2019 Design Portfolio

Page 1

Yichen Li

Design Portfolio 2019


P 1- P 5

P 6-P 10

P 11- P 12

Cult ural I nst it ut ion D esign

P1 3 - P1 5

R e t a i l D e s i gn

P23-P30

I ns t i t ut i o n D e s i gn

Tib et S oc iet y

CU YAN A

Trave li ng Ce nte r

2019

2018

2016

Hosp it alit y D esign

P1 6 - P1 8

M u s e u m D e s i gn

M ont real M ont real

Ame r i c a n Fo l k Ar t M u s e u m

2019

2018

Ex hib it ion D esign

P1 9 - P2 2

Edu c at i o n I n s t i t u t i o n D e s i gn

ASSA St ud io

N e w Yo r k S c h o o l o f Ar t a n d Bu s i gn e s s

2019

2018


Problem Statement The Tibetan people, like many displaced populations, are survivors. It can be a challenge to not reduce such history and com plexity to stereotypes. Cultural institutions and museums, by their very nature, can appear to be elite or removed from the very communities they represent. This thesis reimagines a Tibetan cultural center with a stronger connection to the community, using an interior vocabulary and programming to strengthen the connection of Tibetan people to one another, as well as informing those interested in a deeper understanding of their culture. In this sense, this environment attempts to be both present and con nected to modern life, as well as timeless.

Site Study 7

Church

6

Church

5

Queens library • ACADEMIC LEARRNING • CULTURAL/SOCIAL REALIZING

8

Thesis proposal This thesis reimagines a Tibetan cultural center with a stronger connection to the community, using an interior vocabulary and programming to strengthen the connection of Tibetan people to one another, as well as informing those interested in a deeper understanding of their culture. In this sense, this environment attempts to be both present and connected toP1 modern - P1 life, as well as timeless.

Planning Strategy

SITE

TECHNICAL SKILL LEARING

7 6

5

Grocery stores and bar

10

Residential district

3

Commercial and residential mixed district

3

Subway Station

1 2

P1 - P1 between Tibet and China happened

80-90s The approvement of migrantion has been past

After 90s Tibetan culture emerged into NYC and affected large amount of people

New construction

PHYSICAL • SHOPPING • EATING • WORKING

2 9

• EMPATHIZING

4

9 8

4

• READING LECTURES • CONSULTING • DAYDREAMING

ATTING

SITE

Walgreens

CEREBRAL

• ART TASTING

SPIRIT • TALKING TO ONESELF • PRAYING

Banks • MUSIC/YOGA LEARNING • ART WORK LEARNING

10

Design Concept

1

Design Process

Department store

• REIKI/MEDITATION LEARNING

Schematic Model

Cite Location-Queens burough, Elmhurst City

01


First Floor Floor Plan

Basement Floor Floor Plan

Reflected Ceiling Plan

Exterior Facade (Street Side) Design Where the movement, the changeable and the energetic things happen. Also inspired by Tibetan traditional living work, which is the essential factors of Tibetan lives.

Workshop

Main Entrance

Sweet Tea House

First Floor Reflected Ceiling Plan

(B)View from Sweet Tea House

(C)View from Workshop

a

Basement Floor Reflected Ceiling Plan

a’

Section of Details

02


(1)-(3) Sweet Tea House

The Main Structure Design

Lacquer Alter Table

Rough Wood x Concrete Rug Display Table

Rough Wood Reception Desk

Inspired by the way of how Tibetan makes their staple food Light Wood

Spay Plaster Ceilling

Concrete

Dark Steel

Rough Concrete

Laquer Wood

Stone Panel

Rough Wood Panel

(7) Workshop Studio (Weaving Class)

Rooftop Image View (Outdoor Activity)

B

(1)

(2) (11)

E

STORAGE

A

A’

A

(10)

(3)

STORAGE

(13)

D

(4)

(12)

Pulu Cushion

(5) A’

Work Shop Lamp

(6) (8)

STORAGE

(9) (7)

A’-A Section

Rattan Seat with Wheels

C

Brown Wood

Light Wood Floor

Canvas Ceiling Cover

Rattan Seats

White Gravel

Bamboo

03


(12)Permanent Exhibition Corridor (12)Special Exhibition x Resting Space

Custom Seating

Light Wood

Bamboo

Wood Strips Ceiling

Carpet Floor

Rough Wood Panel

Stone Pavement

04


G

F

Rattan Seat

Cork Seat with Rope Handle Recycle Cork Table

Bamboo

2 1

3 4

5

Wood

Wood Panel Ceiling Oyster Shell Gabion

Stone Pavement

Stone Pavement

Concrete

Light Wood

Original Wood Column

Wood Strips Ceiling

Pulu Fabric

Recycled Cork Panel

1. Basement- Middle Reading Space 2. (16)Multipurpose Space Multipurpose Space-Middle wall before swifted 3. (16)-Wall after swifted 4. (G)(16)Meditation Gallery 5. (15) Exterior Space

05


WHO IS MONTREAL MONTREAL?

HOW DOES IT BE DIFFERENT?

