YOON HUR
PORTFOLIO
UNIVERSITY OF WATERLOO
2019
re: Yoon Hur
October 15, 2019 I am writing to support Yoon Hur and her ambitions to contribute to, and learn from your team. Yoon was previously my student at the University of Waterloo School of Architecture. I have had the pleasure of observing Yoon’s dedication and investment in her architectural education. I taught Yoon in three courses during her first year, and can attest to her knowledge, skills, and enthusiasm of the subject matter. Yoon has exhibited a keen commitment to learning, and is motivated, organized, punctual, and conscientious. Yoon has always been a diligent participant in studio. She has an astute eye, and draws beautifully whether by hand or by computer. She has always been willing to take calculated risks in her work, and executes with precision, care, and skill. Yoon’s conceptual, technical, graphic, and spatial skills are nicely developed for a student early in her education, but that has never stopped her from constantly striving to improve. I recommend Yoon without reservation. Much like her work, Yoon is thoughtful, driven, and pleasant. She collaborates well with her fellow classmates, and is earnest, kind, and personable. As a student who is early in her architectural education, Yoon has already exhibited promise, and has delivered consistently strong results. She would be an enthusiastic, conscientious, and capable addition to your team. If you have any questions regarding this recommendation, please do not hesitate to contact me for further discussion at flimtung@uwaterloo.ca. Sincerely,
Fiona Lim Tung, BA (Hons) M.Arch LEED AP Lecturer University of Waterloo Faculty of Engineering | School of Architecture Cambridge 7 Melville Street S. Cambridge, Ontario N1S 2H4 Phone: 519 888 4567 Fax: 519 622 3525
Yoon Hur
Designer + Architecture Student + Artist 2A Bachelor of Architecture Studies
Hello, my name is Yoon Hur. I am a second year student at the University of Waterloo School of Architecture. I find beauty in human connections made through interactions and engagements. I believe such relationship can be built, not solely between the individuals, but also with works of art, artifacts, and one’s surrounding environment. My passion lies on designing through the exploration of architecture’s affective qualities in human experience; bringing life to a space. I am motivated, passionate, and truly eager to apply my creative ideas and collaborate with others to create new and exciting views of the world through the lens of architecture. Enjoy my collection of selected works!
CONTACT yoonhurr@gmail.com 905-325-0673
CURRICULUM VITAE EDUCATION
VOLUNTEER EXPERIENCES
University of Waterloo School of Architecture (2018-present) Cambridge, Ontario
Founder of Justice League (2015) - Successfully founded an organization with a partner and planned meetings with supervisors through calls and in person - Prepared and served food for South Ridge Homeless Shelter residents with fellow volunteers
Laura Secord Secondary School (2014-2018) St. Catharines, Ontario
QUALIFICATIONS
• Reliable with excellent work ethic, and motivated towards achieving set goals and meeting deadlines in a timely manner
WORK EXPERIENCES
• Advanced skills in visual arts. Great experience with various mediums such as watercolour, acrylic, oil paint, pencil, marker and charcoal, along with numerous commissioned works and awards
American Eagle Outfitters-Brand Ambassador (2019) - Provided excellent customer service through engaging with the guests and clear communication with the coworkers - Handled money with accuracy and precision as a cashier McDonalds-Kitchen (2017-2018) - Efficiently completed kitchen duties in a fast paced environment - Sustained the work flow in the kitchen while managing multiple tasks concurrently with the crew
• Very good communication skills, both orally and in writing. Experienced in writing narratives and public presentations of projects. Fluent in English and Korean • Great adaptability to a changing work schedule/routine and strong ability to multi-task in a fast paced environment
Math Tutor (2016) - Taught fellow high school students math concepts - Scheduled and organized meetings with students
ACTIVITIES & INTERESTS
• A member of galt. publication (an independent student publication from the University of Waterloo School of Architecture) • Numerous art commissions from teachers, schoolmates, and acquaintances
SKILLS
DIGITAL
FABRICATION
- Rhinoceros - AutoCAD - V-Ray - Adobe Creative Suite: - Illustrator - InDesign - Photoshop - Microsoft Office: - Word - Excel - PowerPoint
- Hand Drafting - Model Making: - foam cutting - wood working - CNC Miling - Laser Cutting - 3-D Printing
• Various artworks displayed and published in cafes, exhibitions and on-line articles
AWARDS
- President’s Scholarship of Distinction (average of 95%+) - Robert Kerr Scholarship - McDonald’s Scholarship - Edwin Infante - Visual Arts (Portfolio Award) - Ontario Scholar - CFUW Award (math, science & technology) - District of Niagara Academy for the Arts
2018 2018 2018 2018 2018 2018 2018
THE EVERGLADES CENTRE 2019
THE STERLING LIBRARY 2019
URBAN OASIS 2019
MICROSCOPE 2018
THE FUNCTION OF AFFECT 2019
OTHER WORKS 2017-2019
THE EVERGLADES RESEARCH CENTRE cooperative work: Yoon Hur / Monica Gutierrez
The Everglades Research Centre is an off the grid, low carbon research station. Located in the Florida Everglades, this research station provides an oasis for scientists who research various reptiles. The Everglades Research Centre was designed with the goal of achieving zero net energy, without compromising a comfortable living space for its occupants. With the Everglades being a hot and humid climate, passive cooling design strategies became very important to the design process. Shading devices, ventilation and cooling systems are some examples of this. The trees surrounding our station act as both passive heating and cooling devices, as they block the sun during the summer months, and lose their leaves to allow sun to shine into our building during the winter months. The incorporation of active systems is also key to our design. We provide PV and water collection systems to aid us in the goal of achieving zero net energy.
