C h a p te r 1 | P ro fe s s io n a l P ro je c ts
1 .1 - L A K E V IE W R E S T A U R A N T E x p e rie n c in g th e m o is tu riz in g o f C h in e s e h is to r y a t a la k e s id e re s ta u ra n t Internship Project at MUDA Architects Date of Project: June. 2020 - August. 2020 Site: Qionglai, Sichuan, China Instructor: Yun Lu T h i s p r o j e c t s i s a r e s t a u r a n t i n a d i s t i lle r y p a r k i n Q i o n g la i , S i c h u a , C h in a . A s a n e n d o f t h e la n d s c a p e w h ic h is in C h in e s e g a rd e n s t y le a ls o t h e b a c k g ro u n d o f w h o le d is t ille r y , it in d ic a t e s a k in d o f u n d e r s t a t e d a n d n a t u r a lis t ic e le g a n c e . F o r it s fu n c t io n a lit y , a c c o r d i n g t o c l i e n t 's r e q u i r e m e n t s , i t c o n t a i n s s o m e f u n c t i o n s s u c h a s a s p a c io u s a n d t ra n s p a re n t d in n in g a re a , a in n e r k itc h e n b e h i n d a n d a n o f f i c e w h i c h a r e i n t h e h a r m o n y w i t h e a c h o t h e r. A c h a r m in g la k e v ie w is b e s id e t h is e le g a n t s h e d , b u t a ls o f r a m e d in it .
LO C AT IO N A N A LY S IS Q IO N G L A I, S IC H U A N IN C H IN A
Q io n g la i is a h isto ric a l a n d c u ltu ra l c ity in S ic h u a n , C h in a w ith a h isto r y o f m o re th a n 2 0 0 0 y e a rs. T h e te rra in situ a tio n is c o m p le c a te d in Q io n g la i. It c o n ta in s m o u n ta in s, h ills a n d p la in s w h e n th e m o u n ta in s a re th e m a jo r. D u e to th is v a rio u s te rra in a n d th e m ic ro c lim a te c a u s e d b y th is te rra in , Q io n g la i b e c a m e a fa v o ra b le p la c e to b re w liq u o r. F u r th e rm o re , th e re a re lo ts o f n a tu ra l a ttra c tio n s a ls o h is to ric a l s c e n ic s p o ts in Q io n g la i, su c h a s th e S e rd a n g S n o w M o u n ta in , la rg e a re a o f b a m b o o fo re s t, a n d a g re a t d e a l o f a n c ie n t to w n s w ith m a n y tra d itio n a l b u ild in g s. T h o s e re ta in e d tra d itio n a l b u ild in g s a re a lm o s t in p itc h e d d e sig n a n d w o o d e n stru c tu re w h ic h re fle c t stro n g Sic h u a n a rc h ite c tu re sty le . A c co rd in g to th is h isto ric a l m e a n in g o f th e site , th e d istille r y is d e sig n e d a s a tra d itio n a l C h in ese co u rtyard w ith C h in ese g ard en la n d sc a p e . T h e re sta u ra n t w ill b e d e sig n e d b a s in g o n a re s e a rc h o n e n c lo s u re re la tio n s h ip o f C h in e se co u rtyard an d a stu d y ab o u t d iffe re n t ty p e s o f C h in s e p itc h e d ro o f b u ild in g s.
A W N IN G B O A T CO N C EPT T h e p ro je c t s ta r te d w ith a w o rd in c la s s ic a l C h in e s e sty le w h ic h e x p re sse s th e atm o sp h e re I w an t to in d ic a te in th is b u ild in g . T h e re sta u ra n t in th is g a rd e n w ill b e lik e a little b o a t flo a tin g b y th e o th e r sid e o f th e la k e , q u ie tly a n d g e n tly.
P IT C H E D R O O F T Y P O LO G Y I d ecid ed to u sed C h in e se p itc h e d ro o f to e x p re ss th e fe atu re s o f a w n in g b o a t b e c a u s e th e o rig in a l fu n c tio n o f th e p itc h e d ro o f is to q u ic k ly d ra in th e w a te r o n th e ro o f, w h ic h is sim ila r w ith th e fu n c tio n o f th e a w n in g , a n d th e y se e m s h a v e so m e sim ila ritie s in te rm s o f th e ir sh a p e s. A s tim e g o es b y, it g rad u ally d e ve lo p e d in to a s y m b o lic h ie ra rc h y a n d fo rm e d th e tra d itio n o f im p o rta n t b u ild in g i m p r e s s i o n . T h e slo p e o f th e ro o f a s a v isu a l c o re o f C h in e se tra d itio n a l b u ild in g , it is a lso w id e ly u se d in m o d e rn a rc h ite c tu re s, w h ic h b e co m e s a w ay to in h e rit a n d d e v e lo p C h in ese trad itio n al a rc h ite c tu ra l c u ltu re .
