Yichen Li
Design Portfolio 2019
P 1- P 5
P 6-P 10
P 11- P 12
Cult ural I nst it ut ion D esign
P1 3 - P1 5
R e t a i l D e s i gn
P23-P30
I ns t i t ut i o n D e s i gn
Tib et S oc iet y
CU YAN A
Trave li ng Ce nte r
2019
2018
2016
Hosp it alit y D esign
P1 6 - P1 8
M u s e u m D e s i gn
M ont real M ont real
Ame r i c a n Fo l k Ar t M u s e u m
2019
2018
Ex hib it ion D esign
P1 9 - P2 2
Edu c at i o n I n s t i t u t i o n D e s i gn
ASSA St ud io
N e w Yo r k S c h o o l o f Ar t a n d Bu s i gn e s s
2019
2018
Problem Statement The Tibetan people, like many displaced populations, are survivors. It can be a challenge to not reduce such history and com plexity to stereotypes. Cultural institutions and museums, by their very nature, can appear to be elite or removed from the very communities they represent. This thesis reimagines a Tibetan cultural center with a stronger connection to the community, using an interior vocabulary and programming to strengthen the connection of Tibetan people to one another, as well as informing those interested in a deeper understanding of their culture. In this sense, this environment attempts to be both present and con nected to modern life, as well as timeless.
Site Study 7
Church
6
Church
5
Queens library • ACADEMIC LEARRNING • CULTURAL/SOCIAL REALIZING
8
Thesis proposal This thesis reimagines a Tibetan cultural center with a stronger connection to the community, using an interior vocabulary and programming to strengthen the connection of Tibetan people to one another, as well as informing those interested in a deeper understanding of their culture. In this sense, this environment attempts to be both present and connected toP1 modern - P1 life, as well as timeless.
Planning Strategy
SITE
TECHNICAL SKILL LEARING
7 6
5
Grocery stores and bar
10
Residential district
3
Commercial and residential mixed district
3
Subway Station
1 2
P1 - P1 between Tibet and China happened
80-90s The approvement of migrantion has been past
After 90s Tibetan culture emerged into NYC and affected large amount of people
New construction
•
PHYSICAL • SHOPPING • EATING • WORKING
2 9
• EMPATHIZING
4
9 8
4
• READING LECTURES • CONSULTING • DAYDREAMING
ATTING
SITE
Walgreens
CEREBRAL
• ART TASTING
SPIRIT • TALKING TO ONESELF • PRAYING
Banks • MUSIC/YOGA LEARNING • ART WORK LEARNING
10
Design Concept
1
Design Process
Department store
• REIKI/MEDITATION LEARNING
Schematic Model
Cite Location-Queens burough, Elmhurst City
01
First Floor Floor Plan
Basement Floor Floor Plan
Reflected Ceiling Plan
Exterior Facade (Street Side) Design Where the movement, the changeable and the energetic things happen. Also inspired by Tibetan traditional living work, which is the essential factors of Tibetan lives.
Workshop
Main Entrance
Sweet Tea House
First Floor Reflected Ceiling Plan
(B)View from Sweet Tea House
(C)View from Workshop
a
Basement Floor Reflected Ceiling Plan
a’
Section of Details
02
(1)-(3) Sweet Tea House
The Main Structure Design
Lacquer Alter Table
Rough Wood x Concrete Rug Display Table
Rough Wood Reception Desk
Inspired by the way of how Tibetan makes their staple food Light Wood
Spay Plaster Ceilling
Concrete
Dark Steel
Rough Concrete
Laquer Wood
Stone Panel
Rough Wood Panel
(7) Workshop Studio (Weaving Class)
Rooftop Image View (Outdoor Activity)
B
(1)
(2) (11)
E
STORAGE
A
A’
A
(10)
(3)
STORAGE
(13)
D
(4)
(12)
Pulu Cushion
(5) A’
Work Shop Lamp
(6) (8)
STORAGE
(9) (7)
A’-A Section
Rattan Seat with Wheels
C
Brown Wood
Light Wood Floor
Canvas Ceiling Cover
Rattan Seats
White Gravel
Bamboo
03
(12)Permanent Exhibition Corridor (12)Special Exhibition x Resting Space
Custom Seating
Light Wood
Bamboo
Wood Strips Ceiling
Carpet Floor
Rough Wood Panel
Stone Pavement
04
G
F
Rattan Seat
Cork Seat with Rope Handle Recycle Cork Table
Bamboo
2 1
3 4
5
Wood
Wood Panel Ceiling Oyster Shell Gabion
Stone Pavement
Stone Pavement
Concrete
Light Wood
Original Wood Column
Wood Strips Ceiling
Pulu Fabric
Recycled Cork Panel
1. Basement- Middle Reading Space 2. (16)Multipurpose Space Multipurpose Space-Middle wall before swifted 3. (16)-Wall after swifted 4. (G)(16)Meditation Gallery 5. (15) Exterior Space
05
WHO IS MONTREAL MONTREAL?
