Arts + Entertainment — Black Tie 12.19.19

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ON THE FLIP SIDE: BLACK

TIE

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ARTS + ENTERTAINMENT THURSDAY, DECEMBER 19, 2019

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STREAM THIS

A QUIET RETREAT

After 15 years, Bruce Rodgers bids adieu to the Hermitage Artist Retreat.

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A snappy thriller and one of the weirdest superhero films ever made are this week’s holiday picks. YOUROBSERVER.COM

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‘Outlaws and Angels’ There ain’t no good guy. There ain’t no bad guy. There’s just good times in this country music revue. PAGE 5

SEE THIS Klint Lowry

Bruce Rodgers has strived to make Hermitage Artist Reteat a place where artists would have the comforts of home but none of the distractions. KLINT LOWRY | A+E EDITOR

E

executive director of the Hermitage Artist

veryone dreams about getting away

Retreat, a position he’s held since it opened

from it all — surprisingly, even Bruce

in 2004. In those 15 years, he took it from a

Rodgers. What’s surprising about

collection of once-abandoned structures

that? For most, the dream is to chuck the

off Manasota Key’s Blind Pass Beach to a

workday world to go live by the beach and

creative wellspring from which art enters

become an artist. Rodgers is leaving a place

the world and enriches the community with

artists go to get away from it all. As 2019

a steady infusion of world-class talent.

comes to a close, so will Rodgers’ run as the

CONTINUED ON PAGE 2

Fine tuning

The Perlman Music Program/Suncoast’s Winter Residency lets the public in on the rehearsals. PAGE 6


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THURSDAY, DECEMBER 19, 2019

File photo

Above: The 112-yearold Hermitage House doesn’t just say “Old Florida.” It is Old Florida. Top Right: The Tom Dignam Beach Cottage was the last building to be restored at the Hermitage Artist Retreat. But with its original cedar panel interior, it’s a beauty. Below Right: Before restoration, the cottage not only needed extensive work but also had to be moved away from the beach several feet.

CONTINUED FROM PAGE 1

IN HIS ELEMENT

“I’m very proud of what we’ve accomplished here,” Rodgers says. “I’ve had the privilege of a lifetime to create and establish an organization in the community that hadn’t existed before.” He says it with equal parts conviction and serenity — he is a man who is appealingly at ease. Certainly, the Hermitage Artist Retreat has a lot of Rodgers in it. His connection to it goes back to 2001, when it was little more than a dream of then-Sarasota County Arts Council Executive Director Patricia Caswell, today the retreat’s program director.

Rodgers, an accomplished playwright, was with the Asolo Repertory Theatre when he agreed to be on the steering committee for the proposed artist retreat, to contribute an artist’s perspective. He had also done some consulting and written a book about how to instill creativity in the workplace. When the retreat became a reality and needed an executive director, Rodgers says he realized “this would be an opportunity for me to kind of have my own show.” One of the most elemental factors to having a successful retreat, Rodgers believes, is its physical environment. In that regard, Hermitage Artist Retreat is naturally gifted. The term “Old Florida” is

Courtesy photos

often used to describe the section of Manasota Key in which it resides. It’s like a land that time decided was too nice to mess with. Then there is the lovingly restored cluster of structures that make up the retreat and are the reason the property is listed in the National Register of Historic Places. The oldest, the Hermitage House, dates back to 1907. Three years ago, the retreat began working on a landscaping project to, as Rodgers puts it, “make sure that the natural world interacts in a positive way with the manmade.” Today, the grounds are museum-quality Old Florida. It’s a quiet setting. Not just quiet; it’s still, and it breeds stillness.

The abundance of tranquility is also in part the result of how the retreat operates. The goal is to accommodate the artists, Rodgers says. “It’s about creating an environment where they feel like there are no obstacles between them and their work. Our job is to facilitate that, remove obstacles, make it an inspiring environment and give them the freedom to do the work that they need to do.” SMALL SIZE, LARGE STATURE

Hermitage Artist Retreat was developed based on three interwoven principles, Rodgers says. The first: Keep it small. The retreat can only host five or six artists at a time. Rodgers

