2016-2020 Por tfo lio
Yu Ting Zheng
AutoCAD 2D Illustrator Photoshop InDesign Premiere Sketchup Rhino+Render Grasshopper Enscape
Lumion
+886952235234
Chinese
Twinmotion
Line:yuting0216
English
3DPrinter(Cura.FLUX)
Taiwanese
CNC
incamaer@gmail.com
TNGS Tamkung University dp. of Architecture EA4
2017.08 Wood Structure Workship with Fujian Universtiy of Technology in FUT 2018.07-08 Part-time in ć›žćłŠéŠ˜ĺťşçŻ‰ĺ¸Ťäş‹ĺ‹™ć‰€ 2019.07-08 Internship in 上澡ĺ?ˆé™˘ĺťşçŻ‰č¨č¨ˆĺ…Źĺ?¸ 2019.08-09 International Housing Workship with JWU(JP),SU(JP),UCLA(MY) in Malaysia 2019.09-2020.06 TKU Architecture A.S.A as general manager 2020.01-02 Part-time in ć?Žĺ¤Šé?¸ĺťşçŻ‰ĺ¸Ťäş‹ĺ‹™ć‰€
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Nietzsche said: "Life without music is a mistake." He believes that time is a unit of fragmentation, like beads that need to be connected by lines, like rhythm. In the Middle Ages, they used the Renaissance to connect the past and the present, and to revive the past and create the present and then merge into the future. Therefore, I chose polyphonic music and drama to show how the modern Renaissance happened in the architectural space. Polyphonic music is the revival of choral music and the innovation of secular music. Drama is the revival of opera and the innovation of opera.
Pas�i�
C�ntat�
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Dia�r�� Pas�i� 2D Diagram
Process
C�ntat� Unit Build up
2D Diagram
Process
H��m���
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福羅投拉 和聲
合唱 C�n����i�� � T���
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Unit Build up
2D Dia�r�� O��r� S��i�
天上的玫瑰、人世的生命
Ros� ��� C��� , �it� ��� n�nt�
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我的生命，你已經死了
L� �i� �it� ��� m�rt�
強有力的精靈呵 Elf� ���n��
那甜蜜又辛酸的模樣
Q���l� s�u�rd� d�l�� � �m�r�
群山在悲傷， 眾石在哀泣 L� m�nta��� s�n� ��is�� , �� ��e��� �i�ng�n�
=Mo���=
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合唱是 每 個 人 一 段 不 同 的 旋 律 交 織，呈現 出 時 間 的 連 續 性；
正 歌 劇 的 事 件 單 一 性 就 像 是 人 生 順遂 的 過，突 然 有 事 情 發 生，時 間 好 像 走 慢 了 一 樣，呈 現 出 時 間 流 動 速 度 的 交 錯 性；
世 俗 音 樂 是 和 聲，中 間 主 要 旋 律 旁 邊則有配樂，呈現出時間的交織性；
歌 劇 的 事 件 是 複 雜 的 交 錯，最後再合而為一，就像是 一 個 迴 圈 般，呈 現 時間的重而復始。
Then according to the different
characteristics of time for each type of space, according to the characteristics of the first stage of different units, the structure of the way to develop into a building space, obser ve the characteristics of the base have different connection methods can connect four buildings in series.
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6
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With the rapid growth of the world’s population,People are excessive concentration in cities, And those cities are being highly urbanized. A s the building being taller and people spend longer and longer there,It’s began to add vertical public spaces in the city to connect people's lives. Due to Hong Kong’s land policy,limits on land development.If you increase the public space and increase the connectivity between buildings,add a new set of air network,can increase the development of land to retain green space,but the housing rate has risen.
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Concentrated care for the elderly,so that the elderly do not feel lonely,and can use the old man’s life experience or lost craftsmanship,get back the traditional art that is about to be lost. Also increase green silver interaction.
精劇
é‘żĺ—
紙紎
旗�
Caring
Center
School
Reli gi on Space
Sport Fi el d
Theater/ Libary
M arket
> Building Coverage Ratio according to p rogram and us e r ne e ds.
Under5 0 %
Unde r7 0 %
Unde r4 0 %
Under 50%
Event Square
Event Square
Eve nt S qu are
> Flexible Edge
welco me re side nts to use public sp a ce.
> Retreat and height limit of surrou nding buildings Ma ke no de a ctivities close to life and sp a ce u sing.