gable roof
gable roof
hipped roof (1)
gable roof
pent roof
hipped roof (2)
hipped roof (3)
hipped roof (4)
S k y lig h t s Roof
S u s p e n d e d c e ilin g
S t r u c t u r a l fr a m e w o r k
F lo o r s la b s & w a lls
F ir s t fl o o r p la n
G ro u n d fl o o r p la n
fo u n d a t io n s la b
NN oo rr tt hh ww ee ss tt EE le le vv aa tt io io nn
S e c t io n A -A ` C O N S T R U C T IO N A N D M A T E R IR A L IT Y
E x t e r n a l b r ic k w a ll
B r ic k c u t e r le a f B r ic k w a ll t ie S h e a t h in g p a n e l S te e l stu d M in e r a l w o o d in s u la t io n p la s t e r b o a rd
T h e m a te ria ls o f th is b u ild in g a re m a in t h a t g la s s c u r t a in w a ll. N e x t t o t h e o u t e d a y lig h tin g . T h e w a lls in th is b u ild in g a r s u s p e n d e d c e ilin g a re m a d e o f w o o d , a n d
R o o f p a n e l w it h s t a n d in g s e a m s y s t e m
A lu m in u m a llo y p a n e l W a t e r p ro o f m e m b r a n e G la s s w o o l T h ic k s t e e l p a n e l Se co n d ary b e am P r im a r y b e a m
In t e r n a l w o o d e n w a ll
In t e r io r w o o d c la d d in g W o o d e n s t r u c t u r a l fr a m e w o r k W a t e r p ro o f m e m b r a n e A c o u s t ic p a n e l
G la s s c u r t a in w a ll
D o u b le -g la z e d p a n e l G a p fi lle d w it h d r y a ir S te e l tru ss G la s s r ib
ly t im b e r, b r ic k , m e t a l a n d g la s s . A t t h e fro n t o f t h e b u ild in g , t h e re is a fu ll g la s s c u r t a in w a ll w h ic h c o n t a in s s e v e ra l g la s s p a n e ls a n d a s e r ie s o f g la s s r ib t o s u p p o r t e r s id e o f t h e g la s s c u r t a in w a ll, t h e re is a b a r r ie r t o b lo c k w a t e r. F o r t h e ro o f, t h e re a re t w o p ie c e s o f s t a n d in g s e a m m e t a l ro o f w it h a g la z e d s k y lig h t in t h e m id d le fo r re b r ic k c o n s t r u c t io n , a n d o n t h e s o u t h w e s t e r n s id e , t h e re a re s o m e g la s s b r ic k p la c e d o n t h e b r ic k w a ll t o in t ro d u c e lig h t in g . F o r t h e in t e r io r, t h e p a r t it io n w a ll a n d t h e d s o m e o f p a r titio n w a ll a re w ith w h ite c o lo u r c la d d in g .
S y m m e t r y o f t h e in t e r io r
H u m a n a c t iv it ie s a n a ly s is S in u o u s e n tra n n c e
t r a d it io n a l a c t iv it ie s v is t in g ro u t e d in in g a re a w o r k in g a re a
D in in g to g e th e r
A c c o r d i n g t o t h e c l i e n t 's n e e d , t h e r e s t a u r a n t s p a c e w a s d e s i g n e d a s a t r a n s p a r e n t s p a c w h ic h a re in d iffe re n t m a te ria ls to c re a te v is u a l c o n tra s t. T h e w a ll a n d th e s u s p e n d e d c e i ro o f in tro d u c e s u n lig h t in th e m o rn in g to lig h t u p th e b a r a re a . A n d it a ls o w o rk s w ith th b u ild in g s p ro v id e a b e a u tifu l v ie w to th e v is ito rs in e v e r y p u b lic fu n c tio n a l a re a . In s id e th e re s ta u ra n t, t w o g a b le s h a p e o f s u s p e n d e d c e ilin g s a b o v e th e b a r a re a n a tu ra lly th e b a r a re a to c re a te a fe e lin g o f d e p th in th is d in in in g s p a c e . P e o p le in th e d in in g s p a c e In o rd e r to c re a te ric h C h in e s e c la s s ic c h a rm h e re , th e re s ta u ra n t is d e s ig n e d fo r s ix a c t re s ta u ra n t fro m th e e n tra n c e to th e in te rio r s p a c e .
P e r fo r m a n c e E x h ib it io n
E n jo y in g t h e v ie w
H a v in g a d r in k
C h a t t in g C o z in g
c e s o th a t th e d in in g a re a c o u ld b e a n w h o le a n d la rg e s p a c e , a n d c o n ta in in g th e b e a u tifu l la k e v ie w . T h e in te rio r w a s d e s ig n e d a s t w o s y m m e tric p itc h e d ro o f h o u s e s h a p e ilin g o f th e b a r is in w h ite c o lo r a n d th e c o m m u n a l lo u n g e is in w o o d e n c o lo r w ith w o o d e n g rille w h ic h s h o w s th e s e n s e o f d e p th . T h e s k y lig h t in th e m id d le o f t w o p ie c e s o f e la rg e g la s s c u r ta in w a ll fo r h ig h p e r fo rm a n c e o f d a y lig h tin g . In a d d itio n , th is la rg e g la s s c u r ta in w a ll in th is lo n g a n d d e e p s p a c e fa c in g th e la k e a n d th e e n c lo s u re o f o th e r
y d iv id e th e s p a c e in to t w o s y m m e tric p a r ts w h ic h a re v is u a lly d is tin c te d b y d iffe re n t m a te ria ls . In th e d in in g a re a , th e w o o d e n s u s p e n d e d c e ilin g e x te n d s lo n g itu d in a lly fro m e c a n e n jo y d iffe re n t a c tiv itie s to a g re a t e x te n t d u e to th e s p a c e s a re c la s s ifie d a c c o rd in g to th e flo w d iv is io n s . iv it ie s w h ic h w o u ld h a p p e n w h e n C h in e s e a n c ie n t m e n o f le t t e r s g o t t o g e t h e r. T h e re fo re , p e o p le c a n e x p e r ie n c e t h e m o o d a n d a t m o s p h e re o f C h in e s e c la s s ic c u lt u re in t h e