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wouldn’t increase it even if he could. There are advantages to being small, he says. It ensures an intimate environment. The artists interact with one another but don’t get the cliques and factions and other drama that can form at larger retreats. Being small also allows the kind of individualized accommodation the artists appreciate. An important element of that is giving the artists the flexibility not only in how they spend their time but also in when. “We learned early on that a mid-career artist is not going to be able to step away from their lives for six weeks,” Rodgers says. At Hermitage, artists can split their six weeks however they want over two years, a valuable option when your target clientele is established artists. That leads to Rodgers’ second principle: to create a reputation for Hermitage being “the coolest place you can’t get into.” What makes something valuable? That’s simple, Rodgers says. Make it hard to get or, in or in the retreat’s case, hard to get into. “We eliminated the application process right at the beginning,” Rodgers says. Hermitage residencies are by invitation only, awarded based on nominations by members of a national Curatorial Council. “They’e all eminent folks,” Rodgers says. “They’re prominent people in their field, and their job is to know who’s doing the work in their field.” This process bestows prestige on the residencies. The vetting process also considers whether an artist would benefit from and be a good fit for a residency at the Hermitage Artist Retreat. Old Florida isn’t for everyone. The council also plays a part in

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THURSDAY, DECEMBER 19, 2019

Rodgers admits such cultural largesse has a practical side. “We have an organization that, unlike every other cultural institution in the community, has no ticket price, no admission price, no earned income,” he says. How do you ask a community for support unless you’re holding up your end of the community partnership without offering something of value in return? A REFRESHING CHANGE

Bruce Rodgers uses a salvaged desk to emphasize how cramped the small room inside the Hermitage House that served as his first office at the retreat was.

Rodgers’ third principle: You’re known by the company you keep. When people see all these respected names attached to Hermitage Artist Retreat, it serves as an endorsement. Rodgers is a strong believer in the value of relationships. In a sense, the retreat began on something of a partnership when Caswell struck a $1 per year lease deal with the county, which owns the land the retreat is on. “The county commissioners said, ‘What are you going to do for us?’” Rodgers recalls. The deal has proven to be one of the retreat’s most important assets. Every artist who accepts a residency is required to partici-

pate in some kind of local event — a performance or exhibition or presentation or lecture. “We really have partnered with every cultural organization in the community and also brought artists to every institution of higher learning in the community” Rodgers said. The retreat also hosts events, such as its popular sunset beach presentations. “The community brings the beach chairs and their wine and cheese, we do an hour before sunset, and it’s just the most civilized hour of the week,” Rodgers says. It’s incredibly satisfying to be responsible for bringing these things to the community, but

Sometimes the hardest part of the creative process is to know when the work is done, when it’s time to move on to the next project. The Hermitage Artist Retreat will always be a work in progress, but Rodgers is feeling no hesitation about stepping away. “It is really the right time for the organization, and it’s the right time for me,” he says. Rodgers is the only director Hermitage Artist Retreat has ever had. His successor, Andy Sandberg, is ready to step in, and it will be a time to take a fresh look at things. It’s important for an organization to do that now and then, Rodgers says. It’s good for people, too. Rodgers has some writing projects that have been calling his name, and he’s looking forward to doing some traveling. Mostly, though, he’s simply excited about the open possibilities that come with a new chapter. And you never really leave it all behind, he says. The best parts come with you — the experience, the memories, the friends and the satisfaction of knowing how much art is out there that is traceable to the Hermitage Artist Retreat. Besides, he says, he’s pretty sure no one will mind if he decides to stop in for a visit.

Courtesy photo

BRUCE RODGERS’ SUCCESSOR On Dec. 4, the Hermitage Artist Retreat Board announced Andy Sandberg as the retreat’s new artistic director and executive executive officer. “We’re very excited to have Andy shepherd in a new wave of leadership for the Hermitage,” Hermitage Board President Leslie Edwards says in a news release. Sandberg, who won a Tony Award in 2009, when he was just 25, is a graduate of Yale University with a bachelor’s degree in English and theater studies. “Throughout my career, I have been an advocate for new work,” says Sandberg. “And the Hermitage provides artists an invaluable opportunity to nurture bold ideas while planting the seeds for great works of art to sprout up around the country and throughout the world.”

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THURSDAY, DECEMBER 19, 2019

ines the classic holiday favorite by blending it with elements of The Ringling Circus and John and Mable Ringling. Runs through Saturday. ‘HANDLE WITH CARE’ 8 p.m. at Florida Studio Theatre Main Stage, 1241 N. Palm Ave. $29 Call 366-9000. Ayelet, a young Israeli woman, finds herself stranded in a Virginia motel room on Christmas Eve with Terrence, a bumbling but well-intentioned delivery man who doesn’t know any Hebrew at all. Terrance calls on his friend Josh, who remembers a few Hebrew phrases from his bar mitzvah 20 years ago, to serve as interpreter. This bilingual rom-com is hilarious, tragic and heartwarming.

SATURDAY

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DECK THE HALLS AT CA’ D’ZAN 5 p.m. at The Ringling Museum, 5401 Bay Shore Road $15 Call 359-5700.