> Square
space fo r gathe ring activ ities.
> Lift
ma ke no de s stand out or not be dis tu rb ed.
> Building Height Limit according to size of building p ro gram.
Building Typ e
Bu ilding
Usability
35M
Increase sole mnity
35M
20M
Top ography Undisturbed
Building
Space for s tay
35M
Eve nt S qu are
Topography Space for s tay
Se m i-o utdo o r Spa c e Fle xib le Edge
+
Co n ne c tio n
Pe rfo rm a n c e Spa c e
Flexib le Ed g e
= Fle x ib le Ed g e
Stay s pa c e
Flyover Roof Garde n Re tre a t 3-5m
V iewing Ce rem onie s
Fle xible E dg e
Fle xib le E d ge
H old ing c erem onie s
PlayGro und
Gro und
Store
R o o f Ga rd e n
Ve n d o r s area
Co re are a City c anvas / I n fo r matio n wa ll
Co m munity K itch e n
Far m
Op e n Sp ace
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Tamsui was originally from the work of the port city to the leisure of today's sightseeing areas.There
have been a lot of changes, not only the rise of high-rise buildings in the residential area, but also the old houses by the port are slowly renewed.Was the original fresh water blocked by these taller buildings? Lost the original scenery and purity. Regional art museums have more local elements than general art museums,So I hope to strengthen the characteristics of Tamsui in the museum,So that people can feel the charm of fresh water more when they enter the space,You can also enjoy art in the fresh water atmosphere.
Past
Present ĺąą é çœş
çˆŹĺ?Ą 塡埄 ćźŤćĽ ćˇĄć°´ć˛ł
ć˜ ç…§
在 河岸邊走著，聽海浪 拍 打 上 提 方 的 聲 音 ，
早晨的霧涼涼地環繞四周、 覆 蓋 著 河 並 籠 罩 的 所 有 景 色 ，
淡水總使人在不知不覺中走過上坡又走過下坡，
傍晚事河和天空像塊 畫 布 被 染 成 了 橘 色 ，
目光便轉向兩側，那些經歷了歲月的老房子們，
夜晚的八里有 兩 個 世 界 ，
再不寬裕的小徑上也拉近了人與人之間的距離，
但彷彿觸手可 及 那 些 景 色 。
河裡反射出的事物也 都 上 了 橘 色 的 皮 膚 。 一個在天空裡、一個 在 河 裡 繁 星 點 點 。
/映照/
垂直動線也成 為 展 間 的 一 部 份 ，
移動時透過玻璃與 水 或 金 屬 材 質 ， 展生了不同 的 藝 術 映 像 。
經 過一連串狹長的通道突然開闊了起來， 背靠著自然的擁抱，
在蜿蜒的小徑上看不見盡頭，
時 常因為樹枝的靠近而選擇低下身子來，
被植物攀爬、侵蝕、佔據。
看著淡水河緩緩流向大海，
換取最高點處的一望無際， 再慢慢變成天空的一部份，
感受到舊時人們彼此熱絡熟識那時。
雲 和 霧在遠遠那頭籠罩了景色，讓一切淡去。
/漫步/
/遠眺/
在其中漫步之時透過屋頂皮層的設計，
走上屋頂便看見遠方山與海，
豁然開闊後就遇見現今的淡水，
使被 切 割 成 細 碎 的 光 線 灑 落 ， 隨 著 太 陽 升 起 落 下 微 微 晃 動 ， 以 自 然 景 觀為展品，將美術館的目的不再是為了展品， 彷彿正走在戶外感受藝術與自然。 同時也為了環境。
/屋頂/ 桁 架 形 成 Pa t te r n在 洞 口 中 灑 出 不 同 的 光線 我希望人走在美術館中時，
感 覺 自己 好 像 走 入 了 淡 水 河 中 ， 感受光線的流動，
因此讓洞洞版開漸大或漸小的洞，
就像波 浪 的 起 伏 般， 隨 著 起 或 浮 影 響 著 光 線 的 發散或聚集
/爆炸圖/
B1F Plan 01 3
WEst Elevation 01 3
7M
7M
1F Plan 01 3
7M
Section AA’
01 3
7M
For regional art galleries, I think it is very important to connect with regional charm. Tamsui was originally a small port town, and it gradually developed into a tourist city, even a residential area in the suburbs of Taipei. With the development of the times, the original charm of Tamsui was gradually leveled, blocked, and replaced by many tall buildings. Those original charms are gradually disappearing. So I hope that the charm of fresh water can be awakened through the regional art museum, whether it is a visitor or a local
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Under the era of information explosion,people usually become closed and without communicating to each other,so how to balance our work and life to keep the information and communicating open. Analysis P
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North Elevation 0 2
CC’Section
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14 M
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East Elevation 0 2
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South Elevation 0 2
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14 M
DN
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UP
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1F Plan 0 2
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2F Plan
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5F PlanLearning Center N 0 2
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UP UP DN
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10F Plan TAAZEOffice N 0 2
6
14M
13F PlanRestaurant 0 2
6
14M
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14F Plan UDN Office 0 2
6
14M
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Isometric Perspective Section 0 0.5 1.5
3.5M
Damsui Ambiguity
馬偕街
馬偕街
SITE
Site Plan 6
14M
SITE
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在不同的空間裡視線受榕樹阻擋，但不完全 似觀非觀的看著對方的行為而產生曖昧的視線 SIT
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SIT
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EaSt Elevation 01
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7M
文化路
E