M o r e o v e r , t h e c u r v e r o o f p i e c e e x t e n t f u r t h e r t o c o v e r s o m e p a r t o f p e o p l e 's s i g h t l i n e w h i c h p e o p le is a c tu a lly fo llo w in g h e ig h ts o f b u ild in g s in th is liq u o r p a rk . A d d itio n a lly, to m a k e th e b u t h e g ro u n d le v e l. W h e n p e o p le a re s it t in g a n d h a v in g t h e ir m e a l t im e , t h e w a t e r le v e l w o u ld b e b e t w e e n t h e s k y a n d w a t e r. R e s ta u ra n t is th e m o s t s o c ia l p u b lic s p a c e . N e w d e s ig n te c h n iq u e s a re u s e d to in te rp re t th e s tr w it h m o d e r n s p a c e e x p e r ie n c e .T h e o v e r a ll t o n e o f t h e r e s t a u r a n t s p a c e is r e la t iv e ly d e e p , c lo s e th e s e n s e o f h is to ric a l w e ig h t o f th e a n c ie n t h o u s e . In a d d itio n , th ro u g h th e in tro d u c tio n o f g l th e s a m e s p a c e w ith th e n e w m o d e rn m a te ria ls , w h ic h g re a tly im p ro v e s s p a c e e x p e rie n c e a n d s p It is h o p e d th a t th ro u g h th is p ro je c t, p e o p le c a n a p p re c ia te th e b e a u t y o f C h in e s e tra d itio n a l c u
c o u ld m a k e p e o p le fe e l lik e b e in g in a b o a t c o v e re d b y a a w n in g . T h e c u r v e o f th e ro o f s e e n b y u ild in g m o re lik e a flo a tin g b o a t, w a te r le v e l o f th e la k e b e s id e w ill b e h ig h e r ra th e r th a n flu s h w ith a l m o s t f l u s h w i t h p e o p l e `s s i g h t l i n e . T h e v i e w i s l i k e a p a i n t i n g a n d p e o p l e w i l l h a v e a g o o d t i m e
u c tu re a n d m a te ria ls o f th e s p a c e , h o p in g to c re a te a v e r y o p e n a n d b rig h t C h in e s e a n c ie n t h o u s e t o t h e e a r t h c o lo r, a n d t h e in t e g r a t io n o f t h e m e d ie v a l s t y le fu r n it u re w it h a s e n s e o f t im e e c h o e s la s s s k y lig h ts a n d la rg e g la s s c u r ta in w a lll to fo rm a n in g e n io u s d iffe re n tia te d a e s th e tic fe e lin g in p a tia l te n s io n . A rc h ite c tu re , s p a c e a n d g a rd e n la n d s c a p e re fle c t th e c la s s ic b e a u t y o f C h in e s e s t y le . u ltu re a n d in h e rit a n d c a rr y fo r w a rd it.
1 .2 - H U A Q IA O C E N T R A L P A R K R e n o va tio n P ro je c t Activation and rejuvenation of a traditional urban park Date of Project: February. 2022 - May. 2022 Project in SoBA Architects (Under construction)
T h is is a re n o v a tio n p ro je c t I p a rtic ip a te d in a s a n a rc h ite c t a ssista n t w h ile w o rk in g a t S o B A A rc h ite c ts. D u rin g th e p ro je c t, I w a s m a in ly re s p o n s ib le fo r th e d e s ig n o f a c u ltu ra l c e n te r b u ild in g in H u a q ia o C e n tra l P a rk . M y w o rk m a in ly in c lu d e s m a k in g 3 D m o d e ls a c c o rd in g to th e re q u ire m e n ts o f th e m a in a rc h ite c t, d ra w in g a x o n o m e tric a n a ly s is d ra w in g s, s c h e m e d ra w in g s, a n d in te rio r a n d e x te rio r re n d e rin g s o f th e c u ltu ra l c e n te r b u ild in g . T h e fo llo w in g is m y o u tp u t in th is p ro je c t.
1st Floor Plan
1st Floor
Ground Floor
Interior rendering
perspective rendering
w h ile w o rk in g o n th is p ro je c t, I a ls o p a r tic ip a te d in m a te ria l s e le c tio n s a n d in te rio r d e s ig n s o th e a x o n o m e tric d ra w in g a n d re n d e rin g s th a t I w a s w o rk in g o n w e re a lw a y s u p d a te d w ith th e d e s ig n m o d ific a tio n . In m y a p p ro a c h to b u ild in g a rc h ite c tu ra l m o d e ls a n d re n d e rin g s, I p la c e a p a r tic u la r e m p h a s is o n c a p tu rin g th e e sse n c e o f th e sp a c e . I b e lie v e th a t re n d e rin g se r v e s a s a c a p tiv a tin g m e d iu m , a llo w in g m e to n a rra te a v iv id s to r y a b o u t th e fu n c tio n a lit y a n d a e s th e tic s o f th e d e s ig n e d e n v iro n m e n t. in th is p ro je c t, th e m a in id e a o f re n d e rin g is b u ild in g a d y n a m ic p u b lic s p a c e w ith h o s p ita lit y, w h ic h w a s s h o w e d b y th e in te ra c tio n b e w te e n p e o p le a n d a rc h ite c tu re . T h is p e rs p e c tiv e n o t o n ly b rin g s th e s p a c e s to life b u t a ls o c o m m u n ic a te s th e ir p o t e n t ia l a p p lic a t io n s in a d y n a m ic m a n n e r.
C h a p te r 2 | A c a d e m ic P ro je c ts
2 .1 - V E R T IC A L G A L L E R Y O F L IG H T & S H A D O W C o n c e p tu a l P ro je c t Date of Project: August. 2020 - September. 2020 Individual project
“ T h e s o u l o f s p a c e is lig h t ” - L o u is K a h n L ig h t e x ists in e v e ry d a y a n d e v e ry m o m e n t, b rig h t o r d a rk , d a z z lin g o r s o ft. It is fre s h a n d h a s v ita lity. It is th e p re re q u is ite fo r a ll th in g s in th e w o rld to e x p re s s th e m s e lv e s a n d re fle c t th e ir re la tio n s h ip . In a rc h ite c tu re , w h a t c re a te s s p a c e s is n o t o n ly lig h t, b u t th e s h a d o w p ro d u c e d b y lig h t a s w e ll. T h e s h a d o w re c o rd s e n d le s s p re s e n c e o f lig h t, a n d a rc h ite c ts m a n ip u la te s a p c e s b a s in g o n th e ir u n d e rs ta n d in g o f lig h t a n d s h a d o w . A rc h ite c tu re s g u id e e x p e rie n c e o f u s e rs a n d te ll d e e p fe e lin g s th ro u g h t h e in te ra c t io n o f lig h t , c o lo u r, s h a d o w a n d t im e , w h lie l i g h t a n d s h a d o w c a n a l w a y s a r o u s e p e o p l e 's s e n s i b i l i t y . T h i s h i g h r i s e b u i l d i n g , w h o s e f o c u s r e t u r n s t o p e o p l e 's fe e lin g s, is a ll a b o u t lig h t a n d s h a d o w , w h ic h is in o rd e r to p ro v id in g p e o p le a d re a m s c a p e to e x p e rie n c e th e m o s t s im p le a n d u n a d o rn e d g o o d v ib ra tio n s .