BOLSHOI BALLET: ‘THE NUTCRACKER’ 6:30 p.m. at Historic Asolo Theater, 5401 Bay Shore Road $20; members $18 Call 360-7399.

Surround yourself in old-time elegance in John and Mable Ringling’s home. The mansion’s first floor will be decorated for the holidays, including a 10-foot Christmas tree, to greet visitors on this self-guided tour.

This magical production featuring Tchaikovsky’s beloved score will captivate audiences of all ages. Rising star soloist Margarita Shrainer perfectly embodies Marie’s joy along with the elegant principal dancer Semyon Chudin as Nutcracker Prince.

‘A MOTOWN CHRISTMAS’ 7:30 p.m. at Sarasota Opera House, 61 N. Pineapple Ave. $15-$75 Call 366-1505. Created, adapted and directed by Nate Jacobs, Westcoast Black Theatre Troupe’s founder and artistic director, this holiday revue blends Christmas carols and soulful songs made famous by Motown icons, such as Marvin Gaye, Stevie Wonder and The Jackson 5. Runs through Friday.

FRIDAY JAZZ AT TWO: MARK MOULTRUP MUSIC 2 p.m. at Unitarian Universalist Church of Sarasota, 3975 Fruitville Road $10-$20 Call 366-1552.

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OUR PICK BRETT LEAKE Hailed by comedy luminaries including Jerry Seinfeld and Jay Leno as one of the great comedy writers of his generation, Leake only plays a few small clubs a year. His act reflects on his day-to-day life living with multiple sclerosis. Runs through Sunday. IF YOU GO When: 7 p.m. Thursday Where: McCurdy’s Comedy Theater, 1923 Ringling Blvd. Tickets: $21 Info: Call 925-3869.

‘JOHN RINGLING’S CIRCUS NUTCRACKER’ 7:30 p.m. at Van Wezel Performing Arts Hall, 777 N. Tamiami Trail $30-$115 Call 359-0099. The Sarasota Ballet and Sarasota Orchestra team up for this original production that reimag-

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emony around a roaring bonfire, and celebrate the winter solstice with music, dancing and fellowship. Guests are encouraged to wear white and come in solsticeinspired costumes. Doors open at 7 p.m.

With more voices than Santa has reindeer, this act is sure to fill the air with holiday harmony as they sing festive favorites and modern holiday hits.

‘HARMONY FOR THE HOLIDAYS’ WITH DUCHESS 7:30 p.m. at Historic Asolo Theater, 5401 Bay Shore Road $25-$55 Call 306-1202.

PERLMAN MUSIC PROGRAM SARASOTA WINTER RESIDENCY 7 p.m. at USF Sarasota-Manatee, 8350 N. Tamiami Trail Free Call 955-4942.

Artist Series Concerts of Sarasota swings with sweet-toned harmonies and sure-footed steps of acclaimed vocal jazz trio Duchess. The New York City-based group — Amy Cervini, Hilary Gardner and Melissa Stylianou — is joined by jazz pianist Carmen Staaf, bassist Don Mopsick and percussionist Rick Costa for a sparkling holiday program that includes traditional favorites “Silver Bells,” “What Are You Doing New Year’s Eve,” and the Andrews Sisters’ “Christmas Island,” plus holiday novelties “Santa Baby,” “Mele Kalikimaka” and “Christmas Compromise.” THE GRASS IS DEAD 8 p.m. at Fogartyville Community Media and Arts Center, 525 Kumquat Court $18; members $15 Call 894-6469.

DON’T MISS ‘OUTLAWS AND ANGELS’ Country might not be everyone’s favorite music, and within the genre, there have been a few outsiders. FST honors the outlaws of country — such as Hank Williams, Willie Nelson and Johnny Cash — and all the angels who loved them, including Tammy Wynette and Dolly Parton. This revue features

SUNDAY

Take the music of the Grateful Dead, and mix it with bluegrass — no, really, do it. Now add a pinch of Bill Monroe, Earl Scruggs, John Hartford, Allman Brothers Band, and Pink Floyd, and you have The Grass is Dead. The band seamlessly weaves bluegrass, blues, rock and funk into a unique sound of its own.

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favorite hits “I Walk the Line, “The Devil Went Down to Georgia,” “Desperado” and more. Runs through March 29.

The music is a work in progress, and so are the students, but it’s a fascinating opportunity to watch and listen as world-famous violinist and conductor Itzhak Perlman trains some of the most gifted young musicians in the country. Rehearsals and work-in-progress recitals are free, but three specialty events are ticketed.