COSTUMER PROFILES

HUMANITIES ACTIVITY HUMAN INTERACTION

SOUL/MIND RETREATMENT

M O N T R E A L

M O N T R E A L

H o s p i t a l i t y

D e s i g n

HISTORICAL CONTEXT

CONCEPT INSPIRATION

VISUALIZATION SKETCH

06


PUBLIC SPACES DESIGN

C

(B) ENTRY VIEW

B

N 0

FIRST FLOOR FLOOR PLAN

(A) DINING SPACE

BASEMENT FLOOR FLOOR PLAN

(C) MAIN LOBBY 07


PRIVATE SPACES - MODEL GUEST ROOM DESIGN 5.

4.

1.

3.

2.

N 0

TYPICAL FLOOR (3F) FLOOR PLAN

SECOND FLOOR FLOOR PLAN 1. FOYER 2. BATHROOM 3. BEDDING & LIVING ROOM 4. ART WORK EXHIBITION SHELF 5. BAR AREA

MODEL GUEST ROOM AXONOMETRIC PROJECTION

08


PRIVATE SPACES - MODEL GUEST ROOM DESIGN

f

b

(F)

d

(L)

(K)

(G)

c

L

2’5”

1’6”

3’6” 10’10”

5’4”

1’6”

1’10”

K

3’2”

5’4”

19’8”

F

G

(a) SLAB BED ROMAN AND WILLIAMS GUILD

(b) DINNER TABLE & CHAIRS ROMAN AND WILLIAMS GUILD

(c) LOWER CONSOLE TABLE ROMAN AND WILLIAMS GUILD

(d) READING CHAIR & TABLE

(e) COSTUMED SEATING

(f ) COSTUMED SHELFING

ROMAN AND WILLIAMS GUILD+VICENZO DE COTTIS

09


ASSOCIATED CORRIDOR DESIGN

TYPICAL BATHROOM DESIGN

OPEN TO BEYOND

6.RUSTED METAL PANEL

5.POLISHED GRANITE

WALL DECORATION

FLOOR 6

OPEN TO BEYOND

1.SCRATCHED

5

WALLPAPER 1 35”

(A)

(D)

60”

2

3

4

4.BLACK RESIN CARPET 2.DARK HARD WOOD DOOR

(C)

(J)

(B)

FLOOR

3.CLEAR MIRROR PANEL WALL DECORATION

(I) 5. CLEFT FACE SLATE PANEL WALL

6. DARK HARD WOOD TOILET SPACE DOOR 5’4”

B

C A

DEPTH 21”

4

1

1. SLATE PANEL/TILE

3’6”

J

5

6

FLOOR

H

D

I VICENZO DE COTTIS TABLE

2 3

2. SEMI-DARK GLASS SHOWER SPACE WALL

RECESSED SINK

DURABIT VERO TOILET

BLACK MATTE SHOWER SET

COSTUMED TUB

CUSTUMED ROOM TAG

3. TEXTURED LIGHT WOOD TUB SPACE FLOOR

4. GRADIENT LINEN CURTAIN

BRAND SCONCES

(H) 10


EXHIBITION DESIGN

ASSA STUDIO

Pespective View

Top View of Floor Plan

Inspiration Board

LIGHTING FIXTURE PRODUCT LINE

Cafe Kitchenette

A

Founded in London 2003, Assa Studio is known for working with companies’ R&D and business innovation units as well as public institutions. Clients include Samsung, Nike and Panasonic as well as the UK government Technology & strategy board, and numerous of design museums. The studio focuses on design technology for social and cultural progress.

Meeting Zone

a b c

Welcoming Zone

Entry Zone

C

Sections from Top View G Fashion Designer IRIS VAN HERPEN

Open Space for Seating

Fairy Tale- PINOCCHIO

Information Desk

Design Concept D a AI Light

OMI Light

E.F

OMI Light II

(C) Corridor Entry View

Main Exhibition Space

(A) Entry View Welcoming Zone

FLY Light

FLY Light II

Welcoming Zone

b

Model Development

c

(E) Mezzanine View

(F) Down Side of the Mezzanine

(D) Perspective View

11


Reflective Navy Acrylic Panel

Reflective White Panel

Transparent Purple Acrylic Panel

Public Seating Fabric

Frosted Glass for Circled Railings

Dark Grey Patterned Carpet

(G) Perspective View

Transparent Purple Acrylic Panel

G-G’ Elevation

(B) Perspective View

Kitchenette Bar

Sitting Set 1

Sitting Set 2

Stair to Mezzanine

Plaza Sitting Stool

H-H’ Elevation

12


PROJECT SITE

INTRODUCTION What are they sale?

W

Why are they different? Why they success?

W

22

th

21

th

Madison Square Park

St

St

The Ladies' Mile Historic District Lot Area: 3240 sf

Flatiron Building

Year Built: 1910 Number of Floors: 4

Kate Spade

Michael Kors Express GAP Lulumeon

Elizabeth Suzann

Style

Material

C U YA N A R E T A I L

Banana Repubic ZARA Jcrew

CONCEPT

COMPETITOR BRAND ANALYSIS A.P.C

Victoria Secrets H&M

CUSTOMER ANALYSIS

European

New meets old

Organazation

Residential

Costumer Journey

Travel

DESIGN MOOD BOARD

D E S I G N

24

28

36

Searching on Internet or seeing magzine before

Shopping on Internet during work time.