S c ie n c e
In s c ie n c e , lig h t is t h e h e a r t b e a t o f t h e u n iv e r s e . E v e r y t h in g w e s e e is a n e x p re s s io n o f lig h t .
A S T U D Y O F L IG H T S C IE N T IF IC - S P IR IT U A L - A R C H IT E C T U R A
A rt
In a r t , lig h t s y m b o liz e s life , h a p p in e s s , h o p e , ju s t ic e a n d h o lin e s s .
A rc h it e c t u re T h e c o n n e c t io n o f s c ie n c e a n d a r t , t h e p e rc e p t u a l a n d t h e r a t io n a l.
Lo u is I. K a h n K im b e ll A r t M u se u m
Le C o rb u sie r L a C h a p e lle d e R o n c h a m p
L
Ta d a o A n d o C h u rc h o f th e L ig h t
Je a n N o u v e l Lo u v re A b u D h a b i
Ie o h M in g P e i P y ra m id e d u Lo u v re
Typologies
Expression
Diagramming
Direct light
Openings
light
Pinhole
Long window
Crack
Cave
Skylight
Strip window
The opening controls the shape and amount of light coming into the space. Opening includes small hole, deep hole, long window, longitudinal strip window, skylight and gap.
Direct light: what architects need to design is about direct light letting the light fall in what position at what time and in what form.
Reflection
Reflective materials Coordination with space
Water
Light color
colors
Glass
Thin stone
New materials
Reflection of light: light reflect s or transmits to the whole space or a certain position of the space through the arc roof, wall, water, surface and transparent materials, so that it can create a certain atmosphere.
Transmisson of light through materials such as light colors, multiple colors and new materials. Reflection of light through materials such as water, transparent or semi-transparent glass and thin stone materials.
Refraction
Bright and dark spaces
dark colorless
Refraction of light: it can decompose light into colors, for example, the use of prism. Also it can give light different appearances such as the projecting texture of water on a wall and mirage.
colored
Tiny light
Contrast
Rhythm
Uniform distribution
The bright end
The dark end
Light and space can to be with the perception that architects want to give to people through designing light and shadow. Light space, dark space and the rhythm of them create different feelings, such as sacred, mysterious, private, or comfortable space atmospheres.
S e r ie s 1 | D ire c t lig h t | T r a n s p a re n t s p a c e
S e r ie s 2 | R e fl e c t io n o f lig h t | B r ig h t s p a c e s
S e r ie s 2 | R e fl e c t io n o f lig h t | D a r k s p a c e s
S e r ie s 2 | R e fl e c t io n o f lig h t | R e fl e c t iv e e le m e n t s
S e r ie s 3 | R e fr a c t io n o f lig h t | C o lo re d s p a c e
C o n c e p t o f s p a c e c o m b in a t io n Light has important spiritual significance related to angels and miracles, healing people's hearts. The concept of the combination of spaces is the change of light and shadow, so the layouts of spaces in terms of both horizontal and vertical directions would follow this concept. Light spaces and dark spaces are randomly in a staggered distribution in two dimensions to enrich people's spatial experience. Among the light and dark spaces, there are some prism cubes to refract light and decompose colorless light into colors, which could provide colors in colorless light and dark spaces to enrich visual experience. These light spaces would provide people a sharing slow life and remind people to feel the healing power of nature apart from busy daily working life.
D e v e lo p m e n t s o f s p a c e c o m b in a t io n After designing a series of cube showing different interactions between space and light, these cubes were placed in different layouts in horizontal direction firstly, which could generate various moments of light and shadow changes. There are basically three types of horizontal layouts, which is mainly a enclosure of space cluster and left the central space empty. These three floors become a unit and then copy to form a super high-rise building. To connect these seperate spaces, two types of staircase are places which are straight staircase and spiral staircase so that generate multiple options of route. Especially the spiral staircase could generate changing perspective to experience light and shadow spaces.
Fo rm 1
Fo rm 2
Fo rm 3
F u n c t io n a l C o m p o n e n t s Roof Garden R o o f G a rd e n ( S t a r O b s e r v a t o r y ) L ig h t a n d s p a c e c a n to b e w ith t h e p e rc e p t io n t h a t a rc h it e c t s w a n t to g iv e to p e o p le th ro u g h d e sig n in g lig h t a n d sh a d o w .
Ramp
O u t e r S k in D e t a il L ig h t a n d s p a c e c a n to b e w ith t h e p e rc e p t io n t h a t a rc h it e c t s w a n t to g iv e to p e o p le th ro u g h d e sig n in g lig h t a n d sh a d o w .
Central Lift
E x t e r n a l s k in
F o r p ro v id e a n a b u n d a n v a r ia t io n o f lig h t a n d sh ad o w
In n e r S p a c e s L ig h t a n d s p a c e c a n to b e w ith t h e p e rc e p t io n t h a t a rc h it e c t s w a n t to g iv e to p e o p le th ro u g h d e sig n in g lig h t a n d sh a d o w .
Light spaces
L if t s h a f t
T h e fa s t e s t w a y o f c irc u l
B r ig h t s p a c e T h e c o n t a in e r o f lig h t
Ram p
T h e ro u t e fo r w a lk in g o r
Outer skin
D a rk sp a c e E le v a t o r S h a f t L ig h t a n d s p a c e c a n to b e w ith t h e p e rc e p t io n t h a t a rc h it e c t s w a n t to g iv e to p e o p le th ro u g h d e sig n in g lig h t a n d sh a d o w .