IF YOU GO When: 7:30 p.m. Saturday Where: Goldstein Cabaret, Florida Studio Theatre, 1241 N. Palm Ave. Tickets: $34-$39 Info: Call 366-9000.

JAZZ AT THE CABARET: VALERIE GILLESPIE QUARTET 7:30 p.m. at Florida Studio Theatre, John C. Court Cabaret, 1265 First St. $35-$39 Call 366-1552.

‘SOUNDS OF THE SEASON’ 5 p.m. at Church of the Redeemer, 222 S. Palm Ave. $29-$75 Call 387-4900.

include traditional Christmas favorites alongside the “Christmas Cantata” by Daniel Pinkham and the Sarasota premiere of “Eja! Eja!” by part-time Sarasota resident James Grant.

It will be like music to your ears when soprano Adelaide Boedecker, organist Ann StephensonMoe and a brass and percussion ensemble join Choral Artists of Sarasota. Program selections

‘THE TEN TENORS: HOME FOR THE HOLIDAYS’ 7 p.m. at Van Wezel Performing Arts Hall, 777 N. Tamiami Trail $22-$92 Call 953-3368.

SUNCOAST

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THURSDAY, DECEMBER 19, 2019

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cal version of the Dickens classic, interwoven with tunes including “God Rest Ye Merry Gentlemen,” “Good Christian Men Rejoice,” “Greensleeves” and “The Boar’s Head Carol.”

TUESDAY ‘THE SOUND OF MUSIC’ 1:30 p.m. at FSU Center for the Performing Arts $31.50-$120 Call 351-8000. You’d have to be one lonely goatherd not to know this Rodgers and Hammerstein musical, but Asolo Repertory Theatre’s version adds an extra layer to the singing, dancing and running around in clothes made out of old curtains, never letting the audience forget the Nazi threat that looms. Runs through Dec. 28.

Valerie Gillespie plays saxophone. She plays the flute; she plays the clarinet; she sings. And she leads her own jazz group, which will perform songs off her album “Lush Life.” ‘A CHRISTMAS CAROL’ 7:30 p.m. at Van Wezel Performing Arts Hall, 777 N. Tamiami Trail $17-$57 Call 953-3368. The Nebraska Theatre Caravan comes into town with this musi-

ONLINE Find information on these events and more at YourObserver.com.

eason

2019-2020

PMP Sarasota Winter Residency December 23, 2019 - January 4, 2020 20+ musical events, mostly FREE, featuring 35 international string students (ages 12-20+), PMP Founder Toby Perlman, and a world-renowned faculty led by internationally-acclaimed concert violinist and conductor Itzhak Perlman. Most events take place on the campus of USFSM 8350 North Tamiami Trail, Sarasota

Tickets for Free events provide reserved section seating in the Performance Tent. E-Tickets for Free events ($7.50 fee) and Special Event Tickets ($10) online at PerlmanSuncoast.org

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THURSDAY, DECEMBER 19, 2019

Works in progress

LIGHTS in BLOOM

Perlman Music Program/ Suncoast raises its tent for annual Winter Residency program.

DECEMBER 14-23, 26-30, JANUARY 1, 2 & 4 • 6-9 P.M.

KLINT LOWRY

(CLOSED DECEMBER 24, 25, 31 & JANUARY 3)

A+E EDITOR

C

lassical music aficionados fearing for the future of high culture might lament, “Where are the next great string instrument players coming from?” There’s nothing to fret about, and if you want to see for yourself, you’re in luck. This time of year, a few dozen or so of them come here. On Monday, Dec. 23, Perlman Music Program/Suncoast will open its doors — technically, its tent flap — on its Winter Residency program to give the public the opportunity to sit in on the creative process while promising young musicians hone their skills. The residency is an augmentation to the Perlman Music Program on Shelter Island, N.Y., created by Toby Perlman, who is married to renowned violinist and conductor Itzhak Perlman. Toby Perlman created the program to provide a nurturing training environment where gifted students can reach their poten-

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tial. PMP Executive Director Elizabeth Power says Perlman’s motivation was in reaction to her own experience as a young violin student at Juilliard. “It was competitive; it was cutthroat,” Power says. “It did not feel like everyone was encouraged to advance at their own pace.” She says the most stressful part about PMP is getting in. Students are admitted based on an audition process. The program sets a high bar, but once they’re in, they can keep coming back every year until they graduate. The training is rigorous but not competitive. There’s no jockeying to be first chair or that sort of thing. The PMP Summer Program began in 1994. “About 10 years in, the idea came up [that] there be a winter residency,” Power says. “And this is the perfect venue.