south elevation
east elevation
ground floor
second floor
PASSIVE COOLING
natural ventilation
NG PASSIVE HEATING PASSIVE HEATING
water cooling
Cap
PASSIVE COOLING
passive cooling
NG
PASSIVE HEATING
ING
direct gain
PASSIVE COOLING direct gain
natural ventilation PASSIVE HEATING
water cooling
Solar Chimney
natural ventilation PASSIVE HEATING
direct gain PASSIVE COOLING direct gain
PASSIVE HEATING
ING
direct gain
natural ventilation
Roof
natural ventilation direct gain water cooling
natural ventilation
PASSIVE HEATING
water cooling PASSIVE HEATING
direct gain
natural ventilation PASSIVE COOLING PASSIVE HEATING
PASSIVE COOLING natural ventilation
water cooling direct gain
natural ventilation
Second Floor
direct gain water cooling
passive heating
water cooling PASSIVE HEATING
shading
shading PASSIVE COOLING
First Floor
PASSIVE COOLING
water cooling
PASSIVE COOLING
Shading Device
direct gain PASSIVE COOLING
water cooling
shading water cooling
PASSIVE COOLING
shading
Porch
PASSIVE COOLING
shading shading
HEED and Climate Consultant was used to analyze shading the surrounding environment as well as to test how “green” the building was. With a goal of zero net energy, various components were applied that all green buildings need. Trees were added shading around the perimeter to mimic our site choice, blocking the excessive sun and heat, while also acting as a passive heating strategy because they lose their leaves in the shading winter months and allow the sun to shine into the building. The orientation of the station faces south. The white steel roofing membrane reflects light away from our shading building, minimizing heat absorbent and preventing the station from over heating. shading
shading
Steel Framing
Foundation / Footing
THE STERLING LIBRARY The Sterling Library consists of two programmatic system within the building; a library, as well as a studio for textile artists. There is a strong and close connection between the site and the library. Numerous studios, museums and galleries can be found around the site. The two rail roads create a division, separating the community/residential areas from an industrialized, developing urban district. This division creates a shell-like boundary within. Incorporating such statistics to the project, the main focuses were laid in the idea of a “shell�, and it also working as a circulation for the occupants. The books become a source of circulation in the Sterling Library, playing the role of leading and guiding the guests into and around the building. A double height bookshelf sits directly in the middle of the library, with continuous stairs wrapping around the perimeter. This system encourages the users to go to the second floor, exploring the building, and engaging with the community through the lounging areas and the displays of community art. This concept of openness is displayed through the minimum uses of walls, many big opening, atriums, and fixed glass walls. The atirums create a connection, both visual and experiential, between the textile studio and the library. Despite the clear separation of the programs, the staircase/bookshelf works as a threshold, connecting the areas together conceptually.
community
CN R
school C N R /C
CN
P R
R
studio/gallery
factory C N R /C P R
CN R
C
studio/gallery community school N
R
/C
C N
P
R P
R
/C R
CN R
R
C
railroad
CN
factory N R
/
C P R
C N R
CN R
CN R
half-below floor
ground floor
half floor
second floor
With the unique design of the bookshelf being combined with the staircase, and moments created through numerous atriums, the Sterling Library provide occupants with a place to learn, experience, and create; a place of development and growth.
A - A section
B-B s
section
C - C section
CIRCULATION AROUND THE BUILDING
main wheels accessible textile
si
de
IN
MA
do
or
si
de
EAST
E
AC
TR
EN
IN
MA
do
or
NORTH
E
AC
TR
EN
WEST
SOUTH
URBAN OASIS
an escape from the urban life cooperative work: Yoon Hur / Marc Eugenio
The Urban Oasis is a pavilion located in Sheep Meadow, on the lower half of Central Park in New York City. Urban Oasis provides an “Oasis� within the urban life of New York; a chance to take a break, and to take a step back from the repetitive, busy, daily routine. With a strong belief in the joy of playing, and simply having fun in every individuals, the Urban Oasis was designed with numerous playful components, along with reflective steel panels on most of the walls. The reflective surfaces act as a tool of self-reflection, and a mirror. The occupants are given the opportunity to find their hidden, inner child-like, carefree mindset, and can be reminded of the joy which comes from playing, and simply having fun. The steel structure stands on a wide, open field of the Central Park, and can be accessed to people of all ages, as it brings people together without the age barrier. Urban Oasis is constructed entirely with steel; as different types of steel work together not only to support the structure, but to also create a space which people, old or young, can reflect back on themselves, as they rediscover a form of freedom without the restriction of age.