T h e c o n t a in e r o f s h a d o w
S t a irc a s e T h e ro u t e fo r w a lk in g r a n d o m ly
nt
la t io n
rd e r ly
w
F o r m a t io n o f o u t e r s k in The form of outerskin basically comes from the shape of pleated curtain. The pleated curtain covers all these spaces and a hand open the curtain to let the light enter the inner spaces. The curtain is opened for several times and the original straight lines were seperated into several groups of curves which look smooth and random, and these random curves lead the light interact with them in different times. This outerskin is a barrier for people both inside and outside. people inside could experience the mutative light and shadow which go through the facade, and people outside could see that the light and shadow spaces inside are looming under the partial occlusion of the outer skin.
P le a t e d c u r t a in
L ig h t a n d S h a d e | B r ig h t a n d D a r k
O p e n in g t h e c u r t a in
F o r m in g c u r v e s
E x c lu d in g t h ic k n e s s
L ig h t a n d S h a d o w
Light is temporary. When it moves in space, it has the ability to transform space. When the surface is under light, they can alternately advanc can be changed as the texture changes, and when the proportions seem to be changed by light, the volume also seems to be distorted. In add that the light casts not only becomes more layered than in the relative darkness, but also strengthens its sense of existence due to the shadow is introduced, objects and surfaces are clearly expressedand this dialogue between light and the surface produces an extended spatial experien D u rin g th e d a y tim e , th e e n tire b u ild in g is a s c u lp tu ra l c o n ta in e r o f lig h t, a n d th e c h a n g e s o f lig h t a n d s h a d o w a re c a rrie d o u t in th e b u ild in b u ild in g is lik e a lu m in o u s la n te rn w ith d iffe re n t s lig h t c o lo rs , s u g g e s tin g a d re a m w o rld h id d e n a b o v e th e c lo u d s . In th is b u ild in g , lig h t is t v o lu m e s th a t p e o p le e x p e rie n c e th e m a g ic o f th is a rc h ite c tu re w h ic h is liv in g in th e lig h t. It is a ll a b o u t lig h t a n d s h a d o w , w h ic h is in o rd e r t
ce and retreat in the field of view, and the space through which the light passes can be highlighted and retreated along its path. The material dition to feeling the changes in light and shadow and space, people can also feel the changes in the texture of building materials. The surface w it casts. Textures can be revealed and exaggerated by exposure to light, just as they can be made smooth and flat. As more and more light nce a kind of continuous transformation of form. g , a n d le is u re a c tiv itie s a re p ro d u c e d in it. A t n ig h t, th e a r tific ia l lig h t in th e b u ild in g s lig h tly o v e r flo w s th e p le a te d c u r ta in fa c a d e , a n d th e th e p ro ta g o n is t, c o n trib u tin g to th e c o n tin u o u s in te g ra tio n a n d b lu rrin g in th e a rc h ite c tu ra l s p a c e . It is in th e c o n s tru c tio n o f th e s e fle x ib le o p ro v id in g p e o p le a d re a m s c a p e to e x p e rie n c e th e m o s t s im p le a n d u n a d o rn e d g o o d v ib ra tio n s .
2 .2 - "The RISE" Practice North Studio in University of Liverpool A y o u th d e v e lo p m e n t c e n te r re a c tiv a tin g th e h is to ric c o m m u n it y Course Project Date of Project: Feburary. 2021 - May. 2021 Site: Liverpool, England, Unite Kingdom Instructor: Jane Moscardini Individual work
T h e re h a s b e e n a s ig n ifi c a n t re t r a c t io n in y o u t h s e r v ic e p ro v is io n in t h e U K o v e r t h e la s t d e c a d e . a n d t h e s it u a t io n e v e n w o r s e n , in t h e p o s t -C o v id p e r io d . D e n is e H a t t o n , c h ie f e x e c u t iv e o f t h e Y M C A , s a y s : “W it h o u t d r a s t ic a c t io n t o p ro t e c t fu n d in g a n d s ig n ifi c a n t ly re in v e s t in y o u t h s e r v ic e s , w e a r e c o n d e m n in g y o u n g p e o p le t o b e c o m e a lo n e ly , lo s t g e n e r a t io n w it h n o w h e re t o t u r n .” T h is p r o j e c t is a Y o u t h Z o n e f o r t h e lo c a l c o m m u n it y in T o x t e t h , L iv e r p o o l. T h is w ill in v o lv e f u r t h e r r e s e a r c h in t o t h e r ic h h is t o r y a n d c u lt u r a l d iv e r s it y o f To x t e t h . T h e re a re v a r io u s g ro u p s p o r t a n d le is u re a c t iv it ie s h e re ; a c h a n c e t o s o c ia liz e w it h p e e r s ; e a t h e a lt h ily ; a n d m e e t a d u lt r o le m o d e ls . It is in c lu s iv e t o a ll, r e c r e a t io n a l a n d a p la c e fo r y o u n g s t e r s t o le a r n life s k ills .