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IF YOU GO SUPER STRINGS & ORCHESTRA REHEARSAL When: 7 p.m. Dec. 28 Where: USF SarasotaManatee Performance Tent Tickets: $10

Who doesn’t want to come to Sarasota, South Florida in the winter?” The residency is no day at the beach, however. It’s a concentrated 17 days of rehearsal and recitals that lead up to a concert finale. “It’s such an intensive professional training program that students can get as much as six months of work done in that time period,” Power says. Every year, PMP/Suncoast essentially takes over the University of South Florida, SarasotaManatee campus over its winter break. It sets up a large performance tent where most of the activities take place. This year’s program will offer more than 20 viewing oppor-

tunities through Jan. 3, including start-and-stop orchestra rehearsals works-in-progress recitals, and cello and viola master classes. Admission is free to all these events. Power says about 8,000 people come to these open-tent events to watch and listen as Itzhak Perlman works with the students. A highlight of this year’s schedule will take place at 7 p.m. Dec. 28, when the PMP string orchestra will be joined by Super Strings, a PMP/Suncoast program for Florida musicians ages 8-18 who play violin, viola, cello or bass. Under the direction of Itzhak Perlman, they will perform Felix Mendelssohn’s String Sinfonia No. 2 in D major, first movement.

CELEBRATION CONCERT When: 5 p.m. Jan. 4 Where: Sarasota Opera House, 61 N. Pineapple Ave. Tickets: $40$80; $625 for premium seats and dinner with Toby and Itzhak Perlman Info: Visit PerlmanMusicProgramSuncoast.org.

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Courtesy photo

The audience can see and hear the rehearsal process as Itzhak Perlman leads a start-and-stop rehearsal.

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THURSDAY, DECEMBER 19, 2019

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Photos by Klint Lowry

Jacques Kowacki, 15, concentrates as he practices on the tight wire.

A DOZEN DAYS

OF DERRING-DO

Sailor Circus Academy’s ‘12 Days After Christmas’ turns tradition on its head. KLINT LOWRY A+E EDITOR

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f you stop to think about the “12 Days of Christmas,” those gifts aren’t very thoughtful: a total of 184 birds (allowing for all that repetition), 34 noisy musicians — and those lords a-leaping all over the house would get old pretty quick. Any kid can tell you the best gift every year is that long holiday break from school. It will be a working holiday of sorts for about 70 students of the Circus Arts Conservatory’s Sailor Circus Academy, but it will all be

in the name of fun as they put a new spin — and tumble and flip — on the traditional carol with their new show, “The 12 Days after Christmas,” Dec. 27-30. Known as “The Greatest ‘Little’ Show on Earth,” the Sailor Circus Academy teaches students ages 8-18 more than 30 disciplines of circus arts. Sailor Circus Creative Director Jared Walker created the concept of the show, which examines the unwritten traditions of winter break, from playing with those new toys to taking trips with the family, celebrating the New Year and finally the realization that it’s almost time to go back to school. Walker and the Sailor Circus coaching staff came up with a lineup of circus acts to represent the activities in each of the 12 days. “They’ve been working on the show since September,” Walker

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PREVIEW: DEC 31 by Pulitzer Prize Finalist, RAJIV

JOSEPH | directed by ASHLEY TEAGUE

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IF YOU GO ‘THE 12 DAYS AFTER CHRISTMAS’ When: 2 and 7 p.m. Dec. 27, 28 and 30; 1 and 6 p.m. Dec. 29 Where: Sailor Circus Arena, 2075 Bahia Vista St. Tickets: $15-$30 Info: Call 355-9805.

says. That’s about typical. Sailor Circus Academy puts on two big shows a year, one in the spring and one for the holiday season. The shows have all the trappings of a traditional circus. The 12 days are broken into groups, Walker says. The first three days are about “undecorating,” starting with taking the angel off the Christmas tree, represented by the Roman rings. Similar to the rings used in men’s gymnastics, this is a demanding piece of apparatus, and the girls who will be performing on it are getting an early Christmas present of being trained by circus legend Dolly Jacobs, who is considered one of the greatest aerialists of all time. The Roman rings routine was one of her specialties. “It’s all upper body strength,” she says. “What’s nice about it is having freedom as opposed to apparatus, where everything is attached.” But the trick, she adds, is that “you have more freedom, so you need greater control. It’s a solo, one-person act, and it’s all you.” Day two of the 12 days is the removal the ornaments from three huge Christmas trees, which morphs into a juggling act. Day three continues the “undecorating,” as silks hung like bunting are released for another aerial act. The second three days are what Walker calls the “toy section.” This includes the Rola Bola adagio, a balancing act with a board rolling on a cylinder, with two performers stopping in stationary poses. Then several “troll dolls” spin on “the web” with aerial stunts on a swinging rope. The toy section concludes with unicyclists and the five-high bike. “It’s one person riding a bicy-