Compared with the dominant groups, the disadvantaged groups often suer from dierent degrees of repression, exploitation or unequal treatment due to lack of competitiveness, poor adaptability, lack of certain living abilities or environmental factors, so that they are less likely to create wealth Ability, low social status, no power, no power, no connection, no right to vote, are labeled and discriminated in society. Therefore, I hope to enhance mutual interaction through mutual assistance, exchange their strengths and weaknesses to complement each other, and improve each other's quality of life. By providing the human needs of dierent functional spaces to exchange each other's time, money and even emotionally, increase the activities of each household to enhance each other's connection.
Portfolio
Social Housing
Yu Ting Zheng
2019 Spring
† †
I want to synchronize the space with the mind, and then use the space to change the mind, and through the matter of writing a letter, you can relax your emotions. There is no need to sign on the letter, and there is no pressure. Write any text, and then let go Believe this matter to represent the letting of emotions and calm yourself down. And trustworthiness can also affect the space for trustworthiness. The feelings of people in the light of light, or the third-party perspective can bring different changes.
From the analysis of Yongkang Street, I think that historical memor y is a ver y important piece for local residents. What is special about Yongkang Street is that it is a business district but also the spirit of the residents. The current development process is due to the histor y stack. Therefore, I hope that local residents and tourists can fully understand the importance of histor y to Yongkang Street. The gate of this histor y reading room will have a long corridor with a simple histor y of Yongkang Street, the hall is a high space, the outdoor turf hopes to awaken people's memories of nature, and provides places for children to read outdoors; The right side can be up to the second floor. There are elderly people reading and talking on the second floor overlooking the lobby on the first floor. There is also a lecture area. I hope to invite local elderly people to talk about their unique memories and record them into a book for reading. The whole space is warm and There is no sense of distance, like grandpa telling a stor y. It is hoped that Yongkang Park, a resident spiritual center, can add more connotation and provide residents with more activities.
† … �Š … �‹ � �Š � †
I hope he can create an intermediary small world outside the corridor. The transition between A and B is like a "gray space" between black and white. The interface in the transitional space is an important way to connect the space, so I analyze it from the interface between people and businesses in the city. Since the local land use zoning is all for business, I use the user classiďŹ cation to mark the area. Business category, divide the locality, sightseeing and combination, and then draw the cross-section of each area. By transforming the cross-section into a space element, piece together to create a new space. I hope to make a city and park through this corridor The zone of relaxation allows people to slow down and gradually change the atmosphere and mood of the mind or body, and then use these to change the local space for design.
† †
For the space conďŹ guration, I split the big family into the smallest living unit, so that the elder brother, husband and wife share the balcony but also have their own living space, and the three mothers and children live together but also have their own living space, and ďŹ nally Make the three small families (parents and children) on the same level or up and down, and when they are close together, there will be a common space in the middle to strangle each other. The common space in the community and the common space in the family will be connected using a semi-outdoor balcony to expand the total space. Going deeper into the center can solve the darkroom problem. Larger openings can direct the wind to the southwest, and the openings that require some privacy in the ďŹ eld of view are grilles that not only block the large openings and increase the richness of the facade, but the entire volume is dug appropriately. Vacancy and prominence can increase the sense of liveliness and allow sunlight to enter the room properly.
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