Knowing brands from colleges. Seldom does search.

buying. Go to 5th. Ave. when friends are visiting or

Half days in 5th. Ave. for shopping,

Half day visiting at 5th. Ave. with husband. Other time

need to find specific clothes.

half day for meeting friends in good restaurant

would mainly stay in museums and art exhibition.

INSPIRATION BOARD

CURRENT STORE

13


First Floor Ceiling Plan

Second Floor Ceiling Plan

N

Recess track lighting

First Floor

1.

Indirect lighting

2.

Recess lighting ΦO=5”

3.

4.

N

Panel lighting

Recess lighting ΦO=3”

5.

6.

Indirect lighting

Recess lighting ΦO=3”

A

1.

2.

3.

4.

2.Tiles

3.Stone

4.Matte metal

5.Dark wood

6.Tiles

7.Matte metal

1. Plaster

2.Tiles

3.Metal

4.Light wood

5.Dark wood

6.Matte Metal

7.Carpet

8.Tiles(along top of wall)

9.Matte metal

B

Second Floor

First Floor

5.

C 1. Plaster

B A

Second Floor

7.

Recess lighting ΦO=5”

B

D

E

A

6.

N

N 7. 5

1

5

8 8. 7

2

9 1

7

6

4

3

3

6

2

4

5

N

Office and Storage

Fitting room

Cashwrap+Product display

Mood-changing

9.

Products display

N

Personal shopping

Preparation area + Products display

Small products display

C

D

E

14


Section

Ceiling-high Shelf

MEZZ. A

A’ 1F

Dark wood

A

A’

Digital Screen Table

Product Display Desk

Rolling Rack

Light wood Golden stain finish metal

Dark wood Glass

Products Display Niche

Pitted plaster Painting hanging string

Paper Screen Matte surface iron Digital touch screen

15


American Folk Art Museum

16


17


18


DESIGN CONCEPT

THREE ACADEMIC DEPARTMENTS

ART INSTALLATION

FINE ARTS

ARTIST MANAGEMENT

HISTORICAL INSPIRATION

New York School of Art and Business 19


FIRST FLOOR

BASEMENT FLOOR

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­

­

­

­

­

20


SECOND FLOOR

THIRD FLOOR

FORTH FLOOR

­

­

­

­

­

­

­

­

­

­

­

­

­

­

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21


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P1 - P1

Cu l t u ra l I n s t i t u t i o n D e s i gn Ti b e t S o c i e t y 2019

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Cu l t u ra l I n s t i t u t i o n D e s i gn Ti b e t S o c i e t y 2019

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Cu l t u ra l I n s t i t u t i o n D e s i gn Ti b e t S o c i e t y 2019

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P1 - P1

Cu l t u ra l I n s t i t u t i o n D e s i gn Ti b e t S o c i e t y 2019

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Cu l t u ra l I n s t i t u t i o n D e s i gn Ti b e t S o c i e t y 2019

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Cu l t u ra l I n s t i t u t i o n D e s i gn Ti b e t S o c i e t y 2019

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Cu l t u ra l I n s t i t u t i o n D e s i gn Ti b e t S o c i e t y 2019

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Cu l t u ra l I n s t i t u t i o n D e s i gn Ti b e t S o c i e t y 2019

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Cu l t u ra l I n s t i t u t i o n D e s i gn Ti b e t S o c i e t y 2019

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Cu l t u ra l I n s t i t u t i o n D e s i gn Ti b e t S o c i e t y 2019

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Cu l t u ra l I n s t i t u t i o n D e s i gn Ti b e t S o c i e t y 2019

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Cu l t u ra l I n s t i t u t i o n D e s i gn Ti b e t S o c i e t y 2019

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Cu l t u ra l I n s t i t u t i o n D e s i gn Ti b e t S o c i e t y 2019

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Cu l t u ra l I n s t i t u t i o n D e s i gn Ti b e t S o c i e t y 2019

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Cu l t u ra l I n s t i t u t i o n D e s i gn Ti b e t S o c i e t y 2019

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Cu l t u ra l I n s t i t u t i o n D e s i gn Ti b e t S o c i e t y 2019

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Cu l t u ra l I n s t i t u t i o n D e s i gn Ti b e t S o c i e t y 2019

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P1 - P1

Cu l t u ra l I n s t i t u t i o n D e s i gn Ti b e t S o c i e t y 2019

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Cu l t u ra l I n s t i t u t i o n D e s i gn Ti b e t S o c i e t y 2019

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Cu l t u ra l I n s t i t u t i o n D e s i gn Ti b e t S o c i e t y 2019

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P1 - P1

Cu l t u ra l I n s t i t u t i o n D e s i gn Ti b e t S o c i e t y 2019

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Cu l t u ra l I n s t i t u t i o n D e s i gn Ti b e t S o c i e t y 2019

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Cu l t u ra l I n s t i t u t i o n D e s i gn Ti b e t S o c i e t y 2019

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