cle, and the girls jump on,” Walker explains, until five are on a bike. Days six and seven are New Year’s Eve, represented by the slack rope, and New Year’s Day, which consists of acrobatics, the teeter board and the cradle, in which instead of a trapeze, aerialists swing from one another. Days eight and nine represent vacations, with a Disney-themed double triple trap, a set of six trapezes, and with trick skating, representing holiday skating in New York’s Rockefeller Center. “Days 10 and 11, we’re calling hullabaloo days,” Walker says. “It’s the final days before you go back to school. Those days start with contortionists and conclude with the flying trapeze. “Day 12 is a party before we all have to go back to school,” Walker says. Time for curtain calls. When these kids go back to school, if they’re asked to write about what they did over winter break, they’ve got it made.

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THURSDAY, DECEMBER 19, 2019

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with

January 3, 4

Van Wezel

Friday, 8:00 pm | Saturday, 2:30 pm & 8:00 pm George Daugherty, guest conductor

World-renowned aerialist Dolly Jacobs coaches Ellie Winer, 17, on the Roman Rings, a difficult apparatus.

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The Nether By Jennifer Haley

In a virtual wonderland, you can indulge your every whim with no consequences in the “real” world. Or so it seems.

“Gasp-worthy” – The New York Times

Kunstler By Jeffrey Sweet

Tensions are when a self-described “radical lawyer” and civil rights activist visits a college campus to give a seminar.

Bugs Bunny at the Symphony joins Sarasota Orchestra in a newlyrevised 30th Anniversary Edition. This production projects Looney Tunes on the big screen, while the orchestra plays the classicallyinfused original scores live! Enjoy “The Rabbit of Seville,” “Baton Bunny,” “What’s Opera, Doc?” and more!

Take Advantage of Family Pricing! Youth tickets only $9. Standard tickets from $37.

“Wise and revealing” – The New York Times

Paralyzed WORLD PREMIERE A mysterious suicide note in a hotel bathroom leads two strangers’ lives in unforeseen directions.

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By Jeffrey Sweet


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ARTS + ENTERTAINMENT

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YourObserver.com

THURSDAY, DECEMBER 19, 2019

BUY ★ SELL ★ TRADE — 2 Guys —

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Jean Shin’s “Celadon Landscape” is a comment on cultural heritage in an age of global consumerism. The two vessels are made from discarded pieces of broken pottery.

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MUSIC, BOOK, & STORY BY

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“HILARIOUS AND HEARTWARMING ” -New York Times

Anat Cogan and Michael Zlabinger. Photo by John Jones.

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By Jason Odell Williams Hebrew Written By Charlotte Cohn

AMERICAN SON

THE LEGEND OF GEORGIA MCBRIDE

Vic Muniz created a life-sized replica of his favorite Matchbox car, right down to the chipped paint.

— KLINT LOWRY

“A FRESH TAKE. Impressive and beautifully sung” — Jay Handelman, Sarasota Herald-Tribune

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NOW - DEC 28

“BREATHTAKING. The finest Sound of Music you will ever see” — Peter Nason, BroadwayWorld Tampa

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D

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fter 16 years of fundraising, the Sarasota Art Museum opened to the public Dec. 14. It probably would have been enough just to open the doors and let the public see the masterful renovation of the old Sarasota High School, but the venue showed up dressed for duty. The first exhibit to greet guests is a large-scale retrospective of works by Vic Muniz, whose goal is to make people think about their perceptions. The second is “Color. Theory. & B/W,” which examines the art and science of color. To see more photos of the new museum and what’s in it, visit YourObserver.com.

Music by RICHARD RODGERS Lyrics by OSCAR HAMMERSTEIN II Directed & choreographed by JOSH RHODES

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The cast of The Sound of Music. Photo by Paul Tate DePoo III.

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ON THE FLIP SIDE: A+E HERMITAGE: Executive director retires after 15 years at artist oasis. RESCUE ME: Puttin’ on the Poodle raises money for furry friends. 8

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THURSDAY, DECEMBER 19, 2019

Photos by Harry Sayer

Co-chairs Matt Walsh, Lisa Walsh, Emily Walsh, Marilyn Shuman, Regional President Anne Virag, Regional Director Brian Lipton and co-chairs Jo and Stan Rutstein

AJC NATIONAL LEADERSHIP AWARD DINNER

Anne Virag was honored at the event.

