THE WATERLOO BATTLEFIELD PAINTINGS 2017 YNGVAR LARSEN
Napoleon's death mask 2017 24x30cm Egg temper made with soil from the battlefield in Waterloo. One of the main reasons why Napoleon lost the battle in Waterloo was because he did not mange to move the cannons. Due to rain, the field had turned into a mud hole. The same soil as these pictures are painted with.
Napoleons dødsmaske 2017 24x30cm Eggtempera laget med jord fra slagmarken i Waterloo.
En av hovedårsakene til at Napoleon tapte slaget i Waterloo var fordi han ikke fikk frem kanonene, som på grunn av regn hadde gjort jordene om til et gjørmehull. Den samme jorden som disse bildene er malt med.
«EVERYTIME I CLOSE MY EYES, I SEE THE SAME, BUT DIFFERENT»
The Waterloo Battlefield Paintings 2017 30x40cm Egg tempera made with soil and coal from the battlefield in Waterloo.
The Waterloo Battlefield Paintings 2017 30x40cm Eggtempera laget med jord og kull fra slagmarken i Waterloo.
The Waterloo Battlefield Paintings 2017 30x40cm Oil paint made with soil and coal from the battlefield in Waterloo.
The Waterloo Battlefield Paintings 2017 30x40cm Oljemaling laget med jord og kull fra slagmarken i Waterloo.
The Waterloo Battlefield Paintings 2017 30x40cm Oil paint made with soil and coal from the battlefield in Waterloo.
The Waterloo Battlefield Paintings 2017 30x40cm Oljemaling laget med jord og kull fra slagmarken i Waterloo.
The Waterloo Battlefield Paintings 2017 30x40cm
The Waterloo Battlefield Paintings 2017 30x40cm
Oil paint made with soil and coal from the battlefield in Waterloo.
Oljemaling laget med jord og kull fra slagmarken i Waterloo.
The Waterloo Battlefield Paintings 2017 30x40cm Egg tempera made with soil from the battlefield in Waterloo.
The Waterloo Battlefield Paintings 2017 30x40cm Eggtempera laget med jord og fra slagmarken i Waterloo.
The Waterloo Battlefield Paintings 2017 30x40cm Egg tempera made with soil from the battlefield in Waterloo.
The Waterloo Battlefield Paintings 2017 30x40cm Eggtempera laget med jord fra slagmarken i Waterloo.
NB (Napoleon Bonaparte) 2017 24x30cm Jord, kull og hudlim
NB (Napoleon Bonaparte) 2017 24x30cm Soil, coal and rabittskin glue
The Waterloo Battlefield Paintings 2017 30x40cm Egg tempera made with soil from the battlefield in Waterloo.
The Waterloo Battlefield Paintings 2017 30x40cm Eggtempera laget med jord 
 fra slagmarken i Waterloo.
The Waterloo Battlefield Paintings 2017 30x40cm Oil paint made with soil and coal from the battlefield in Waterloo. The Waterloo Battlefield Paintings 2017 30x40cm Oljemaling laget med jord og kull fra slagmarken i Waterloo.
The Waterloo Battlefield Paintings 2017 30x40cm Oil paint made with soil and coal from the battlefield in Waterloo. The Waterloo Battlefield Paintings 2017 30x40cm Oljemaling laget med jord og kull fra slagmarken i Waterloo.
www.yngvarlarsen.com
 https://www.instagram.com/atelier_yngvar_larsen/
#thewaterloofieldpaintings
Yngvar Larsen
Lynx Lynx, all lynx in Norway 2016
Material: white sculpey 310 miniature sculptures (The number of lynx in Norway 2016) 67 black boxes 8x10x10 cm, signed and numbered
According to census in 2016 there was ca. 310 lynx in Norway prior to the hunt. During the hunt, in spring 2016 there were shot 67 lynx. This is the background for the installation; LYNX LYNX all Norwegian lynx 2016, which was shown during Middelalderuka in Rødberg in Numedal July-August 2016. Supported by Middelalderuka, Nore og Uvdal
http://lynxlynx2016.tumblr.com
Arkens Mål / The Measurments of the Ark Yngvar Larsen
Arkens Mål/The Measurments of the Ark Dania Beach FL 2014 Photoshop 135 x 22,5 x 13,5 m
Stretched keel 2015 135 m wood KUNSTLAND 2015! Lomsjøen, Søndreland (NO)
Arkens Mål The Measurments of the Ark Yngvar Larsen
Arkens Mål/The Measurments of the Ark 14 white 122cm diameter helium balloons 135 x 22,5 x 13,5 m 2015 Norsk Skulptur Biennale/Vigelandsparken
Arkens MĂĽl/The Measurments of the Ark 14 white 122 cm diameter helium balloons 135 x 22,5 x 13,5 m 2015 Norsk Skulptur Biennale/Vigelandsparken
Arkens MĂĽl/The Measurments of the Ark 14 white 122 cm diameter helium balloons 135 x 22,5 x 13,5 m 2015 Norsk Skulptur Biennale/Vigelandsparken
Text by Theodor Barth
Yngvar Larsen
OBJECTS
WIDE MOUTH
 Concrete
Forgivness or sealing Lead
Untittled
 Lead
Untittled
 Lead
Untittled
 Lead
Untittled
 Tin
ABOUT Yngvar Larsen (f.1966 in Oslo) lives and works in Waterloo, Belgium. He graduated from Bergen Academy of Art and Design and Kumasi College of Art, Ghana. Larsen has participated in several exhibitions both in Norway and abroad, and ran the now defunct Snowball Editions art gate. He has also run the photography blog project DARKER since 2010, in collaboration with designer and photographer Erik Johan Worsøe Eriksen. Commissions by Larsen might be seen at Rikshospitalet and the Institute of Psychology in Oslo, among others. His works are purchased several times by the Norwegian Council of Culture, and he is represented in several private collections. Larsen has received numerous grants and project supports since he finished his studies in 1992. Yngvar Larsen has for the last 20 years lived long periods abroad. Among the cities he has been living in are Hong Kong (China), Rotterdam (NL) and Miami (FL, US). He currently lives in Waterloo, Belgium. WORK Throughout his 25-year career, Larsen has been working in a variety of techniques and materials. He was highly influenced by the conceptual art tradition that grew in the early 90 century, and as a result, many of his installations are contextual. Larsen´s moving around-existence has led him to work extensively with lightweight media. In recent years he has worked mainly with small sculptures, photography and paintings. Thematically, Larsen works revolves around the major questions of life, with clear references to politics, ethics and religious issues. https://sundero-gallery.com/portfolio/yngvar-larsen/ Artist blog www.yngvarlarsen.com CV http://yngvarlarsen.blogspot.be/p/cv-2-pages.html