HOW DOES IT BE DIFFERENT?
COSTUMER PROFILES
HUMANITIES ACTIVITY HUMAN INTERACTION
SOUL/MIND RETREATMENT
M O N T R E A L
M O N T R E A L
H o s p i t a l i t y
D e s i g n
HISTORICAL CONTEXT
CONCEPT INSPIRATION
VISUALIZATION SKETCH
06
PUBLIC SPACES DESIGN
C
(B) ENTRY VIEW
B
N 0
FIRST FLOOR FLOOR PLAN
(A) DINING SPACE
BASEMENT FLOOR FLOOR PLAN
(C) MAIN LOBBY 07
PRIVATE SPACES - MODEL GUEST ROOM DESIGN 5.
4.
1.
3.
2.
N 0
TYPICAL FLOOR (3F) FLOOR PLAN
SECOND FLOOR FLOOR PLAN 1. FOYER 2. BATHROOM 3. BEDDING & LIVING ROOM 4. ART WORK EXHIBITION SHELF 5. BAR AREA
MODEL GUEST ROOM AXONOMETRIC PROJECTION
08
PRIVATE SPACES - MODEL GUEST ROOM DESIGN
f
b
(F)
d
(L)
(K)
(G)
c
L
2’5”
1’6”
3’6” 10’10”
5’4”
1’6”
1’10”
K
3’2”
5’4”
19’8”
F
G
(a) SLAB BED ROMAN AND WILLIAMS GUILD
(b) DINNER TABLE & CHAIRS ROMAN AND WILLIAMS GUILD
(c) LOWER CONSOLE TABLE ROMAN AND WILLIAMS GUILD
(d) READING CHAIR & TABLE
(e) COSTUMED SEATING
(f ) COSTUMED SHELFING
ROMAN AND WILLIAMS GUILD+VICENZO DE COTTIS
09
ASSOCIATED CORRIDOR DESIGN
TYPICAL BATHROOM DESIGN
OPEN TO BEYOND
6.RUSTED METAL PANEL
5.POLISHED GRANITE
WALL DECORATION
FLOOR 6
OPEN TO BEYOND
1.SCRATCHED
5
WALLPAPER 1 35”
(A)
(D)
60”
2
3
4
4.BLACK RESIN CARPET 2.DARK HARD WOOD DOOR
(C)
(J)
(B)
FLOOR
3.CLEAR MIRROR PANEL WALL DECORATION
(I) 5. CLEFT FACE SLATE PANEL WALL
6. DARK HARD WOOD TOILET SPACE DOOR 5’4”
B
C A
DEPTH 21”
4
1
1. SLATE PANEL/TILE
3’6”
J
5
6
FLOOR
H
D
I VICENZO DE COTTIS TABLE
2 3
2. SEMI-DARK GLASS SHOWER SPACE WALL
RECESSED SINK
DURABIT VERO TOILET
BLACK MATTE SHOWER SET
COSTUMED TUB
CUSTUMED ROOM TAG
3. TEXTURED LIGHT WOOD TUB SPACE FLOOR
4. GRADIENT LINEN CURTAIN
BRAND SCONCES
(H) 10
EXHIBITION DESIGN
ASSA STUDIO
Pespective View
Top View of Floor Plan
Inspiration Board
LIGHTING FIXTURE PRODUCT LINE
Cafe Kitchenette
A
Founded in London 2003, Assa Studio is known for working with companies’ R&D and business innovation units as well as public institutions. Clients include Samsung, Nike and Panasonic as well as the UK government Technology & strategy board, and numerous of design museums. The studio focuses on design technology for social and cultural progress.