SOUTH ELEVATION
WEST ELEVATION
NORTH ELEVATION
EAST ELEVATION
1
structure/connection details
2
1 2
3
3
4
4
MICROSCOPE
physical / visual study
This physical and visual studies on an ordinary object; a microscope, displays a more unique but fundamental understanding of the basics of architectural drawings. Through such studies, the movement and the essential physics behind the use of the equipment was derived. With such movements of the object studied upon, this abstraction became the foundation of designing a pavilion. The pavilion is situated on a hill, functioning as a staircase and a bridge for the occupants. The swirling motion, with the pivot point being in the center, creates not only an organic shape, but also works as a floor, wall, and a roof. With minor attachment of additional stair pieces, the pavilion presents people with sitting areas, a shaded cave-like wall, and a look out place. This sculptural pavilion, with the conceptual movement derived from a microscope, creates numerous moments as the occupants walk through and around it. This exercise includes a plan, elevation and sectional view of the microscope (top, front, cut view). The exploded axonometric was drawn physically by taking off the different elements used in constructing the microscope. While the other drawings are very technical, the movement drawing takes more of a conceptual approach, as well as being presented abstractedly. The final physical model was made at a 1:50 scale. The orthographic projections were solely taken from the eye, and drawn entirely by hand with no use of digital programs.
physical model 1:50
O RT HOG RA P H IC D RAW I NG S
elevation
plan
section
sketch model cardboard
section
movement study drawing
physical model 1:50 conceptual collage
THE FUNCTION OF AFFECT
durational space in architecture and cinema
The Function of Affect is a project in which cinematic affects are translated into interior places, using architectonic elements derived from the clips. The three films used were Dreams (Kurosawa), Persona (Bergman), and In the Mood for Love (Kar-wai). Rather than simply recreating the scenes in a literal manner, or interpreting the narrative, the focus lies on the affective forces which create the moving atmosphere through the unfolding sequences. The elements include lighting, volume, materiality, rhythm, etc. The three, interconnected interior spaces provide the occupants an experience of a journey ascending from a sophisticated, and heavy room, through a space of duality, which leads to a grand volume of opened space. Numerous sketches of this translation was made, as well as experimenting with different materials to create a space which capture the spatial dynamics through affective elements. The unfolded sequences from the clips form a promenade through the assembly of a physical model, along with the durational section drawing.
Dreams (Kurosawa)
Persona (Bergman)
In the Mood for Love (Kar-wai)
A little boy is walking through a misty forest by himself, as if he is searching for something, but seems rather confused by where the trail is leading him and is lost in the vast volume of space. The tall trees erecting from the cluster of bushes tower over the boy roaming around them; with the clip being filmed at eye level, the top of the trees are completely out of the frame. As the boy wanders through the plants, which come up almost to his height, small droplets of rain, sprinkles down. The sudden appearance of the fog takes the boy by surprise, and a strange group of women and men march out from it in unison; moving in sync. Their repetitive, rhythmic steps, along with the dim sunlight penetrating through the thin fog, exude a mysterious atmosphere.
This black and white clip contains two women’s movements and use of a space, captured in one singular shot, at a fixed point of view. One is laying down on a bed in a dark room, while the other shifts through the rooms, entering, exiting, and re-entering the dark, main room; the thresholds which the girl walks through in and out are opened passage ways with no actual doors. It appears to be morning, with the scene of a girl sleeping in bed, along with luminous light radiating from numerous directions fills up the further rooms in the back and shining against the curtains and the girl. The girl, who walks through different, empty volumes of spaces, make an appearance behind the blowing curtains, and moves in harmony with the motion of the curtains shifting from the breeze; this generates a peaceful, calm, but an eerie atmosphere. The dichotomy between the light and dark, airy and rigid, and the moving and the fixed is represented and exaggerated by the use of black and white, as well as the movements of not only the people, but the room, and the environment’s effect on the space itself.
The clip consists of multiple montages of videos with a couple of people engaging, and conversing with one another. The dark, but strong, colours of the interior walls along with the lack of natural and very little artificial lighting is only bright enough to leave an aroma of light surrounding its perimeter; having a great impact on the spatial sensation. The views of the people are never really clear in the clip, but rather always seen through some type of dividing element such as mirror, blinds, and curtains, creating a sense of surrealism, as if the montages are not happening in real life, but are rather one’s memories, and their reflection on the moments spent with someone. Despite the people’s movements through the spaces being fairly slow, and very mellow, the colours and the dim lighting of the interior provide a heavy, moody, and overall an intense atmosphere. The artifacts which can be seen in the daily lives of people living together such as beds, plates, and bottles of alcohol generate a melancholy feeling; they exist as if they each have stories to tell about the people, and how they have changed over time, in the memories in which they reminisce.
OTHER WORKS
visual arts / hand drafting
YOON HUR
PORTFOLIO
UNIVERSITY OF WATERLOO
THANK YOU
CONTACT yoonhurr@gmail.com 905-325-0673
2019