Monday, Dec. 9, at Michael’s On East Benefiting American Jewish Committee West Coast Florida HARRY SAYER | BLACK TIE REPORTER

A

merican Jewish Committee West Coast Florida honored its regional president Dec. 9 during its National Leadership Award Dinner. Hundreds of AJC supporters

Diana Berlin with Laura and Colton Castro

filled the Michael’s On East ballroom — which had been given a winter wonderland makeover — in support of Anne Virag for her impact in the community over the years.

Jack and Adrea Sukin

“We’ve accomplished a lot and have a lot more to accomplish together,” AJC Regional Director Brian Lipton said in his opening remarks that kicked off the dinner program. But Lipton didn’t stop there. He then revealed the night’s big surprise: AJC had flown Virag’s brother, Sid Smith, to Sarasota. Dinner was then served, followed by words from keynote speaker Avi Mayer and a musical tribute from the Five Points Quintet.

Top: Susan Steenbarger and Carol Hochman Dierksen Above: Albert and Norma Cohen


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THURSDAY, DECEMBER 19, 2019

Hearts of Gold Gala Sunday, Dec. 15, at the Ritz-Carlton, Sarasota Benefiting JFCS of the Suncoast Inc.

The Jay White Band delivered some authentic Neil Diamond tunes.

Photos by Harry Sayer

David Lyles and CEO Heidi Brown

Above: State Rep. Margaret Good, Larry Thompson and Lynne Spencer Left: Nicci Kobritz, Roxie Jerde, Jonathan Fleece and Suzy Brenner

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Johanna Gustafsson, Matt Kahn and Lauren Glassman

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SARASOTA’S 5-STAR MED SPA

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THURSDAY, DECEMBER 19, 2019

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YourObserver.com

THURSDAY, DECEMBER 19, 2019

Designing Women Boutique Gala Sunday, Dec. 8, at Michael’s On East | Benefiting Designing Women Boutique

Event Chair Martha Harrison and Board President Ida Zito

Jonathan Gruber and Alex Pelletier

Ricardo Graziano, Marlene Liberman and Iain Webb

Photos by Harry Sayer

Catherine Burns and Abigail Altier

Above: Ron and Rita Greenbaum Right: Co-founders Diane Roskamp, Margaret Wise and Jean Weidner Goldstein

NORTH AMERICA’S LARGEST OUTDOOR PHOTOGRAPHY EXHIBITION AT NATHAN BENDERSON PARK

THROUGH FEB. 8 AT NATHAN BENDERSON PARK FREE ADMISSION DIVERSE, COMPELLING IMAGES NATHAN BENDERSON PARK

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GULF COAST REGIONAL SHOWCASE SPONSORED BY LAURA FEDER


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THURSDAY, DECEMBER 19, 2019

5

Chairman’s Circle Dinner Thursday, Dec. 12, at Marie Selby Botanical Gardens | Benefiting Community Foundation of Sarasota County

Photos by Harry Sayer

Suzanne, Jackson, Sophia and Jon Anderson

Community Foundation of Sarasota County President Roxie Jerde and Mike Jerde

Attendees walked through a multicolored bumblebee tunnel.

Rob Rominiecki and Selby President and CEO Jennifer Rominiecki

Jessica Hamel with Barbara and Julian Hansen Pauline Wamsler and Marcy Klein

love, peace, and joy

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180,000 meals annually

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Through the Subaru Share the Love® Event, from November 14, 2019, to January 2, 2020, Subaru of America dontates $250 for every new Subaru vehicle purchased or leased to the customer’s choice of the four national charities, including Meals on Wheels, with a minimum guarantee of $250,000 nationwide. FIND A RETAILER NEAR YOU. SUBARU MAKES AN IMPACT.

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THANKS TO SUBARU OF AMERICA FOR SHARING THE LOVE WITH HOMEBOUND SENIORS!


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YourObserver.com

THURSDAY, DECEMBER 19, 2019

Photos by Harry Sayer

Eleanor Williams, Marilyn Rosengarden Frederick, Artistic Director Victor DeRenzi, Melba Jimenez and Alan Kesten

Co-Producers Dinner Tuesday, Dec. 10, at Sarasota Opera House Benefiting Sarasota Opera Above: Margareta Wellman and Lana Zub Right: Terry and Valerie Osborne with Executive Director Richard Russell

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THURSDAY, DECEMBER 19, 2019

PAINT I NG A NE W V I S I O N of S a ra s o t a Co ndo m i ni um L iv i n g

N OW ACC EP TI N G CO NTR AC T S Overlooking Sarasota Bay from an ideal Boulevard of The Arts location, panoramic residences provide unrivaled city and bay views. Curated interiors by luxury hospitality industry innovators ForrestPerkins create an ambiance of uncommon artistry and inspiration for you to call home.