Meeting Zone
a b c
Welcoming Zone
Entry Zone
C
Sections from Top View G Fashion Designer IRIS VAN HERPEN
Open Space for Seating
Fairy Tale- PINOCCHIO
Information Desk
Design Concept D a AI Light
OMI Light
E.F
OMI Light II
(C) Corridor Entry View
Main Exhibition Space
(A) Entry View Welcoming Zone
FLY Light
FLY Light II
Welcoming Zone
b
Model Development
c
(E) Mezzanine View
(F) Down Side of the Mezzanine
(D) Perspective View
11
Reflective Navy Acrylic Panel
Reflective White Panel
Transparent Purple Acrylic Panel
Public Seating Fabric
Frosted Glass for Circled Railings
Dark Grey Patterned Carpet
(G) Perspective View
Transparent Purple Acrylic Panel
G-G’ Elevation
(B) Perspective View
Kitchenette Bar
Sitting Set 1
Sitting Set 2
Stair to Mezzanine
Plaza Sitting Stool
H-H’ Elevation
12
PROJECT SITE
INTRODUCTION What are they sale?
W
Why are they different? Why they success?
W
22
th
21
th
Madison Square Park
St
St
The Ladies' Mile Historic District Lot Area: 3240 sf
Flatiron Building
Year Built: 1910 Number of Floors: 4
Kate Spade
Michael Kors Express GAP Lulumeon
Elizabeth Suzann
Style
Material
C U YA N A R E T A I L
Banana Repubic ZARA Jcrew
CONCEPT
COMPETITOR BRAND ANALYSIS A.P.C
Victoria Secrets H&M
CUSTOMER ANALYSIS
European
New meets old
Organazation
Residential
Costumer Journey
Travel
DESIGN MOOD BOARD
D E S I G N
24
28
36
Searching on Internet or seeing magzine before
Shopping on Internet during work time.
Knowing brands from colleges. Seldom does search.
buying. Go to 5th. Ave. when friends are visiting or
Half days in 5th. Ave. for shopping,
Half day visiting at 5th. Ave. with husband. Other time
need to find specific clothes.
half day for meeting friends in good restaurant
would mainly stay in museums and art exhibition.
INSPIRATION BOARD
CURRENT STORE
13
First Floor Ceiling Plan
Second Floor Ceiling Plan
N
Recess track lighting
First Floor
1.
Indirect lighting
2.
Recess lighting ΦO=5”
3.
4.
N
Panel lighting
Recess lighting ΦO=3”
5.
6.
Indirect lighting
Recess lighting ΦO=3”
A
1.
2.
3.
4.
2.Tiles
3.Stone
4.Matte metal
5.Dark wood
6.Tiles
7.Matte metal
1. Plaster
2.Tiles
3.Metal
4.Light wood
5.Dark wood
6.Matte Metal
7.Carpet
8.Tiles(along top of wall)
9.Matte metal
B
Second Floor
First Floor
5.
C 1. Plaster
B A
Second Floor
7.
Recess lighting ΦO=5”
B
D
E
A
6.
N
N 7. 5
1
5
8 8. 7
2
9 1
7
6
4
3
3
6
2
4
5
N
Office and Storage
Fitting room
Cashwrap+Product display
Mood-changing
9.
Products display
N
Personal shopping
Preparation area + Products display
Small products display
C
D
E
14
Section
Ceiling-high Shelf
MEZZ. A
A’ 1F
Dark wood
A
A’
Digital Screen Table
Product Display Desk
Rolling Rack
Light wood Golden stain finish metal
Dark wood Glass
Products Display Niche
Pitted plaster Painting hanging string
Paper Screen Matte surface iron Digital touch screen
15
American Folk Art Museum
16
17
18
DESIGN CONCEPT
THREE ACADEMIC DEPARTMENTS
ART INSTALLATION
FINE ARTS
ARTIST MANAGEMENT
HISTORICAL INSPIRATION
New York School of Art and Business 19
FIRST FLOOR
BASEMENT FLOOR
20
SECOND FLOOR
THIRD FLOOR
FORTH FLOOR
21
22
P1 - P1
Cu l t u ra l I n s t i t u t i o n D e s i gn Ti b e t S o c i e t y 2019
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Cu l t u ra l I n s t i t u t i o n D e s i gn Ti b e t S o c i e t y 2019
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