Part 1 | Design scheme drawings
Ground floor plan
Building front & Slope entrance
1st floor plan
2nd floor plan
T h is y o u t h c e n t e r w a s n a m e d t h e r is e b e c a u s e it w a s ra is e d t o a h ig h e r le v e l, w h ic h a ls o im p lie s t h e g ro w t h a n d d e v e lo p m e n t o f y o u t h . To e n s u re it is v is u a lly p le a s a n t a n d a p p ro p ria te , it d ra w s u p o n th e rh y th m s a n d p a tte rn s o f b u ild in g s th a t fille d th e lo c a tio n s u c h a s c h u rc h s a ro u n d w h ile c re a tin g n e w p o s s ib ilit ie s . I n s id e , t h e b u ild in g w e lc o m e s a b u n d a n t n a t u r a l lig h t a n d o p e n v ie w s in s id e a n d o u t o f t h e b u ild in g .T h is y o u t h z o n e a c c o m m o d a t e s m y v i s i o n s a n d e x p e c t a t i o n s f o r y o u t h ’s d e v e l o p m e n t e v e r y d a y . T h e i r i n t e r a c t i o n w i t h t h e b u i l d i n g s e v o k e t h e p o t e n t i a l o f l i f e i n t h e n e w s p a c e . T h i s i s t h e c o n v e r s i o n ’s v i t a l i t y . T h e d i v e r s e a n d o p e n s p a c e s a l l o w s f o r m o r e p o s s i b i l i t i e s f o r s u b s e q u e n t u s e , w h i c h a l w a y s e v o l v e s w i t h t i m e .
A
A`
Section A-A`
B
B`
Section B-B`
elevation from Berkley street
Polycarbonate
Timber
Brick
elevation from Upper Stanhope street
Part 2 | Building anaylsis
The walking bridge is an important element to connect the circulation in this building. Above the walking bridge, gable-shape galzing roof indroduces natural daylighting into the area. Standing on the walking bridge, different facade systems of three zones can be seen, also people on two floors of walking bridge could have a visual interaction. At the end of the north side of the walking bride, the beautiful church is framed by the glazing wall like an artwork hanging in this building.
5 by 5 grid
5m
5m
connection corner
connection detail
Structural detail
timber structure Cross-Laminated Timber column and beam with steel reinforcement
Construction detail
Sustainable strategy
2 .3 - A E S T H E T IC D E T A IL S C o n c e p tu a l P ro je c t "MUDA × Aesthetic " Workshop Project Date of Project: November. 2020 - January. 2021 Site: Shanghai, China Instructor: Hanning Liu Individual work
A n In n o v a tiv e a rc h ite c tu re w ith c a r d e s ig n te c h n o lo g y a n d ro b o tic a e s th e tic s
T h is p ro je c t s t a r t s f ro m t h e d e t a ils a n d a e s t h e t ic s o f a u t o m o b ile d e s ig n a n d ro b o t d e s ig n , a n d d e e p ly e x p lo re s t h e a e s t h e t ic s o f a u t o m o b ile a n d r o b o t a p p e a r a n c e a n d i n t e r n a l s t r u c t u r e . T h e c o n f li c t a n d c o lli s i o n o f t h e t w o v o c a b u la r y s y s t e m s c re a t e r ic h m o r p h o lo g ic a l le v e ls , w h ic h c r e a t e s h a r m o n y f r o m d is h a r m o n y . A s e r ie s o f r e s e a r c h a n d s t u d ie s w ill a lw a y s c e n t e r e d o n 3 s e le c t e d a e s t h e t ic d e t a il d e s ig n t e c h n iq u e s e x is t in g in b o t h a u t o m o b ile a n d r o b o t w h ic h a r e C o n v e r g in g , L a y e r in g a n d N e s t in g , a n d t h e n e m b o d y t h e m in a r c h it e c t u r e s c a le . T h is p r o je c t w ill p u t a s id e t h e in h e r e n t a r c h it e c t u r a l d e s ig n id e a s a n d s e e k in s p ir a t io n f r o m a n e w p e r s p e c t iv e , t h e n f in a lly w ill b e a m e c h a n ic a l c u lt u r e c e n t e r m a in ly f o r c a r a n d r o b o t e x h ib it io n s a ls o s h o w in g in n o v a t iv e a r c h it e c t u r a l s p a t ia l re la t io n s a n d a rc h it e c t u r a l e x p re s s io n .
O B JE C T R E SE A R C H 1 A N IM E | IR O N M A N
120°
100°
35°
100° 25°
50°
125°
45° 30°
80° 15°
85°
70°
55°
N E S T IN G
130°
40°
L A Y E R IN G
C O N V E R G IN G
A b d o m e n a rm o r
F o r m - L a y e r in g , C o n M a t e r ia ls - M e t a l, P a
Q u a lit y - H a rd , F le x ib
°
478,87
96
O B JE C T R E SE A R C H 2 S U P E R C A R | B U G AT T I 127
°
24°
,5
91,69
393,9
30°
76
R351,56
154°
65
66
391,81
°
°
132,71
391,81
393,9
132,71
208,37
O B J E C T | A N IM E < IR O N M A N III>
195,0
1
31°
304,16
208,37
5 79,2
SEAM 1 (Structurally connection) SEAM 2 (Branch from the structurcal seam) 304,16
478,87
53
°
5
SEAM 4 (Upwards convex on a surface)
96
°
01
79,2
SEAM 3 (Connect different pieces of material) °
53
195,
31°
°
96
SEAM 5 (Groove on a surface)
478,87
M ARK 42 ARM O R
DETAIL (Mechanical detail)