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Broker Participation is welcomed and encouraged. ORAL REPRESENTATIONS CANNOT BE RELIED UPON AS CORRECTLY STATING REPRESENTATIONS OF THE SELLER. FOR CORRECT REPRESENTATIONS, MAKE REFERENCE TO THE DOCUMENTS REQUIRED BY SECTION 718.503, FLORIDA STATUTES, TO BE FURNISHED BY A SELLER TO A BUYER OR LESSEE. This project has been filed in the state of Florida and no other state. This is not an offer to sell or solicitation of offers to buy the condominium units in states where such offer or solicitation cannot be made. Prices, availability, artist’s renderings, dimensions, specifications, and features are subject to change at any time without notice.

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YourObserver.com

THURSDAY, DECEMBER 19, 2019

We would like to thank you for your continued patronage & wish you a Merry Christmas and Happy Hanukkah

Puttin’ on the Poodle Saturday, Dec. 7, at Embassy Suites Sarasota Benefiting Florida Poodle Rescue

Pirouette® Window Shadings

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Photos by Harry Sayer

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LUNCH SPECIAL

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THURSDAY, DECEMBER 19, 2019

In with the new

N OW U N D E R CO N S TRU C TI O N

Bayfront Sarasota The Ritz-Carlton Residences, Sarasota Legendary service and amenities • TheResidencesSarasota.com From the $2,400,000s • 941.702.2300 • Preview Gallery 1111 Ritz-Carlton Dr., Sarasota

N OW ACCE P TI N G CO NTR AC T S

Bayfront Sarasota Auteur Sarasota Wide open living at the heart of the new Sarasota bayfront • AuteurSarasota.com From the $2,000,000s • 941.500.2014 • Sales Gallery 1297 Palm Avenue, Sarasota

N E W FA LL PRI CI N G

Northwest Bradenton Palma Sola Bay Club The lifestyle you deserve • PalmaSolaBayClub.com From the $400,000s to $700,000s • Immediate occupancy • 941.216.7436 • 3410 77th St. W., Bradenton

CO M I N G SO O N

Longboat Key

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The Residences on Longboat Key Coming to the Former Colony Site, Longboat Key Join the interest list at TheResidencesLongboatKey.com • From the $2,000,000’s • 941.213.3300

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SALES GALLERY OPEN

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South Sarasota Sandhill Lake Single family homes in the heart of Sarasota • SandhillLakeSarasota.com From the high $400,000s • 941.234.0432 • 7740 Sandhill Lake Drive, Sarasota

MODEL LEASEBACK AVAILABLE

Bradenton Riverfront Riverside Point A gated community of riverfront homes • RiversidePointFlorida.com Home sites from $229,900. Homes from the mid $400,000s. • 941.201.4574 • 5490 56th Ct E, Bradenton

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Osprey Bayfront Edgewater at Hidden Bay Move-in ready • EdgewaterHB.com From the $500,000s • 941.966.3600 • Sales Office 249 Hidden Bay Drive, Osprey

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THURSDAY, DECEMBER 19, 2019

Igniting Potential Luncheon

A MOVIE FOR A CAUSE

Thursday, Dec. 5, at Michael’s on the Bay, Selby Gardens Benefiting Big Brothers Big Sisters of the Suncoast

The Roskamp Institute and director Eric Gordon invite you to the Sarasota premiere of:

WHEN ALL THAT’S

Photos by Harry Sayer

Above: Sean Murphy and Big of the Year Victoria Phillips Left: Big of the Year David Rengifo and Nina Fernandez

LEFT IS

LOVE

The emotional gripping story of a wife’s determination to care for her Alzheimer’s- stricken husband.

Thursday, January 23, 2020

Burns Court Cinema, 506 Burns Court, Sarasota 5:15- 8:00 pm ~ Cocktail Reception and Film Showing 8:00- 9:30 pm ~ VIP Reception, 530 Burns Gallery, Sarasota

$75 REGULAR TICKET // $200 VIP TICKET

(limited availability)

PRESENTING SPONSOR

Maura Thompson with Anthony and Ashley Pressimone

All proceeds will support the work of the nonprofit Roskamp Institute.

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For tickets and sponsorships, contact Megan Micale at 941.552.9832 or mmicale@roskampfoundation.org

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*First-time guests only. Valid only for select services. Additional terms may apply. Participation may vary; please visit waxcenter.com for general terms and conditions. EWC locations are independently owned and operated. © 2019 EWC Franchise, LLC. All rights reserved. European Wax Center® is a trademark of EWC P&T, LLC.

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