞋子洗得非常乾，乾淨到你可以把鞋子穿到
床上都沒問題！系列稿發展成在三種不同地點：床、沙發以及地毯上，這些平
常我們都要脫鞋才能踩踏的地方，穿了洗鞋匠洗的鞋子，可以直接踩上去也不怕髒。
45
A D VER TI SI NG D ESI GN
貝德瑪卸妝水廣告 強調貝德瑪卸妝水卸妝力快、強以及方便攜帶，劇情架構上以前後變化， 運用有趣及誇飾手法來呈現這則廣告。
46
47
M U L TI M ED I A
高師視設MV大賽 Somebody that i used to know 愛情的價值觀中 ，雙方常有不同的見解以色塊的堆疊象徵兩人越來越沒有共識； 對方的存在感也顯得虛無縹緲 ，最後的盡頭是選擇離開 、放下。
48
第九屆最佳男主角獎 穆姵羽 王苡丞 賴莞仙 陳書懿 吳鼎元 | 共同製作
49
M U L TI M ED I A
機會 Adobe After Effects
50
51
IL L USTR ATI ONS
表現技法 2015
52
53
I L L USTR ATI ONS
聖誕卡片設計
54
55
I L L USTR ATI ONS
56
33
L A YOUT
D ESI GN
編輯設計 將文字搭配畫面的節奏，設計出具有美感的編排。
34
57
P H OTOGR A PHY
車站
58
距離
59
P HOTOGR APHY
兒童
60
暖陽
61
P HOTOGR APHY
62
63
P HOTOGR A PHY
煙火
64
凝視
65
P HOTOGR APHY
66
57 67
P HOTOGR APHY
花吃了那女孩
68 58
å«£
Yi Cheng Wang’s PORTFOLIO
2013
2017