T h e firs t s te p is to c h o o s e a n o b je c t in e a c h fie ld s. T h e s e le c te d o b je c ts w e re tra n s fo rm e d in to 2 D th ro u g h b e in g tra c e d in to g ra p h ic lin e d ra w in g s, w h ic h is h e lp fu l w ith u n d e rs ta n d in g d iffe re n t t y p e s o f lin e s . T h e lin e d ra w in g s o f e le v a tio n s a re s tu d ie d in a m a th e m a tic a l w a y to fig u re o u t th e s p e c ific p a ra m e te rs o f th e c u r v e s in c lu d in g a n g le s le n g t h a n d r a t io c o m p o s in g t h e u n iq u e a e s t h e t ic o f ro b o t a n d c a r. I n t e r m s o f r o b o t i c a e s t h e t i c s , I r o n m a n w a s s e l e c t e d a s a t y p i c a l s y m b o l o f 1a27n° i m e . T h e l i n e d r a w i n g b a s i c a l l y i n d i c a t e d s i x t y p e s o f l i n e 's r e l a t i o n s h i p s , w h i c h a r e s t r u c t u r a l c o n n e c tio n , b ra n c h fro m th e s tru c tu ra l s e a m , m a te ria ls c o n n e c tio n , u p w a rd s c u r v e s o n a s u r fa c e , g ro o v e o n a s u r fa c e , a n d fin a lly, th e m e c h a n ic a l d e ta ils . A fte r fin is h in g th e tra c in g lin e d ra w in g a n d u n d e r ta n d in g th e lin e s , th e a b d o m e n a rm o r p a r t a n d th e s h o u ld e r c u ff p a r t w e re s e le c te d fo r a fu r th e r a n a ly s is s in c e th e y in d ic a te d th e 3 a e th e tic d e t a il d e s ig n t e c h n iq u e s a m o n g t h e lin e s in t h is o b je c t . F ir s t ly , t h e a b d o m e n a r m o r s h o w s c le a r p a t t e r n t h a t e v e r y p ie c e o rd e r in g in la y e r s is c o n v e rg in g t o t h e c e n t e r. F o r th e s h o u ld e r c u ff, it s h o w s a n e s tin g fo rm w ith a b u n c h o f la rg e g a p s . To c re a te a n e w o b je c t th ro u g h u s in g th e e le m e n ts fro m th e a b d o m e n a rm o r a n d th e s h o u ld e r c u ff, t w o im a g e s w e re c o m b in e d to g e th e r b y c h a n g in g s c a le s a n d d ire c tio n in a c o lla g e . In th e c o lla g e im a g e , th e n e w o b je c t in d ic a te s fo rm s lik e a s s e m b ly, v o lu m e tric , la y e rin g a n d n e s tin g . A n o t h e r o b j e c t i s s u p e r c a r wR351,56 i t h d i f f e r e n t a e t h e t i c s f r o m t h e a n i m e , a n d t h e 76s,5e l e c t e d s u p e r c a r i s B u g a t t i c a r . T h r o u g h s t u d y i n91,69 g d e t a ils in t h is s p e c ific B u g a t t i c a r, t h e a e s t h e t ic d e t a i l o f t h e c a r w a s s h i f t e d i n t o s c a l e o f a r c h i t e c t u r e . a n a l y s i s s t a r t e d w i t h t h15e4° d e t a i l o f t h e f i n e s t s u r f a c e a n d l i n e s o n a u t o m o b i l e a n a l y s i s a n d f e e l i t s r e p r e s e n t a t i o n o f d e t a i l t e c h n iq u e s o f c o n v e rg in g , la y e r in g a n d n e s t in g , a n d fin a lly a s p e c ific p a r t o f t h e c a r w a s m o d e le d in M a y a a n d re n d e re d b y k e y s h o t a s w e ll. 127°
24°
24°
,5
91,69
154°
30°
76
R351,56
30°
°
65
°
66
b le , F la t
°
in t in g
65
°
66
n v e rg in g
S h o u ld e r c u ff
C o lla g e
F o r m - N e s t in g
F o r m - A s s e m b ly , V o lu m e t r ic ， L a y e r in g , N e s t in g
M a t e r ia ls - M e t a l, P a in t in g
M a t e r ia ls - M e t a l, P a in t in g
Q u a lit y - H a rd , C u r v a t u re
Q u a lit y - H a rd , C u r v a t u re
E n u m e r a t io n o f O s t a g r a m a t t e m p t s
S t y le
O sta g ra m
B ase
Id e a l re s u lt : S t y le s c a le : 0 .8 S t y le w e ig h t : 3 0 0 0
V e n t ila t io n o p e n in g
Te r r a c e s
Te c h p ip e s & E n g in e s
S t a irc a s e
T h e m o s t im p o r ta n t p ro c e d u re is u s in g O s ta g ra m to p ro c e s s th e p re v io u s t w o re n d e rs . O s ta g ra m is a p ro je c t to s y n th e s iz e p ic tu re s b a s e d o n th e D e e p D re a m a lg o rith m , a n d t w o re n d e rin g im a g e s w e re u s e d fo r s t y le a n d b a s e . T h ro u g h a lo t o f a d ju s tm e n ts b y s w itc h in g th e c h a ra c te r o f s t y le a n d b a s e o r c h a n g in g th e v a lu e o f s t y le s c a le a n d s t y le w e ig h t, th e fin a l d e s ic io n is th a t th e re n d e r o f Iro n m a n w a s u s e d a s a b a s e im a g e , a n d th e re n d e r o f B u g a tti c a r w a s th e s t y le to fill th e b a s e im a g e . T h e re fo re , O s ta g ra m p r o v id e s t h e b a s ic im a g e o f t w o -d im e n s io n a l im a g e t r a n s la t io n a n d f o r m a t io n o f t h e b u ild in g w it h 3 m e n t io n e d d e t ia l t e c h n iq u e s . B e fo re tra n s la tin g th e O s ta g ra m in to a rc h ite c tu re , it w a s tra c e d in to a lin e d ra w in g w ith s e v e ra l t y p e s o f s e a m s a n d c la s s ifie d th e m in te rm s o f la y e rs , h o le s a n d c h u n k s fo r fu r th e r tra n la tio n . In th e tra n s la tio n p ro c e s s , th e o s ta g ra m im a g e s h o w e d s tro n g fe e lin g o f s o lid a n d v o id p a r ts , c le a r s e n s s e o f s p a c e a n d d e p th c h a n g e s , a n d w a s u s e d a s a re fe re n c e o f to p v ie w a n d p la n . A s th e b u ild in g g e n e ra tio n p ro c e s s h e s h o w s , th e a rc h ite c tu ra l a p p e a ra n c e re s to re s th e O s ta g ra m im a g e to th e g re a te s t e x te n t in te rm s o f s h a p e a n d c o lo r.
L in e a n a ly s is
L a y e rs
H o le s
Chunk
S e am typ e s p r im a r y se co n d ary h o llo w e d
S h a p e g e n e r a t io n p ro c e s s
S e c t io n A -A `
G ro u n d fl o o r p la n
T h e b u i l d i n g i s l o c a t e d i n S h a n g h a i , C h i n a , w h i c h i s l i t e r a l l y a n i n t e r n a t i o n a l m o d e r n c i t y , a n d t h e s i t e i s l o c a t e d a t W e s t B u n d b y t h e H u a n g p u R i v e r w h e r e i s t h e A s i a 's l a r g e s t a r t d is tric t. M a n y a r t g a lle rie s a n d g a lle rie s a re g a th e rin g a lo n g th e w a te r fro n t, w h ic h h a s p ro m o te d th e W e s t B a n k o f S h a n g h a i to b e c o m e a n e w c u ltu ra l a n d a r tis tic la n d m a rk . N o t o n ly th e b u ild in g a p p e a ra n c e in te g ra te th re e d e ta il te c h n iq u e s , b u t a ls o th e s e c tio n a n d p la n a rra n g e m e n t. T h e y h a v e n e w re la tio n s h ip s w ith e a c h o th e r b u t a ls o m a in ta in t h e ir o w n c h a ra c t e r is t ic s a n d a re c lo s e ly re la t e d t o e a c h o t h e r, w h ic h c re a t e s n e w a e s t h e t ic s . In t h e s e c t io n d ra w in g , s p a c e s b e c o m e s t a c k e d a n d s t a g g e re d v e r t ic a lly b e c a u s e o f la y e r s o f flo o r s a n d t h e y a re c o n v e rg in g t o t h e c e n t r a l t h e a t re h a ll. A n o t h e r im p o r t a n t la y e r e le m e n t s h o w n is t h e s e r ie s o f b a lc o n ie s w h ic h is a ls o a s ig n ific a n t fe a t u re in t h e o s ta g ra m im a g e . A d d itio n a lly, s o m e s m a ll s p a c e s fo r s to rin g e n e rg y s u p p ly m a c h in e r y a n d s tru c tu ra l c o m p o n e n ts a re n e s te d in a la rg e s p a c e w h e re p e o p le c a n m o v e . S e v e ra l m e c h a n ic a l tru s s e s a re u s e d to s u p p o r t th e b u ild in g , a n d a b u n c h o f ro b o tic e n g in e s a re u s e d to fill s o m e g a p s to s u p p ly e n e rg y fo r th e b u ild in g . In t h e a r r a n g e m e n t o f p la n , m a n y s p a c e s s h o w a s p a t ia l t re n d o f c o n v e rg in g t o t h e c e n t r a l t h e a t e r. A ls o , s e v e r a l s p a c e s a re s t a c k e d h o r iz o n t a lly t o c re a t e a s e n s e o f s e q u e n c e a n d la y e rin g . In a d d itio n , th e n e s tin g te c h n iq u e is s h o w e d in th e s a m e w a y w ith th e s e c tio n th a t s o m e s p a c e s fo r tu b e s a n d m a c h in e r y a re n e s te d in la rg e r s p a c e s . T h is e n a b le s th e w o rk in g e q u ip m e n t to u n d e r ta k e th e e n e rg y s u p p ly fu n c tio n a n d a ls o th e v ie w in g fu n c tio n o f d is p la y in g th e m e c h a n ic a l p ro c e s s a t th e s a m e tim e .
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S e c t io n A -A `
T h e a rc h ite c tu re fo rm a c tu a lly re s to re d th e o s ta g ra m im a g e to a g re a t e x te n t in th re e d im e n s io n s w h ile f e a t u r e s o f s u p e r c a r a n d r o b o t w h ic h a r e h a r d a n d c u r v a t u r e w h ile a ll t h e c u r v e s a r e w e ll-c o n t r o lle d . N o t o to th e c it y d u e to its m e ta llic a p p e a ra n c e w ith a s e n s e o f fu tu re . In a d d itio n , th e m a c h in e r y a n d p ip e s fo r o f th e m a c h in e r y in d u s tr y. T h e ro u g h im a g e in c re a s e s th e s e n s e o f c y b e rp u n k a n d th e s e n s e o f fu tu re . T h e its s e n s e o f m o d e rn it y a n d te c h n o lo g y, a ls o th e la n d s c a p e p ro v id e s a p ro te c tio n to th e a rc h ite c tu re w h ic h c o n te m p o ra r y a e s th e tic fre e ly. T h e a rc h ite c tu re in d u s tr y a n d a u to m o b ile m a c h in e r y in d u s tr y a re b o o m in g a rc h ite c tu re s y s te m , h o p in g to p ro v id e a p re lim in a r y d ire c tio n fo r a c c e le ra tin g th e d e v e lo p m e n t o f th e a rc h
e t h e w h o l e b u i l d i n g i s d e v e l o p e d t o w a r d s a M a t -b u i l d i n g . T h e a r c h i t e c t u r e a p p e a r a n c e c a n e x p r e s s t h e o n ly th e s u p e rc a rs a n d ro b o tic m e c h a n ic s a re e x h ib ite d , th e a rc h ite c tu re its e lf is a ls o a n e x h ib it o n d is p la y e n e rg y s u p p ly in s o m e g a p s p a c e s a re n o t d e lib e ra te ly h id d e n , b u t a lw a y s d is p la y e d a s th e c h a ra c te ris tic s e h e ig h t o f th is c u ltu re c e n te r is n o t s o a g g re s s iv e th a t b re a k a e s th e tic fe e lin g o f th is c it y a lth o u g h w ith h g e n e r a t e s a d is t a n c e fro m t h e c it y . S t a n d in g b y t h e H u a n g p u R iv e r, t h is ro b o t ic a rc h it e c t u re e x p re s s it s g ra p id ly. T h ro u g h s u c h e x p lo ra tio n , th e p ro je c t b rin g s a u to m o b ile m a c h in e r y d e s ig n te c h n o lo g y in to th e h ite c tu re in d u s tr y.